White embroidered tablecloth (unfinished) belonging to Mrs Ogilvy's mother

From the Temple estate. George Temple (1832-1918) started Temple's Store opposite the Post Office and packed stores to Bendoc. Donor was the grand-daughter of Dr Kerr, first doctor in OrbostThis item is an example of a piece of jewelry worn by women in the early 20th century.Small fine mother-of-pearl shell necklace with metal clasp.necklace jewelry costume-accessories pearl

A menu from the Shamrock Hotel for Mothers Day May 1983.

Bendigo Fernery, Rosalind Park, Bendigo. For the nursing mothers of Bendigo.slide, bendigo, fernery

A Black and White Photograph of a Mother begging on the street nursing a baby.photograph, vietnamese children

Mother of pearl finish on pocket knife blade. Knife blade.pocket knife, mother of pearl

Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Advertisement, Castlemaine pure virgin wool blankets (mother and daughter)"-and they'll be just as lovely 20 years from now/Castlemaine pure virgin wool blankets/Australia's finest since 1875wool, blankets, blanket fever, advertisement, australian women's weekly, castlemaine

Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Advertisement "They're as lovely as ever" (mother and bride to be) Castlemaine blankets"My trousseau blankets were Castlemaine, too, and they're still as lovely as ever"/Castlemaine Pure Virgin Wool Blankets/Australia's finest since 1875wool, blankets, blanket fever, advertisement, castlemaine, australian women's weekly

Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Laconia Pure Lamb's Wool Blankets (mother and baby in bed)Laconia Pure Lamb's Wool Blankets/Make Goodnight a Certainty/*There's nothing in the World like WOOLblankets, blanket fever, wool, laconia, advertisement, australian women's weekly

Black and white photo of Jane Maggs, mother of Amy Cook.maggs, jane, cook, amy

Black and white photograph of baby Megan Siacci with mother Amandacelebrations

With photograph and engraved - "Mother"; "1943-1944"; "From New Guinea"second world war (ww2), 1939 - 1945, craft, ballarat rsl, ballarat

This object relates to Albury NEAL. He was born on 1/01/1893 in Ballarat, VIC. Albury served in the AIF (1885) enlisting on, 26/02/1916 in Ballarat, VIC before being discharged from duties with the 39 BATTN as a Army Non-Commissioned Private (PTE) on 11/03/1919. His next of kin is Albury NEAL. Gladys Neal was awarded the Australia Service Medal 1939-1946 and War Medal 1939-1945. Albury NEAL was not a prisoner of war.To his mother - Mary Ann NEAL ; photograph of himself on frontfirst world war (ww1), 1914 - 1918, literature, ballarat rsl, ballarat

Ornately Decorated Rectangular Wooden Box Inlaid mother of pearlstawell

A photo from the 2004 Melbourne Legacy Christmas party for junior legatees. There was a Santa and pinata for the young children. It appears to be run by the Melbourne Legacy Leadership Group. The Leadership Group was formed by junior legatees who had become adults. They ran functions for junior legatees in a spirit of service that emulated the work of Legatees. There are more photos of the event, a note with the photos say it was 'JL 2004 Christmas Party'.A record of adult junior legatees helping Legacy provide experiences for the junior legatees.Colour photo of a mother and her children at a Legacy Christmas party.Printed on the back 'No.006' which is the image number.junior legatee outing, leadership group, christmas party

Photos from the 2004 Melbourne Legacy Christmas party for junior legatees. There was a Santa and pinata for the young children. It appears to be run by the Melbourne Legacy Leadership Group. The Leadership Group was formed by junior legatees who had become adults. They ran functions for junior legatees in a spirit of service that emulated the work of Legatees. There are more photos of the event, a note with the photos say it was 'JL 2004 Christmas Party'.A record of adult junior legatees helping Legacy provide experiences for the junior legatees.Colour photo x 3 of a mother at a Legacy Christmas party.Printed on the back 'No.016, 034 and 035' which is the image number.junior legatee outing, leadership group, christmas party

