An information brochure on where to see tall trees, Forest Giants, in Victoria, including Marysville, that was published in January, 1938.An information brochure on where to see tall trees, Forest Giants, in Victoria, including Marysville, that was published in January, 1938.Victorian Railways Print January, 1938 469-38 Stamp of Victorian/ Government Tourist Bureau/ 272 Collins Street/ Melbourne C.1victoria, australia, victorian government tourist bureau, betterment and publicity board, victorian railways, white mountain ash, red mountain ash, messmate, blue gum, mountain ash, cumberland valley, marysville, mount monda, healesville, acheron way, alpine highway, omeo, baw baws, strzelecki ranges, otway ranges, warburton, yarra junction, noojee, bulga and tarra valley park, yarram, turton's pass, otway forest, beech forest, apollo bay, information brochure, brochure

Allwood at Hurstbridge was named and first settled in 1837 by the Haley family. A house was built of one round of vertical slabs (red gum). Later it was the Hurst family home where Henry Hurst was shot by Burke the Bushranger on 4 October 1886. George Gray took over the property and the original home was eventually demolished. Gray, a fruit grower established an orchard and Allwood Nurseries which became a very successful business growing and exporting. This is probably around the time when this photo was taken where rows of fruit trees can be seen in the foreground. A house and associated buildings, possibly part of the nursery are behind. This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, diamond creek, hurstbridge, allwood, orchard

Roll of 35mm colour negative film, 2 stripsKodak Gold 200-6activities, lower plenty, stawell road, trees, river red gum

Book with red and white cover.port phillip, california, ballarat, thomas chapman, john kelly, strath loddon, louis michel, william habberlin, james esmond, george bruhn, thomas hiscock, john dunlop, james regan, james oddie, herbert swindell, tom toddleton, buninyong, tom brown, squatters, alfred clarke, paul gooch, john hall, eureka stockade, harrie wood, william akehurst, monster nuggets, john evans, daniel evans, thomas george gough, william john gough, sarah sands, john lees, william green, canadian nugget, bob fee, henry gunn, michael welsh, benjamin robertson, thomas carroll, white horse ranges, little bendigo, red hill, john vinvent brewer, george noble, w.h. ferrier, john alloo, peter lalor, john basson humffray, raffaello carboni, james rice, john yates, thomas bath, gum-tree flat

Photograph of a section of Pall Mall, Eastwards from the corner of Bull Street. Some of the businesses visible are : Freemasons (hotel?), outfitters, Monster sale of Drapery, C. Huxtable, Saddlers, In The foreground there are numerous tree guards as well as several large Red Gumsplace, streetscape, pall mall, pall mall, freemasons, c, huxtable, bianchi

Born: Westbury, Wiltshire, England 1890; Arrived: Melbourne, Victoria, Australia 1893; Died: Warragul, Victoria, Australia 1923ImpressionismLedger Gift, 1981Rural landscape with large trees and small figure with gold brushed timber frame.Recto: Signed "Penleigh Boyd." in red oil in l.r.c of composition; Not dated; Not titledpainting, landscape, trees, figure

Dr Carl von Brandenstein was born in 1909 in Hanover, Germany. He studied oriental languages and the history of religion at Berlin University (1928-1934) and Leipzig (1938-1939). His doctoral thesis was a dissertation on the iconography of Hittite gods. He was arrested in Persia in 1941 and sent to Australia where he was interned at Loveday Camp South Australia and in Camp 1 Tatura from January 1945 until his release in August 1946.Four artworks in a dark wood frame with terracotta coloured matte. Item 1: Hospital Waranga. Tall gum trees in foreground, blue sky . Staff standing under the veranda and a red cross vehicle parked in front. A barbed wire fence surrounds the hospital. Item 2: Inside the Library. Item 3: Camp Barracks. Four huts in a row . A tree and garden in front. Item 4: Reading Room. A table in centre of the room with a single chair. Books and stationery items on the table. A lamp hangs from the ceiling. Bookshelves along the walls and paintings on the wall. Item 2: "am letzten Tage deiner Internierung dem lieben Hans Wulff fur Errinnerung an gemeinsam gebautes" (English Translation: On the last day of your internment to dear Hans Wiulff for remembrance of what we built together. camp 1, tatura, carl von brandenstein, internment camp loveday, waranga hospital, library, hans wulff

