This piece of music is the varsoviana dance piece from the Giacomo Meyerbeer opera, ‘L’Etoile Du Nord’ arranged by Camille Michel. The varsoviana was a slow graceful dance originating in Poland in 1850 and appearing in Australia in 1856. ‘L’Etoile Du Nord’ was a comic opera in three acts composed by Giacomo Meyerbeer in 1854. Meyerbeer was the most successful stage composer of the 19th century but his works are rarely performed today. Camille Michel was an editor, composer, author and arranger working from the 1840s to the 1880s. The varsoviana music arrangement probably dates from the late 1850s or 1860s. It is not clear who ‘Minnie Henty’ was but it is most likely that she was Minnie Adair who married George Henty, the son of Stephen and Jane Henty, pioneer settlers in Western VictoriaThis sheet music is most important mainly because of the ‘Minnie Henty’ signature. The Henty family members, founders of the first permanent Victorian settlement at Portland, were influential in the history of the Warrnambool area because of their connections with surrounding properties and with coastal shipping. The music also has social significance as an example of music popular in 19th century drawing rooms.This is a two-page piece of sheet music (cover and two pages of music notation) with the material printed in black on cream paper. The back cover is blank and the front cover has the title and names of the composer and the arranger with ornate scrolls around the printing. The edges and fold of the pages are much tattered and torn in some places. There is also a Warrnambool and District Historical Society stamp on the front cover and the signature of Minnie Henty. Front Cover: ‘Minnie Henty’ ‘Varsoviana sur L’Etoile Du Nord de G. Meyerbeer pour le piano par Camille Michel, Ent.Sta.Hall., Price 1s/-, London, Cramer, Beale & Co., 201,Regent Street & 67, Conduit Street and at 167, North Street, Brighton.’ henty family, giacomo meyerbeer, camille michel

This frame contains two as yet unidentified soldiers from two of Australia’s earliest overseas conflicts. The WW1 soldier has the rank of Captain and the Boer War soldier has the three stripes of Sergeant. It is possible that he belongs to the Coronation Contingent of Edward V11 in 1902.These soldiers were selected form all over Australia with 42 coming from Victoria. The Australian War Memorial cites a number of approximately 16000 soldiers who fought in the Boer War from 1899-1902. Of that number 282 died in action or as a result of wounds while around 320 died as a result of disease and accidents. Six received the Victoria Cross as well as other awards for bravery. The First World War had more drastic consequences for Australia. From a population of less than 5 million, 416809 men enlisted of whom over 60,000 were killed with 156000 wounded gassed or taken prisoner. Australian fought from 1914-1918 from Egypt, Turkey, and the Western Front in Europe. These photographs are representative of many photos which are kept in remembrance of Australian soldiers who fought in wars particularly the two world wars. The Boer war photo is a rarer one.This bi- fold photo frame is rectangular in shape with a rounded section at each top. It is leather in composition and has the Rising Sun insignia in each arch which appears to be metal. There are glass covering two photographs one of a Boer War soldier and the other of WW1. It is hinged in the middle with a double layer of leather which is broken .The Boer war photograph has a coloured flag and medal ribbons. The two Rising Sun badges have Australian Commonwealth Military Forces. The frame itself has J C Vickery Regent St W stamped on the back in gold with a crown above it. The photograph of the WW1 soldier has Hana Studio Ltd 22**** which although unreadable has been matched with another photograph to read,” 22 Bedford St Strand London. The photograph of the Boer War soldier has no studio identity. warrnambool history, unknown soldiers of warrnambool, boer war soldier, world war 1 soldier

Photocopy A4 size of a foolscap document, missing left hand edge of an advertisement titled "Tram Terminus Estate - West Preston". Auction dated 2/4/1927. Has an image of tram L 104 with a destination of West Preston, 70 sites, 5 shop sites, Gilbert Road and Regent Street. Sales by Coghill and Haughton of Swanston St Melbourne Gives fares from Regent Station and by tram.trams, tramways, auctions, real estate, advertisements, new tramway, regent, west preston, tram 104

Used by Mrs. H.N. LordMaroon material suitcase with leather straps and metal zippers and buckles, with 2 luggage tags."Regent"suitcases, luggage

‘A’ Squadron 8/13 Victorian mounted Rifles hosted a special screening of the movie “The Lighthorsemen” at the Regent Theatre Albury on 11 September 1987. The official party included the Area Commander Albury-Wodonga Military Area, Honorary Colonel 8/13 VMR and Officer Commanding ‘a’ Squadron 8/13 VMR. The VMR Heritage Troop mounted a Lance-Guard in the theatre foyer and the Albury City Band played prior to the screening. Proceeds from the function were donated to Legacy.Colour photograph of a group ascending stairs at Regent Theatre Albury. From left: Capt R. Morrison, Colonel J. Neale, Mrs. D. Morrison, major J. Gay, Mrs. C. brewer, Colonel C. Brewer.