WW1 Memorial Plaque presented to his mother, Elizabeth McCleery.Eric Alexander McCleery

Ruby Sandow was the daughter of Frank Wilson and Martha Wilson, nee Ellis. She was born at Bungaree in 1887 and married William John Sandow in 1915. Their daughter Catherine (Kitty), b. 1916, is mentioned in the letter.Photocopy of undated letter written to Ruby Sandow by her mother.ruby sandow, martha wilson

John Trestrail Freeman was an engineer who in 1889, with a partner named Olsen, established Freeman's Border Foundry in Murray Esplanade, Echuca. The Foundry later became known as Freeman Brothers when sons Harry and Tres took over the business. This business played an important part in shipbuilding in Echuca, fitting engines, building paddlewheels and carrying out repairs. It is thought this photograph is of Tres' mother or it could be his wife (Dolly Dean).The Freeman family is an important family in the history of Echuca boat building and engineering in the early 20th century. The business produced paddlewheels, fitted engines and conducted repairs on riverboats in the area. After the riverboats ceased the foundry went into engineering works producing agricultural implements and other general foundry works. It is thought that this photograph is of Tres junior's mother but the dates of the photograph would indicate it is more likely to be his wife, Dolly.Black and white photographic postcard of a woman dressed in a vibrant floral dress with string of pearls and another longer necklace. She has a brooch attached to her blouse. She has cropped straight hair and is wearing circular metal framed spectacles.On reverse: Printed "Post card/ Correspondence/ address only/Kodak Austral". Handwritten in pencil:" Member of Freeman family. Tres' mother?echuca boatbuilding, freeman family, freeman brothers foundry, echuca.

Made by and used by mother-in-law of the donor during her time in Asia and Australia, c1930s.Navy blue cloth roll with stitched pockets to hold knitting needles. Roll contains approx 110 different knitting needles or various sizes, make and colour. Some are bamboo/timber, some are plastic or metal. Cloth roll was made by mother-in-law of donor and is designed to fold up to cover the needles prior to rolling. Once rolled, cloth can be secured with two small push buttons.plastic, bamboo, knitting needle

Clara Jane Matthews was born in 1870 as the eldest daughter of Robert Matthews. She married William Frederick Busse on the 5th of December, 1894 at St Columb’s church, Hawthorn. Clara and her husband lived on Main Street in Chiltern, and her husband was a Clerk of Courts in Chiltern and Wodonga throughout his life. Clara and William also owned a 640 acre farm called Clairedale Park, four miles (6.5km) outside of Barnawartha. They had both crops and sheep on the property, and adopted innovative farming practices. It appears that Clara was heavily involved in the farm business, as she is listed as a purchaser of sheep in multiple stock reports between 1914 and 1918. This is very unusual for the era, as women were not generally involved in stock markets, especially if her husband was still alive. Clara’s husband’s work at the court likely meant that he wasn’t able to travel to the markets in order to purchase stock. Clara’s taking the reigns in this manner was highly unusual, and signals just how strong of a woman she must have been. Clara Busse died in Chiltern in 1968, when she was 98 years old. She is also the mother of Wilfred C Busse, who was an author and a member of the Chiltern Athenaeum. This photograph is of a woman who lived most of her life in Chiltern, and undoubtedly contributed to the community of the town within her 98 years. She will most likely be remembered as the wife of William Frederic Busse, Clerk of Petty Sessions, or as the mother or Wilfred Clarence Busse, author and barrister. Although the records of her time almost entirely connect her with the men of her life, her father, husband and then her son, some digging can reveal that she was an entire person of her own, who broke norms of her time and is worthy of being remembered for her own sake.Black and white rectangular photograph printed on matte photographic paper mounted on board in a textured metallic frameObverse: Clara Jane Busse / (nee Mathews) / Mother of W. C. Busse / clara jane busse, clara busse, c j busse, busse, women in agriculture, remarkable women, 20th century women, women's history, working women, wilfred busse, wilfred clarence busse