Note by T.H. Kneen 19 November 1991, "The two trees beyond the P.R.L. Are Eucalyptus camaldulensis(Red Gum) and the nearer and taller of the two was severely damaged by a storm (mid fifties). The other tree has survived and is a very good specimen."Black and white photograph. View of rear of Plant Research Institute/Laboratory (PRI/PRL), glasshouse and circular bed.On reverse, "Plant Research Laboratory, Glasshouse & Back Entrance to P.R.L. Dec 1932," signed by A.W. Jessep.plant research laboratory, prl, glasshouse, a.w. jessep, plant research institute, pri, trees, eucalyptus camaldulensis, department of agriculture victoria

Wangaratta Art Gallery CollectionA sculpture of a steel gum tree silhouette on a stained red gum base.rose wedler, sculpture, gum tree

Wangaratta Art Gallery CollectionA sculpture of a steel gum tree silhouette on a stained red gum base.rose wedler, sculpture, gum tree

Although the Beenak Post Office officially closed on 31 August 1951, the Mail Box continued to be used until 1976. The history of Beenak (the town that never was) is part of the Yarra Valley Ranges, and this picture tells the story of the historic MailboxBlack and White Picture of the original Beenak Post Office Letter Box, used for collecting mail during the Beenak Sawmilling operations. The Friends of Kurth Kiln have errected a Commemorative Plaque on site next to the huge gum tree that still carries the scar where the the mail box had been mounted. A full scale replica of the box has been fitted to the shed at Kurth Kiln, made and painted by Henk Bouck under the supervision of ex PMG officer John Waghorn beenak, post office

WARM was a community textile art project that saw over 250 knitters come together to create a beautiful collage tapestry. Made entirely from wool, the artwork contains more than 1000 individual hand knitted sections. The project takes aim at global warming, it highlights both the causes and solutions for us to create a sustainable and safe climate for future generations. Lisa Kendal, the co-creator of the project, said “One of the problems in the world is that we have forgotten how to warm ourselves with wool. We have become too dependent on fossil fuels (for heating)”. This is the key idea surrounding the project. WARM began as two large scale images created by Lars Stenberg. The first image is a landscape scarred by coal mining. The second image is the same landscape only many decades later. Regeneration and regrowth have taken over the landscape and hidden the past coal mine completely. In its place is a beautiful landscape including trees, native flowers, a lake, lots of greenery and wind turbines. From March to the end of August in 2016, knitters worked hard to create the over one thousand pieces that came together to form the final tapestry. The pieces were all designed by Fibre Artist Georgie Nicolson of Tikki Knitting Designs, who converted the second image of the healed landscape into patterns for the 250 plus knitters to follow. These patterns included unusual designs such as gum leaves, trees, native flowers and even the wind turbines. During several days of installation, the knitted pieces were stitched together by Lars Stenberg over a picture of the first image of the operational coal mine. They worked to create the second image of the renewed landscape; like an enormous collage. The WARM project was donated to the National Wool Museum in 2021. It was a much-loved hanging within the Ballarat Hospital for many years before coming to the museum. More information about the project can be found on the following website. http://www.seam.org.au/warm The tapestry is made from 1000+ hand knitted sections stitched together to make an image. In the foreground of this image is a large gum tree that stretches from the bottom left to the top right corner. The trunk of this tree follows the left edge of the tapestry, with foliage from the gum tree spanning its top border. The bottom third of the tapestry is predominantly green grass with yellow, pink and red flowers providing sporadic colour. The middle third encompasses a lake, with orange colours surrounding the banks of the water as opposed to the green grasses of the bottom third. To the right of the lake are wind turbines. The top third of the tapestry is blue sky with white clouds. It also contains the previously described gum tree leaves. Each piece of the tapestry is 100% wool and was hand knitted and stitched together. The Tapestry is accompanied by an oil painting on canvas. It is a painting that matches the tapestry and served as a template for the final tapestry. Finally, the tapestry is accompanied by another pointing on wood board. This final panting is of a coal mine. This is the setting before regeneration and regrowth have reclaimed this site, which is the theme captured in the final tapestry. In the foreground of the coal mine painting is the same gum tree described in the tapestry; however, it is grey and sickle with only 4 leaves visible at the top border, compared to the numerous leaves in the tapestry. Also in the foreground is a broken barb wire fence adding to the unwelcoming nature of the site. The colour scheme of this image is of dark greys and browns. A coal fired power plant can be seen in the final third of the image with four chimneys emitting plumes of smoke into the sky. In front of this power plant is the spiral shape of a coal mine, burrowing deep into the earth’s crust. Inside of the coal mine 3 yellow trucks are seen mining and transporting coal to the top of the mine.warm, community textile tapestry, knitting, community artwork, global warming

