Hand written certificate of appreciation presented to P. H. MacGillivray, Resident Surgeon, Bendigo Gold District General Hospital from the patients upon his resignation. On stiff paper with a hand painted border of leaves, flowers and patterns in blue, green, yellow and pink. Markings - Sandhurst October 1873.person, individual, paul howard macgillivray

Paul Leonard wore this shirt and vest to a Brighton Primary School fundraiser in the late 1960s. His wife Heather wore a matching yellow and orange dress, with hand painted yellow and orange shoes. Paul and Heather lived together in Male Street for forty years until his death in 2002. Paul worked in advertising and later became a painter, mainly of Australian icons.Cotton men's shirt (.1), mustard yellow with purple collar, cuffs and buttons. Men's knit vest (.2) featuring yellow and navy blue horizontal stripes and trimmed with narrow red stripe.paul leonard, heather leonard, brighton primary school, 1960s

Ceramic hand painted tile from Jinshan, China. Blue and white teapot design on cream/white tile. Brown wood frame. Presented to SGSC from Jinshan Community during a delegates visit to China. Red and black presentation box with gold satin lining. Example of Jinshan peasant painting.

Comparatively few weatherboard houses in Kew survived from the early years of settlement into the second half of the 20th century. One such property was ‘Reno’, which once stood on the east side of St John’s Parade. Its earliest recorded owner was the architect Samuel Cocking who lived there from c.1865 until his death in 1888. The original landholding was bordered by Cotham Road, Glenferrie Road, Wellington Street, and Charles Street. The southern portion of this land included a fine orchard, with many imported trees. The old summer house, at first in the orchard, was later removed to the house garden. The MMBW Detail Plan No.1576 (1904) shows the remaining portion of the original land holding, including a semi-circular pathway at the front, and garden features such as an aviary, a fountain and grotto, and a fernery. None of these are apparent in photographs dating from the 1960s, where the garden, which once included rare plants provided by Baron Von Mueller, surrounds the cottage in a tangled frenzy. Despite a ‘local significance’ classification by the National Trust, the house was demolished in 1977.Original sample of nineteenth century wallpaper from one of the earliest homes in Kew (Victoria).Wallpaper fragment from ‘Reno’. These two samples of light brown Victorian-period wallpaper were overprinted with flowers and leaves that are outlined in maroon. Flowers and foliage are painted in blue of varying intensity, giving the impression of being hand painted. The style of this wallpaper would have been suited to a bedroom or drawing room.wallpaper, samuel cocking, reno, st john's parade, kew

This bookmark may have belonged to, and was possibly made by, Miss Mary Leviny, the eldest of the Leviny sisters, who was a founding member of the Castlemaine Red Cross. This bookmark was found in the book 'Half Mile Down' by William Blake (Reg. No. 1081).A rare, intact memento of Australia Day in the form of a gum leaf made into bookmark. It was possibly sold as a fundraiser for the newly formed Red Cross in Castlemaine to aid the war efforts abroad during World War One.Hand-paInted bookmark made from a gum (eucalyptus) leaf. P Gum leaf with stem. Inscribed in white "Australia Day/1915" and painted with a red cross. A length of narrow ribbon, red, white and blue has been inserted, folded through a slit near the base, used as a book mark.Inscribed in white "Australia Day/1915"leviny family, gum leaf, bookmark, red cross, australia day, 1915, buda, castlemaine, world war one

“My main aim is to develop a sense of understanding in the mystery of the human condition, both in the reality of life and the spirituality of death. My work uses figurative imagery, both painterly and sculptural in the ceramic medium.” (http://gallery.baag.com.au/?p=34)Giuseppe RANERI (1959- ) Born Italy Giuseppe Raneri completed a Bachelor of Arts in Ceramic Design in 1982, followed by a residency at the Meat Market Craft Centre before travelling extensively overseas. Upon his return to Australia he set up his own studio in Fitzroy from 1988-1997. His work includes colourful hand-painted tablewareCeramic candlestick with majolica decoration. ceramics, gippsland campus, giuseppi raneri, jan feder memorial ceramics collection

This apron was made in 1915 by Irene Broughton, nee Long. She was born in Warrnambool in 1894 and married Arthur Broughton in 1913. She re married in 1924 Reuben Donnithorne and he died in 1931. Irene died in 1982 and is buried in the Warrnambool cemetery. The apron was left to Irene's niece, Helen Thomson who had the apron framed to preserve it. The apron would not have been in everyday use but a special garment worn when entertaining visitors for afternoon tea.This apron is a fine example of a home made house hold article from the early 20th century. The maker was born in Warrnambool.The apron is made of fine black cotton and edged with a broad lace flounce featuring a flower pattern. It is decorated with two sprays of delicately hand-painted motifs featuring Australian native flowers. The apron is in a wooden frame with a silver metal edging with scrolls on the front edge. The glass is clear and the mount is buff coloured card.vintage accessory, irene broughton warrnambool

