Livestock bells were once used extensively throughout the Australian countryside. The first ones were imported from England and America, but gradually local blacksmiths started turning out their own bells. These bells were used on a leader in a bullock team or on other stock so they could be easily located.A very corroded metal bullock bell with a handle and a small round gong.bullock-bell rural-industry livestock

Livestock bells were once used extensively throughout the Australian countryside. The first ones were imported from England and America, but gradually local blacksmiths started turning out their own bells. These bells were used on a leader in a bullock team or on other stock so they could be easily locatedAn iron bullock bell with handle and a large clapper inside.bullock-bell rural-industry livestock

Graham WOOD Wartook Pottery was set up in the early 70s by Graham Wood, and was sucessful for nearly 25 years. It then moved to Halls Gap (The Grampians, Victoria), and the name was changed to Jimmy's Creek Pottery in 1998. The pottery conitnued under that name until 2003. when cheap imports hurt the business. Hand thrown ceramic canister with 'Gum Leaf' design. According to decorator Wendy McGuiness all decoration was made and applied by hand - an extremely time consuming activity. Texture to the body of each piece was created by using a piece of coral. Tenmoku glaze was applied to the top of the pieces, with iron oxide to the main body. This was the first of the Wartook range that sold commercially from around 1987 all over Australia. At the height of production Wartook Pottery had 5 employees, including a new wheel potter (who was adept at creating the pieces as Graham had done before). Additional ranges were still hand thrown, but with a floral wreath (slip cast) applied to the top of each pot, as well as a range that used decals for decoration. australian landscape pottery, les macleman, ceramics, landscape, graham wood

Established in London in 1760 as flax dressers and producers of thread for shoemakers, the business was founded by Francis Ullathorne and continued by four of his sons. Eventually they had agencies in Paris, London and Melbourne. They imported all manner of leather goods and tannery supplies by 1866. By 1901 the Melbourne company was named Ullathorne and Hartridge.48 Paper pages with cover missing. Revised List of Prices of goods in Ullathorne & Co's Illustrated Catalogue of Shoemakers' Curriers', Tanners' and Sadlers' Tools and Materials. London 1888 Printed by McCorquodale and Co. 'Armoury' Southwark.

Graham WOOD Wartook Pottery was set up in the early 70s by Graham Wood, and was sucessful for nearly 25 years. It then moved to Halls Gap (The Grampians, Victoria), and the name was changed to Jimmy's Creek Pottery in 1998. The pottery conitnued under that name until 2003. when cheap imports hurt the business. Hand thrown ceramic bowl with 'Gum Leaf' design and the words 'pot pouri'. According to decorator Wendy McGuiness all decoration was made and applied by hand - an extremely time consuming activity. Texture to the body of each piece was created by using a piece of coral. Tenmoku glaze was applied to the top of the pieces, with iron oxide to the main body. This was the first of the Wartook range that sold commercially from around 1987 all over Australia. At the height of production Wartook Pottery had 5 employees, including a new wheel potter (who was adept at creating the pieces as Graham had done before). Additional ranges were still hand thrown, but with a floral wreath (slip cast) applied to the top of each pot, as well as a range that used decals for decoration. australian landscape pottery, les macleman, ceramics, landscape, graham wood

Graham WOOD Wartook Pottery was set up in the early 70s by Graham Wood, and was sucessful for nearly 25 years. It then moved to Halls Gap (The Grampians, Victoria), and the name was changed to Jimmy's Creek Pottery in 1998. The pottery conitnued under that name until 2003. when cheap imports hurt the business. Hand thrown ceramic bowl with 'Gum Leaf' design and the word 'sugar'. According to decorator Wendy McGuiness all decoration was made and applied by hand - an extremely time consuming activity. Texture to the body of each piece was created by using a piece of coral. Tenmoku glaze was applied to the top of the pieces, with iron oxide to the main body. This was the first of the Wartook range that sold commercially from around 1987 all over Australia. At the height of production Wartook Pottery had 5 employees, including a new wheel potter (who was adept at creating the pieces as Graham had done before). Additional ranges were still hand thrown, but with a floral wreath (slip cast) applied to the top of each pot, as well as a range that used decals for decoration. australian landscape pottery, les macleman, ceramics, landscape, graham wood