Part of a set of 11 slides depicting scenes relating to sheep pastures.35mm colour slide in a red and white paper slide mount, depicting a rural scene with gum trees and pasturesPrinted: SHEEP PASTURES / Set No. A868 No.9 / Western District Pasturessheep nutrition, wool growing, sheep - nutrition, western district, gum trees, pastures, farm

Path shown is on the western side of Lake King, Rutherglen. The pine trees have been replaced with river red gums.Black and white postcard photograph showing a path through and avenue of trees.Printed at bottom right of photo: "Park Path Rutherglen 17" Message written on back of card: "Dear Alban | Just a card to wish you the complements of the season. I've been so busy that I've not had time to write, so excuse this short note. Hoping you and yours are in the best of health as we are also. I am your affectionate cousin Olga"rutherglen park, lake king

The Big Tree is listed a a tree of State significance on the National Trust's Register of Significant Trees of Victoria for its outstanding size, curious fusion of branches, as an outstanding example of the species and as an important landmark.A number of colour photographs of Guildford's Big Tree - a River Red Gum (Eucalyptus camaldulensis). The tres is believed to be one of the largest examples of the species in Victoria, and has been recorded as having a height of 30 metre, a canopy spread of 34 metres, and a trunk circumference of 9.35 metres. The tree was already an ancient giant when white settlers first arrived in the 1840s. On Saturday evening, February 28th 2015, just as dusk was falling, Guildford was hit hard by tornado-like winds, felling the big cottonwood tree down by the river, and tearing limbs from the iconic Big Tree, reducing it by an estimated one third. The debris has been cleared since then and the tree seems to have survived its ordeal, though its size is certainly diminished.big tree, guidlford, river red gum

At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.Completed in November 1890, the railway viaduct (now the Chandler Highway Bridge) linked Kew and Fairfield. The viaduct is significant as the most substantial extant engineering remnant of the Outer Circle Railway Line. Opened in March 1891, the viaduct crossed the Yarra River in a single span, atop three supporting brick pillars. Following the closure of the railway line in 1927, and the construction of the Chandler Highway in 1930, the bridge was used for vehicular traffic. In 1891 when this panoramic photograph was taken, the grounds of what was then the Kew Lunatic Asylum extended down to the River and eastward beyond the viaduct. The landscape surrounding the Asylum was planted with traditional exotic trees such as Oaks, Pines and Cedars, and landmark trees from northern Australia such as the Hoop Pine. Remnant indigenous trees such as the River Red Gum, Yellow Box and Lightwood were scattered around the site, including beside the Yarra River.Railway Bridge Over the Yarrakew illustrated, kew where we live, photographic books, henry kellett, railway viaduct - - kew (vic)

