Gladys Holmes born 1897, Byaduk, eldest daughter of Joseph (Baker) and Agnes Homes. She married Alexander George Henderson in 1924. James Orford Critchlow born 26/08/1896. He enlisted in Casterton, Victoria on 26/08/1916. The Nominal AIF Roll indicates he was a clerk, single, son of James Critchlow and Cof E and a Gunner 33322. in 1924 he married Brice Violet Payne in Victoria. His death is recorded in New South wales on 15/08/1962 with probate granted 06/12/1962.Original documents sent by James Orford Critchlow, Gunner 33322 abroad to Gladys Holmes of Bydauk during WW1, 1917 to 1919. Part of 14 sets of items forming the Gladys Holmes collection.1808.1 Sepia photograph 1808.2 Colour, child holding two pot plants and basket of flowers 1808.3 Embroidered floral envelope in a white mount with small card inside 1808.4 Embroidered 'Forget Me Not' scene in white mount 1808.5 Black and white photograph of Town hall and Gardens, Durban 1808.6 Through the Pines, Kloof Road 1808.7 Embroidered flower, small, in pink mount with gold text 001808.08-001800.8.12; Letter, 5 pages 1808.1 Yours sincerely/Orford/15/2/1919, on reverse note Dear Gladys...Yours sincerely 1808.2 Reverse 'a Fraire/Belgique/Janvier 29th 1919, note Dear Gladys...from yours sincerely Orford 1808.3 Revers: Gladys...from Orford/France/23/10/1918, Insert- Front-Merry/Christmas/from/France; Revers- Gladys/from/Orford/Longpre, France/28/10/1918/Heaps of good luck 1808.4 Front- Forget Me Not, reverse-Gladys/with best wishes/from Orford/France/20/1/1918 1808.5 Reverse- Dear Gladys..Yours sincerely/Orford and address 1808.6 Reverse- 20/5/1917,At Sea/SS Shropshire, Dear Gladys..Yours sincerely Orford 1808.7 Reverse- Dear Gladys..from Orford Critchlow 001800.8-001808.12R: Letter on Y.M.C.A. letterhead paper, written on both sides of 5 pages. Boyton,1/8/1917-1/9/1917/Dear Gladys.... Yours sincerely Orfordgladys holmes, james orford critchlow, letter, photograph, postcards, ww 1, byaduk, casterton, belgium, embroidery, france, 4th battery, australian field artillery, durban, ss shropshire, the valentine & sons publishing co ltd

Collector says: "As a general rule I only collected blankets with a label, but there are always exceptions. The colour ways of these 3 are just so gorgeous I had to include them - especially as the brown and blue from the Bass Valley op shop was 1 dollar! The cream one with the mint panel + watermelon stripe is one of my favourite blankets ever despite no label - it looks like the blanket version of the Agnes Martin painting called Gratitude which is exactly how I felt finding this simple, beautiful, well kept blanket. Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Double sized cream blanket with watermelon and mint stripesNo inscriptionwool, blanket, blanket fever, no label

Collector says: "As a general rule I only collected blankets with a label, but there are always exceptions. The colour ways of these 3 are just so gorgeous I had to include them - especially as the brown and blue from the Bass Valley op shop was 1 dollar! The cream one with the mint panel + watermelon stripe is one of my favourite blankets ever despite no label - it looks like the blanket version of the Agnes Martin painting called Gratitude which is exactly how I felt finding this simple, beautiful, well kept blanket.Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Double sized, checked blanket, brown, blue and creamNo inscriptionwool, blanket, blanket fever, no label

Collector says: As a general rule I only collected blankets with a label, but there are always exceptions. The colour ways of these 3 are just so gorgeous I had to include them - especially as the brown and blue from the Bass Valley op shop was 1 dollar! The cream one with the mint panel + watermelon stripe is one of my favourite blankets ever despite no label - it looks like the blanket version of the Agnes Martin painting called Gratitude which is exactly how I felt finding this simple, beautiful, well kept blanket."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Double sized multicolour checked blanketNo inscriptionwool, blanket, blanket fever, no label