Graham WOOD Wartook Pottery was set up in the early 70s by Graham Wood, and was sucessful for nearly 25 years. It then moved to Halls Gap (The Grampians, Victoria), and the name was changed to Jimmy's Creek Pottery in 1998. The pottery conitnued under that name until 2003. when cheap imports hurt the business. Hand thrown ceramic bowl with 'Gum Leaf' design and the words 'pot pouri'. According to decorator Wendy McGuiness all decoration was made and applied by hand - an extremely time consuming activity. Texture to the body of each piece was created by using a piece of coral. Tenmoku glaze was applied to the top of the pieces, with iron oxide to the main body. This was the first of the Wartook range that sold commercially from around 1987 all over Australia. At the height of production Wartook Pottery had 5 employees, including a new wheel potter (who was adept at creating the pieces as Graham had done before). Additional ranges were still hand thrown, but with a floral wreath (slip cast) applied to the top of each pot, as well as a range that used decals for decoration. australian landscape pottery, les macleman, ceramics, landscape, graham wood

Graham WOOD Wartook Pottery was set up in the early 70s by Graham Wood, and was sucessful for nearly 25 years. It then moved to Halls Gap (The Grampians, Victoria), and the name was changed to Jimmy's Creek Pottery in 1998. The pottery conitnued under that name until 2003. when cheap imports hurt the business. Hand thrown ceramic bowl with 'Gum Leaf' design and the words 'coffee'. According to decorator Wendy McGuiness all decoration was made and applied by hand - an extremely time consuming activity. Texture to the body of each piece was created by using a piece of coral. Tenmoku glaze was applied to the top of the pieces, with iron oxide to the main body. This was the first of the Wartook range that sold commercially from around 1987 all over Australia. At the height of production Wartook Pottery had 5 employees, including a new wheel potter (who was adept at creating the pieces as Graham had done before). Additional ranges were still hand thrown, but with a floral wreath (slip cast) applied to the top of each pot, as well as a range that used decals for decoration. australian landscape pottery, les macleman, ceramics, landscape, graham wood

1863 was the last steam locomotive built by Hudswell Clarke for the Colonial Sugar Refining Co (CSR). It was also the last steam locomotive imported Australia for use on the Queensland Cane fields It originally worked at the Victoria Mill at Ingham ,Queensland and was named "CORONATION" it was latter transferred to Macknade Mill where it was numbered "9"Historic - Industrial Narrow gauge Railway - Steam locomotive - CSR - Colonial Sugar Refining Co. - Victoria Mill, Ingham, Queensland, Australia Steam Locomotive - 2' gauge 0-6-0 tender locomotive made of iron, steel 1863coronation, puffing billy, no9, hudswell clarke, 1863, steam locomotive, victoria mill, csr - colonial sugar refining co.

Henry Berry was a British-born merchant who came to Melbourne in 1856 and established a successful business in salt and general goods. He later expanded into tea, flour, sugar and other commodities. He founded Henry Berry and Company (Australasia) Ltd1 which became one of the largest importers and distributors in Australia.Round tin container with purple and sliver coloured background, and purple writing. has round pull-off lidGlen Valley Tea glen valley, tea, tin container, henry berry

George Robinson opened Robs Cycles in 1945 and worked out of the Blackburn Road Premises until 1999. He was one of the few specialist bike repairer in Melbourne and also did repairs for importers, wholesalers and even other bike shops. George used to race bikes from Blackburn Hotel and Healesville.Coloured photograph of Robs Cycles and Sports shop, Blackburn Road Blackburn, just north of the railway line.robs cycles, robinson, george