SIGN BENDIGO ANCIENT ORDER OF FORESTERS (B.U.D.A.O.F)Timber hand painted sign with Initials B.U.D.A.O.F with the picture of a staghead between BUD and AOF. Sign is approximately 1000mm wide and with a hand carved scroll approximately 250mm high. All lettering and picture of Staghead is in gold paint on a back ground of reddish/cedar brown.cottage, miners

Constructed for 50th anniversary of the Young Sun newspaper special trains that ran between Upper Ferntree Gully and Belgrave in 1954. In 1954, special trains sponsored by The Sun newspaper, were run to farewell Puffing Billy. They became the catalyst for the creation of the Puffing Billy Preservation Society, and are the reason we still have the railway today. 60th Anniversary of the First Puffing Billy Young Sun Special - On Saturday, 13 December, 2014, the Puffing Billy Young Volunteers Representatives Team celebrated 60 years (plus two days) since the first Young Sun Special. Locomotive 14A was transformed onto '3A' for the day and it as '3A' that hauled the Recreation Train to Emerald Town StationCommemorative Puffing Billy Railway Locomotive Head Board - used in the Celebrating the 60th anniversary of the Young Sun special trainSmall, circular sign made from hand-painted steel. Yellow background, black text "Young Sun Special"around the upper and lower edges; "1954 - 2014"on left and right respective; centre image of red sunrise with black sunrays, and black rooster image in foreground with black text "DAILY AT DAWN" Young Sun 1954 to 2014 Special young sun, head board, puffing billy, newspaper, signage, 1954 -2014, puffing billy preservation society, young volunteers representatives team, 60th anniversary

Certificate of Life Governorship presented to George Lansell by the Bendigo Benevolent Asylum Incorporated. Hand painted and written on card with a scene of the Bendigo Benevolent Asylum in centre and bordered with a very intricate design of flowers and leaves in tones of blue, burgundy and gold. Certificate has a curved top. Markings - L (Ludwig) Lang, Prahran.person, individual, george lansell

From Heritage Victoria: The Women's Christian Temperance Union (WCTU) was an international first-wave feminist organisation. The Melbourne branch was formed in 1887 and became the biggest and most influential women's organisation in Victoria. The WCTU introduced large numbers of Victorian women to political activity. The Union linked temperance and women's suffrage to achieve a variety of social reforms to improve women’s lives. Possible belonged to Florence Dellar of Henty Street, PortlandBanner for the Women's Christian Temperance Union. Navy cotton backing. Pale blue cotton front. Hand painted. White cord on edges. White fringe on bottom. Person holding flag and cross in centre. Paint - blue, white, black, gold. Wooden slat on top - nailed. String hanger with white tassels.Front: WCTU. For God, For Home, For Native Land. Portland League of Hope. Tremble King of Alcohol, We Shall Grow Up.wctu, womens christian temperance union, feminism, feminist

Demonstrates how the SEC used painted metal signs to advise and remind staff of procedures for operating equipment.A metal sign painted in red. Hand painted lettering reads "THIS END RELEASE AIR BEFORE HAND BRAKE IS APPLIED" painted in off white. The corners of the sign have been rounded, with a hole made in each corner for attaching to the tram car. The reverse has the number 33 printed in small black lettering. The back of the sign has not been painted and has a rusted surface finish. The plate is slightly buckled.The number 33 is written in black on the reverse.tramways sign, painted signage for trams

The family of Miss carol Green were early settlers in Moorabbin ShireFour piece lady's white ceramic dressing table set. Comprising of a small rectangular tray, and three small lidded-pots - one pot has a knob. There is a hand-painted dainty red and green floral garland decoration on each of the pots as well as the tray. Remnants of gold painted decoration can also be seen.ceramics, ornaments, early settlers, pioneers, moorabbin, bentleigh, cheltenham, ormond, market gardeners, green carol

In 1938, the SEC Ballarat decoarated a tram with paper flowers for the Floral Festival. Has four ladies dressed in matching clothes standing inside the tram and four inside the doorways. Photographed in Wendouree Parade with Lake Wendouree in the background. The story is that it rained on the day and the ink in the dresses ran. See Reg Item 5188 for a coloured postcard of the ladies standing outside the tram. Yields information about a tram decorated for the 1939 floral festival colour scheme and has a strong association with the people involved in it. Demonstrates the colours used.Framed photograph of the 1939 Floral Tram, No. 29, photographed in Wendouree Parade, rendered, hand painted, in colour. March 1939. Frame - wooden, light brown frame, glazed, with a cut cardboard piece framing the photograph and most of the damage around the print. Has two rounded screw hooks with picture wire between them.Has a label on the front of the glass "Decorated Tram 1938" and number 01291. On the cardboard piece are the initials upside down "FKN"trams, tramways, floral tram, decorated trams, tram 29

