This is a set of 36 photographs taken at the combined Officer, Warrant Officer and Sergeant’s Mess Summer Ball held at the Army Survey Regiment (ASR), Fortuna Villa on the 25th of February 1995. The Summer Ball was one of the last large scale formal functions held at Fortuna Villa before ASR’s closure the following year. Photos of personnel and their guests was taken on their arrival near the Pompeii Fountain in the gardens at the front of the main building. The Ball and Dinner was held at the rear of Fortuna Villa in temporary 20’ x 30’ Army tents set up on the roadway in front of the transport compound. SERCO contract staff provided the catering and the ASR’s Other Ranks performed stewarding and kitchen hand duties. Refer to item 6347 for information on the administrative file held in the collection and items 6370.23P, 6371.33P and 6372.25P for additional photographs taken at the Summer Ball.This is a set of 36 photographs taken at the Officer, Warrant Officer and Sergeant’s Summer Ball held at the Army Survey Regiment, Fortuna Villa on the 25th of February 1995. The colour photographs are on 35mm negative film and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 96 dpi. .1) - Photo, colour, 1995. L to R: Rod Skidmore, Bob Thrower. .2) - Photo, colour, 1995. L to R: Jim Ash, unidentified SERCO-GM staff. .3) - Photo, colour, 1995. L to R: Helen Drummond, Stan Vote, Steve Drummond. .4) - Photo, colour, 1995. L to R: Helen Drummond, Steve Drummond, unidentified, Stan Vote, .5) - Photo, colour, 1995. Sherri and Steve Burke .6) - Photo, colour, 1995. L to R: Dale Hudson and partner. .7) - Photo, colour, 1995. L to R: Alan Dudley, Glenda Stear, Doug Carswell, unidentified, Chris Carswell, John Stear, Angela Dudley, Tony Harder (background). .8) - Photo, colour, 1995. L to R: John Phillips, Maria Harder. .9) - Photo, colour, 1995. L to R: Tracey Phillips, Peter Peterson. .10) - Photo, colour, 1995. L to R: John South, Tracey Phillips, Peter Peterson, John Bath (background), Miss Delfine. .11) - Photo, colour, 1995. Jo and Peter Peterson. .12) - Photo, colour, 1995. Colin Davidson, Jason Selman, Martin Evans (background). .13) - Photo, colour, 1995. L to R: Bill Griggs (background), Colin Cuskelly. .14) - Photo, colour, 1995. Marzipan sculpture of Australia’s Coat of Arms animals surround RA Svy Corps badge. ‘53’ denoted the number of years of RA Svy occupancy since 1942. .15) - Photo, colour, 1995. L to R: unidentified (x3), Sandra Burns, Brianna Burgin (steward in background). .16) - Photo, colour, 1995. L to R: Mrs Willis, Dave and Sue Stephenson, Corey Hill (steward in background), unidentified, Ros and Wolfgang Effenberg, Doug Willis, unidentified, Simon Lemon (background). .17) - Photo, colour, 1995. unidentified SERCO-GM staff. .18) - Photo, colour, 1995. L to R: Hayden Beer, Duncan Burns (background), Simon Lemon, unidentified SERCO staff (x2). .19) & .20) - Photo, colour, 1995. L to R: Duncan Burns, unidentified SERCO-GM staff. .21) - Photo, colour, 1995. L to R: Mrs Willis, Greg Byers. .22) - Photo, colour, 1995. L to R: Brian Sloan, unidentified. .23) - Photo, colour, 1995. Justine (Sachs) Rainey - steward. .24) - Photo, colour, 1995. Marty Stradbrook- steward. .25) - Photo, colour, 1995. Unidentified guests, Corey Hill - steward. .26) - Photo, colour, 1995. L to R: Troy Larkins, Ken Labouchardiere, Marty Stradbrook, Lance Hillier, unidentified. .27) - Photo, colour, 1995. L to R: Glen Norrell, Trevor King, Troy Larkins. .28) to .31) - Photo, colour. 1995. Unidentified string quartet musicians. .32) to .36P) - Photo, colour. 1995, Fortuna Pipes and Drums musicians..1P to .36P There are no personnel or civilians identified.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr

Considered the best of the early mud-brick houses built by Alistair Knox. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p143 The Busst house hidden by trees at the corner of Silver Street and Kerrie Crescent is considered the best of the early mud-brick houses built by Eltham architect, Alistair Knox. Knox himself said, that the Busst house was the most mature mud-brick house designed at that period. ‘It related with true understanding to its steep site and expressed the flexibility of earth building ………to develop a new sense of flowing form and shape’.1 Built in 1948 for artist Phyl Busst, a former art student at Montsalvat, the house helped usher in Eltham Shire’s distinctive mud-brick residential character. Knox was the pivotal figure of the style developed from the 1950s to the 1970s.2 Scarcity of building materials after World War Two encouraged mud-brick building because earth was a cheap and plentiful building medium. But when Knox began building in mud-brick in 1947, no council in Victoria knew anything of this ancient art and he needed a permit. Fortunately the Commonwealth Experimental Building Station at Ryde in NSW, had been experimenting with earth construction to help overcome the shortages of that time. They published a pamphlet that became available in Melbourne on the same day the Eltham Council was to consider whether the earth building should be allowed. Knox caught one of the three morning trains to the city in those days and bought several copies of the pamphlet to give to each councillor. On his return he found the councillors standing on the steps of the shire offices after lunch at the local hotel. He heard that earth building had been discussed before lunch and that they were not in favor of it. Knox gave each councillor a pamphlet. They passed that plan and by doing so, opened the door for all future earth building in Victoria and by default, in Australia.3 Mud-brick houses attracted artists to Eltham, for their aesthetic appeal and because they were cheap. Those who built their own houses, included film maker Tim Burstall, artists Peter Glass, Clifton Pugh, Matcham Skipper, Sonia Skipper and husband Jo Hannan. For Knox, mud-brick building was more than just a cheap building medium. He saw it as harmonising with the surrounding bush and as a way of counteracting the growing materialism of the age. He wrote of its impact on ‘ 20th century man. It should counteract the confusion that the perpetual flow of high technology products have upon him ..’.4 Building the Busst house on a steep site was difficult because most earth-moving equipment was then in its infancy. For instance drilling for explosives was done by hand, which was a slow and painful process. Knox, assisted by his foreman Horrie Judd and Gordon Ford (who was to become a famous landscape designer), built two large main rooms - a living room/ kitchen downstairs - and upstairs, a studio/bedroom. The studio/bedroom opens onto the balcony, which covers the living area. The bath made of solid concrete by stonemason Jack Fabro, is particularly deep. Sunshine pours through the three French windows of the north-east facing kitchen/living area, which is lined with timber. The large hearth can fit a family around the fire while the timber floors and solomite (compressed straw) ceilings add to the cosy atmosphere. The garden is thick with trees, and in the late 1990s, Ford put in a pool near the original dry wall he had built as a young man.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, alistair knox, alistair knox design, busst house, kerrie crescent, mudbrick construction, mudbrick houses, silver street