Regent Honeyeaters get their name from their striking yellow-and-black plumage . Previously found across the south east of Australia far as Adelaide and Rockhampton in central Queensland, over the last thirty years their population has dwindled. Regent Honeyeaters are now only found between north-eastern Victoria and south-eastern Queensland, with only three known breeding grounds. Regent Honeyeaters typically live in eucalypt forests and woodlands. The yellow edging on the specimen's wings is duller than the bright yellow typical of most Regent Honeyeaters. The specimen is also stretched taller than most Regent Honeyeaters, resulting in a thinner neck and chest compared to the plumpness typically expected. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.The Regent Honeyeater is a critically endangered Australian bird due to the clearing of their natural habitat, particularly around the Yellow Box-White Box-Blakely's Red Gum Woodlands in New South Wales. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Regent Honeyeater has a dark brown/black crown with a distinct orange patch under each red-coloured eye. Its back and upper chest are also a dark brown but with a white scalloped pattern. At the lower are of its belly, the white colour dominates the brown. Its wings and tail are brown edged with yellow. Its beak is a short, dark brown curl and its legs are brown. The bird stands on a brown, wooden perch with a circular bar, curved stand, and circular base. It has an identification tag tied around its right leg.57a. / Warty-faced Honey-eater ./ See Catalogue, Page 18 ./taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, regent honeyeater, honeyeater, warty-faced honeyeater, australian birds, endangered birds, endangered animals

The magazine was produced as a tribute to Lillian Roxan who was a great Australian and an international journalist. It is not dated but was published by Sungravure Pty Ltd circa 1974-75, The editor, Ailsa Craig wrote for the the magazine Woman's Day in the 1950s and 60s. she had an active career in journalism from 1960-1980. it contains b/w and sepia photographs. This magazine style paperback book contains photos of an earlier Australia.A paper magazine - AUSTRALIA ALBUM -THE PAST IN PICTURES. It contains prints of historic photos. On the front cover is a portrait of three young children dressed in early 19th century clothing. This is inside an oval frame with a gold border. There is a wreath of colourful flowers and butterflies surrounding this.The title is printed in red at the top. In the top right-hand corner is the price $1.50. It was edited by Ailsa Craig and contains photos and text from readers of Womans Day, The Sydney Morning Herald, the Sydney Mitchell Library and the Department of the Army. The magazine style book has 94 pp.magazine photos roxon-lillian craig-ailsa

This trophy was won by H. Cumming, member of the Orbost Rifle Club. Harold Cumming was the son of William Cumming a Bete Bolong farmer who was a Shire councillor, a well-known local sportsman and a Rechabite. Jacob Perry was an Orbost farmer. Born 1874. Died 1950. He was a Boer War veteran , 4th Victorian Imperial Bushmen. a shire councillor and worker for school affairs.This trophy, in excellent condition, is aesthetically significant as well as having a well-provenanced historic significance. Harold Cumming was the son of William and Ellen (Mundy) Cumming who farmed land at Bete Bolong from c1880s. A silver plated trophy - a coffee pot - won by H. Cumming. It is an Orbost Rifle Club trophy - the Jacob Perry Memorial Trophy - 1954.O.R.C. JACOB-PERRY MEMORIAL TROPHY 1954 Won by H. Cummingorbost-rifle-club trophy cumming-h

Played by Lou Silbereisen for recordings with Graeme Bell and His Australian Jazz Band in the late 1940s and 1950s. Played by Brian Carter from 1958 to the mid 1960s.Boosey & Hawkes is a British music publisher. Until 2003, it was also a major manufacturer of brass, string and wind musical instruments. Recording Brass Bass manufactured by Boosey & Hawkes circa 1930s. Played by Lou Silbereisen for recordings with Graeme Bell and His Australian Jazz Band in the late 1940s and 1950s. Played by Brian Carter from 1958 to the mid 1960s.lou silbereisen, recording brass bass, boosey hawkes, graeme bell and his australian jazz band, brian carter