All three postcards were from Alfred Gilpin Ferris. Alfred enlisted in the AIF on 14.3.1916 age 32 years No 2156 in the 4th Reinforcements 60th Bn. Embarked for England 1.8.1916, disembarked 14.9.1916, to Hospital 15.10.1016, embark for France 6.12.1916, attends Musketry School 27.5.1917, rejoins unit 4.6.1917, detached to 5th Div Horse (Clipping ?) Depot, rejoins unit 6.12.1917, transfers to 59th Bn 25.9.1918 and detached to 5th Div Train, rejoin unit 14.11.1918, transfers to 29th AASC 20.1.1919, and appointed Driver, RTA 20.7.1919, discharged from the AIF 26.10.1919.Post cards with B & W images. .1) image of a Chateau, hand written on the back. .2) Image of Ben Nevis, hand written on the back. .3) Image of the Upper Lake Killarney, hand written on the back. .1) 17th March, To Mother from Alf. .2) 22 Aug 1918, Dear Mother Love Alf .3) Dear Mother, from your loving son Alf.stationary, postcards

These photographs are from a collection owned by Edith Emma Watson and passed down to the donor, her granddaughter. The Yung family were from Happy Valley near Linton. Edith's mother was Clara Emma Yung b Smith, also from Happy Valley. Edward Lancelot (Lance), Alfred Ernest (Alf) and Ernest Herbert (Ern) Yung were the sons of George Edgar Godlip Yung and Clara Emma Yung (b Smith). They were the brothers of Edith Emma Watson and Maude Holmes. Jack Yung was the son of Ernest Herbert Yung and was born in Nhill.Six black and white photographs associated with the Yung/Smith Families .1 Maud Holmes born Yung - daughter of G E & C E Yung; Edith Emma Watson's sister; married Edward Holmes. .2 Three sons of George Edgar Godlip Yung: L to R - Ernest Herbert (Ern); George Alfred (Alf) Edward Lancelot (Lance). .3 William (Will) Smith - Son of George Henry Smith and Emma Keys; Clara Emma Yung's brother .4 Jack Yung at 6 months old. .5 Jack Yung and mother .6 Jack Yung and father .7 Maud Yung.1 Verso: Alison Jobe - my Grandmother's sister Maude Holmes b. Yung .2 Verso: 3 brothers of Edith Emma R-L Lance Alf Ern Yung .3 Verso:W. Smith Will? Grandma Yung's Brother .4 Verso: Jack Yung 6 months old .5 Verso: jack Yung and mother .6 Verso: Jack Yung and father .7 Maud Yung Edie Watson's sistercox, yung, edward lancelot yung, george alfred yung, ernest herbert yung, happy valley, linton, clara emma yung, george edgar godlip yung, maud yung, maud holmes

Rose (Rosanna, Rosina) McDonald, née Lewis, born 1877, was the daughter of William Lewis and his wife Ann (née Keating). She married Alan (Allan) McDonald in 1898. Their children were Norman, b. 1899, George (b. 1900), Alan (b. 1902), Francis (Frank), b. 1904 and Vincent, b. 1909.Black and white image of a woman and her five male children. Two boys are seated, one is standing on a chair next to his mother and the other two boys are standing on either side of their mother.Text, reverse: "Rose McDonald (nee Lewis) / with her five sons. / Norman, George, Alan, / Frank, Vincent."rosanna (rosina or rose) mcdonald née lewis, norman mcdonald, george mcdonald, alan (allan) mcdonald, francis (frank) mcdonald, vincent mcdonald

There is no information with this item. The Kenny family is associated with the history of Newmerella. This item is associated with WW1.A black / white photograph of four soldiers. Two are seated and two standing behind them. It appears to be a studio portrait.on back - "Dear Mother, Y Kenny"photograph-soldiers kenny-y