The Kew Bowling Club was formed in 1880 and merged with Auburn Heights Recreation Club in 1998. In addition to the unnamed members of the teams, the following individuals are profiled on the item. The background of these men has been identified by John Torpey as follows: BRADSHAW William Henry, grocer, 6 Cotham Road, Kew & 33 Prospect Hill Road, Camberwell - CARNEGIE J Lewis, merchant, Studley Avenue, Kew [Carnegie & Sons, piano & organ importers 106 Elizabeth Street, Melbourne] - CLARKE Charles, warehouseman, 35 Queen Street, Kew - EDGAR Robert McCutcheon, 215 High Street, Kew - FINLAYSON John Marshall, solicitor, 178 Cotham Road, Kew - GREEN Charles Henry, clerk, 81 Wellington Street, Kew - GREENHILL F snr [not found] - GREENHILL Thomas jnr, traveller, High Street south, Kew - HAMBLETON Lincoln, civil servant, 32 Coleridge Street, Kew - HANDBURY John, manufacturer, 55 Walpole street, Kew - JELLIS Thomas G, baker, Princess Street, Kew - LILBURN William Hugh solicitor, Denmark Street, Kew - MANSFIELD Allan, plumber, 150 Cotham Road, Kew [S&McD] or 21 Belmont Avenue, Kew [Electoral Roll 1909] - NATHAN Simeon, warehouseman, 59 Sackville Street, Kew - NIVEN Henry N, 192 Barkers Road, Kew [FW Niven & Co 40-42 Flinders Street, Melbourne, printers & lithographers] - SIMONTON Alan Thompson, dairyman, Belmont Avenue, Kew - SINUCH WC [not known – bottom right of frame] - SWINBURNE George [see Australian Dictionary of Biography] - TREDENNICK William, civil servant 285 Tennyson Street, Kew - WENTWORTH William Dalton, painter, 5 Derrick Street, Kew - WOOLLARD Thomas, civil servant, Hildebrand Crescent, Hawthorn - WOOLLARD Walter Herbert, builder, 35 Disraeli Street, Kew [Sources: Sands & McDougall directories, Electoral Roll 1909]The photographic collage is historically important as it includes rare photographs of local identities, many of whom were significant civic actors statewide.Large photo collage created by Barroni & Co (Melb) of team, player and official portraits of members of the Kew Bowling Club. At one stage the item was in a drawer in a map cupboard, fractured into multiple pieces. The items were later assembled some years ago Graham Lindsay and framed in 2021 for exhibition by John Torpey. "Kew Bowling Club / Season 1908-9 / Runners up for pennant and for Championship Rink / Office bearers of Club and Members of Pennant and Champion Rink Teams".kew bowling club

The A.N.A. Hall in View Street was opened in August 1894. The Sandhurst Branch was started on August 26th, 1874. In July 1874, several gentlemen met together, and when a sufficient number had given in their names and sufficient promises of support had been received, the board of directors were approached with a view to forming a branch of the association in Bendigo. On August 26, 1874, the inception took place. The building was demolished in 1971. Plaque formerly attached to the lower edge of the framed photo collage of the Building Committee of the Sandhurst Branch of the Australian Natives' Association. It lists names of men in the photos. Names printed on gold coloured paper mounted on piece of masonite, matching the position on the collage. "BUILDING COMMITTEE - 1894" J H CURNOW M J CAHILL Dr J QUICK D A CAMPBELL M J E STAPLETON A DUNSTAN Dr J MURPHY C DALEY (President) A G DUNLOP W CROWLEY A J HAMPSON W BEEBE J HOGAN T GLASS J B YOUNG R H ABBOTT A.N.A. HALL A G DAYMOND D EGAN J DANIEL J BUCHAN S A COCK ana, australian natives' association, sandhurst, photo collage

Commemorative limited edition (5/30) collage from 'The Kooyong Collection', featuring digital print reproduction of photograph of doubles team Brookes/ Wilding playing against Alexander/Wright at 1908 Australian Championships. Certificate of authenticity adhered to back of frame. Materials: Paper, Ink, Wood, Glass, String, Adhesive label, Cardboardtennis