Demonstrates a sales item that the museum has produced over many years.Metal lapel badge - image of VicRail Comeng Suburban train in orange livery - stamped metal badge with a clip on rear, nickel plated finish, with hand painted orange and black paint infilling the detail. Possibly made by R. E. V. Gomm, England to order of the Ballarat Tramway Museum mid 1980's.tramways, trams, badges, lapel badge, btm, railways

Tea was one of the first goods to be packaged in metal containers. Early import/export companies shipped it in metal-lined wooden crates. Pewter (widely used in England) was used one of the earliest metals used to fashion oriental style tea containers. Tin plated iron was made into tea canisters as early as 1790, often hand painted with places of the tea's origin. This tin has been adapted for use as a money box.In the mid-nineteenth century custom branded tins developed as a tasteful form of advertising. They were often cheap and decorative and found their way into households as gifts, often being kept as ornaments and storage boxes.They have survived well in many homes. A cylindrical metal Lipton's tin. The lid has a slot cut into it. The front panel has "LIPTON'S" above a red drawing of a tea factory and plantation with" TEA" below it. The print is white. There are panels framed in bamboo around the tin."Lipton tea, coffee and cocoa planter: Tea merchant by special appointment to his majesty King George V"tea-caddy lipton's container

1. Home made Print of ANZUK Force (Aust, NZ, UK), which was unit based in Singapore in early 1970's. 2. Identification sign roughed up to identify Padre's tent as part of the ANZUK Unit.1. Printed paper, red background, white edge, picture of orange and blue crown in centre and ANZUK Force written in black on white background ribbon at bottom. 2. Hand painted on metal plate, emblem of 6th Coy RAASC and in yellow writing at bottom " Padre". Small hole drilled thru at top and bottom to hang sign.1. Crown in centre & "ANZUK FORCE" below. 2. Emblem of shield with wings, a halo above and "Div", "RAASC", "Tpt" below and "Padre" written at bottom. souvenirs, signs, passchendaele barracks trust

Box used by Anthony Robert Cornelius to take beer cans to the movies of a night in 1 ALSG Vietnam. Refer 1874.2 for his service history. Ammunition box, steel, green colour, rectangular shape. Item has been hand painted with various cartoon characters, signs, rising sun, kangaroo, military logos. A carry handle one one end. On the inside is a hand written list re service from Kapooka, Malaya, Vietnam to Army Survey Regiment Bendigo.“3176333 A.R. Cornelius “Kellogg’s”arms- ammunition, containers - commercial

Handmade Greeting Card (from 'Ve', possibly Verona, Basil Watson's sister born 1896 ) - hand painted kookaburra on a brown painted leaf attached to a card - yellow ribbon attached to leaf. Handwritten in ink on reverse: 'All good wishes for a happy Xmas and bright New Year'. On front of card: 'Greetings from Australia 1915'communication, postal, card

The puppets were made by German POW's in camp 13 and sent to internment camp 3 as gifts for the children at Christmas time.Hand painted fawn brown paper mache head with red lips and open mouth, green protruding eyes with red outline and big eye sockets. He is wearing a red pointed hat and matching red and gold and fur trimmed coat. There are no body parts. His legs are material with wooden fur boots and stubs for arms.pow puppets, pow handcrafts, hand puppets, sharon lohe, ww2 camp puppet theatre

The puppets were made by German POW's in camp 13 and sent to internment camp 3 as gifts for the children at Christmas time.Hand painted orange paper mache head with goatie beard, blue eyes and white eyebrows. Wearing a long black and white dress with a grey collar and cuffs over a cream with little red flower skirt which is trimmed in grey. Legs are cream material with wooden feet. Hands are wood. Hair is white with bald head.pow puppets, pow handcrafts, hand puppets, sharon lohe, ww2 camp puppet theatre

The puppets were made by German POW's in camp 13 and sent to internment camp 3 as gifts for the children at Christmas time.Paper mache head of man with large nose, pointed chin and moustache. Hand painted blue eyes. Moustache and eye brows made with cotton thread. Magenta tie stitched to neck. Bottle green felt jacket with magenta trim. Leather hands attached to sleeves. Light brown skirt attached to jacket. leather ears on head. pow puppets, pow handcrafts, hand puppets