This object relates to Ian Ernest STADUS. He was born on 09/11/1922 in Dimboola, VIC. Ian Ernest served in the RAN Reserve (PM3734) enlisting on, 15/10/1941 before being discharged from duties with the HMAS Lonsdale on 21/02/1946. Ian Ernest STADUS was not a prisoner of war. His next of kin is Bessie Agnes STADUS (mother). Ian Ernest Stadus was awarded the 1939-1945 Star, Australian Service Medal 1945-1975, Defence Medal, Pacific Star, War Medal 1939-1945.first world war (ww1), 1914 - 1918, medals, ballarat rsl, ballarat

This object relates to Ian Ernest STADUS. He was born on 09/11/1922 in Dimboola, VIC. Ian Ernest served in the RAN Reserve (PM3734) enlisting on, 15/10/1941 before being discharged from duties with the HMAS Lonsdale on 21/02/1946. Ian Ernest STADUS was not a prisoner of war. His next of kin is Bessie Agnes STADUS (mother). Ian Ernest Stadus was awarded the 1939-1945 Star, Australian Service Medal 1945-1975, Defence Medal, Pacific Star, War Medal 1939-1945.Ribbon bar that has three sets of colour palates: 1) stripes in dark blue, red, yellow, red and yellow, yellow, red light blue; 2) stripes in gold and blue; 3) stripes in green and white.On the back of the ribbon is a long fastener pin.first world war (ww1), 1914 - 1918, medals, ballarat rsl, ballarat

This object relates to Ian Ernest STADUS. He was born on 09/11/1922 in Dimboola, VIC. Ian Ernest served in the RAN Reserve (PM3734) enlisting on, 15/10/1941 before being discharged from duties with the HMAS Lonsdale on 21/02/1946. Ian Ernest STADUS was not a prisoner of war. His next of kin is Bessie Agnes STADUS (mother). Ian Ernest Stadus was awarded the 1939-1945 Star, Australian Service Medal 1945-1975, Defence Medal, France & Germany Star, War Medal 1939-1945.second world war (ww2), 1939 - 1945, medals, ballarat rsl, ballarat

This object relates to Ian Ernest STADUS. He was born on 09/11/1922 in Dimboola, VIC. Ian Ernest served in the RAN Reserve (PM3734) enlisting on, 15/10/1941 before being discharged from duties with the HMAS Lonsdale on 21/02/1946. Ian Ernest STADUS was not a prisoner of war. His next of kin is Bessie Agnes STADUS (mother). Ian Ernest Stadus was awarded the 1939-1945 Star, Australian Service Medal 1945-1975, Defence Medal, Pacific Star, War Medal 1939-1945.ballarat rsl, ballarat, ww2, world war, campaign medals

This object relates to Ian Ernest STADUS. He was born on 09/11/1922 in Dimboola, VIC. Ian Ernest served in the RAN Reserve (PM3734) enlisting on, 15/10/1941 before being discharged from duties with the HMAS Lonsdale on 21/02/1946. Ian Ernest STADUS was not a prisoner of war. His next of kin is Bessie Agnes STADUS (mother). Ian Ernest Stadus was awarded the 1939-1945 Star, Australian Service Medal 1945-1975, Defence Medal, France & Germany Star, War Medal 1939-1945.second world war (ww2), 1939 - 1945, medals, ballarat rsl, ballarat

This object relates to Ian Ernest STADUS. He was born on 09/11/1922 in Dimboola, VIC. Ian Ernest served in the RAN Reserve (PM3734) enlisting on, 15/10/1941 before being discharged from duties with the HMAS Lonsdale on 21/02/1946. Ian Ernest STADUS was not a prisoner of war. His next of kin is Bessie Agnes STADUS (mother). Ian Ernest Stadus was awarded the 1939-1945 Star, Australian Service Medal 1945-1975, Defence Medal, France & Germany Star, War Medal 1939-1945.second world war (ww2), 1939 - 1945, medals, ballarat rsl, ballarat

This object relates to Ian Ernest STADUS. He was born on 09/11/1922 in Dimboola, VIC. Ian Ernest served in the RAN Reserve (PM3734) enlisting on, 15/10/1941 before being discharged from duties with the HMAS Lonsdale on 21/02/1946. Ian Ernest STADUS was not a prisoner of war. His next of kin is Bessie Agnes STADUS (mother). Ian Ernest Stadus was awarded the 1939-1945 Star, Australian Service Medal 1945-1975, Defence Medal, Pacific Star, War Medal 1939-1945.second world war (ww2), 1939 - 1945, literature, ballarat rsl, ballarat

This object relates to Ian Ernest STADUS. He was born on 09/11/1922 in Dimboola, VIC. Ian Ernest served in the RAN Reserve (PM3734) enlisting on, 15/10/1941 before being discharged from duties with the HMAS Lonsdale on 21/02/1946. Ian Ernest STADUS was not a prisoner of war. His next of kin is Bessie Agnes STADUS (mother). Ian Ernest Stadus was awarded the 1939-1945 Star, Australian Service Medal 1945-1975, Defence Medal, Pacific Star, War Medal 1939-1945.medals, ballarat rsl, ballarat

A dress belonging to the family of George Ward Cole in the late 1800s; possibly his wife Thomas Anne Ward Cole or one of his daughters, Margaret or Agnes. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor the Duke Of Edinburgh, Queen Victoria’s second son at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished. A hand sewn, brown silk, evening dress, circa 1860, consisting of a bodice and skirt. The bodice features an off the shoulder neckline edged with cream lace. A chevron design of black velvet trim, passes from the shoulders to the centre front waist, then hangs loosely to the hip line. The black velvet trim on the sleeves and the skirt is edged with a black fringe. The bodice (.1) base is finished in a v-shaped front at the natural waistline. There are short puffed sleeves also feature the black velvet fringed trim and lace at the edge along with three epaulette style strips, which pass from the shoulder seam to the edge of the sleeve. Each strip finishes with a decorative bobble. The bodice lining is cream glazed silk with steel boning, cotton tabs sewn into both sides have four eyelets for lacing. The dress has a full, floor length unlined skirt (.2) which is slightly longer at the back creating a modest train. The skirt has horizontal bands of the velvet trim and finishes with a box pleated trim of the dress fabric. The dress is fastened at the back using two connecting rows of black velvet covered buttons.brighton, st ninian's, 1860s, evening dress, george ward cole, thomas anne ward cole, margaret morison ward cole, agnes bruce ward cole

Norman Thomas Henshaw operated a tailor's business in High Street, Wodonga for several years. He was born in Albury in 1891, the sone of WIlliam Henshaw and Ellen nee Goldsworthy. At various times, Norman operated a tailor business in Albury, Rutherglen, Beechworth and Wodonga. His business in High Street, Wodonga was advertised as being located opposite the Fire Brigade Hall. Mr. Henshaw died 10 September 1966 and his wife Agnes died on 30 July 1999, aged 107. They are buried in the Waugh Rd. cemetery in Albury, NSWThis item has local significance as it represents business which operated in Wodonga in the 1920s. It is also representative of a significant local family.A metal and enamel match box holder promoting Henshaw's Tailor in Wodonga. The back features a calendar for 1927. On Front: "With compliments from/ N. T. Henshaw/ Tailor/ High Street "/ Wodonga/ G. & G. A/SIA. LTD. On Back: 1927 Calendar On Side: "STRIKE" N. T. HENSHAW / TO BE SUITED"wodonga businesses, henshaw tailor, high st wodonga

BHS CollectionBendigo Advertiser ''The way we were'' from Tuesday, February 10, 2004. Sing-a-long: Spring Gully School Choir, about 1935 0r 1936. Back row: June Hannan, Reg Hall, Noel Cook, Keith Cook, Dinny Hannan, Rex Johnson, Venna Hannan. Middle row: Shirley Hannan, Verna Hall, Gloria Hannan, Ellie Hannan, Ellie Pinder, Doris Templeton, Sylvia Mannix, Sylvia Doyle. Front row: Betty Mannix, Agnes Lowe, Louie Doyle, Miss E. Flanagan (conductor), Edna Comte, Margaret Marchioni, Alma Chapman, Thelma Mannix. The clip is in a folder.newspaper, bendigo advertiser, the way we were