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.On the Miller Estate, Myrtle Hill, an immense red gum became known as the 'Canoe Tree' because of the scar in its trunk which was believed to have been caused by the local Indigenous inhabitants of Kew in creating a canoe. Dorothy Rogers (A History of Kew, 1973) records that "the tree, with increasing age became a safety risk, and was at first lopped, but when the land was subdivided some years ago it was removed all together. In Bowyer Avenue, which bears a family name of the Millers, a memorial has been erected which commemorates the tree." There is no date given for its removal.canoe tree, myrtle hill, dorothy rogers, bowyer avenue (kew), first peoples

Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future). Bunjil the eagle used to be a man called Karringalabil. As a man he created the first man and woman out of bark from the sacred manna gum tree and clay from the river bed. He created the plants, animals, mountains, waterways, sky and under Country. After which he turned himself into an eagle. He has two wives, Kunuwarra the black swan sisters. After he completed all of creation he flew up into the sky at Lal Lal Falls and he now watched over us as a star in the night sky and as an eagle by day.Brown, red and white tone feather motif with yellow eye design on outer clock, red and black diamond and circle design in lining. Solid black trimming. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, wadawurrung dja, first nations art, cloak

Product label in tones of red, blue and yellow showing printed text and a graphic of sheep under a gum tree. front: [printed] NO RUG TO EQUAL / THE / TRADE MARK REGISTERED / Ba-Ba / RUG / GUARANTEED / ALL WOOL / ABSOLUTELY THE BEST / FOR / WARMTH / WASHING / WEARING / & HEALTH / MADE FROM / PURE / AUSTRALIAN WOOL BY AUSTRALIAN MILLS / No. A W / Size: 72 x 60 / Weight lbsalbion mills, archives, wool industry, blankets, rugs, products, advertising, geelong, packaging, label, graphic design

Photograph Album sent in with the National Estate/Heritage Register by Sandi Pullman. (1) Old car park (Bull Paddock) with Cork Oak. (2) Main Building front steps. (3) Main Building with Magnolia grandiflora. (4)View of Luffmann Ponds and old willow. (5) View of Ginkgo and Emily Gibson bed. (6) Looking between Emily Gibson beds to English Oak. (7) Summer House. (8) Luffmann Ponds. (9) Bergenia Walk with conifers. (10) View of Pencil Pines around entrance to Sunken garden. (11) Luffmann Ponds and Pinus canariensis. (12) View of entrance to Sunken garden. (13-14) Sunken garden. (15) Original terracing at entrance to Shady Walk. (16) Pears in blossom in Field Station. (17) Agathis robusta from the Herb Garden. (18) Ellis Stones Rock garden newly replanted. (19) james Hitchmough Grasslands. (20) Elm tree with Dairy in the background. (21) Original Red Gum in james Hitchmough Grasslands. (22) Kath Deery Native garden. (23-24) Rose Garden. (25) Sequoiadendron giganteum.national estate, heritage register, sandi pullman, sandra pullman, bull paddock, cork oak, magnolia, luffmann ponds, willow, ginkgo, emily gibson bed, english oak, summer house, bergenia walk, conifers, pencil pines, sunken garden, pinus canariensis, shady walk, pears, blossoms, field station, agathis robusta, herb garden, ellis stones rock garden, james hitchmough grasslands, elm tree, dairy, red gum, kath deery native garden, rose garden, sequoiadendron giganteum.