The Ballarat Teachers College held a 45 year Reunion for the class of 1971 on the 5 & 6 November 2016. All students plus their four teachers were invited. Three sticky notes are attached to the poster to identify famous persons.This is a photographic collage poster featuring many mug-shot style photographs of the members of the class of 1971, with a note to identify which classroom they were a part of. Sticky notes with hand-written labels identify three members of the group with a personal achievement. A poem titled 'Extra Muros' is displayed verso inbetween two logos of the Ballarat Teachers College.Ballarat Teachers College logo as part of a flag.ballarat teachers' college, denis spielvogel, marg heffernand, joy dunstan, rachel smith, alumni, reunion, john mildren, ian fryar, ian gribble, geoff mcrea

Collage of original cartoon style drawings by Mullin and clippings of the same cartoons reproduced in New York World Telegram and The Sun, Thursday June 24, 1954. Cartoons and article refer to Rosewall's victory over Trabert in Wimbledon mens singles semi-finals 1954. Materials: Paper, Graphite, Glass, Cardboard, Glue, Wood, Metal, Felttennis

Collage of newspaper clippings being part 1 and 2 of a Los Angeles Times article, from issue August 29, 1999; entitled 'GRAND OL' MAN' relating to Roy Emerson's grand slam record under threat from more recent players. UV glass. Materials: Ink, Paper, Glass, Metal, Woodtennis

Photographic collage of 9 Bendigo scenes designed as Christmas card. Bendigo Hospital. Camp Hill School. Capital Theatre. Alexandrina Fountain. Fountain in Fernery. Above ground mine workings. Lansell's Gold-mine with Needle chimney. Beehive Stock Exchange. Unknown female statue in Fernery. Estimated date 1875. Initials AB at bottom right corner.Unknownbendigo, buildings, heritage buildings

Date is approximate. Two original post cards of this image - "Surrey Hills - looking East" - were donated by Stephen Wyatt on 10 March 2012. One is blank; the other has been sent to Mrs A Wyatt, C/O Mrs E Young, 'Grand View', Warburton from daughter Nellie from 'The Quantocks', Surrey Hills - postmarked 10 Dec 1906. There is also a reproduction of this image in a framed collage of Surrey Hills photos.This is the earliest known image of the Surrey Gardens. The layout was originally designed by William Guilfoyle, who also designed Melbourne’s Royal Botanic Gardens.Black and white photo taken from an early postcard. Taken from the roof of a house in Essex Road, it shows the development of housing between Essex and Union Roads and includes the section of land fenced off for the Surrey Gardens with paths roughly laid out, one existing tree but no tree planting. The houses depicted are largely Edwardian timber buildings with corrugated rooves. There are still some vacant blocks. Kirkland on Union Road can be seen in the distance, as can some of the shops along Canterbury Road.Lower LHS within original image: " Surrey Hills - Looking East"; on the rear "No 17" in black pen in top LH corner.edwardian style, residential development, kirkland, essex road, suffolk road, norfolk road, surrey gardens, post card

l.r; DOWNS 90abstract, city, australian artist, collage, urban, winter, season, pathway, house

Nadine SHERER (1979- ) In 2004 Nadine Sherer completed a Bachelor of Fine Arts (Honours) at the University of Ballarat (now Federation University) This work is an abstract landscape named after a colleague. A collograph is a print plate made from a low relief collage of strawboard, shellac and marble dust. It is printed using a similar method to the process of intaglio. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed collograph. Edition 1/2art, artwork, nadine sherer, landscape, printmaking, human movement collection, available

Photograph. Harry Biggs Collection. 1 black & white photocopy of a pioneers grave at Myers Creek. In the form of a collage just below this is a photo of the Fountain Pall Mall roundabout full of people & horses & buggies. The early commercial area can be seen. The words Henderson & Goods Son Furniture & Drapery can be seen. Some wattle can be seen on the top left hand corner.place, building, site, harry biggs collection, pioneers grave myers creek

A framed collage of fifty Player's cigarette cards. Each card depicts a different famous player from the 20s and 30s. Cards have green background and (most) a player wearing white. Framed with glass backing so reverse of cards is visible. Reverse of cards features instructional information for playing better tennis. Materials: Ink, Paper, Glass, Metal, Wood, Adhesive tapetennis

Heather SHIMMEN (1957- ) Born Melbourne, Victoria Heather Shimmen is a painter and printmaker who ises etching, lithographic and linocut techniques. She often uses mixed media and collage. Throughout her prints Heather Shimmen interleaves personal histories. Between 1976 and 1978 Heather Shimmen studied Fine Art Painting at RMIT in Melbourne. During that time she was taught for one year by George Baldessin This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. Framed linocut with fabric overlayart, artwork, heather shimmen, shimmen, linocut, printmaking, edition, bird, hand, tree branch, bee, moth, princt council australia, pca, available

Pro-Am past champions 2011-2019. Heidelberg Golf Club Pro-Am sponsored by Get Wines Direct. Ladbroke PGA Pro-Am series. Winners shown on this collage: 2011 Andrew Smith, 2012 and 2014 Kris Mueck, 2013 Jin Jeong, 2015 joint winners Terry Pilkadaris, Glenn Joyner, Luke Farry, Brendan Smith and Luke Bleumink, 2016 joint winners, Brendan Smith, Luke Bleumink, Ben Ford and Zac Morwood, 2017 Simon Hawkes with a course record 64, 2018 Mathew Perry and 209 Rory Bourke.One of a set of framed photographs celebrating the winners of the Heidleberg Pro-Am.Composite colour photos and matt under glass in black timber frame.heidelberg golf club, heidelberg pro-am

“A Century of Service. The Events, People and Places that shaped The RSL in Bendigo 1915 - 2015 “, By "Murray Poustie". The Author served on the Committee of the Bendigo District RSL from 2003 - 2009. He was Treasurer for 4 years. He also served on a number of Sub Committees, House and Finance, Welfare, Commemorative (Chair of) and the Memorial Walls. He is also Returning Officer and a Sub Branch Historian. Murray was made a Life Member 2019. Within the subjects, brsl, smirsl, a large amount of the information supplied re people, events, life membership, committee, dates/times were from this book. Soft cover book. Cover- cardboard ,red, blue and white print on front, spine and back. Background illustration, blue colour tones. The Memorial Hall, Pall Mall C1924 with image of a soldier on front. The Memorial Hall 2014 with 2 x RSL badges in colour on back. Inside cover- end papers- illustrated collage of images in colour. 239 pages. Paper, cut, plain, white. Illustrated block and white photographs, graphs and certificates smirsl, brsl, century, service

Certificate of Discharge of Sapper Reginald T Rosewall. Frame. Grey painted metal frame with dark green mount & glass front. Collage. LS black & white photograph, soldiers in uniform, informal group from the Mouth Organ Band, an Australian Military Force Demobilization Procedure Book & Members Personal Equipment Card & page of book showing Soldier's Name and Description on Enlistment. RS certificate black print on cream paper: Certificate of Discharge.Certificate of Discharge of Sapper Reginald T Rosewall. Handwritten in black ink & typed in black on 2 documents, enlistment & discharge information.documents - certificates, frame accessories, r.t.rosewall

A Luther Collage Year 10 History essay which documents a visit to several war memorials and researches the history of James Byrne, a name on the Mitcham War Memorial. He had enlisted in 1915 and had been discharged dur to epilepsy. He reinlisted in 1916 and was sent to England where he died in camp. The reason given wassuffocation due to the influence of drink. The author surmises it may have been an epileptic fit. Maps & photographs included.byrne, james, ww1, war memorials

This project started from the discovery of named photographs which were discovered behind an Honour Roll at the Koroit Primary School during renovations in 2009. These two volumes contain enlistments in the First World War, from the area of Koroit, Port Fairy, Macarthur, Penshurst and surrounding hamlets. It stretches from Codrington in the West through to Byaduk, Penshurst, Caramut in the north, and down though Woolsthorpe, Winslow and Dennington. It includes the personal family details, military records, photographs where possible, and fate of each soldier. Enlistments from the district numbered 250 men who paid the supreme sacrifice and 1100 who returned. It includes citations for bravery, excerpts from correspondence and local press.The significance and value of these two volumes lies in the fact that they bring together a large amount of information from various sources and link them effectively to the area of the Western district. They tell the stories of the many district soldiers of the first world war.Volume 1 Cover has collage of photographs of soldiers over coloured with different shades of green. Title text is white on black banner. Back cover is in shades of green, yellow and black with photograph of soldier and his bride in the centre. 348 pages Volume 2 has the same front cover with a family plaque on the back cover commemorating the four Dix brothers. Page numbers continue into Volume 2 up to page 654. The full index of names is contained in Volume 2. Signed James Affleck, April 17, 2015 on title page. The volumes are dedicated to “The brave men of the AIF, particularly those written about in these volumes.” stories untold and faces forgotten by james affleck., soldiers from the western district ww1, codrington, byaduk, penshurst, caramut, warrnambool

WE REMEMBER ANZAC - 100 years of ANZAC - THE SPIRIT LIVES 2014-2018 - SECONDARY RESOURCE .1) .2) 'WE REMEMBER ANZAC' .3) 'COMMEMORATIVE CEREMONY' .4) 'Memories & Memorabilia - Recognising and Preserving Australia's War Heritage' .5) 'Candour. Stories in the words of those who served 1914-1918.' .6) Over a Century of Service 2015 (Calendar) .7) 'ANZAC CENTENARY' .8) 'ANZAC PORTAL' .9) '2015 Anzac Day School's Awards'.1) Box folder - cardboard, white & gold print front, spine, back. Illustrated - collage colour photographs - medals, poppy, rising sun badge, soldier in silhouette. .2) Softcover, cardboard with fold in front flap, white & gold print, spiral bound, colour collage photographs - poppy, medals, troops. Pages - 86 pages, cut, plain, white, illustrated black & white, colour photographs, work sheets. .3) DVD inside cover flap. .4) Soft cover, cardboard, spiral bound, black, print front, illustrated sepia photograph soldier with letter and slouch hat. Pages - 88 pages, cut, plain, white, illustrated black & white, colour photographs, posters. .5) Soft cover, cardboard, white print front & back, illustrated - collage colour and sepia photographs of service personnel, letters, pens, brooch. Pages - 56 pages, cut, plain, white, illustrated colour, black & white photographs, medals, paintings. .6) Calender - soft cover, cardboard, light brown and black print front and back. Illustrated - sepia and colour - in silhouette - Troops of 1st Australian Division and members of 4 RAR. Pages - cut, plain, white, illustrated colour, black & white photographs from Boer War to Afghanistan. .7) .8) Card, cardboard with Webkey attached. Card - white & dark red print, small colour, sepia illustrations. .8) Key - metal with words printed - 'ANZAC PORTAL'. In plastic pocket. .9) Leaflet - lightweight cardboard black, white, yellow print front and back. Illustrated - black & white photograph of troop ship dockside. educational kit, anzac centenary

Collage of a collection of black and white portraits of men in oval frames with names. They are past councillors and the late Officer C.S. Wingrove of the Shire of Eltham from its inception until 1914. Originally compiled as a farewell gift to Ewan H. Cameron on his retirement from Parliament and community affairs in 1914. The photos were encased in a very large and handsme frame. It was presented to Mr. Cameron as a "testimonial [and] a small token of [Eltham Shire Councillors and community] their heartfelt esteem, and felt Mr Cameron would often look upon the faces encased in the frame, and it would remind him of friendships made and good work performed.' Mr Cameron was a well-respected man described as “Father of all in the County of Evelyn”. There were many living monuments of the good work done by Mr Cameron – schools, churches, halls and railways. Mr Cameron’s retirement was partly due to deafness. On the occasion of the presentation he told his audience that he started his public career in 1858 when he was elected a member of the Castlemaine Mining Board-; he held the position till 1900-42 years. In 1862 he was elected to the Eltham Shire Council (then a Road Board), and retired in 1914-52 years. He entered Parliament in 1874 and retired in 1914 -40 years and 8 months. The Hon Ewan H. Cameron lived at Pigeon Bank, Kangaroo Ground and died 27 September 1915. Names on the photo include: A. Beale, C. H. Bath, W. Morris, S.W. Scott, A. L. White, J. Fitch, W. G. Gray, J Darly Mealy, W. J. Taylor, E.H. Cameron M.L.A., J. Bell, J. Sincadley, R.D. Taylor, R. White, J. Herbert, S. Wingrove, W.B. Thomas, J Cowrey, J. C. Beale. Mr. R. White, 360 Main Rd., Eltham presented this copy to Council. One of the originals of this photograph was destroyed in the fire which burnt the Shire Offices at Kangaroo Ground in February 1934.This unique photo documents early pioneers in the Shire of Eltham. The context of its origins further illustrates the esteem of which E.H. Cameron was held in the community. This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, eltham, councilors, a. beale, c.h.bath, w. morris, s.w. scott, a.l. white, j. fitch, w.g. gray, j.w.darly mealy, w.j. taylor, william john taylor, william j. taylor, e. h. cameron, ewan hugh cameron, j. bell, j. sincadeley, r.d. taylor, r. white, j. herbert, s. wingrove, w.b. thomas, j. cowrey, j.c. beale, collage, presentation, retirement

David NOONAN (1969- ) Born Ballarat, Victoria. Lives and works Melbourne, Victoria and London, United Kingdom. Leaving secondary school as soon as he could, David Noonan enrolled in a Visual Art Course at the Ballarat School of Mines. He described this time as 'an inspiring time, with every art form covered and treated with passion and rigour.' He studied ceramics, photography, painting and knew that he had to be an artist. (https://art150.unimelb.edu.au/articles/david-noonan-making-art-in-a-dark-and-quiet-place, accessed 17 January 2020). Between 1987 and 1989 David Noonan completed a Bachelor of Fine Art at Ballarat University College, Victoria, Australia (Now Federation University Australia). He undertook Post Graduate Studies at the Victorian College of the Arts, Melbourne in 1991 and 1992. Since 2005 he has been based in London with his work featuring in a number of major international exhibitions of contemporary art, including 'Altermodern', the 2009 Tate Triennial at Tate Britain, London. Producing works in a range of media including painting, photography, film, print-making, collage and sculpture David Noonan's work often evoke the subconscious realm through their fragmented imagery, allusive qualities and complex layering of historical and cultural references. Animals, actors and masked figures are recurring motifs that imbue his works with a magical atmosphere that is suggestive of childhood memories or half-forgotten dreams. ( produced works in a range of media including painting, photography, film, print-making, collage and sculpture. His works often evoke the subconscious realm through their fragmented imagery, allusive qualities and complex layering of historical and cultural references. (https://www.ngv.vic.gov.au/essay/david-noonan-untitled/, accessed 17 January 2020) David Noonan has become known for large-scale monochromatic collages on linen comprised of fabrics which are torn, folded, cut, stitched and combined with silkscreened images. This approach was used to produce his 2018 atmospheric film 'A dark and quiet place'. Noonan is interested in combining art and traditional craft techniques. (https://artgalleryofballarat.com.au/gallery_exhibitions/david-noonan-stagecraft/, accessed 17 January 2020) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. Six stretched canvases making up the work 'Ring of the Nibellings'. art, artwork, david noonan, oil on canvas, alumni

David NOONAN (1969- ) Born Ballarat, Victoria. Lives and works Melbourne, Victoria and London, United Kingdom. Leaving secondary school as soon as he could, David Noonan enrolled in a Visual Art Course at the Ballarat School of Mines. He described this time as 'an inspiring time, with every art form covered and treated with passion and rigour.' He studied ceramics, photography, painting and knew that he had to be an artist. (https://art150.unimelb.edu.au/articles/david-noonan-making-art-in-a-dark-and-quiet-place, accessed 17 January 2020). Between 1987 and 1989 David Noonan completed a Bachelor of Fine Art at Ballarat University College, Victoria, Australia (Now Federation University Australia). He undertook Post Graduate Studies at the Victorian College of the Arts, Melbourne in 1991 and 1992. Since 2005 he has been based in London with his work featuring in a number of major international exhibitions of contemporary art, including 'Altermodern', the 2009 Tate Triennial at Tate Britain, London. Producing works in a range of media including painting, photography, film, print-making, collage and sculpture David Noonan's work often evoke the subconscious realm through their fragmented imagery, allusive qualities and complex layering of historical and cultural references. Animals, actors and masked figures are recurring motifs that imbue his works with a magical atmosphere that is suggestive of childhood memories or half-forgotten dreams. ( produced works in a range of media including painting, photography, film, print-making, collage and sculpture. His works often evoke the subconscious realm through their fragmented imagery, allusive qualities and complex layering of historical and cultural references. (https://www.ngv.vic.gov.au/essay/david-noonan-untitled/, accessed 17 January 2020) David Noonan has become known for large-scale monochromatic collages on linen comprised of fabrics which are torn, folded, cut, stitched and combined with silkscreened images. This approach was used to produce his 2018 atmospheric film 'A dark and quiet place'. Noonan is interested in combining art and traditional craft techniques. (https://artgalleryofballarat.com.au/gallery_exhibitions/david-noonan-stagecraft/, accessed 17 January 2020) This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A large painting on canvas. art, artwork, david noonan, noonan, alumni, oil on canvas, available