Ernest migrated from Hungary in January 1951 and helped bring commercial development to Australia's fledgling snowfields. He was keen to find Alpine employment, eventually importing ski and sports gear. This book covers his time in Hungary and his visits to the Alpine Ski Resorts - an insight into the early years of skiing in Australia.Ernest visited Falls Creek on the Bogong High Plains in 1951 and describes the area on pages 66 to76 from the point of view of an Hungarian migrant. He visited Falls Creek because his brother had got work on Kiewa Hydro Electric Ssheme.Hard dark brown cover book with dust cover coloured in red, white and green with title in black and a photo of Ernest Forras below. It consists of 190 pages. After page 54 and between Part one and Two, there are 18 pages of photos on photographic paper.Written in shaky writing on inside first page "To Debbie / From Hungary With Love / Ernest Forras 2002 / Mt Beautyernest forras, australian ski resorts from 1951, hungary pre 1951

The clothes brush was donated along with a vanity set owned by a local woman who lived in the Harbour Master's house at Warrnambool at the turn of the 19th century. The clothes brush and vanity set were possibly a wedding gift from her mother-in-law, a local business woman who was an importer of 'china and fancy goods'. The item is significant socially as an example of accessories available to, and used by, women in the late 1800s and early 1900s. Historically, it is linked to a local import business ‘Staffordshire House’ in Timor and later Liebig St, Warrnambool, where it most likely came from. The top of the clothes brush has an ornate dragon design constructed from pressed metal (possibly tin or chrome). The natural bristles of the brush have been glued together in small clumps and placed in holes in a wooden base. The wooden base is held within the metal top using small nails.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, metal, pressed metal, tin, chrome, natural bristles, staffordshire house, harbour master’s house

Brick Home 9 Seaby Street originally built by Crothers Family. Now owned by Mr. and Mrs. Peter Carey, The house is located on the corner of Luke and Seaby St. This house was imported from Canada. All components are numbered. It has a cavity wall construction. The present owners have carefully restored this house.Two black and white photograph of a large brick home. Roof is corrugated iron with a veranda across the front. A large palm tree in front. Fence along the side is wire mesh with timber supports. The second photo is a closer side view of the house. stawell

During the 17th century, or the Golden Age, the Dutch Republic was involved in a number of wars at sea. The main goal of the Dutch navy was to protect shipping lanes all over the world and, if need be, to repel a naval invasion of Dutch territory. They also constantly searched for new territories from which to import the spices vital for the preservation of food. The Dutch are historically very proud of their seafaring history and honour "heroes" such as Dik Tromp, Piet Hein and Michel de Ruyter. These men were actually as much pirates as anything else and preyed on the treasures brought back from South America by the Spanish and Portuguese.This is actually a miniature sailing ship based on a small wooden clog. The two parchment sails carry heraldic decorations While the top mast also has a small red, white and blue flag. The varnished clog is decorated with a small typically Dutch scene and the word "Holland". "Made in Holland" is printed on the underside.Made in Holland

Black and white photograph showing view of fountain at Charing Cross. Shopfronts (Bissets, Mannings), two hansoms at View Point. Cart proceeding north on View Street. Two pedestrians on footpath by the Camp Reserve. On back - stamped in circle - 'Royal Historical Society of Victoria, Bendigo Branch'. In black ink - 'MP260'. In image on buildings 'Geo. S. Bissett, Importer of Drapery, Clothing and Millinery', 'Manning & .. , Drapers & Tailors'. History of object: previous Acc. No. 'MP 260'. Ian Wild, June 2000 'Bendigo Fountain before tramline went to Eaglehawk - prior to 1888'.place, streetscape, alexandra fountain

Bright yellow flyer of local history seminar, Saturday March 16, 1985 titled Bendigo - A Living Monument to a Golden Age, held at the Campbell Theatrette, North Central Goldfields Library, Hargreaves St. Bendigo. Has a copy of photo of Shops and Offices, H. M. Leggo & Co., High Street Bendigo. C. 1896. The photo shows a number of men outside H. M. Leggo & Co. Merchants & Importers, Wholesale Grocers. There are two horse drawn vehicles with two horses in each and some of the men have bicycles.bendigo, history, city history, flyer for local history seminar bendigo, north central goldfields library, ministry for planning and environment, history and heritage committee, victoria's 150th. anniversary celebrations, bendigo citycouncil, royal historical society bendigo, h m leggo & co, state library of victoria

Yields information about costing by the SEC to upgrade the tram tracks and trams in both Ballarat and Bendigo and the basis.Copy of a report sent by the Melbourne office, Engineer and Manager SEC to the Manager Ballarat Branch, 12/2/1962, titled "Tramways - Ballarat / Bendigo Abandonment". Notes the 1934-37 rehabilitation was palliative in nature, and now must be "in to stay" or "eliminated". Melbourne costs given, the cheapest form adopted, Ballarat cost about 1million pounds and Bendigo 600,000. New cars imported about 20,000 each. Total cost based on 40 cars, about 2.5m pounds. Refers to Mr. Kirby of the MMTB, but would need official figures from Mr. Risson.trams, tramways, sale of trams, sec, closure, new trams, trackwork, reconstruction

The theodolite is used in surveying and measures vertical and horizontal angles. Placed on a tripod, it is used to find angles in road building, tunnel alignment and other civil-engineering work. The theodolite was used at Ballarat School of Mines in the surveying course. It is possible that this instrument was imported by Flavelle Bros & Co having been made to their order by a European instrument makerTheodolite (without a matching tripod) with four leveling screws at the base. Telescope not fully rotatable, ends can be interchanged. Underslung levelling bubbletheodolite, surveying, european instrument, importers, ballarat school of mines, flavelle bros & co, measuring angles, road building, civil engineering

Photo taken from the City Fire Brigade station at the corner of Sturt and Raglan Streets, looking east towards Mount Warrenheip. Has an eastbound ESCo tram. Photo shows the overhead structures, Harry Davies & Co. Drapers Importers, Ballarat Town Hall and the general view of the city. On the rear is a large Rose symbol and publisher details.Yields information about Sturt St during 1920sPostcard - Rose Series P 1717, Sturt Street looking east. Second copy - cigarette card size - 63mm x 87mmHas an address in Macarthur St, Ballarat on rear. Second copy has in ink "To Ken from Paul Kiwi4755"ballarat, sturt st, fire watch tower, harry davies

The Bryant and May Factory is located in the suburb of Cremorne in Melbourne, Australia. It was constructed in 1909 as the Empire Works to a design by prolific Melbourne architect William Pitt. It was purchased soon after by British safety match manufacturer Bryant and May who significantly expanded the building adding an additional level and the landmark clock tower. Bryant and May were unique in that they operated as a model factory providing workers with conditions and amenities which even today seem generous. These included a dining hall and sports facilities such as a tennis court and bowling green which were constructed in the 1920s. Bryant and May ceased Australian match manufacture in the early 1980s as a result of import competition. Their iconic Redheads matches are now imported from Sweden. The complex has since been converted for use as offices and showrooms but is extremely well preserved. It is listed on the Victorian Heritage Register. Source: www.wikipedia.org Local social history of Bacchus MarshMetal matchbox holder for a matchbox-one side has a photo of a local cricket team, the other side has a caricature of a man's face when held one way up is smiling and when turned up the other way the face is looking unhappy. The cover is blue with yellow. The matchbox cover is made of a thin veneer wood. The makers inscription is in blue and red.Cover/spine: Strike The Border Inn Bacchus Marsh for a good spot Phone 16 Cyril Jones, Proprietor. Cover/side: This man always calls in at the Border Inn. This Man wishes he did Matchbox:Bryant & May's "Crown" Safety Matchesbox, souvenir, sport, item, cricket, match, team, cyril, jones, border, inn, cover, novelty

various 1893 company letterhead receipts2403.86 (A to G) Abbott Collection: Jan to Jun 1893: records and receipts for purchases by J.H. Abbott & Co. from a wide range of generally Melbourne based companies 2043.86A 40 records held by J.H. Abbott & Co. Jan to Jun 1893: for purchases (or sales) 2403.86B 10 receipts for purchases by J.H. Abbott & Co. from Thomas P. Power, Saddlers, Ironmongers & Manufacturers398-400 Little Bourke St Melbourne 2403.86C 10 receipts for purchases by J.H. Abbott from The India Rubber, Gutta Percha & Telegraph Works Co. 106 Cannon St London 2403.86D 4 receipts for purchases by J.H. Abbott & Co. from Cashel, Baxter & Co., 508 Collins Str Melbourne 2403.86E 7 receipts for purchases by J.H. Abbott from Ullathorne & Co., 269 Lonsdale St Melbourne 2403.86F 5 receipts for purchases by J.H. Abbott from Michaelis, Hallenstein & Co, Tanners, Curriers & Leather Merchants, Importers of Grindery, 382-384 Lonsdale St Melbourne 2403.86G 14 receipts for purchases by J.H. Abbott from a variety of companies: Nobel's Hamburg Dynamite Co. Ltd. - gelignite Thomas Mitchell, Paint & General Brush Manufacturers357 Lonsdale St Melbourne R.M. Watson & Co. 345 Flinders Lane Melbourne; Paper Makers, Agents, Stationers and Importers (two receipts) Wm Dodgshun & Sons, 258 &260 Flinders Lane, East Melbourne; Importers & Warehousemen (two receipts) The New Zealand Loan & Mercantile Agency Company Limited, Collins Street West, Melbourne; Melbourne Wool & Grain Warehouses Walter H. Carwardine, Bendigo Soap, Soda Crystal & candle Works, near the Municipal Cattle Yards J. Kitchen & Sons & Apollo Company; 326 Flinders Lane, Melbourne J. Kennon & Sons, Tanners, Curriers & Leather Merchants; Tannery, River St., near Hawthorn Bridge Innes - Noad V. Halfden (!!!), Tea Merchants & Importers; 201 1to 205 William Street, Melbourne The Indian Company, Lubricating Oil Merchants; Normanby Road, South Melbourne; 375 Flinders Lane, corner Queen Street, Melbourne A. Spooner Manufacturer of Improved Harness Composition, Improved Black Oil, Harness Liquid, Waterproof Harness Blacking, saddle Soap, Boot Top Powder (all colours), Polishing Cream, Breeches Paste, Universal Cream and Embrocations. Australian Asbestos Mfg Co. 266 Flinders St Easttrade company purchases 1893

Groves McVitty were wholesale grocers, wine and spirit merchants, tea and coffee importers, manufacturers of Medallion brand foods. The company was located at 8-12 Market Street, Melbourne . Its own Medallion brand products included everyday staples such as shoe polish, flour, sugar, teas, cough syrup, furniture polish and Barnes brand honey.A clear glass bottle. It is tinted green.On bottom - letters 'G' & 'M' inside 'A' 15M - 6 8 Medallionbottle medallion

The Englishwoman's Domestic Magazine was issued monthly in the following years: 1852–1874; 1877; 1880–1890. Initially, it contained only nondescript black and white images. Aware of the growing interest in fashion, style and manners from the new middle classes, Samuel Beeton began to import tinted fashion plates directly from Jules David in Paris from 1860. Primary source for fashion design in the 1860sFramed fashion plate -'The Fashions … for the Englishwoman's Domestic Magazine'. Framed print of two women in 1860 costume. Bordered in pale green coloured card. Wire attached to metal loops at back. Masking tape at back.fashion illustration, englishwoman's domestic magazine