Commemorative Bottle of Red Wine issued at VVAA National Congress, Seymour, May 2015.Significant as a memory of the State Conference in May 2015.Commemorative Bottle of Red Wine issued at VVAA National Congress, Seymour, May 2015.Label comprises: Background of blue sky and gum tree. Vietnam Veterans Association of Australia logo is front and top of label; text beneath the logo is in upper case: "Vietnam Veterans Association of Australia National Congress, May 2015, Seymour, Vic". Below that text are two pictures of the Vietnam Wall in Seymour - the Honour Roll with an Australian Flag overlay and, the Long Tan Cross. Capacity: 750mm. At the bottom of the label is text: Hosted by the VVAA Victorian Branch and Mitchell Sub-Branch.vietnam, vietnam war, diamond valley vietnam veterans sub branch, vietnam veterans association of australia

1979 - Mordialloc-Chelsea High School students standing in front of “Old Be-al” in Victoria’s Wyperfeld National Park, near Outlet Creek. It has been described as one of the most magnificent River Red Gums in the land. This glorious tree with foliage hanging to the ground escaped the fire of 1959 but not the fire of 1982 that damaged it badly. It lives on but has also suffered from lack of water and is now inaccessible to the public in a reference area. The MCAA has provided this image to the Friends of Wyperfeld National Park. Mordialloc-Chelsea High School students visited the Wyperfeld National park annually for the biology and geography Year 11 school camp.Example of a River Red Gum at Wyperfeld National Park.Digital image reproduced from colour slide.big desert fire 1959, mordialloc-chelsea high school camp, wyperfeld national park, fire 1982, old be-al river red gum

At the height of the river trade, there was a town surveyed and laid out, and streets were named. This town was to house the workers at the river port of Red Bank when the paddle steamers plied the Murray River as far as Albury, carrying produce such as wool and wheat to the various towns along the river in the 1800s. As the river trade died away, this town never went ahead – one might say, “The town that never was.” A lone gum tree stands on the site today.This item is significant because it documents plans which were made for the early development of Wodonga.A black an white map depicting the proposed location of the township. The map is based on a sketch and is not to scale,early wodonga, boorgunyah - "the town that never was", wodonga heritage

The Big Tree is listed a a tree of State significance on the National Trust's Register of Significant Trees of Victoria for its outstanding size, curious fusion of branches, as an outstanding example of the species and as an important landmark.A photographs of Guildford's Big Tree - a River Red Gum (Eucalyptus camaldulensis). The tre-es is believed to be one of the largest examples of the species in Victoria, and has been recorded as having a height of 30 metre, a canopy spread of 34 metres, and a trunk circumference of 9.35 metres. The tree was already an ancient giant when white settlers first arrived in the 1840s. On Saturday evening, February 28th 2015, just as dusk was falling, Guildford was hit hard by tornado-like winds, felling the big cottonwood tree down by the river, and tearing limbs from the iconic Big Tree, reducing it by an estimated one third. The debris has been cleared since then and the tree seems to have survived its ordeal, though its size is certainly diminished.big tree, guidlford, river red gum

The Big Tree is listed a a tree of State significance on the National Trust's Register of Significant Trees of Victoria for its outstanding size, curious fusion of branches, as an outstanding example of the species and as an important landmark.A photographs of Guildford's Big Tree - a River Red Gum (Eucalyptus camaldulensis). The tre-es is believed to be one of the largest examples of the species in Victoria, and has been recorded as having a height of 30 metre, a canopy spread of 34 metres, and a trunk circumference of 9.35 metres. The tree was already an ancient giant when white settlers first arrived in the 1840s. On Saturday evening, February 28th 2015, just as dusk was falling, Guildford was hit hard by tornado-like winds, felling the big cottonwood tree down by the river, and tearing limbs from the iconic Big Tree, reducing it by an estimated one third. The debris has been cleared since then and the tree seems to have survived its ordeal, though its size is certainly diminished.big tree, guidlford, river red gum

A brown hardcover landscape format book with a red dust jacket which has a large coloured painting of a country cottage set amongst gum trees, by the author and artist Frank Mutsaers. It has 42 coloured plates with many accompanying black and white sketches. The title page is signed by Frank in blue biro.non-fictionFrank's love for Australia is reflected in his paintings which capture the moods of the Australian landscape.art books, australian landscape, australian art, australian heritage