Murray WALKER (1937- ) Born Ballarat, Victoria Described as one of Melbourne's Figurative Expressionists Murray Walker educated at the Ballarat Technical Art School (a division of the Ballarat School of Mines) in 1952 and 1953, followed by the National Gallery School and RMIT Art school, Melbourne between 1858 and 1859. He studied at the Slade School of Fine Art (London) from 1960 to 1962, with a Summer School at the Academia della Belle Arti, Perugia, Italy in 1961. Myth, narrative and people form an important place in the work of Murray Walker, and he has worked in many mediums including printmaking, painting, collage, assemblage, ceramics and tapestry design. Humour and storytelling are a feature of his work Figurative ExpressionismGift of Dr Graeme Williams OAMFramed hand coloured pen drawing of a number of life modelsavailable, alumni, life models, nude, life drawing

And Zarafa Kept Walking features an image of Zarafa, the first giraffe to be seen in France in the year 1826. She arrived as an exotic gift and political ploy from Muhammad Ali of Egypt to King Charles X. To the delight of many onlookers, she walked from Marseilles to Paris carrying with her perhaps a few feathered friends. She inspired tall hairstyles à la girafe, and prompted Honoré de Balzac to write a story about her. Gracia Haby and Louise Jennison have collaborated as ‘Gracia and Louise’ since 2002, exploring their mutual fascination with the adaptable possibilities of paper and creating works from found images to produce artists' books, prints, zines, drawings, and collages.

Framed presentation to the Mayoress of Bendigo Mrs.M.G.Giudice from the Debutantes of the Mayoral Ball in 1923 with a collage of 10 oval shaped hand coloured photographs, 9 of which are the Debutantes and 1 of the Mayoress, under glass with a gold mount and with a gold coloured timber frame. Debutantes have names printed underneath, Miss M Jeffrey, Miss D Moore, Miss V Mayne, Miss E Helwig, Miss M Houston, Miss C Helwig, Miss F Trevillian, Miss A Bolton, Miss M Herbel. Deframed 2022Vincent Kelly Pall Mall Bendigophotograph, portrait, female group, bendigo-history-mayoral ball- debutantes

Gracia Haby and Louise Jennison have been creative collaborators since 1999, working together to make artist books, zines, collages, drawings, prints and stories. In this artwork, the animals have the upper hand. They are turning the tables on French acrobat, circus owner, and animal trainer, Alfred Court (1883-1977). In 1925, Court's menagerie boasted a collection of 25 lions, 8 tigers, 9 hyenas, 7 wolves, 3 cougars, 12 polar bears, 16 panthers and leopards, 5 jaguars, 2 cheetahs, and an extensive assemblage of exotic animals, including antelopes, llamas, and camels, alongside several monkeys, porcupines, and mongooses. Haby and Jennison’s collaboration explores their mutual fascination with the adaptable possibilities of paper and found images.

Framed collage featuring a letter written by Tilden to Marion Anderson, associated envelope postmarked March 6, 1949, and a book page with reproduced photograph of young Tilden playing tennis in a stadium. Page has signature by Tilden in blue ink. Letter thanks recipient for her letter and gives message of encouragement for her son 'Brat' (Arthur Anderson). The Anderson's were close friends of Tilden who supported him during a 10 month period of incarceration in 1949. Materials: Paper, Metal, Glass, Cardboard, Photographic emulsion, Lead, Glue, Inktennis

Bendigo and Vicinity: A comprehensive history of her past, and a resume of her resources: Together with the biographies of her representative pioneers, public, commercial, and professional men. (1895). Compiled by W. B. Kimberly. Publisher: F W Niven & Co Printers and Publishers, Melbourne and Ballarat. 273 pages. Illustrations: Photographs, illustrations, listing of dividends, copies of collages. Markings: Royal Historical Society of Victoria – Bendigo Branch In front and back. Inscription reads: Donated by Hilda Meurer. To the Historical Society, daughter of pioneers Mr. & Mrs. A Meurer. July 6th, 1954W B Kimberlybook, bendigo, bendigo history & its people, bendigo history, family tree, councilor, gold, biographies, travel to australia