This item has historical value as it shows part of the importance of fashionable money containers specific to a more affluent rural family. The period when sheep properties producing high grade wool were providing Australia with the high yield capital return to sustain an ever growing population. This was an era where most of the manufactured goods were imported from England and the European continent.This has relevant significant value as it portrays the earlier reliance that the growing Australian population had from the rural sector. The wealth capital was from the rural sector and the elaborate fashion accessories, such as this money purse, shows how that wealth was utilised. The Kiewa Valley was part of the "rich" farm regions of Victoria and besides gold mines and tobacco plantations, dairy and cattle properties provided for not only the needs of the Victorian region but also the rest of Australia. This gold plated filigree money purse has a clasp on top for fastening purposes and has on either side inside a small extension frame which would have contained a felt/silk padding buffer. The buffer would have highlighted the intricate pattern of the filigree metalwork.hand purse, money purse, filigree women's accessories

Discusses the role of government and its failure to protect and lend support to Australia's other arts, such as the Australian television industry, and failure to encourage local production. Increase in American content appears to flout rules of the Broadcasting Control Board. Australian commercial television victim to foreign programmes, with Australian drama content continuing to decrease due to high costs and cheaper imported programs.Typewritten (c copy), quarto, 7 pages. (Two copies)broadcasting control board, australian television, australian television industry, commercial television, postmaster general, australian television programs, american television programs, robin boyd, manuscript

Built on a cast iron base the machine is designed for Sterling currency with a full-keyboard that has five decimal columns for pounds, three columns for shilling and pence, one column for the 10 and 11 pence keys and three farthing (1/4 penny) keys. The machine was imported and distributed by Chartres Pty. Ltd, Capel Court, 375-377 Collins Street MelbourneHand operated comptometer or adding machine with side handle. Sterling currency with full-keyboard with columns for Pounds Shillings and Pence'Chartres Pty Ltd/Capel Court/375-377 Collins Street Melbourne/23359'commerce, office equipment / stationery, bookkeeping

Clifton Banks is the name given to a bank on the Hopkins River Estuary, about one kilometre upstream from Proudfoots Boathouse. It is at the foot of the property, Clifton, which dates from 1850s. There are several works of art and photographs of Clifton Banks dating from the late 19th and early 20th centuries. Mary Norman (later known as Mary Norman=Bail) came to Warrnambool in 1901, residing with Canon and Mrs McGeorge. She studied art with Samuel Pearce Fuller and later taught art at Fuller's studio and at a local private school. She produced several seascapes and landscapes while she was in Warrnambool, leaving the town in 1905. She devoted the rest of her life to art as an artist and teacher. In 1922 she married Jess Bail. This art work of Clifton Banks won first prize at the 1902 Annual Ararat Art competitions. It was reported at the time that the work was not a copy but had been drawn from nature. The Warrnambool and District Historical Society has five of Mary Norman-Bail's art work.This is a most significant item as it is one of Mary Norman's art works and she was known in the early 20th century as a competent artist and a member of the Victorian Artists' Society. This art work also has historical significance as one of a number of Clifton Banks representations still surviving. Mary Norman also had an impact on the cultural life of Warrnambool during her short stay in the town. She also returned to teach in the town several times for short periods during the summer vacation times.This is a water colour mounted on art board and with a gilt framed and three outer layers of wooden gilded ornamental frames. The sides of the frames are broken in places and the guided material is somewhat discoloured. There are Les O'Callaghan handwritten notes and some typed material on the back giving information on Mary Norman and the art work. The back is sealed with pasted paper and there are both string and wire attached for hanging the pictureBack of art work: 'Diamond Bros, Photo Enlargers, Importers of Mouldings, Mounting Boards, Albums, Mirrors etc, Picture Framers. Mount Cutters and Plush Workers, Studio - 27 Bridge Road, Melbourne, Factory- 45 and 47 Duke Street, Richmond, Armstrong Street, Ballarat, Pirie Street, Adelaide, Brisbane, & Freemantle W.A.'mary norman, clifton banks, warrnambool