This model was part of a panorama consisting of 11 pieces designed from drawings in an 1892 almanac printed by Port Fairy Gazette The panorama was used in the Historical Society rooms in Bank St. On an extended mantel piece, before being relocate to Gipps Street. It was made by a member of the Port Fairy Historical Society Mr Allan mewkill.This model was made as a part of an eleven piece panorama of the streetscape of Port Fairy in 1892. By a local resident of the town.Small hand made model of a shop front from the 1892 almanac. T. Storey Taiiormodel, bank street, almanac, alan mewkill, t.storey, tailor

This model was part of a panorama of 11 pieces designed from photos in an 1892 almanac printed by Port Fairy Gazette. The Panorama was used in the Historical Society rooms in Bank Street. On an extended mantel piece, before being relocate to Gipps Street.This model was made as part of an eleven piece panorama of the streetscape of Port Fairy in 1892. By a local resident of the townSmall hand made model of a shop front from the 1892 almanac and small gold and black painted sign that stated "Port Fairy 1892" Dublin House Russell & Powell Dublin House .1 Port Fairy 1892model, mewkill, bank street, almanac

This model was part of a panorama of 11 pieces designed from drawings in an 1892 almanac Printed by Port Fairy Gazette. The panorama was used in the History Society rooms in Bank St Port Fairy on an extended mantel piece, before the Museum and Archives were relocated to Gipps Street Port FairyThis model was made as a part of an eleven piece panorama of the streetscape of Port Fairy in 1892. By a local resident of the town.Small hand made 3D model of a shop front from the 1892 AlmanacAlbion House 1854 Hutton Bros.sackville street, model, mewkill, almanac, albion house, bank street

This model was part of a panorama 11 pieces designs from photos in an almanac printed by Port Fairy Gazette. The panorama was used by the Historical Society rooms Bank Street as a display on an extended mantel piece, before being relocated to Gipps Street. It was made by Mr Alan Mewkill a member of the Port Fairy Historical Society.This model depicts in 3D, part of the streetscape of Port Fairy in 1892 as drawn in a calendar/almanac of the time. Small hand made model of a shop front form the 1892 almanacThomas Robinson - Managerpanorama, model, bank street, sackville street, mr t robinson, alan mewkill

This model was part of a panorama of 11 pieces designed from drawings in an 1892 almanac printed by the Port Fairy Gazette. The panorama was used in the Historical rooms in Bank Street on an extended mantle piece before the museum and Archives were relocated to Gipps Street.This model was made as a part of an eleven piece panorama of the streetscape of Port Fairy in 1892. By a local resident.small hand made model of a shop front from the 1892 almanacTailoring Establishment John Sickler Gazette Officemodel, panorama, sackville street, mewkill, almanac, bank street

This model was part of eleven pieces designed from an almanac in 1892 printed by the Port Fairy Gazette. The panorama was used in the historical Society rooms in Bank Street on an extended mantle piece, before the Museum and Archives relocated to Gipps StreetThis model was made as a part of an eleven piece model of the streetsccape of Port Fairy in 1892. By a local resident of the town.Small hand made model of a shop front from the 1892 almanacA.W. Handricks Saddlerpanorama, model, mewkill, almanac, bank street

This model was part of a panorama consisting of 11 pieces designed from drawings in 1892 Almanac from the Port Fairy Gazette. The Panorama was used in a historical display in the historical society rooms in Bank Street from the late 1970's to 1992 when the Historical Society moved to the Court House in Gipps Street Port FairyThis Panorama was part of an eleven piece Panorama of the Streetscape of Port Fairy in 1982. Made by a local resident.Small handmade model of a shop front from the 1892 almanac.J.W.Haymes. Watchmaker panorama, model, j w haymes, watchmaker, bank street

Part of 11 pieces modeled on the 1893 almanac published by the Port Fairy Gazette. Used as display in the first Port Fairy Historical Society building on an extended mantel piece, 20 Bank Street Port Fairy.Small handmade model of a Robert Ireland's timber yard and shop front from the 1892 almanac. R .Ireland, Timber Yards,model, building, mewkill, ireland