Demonstrates a sales item that the museum has produced over many years.Metal lapel badge - image of Victorian Railways Red Tait Suburban train in orange livery - stamped metal badge with a clip on rear, nickel plated finish, with hand painted red and black paint infilling the detail. Possibly made by R. E. V. Gomm, England to order of the Ballarat Tramway Museum mid 1980's.tramways, trams, badges, lapel badge, btm, railways

Black and white photograph: St. Mary's Church of England. Church altar, cross in centre, cross on left hand side, cross and banner on right hand side, 2 vases with flowers, 2 candlesticks. Alter rail in front. Hanging lamp. Large hand painted mural by A Moller above altar, mainly crucifixion scene.Herald Sunbuildings, church, st marys, copyright not for reproduction. herald sun photograph supplied by feature service the herald & weekly times ltd. melbourne australia

Metal lapel badge - image of Ballarat Tramway Museum No. 27 in an early SEC green and cream livery - stamped metal badge with a clip on rear, nickel plated finish, with hand painted light green and white/cream paint infilling the detail. Made by R. E. V. Gomm, England to order for Travis Jeffrey c1996.tramways, trams, badges, lapel badge, btm

Spray paint hand pump with plastic hose and steel nozzle attached"D" on one side. "Rega" on opposite side.

Carlton Ware was a famous Stoke-on-Trent based pottery manufacturer. The company was established in 1890 by James Frederick Wiltshaw, William Herbert Robinson and James Alcock Robinson trading under the name of Wiltshaw and Robinson. The trademark "Carlton Ware" was introduced in 1894, and the company's factory was renamed the Carlton Works. It reached its artistic high-point with superb hand-painted domestic pottery in high art deco styles during the 1920s and 1930.A china ornament representing a Heron or Egret'Carltonware'pottery, porcelain, craftwork, carlton ware, stoke on trent, wiltshaw james frederick, robinson william herbert, robinson james alcock, herron john, bentleigh, moorabbin, ormond, ornaments, early settlers

Built between 1882 and 1884 for the banker William Greenlaw and with interior decoration by the Paterson Brothers, Villa Alba is important to the state of Victoria for architectural, historic, social and aesthetic reasons. Its cultural significance results from the unrivalled quality of the late Victorian hand-painted decoration of its interiors. The Villa Alba Museum is committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.The photograph is one of a series of views of the interior commissioned from the photographer Russell Winnell by the Board of Management of Villa Alba Museum in 2011.Decoration of painted services is original to 1884.villa alba museum, interior design - 19th century, drawing rooms - 19th century, paterson brothers - decorators - melbourne, russell winnell photography

This set of 22 photographs was taken inside Army Survey Regiment’s Fortuna Villa circa 1985. The photos feature some of Fortuna Villa’s interior. Unfortunately, the magnificent array of colours and hand-painted features of Fortuna’s leadlight windows are not highlighted with light transmission, as the photographer did not take the photos in the daytime. See item 6456.30P, for photos of Fortuna Villa’s exterior and The Army Survey Regiment’s out-buildings that were taken at the same time.This set of 22 photographs was taken inside Army Survey Regiment’s Fortuna Villa circa 1985. The colour photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) & .2) - Photo, colour, c1985. Fortuna Villa – Reception/Music Room leadlight windows. .3) - Photo, colour, c1985. Fortuna Villa – Entrance foyer door and leadlight windows. .4) - Photo, colour, c1985. Fortuna Villa – Entrance foyer vaulted ceiling. .5) - Photo, colour, c1985. Fortuna Villa – Dressing Room bay leadlight windows. .6) - Photo, colour, c1985. Fortuna Villa – Dressing Room wood panel wardrobe (concealed marble bath inside). .7) - Photo, colour, c1985. Fortuna Villa – Main bathroom’s solid cedar toilet chest and water pitcher set. .8) to .14) - Photo, colour, c1985. Fortuna Villa – Drawing Room bay leadlight windows. .15) to .16) - Photo, colour, c1985. Fortuna Villa – Cupola stairway leadlight windows. .17) - Photo, colour, c1985. Fortuna Villa – Dining/ballroom doorway with velvet wallpaper. .18) - Photo, colour, c1985. Fortuna Villa – Dining/ballroom. .19) - Photo, colour, c1985. Fortuna Villa – Billiard room’s timber vaulted ceiling. .20) & .21) - Photo, colour, c1985. Fortuna Villa – Top floor nursery samples of original wallpaper. .22) - Photo, colour, c1985. Fortuna Villa – Top floor ballroom/gymnasium’s elaborate vaulted ceiling.There are brief descriptions on a note behind each photograph.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr