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matching oil painting
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Footscray Community Arts
Mount Zero, The Grampians, 05, Phil Kreveld, (exact); 2005
... MEDIUM: Oil on linen DESCRIPTION: Oil painting on linen... on linen DESCRIPTION: Oil painting on linen. Landscape. No frame ...MEDIUM: Oil on linen DESCRIPTION: Oil painting on linen. Landscape. No frame- NILoil, kreveld, mount, zero, grampians -
Federation University Art Collection
Painting - Oil on Composition Board, David Alexander, [Woman] by David Alexander, 1983
... An oil painting of a woman leaning against a mop... is in the style of Roualt. [Woman] by David Alexander, 1983 Painting Oil ...An oil painting of a woman leaning against a mop. The painting is in the style of Roualt.art, artists, david alexander, portrait, available -
Ballarat Heritage Services
Artwork, Railway Gates at Humffray Street North, Ballarat, c2014
... Photograph of an oil painting on paper of the railway gates..., Ballarat Photograph of an oil painting on paper of the railway ...Photograph of an oil painting on paper of the railway gates at Humffray Street North, Ballarat.railway gates, ballarat railway, humffray street railway gates -
Federation University Art Collection
Painting, Loris Button, 'Hand III' by Loris Button, 2004
... Oil painting on paper depicting a hand holding an egg...Painting Painting 'Hand III' by Loris Button Oil painting ...Loris BUTTON (27/02/1951- ) Born Melbourne Dr Loris Button grew up in Melbourne, completing undergraduate studies in painting and drawing at the Phillip Institute of Technology, followed by a Master of Fine Arts degree at the University of Tasmania. Her PhD thesis employed self portraiture as a means for reflecting on the self, time and ageing in contemporary culture. From 1981 – 1986 Loris lived and studied in Hobart before returning to Melbourne. She lectured at the University of Ballarat Arts Academy from 1987. Since 1990 she has lived and worked in Ballarat and the nearby town of Creswick. Loris retired from an academic career at the Arts Academy, University of Ballarat (now Federation University) at the end of 2010. Loris has continued a post-retirement association with the Arts Academy through her role as an Honorary Research Fellow. Working with prints, paintings and drawings on handmade paper, her work is regularly shown in both solo and group exhibitions throughout Australia and overseas. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Oil painting on paper depicting a hand holding an egg, mounted on wooden panel.art, artwork, loris button, button, hand, egg, available -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Painting - Portrait, Marjorie Harvey, Lt-Col J P F Dixon ED, c.1979
... Framed oil painting of Lt-Col J P F Dixon ED...Portrait Painting Lt-Col J P F Dixon ED Framed oil painting ...Lt-Col Dixon was Commanding Officer of 4/19 prince of Wales's Light Horse Regiment from 1967 to 1970One of a collection of portraits of former Commanding Officers of the RegimentFramed oil painting of Lt-Col J P F Dixon EDportrait, dixon -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Painting - Oil Portrait, J Williams, Lt-Col J F Williams, December 1978
... Framed, self portrait, oil painting of Lt-Col J F Williams...Oil Portrait Painting Lt-Col J F Williams Framed, self ...Lt-Col Williams was Commanding Officer of 4/19 Prince of Wales's Light Horse Regiment from 1975 to 1979One of a collection of portraits of former Commanding Officers of the RegimentFramed, self portrait, oil painting of Lt-Col J F Williamsportrait, williams -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Painting - Portrait, Lt-Col A E McIntyre OBE ED, 1986
... Framed oil painting of Lt-Col A E McIntyre OBE ED...Portrait Painting Lt-Col A E McIntyre OBE ED Framed oil ...Lt-Col McIntyre was the first Commanding Officer of 4/19 Prince of Wales's Light Horse Regiment, serving from 1948 to 1952.One of a collection of portraits of former Commanding Officers of the RegimentFramed oil painting of Lt-Col A E McIntyre OBE ED (Reproduction)portrait, mcintyre -