The Ballarat School of Mines was established in 1870 through the initiatives of the Ballarat Mining Board making it the oldest site of technical education in Australia. The Board was concerned with the shortage of mine managers for the goldfields. Classes began in surveying, mathematics, and chemistry and a decade later they included metallurgy , assaying and geology. With the decline in goldmining the direction of the college changed and broadened, the art School was established and the Ballarat Junior Technical School developed. In 1976, the tertiary sector seperated from the School of Mines and Industries Ballarat to form the Ballarat College of Advanced Education. In the 1980s SMB was a Community College of Technical Education and Further Education (TAFE) offering a wide range of vocational, enrichment and preparatory programs. It is continuing the tradition of providing for the educaiton needs of people within the Central Highlands. During the 1970s and 80s it acquired and refurbished old buildings and developed new facilities to keep up with the needs of an expanding curriculum and student population. The era of these annual reports is just before the merger with the University of Ballarat.A number of soft card covered annual report for the Ballarat School of Mines. .1) 12 page black covered report featuring an image of the E.J. Tippett Library. Includes information on death of E.J. Tippett, disability policy, Peter Quinn, Patti McNulty, Bob Feary, Shane Everand, Integration, Fiona Watson, retirement of Robert Morgan, Opening of the carpentry and Joinery Facility in Davey Street, formation of the School of Business and Information Technology, Melissa Bone, opening of the E.J. T. Tippett Learning Resource Centre (Library), Refurbishment of the Administration Building, Food Service Building (Prospects), Court House Theatre, Enrolment centre, Museum, Creche, Women's Trade technical Program, Rural Education Program, Ararat Prison Program, Community Studies Section, Ararat Adult Literacy Group. Literacy Assistance for Undergraduates, Fire training, fitness, open Learning, Training & Employment Group, Awards, Filipino Visitors, oil Seed Research, Brunei, Barometer (gift) for Horticulture, Special Equipment (guillotine and brake press; programmable logic Controller; theodolite: laser lever; Universal testing Machine; Atomic Absorption Spectrophotometer)., organisational Structure. Photos include Ken Flecknoe, Peter Quinn, Patti McNulty, Bob Feary, Shane Everard, Fiona Watson,Linda Bland, Robert Morgan, David McCaughey, E.J. Tippett, Frank Sheehan, Julie Baulch, Jo Reeves, Col McCurry, Jenny Garnham .3) Blue covered book with a photograph of the M.B. John Building taken from Albert Street on the cover. Topics include: Ken Flecknoe, Peter Shiells, Ararat Campus, David Haddow, Kevin Martin, Rendle Hannah, Gary Eason, Geoff Pope, Albert Peart, M.B. John building opened, Hairdressing Salon, Community Centre, Creche, closure of Lydiard Street, Museum, Jenny Levison, Inskill, Small Business Training, Ballarat Eat free Library, Barkly Street, Wormalds Valve Group, Aboriginal Programs, Horticulture Center, Awards, Country fire Authority, tractor Donation, Women's Policy. Special purchases included surveying equipment with data recorder, test rig , CDT MIG welder, compact gas chromatograph with FID and single pen recorder, Olivetti stand-alone word processing unit. Images include Ken Flecknoe. Peter Shiells, John Crowe, Trevor Slater, Brian McLennan, Kerrie Cross, Albert Peart, John Cain, M.B. John, Enrollment Centre, Museum, Jo Watson, Wormalds, Brian Webber, Dianna Nikelson, Ian Aitken, Brendan B, Chez Dichiera, Heather Dixon, Julie Broadbent .4) 1993 - Brown and white soft covered annual review featuring students of the Ballarat School of Mines at work. Bill Gribble, Brian McLennan, Peter Shiells Retirement, Robert C. Lovett, Steven Mendelson, Max Palmer, Jenny Gough, Mary Molloy, Barrie Firth, Colin McCurry, Dora Hormann, Organisation Structure, Brewery Acquisition, Humffray Street Primary School, Grant Street Retaining Wall, Neville Bunning Plaque, VCE Plus, Ballarat Small Business centre, Ararat Prison, Ballarat Showgrounds Rotunda, .6) Green covered annual review with an aerial photograph over Albert Street, Ballarat. Content include Kerrie Cross, Peter Shiells. Kenneth Flecknoe Obituary, Ian Pimblett, Keith Boast, David Nicholson, Max Palmer, Brian Webber, Bob Lovett, Linda Bland, Prospects, Training restaurant, 3BBB, Malcolm Vallance, Aboriginal Programs, Ian Cathie, Koorie Support Unit, Caroline Hogg, 'Trained Men Make Their Own Terms' exhibition at the Gold Museum, Ricky Hains, Stephen Hughes, Jeff White, Dennis Bolster .8) Blue covered review for 1989. The contents include: Kerrie Cross, Peter Shiells, Ann McCaffrey, Kevin Alsop, Mary Molloy, Ross Furness, Robert Lovett, Victoria Street Student Hostel, Hugh Beggs, Ballarat Small Business Centre, Inskill, Ararat Campus, Hospitality and Tourism, Koorie Support Unit, Fiona Warsn, Bruce Staley, Terry Moran, Anthony Wonish, Ivan Deveson, Leo Shannon Memorial Award, Bryan Crebbin, Geoff Howard, R.C.W. Burdett, Jeff White, Ian Harris, Tom Wiseman, Bill Gribble, Allison Kay, Steven Mendelson, Keith Boast. .9) Grey covered book with a coloured photo of the Victoria Street Student Residence. Contents include: Kerry Cross, Peter Shiells, Morgan Bevan John Illuminated address. Jean Phillips, Koorie Support Unit, Andrew Sullivan, Victoria Street Student Residence, Horticulture, Inskill, Tertiary Awareness Project, Adult Education, Ivan Deveson, Brian Howe, Barry Jones, Joan Kirner, Andrew Trigg, Warren Perry, Murrell Rock Collections, Gwyn Hanssen-Piggott, Disability Awareness Day, Sebastopol Borough Logo, Phoebe Rimmer, Russell Jackson, R.J. Young Scholarship, Peter Muir, Founders Day Cake, Morgan John. .11) Black card covered booklet with five images of exteriors of the Ballarat School of Mines. the contents include: Jack Barker, Peter Shiells, Peter Ellyard, Ian Stoney, Terry Moran, Wayne Strong, David Ince, Simone Titheridge, Ian Aitken,Kevin Alsop, Bill Bridges, Clive Carmichael, Bob Feary, Rendle hannah, Roly Parfenovics, Graham Snibson, Kevin Stockdale, Len Wilson, Child Care Centre opening, Student accommodation, Victoria Street, Brewery site. naming buildings, E.J. barker. A.W. Steane K.J. Flecknow, Carpentry and joinery, Inskill, Hospitality, Pottery, ceramics, Founders' Day, Warren Perry, Agreement between Ballarat School of Mines and Ballarat university College, merger, Peter Baldwin, Awards, obituary Lindsay Hillman. Images include: Wayne Strong, David Ince, Simone Titheridge, kerrie Cross, Joan Kirner, Frank Sheehan, Bill Gribble Ros Wilkie, Judi O'Loughlin, Tony Leonard, Gemma Hearnes, Brendan Hill, Joanne Bell, Karl Moon, Stella Savy, Shirley Falkinder, Peter Baldwin, Jack Barker, Michael Ronaldson, David Kemp, Peter Shiells, Margot Healey, Sharon McLennan, Kerrie Firns, Petrena Brookers, Deb Goudappel, Claire Bond, Administration Building Lindsay Hillman. .13 ) Brown covered report with photographic images. Content includes: Pam Merrett. , Peter Shiells, Robert Lovett, Steven Mendelson, Max Palmer, Jenny Gough, Barrie Firth .14) Brown covered report with photographic images. Content includes: .15) Green covered report with photographic images. The blond woman standing on the right looking at a computer screen is Pam Merrett. Content includes: Bill Gribble, Ron Wild, Doug Sarah, Martin Hill, John Kemp, David Manterfield, Leslie Comy, Linette Penhall, Glen Martland. Virginia Fenelon. Michael Bracher, Brewery Building. Child care centre, Prospects Cafe Opening, Horticulture Training Centre, Retaining Wall, The Gordon, University of Ballarat and Ballarat School of Mines affiliation, Geoffrey Blainey, Ararat Community College Memo of understanding, Brian McLennan. Founders Day (Hadden Storey), Gwyn Hanssen-Pigott, Ken Latta, Neville Bunning Outstanding Achievement Award, Valerie Wilson, Jack Barker, John Sharpham, Jack Barker Resignation.ballarat school of mines, university of ballarat, integration, shane everard, robery morgan, linda bland, ballarat junior technical school, former court house, ken flecknoe, bruce muir, lindsay hillman, neil crouch, jack barker, keith boast, rex hollioake, m.b. john, bob lovett, brian mclennan, peter shiells, bruce tanner, jeff white, bryan crebbin, kerrie cross, ric dunlop, tom wiseman, barbara hughes, chris matheson, morgan b. john, albert street, steven mendelson, john crowe, ann mccaffrey, kevin alsop, mary molloy, ross furness, robert lovett, victoria street student hostel, student residences, hugh beggs, ballarat small business centre, inskill, ararat campus, hospitality and tourism, koorie support unit, fiona watson, bruce staley, terry moran, anthony wonish, ivan deveson, leo shannon memorial award, geoff howard, r.c.w. burdett, ian harris, bill gribble, allison kay, liz eddy, pam merrett, doug sarah, martin hill, john kemp, david manterfield, leslie comy, linette penhall, glen martland, virginia fenelon, michael bracher, brewery building, child care centre, prospects cafe, horticulture training centre, retaining wall, the gordon, university of ballarat and ballarat school of mines affiliation, geoffrey blainey, ararat community college memo of understanding, founders day, hadden storey, gwyn hanssen-pigott, ken latta, neville bunning outstanding achievement award, valerie wilson, john sharpham, kerry cross, morgan bevan john illuminated address, jean phillips, andrew sullivan, victoria street student residence, horticulture, inskill, tertiary awareness project, adult education, brian howe, barry jones, joan kirner, andrew trigg, warren perry, murrell rock collections, gwyn hanssen-piggott, disability awareness day, sebastopol borough logo, phoebe rimmer, russell jackson, r.j. young scholarship, peter muir, kenneth flecknoe obituary, ian pimblett, david nicholson, brian webber, prospects, training restaurant, 3bbb, malcolm vallance, aboriginal programs, ian cathie, caroline hogg, 'trained men make their own terms' exhibition at the gold museum, ricky hains, stephen hughes, dennis bolster, aboriginal education, e.j. tippett obituary, patti mcnulty, bob feary, equal opportunity officer, robert c. morgan, school of business and information technology, e.j. tippett library, e.j. tippett library opening, carpentry and joinery, women's trade and technical program, rural education program, ararat prison program, barometer, oil seed research, . bill gribble, peter shiells retirement, robert c. lovett, max palmer, jenny gough, barrie firth, colin mccurry, dora hormann, organisation structure, brewery acquisition, humffray street primary school, grant street retaining wall, neville bunning plaque, vce plus, ararat prison, ballarat showgrounds rotunda

This set of 32 photographs were taken at the Corps Day Parade held at the Army Survey Regiment, Bendigo on the 28th of June 1990. The Parade Commander was CO LTCOL Rene van den Tol, and the Reviewing Officer was the Director of the Survey Corps - COL Don Swiney MBE. The Corps Day Parade was held on a wet and miserable day to commemorate the 75th anniversary of the formation of the Royal Australian Survey Corps. This occasion was one of several events held in 1990 to commemorate the 75th anniversary of the formation of the Royal Australian Survey Corps. More information is provided in pages 147 and 150 of Valerie Lovejoy’s book 'Mapmakers of Fortuna – A history of the Army Survey Regiment’ ISBN: 0-646-42120-4.This is a set of 32 photographs of the Corps Day Parade held at the Army Survey Regiment, Fortuna, Bendigo on the 28th of June 1990. The colour photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, colour, June 1990. Lithographic Squadron marching onto parade ground. L to R: WO2 Keith Fenton RE – UK Exchange, CPL Peter Dillon, CPL Penny Knott, SPR Andrew Morrison-Evans, unidentified, SPR Greg Howell, LCPL Damien Cole, SPR Graeme Spong, SPR Andrew Arman, unidentified (x2) CPL Rob Jones, CPL Peter Swandale. .2) - Photo, colour, June 1990. Lithographic Squadron marching onto parade ground. L to R: WO2 Keith Fenton RE – UK Exchange, SSGT Peter Imeson (blurred in foreground), LCPL Damien Cole, unidentified, SPR Andrew Morrison-Evans, SPR Andrew Arman, SPR Graeme Spong, SPR Greg Howell, unidentified (x2), CPL Rob Jones, CPL Peter Swandale. .3) &.4) - Photo, colour, June 1990. Lithographic Squadron formed up on parade ground. L to R: WO2 Keith Fenton RE – UK Exchange, LCPL Damien Cole, unidentified, SPR Andrew Arman, SPR Andrew Morrison-Evans, SSGT Peter Imeson, CPL Peter Swandale, CPL Rob Jones, remaining front rank unidentified, WO2 Rob Bogumil. .5) - Photo, colour, June 1990. Lithographic Squadron formed up on parade ground. L to R: SGT Brian Paul (background), SPR Andrew Arman, SPR Graeme Spong, SPR Greg Howell, SPR Michelle Withers, unidentified, CPL Peter Dillon, remaining rear rank unidentified. .6) - Photo, colour, June 1990. Lithographic Squadron’s SSGT Peter Imeson. .7) - Photo, colour, June 1990. Lithographic Squadron’s WO2 Keith Fenton RE – UK Exchange. .8) - Photo, colour, June 1990. Headquarters Squadron formed up on parade ground. L to R: (x3), CPL Wolfgang Hofbauer, CPL Paul Richards (background), SSGT Peter Mustart, WO2 Paul Cheater(background), PTE Mark Bird, unidentified, CPL Roger Pearson, remaining front rank unidentified, WO1 Ken Slater. .9) - Photo, colour, June 1990. Officers ready to take posts. L to R: MAJ Neil Taylor, LT Steve Hledik, CAPT Dave McLachlan, unidentified, MAJ Peter Clark, LT Geoff Ford, LT Craig Hersant, remainder unidentified. .10) - Photo, colour, June 1990. Officers ready to take posts. L to R: MAJ Neil Taylor, LT Steve Hledik, CAPT Dave McLachlan, remainder unidentified. .11) to .13) - Photo, colour, June 1990. Officers ready to take posts. L to R: MAJ Neil Taylor, LT Steve Hledik, CAPT Dave McLachlan, unidentified, MAJ Peter Clark, LT Geoff Ford, LT Craig Hersant, remainder unidentified. .14) - Photo, colour, June 1990. MAJ Neil Taylor at ease after taking post. .15) - Photo, colour, June 1990. 2IC MAJ Duncan Burns hands over Army Survey Regiment parade to CO LTCOL Rene van den Tol. .16) - Photo, colour, June 1990. Air Survey Squadron fixing bayonets. L to R: unidentified (x5), SSGT ‘Andy’ Capp, SGT Paul Hopes, SSGT Noel McNamara. .17) - Photo, colour, June 1990. Army Survey Regiment salutes and presents arms. SPR Gordon Santo in readiness to greet Reviewing Officer, Director of Survey - COL Don Swiney MBE. .18) - Photo, colour, June 1990. SPR Gordon Santo greets Reviewing Officer, Director of Survey - COL Don Swiney MBE. LT Steve Hledik saluting in background. .19) - Photo, colour, June 1990. L to R: WO2 Rhys De Laine, Reviewing Officer, Director of Survey - COL Don Swiney MBE. .20) - Photo, colour, June 1990. CO LTCOL Rene van den Tol salutes the Reviewing Officer, Director of Survey - COL Don Swiney MBE. .21) - Photo, colour, June 1990. Reviewing Officer, Director of Survey - COL Don Swiney MBE returns the Army Survey Regiment’s salute. .22) - Photo, colour, June 1990. Unidentified Chaplains. .23) - Photo, colour, June 1990. CO LTCOL Rene van den Tol escorts the Reviewing Officer, Director of Survey - COL Don Swiney MBE to Headquarters Squadron. L to R: CPL Wolfgang Hofbauer, CPL John ‘Flash’ Anderson, SGT Wolfgang Thun, SPR Paula (Golding) Brinsmead, remainder unidentified. .24) - Photo, colour, June 1990. Unidentified Army Survey Regiment personnel firing volleys. .25) - Photo, colour, June 1990. Air Survey Squadron firing volley salute. Front rank L to R: unidentified (x5), CPL Chris Brown, SSGT ‘Andy’ Capp, SGT Paul Hopes, SSGT Noel McNamara. Centre rank L to R: unidentified, SPR Jo Otto, SPR Rachel (Stanford) Scott, SGT John ‘Shep’ Shepard, LCPL Paul Boulton. Rear rank L to R: unidentified (x2), SPR Phuc ‘Charlie’ Tran, SGT Andy Boath, SGT Frank Downie, LCPL Stuart Midgley. .26) - Photo, colour, June 1990. Army Survey Regiment personnel firing volley salute. Foreground Officers L to R: 2IC MAJ Duncan Burns, unidentified, CAPT Bob Williams, unidentified, MAJ Ray Redman. CAPT Noel ‘Nesty’ Coulthard. .27) - Photo, colour, June 1990. Unidentified Army Survey Regiment personnel firing volley salute. .28) - Photo, colour, June 1990. Cartographic Squadron firing volley salute. Front rank R to L: SSGT Mick Hogan, unidentified, CPL Dan Cirsky, remainder unidentified. Centre rank R to L: unidentified, SPR Allan Blake (in battledress). .29) - Photo, colour, June 1990. Unidentified Cartographic Squadron personnel firing volley salute. .30) - Photo, colour, June 1990. End of parade. Air Survey Squadron giving three cheers to the Royal Australian Survey Corps. Front rank L to R: unidentified (x5), CPL Chris Brown, SSGT ‘Andy’ Capp, SGT Paul Hopes, SSGT Noel McNamara. Centre rank L to R: unidentified, SPR Jo Otto, SPR Rachel (Stanford) Scott, SGT John ‘Shep’ Shepard, LCPL Paul Boulton. Rear rank L to R: unidentified (x2), SPR Phuc ‘Charlie’ Tran, SGT Andy Boath, SGT Frank Downie, LCPL Stuart Midgley. WO2 Neil ‘Ned’Kelly on right. .31) & .32) - Photo, colour, June 1990. Army Survey Regiment squadrons at front of Fortuna Villa preparing to fall out..1P to .4P, .7P to .18P, .20P to .32P – There are no personnel identified. .5P – annotated ‘Corps Day parade’, ‘Corps Day 1990’ .6P - annotated ‘SGT Imeson Corps Day parade’, ‘Corps Day 1990’ .19P – annotated ‘CO, Corps Day parade’, ‘Corps Day 1990’royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr

Collection of various family and personal documents, photographs, and early 1900s greeting cards. Papers of Gwen Reed from Edith Graham of Ware Cres, Ringwood East. (Provided by Nicki Shea, Granddaughter of Stan & Jo Bridgman of Eastwood Cycles) Contents: Hand-written notes – Woodford Family Tree, by Gwen Reed Autograph book with entries "To Gwen" Bookmark - with name "Lorrie B" Christmas card to May with love from George 1906 Christmas card from May to George 1906 Christmas card from Edie to Gwen (Cousin Ede) Christmas card from Dot to Gwen 1925 (from Dot Grundy, dc'd) Christmas card from Ollie S to Gwen 1924 Happy New Year card to Gwen from Grandma (Woodford) Christmas card from Mum & Ethel to Gwen 1926 Christmas card to Gwen from Emily (Gawith, Jeparit East) Christmas card from Olive to Gwen 1919 (Olive Janetski, Jeparit East) Christmas card from Hilda (Obst) to Gwen 1929 Postcard to Miss G Woodford "Bygalorie Park" Tullibigeal PO NSW (To Gwen from Effie - Effie Robson, Jeparit East) Christmas card to Gwennie from C. S. Graham 1915 (School teacher) Christmas card from Mum to May & George Christmas postcard from Grandfather to Gwenny Christmas card to Dear Daddie from Gwen Christmas card from May with love to George Christmas card from Nellie Parker (Nell Rodgers - Albury) to Gwen 1924 Greeting card from Hilda to Gwen 1919 (Hilda Obst Jeparit East) Christmas card from Ethel to Gwen 1927 Christmas card from Anne (MCGrath) to Gwen Christmas card from S. Hoober(?) (School teacher, Bygalorie) to Mr & Mrs Woodford, Gwen & Ollie) 1924 Christmas card from May and George to Mum and Dad 1925 Christmas card to Gwen Syd & Family from May Dad & Kiddies (Stepmother) Christmas card from George to May 1907  Postcard (signed Dulcie) to Mrs G. Reed, 9 Laurence Grove, East Ringwood Vic 3055 postmarked 1993 Envelope (only) addressed to Mrs. G. Reed, 9 Laurence Grove, Ringwood East Vic. 3135 Birth Certificate District of Balmoral, Victoria – Sonia Woodford b.1856 (Issued 1987) Death Certificate District of Stawell, Vic – Archibald Brown d.1914 Marriage Certificate District of Hamilton, Vic – John Brown & Margaret Dale m.1895 Coroner’s Post-Mortem report – Edward John Reed d.1981 Family Data Tree (Family Tree) William Walker/Elizabeth Silk, Hamilton Vic & children b.1842-1862 Newspaper clipping – May & Archibald Brown drowned at North Hamilton, 1887 Pictorial Souvenir – Selected Views of Mount Gambier to Miss L. Boyce, postmarked 1959 Hand-written poems/song lyrics by Gwen Reed (4 pages) Newspaper extract - Weekly Times Magazine Section “At Hamilton”, 1937 Photograph – “My mother standing with Foster parents” Photograph of Gracie (?) Grandma (?) Murray (?) Photograph of costumed performers Photograph of child Photograph of lady at John Mansell dispensary (Chemist at Forest Hill Vic?) Postcard photograph – Gwen & Ethel Woodford Photograph of grave – Victoria May Woodford (died 1957 aged 56 years) Photograph of grave – William Woodford and Sarah Woodford Photograph of un-named male Photograph of baby on chair Photograph – “Myself. Hope you like it May" Photograph (colour) – un-named group on train at Currumbin Qld Photograph – 2 un-named girls Autographs include Arthur Young Rosie Sturgess Joff Ellen Carlu Carter Toni Lamond Dick Curtis Billy Daniels Margaret Whiting Horrie Dargie Duo Moreno Therese Talbert Richard Gray Three Apollos Robert Leeman

My Fair Lady, Capital Theatre, View Street, Bendigo. Commencing Wednesday, 14th November, 1973 for an eight night season. Souvenir Program for 50th Production. Bendigo Operatic Society, President: Mr J M Cannon, Vice President: Mr F Trewarne, Honn. Secretary: Miss A Ball, Hon. Treasurer: Mr L Spencely, Hon. Subscription Secretary: Mrs P Lyon. Committee: Mesdames I Brown, J Cannon, Misses P Speedy, M Welch, Messrs. J Beamont, J Boquest, G Daws. Photographs of Mr J Cannon, Max Collins, Carol McKenzie, John Beamont, Kathie Farn, Ralph Watkins, Patricia Lyon, Peter Pritchard, John Boquest, Russell Baxter, Max Rule, David Daenke, Gwen Grose, Diana Chon. Article on: Max Collins, Carol Mckenzie, John Beaumont. Synopsis of Scenes. Bendigo Operatic Society presents by arrangement with J C Williamson Theatre, Ltd., and Tams-Witmark Music Library of New York ' My Fair Lady.' Adapted from George Bernard Shaw's Play and Gabrial Pascal's Motion Picture 'Pygmalion'. Music by Frederick Loewe. Book and Lyrics by Alan J Lerner. Musical Director: Gwen Rose, Stage Manager Malcom Cannon, Wardrobe Miss M Welch, Choeography Miss M Welch & Mrs A Ball. Cast: Carol McKenzie, Max Rule, Kathie Farn, Ralph Watkins, John Beamont, Gary Burns, John Boquest, Russell Barter, Peter Pritchard, Patricia Lyon, Pauline Speedy, Jull James, David Daenke. Synopsis of Story. Bendigo Concert Orchestra from the following:- Violins: Mrs R Wheldon, Mrs A Boulton, Mrs M Robbins, Mrs C Messer, Mr C Gill, Mr P Phillips, Mr J Jordan. Violas: Mr E Jarratt, Mr J Werry. Cellos: Mrs C Bubb, Miss D Nankivell. Bass: Mr Chester White, Mr Tom French. Flute: Mr C Bubb. Clarinets: Mr R Holyoake, Mr G Ellul. Trombones: Mr W Neuman. Bassoon & French Horn: Mr Stuart Anderson. Trumpets: Mr D Aitken. Pianoforte: Miss Diana Cohn. Female Chorus: Marion Alcock, Wilma Baldwin, Mary Barbour, Valerie Barter, Gwen Cox, Shirley Dawson, Jo-anne Edgar, Dorothy Field, Valerie Griffith, Lorraine Hatch, Julie Howbert, Faye Hughes, Ruth Iredale, Sue Kemp, Dawn Mackay, Cheryl Marshall, Jull Matthews, Adrenne Nankivell, Fay Olive, Barbara Potter, Lois Semmens, Coral Rivett, Anne Truscott, Kathie Watson, Pamela Wiltshire, Marion Wright. Male Choras: Albert Charlton, David Aaenke, Graeme Dawes, Ken Deutchman, Jim Feteris, Philip Johnston, Hugh Sayle, Bryan Slattery, Len Symons, Fred Trewarne, Ian Unmack,Philip Wilkins. Ballet: Dianne Austin, Annette Bassett, Annette Galvin, Coral Rivett, Pam Sutton, Den Deutschman, Ian Unmack, Brian Slettery, Len Symons, Philip Johnston. Acknowledgements: Bendigo Advertiser, BVC 8, 3BO, 3CV. Publicity Officer: Mrs J Cannon. Scenery Design: Mr Malcom Cannon. Prperties: John Cannon, Jim Moncrieff, Gerard Fullarton, Peter Edgley. Art Work: M Cannon, Geoff Proctor, J Hall, Kerry Noakes, Michael Frayne, Mark Edebone & Pamela Caswell. Prompts: Mrs J Cannon, Mrs H Lindhe. Make-Up: Mrs J Cannon, B Downing, H Coia, Lighting: L Reed, H Bridges & T Vincent. Hairdressing: Ross Coiffure. House Managers: Basil Bennett, Ron Thomas, Bruce Ralph. Advertisments: Powneys Toyland, Golden Hills Motel 'The Inn', Marong Road, Bendigo. Ross Coifure Beauty Salon, Allans Walk, Bendigo. Don Semmens Photographic Studio, Hargreaves Street, Bendigo.program, theatre, bendigo operatic society, my fair lady, capital theatre, view street, bendigo. commencing wednesday, 14th november, 1973 for an eight night season. souvenir program for 50th production. bendigo operatic society, president: mr j m cannon, vice president: mr f trewarne, hon. secretary: miss a ball, hon. treasurer: mr l spencely, hon. subscription secretary: mrs p lyon. committee: mesdames i brown, j cannon, misses p speedy, m welch, messrs. j beamont, j boquest, g daws. photographs of mr j cannon, max collins, carol mckenzie, john beamont, kathie farn, ralph watkins, patricia lyon, peter pritchard, john boquest, russell baxter, max rule, david daenke, gwen grose, diana chon. article on: max collins, carol mckenzie, john beaumont. bendigo operatic society presents by arrangement with j c williamson theatre, ltd., and tams-witmark music library of new york ' my fair lady.' adapted from george bernard shaw's play and gabrial pascal's motion picture 'pygmalion'. music by frederick loewe. book and lyrics by alan j lerner. musical director: gwen rose, stage manager malcom cannon, wardrobe miss m welch, choeography miss m welch & mrs a ball. cast: carol mckenzie, max rule, kathie farn, ralph watkins, john beamont, gary burns, john boquest, russell barter, peter pritchard, patricia lyon, pauline speedy, jull james, david daenke. synopsis of story. bendigo concert orchestra from the following:- violins: mrs r wheldon, mrs a boulton, mrs m robbins, mrs c messer, mr c gill, mr p phillips, mr j jordan. violas: mr e jarratt, mr j werry. cellos: mrs c bubb, miss d nankivell. bass: mr chester white, mr tom french. flute: mr c bubb. clarinets: mr r holyoake, mr g ellul. trombones: mr w neuman. bassoon & french horn: mr stuart anderson. trumpets: mr d aitken. pianoforte: miss diana cohn. female chorus: marion alcock, wilma baldwin, mary barbour, valerie barter, gwen cox, shirley dawson, jo-anne edgar, dorothy field, valerie griffith, lorraine hatch, julie howbert, faye hughes, ruth iredale, sue kemp, dawn mackay, cheryl marshall, jull matthews, adrenne nankivell, fay olive, barbara potter, lois semmens, coral rivett, anne truscott, kathie watson, pamela wiltshire, marion wright. male choras: albert charlton, david aaenke, graeme dawes, ken deutchman, jim feteris, philip johnston, hugh sayle, bryan slattery, len symons, fred trewarne, ian unmack, philip wilkins. ballet: dianne austin, annette bassett, annette galvin, coral rivett, pam sutton, den deutschman, ian unmack, brian slettery, len symons, philip johnston. acknowledgements: bendigo advertiser, bvc 8, 3bo, 3cv. publicity officer: mrs j cannon. scenery design: mr malcom cannon. prperties: john cannon, jim moncrieff, gerard fullarton, peter edgley. art work: m cannon, geoff proctor, j hall, kerry noakes, michael frayne, mark edebone & pamela caswell. prompts: mrs j cannon, mrs h lindhe. make-up: mrs j cannon, b downing, h coia, lighting: l reed, h bridges & t vincent. hairdressing: ross coiffure. house managers: basil bennett, ron thomas, bruce ralph. powneys toyland, golden hills motel 'the inn'. ross coifure beauty salon. don semmens photographic studio.

1. Rock-art of the Western Desert and Pilbara: Pigment dates provide new perspectives on the role of art in the Australian arid zone Jo McDonald (Australian National University) and Peter Veth (Australian National University) Systematic analysis of engraved and painted art from the Western Desert and Pilbara has allowed us to develop a spatial model for discernable style provinces. Clear chains of stylistic connection can be demonstrated from the Pilbara coast to the desert interior with distinct and stylistically unique rock-art bodies. Graphic systems appear to link people over short, as well as vast, distances, and some of these style networks appear to have operated for very long periods of time. What are the social dynamics that could produce unique style provinces, as well as shared graphic vocabularies, over 1000 kilometres? Here we consider language boundaries within and between style provinces, and report on the first dates for pigment rock-art from the Australian arid zone and reflect on how these dates from the recent past help address questions of stylistic variability through space and time. 2. Painting and repainting in the west Kimberley Sue O?Connor, Anthony Barham (Australian National University) and Donny Woolagoodja (Mowanjum Community, Derby) We take a fresh look at the practice of repainting, or retouching, rockart, with particular reference to the Kimberley region of Western Australia. We discuss the practice of repainting in the context of the debate arising from the 1987 Ngarinyin Cultural Continuity Project, which involved the repainting of rock-shelters in the Gibb River region of the western Kimberley. The ?repainting debate? is reviewed here in the context of contemporary art production in west Kimberley Indigenous communities, such as Mowanjum. At Mowanjum the past two decades have witnessed an artistic explosion in the form of paintings on canvas and board that incorporate Wandjina and other images inspired by those traditionally depicted on panels in rock-shelters. Wandjina also represents the key motif around which community desires to return to Country are articulated, around which Country is curated and maintained, and through which the younger generations now engage with their traditional lands and reach out to wider international communities. We suggest that painting in the new media represents a continuation or transference of traditional practice. Stories about the travels, battles and engagements of Wandjina and other Dreaming events are now retold and experienced in the communities with reference to the paintings, an activity that is central to maintaining and reinvigorating connection between identity and place. The transposition of painting activity from sites within Country to the new ?out-of-Country? settlements represents a social counterbalance to the social dislocation that arose from separation from traditional places and forced geographic moves out-of-Country to government and mission settlements in the twentieth century. 3. Port Keats painting: Revolution and continuity Graeme K Ward (AIATSIS) and Mark Crocombe (Thamarrurr Regional Council) The role of the poet and collector of ?mythologies?, Roland Robinson, in prompting the production of commercial bark-painting at Port Keats (Wadeye), appears to have been accepted uncritically - though not usually acknowledged - by collectors and curators. Here we attempt to trace the history of painting in the Daly?Fitzmaurice region to contextualise Robinson?s contribution, and to evaluate it from both the perspective of available literature and of accounts of contemporary painters and Traditional Owners in the Port Keats area. It is possible that the intervention that Robinson might have considered revolutionary was more likely a continuation of previously well established cultural practice, the commercial development of which was both an Indigenous ?adjustment? to changing socio-cultural circumstances, and a quiet statement of maintenance of identity by strong individuals adapting and attempting to continue their cultural traditions. 4. Negotiating form in Kuninjku bark-paintings Luke Taylor (AIATSIS) Here I examine social processes involved in the manipulation of painted forms of bark-paintings among Kuninjku artists living near Maningrida in Arnhem Land. Young artists are taught to paint through apprenticeships that involve exchange of skills in producing form within extended family groups. Through apprenticeship processes we can also see how personal innovations are shared among family and become more regionally located. Lately there have been moves by senior artists to establish separate out-stations and to train their wives and daughters to paint. At a stylistic level the art now creates a greater sense of family autonomy and yet the subjects link the artists back in to much broader social networks. 5. Making art and making culture in far western New South Wales Lorraine Gibson This contribution is based on my ethnographic fieldwork. It concerns the intertwining aspects of the two concepts of art and culture and shows how Aboriginal people in Wilcannia in far western New South Wales draw on these concepts to assert and create a distinctive cultural identity for themselves. Focusing largely on the work of one particular artist, I demonstrate the ways in which culture (as this is considered) is affectively experienced and articulated as something that one ?comes into contact with? through the practice of art-making. I discuss the social and cultural role that art-making, and art talk play in considering, mediating and resolving issues to do with cultural subjectivity, authority and identity. I propose that in thinking about the content of the art and in making the art, past and present matters of interest, of difficulty and of pleasure are remembered, considered, resolved and mediated. Culture (as this is considered by Wilcannia Aboriginal people) is also made anew; it comes about through the practice of artmaking and in displaying and talking about the art work. Culture as an objectified, tangible entity is moreover writ large and made visible through art in ways that are valued by artists and other community members. The intersections between Aboriginal peoples, anthropologists, museum collections and published literature, and the network of relations between, are also shown to have interesting synergies that play themselves out in the production of art and culture. 6. Black on White: Or varying shades of grey? Indigenous Australian photo-media artists and the ?making of? Aboriginality Marianne Riphagen (Radboud University, The Netherlands) In 2005 the Centre for Contemporary Photography in Melbourne presented the Indigenous photo-media exhibition Black on White. Promising to explore Indigenous perspectives on non-Aboriginality, its catalogue set forth two questions: how do Aboriginal artists see the people and culture that surrounds them? Do they see non-Aboriginal Australians as other? However, art works produced for this exhibition rejected curatorial constructions of Black and White, instead presenting viewers with more complex and ambivalent notions of Aboriginality and non-Aboriginality. This paper revisits the Black on White exhibition as an intercultural event and argues that Indigenous art practitioners, because of their participation in a process to signify what it means to be Aboriginal, have developed new forms of Aboriginality. 7. Culture production Rembarrnga way: Innovation and tradition in Lena Yarinkura?s and Bob Burruwal?s metal sculptures Christiane Keller (University of Westerna Australia) Contemporary Indigenous artists are challenged to produce art for sale and at the same time to protect their cultural heritage. Here I investigate how Rembarrnga sculptors extend already established sculptural practices and the role innovation plays within these developments, and I analyse how Rembarrnga artists imprint their cultural and social values on sculptures made in an essentially Western medium, that of metal-casting. The metal sculptures made by Lena Yarinkura and her husband Bob Burruwal, two prolific Rembarrnga artists from north-central Arnhem Land, can be seen as an extension of their earlier sculptural work. In the development of metal sculptures, the artists shifted their artistic practice in two ways: they transformed sculptural forms from an earlier ceremonial context and from earlier functional fibre objects. Using Fred Myers?s concept of culture production, I investigate Rembarrnga ways of culture-making. 8. 'How did we do anything without it?': Indigenous art and craft micro-enterprise use and perception of new media technology.maps, colour photographs, b&w photographswest kimberley, rock art, kuninjku, photo media, lena yarinkura, bob burruwal, new media technology

This is a set of 11 photographs of personnel posted to the Army Survey Regiment in 1990. These formal group photos of three of the four Squadrons, Officers, and Warrant Officers/Sergeants were probably taken after CO’s Parades. Although photo .11P is part of this set of negatives, it was taken on another occasion as the SGTs Mess personnel were in summer uniforms. Photos of Lithographic Squadron from this set of negatives are catalogued in item 6441.15P. LTCOL John Winzar was the CO of the Army Survey Regiment from 1987 to 1989 and WO1 Neville Stone was the RSM from 1988 to 1990.This is a set of 11 photographs of personnel posted to the Army Survey Regiment, Fortuna Villa, Bendigo Victoria on the 1st of October 1990. The photographs are on 35mm negative film and were scanned at 96 dpi. They are part of the Army Survey Regiment’s Collection. .1) to .2) - Photo, black & white, 1990. Senior appointments: L to R: RSM WO1 Neville Stone, CO LTCOL Rene van den Tol, 2IC MAJ Duncan Burns, ADJT CAPT Peter Parkes. .3) - Photo, black & white, 1990. Officers Mess: Back row L to R: back row L to R: LT Craig Hersant, LT Greg Tolcher, LT Martin Lyons, LT Steve Hledik, LT Derek Bell, LT Simon Buckpitt. Centre row L to R: CAPT Roger Greenwell, CAPT Dave McLachlan, ADJT CAPT Peter Parkes, unidentified UK exchange officer, CAPT Noel ‘Nesty’ Coulthard. Front row L to R: CAPT John South, MAJ Bob Coote, MAJ Neil Taylor, CO LTCOL Rene van den Tol, 2IC MAJ Duncan Burns, MAJ Peter Clark, MAJ Ray Redman. .4) - Photo, black & white, 1990. SGTs Mess: Back row L to R: SGT Max Watson, unidentified, SGT Martin Evans, SSGT Graham Johnston, SGT Brian Fauth, SGT Ian Fitzgerald, unidentified, SGT Mick Minchin, SGT Kim Reynolds, SGT Peter Imeson, SGT Brian Paul, SSGT John Phillips, SGT Keith Quinton, unidentified (x2), SSGT Noel McNamara, SGT Paul Hopes, SGT Brendan McKinless. 3rd row L to R: SSGT Di Chalmers, SGT Bob Bright, SGT Doug Carswell, WO2 Steve Egan, unidentified, SSGT Garry Drummond, SGT Steve Burke, SSGT Russ Mollenhauer, SGT Paul Cheater, SGT Sandy Craig, SSGT Peter Mustart, SGT Roger Rees, SGT Paul Leskovec CSM, unidentified, SGT John Shephard, SGT Frank Downie, SSGT Bruce Hammond, unidentified. 2nd row L to R: WO2 Jeff Willey, WO2 Barry Lutwyche OAM, WO2 Rob Bogumil, WO2 Rhys De Laine, WO2 Ted Burgess, WO2 Wayne Rothwell, WO2 Steve Hansen, WO2 Keith Fenton RE UK Exchange, SGT Chris Edwards, SGT Russ Mollenhauer, unidentified, SGT Greg Else, unidentified, SSGT Bob Garritty, SSGT Greg Byers, WO2 Pat Lumsden, WO2 George Graham, WO2 Mick Hogan, SGT Sherri (Dally) Burke. Front row L to R: WO1 Trevor Osborne, WO1 Colin Cuskelly, WO1 Bob Rogister, WO1 Allan Hancox, WO1 Bill Jones, 2IC MAJ Duncan Burns, RSM WO1 Neville Stone, WO2 Neil ‘Ned’ Kelly, WO1 Ken Slater, WO1 Rowan Gillies, WO1 Graham Ragless, WO1 Gary Warnest, WO2 Adrian ‘Charlie’ Creedy. .5) - Photo, black & white, 1990. Air Survey Squadron: Back row L to R: SPR Mark Linwood, SPR Trevor Roddam, CPL Noel Brinsmead, CPL Mark Lander, SGT Frank Downie, CPL Sandy Craig. 3rd row L to R: SPR Steve Rundle, SPR Cameron Gee, CPL Darren Wilkinson, CPL Dave Longbottom, CPL Max Watson, SPR Shane Torrens, SGT Paul Hopes, SPR Chris Woodman. 2nd row L to R: SGT John Shephard, SPR Paul Boulton, SPR Stuart Bowd, SPR Paula (Golding) Brinsmead, SPR Joanne Otto, CPL Steve Coulson, SPR Steve Linane, CPL Chris ‘Charlie’ Brown. Front row L to R: SSGT Bruce Hammond, WO2 Barry Lutwyche OAM, LT Craig Hersant, WO1 Allan Hancox, MAJ Peter Clark, LT Simon Buckpitt, WO2 Neil ‘Ned’ Kelly, SSGT SSGT Noel McNamara. .6) - Photo, black & white, 1990. Headquarters Squadron: Back row L to R: unidentified (x2), SPR Wolfgang Hofbauer, SGT Chris Edwards, CPL Pat Drury, SSGT John Phillips, unidentified, CPL Graeme Priestley, unidentified (x2), SGT Paul Leskovec CSM, LCPL Richard Arman. 4th row L to R: unidentified, SGT Ian Fitzgerald, unidentified (x2), LCPL Bob Sheppard, unidentified (x2), CPL John ‘Flash’ Anderson, SPR Todd Reynolds, SGT Keith Quinton, CPL Roger Pearson, unidentified, WO1 Bob Rogister. 3rd row L to R: WO2 Wayne Rothwell, SSGT Peter Mustart, SPR Eric Nicholson, unidentified, SGT Paul Cheater, unidentified, SGT Wolfgang Thun, unidentified (x2), CPL Paul Richards, SGT Mick Minchin, unidentified. 2nd row L to R: unidentified, SPR Kasey Northausen, unidentified, CPL Michelle Griffith, unidentified (x3), SPR Tracy Tillman, unidentified (x4), WO2 Steve Hansen. Front row L to R: WO1 Rowan Gillies, WO1 Colin Cuskelly, CAPT Noel ‘Nesty’ Coulthard, CAPT Roger Hancock, WO1 Ken Slater, MAJ Ray Redman, MAJ John South, unidentified UK exchange officer, WO2 Ted Burgess, WO2 George Graham, unidentified civilian. .7) & .8) - Photo, black & white, 1990. Cartographic Squadron: Back row L to R: Back row L to R: SGT Greg Else, CPL Perry Burt, SSGT Graham Johnston, CPL Mick McConnell, 3rd row L to R: SGT Bob Bright, SGT Doug Carswell, SPR Marcus Seecamp, CPL John Gilbert. 2nd row L to R: SGT Martin Evans, SPR Sandy Winn, SPR Jeanette Drury-Lane, SPR Simone Rodgers, Front row L to R: SPR Guenther Ebenwaldner, WO2 Pat Lumsden, LT Steve Hledik. .9) - Photo, black & white, 1990. Cartographic Squadron: Back row L to R: SGT Greg Else, CPL Perry Burt, SSGT Graham Johnston, CPL Mick McConnell, unidentified, SPR Mark Linwood, SPR Lee Palfrey, SPR John ‘Doc’ Commons, SPR Chris Wynn, SPR Mick Duggan, CPL Peter Johnson, SPR Allan Blake, CPL Damian Killeen, SPR Grant Davis, SPR Simon Reynolds, SPR Peter Smyth. 3rd row L to R: SPR Guenther Ebenwaldner, SGT Bob Bright, SGT Doug Carswell, SPR Marcus Seecamp, CPL John Gilbert, SPR Gordon Santo, SPR Frank Savy, SPR Chris Woodman, SSGT Greg Byers, SPR David Lankshear, SSGT Bob Garritty, CPL Craig Kellet, CPL Darren Maher, CPL Barry Hogan, CPL Dan Cirsky, SPR Bob Bousfield. 2nd row L to R: SGT Martin Evans, CPL John Reid, SPR Sandy Winn, SPR Jeanette Drury-Lane, SPR Simone Rodgers, SPR Cam Bramich, SPR Ailsa (Sorby) Miller, SPR Nadine (Paul) Read, SPR Jodi Seath, SGT Sherri (Dally) Burke, SPR Di (Thomas) Soutar, SPR Dawn Hoadley, CPL Raelene (Munting) Brodie, SPR Jo (Innes) Thun? SPR Damian Nolan. Front row L to R: WO2 Pat Lumsden, LT Steve Hledik, LT Derek Bell, CAPT Dave McLachlan, MAJ Neil Taylor, WO1 Graham Raglass, WO1 Gary Warnest, WO2 Mick Hogan, WO2 Adrian ‘Charlie’ Creedy. .10) - Photo, black & white, 1990. Cartographic Squadron leadership: Back row L to R: CAPT Dave McLachlan, LT Derek Bell, LT Steve Hledik, WO2 Pat Lumsden, WO2 Mick Hogan, WO2 Adrian ‘Charlie’ Creedy. WO1 Gary Warnest. Front row L to R: MAJ Neil Taylor, WO1 Graham Raglass. .11) - Photo, black & white, 1990. SGTs Mess: Back row L to R: WO2 Jeff Willey, unidentified, SGT Brian Fauth, unidentified, SGT Sandy Craig, unidentified, SGT Paul Leskovec CSM, SSGT John Phillips, unidentified, SGT Martin Evans, SGT Steve Burke, SGT Brendan McKinless, SGT Chris Edwards. 3rd row L to R: SGT Brian Paul, unidentified, SSGT Bob Garritty, SSGT Greg Byers, SGT Kim Reynolds, SGT John Reid, unidentified, SSGT Rick van der Bom, SGT Dale Hudson, unidentified, SGT John ‘Stormy’ Tempest, SGT Keith Quinton, SGT Greg Else. 2nd row L to R: WO2 Rob Bogumil, unidentified, WO2 Adrian ‘Charlie’ Creedy, WO2 George Graham, WO2 Wayne Rothwell, WO2 Pat Lumsden, WO2 Mick Flynn, WO2 Ted Burgess, unidentified, SSGT Dennis Learmonth, SGT Bob Bright, WO2 Steve Hansen, WO2 Rhys De Laine. Front row L to R: unidentified, WO1 Trevor Osborne, WO1 Bill Jones, WO1 Colin Cuskelly, MAJ Ray Redman, RSM WO1 Neville Stone, WO1 Stu Thaxter, WO2 Mick Hogan, WO1 Bob Rogister, WO1 Ken Slater, WO1 Gary Warnest..1P to .11P – no annotationsroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr

Reports published in The Courier newspaper of performances by Ballarat Academy of Performing Arts, including items naming students past and present of the University of Ballarat during 1997 plus articles of people and events connected to the Arts Academy. Also contains information about Ballarat University courses for performing arts. Articles are mostly from the Ballarat Courier newspaper in chronology year (1997) order with no page numbers. Two items are from December 1996 and three articles in October 2001. PRODUCTIONS : *' Pericles' performed by Ballarat's Ozact Theatre Company at Port Fairy's Battery Point. *'Maelstrom' written by Chris Dickens and directed by Peter Tulloch performed by BAPA third year students.(Oct. 28th - Nov 1st) Some cast members were: James McLaverty, Melissa Casey, Linda Judd, Angela Coad, Sarah Griffin, Kathy Lucas, Melissa Casey, Laura Hill, Grant Hickey, Jamie Robertson, Jon Catanzariti, Steve Kerr, Jeff Parker Natalie Zappulla. Performed at Ballarat University Studio Theatre (Nov 4th -8th) and also at Melbourne's CUB Malthouse (Nov. 25th-29th) *"7 Deadly" directed by Chris Dickens and performed in The Chapel at the Academy's Victoria Street campus by 1st year Ballarat University students. Some cast members were: Ash Abdou, Niniane Le Page, Alex Meerbach, Adam Davies and Elicia Bolger. *"Sounds of Broadway and Off' (Oct 9th - 11th) directed and choreographed by Judith Roberts and performed at the Studio Theatre , University of Ballarat, by 1st year students of Musical Theatre at BAPA. Some cast members were Paul Thomas, Shannon Palmer, Aakash Andrews, Justine Schnellbeck, Erica Chestnut,, Rebecca McGuinness, Matthew Heyward, Kellie Rode. Tickets cost $5.00 *'Bewitched" "a parody of the original television series" directed and produced by Ballarat performing arts graduates Adam Turnbull and Claire O'Sullivan. Most of the cast and crew were graduates from the University of Ballarat. Some cast members were: Katherine Evans as Samantha and Martin Cole as Darren. Simon Buckle was responsible for his original music, songs and special effects. *Concert: Featuring pianist Slavomir Zumis and cellist Robert Ekselman (Oct. 3rd) *"Charley's Aunt" by Brandon Thomas, directed by Belinda Lees and performed by 2nd year Ballarat Academy of the Arts 2nd Year Company at The Venue Studio Theatre, University of Ballarat (Sept. 23rd-27th). Cast members: Derren Jackson, Ross Larkin, Kevin Dee, Adelle Gregory, Colette Bruggeman, Luke Doxey, Gavin Fenech, Dennis Marinovic, Nadia Andary, Narelle Werner. Cost: Adults $10, Concession $7.50, Bookings at Majestix. *'The Importance of Being Ernest' (by Oscar Wilde), performed by second year theatre company of the University of Ballarat, directed by Maureen Edwards, designed by Andrew Arney. Cast members included Narrell Werner as Gwendolen, Tim Haymes as Jack, Mark Gambino as Algermon, Adelle Gregory as Cecily and Heather Kent as Lady Bracknell. The production was at the Studio Theatre, University of Ballarat, September 16th-20th , 8pm. Ticket costs: $10 Adult, $7.50 Pensioners/students. Double bill tickets for The Importance of Being Ernest and Charley's Aunt (Sept.23-27) costs: $15 Adults,$10 Concession. *"The Man From Muckinupin' (by Dorothy Hewett), directed by Chris Dickens and performed by University of Ballarat 3rd Year Performing Arts at Studio Theatre, University of Ballarat from Aug 26th - Aug 30th 1997. Cast members: Lisa Judd as Polly, James McLaverty as Jack, Jamie Robertson, Natalia Rose, Steven Kerr, Jon Catanzariti, Melissa Casey, Grant Hickey, Sarah Griffin, Laura Hill, Kathy Lucas, Angela Coad, and Jeff Parker. Ticket costs: $10 Adults, $7.50 Concession from MajesTix *'The Inspector' (by John Cousins) director Bruce Widdop, performed by the Third Year Graduating Company, University of Ballarat, Ballarat Academy of Performing Arts; at Studio Theatre, University of Ballarat, Aug 19th-23rd, 1997. Cast: Jamie Robertson as the mayor, Jeff Parker as the supposed government inspector, Grant Hickey as Sidney, Melissa Carey as Rose, and Sarah Griffin as Rose's daughter, Laura Hill as the postmaster and Linda Judd as the headmistress. Some 1st year students had cameo roles - Adam Parsons and Adam Davies. *'Cosi' directed by Andrew Seeary and performed by Theatre Movement at the Grainery Lane Theatre, Doveton Street, Balarat. The story has a young, nervous director Lewis, played by Brett Edginton, arrive in a mental home to produce a play with the inmates. Other cast members are Karl Hatton (Roy), Miranda Crellin (Cherry), Rob MacLeod (Henry), Ray Craven (Zac), Narrell Werner (Julie), Nadia Andary (Ruth), Mark Gambino (Doug), Elizabet Stewart and Michael Cooper (Lewis' unsympathetic friends) and Bob House (the Social Worker). Nadia, Mark and Narelle are Ballarat University performing arts students. Season: July 24th,25th 26th and 31st and August 1st and 2nd, 1997. Tickets at the door or through Majestix. Cost: Adults $16; Concession $11. Reviewer: Barry Breen, a Ballarat author, poet and performance artist. *'New Works' involves two plays - 'The Inside Out', director Melissa Casey and 'Secrets'. director Jeff Parker, presented by Ballarat Academy of Performing Arts Third Year Company, both written and directed by third year students. All production areas handled by students of BAPA. Cast members: 'The Inside Out' - Jamie Robertson, Laura Hill. 'Secrets' - Sarah Griffin, Linda Jude, Steven Kerr, Angela Coad, Natalie Zappulla. Staged at University of Ballarat's Studio Theatre. Bookings MajesTix - $10 or $7.5 *Euripide's, 'The Bacchae', a tale of revenge, directed by Bruce Widdop and performed by 2nd year students from the University of Ballarat Performing Arts Department and the BAPA. Assistant directors' Tim Haymes and Derren Jackson. Cast members: Richard DiGregorio (Dionysus), Chris Stipic (Cadmus), Colette Brugman (Agaue), Denis Marinovic (Pentheus), Mark Gambino (Teiresias) and Ross Larkin as the messenger. Other supporting performers are Luke Doxey, Brendan Mayne, Heather Kent, Kevin Dee, Gavin Fenech, Nadia Andary, Karissa Clarke, Adelle Gregory and Narrell Werner. The play was performed at the Studio Theatre, Ballarat University, June 3rd-6th, 1997.Tickets MajesTix or at the door - $10 Adult, $7.50 Concession. *'Back to the Tivoli' School of Performing Arts - June 10th -14th. Venue: Academy of Performing Arts, Victoria Street, 8pm *Aristophane's 'Lysistrata', an anti-war comedy directed by Belinda Lees who has moved the action of the play forward in time from the Peloponnesian to the Vietnam war. Performed by first year drama students from the University of Ballarat and BAPA at the Studio Theatre, University of Ballarat, Mount Helen, on May 27th-30th, 1997. Cast members: Niniane Le Page (Lysistrata), Fiona Russell (Calonice), Anne Winter (Myhrrine), Dominic Phelan (Cinesias), Alex Meerbach (Stratyllis), Michael Rafferty (Leader), Melissa Lowndes (Lampito), Renee Francis (Ismenia), Kathryn Martin (Corinthian), Geoffrey Spink (doorman), Adam Parsons (magistrate), Adrian Dart (policeman), David Kambouris (policeman two), Max Grarock (negotiator), Phol Crompton (ambassador) and Ross Farrell (herald). Male chorus members: Paul Thomas, Adam Davies, Ashraf Abdou, Karan Khanna. Female chorus members: Lauren Oliver, Suzie, Lewis and Lindy Kerr. Tickets MajesTix - $10 Adults, $7.50 Concession; or $12 special double bill price including The Bacchae. *Roger Woodward Recital - a piano recital by the internationally acclaimed Australian pianist to launch the Ballarat Academy of the Arts asset drive. He performed on the University's historic Erard Grand Concert piano on stage in Founders Hall, describing it as "absolutely amazing.' The instrument was 93 years old and hadn't been played for more than eighty years. An audience of 500 were entertained with pieces by Schubert and Bach for the first half of the program and Waltzes, Mazurkas, and Polonaises by Chopin after the interval. Fittingly an encore of the Minuet in G by Paderewski was played on the very piano the composer had brought from England for his Australian tour in 1906. *'The Merry Wives of Windsor' by William Shakespeare; directed by Beth Child; designer Damian Muller; Production by Third Year Graduating Company, University of Ballarat Performing Arts Department. This play is a comedy not performed very frequently. Cast members: Angela Coad (Mistress Page), Laura Hil (Mistress Quickly), Gavin Fenech (Falstaff), Kathy Lucus (Justice Shallow), Melissa Casey (Mistress Ford), Jeff Parker (Mr Ford), Jamie Robertson ( Mr Page) and Karrissa Clarke (Simple). Staged at the Studio Theatre, University of Ballarat, May 6th-10th 1997 at 8pm. Tickets $10. Concession $7.50. *"Ship of Fools" SMB Performing Arts. Grainery Lane Theatre, 9th-10th May 1997 Cast members: Chris Lytas (Mac & Convinso), Kate Edwards (Mayor & Rachel), Ruth Sheridan (numerous characters) *'Lola Montez - The Musical' author Alan Burke; director Peter Tulloch; choreographer Fred Fargher; designer Damian Muller, musical director Graeme Vendy. Performed by twenty-eight second year Performing Arts students with Nadia Andary in the lead role of Lola,, Grant Hickey as Henry Seekamp the Ballarat Times editor who receives a whipping from Lola for his criticism of her. Tim Haymes is the character Smith, Karissa Clarke plays nurse Jane Oliver and Ross Larkin plays soldier Daniel Brady. Other cast members were Luke Doxey, Richard Di Gregorio, Chris Stipic and Brendan Mayne. A feature of the show is Lola's celebrated Spider Dance which was acknowledged many years ago by the crowd throwing gold nuggets onto the stage. Presented by the Hugh Williamson Foundation in association with the Begonia Festival organizers the performance was at Her Majesty's Theatre, Ballarat nightly from 12th-15th March at 8pm with a matinee at 2pm on the 15th. Tickets at Majestic: Adult $18.50, Concession $13.50, Group Adult $15.50, Group Concession $10.50, Culture Vulture $12.00 Family $46 Season 97. *' 2001- 'On The Town' a musical comedy performed by graduating Ballarat Academy of Performing Arts and directed by course coordinator Kim Durban from the Victorian Theatre Company; and BAPA assistant production manager Jo Pearson. It features a cast of 30 and music from a 15 piece band. Photo depicts three cast members: Keith Miles, Adam Lubicz and Glenn Quinn. It was performed in America in 1944 and tells the story of three sailors who arrive in New York on 24-hour shore leave. It was performed at Founder's Hall, University of Ballarat, Mount Helen campus. Tickets $15 adults, $10 concession and $7 for children and students. Family tickets were available. Bookings MajesTix. *'Play With Your Food' a new theatre restaurant show performed by SMB Performing Arts students at Craig's Cellar, Lydiard Street, Ballarat. It was an original show devised and written by Second Year SMB Performing Arts students. following their sold-out touring show 'unplugged' and Book Week play 'SapceDust'. There are also articles about people involved with the University of Ballarat Performing Arts course and the courses in the Arts. Lady Lush's world of unusual characters presented jokes, songs, music whisked together into a bizarre story for audiences to enjoy and even be tie up. Cast members: Melissa Porritt, Loenne Whitecross, Jess Matthews, Kristie Glab and Julia McNamee. It was performed over five nights, 7th-8th-9th-15th and 16th November, 2001. Cost $20. NEWSPAPER ARTICLES: Directors for University of Ballarat 2nd Year Performing Arts - Belinda Lees and Maureen Edwards (photo) An advertisement for BA Visual Arts - Studio Studies available for Ceramics / Drawing / Graphic Design / Print Making /Painting / Multi-Discipline - Undergraduate and Post Graduate Studies. Also for BA Performing Arts - Major Studies available: Performance Acting, Theatre Production, Performance Music Theatre. Ballarat Academy of Performing Arts - New lecturers 1997: Lecturer in Design and theatre crafts - Damian Muller; lecturer in production and stage management - Leonard Bauska; and lecturer in theatre technology - Matthew Heenan. Ballarat Academy of Performing Arts - 1 st article in 'The Flag' Alumni Newsletter, University of Ballarat, Issue June, 1997 re 1st intake of students in February, 1997. 2nd article 'Where Are They Now' - Amanda Sandwith. Event - 'Lydiard Street Alive' : firebreathing act 'David and Goliath' performed by David Patullo. Article with information (includes advertisment for course) about the 3 year performing arts degree at Ballarat consisting of performance acting, theatre production and performance music theatre which are part of Ballarat Academy of Performi8ng Arts which resources from three institutions - University of Ballarat, Australian Catholic University and the School of Mines. BAPA launch: Photos of some attendees - June 3rd 1997 Ballarat Courier. Performers featured Erica Chestnut and Sue-Ann Thomas. Amy Young - Up Close and Personal article - Ballarat Courier - Saturday June 14 1997. Amy Young was the director and conductress of Ballarat 'Y" Choir for 45 years. In 1996 she donated her husband's (Dr Keith Young) Steinway grand piano and musical collection to BAPA. This article is about her life. Events calendar for the Month of May, 1997. Peter Tulloch ( University of Ballarat Performing Arts Co-ordinator 1997) Newspaper article - interview by Elise Sullivan that appeared in The Ballarat Courier Saturday May 3rd 1997 Weekend Edition . Many articles on Roger Woodward and a $3 million asset drive for the Ballarat Academy of Performing Arts. Advertisement for 3 Arts positions at the University of Ballarat - Lecturers in Theatre for Movement/Dance; Design, Theory and Craft; and Theatre Technology Article: 'Who's Who at the Academy' - A list of First Year, Second Year, Third Year, Performing Arts Staff (University of Ballarat and Australian Catholic University). Article about the Erard Concert Grande piano and its acquisition by the University of Ballarat. There are several articles linked to the production of "Lola Montez the Musical' including: *Lola Montez's life in a timeline -1818 to 1861 compiled by Peter Freund, Her Majesty's Theatre historian on behalf of Ballarat Begonia Festival. * A radio show in 1952 performed by Ballarat's "Y" Drama Group featuring 16 year old Joy Brehaut as Lola Montez and directed by 3BA's Ted Furling *Ballarat's Most Famous Scandal Advertising Poster for Lola Montez *Lola Whips In * Lola to Tread the Boards Again * Lola to Return to Ballarat - The "Minister for Purity, The Reverend John Potter" - (actor Jamie Robertson) * Veteran Takes His First Look at Lola * First Stage Lola meets the New Lola - Nadia Andary meets 1967 Lola, Nancy Brauer. * Lola Returns Home An article listing the 12th Annual Encore Awards held at Ballarat Village on Wednesday 5th March 1997. * Advertisement for major studies available in 1998 -Theatre Performance; Music Theatre Performance and Theatre Production plus upcoming productions - Aug - The Inspector and The Man From Muckinup; Sept - The Importance of Being Ernest and Charley's Aunt; Oct- The London Blitz Show and They Shot Horses Don't They? Nov - Graduate Exhibition * Article 3/12/1996: Amy Young donates her husband Dr. W. H. Keith Young's Steinway grand piano and studio stacked with historic documents to the jointly run Performing Arts Academy following his death. The book consists of A4 paper sheets, heat bound with blue card front and back cover with a plastic overlay. The pages contain photocopied articles printed in the Ballarat Courier during 1997. Two articles are from December 1996.bapa, pericles, ozact theatre company, ozact, maelstrom, chris dickens, joan petering, peter tulloch, 7 deadly, ballarat academy of performing arts, bpca, ballarat college of performing arts, sounds of broadway and off, judith roberts, graeme vendy, bewitched, adam turnbull, claire o'sullivan, katherine evans, martin cole, simon buckle, belinda lees, charley's aunt, brandon thomas, derren jackson, ross larkin, kevin dee, adelle gregory, colette bruggeman, luke doxey, gavin fenech, dennis marinovic, nadia andary, narelle werner, the importance of being ernest, maureen edwards, andrew arney, tim haymes, mark gambino, heather kent, performing arts courses 1997, the man from muckinupin, dorothy hewett, chris dickins, linda judd, james mclaverty, jamie robertson, natalia rose, steven kerr, jon catanzariti, grant hickory, sarah griffin, laura hill, kathy lucas, angela coad, jeff parker, john cousins, bruce widdop, melissa carey, adam parsons, adam davies, damian muller, leonard bauska, matthew heenan, cosi, grainery lane theatre, andrew seeary, brett edginton, karl hatton, miranda crellin, rob macleod, ray craven, elizabeth stewart, michael cooper, bob house, barry breen, the flag, performing arts academy - ballarat, bert labont'e, lydiard stree alive, david and goliath, david patullo, amanda sandwith, bapa launch, erica chestnut, sue-ann thomas, amy young, dr keith young, ballarat "y" choir, the bacchae, richard digregorio, chris stipic, colette brugman, denis marinovic, brendan mayne, karissa clarke, narrell werner, niniane le page, fiona russell, anne winters, melissa lownds, renee francis, kathryn martin, michael rafferty, dominic phelan, geoffrey spink, paul thomas, ashraf abdou, karan khanna, alex meerbach, lauren oliver, suzie lewis, lindy kerr, adrian dart, david kambouris, max grarock, phil crompton, ross farrell, roger woodward, erard grand concert piano, karrissa clarke, beth child, chris lytas, kate edwards, ruth sheridan, ballarat academy of performing arts asset drive, positions - school of arts, erard concert grande piano, ignace paderewski, professor david james, david james, robert allen, bapa opening, gabrielle mcmullen, dr ron wild, graham clarke, michael faulkner, sacred heart convent of mercy ballarat, lola montez the musical, spider dance, lola montez, grant hickey, fred fargher, peter freund, ballarat begonia festival, nancy brauer, james robertson, jo pearson, on the town, keith miles, adam lubicz, glenn quinn, play with your food, melissa porritt, loenne whitecross, jess matthews, kristie glab, julia mcnamee, smb performing arts students, the london blitz show, they shoot horses don't they?, graduate exhibition

Vol. 5, No. 6 (5), Summer Issue 2000 CONTENTS John Perceval and Helen Daniel 2 Two who served their communities well Gateway Sculpture Project 3 New public art in Manningham The Artary Project 5 Getting onto the net Tucker: Australian Gothic 6 Albert and Barbara Tucker's gift to Australia Short Story 8 Learning Curves Interview 10 Elizabeth James on drawing Open Studios 12 40 artists welcome the public Banyule Youth Awards 18 Support for emerging young artists Not Just a Pretty Place 20 Nillumbik art in Public Places CD Reviews 22 Book Reviews 23 Australian Classical Music 24 Elizabeth Scarlett Theatre Reviews 25 Artin About 26 Wining & Dining 30 Book Review 32 Artist's Services 32 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/​06) art streams, public art, sentinal, river peel, manningham, artary project, plenty views golf park, albert tucker, barbara tucker, kinglake gallery, bulleen art & garden centre, st andrews gallery, steve flanagan, eltham wiregrass gallery, elizabeth james, willy wonka's ice cream gourmet food, nillumbik artists' open studios, accadia ceramics, alan martin, alan sartori, attunga, veronica holland, leanne mooney, sally nihill, bend of islands, michael skewes, elizabeth vercoe, creek house studio, syd tunn, ona henderson, chris pittard, mary lou pittard, diamond creek living & learning centre, drew gregory, jane annois, jane trikojus, jenni mitchell, grace mitchell, mervyn hannan, girraeen studio, jill forrest, kangaroo studios, peter burns, jules burns, muddy waters studio, nel ten wolde, overbank end, kay steventon, kim tarpey, reg cox, robert phillips studio, stained glass studio, shan shnookal, matthew holderness, ray macminn, jane viola, john hewish, open pottery studios, linda detoma, judith roberts, cassandra tobias, christian benetto, kevina-jo smith, julianne piko, hugh crosthwaite, sarah slater, peter doyle, stuart sinclair, carly young, lenister farm, not just a pretty place, kangaroo house, dynamic vegies, old bakery cottage bookshop, nick charles, felicity nottingham, michael mcgirr, eltham little theatre, heidelberg theartre company, montsalvat, recherche, ken eckerall, thompsons pharmacy, st andrews market, 2000 banyule young artists award, heide museum of modern art

Contents: 1. A brief history of the Eltham War Memorial, Harry Gilham, 1999 2. Abbreviated notes of the Eltham War Memorial Trust, Harry Gilham, February 1997 (Extracted notes from Eltham War Memorial Trust minutes) 3. Summary; A history of the development of the War Memorial Complex situated at 903-907 Main Road, Eltham by Harry Gilham (Prepared by Harry Gilham for submission to Nillumbik Shire Council when the council considered selling the War Memorial site for development) 4. Eltham War Memorial Trust; Notes for History by Harry Gilham (Prepared by Harry Gilham for submission to Nillumbik Shire Council when the council considered selling the War Memorial site for development) 5. Abbreviated notes of the Eltham War Memorial Trust, Harry Gilham (Extracted notes from Stanley S. Addison's history of the Eltham War Memorial Trust) 6. Volunteers - a Libraries focus by Harry Gilham, c.1997 (A brief history of the Eltham Library starting with the Children's Library developed by the Eltham War Memorial Trust)Six documents (15 pages), A4 photocopy pages, typed with hand written notes in ink and various handwritten notes on lined pagesarthur street, brinkkotter home, children's library, dudley street, eltham library, eltham public hall, eltham shire office, eltham war memorial hall, eltham war memorial trust, eltham war memorial, friends of the library, harry gilham, heidelberg regional library, helen ziebell, jo ilian, library review working party, minute book, mrs. beatrice morrison, mrs. bow, mrs. currie, nina christesen, prof. mcmahon ball, somerville morrison, volunteers

Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders in the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. Federation University VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree – on the basis of extensive work experience and knowledge.Professional coloured photographs. Presenter and recipient standing in front of VIOSH banner.viosh, viosh australia, occupational health and safety, victorian institute of occupational health and safety, occupational hazard management, ian benjamin, susan capper, george cavanagh, paul coghlan, bryan colburn, timothy crouch, iain day, karina dine, david ellis, ken fuhrmeister, iain gillespie, donald gillies, linda grannas, rhonda hall, sue hardy, genevieve hawkins, paul hennekam, danielle mik, jo millard, vanessa moore, ashok nath, geoffrey poulton, terry ridley, jennifer sever, brian smith, kerry smith, krystie spratt, ian sterry, andrew stevens, david taylor, sean turner, allison warwick, judith wenban, stuart wright, william wasley, linda smith, national safety council of australia, trophy, donna korke, frank anderson

Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders in the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. Federation University VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree – on the basis of extensive work experience and knowledge.Professional coloured photographs. Presenter and recipient standing in front of VIOSH banner.viosh, viosh australia, occupational health and safety, victorian institute of occupational health and safety, occupational hazard management, ian benjamin, susan capper, george cavanagh, paul coghlan, bryan colburn, timothy crouch, iain day, karina dine, david ellis, ken fuhrmeister, iain gillespie, donald gillies, linda grannas, rhonda hall, sue hardy, genevieve hawkins, paul hennekam, danielle mik, jo millard, vanessa moore, ashok nath, geoffrey poulton, terry ridley, jennifer sever, brian smith, kerry smith, krystie spratt, ian sterry, david taylor, sean turner, allison warwick, judith wenban, stuart wright, william wasley, linda smith, rae epthorp human factors prize, steve cowley, andrew stevens

Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders in the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. Federation University VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree – on the basis of extensive work experience and knowledge.Professional coloured photographs. Presenter and recipient standing in front of VIOSH banner.viosh, viosh australia, occupational health and safety, victorian institute of occupational health and safety, occupational hazard management, ian benjamin, susan capper, george cavanagh, paul coghlan, bryan colburn, timothy crouch, iain day, karina dine, david ellis, ken fuhrmeister, iain gillespie, donald gillies, linda grannas, rhonda hall, sue hardy, genevieve hawkins, paul hennekam, danielle mik, jo millard, vanessa moore, ashok nath, geoffrey poulton, terry ridley, jennifer sever, brian smith, kerry smith, krystie spratt, ian sterry, david taylor, sean turner, allison warwick, judith wenban, stuart wright, william wasley, linda smith, safety institute of australia dissertation prize, jennifer marsh, chris knight

Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders in the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. Federation University VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree – on the basis of extensive work experience and knowledge.Professional coloured photographs. Presenter and recipient standing in front of VIOSH banner.viosh, viosh australia, occupational health and safety, victorian institute of occupational health and safety, occupational hazard management, ian benjamin, susan capper, george cavanagh, paul coghlan, bryan colburn, timothy crouch, iain day, karina dine, david ellis, ken fuhrmeister, iain gillespie, donald gillies, linda grannas, rhonda hall, sue hardy, genevieve hawkins, paul hennekam, danielle mik, jo millard, vanessa moore, ashok nath, geoffrey poulton, terry ridley, jennifer sever, brian smith, kerry smith, krystie spratt, ian sterry, david taylor, sean turner, allison warwick, judith wenban, stuart wright, william wasley, linda smith, oliver footwear share solution award, john maclean, steve cowley, steven baldwin, paul brass, phil clark, dennis cordner, save crawcour, steven duke, david fitzgerald, julie fitzgerald, gary lennon, patrick mcattackney, sue pannet, stephen pavlich, lloyd quarmby, noel read, tricia smith, robert turner, barrie wright

Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders in the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. Federation University VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree – on the basis of extensive work experience and knowledge.Professional coloured photographs. Presenter and recipient standing in front of VIOSH banner.viosh, viosh australia, occupational health and safety, victorian institute of occupational health and safety, occupational hazard management, ian benjamin, susan capper, george cavanagh, paul coghlan, bryan colburn, timothy crouch, iain day, karina dine, david ellis, ken fuhrmeister, iain gillespie, donald gillies, linda grannas, rhonda hall, sue hardy, genevieve hawkins, paul hennekam, danielle mik, jo millard, vanessa moore, ashok nath, geoffrey poulton, terry ridley, jennifer sever, brian smith, kerry smith, krystie spratt, ian sterry, david taylor, sean turner, allison warwick, judith wenban, stuart wright, william wasley, linda smith, john maclean, steven baldwin, paul brass, phil clark, dennis cordner, save crawcour, steven duke, david fitzgerald, julie fitzgerald, gary lennon, patrick mcattackney, sue pannet, stephen pavlich, lloyd quarmby, noel read, tricia smith, robert turner, barrie wright, oliver footwear share solution award, andrew oliver, linda roberts, steve pavlich

Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders in the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. Federation University VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree – on the basis of extensive work experience and knowledge.Professional coloured photographs. Presenter and recipient standing in front of VIOSH banner.viosh, viosh australia, occupational health and safety, victorian institute of occupational health and safety, occupational hazard management, ian benjamin, susan capper, george cavanagh, paul coghlan, bryan colburn, timothy crouch, iain day, karina dine, david ellis, ken fuhrmeister, iain gillespie, donald gillies, linda grannas, rhonda hall, sue hardy, genevieve hawkins, paul hennekam, danielle mik, jo millard, vanessa moore, ashok nath, geoffrey poulton, terry ridley, jennifer sever, brian smith, kerry smith, krystie spratt, ian sterry, david taylor, sean turner, allison warwick, judith wenban, stuart wright, william wasley, linda smith, john maclean, steven baldwin, paul brass, phil clark, dennis cordner, save crawcour, steven duke, david fitzgerald, julie fitzgerald, gary lennon, patrick mcattackney, sue pannet, stephen pavlich, lloyd quarmby, noel read, tricia smith, robert turner, barrie wright, the proctor safety travel bursary (master of applied science ohs), trevor bailey, darryl gathard

Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders in the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. Federation University VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree – on the basis of extensive work experience and knowledge.Professional coloured photographs. Presenter and recipient standing in front of VIOSH banner.viosh, viosh australia, occupational health and safety, victorian institute of occupational health and safety, occupational hazard management, ian benjamin, susan capper, george cavanagh, paul coghlan, bryan colburn, timothy crouch, iain day, karina dine, david ellis, ken fuhrmeister, iain gillespie, donald gillies, linda grannas, rhonda hall, sue hardy, genevieve hawkins, paul hennekam, danielle mik, jo millard, vanessa moore, ashok nath, geoffrey poulton, terry ridley, jennifer sever, brian smith, kerry smith, krystie spratt, ian sterry, david taylor, sean turner, allison warwick, judith wenban, stuart wright, william wasley, linda smith, john maclean, steven baldwin, paul brass, phil clark, dennis cordner, save crawcour, steven duke, david fitzgerald, julie fitzgerald, gary lennon, patrick mcattackney, sue pannet, stephen pavlich, lloyd quarmby, noel read, tricia smith, robert turner, barrie wright, nsca perpetual trophy for the best academic performance, richard benwell, frank anderson

Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders in the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. Federation University VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree – on the basis of extensive work experience and knowledge.Professional coloured photographs. Presenter and recipient standing in front of VIOSH banner.viosh, viosh australia, occupational health and safety, victorian institute of occupational health and safety, occupational hazard management, ian benjamin, susan capper, george cavanagh, paul coghlan, bryan colburn, timothy crouch, iain day, karina dine, david ellis, ken fuhrmeister, iain gillespie, donald gillies, linda grannas, rhonda hall, sue hardy, genevieve hawkins, paul hennekam, danielle mik, jo millard, vanessa moore, ashok nath, geoffrey poulton, terry ridley, jennifer sever, brian smith, kerry smith, krystie spratt, ian sterry, david taylor, sean turner, allison warwick, judith wenban, stuart wright, william wasley, linda smith, john maclean, steven baldwin, paul brass, phil clark, dennis cordner, save crawcour, steven duke, david fitzgerald, julie fitzgerald, gary lennon, patrick mcattackney, sue pannet, stephen pavlich, lloyd quarmby, noel read, tricia smith, robert turner, barrie wright, rae epthorp human factors prize, matthew piscioneri, steve cowley

Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders in the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. Federation University VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree – on the basis of extensive work experience and knowledge.Professional coloured photographs. Presenter and recipient standing in front of VIOSH banner.viosh, viosh australia, occupational health and safety, victorian institute of occupational health and safety, occupational hazard management, ian benjamin, susan capper, george cavanagh, paul coghlan, bryan colburn, timothy crouch, iain day, karina dine, david ellis, ken fuhrmeister, iain gillespie, donald gillies, linda grannas, rhonda hall, sue hardy, genevieve hawkins, paul hennekam, danielle mik, jo millard, vanessa moore, ashok nath, geoffrey poulton, terry ridley, jennifer sever, brian smith, kerry smith, krystie spratt, ian sterry, david taylor, sean turner, allison warwick, judith wenban, stuart wright, william wasley, linda smith, john maclean, steven baldwin, paul brass, phil clark, dennis cordner, save crawcour, steven duke, david fitzgerald, julie fitzgerald, gary lennon, patrick mcattackney, sue pannet, stephen pavlich, lloyd quarmby, noel read, tricia smith, robert turner, barrie wright, max brooke memorial prize, david knowles, dulcie brooke, memorial shield

Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders in the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. Federation University VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree – on the basis of extensive work experience and knowledge. People present would possibly be those who were in the Intake for the course in 1996. Six coloured photographs showing groups at the VIOSH Annual Dinner in 1998.viosh, viosh australia, occupational health and safety, victorian institute of occupational health and safety, occupational hazard management, ian benjamin, susan capper, george cavanagh, paul coghlan, bryan colburn, timothy crouch, iain day, karina dine, david ellis, ken fuhrmeister, iain gillespie, donald gillies, linda grannas, rhonda hall, sue hardy, genevieve hawkins, paul hennekam, danielle mik, jo millard, vanessa moore, ashok nath, geoffrey poulton, terry ridley, jennifer sever, brian smith, kerry smith, krystie spratt, ian sterry, andrew stevens, david taylor, sean turner, allison warwick, judith wenban, stuart wright, william wasley, linda smith, dulcie brooke

Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders on the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. Professional coloured photographs showing guests at the dinner - eighteen photosviosh, viosh australia, occupational health and safety, victorian institute of occupational health and safety, occupational hazard management, ian benjamin, susan capper, george cavanagh, paul coghlan, bryan colburn, timothy crouch, iain day, karina dine, david ellis, ken fuhrmeister, iain gillespie, donald gillies, linda grannas, rhonda hall, sue hardy, genevieve hawkins, paul hennekam, danielle mik, jo millard, vanessa moore, ashok nath, geoffrey poulton, terry ridley, jennifer sever, brian smith, kerry smith, krystie spratt, ian sterry, david taylor, sean turner, allison warwick, judith wenban, stuart wright, william wasley, linda smith, john maclean, steven baldwin, paul brass, phil clark, dennis cordner, save crawcour, steven duke, david fitzgerald, julie fitzgerald, gary lennon, patrick mcattackney, sue pannet, stephen pavlich, lloyd quarmby, noel read, tricia smith, robert turner, barrie wright

The map belonged to Jack Grinton No 1043 38th Batt AIF. At Wars end extensive leave was granted, Jack journeyed to Paris, Nice, Monte Carlo taking many photos. Part of the Grinton collection which included hundreds of negatives and developed photos that he took during the War. Refer Cat No 1280 for service details. Refer 1317P, 1320P.Map of Paris. Red cardboard or paper hardcover, new edition guide of metropolitan Paris (ministries, tramways, monuments), Index in front, folded paper map attached to back cover. "Plan commode de Paris avec l'itineraire des autobus & tramways metropolitan"documents-maps, french

Opening Ceremony of Local History Centre, 728 Main Road, Eltham, Sunday, July 12th, 19982 colour photographseltham, main road, police residence, local history centre, eltham district historical society, opening day, doug orford, gwen orford, jo mccormick, john graves, mary ryan, opal smith, peter bassett-smith