This file contains four items. THE PARISH MESSENGER St Agnes Glenhuntly and St Peters Murrumbeena – six newsletters dated from August 1912 to June 1914. St Peters Church Papers, Murrumbeena and Carnegie - two newsletters dated August 1915. St Peters Church Parish Paper, Murrumbeena and Carnegie – twenty newsletters dated from September 1917 to June 1925. St Peters Parish Paper, Murrumbeena, Carnegie and Hughesdale, nine newsletters dated from April 1926 to July 1934. All newsletters include information on Church activities, names of vicars and church officeholders.the parish messenger, st agnes glenhuntly, st peters murrumbeena, murrumbeena, phillips rev w. a., organs, glen huntly, rothschild st, addiscombe, house names, carnegie, neerim road, inghaim rev. a.e., churches, world war 1914-1918, emily street, green rev. walter, gleaners’ union, sowers (missionary band), carnegie methodist church, st peters church of england, green rev w.g.a., st peters vicarage, tennis clubs, baptisms, weddings, womens missionary unions, watts-ditchfield rev. j.e., mothers union, sunday school, ladies guild, baglin rev. j.t., hospitals’ league of mercy, nursing classes, thomas dr., faulkner e.h., advertisements, depression 1929-1939, business, fete, vestry, confirmation, bands, festivals, picnics, poynder rev. r., thos. grogan, drapery, awards, associations, church services, ingham rev. a.e., schools, cragg miss elvie, principals, choirs, st peters troop of boy scouts, hoggart miss, st peters school, st peters girls school, booth miss d., andrew miss eileen, meredith rev. charles w., church day school, walker miss, financial documents

Photo of Rogers Family taken about 1906. Front row: Margaret Rogers Pederson 1887-1966 & child, Hugh Rodgers 1845-1927. Annie Marie Rogers Campbell Bernard 1898-1944. On ground Teresa Rogers Macintosh 1883-1926, with Katherleen Annie Mcintosh Lorensini 1906-1983 on knee Francis 1879-1946. Lucy Rogers Elliott 1894-1985 on ground. Back row: Christian Pederson, Maria Bridgit Rogers Taylor 1881-1906, William Taylor, Mary Agnes?? 1891-1925, Edward Mcintosh 1875-1939, Grace Rogers 1889-1976.Sepia oval photograph of Rogers Family group taken c1906. The photo is taken in front of a timber building with fence and trees around. Eleven adults in the photo with four children. stawell portrait

This gown, one of two similar items in the collection, belonged to one of the daughters of George Ward Cole, Miss Margaret Morison Ward Cole or Miss Agnes Bruce Ward Cole. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor the Duke Of Edinburgh, Queen Victoria’s second son, at St Ninians in 1867. In later years St Ninians was subsequently subdivided and later demolished.A black and mint green wool, velvet, lace and silk dress from circa 1882. The bodice features a wired, standing collar, finishing just under the chin and open at the front of the throat. On either side at the front of the throat it features long black lace ties with black jet bead fringe. The centre front of the dress from the neckline to the base of the skirt features an insert panel of mint green corded silk. The silk is gathered and the neckline and waist and overlaid a panel of gathered lacy net. Inserted into the seam at either side of this panel at the waist are two velvet ties. The dress secures closed with eight black buttons and one hook and eye down the right side of the mint panel to mid thigh. The edges of the collar and black front panels are finished with a looped ribbon trim. The remainder of the dress is made of a black wool fabric woven a checkered pattern of larger and looser threads and smaller and tighter threads creating a seersucker like pattern. The bodice features a natural shoulder line and an Amadis sleeve of full cut gathered to the bodice at the shoulder and finishing at the elbow with a large black lace flounce. The front panels of the dress are flat and shaped neatly to the body from neck to hip line and gently out to create the Victorian silhouette. On the back of each shoulder the dress features a leaf like, small jet beaded embellishment with multiple long loops of jet beads falling down the back to the waist. Underneath this embellishment is a pleated black ribbon that runs from the shoulder to the back of the pelvis. Over the pelvis are another two jet beaded embellishments of a floral design with two tassels. The skirt is full and pleated in under this embellishment and fulls to the floor with a small train. The base of the dress is finished with a ruched band of the main dress fabric.st ninians, george ward cole, visiting gown, brighton, miss margaret morison ward cole, miss agnes bruce ward cole, 1880s

The Melbourne Music Chamber Music Ensemble, City Hall, Bendigo. The Music Advancement Society of Bendigo presents the Third Concert, 1962 series. Leader 1st Violin: Leon La Gruta (Solo Violin), 2nd Violin: Agnes Wall, Viola: Stanley Gabrie, Cello: Valerie Awburn, Horns: Alex Grieve & Jack Raines. Thursday, 5th July, 1962 at 8.15 p.m. President L R Harvey, Hon. Secs. Mary Stanistreet & Madge Edgar. Programme One Shilling. Advetisments: Allan's, Allan's Walk, Bendigo. Every's Melody Bar, Hargreaves Street, Bendigo. Edgars' Authorised Newsagency, 293 Hargreaves St. Bendigo. Copies A/ & B/ are the same.Boltons Print., Bendigoprogram, music, music advancement society bendigo, melbourne music chamber music ensemble, city hall, bendigo. music advancement society of bendigo third concert, 1962 series. leader 1st violin: leon la gruta (solo violin), 2nd violin: agnes wall, viola: stanley gabrie, cello: valerie awburn, horns: alex grieve & jack raines. 5th july. president l r harvey, hon. secs. mary stanistreet & madge edgar. advetisments: allan's, allan's. every's melody bar. edgars' newsagency. a/ & b/ are the same

This gown, one of two similar items in the collection belonged to one of the Ward Cole sisters, Miss Margaret Morison Ward Cole or Miss Agnes Bruce Ward Cole, daughters of George Ward Cole. George Ward Cole was an early member of the Victorian Parliament and the family featured prominently in Melbourne Society in their time. They established a substantial home known as “St Ninians” at 10 Miller Street in 1841. The family reportedly entertained Melbourne’s first Royal visitor the Duke Of Edinburgh, Queen Victoria’s second son at St Ninians in 1867. In later years St Ninians was subsequently sub divided and later demolished. A black and yellow velvet, wool, lace and silk dress from circa 1882. The bodice features a yellow silk, black lace and black velvet collar finishing high on the neck just below the chin finished with a black lace ruffle. The collar has a flap across the front of the throat that attaches at the side with a V-shaped baseline that contributes to concealing the fastenings of the bodice. The dress features a gathered central panel of black lace covered lemon silk, which falls from the neckline to the floor. At either side of this panel are matching panels of black velvet. The remainder of the dress and sleeves are made of black wool featuring a self-striped and spotted pattern. The dress fastens down the centre front with concealed black buttons hidden underneath the right velvet panel. The head of the Amadis sleeve sits on the natural shoulder line and finishes tightly at the elbow. The volume of the sleeve is created by ten pleats at the head of the shoulder, sewn to the bodice and is gathered at the elbow. The sleeve is finished with a black velvet ribbon with a bow and a black lace frill. The base of the dress is finished with a ruffle of the black dress wool. The dress features a small train. The dress is boned at the back waist and features an inset panel just below the waist of gathered fabric which forms the train. st ninians, george ward cole, visiting gown, brighton, margaret morrison ward cole, agnes bruce ward cole

Part of correspondence written to Gladys Holmes, Byaduck by local servicemen. Gladys Holmes was the daughter of Joseph, the Byaduk baker, and Agnes Brand. In 1924 she married Alexander George Anderson. Wilfred R possibly (Rentsch) enlisted for WW!1. Cited in 'Stories Untold & Forgotten Faces' "RENTSCH, Wilfred. Byaduk, Born 1898, farmer, aged 18 years, enlisted 29 August 1916, served as 6886 with 24th infantry Battalion - 19th Reinforcements(May 1917)Proceed to France 6th March 1918. Returned to Australia per' Shropshire' 1st April 1919. Photograph on Byaduk Hall Honour Board" Part of collection of letters, photographs and postcards received by Gladys Holmes during 1916-1919. 001801: Front of postcard has a white embossed mount frame with an embroidered insert of Australian symbols, Southern Cross constellation, Rising Sun. Kangaroo with Australian flag standing on ADVANCE AUSTRALIA banner and wattle and red flower springs.France/ 27th Oct 18/Dear Gladys/Wishing you a/very Merry Christmas/and a prosperous/New Year, from/your old friend/Wilfred.Rgladys holmes, byaduk, ww1, ww1 postcard, tuck's postcards, rachel tuck, embroidered postcard

Martin (1872-1948) and Mary Comer (1883-1972 married in 1907and had the following children; Edward Thomas (1908-1974) Leonard Laurence(1909-1931) Cecilia Mary (1911-1980) Joseph Benedict (1913-1989) Luke Bernard (1914-1931) Kevin Martin (1916-1986) Theresa Agnes (1918-1948) Francis Michael (1919-2000) Anthony John (1922-2011) Leonard and Luke worked with their father at Kimbolten and both drowned on the 28th December 1931, in the Goulbourn River at Arcadia near Murchison. A lad named Madden also drowned at the same time. The family lived in Queen Street, Bendigo.Bendigo Advertiser ''The way we were'' from 2003. Family fun: a Comer family portrait taken at Kimbolton, Lake Eppalock, in the early 1920s pictured is (from left) Ted, Leo, Joe, Cecilia, Luke, Kevin, Teresa, Frank and Tony with their parents Martin and Mary. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Peter Ellis Collection. A framed black and white photograph of the original Emu Creek Bush Band. Eleven people with musical instruments, seven are standing and four are sitting on chairs in front of them. Behind the people there is part of a weatherboard building with a sign EMU CREEK above a door. Another sign on the building is partly obscured says IN MEMORY OF PIONEERS of EMU CREEK. Band members left to right Marg Hogan? Stan Symes, double bass, Agnes Corry, violin (played into her 90s John Ottery accordion, Dean Swift mandolin and guitar, two unknowns, Ian Walder banjo, Peter Ellis (founder and leader) accordion and Gary Lovejoy concertina. Behind glass with a dark brown wooden frame.emu creek, emu creek bush band, musicians

Tait collection: item 34 of 62 This is a document giving the details of the Letters of Administration following the death of Helen Robertson, a spinster from St. Kilda, Melbourne. She died intestate in November 1881 and left property to the value of £363. This property reverted to her sister Agnes Thomson in 1889. No other details have been found on Helen Robertson. The lawyer in the case was George Skinner of Melbourne but the document was one of several stored in legal premises in Kepler Street, Warrnambool and passed on to successive lawyers occupying these premises. It was located in the same building, the former premises of the legal firm, Mackay Taylor, in 2014 and handed over to the Warrnambool and District Historical Society.This document is of minor interest as one located in former legal premises in Warrnambool but no other connection has been found between Warrnambool and the person whose details are in the document, Helen RobertsonThis is a cream-coloured piece of parchment paper folded at the bottom edge and containing hand written material on both sides of the paper. The contents give details of the Letters of Administration following the death of Helen Robertson in 1881. A seal of the Supreme Court of Victoria is attached with green ribbon. The document is somewhat stained.In the Supreme Court of the colony of Victoria in its Probate Jurisdiction in the Estate of Helen Robertson late of Acland Street Saint Kilda near Melbourne in the Colony of Victoria Spinster deceased intestate Letters of Administrationhelen robertson, george skinner