Federation University Art Collection
Painting - Artwork, David Alexander, [Treed Landscape] by David Alexander, 1981
... A framed oil painting depicting an Australian bushscape... Gippsland Campus A framed oil painting depicting an Australian ...A framed oil painting depicting an Australian bushscape. Gift of David Alexander, 2013david alexander, art, artist, alexander, landscape, churchill, gippsland campus -
Port Fairy Historical Society Museum and Archives
Painting, 1872
... Oil Painting of second degree elements in the rites... Street Port Fairy great-ocean-road Painting Painting Oil Painting ...Used in the rites of the Port Fairy Masonic Lodge for the second degreeOil Painting of second degree elements in the rites of the Port Fairy Masonic Lodge 67local history, societies, freemasons, second degree, masonic lodge, staircase -
Clunes Museum
photograph, Hornby of Clunes
... PHOTOGRAPH OF AN OLIO - STAGE CURTAIN - OIL PAINTING LAND... photograph PHOTOGRAPH OF AN OLIO - STAGE CURTAIN - OIL PAINTING LAND ...OLIO - STAGE CURTAIN [PHOTOGRAPH] IN CLUNES TOWN HALL.PHOTOGRAPH OF AN OLIO - STAGE CURTAIN - OIL PAINTING LAND SCAPE PART OF STAGE SET.local history, photography, photographs, town hall -
Wangaratta Art Gallery
Painting, John Colin Angus, North East Valley, c. 1969
... A landscape oil painting of a lush and rocky valley painted...-country Painting North East Valley A landscape oil painting ...Rural City of Wangaratta Council Collection. Purchased with funds from Wangaratta Arts Council.A landscape oil painting of a lush and rocky valley painted in shades of green, blue, and brown.wangaratta art gallery, john colin angus, j colin angus, landscape, painting, north east victoria -
Wangaratta Art Gallery
Painting, Walter Magilton, Cliff Face Mount Buffalo, 1988
... A landscape oil painting of a cliff face painted in browns...-country Painting Cliff Face Mount Buffalo A landscape oil painting ...Rural City of Wangaratta Collection, Wangaratta Art Prize - Grand Winner 1988.A landscape oil painting of a cliff face painted in browns, greys, blues, green, and yellows.Obverse: W MAGILTON/ (bottom left corner) WANGARATTA ART SHOW - 1988/ 150th CELEBRATION SPECIAL AWARD/ GRAND WINNER - OIL/ (plaque mounted on frame)wangaratta art gallery, walter magilton, landscape, painting, mount buffalo -
Kew Historical Society Inc
Painting, James Govett, Cr Marie Dalley : Mayor of Kew, 1954
... Framed large oil painting on canvas. Cr Marie Dalley in her... Painting Painting Cr Marie Dalley : Mayor of Kew Framed large oil ...Minnie Mary Fimmel (1880-1965) was born at Kewell, near Minyip and married carpenter John Thomas Francis Moroney in 1897. His death left her a widow with two children. Minnie re-invented herself as Marie Minnie Dalley and commenced menial work in Melbourne. Known as ‘Ma’, she became a financially successful businesswoman, eventually owning various properties around Victoria including a ‘machinery factory’. She was much ‘talked about’ in the newspapers for her benevolent actions, particularly towards women. For this community service she received an O.B.E. in 1949. Aged 74, she became the first female mayor of Kew. Ma Dalley refused to accept a formal presentation of the honour at a ‘return ball’, insisting that the money be donated to St George’s Hospital, Kew. She continued to financially donate to various charitable organisations. Her piéce de résistance was a staggering £250,000 personal donation to further the building of St George’s Hospital. She died at Kew and is buried at Miniyip Cemetery. Framed large oil painting on canvas. Cr Marie Dalley in her mayoral robes. Painted inscription on reverse of canvas: ‘Ma Dally [sic]. 1st lady Mayer [sic] of Kew Vic. Pinxit Govett 1951". [Cr Dalley was Mayor of Kew in 1954-55, so the date given by the artist on the reverse is incorrect.]marie (ma) dalley, james william govett, ma dalley, minnie mary fimmel, mayoral portraits -
Cornish College
Portrait, Richard Cornish, 1989
