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Tatura Irrigation & Wartime Camps Museum
Harmonica
Used by internees at Camp 3, TaturaHarmonica, silver metal and wood, 10 holes or sections with storage box. Box in 2 sections, has decorative label.Echo|M Hohner|Made in Germany|(on back) Trare Marie, 1871 Ulm Stuttgartharmonica, echo, beck, h, hohner m, camp 3, tatura, ww2 camp 3, musical, instruments, wind -
Melbourne Athenaeum Archives
Theatre program, The Celebrated (play) by Stephen Gard performed at the Athenaeum Theatre 2 commencing 28 November 1985
Article states show may be last by Melbourne Theatre Company at Athenaeum Theatre. Play began as Melbourne Theatre Company Sunday Reading Cast included Beverley Dunn Marie Redshaw directed by Monica MaughamPhotocopied A4 sheets giving details of play athenaeum theatre, program, programme, the celebrated, athenaeum theatre two, melbourne theatre company, stephen gard -
Beechworth Honey Archive
Publication, Demographics of the European apicultural industry. (Chauzat, Marie-Pierre and others). np, 2013
13 pages, illustrated. -
Tatura Irrigation & Wartime Camps Museum
Photograph, Kirsch and Rohl Family
The Kirsch and Rohl families were work in the missions in New Guinea. They were interned in Camp 3 during WW2. Photograph taken 7 March 1945. Back row (left to right standing): Friedrich Rohl, Karl Heinz Kirsch and Karl Kirsch; Front row (sitting) Marie Rohr, Adelhaid Kirsch (standing in front of Marie), Hedwig Kirsch, Marianne Kirsch, Babette Kirsch and Gerhard Kirsch (standing in front of Babette. Black and white photograph of a 4 adults and 5 children (3 standing and rest sitting) in front of a hut. Copy.kirsch family, rohl family, new guinea missions, internment camp 3 -
Benalla Art Gallery
Painting, Marie TUCK, Girl resting, Not dated
Born: Mt Torrens, South Australia, Australia 1872; Died: 1947ImpressionismLedger Gift, 1988Figure in blue dress lying on grass under trees reading. Gold painted frame.Recto: Signed "M.Tuck" in brown paint l.r.c of composition; Not dated; Not titledlandscape, figure, reading, trees, blossom, spring, australian art -
Ballarat Base Hospital Trained Nurses League
Phyllis Marie Goodwin - Trained BBH - Jan 1947 to Feb 1950 - 3 Annual Reunion Invitations, 1943, 1950, 1962
Hard copy - good condition.reunion, invitation, 1943, 1950, 1962, goodwin, netherway -
Ballarat Base Hospital Trained Nurses League
Phyllis Marie Goodwin - Trained BBH - Jan 1947 to Feb 1950 - 23 photos
Hard Copy & Digital goodwin, netherway, 1947, 1948, 1949, 1950, graduation, falla, altamore, king, mole , waterton, buchanan -
Ballarat Base Hospital Trained Nurses League
Phyllis Marie Goodwin - Trained BBH - Jan 1947 to Feb 1950 - 1 Certificate
Hard copy & Digital -
Ballarat Base Hospital Trained Nurses League
Phyllis Marie Goodwin - Military Photo - Panarama - WW11
Hard copy - Panaramagoodwin, military, nurses, ww11, concord, repatriation, hospital, army, raaf, aamws, red cross, physiotherapists -
Ballarat Base Hospital Trained Nurses League
Ballarat Courier - ANZAC Day March 2017, Marie Dell & Robyn Donald - marching with BBH Trained Nurses League
courier, anzac, march, 2017, marie, dell, nihill robyn, donald, marching, bbh trained nurses league -
Tatura Irrigation & Wartime Camps Museum
Photograph, Marie La Peyre with Japanese exchange student
Marie La Peyre with Japanese Rotary Exchange student wearing traditional Kimono dress. c1970s.tatura, exchange student, lapeyre m, locals, costume, female, ceremonial -
Tatura Irrigation & Wartime Camps Museum
Domestic object - Ink Bottle
Found at Camp 2 site by Marco GazziRound glass bottle with narrow neck.1 1/2 ozs. Swan ink. This bottle always remains the property of Marie Todd & Co. (Aust) Ltd.mario gazzi, ink bottle, marie todd and co, camp 2 finds, glass ink bottles -
Victorian Aboriginal Corporation for Languages
Report, Marie Hansen Fels, These singular people : the Ovens Blacks : supplementary report 28 July 1997, 1997
waveroo, waywurru, bangerang, taungorung, taungurung, george augustus robinson, moieties, victorian history -
Victorian Aboriginal Corporation for Languages
Book, Marie Hansen Fels, Good men and true : the Aboriginal police of the Port Phillip District, 1837-1853, 1988
The Aboriginal Police in the Port Phillip District were LaTrobe?s orderlies. This book contrasts what attracted men to this force in comparison with Mission life.�b&w illustrationsport phillip district, wimmera, lower murray district, gippsland, pentridge stockade, victorian history -
National Wool Museum
Photograph - 02 Wilkin, Nicole Marie, Women In Wool - Photographic Collection, 2018
National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie -
National Wool Museum
Photograph - 03 Wendy, Nicole Marie, Women In Wool - Photographic Collection
National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie -
National Wool Museum
Photograph - 04 Katelynn, Nicole Marie, Women In Wool - Photographic Collection, 2018
National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke KeoghVirtual Imageswool, women in wool, nicole marie -
National Wool Museum
Photograph - 05 Chloe, Women In Wool - Photographic Collection, 2018
National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie -
National Wool Museum
Photograph - 06 Tilly, Nicole Marie, Women In Wool - Photographic Collection, 2018
National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie -
National Wool Museum
Photograph - 07 Panels, Nicole Marie, Women In Wool - Photographic Collection, 2018
National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie -
National Wool Museum
Photograph - 08 Pinhole, Women In Wool - Photographic Collection, 2018
National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie -
Stawell Historical Society Inc
Photograph, Hermitage Great Western 1900's
... Street scene of Great Western with Hermitage at centre... & Paxton Street. Residence of Madane & Marie Trouthe after leaving ...Taken Great WesternStreet scene of Great Western with Hermitage at centre. Corner of Stephenson & Paxton Street. Residence of Madane & Marie Trouthe after leaving St Peters Winery 1890'sI think Mrs J McC? lives there now.winery, streetscape -
Gippsland Art Gallery
Textile, Ingrouille, Marie, Egrets, 1981
Purchased, 1981Ink and textile (Batik)gippsland, artwork, permanent collection -
Gippsland Art Gallery
Textile, Ingrouille, Marie, Untitled, c.1970s
Donated from the estate of John Leslie OBE, 2017Ink and textile (Batik)gippsland, artwork, permanent collection -
Gippsland Art Gallery
Textile, Ingrouille, Marie, Wild Flowers, 1977
Purchased, 1977Ink and textile (Batik)gippsland, artwork, permanent collection -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 190
One of a collection of 56 knitting pattern books donated by Mrs Hilma Carruthers. These books had been used by Mrs Carruthers, her mother and her two daughters. This book was produced by Patons and Baldwins and contains knitting patterns for womens garments.Patons / KNITTING BOOK / NO. 190 / "LISBETH" / See page 8 / "MARIE" / See page 10 / 6d.handicrafts - history knitting, patons and baldwins (australia) ltd, handicrafts - history, knitting -
National Wool Museum
Photograph - 01 Bendigo, Nicole Marie, Women In Wool - Photographic Collection, 2018
National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie -
St Kilda Historical Society
Photograph, Miss Marie Studholme
tinted postcard with handwritten message: Leaving for Gleneira today for week, addressed to Miss Taggart(?) in Elsternwick, with 1d stamp, stamped at Prahran.tinted post cardD.J. Taggart stamp -
St Kilda Historical Society
Postcard, R W Thomas, Marie Studholme
R W Thomas Postcard of Marie Studholme boarding a horse carriagetinted colour postcard, unmounted, original, good conditionPost Card printed in Great Britain. Valentine's Series R W Thomas, Photo -
St Kilda Historical Society
Photograph, J Beagles & Co, Marie Studholme Miss, c. 1906
Seated studio portrait of Miss Marie Studholmeblack and white postcard, unmounted, original, fair conditionOn front Xmas 1906. On back Dear Lalla I wish you a Merry Xmas & a Happy New Year. H B Davey. Address Mrs Lall Williams c/- Mrs Williams, the Grove, Morelands Victoria