This book was a prize given to Arthur Rogers in 1928. Arthur George (Bill) Rogers was the grandson of Joseph Rogers, a Warrnambool plumber and the son of Arthur and Agnes Rogers of Warrnambool. He worked in the advertising department of the Warrnambool Standard newspaper for nearly 50 years and died in 1995. It is presumed that the school that awarded the prize was South Warrnambool State School No. 1902. This school was established in 1877 with the first Head Teacher, Mrs Eliza Clarke. It was closed in 1994. The donor of the prize was South Warrnambool Football Club. This club was established in 1902 and has competed in the Hampden Football League since 1933. It is a successful club with many of its players going on to play in A.F.L./V.F.L teams. This book is of interest because of its 1920s connection to the South Warrnambool State School, the South Warrnambool Football Club and a local South Warrnambool resident, Bill RogersThis is a hard cover book of 196 pages. The cover is multi-coloured with an image of scouts on top of a hill with their encampment beneath. The lettering is white. The dust cover has the same illustration and is rubbed at the edges and partly torn away at the top left edge. It also shows some silverfish damage. It has a protective plastic cover. The book has one full page colour illustrations and many black and white illustrations and sketches. The book has 20 stories or articles. The inscription is handwritten in black ink.‘Grade IV First Prize Awarded to Arthur Rogers by the South Warrnambool Football Club December 1928 A.S.James Head Teacher’ south warrnambool state school, south warrnambool football club, bill rogers, south warrnambool

Henry Christian (c.1809-91), the grandfather of the photographer, was one of the first settlers in Kew. He arrived in Victoria with his wife Agnes and son Orlando in 1855 on the Gypsy Queen. He established a rope-making business in Bulleen Road by 1858 but was declared insolvent two years later. In his final years, he was celebrated as one of the oldest living settlers of the district. His son, Orlando Henry Beater Christian (c.1853-1930) became a member of the Hawthorn Band and a foundation member of the Willsmere Swimming Club. Orlando and his wife Elizabeth had four children of which Henry Beater Christian (1886-1962) was the eldest.An item from an outstanding and diverse photographic collection, assembled by members of the Christian and Washfold families of Kew.View of grounds of Macauleys boathouse. Gum trees and willows. Stacked embankment. Person rowing boat. Others sitting on bank.macauley's boathouse, yarra river -- kew (vic.), christian-washfold collection

Henry Christian (c.1809-91), the grandfather of the photographer, was one of the first settlers in Kew. He arrived in Victoria with his wife Agnes and son Orlando in 1855 on the Gypsy Queen. He established a rope-making business in Bulleen Road by 1858 but was declared insolvent two years later. In his final years, he was celebrated as one of the oldest living settlers of the district. His son, Orlando Henry Beater Christian (c.1853-1930) became a member of the Hawthorn Band and a foundation member of the Willsmere Swimming Club. Orlando and his wife Elizabeth had four children of which Henry Beater Christian (1886-1962) was the eldest.An item from an outstanding and diverse photographic collection, assembled by members of the Christian family of Pakington Street, Kew, comprising professional and amateur photography, depicting individuals, natural and settled environments and the interactions between these worlds. Many of the photographs vividly capture the worlds of three generations of men - Henry Christian, his son Orlando Henry Beater Christian, and his grandson of Henry Christian. The most important photographer was the youngest, Henry Christian, who was a keen explorer, not just of his immediate environment but also of the Victorian wilderness. His major opus is contained in two albums in which he records, sometimes in majestic detail and on other occasions the intimate features of the natural world. His photographic travels during the 1920s, often in solitary ramblings but on other occasions with companions, recall the heroic landscape photography of an earlier era, pioneered by Nicholas Caire. In addition to their aesthetic value, the albums are historically significant records within the State of Victoria, of what is now a distant point in time, and of places that have become radically altered through human intervention.Black and white photo of the rear view of a man in a hat standing under a tree on a hill looking across the Yarra River (unseen) towards Melbourne. The exhibition building and the spires of St Patrick’s Cathedral can be seen on the skyline. The man may be Orlando Henry Beater Christian. If all the spires are intact it must postdate 1939 when work begun in the early 1930s on the spires began. He may be standing on the edge of the Yarra Boulevard.melbourne skyline - 1930s, yarra boulevard -- kew (vic.), christian-washfold collection