... An oil painting of Richard Cornish in accademic gown... Portrait Richard Cornish An oil painting of Richard Cornish ...The portrait was commissioned by St Leonard's College in 1989. Mr Cornish sat for the artist in his office dressed in his cap and gown. Initially the portrait was hung in the main school hall, before being moved to the Cornish Campus in the mid 1990's.Richard Burnet Cornish was principal of St Leonard's College from January 1971 to October 1989. He was a dreamer, a driver, a doer and a visionary leader who purchased the land for Cornish Campus in July 1981 and presided at the official opening in February 1987. Another of his achievements was the introduction of the International Baccalaureate for year 11 and 12 students in 1982.An oil painting of Richard Cornish in accademic gown in 1989, his last year as principal. Signed by the artist "Stanley Ballard '89"the_st_leonards_years, cornish, richard -
Clunes Museum
Painting, Unknown
... Oil painting of house on corner of Service Street... Painting Oil painting of house on corner of Service Street ...Marny Fenton was the first president of the Clunes MuseumMarny Fenton was the first president of the Clunes MuseumOil painting of house on corner of Service Street and Alliance Street, Clunes, Victoria, AustraliaSigned by M. Fentonartist, painting, fenton -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Painting - Portrait, M B Harvey, Lt-Col B D Clendinnen AM RFD ED
... Framed oil painting of Lt-Col B D Clendinnen AM RFD ED... oil painting of Lt-Col B D Clendinnen AM RFD ED Lt-Col ...Lt-Col Clendinnen was Commanding Officer of 4/19 prince of Wales's Light Horse Regiment from 1964 to 1967One of a collection of portraits of former Commanding Officers of the RegimentFramed oil painting of Lt-Col B D Clendinnen AM RFD EDportrait, clendinnen -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Oil, Billiards, 1940's
... Painting - Oil... Tatura the-murray Painting - Oil Painting Billiards Cartoon like ...Discovered in 2003 when owner, Ken Gray, of Tatura, noticed the covering paper peeling away on the wall of a galvanised iron shed on his property. He believed the shed was bought at the internment camp 4 auction conducted by the Commonwealth Government in the early 1950's and transported to the property which he now owns.Cartoon like painting depicting men (army garrison soldiers) playing billiards. One man appears to be sitting on the edge of the billiard table. Item unframed. (conservation work done on this in 2021 and now framed)kenneth gray, camp 4, internment camp auction -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Oil, Australian Birds
... Painting - Oil... Tatura the-murray Painting - Oil Painting Australian Birds Three ...The painting belonged to the Wied family who were in Camp 3 Tatura. Artist unknownThree budgerigars, one blue, one yellow, one green sit on a thin branch of a tree with a Major Mitchell Cockatoo to the right of the picture. Another bird is in the air attempting to land on the branch. The sky is blue and the landscape is yellow with a tinge of green. A blue mountain range is on the horizon. Painted on board with a brown wooden frame.major mitchell cockatoo, australian birds, budgerigars, australian landscape -
Tatura Irrigation & Wartime Camps Museum
Artwork, other - Painting, Oil, Deutscher Wald
... Painting, Oil... Tatura the-murray Painting, Oil Artwork, other Deutscher Wald ...This artwork was painted by Charlotte Rippert who was interned in Camp 3 with her whole family. The painting was painted in camp. Charlotte Rippert was a German Lutheran Missionary in Egypt, arrested as a security risk in Cairo, 1941. Transported on Queen Elizabeth to Australia and interned at Camp 3 1941-1945.green and yellow forest with a natural path coming from the left side and 6 prominent trees along itBack: (in pencil) 'Deutscher Wald. gemalt in Tatura (Australia) Charlotte Rippert.', a sticker for the Tatura and District Historical Society Museum, another sticker that reads - 'Gerd Aberle, 40 London Street, Bentleigh Vic 3204. Artist Charlotte Rippert Camp 3 -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Oil, Camp 3 Huts, C Compound 1944, 1940
... Painting - Oil... Tatura the-murray Painting - Oil Painting Camp 3 Huts, C Compound ...Painted by Cesare Vagarini at Camp 3.Painted on 3 ply. No frame. 2 huts. garden, tree above and between hutsLuise Imberger, 12 Phyllis Ave. Boronia, Tatura Camp 3. C Compound Vodere Baracke - Ernest Swatzky USW Hintere Baracke - Wilfred Imberger USW on the back Vagarini 1944. Bottom right cornerillustrations, oil -
Tatura Irrigation & Wartime Camps Museum
Painting - Oil, Five Ducks on a Lake, 6 November 1946
... Painting - Oil... Tatura the-murray Painting - Oil Five Ducks on a Lake Picture ...Hubert Sturzenhofecker was a German Lutheran Missionary from New Guinea, interned in Camp 3. After the war he returned to Germany.Picture of a lake, trees in the background, 5 ducks swimming on the lake. Painted on 3 ply wood & mounted in a brown wooden frame. Painted by Hubert Sturzenhofecker.Meinem Freundeww2, camp 3, illustrations, oil, hubert sturzenhofecker -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Oil, Cesare Vagarini, The Big Tree, 1941
... Painting - Oil... Tatura the-murray Painting - Oil Painting The Big Tree A large ...The painting was bought from Cesare Vagarini by Herr Wennagel for "Weihnachten" 1941 (Christmas) for his wife Johanna (Hanno) Wennagel. It was their first Christmas in the Camp. Herr Wennagel made many of the frames for Vagarini's paintings.A large Eucalyptus Tree surrounded by four huts - one on the left, three to the right. Green grass between the huts. A sunflower is growing at the side of the front left hut and a woman wearing a white shirt and blue skirt is seen entering the hut. Two women, one in pink and one in yellow are standing on a pathway between the huts. Clothes hanging on a washing line can be seen behind the tree near the last hut on the right. Bright blue sky and more trees in the background.Vagarini Ctatura, ww2, internment camp, camp 3 -
South Gippsland Shire Council
Painting, Oil, Walter Tuck, 1976
... Painting, Oil... gippsland Painting, Oil Walter Tuck Framed portrait of Walter Tuck ...Framed portrait of Walter Tuck. Set in cream vinyl window mount with gold edging and ornate gold painted wood frame. -
South Gippsland Shire Council
Painting, Oil, A Mirboo Sunset, 1998
... Painting, Oil... gippsland Painting, Oil A Mirboo Sunset Framed watercolour painting ...Framed watercolour painting titled: "A Mirboo Sunset" painted by Neila Peart 1998. Features a landscape with sunset, trees and sky. Painted in shades of browns, pinks and greys. Cream window mount with gold edging. Wood frame with gold on edges. -
South Gippsland Shire Council
Painting, Oil, In the Bush
... Painting, Oil... gippsland Painting, Oil In the Bush Landcsape - Australian bush ...Landcsape - Australian bush scene. Mounted & framed. Gold painted wood frame featuring textured light brown window mount with white and gold border. -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - oil, Family Barracks at Camp 3
... Painting - oil... on back of painting. Family Barracks at Camp 3 Painting Painting ...Vagarini was an Italian painter at Camp 3 Tatura. He was arrested in Palestine and sent to Australia on the Queen Elizabeth.ModernistFour rows of huts. Flower gardens are planted at the front of the first hut. Rows of red dirt in the foreground. Bright blue sky and a large tree growing at the back of the first hut and is in the centre of the picture. R. Wied wrtitten on back of painting.Cesare Vagarini -
Footscray Community Arts
Banksia Bluff 2, Ann Howie, (exact); 2006
... MEDIUM: Oil on canvas DESCRIPTION: Oil painting on canvas... on reverse of frame MEDIUM: Oil on canvas DESCRIPTION: Oil painting ...MEDIUM: Oil on canvas DESCRIPTION: Oil painting on canvas. Brown, blue and green. No outer frameTitled, signed and dated on reverse of frame2, oil, banksia, howie, bluff, canvas -
Chiltern Athenaeum Trust
Photograph - Reproduction
... These copies of five oil on gum leaf paintings by Alfred...Copies of five A.W.Eustace oil paintings on gum leaf, under...-country Reproduction Photograph Copies of five A.W.Eustace oil ...These copies of five oil on gum leaf paintings by Alfred William Eustace (1820-1907) display the subjects and detail of his small gum leaf paintings. A.W. Eustace, a well-known Australian artist, was born in Berkshire, England, where he was an assistant gamekeeper to the Earl of Craven at Ashdown Park. He migrated to Australia with his wife and children in 1851 and worked on the Ullina and Eldorado Runs on the Black Dog Creek at Chiltern, which was in excess of 50,000 acres of grazing land. A.W. Eustace was employed as a shepherd by Jason Withers and while tending his flocks in the solitude of the bush, Eustace turned his attention to painting and music to while away the long and weary hours. He endeavoured to capture the spirit of the bush and painted on board, canvas or tin plate, but as these materials were not always readily available he then started painting on large round eucalyptus leaves from the White and Red Box trees that grew around about him. He became known as the "Bush Artist." About 1856 he painted a small picture of the famous Woolshed goldrush and during the next few years became well known in North-East Victoria. John Sadlier, a police officer stationed at Beechworth said that Eustace painted 'some really exquisite scenes. He was of an easy-going dreamy temperament, a student of nature only, despising the works of men. Unfortunately his drawings were on eucalyptus leaves, the largest and roundest he could find and not on canvas, and no doubt have all perished long ago.' In 1876 the Melbourne Age newspaper reported, 'Eustace’s celebrated paintings on gum leaves are again attracting attention,…Mr Eustace is an elegant artist…he seems without effort to catch the colour and spirit of Australian scenery…' In 1864 A.W. Eustace held an Art Union in Albury, and again in 1884 in Ballarat. He exhibited at the Victorian Academy of Arts in 1877 and also held an exhibition of gum leaf paintings at Stevens Gallery, Melbourne in 1893. By 1896 he was receiving orders from heads of states in Europe, with his works acknowledged by Queen Victoria, Emperor Frederick of Germany and the Czar of Russia, as well as the Governors of New South Wales and Victoria. His paintings reflected his ability to paint the sky in his realistic style which is still noted by art critics of the day. A.W. Eustace was also a skillful taxidermist. The collection of birds and animals that can be seen at the Beechworth Museum are examples of his taxidermy skill. When not doing his work, painting or taxidermy, he regularly contributed letters and verse to the Chiltern newspaper, The Federal Standard. A book of verse in his hand writing was presented to The Athenaeum Trust by the Boadle family. In the 1870’s he became interested in spiritualism often being involved in lively debate at lectures and séances. Alfred William Eustace died in 1907 and is buried in the Chiltern New Cemetery with his wife Sarah and one of his daughters, Elizabeth.Alfred William Eustace was a well-known self-taught Australian artist who was known worldwide for her unique oil on gum leaf paintings. He was also a prominent Chiltern citizen.Copies of five A.W.Eustace oil paintings on gum leaf, under glass, displayed on blue paper in a black metal frame.alfred eustace, gum leaf painting, chiltern -
Orbost & District Historical Society
Paintings
... Two oil paintings on rectangular-shaped tin. Tin is curled... gippsland Paintings Two oil paintings on rectangular-shaped tin. Tin ...This painting has aesthetic significance and shows the skill and craftmanship of the early settler families.Two oil paintings on rectangular-shaped tin. Tin is curled at ends. Paintings are of trees on a river bank.paintings oil tin -
Federation University Art Collection
Painting, [Trees] by Gwen Graham
... Framed oil painting of pine trees and telegraph poles... [Trees] by Gwen Graham Framed oil painting of pine trees ...Gwen GRAHAM Gwen Graham was a member of the Ballarat Artists Society. She was active <1963-1970>. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed oil painting of pine trees and telegraph poles by Gwen Graham. Gift of David Alexander, 2013art, artwork, gwen graham, available, landscape