Four page paper fold out brochure with colour photograph on the front and printed black text on other pages. Image shows a woman wearing a pink short sleeved jumper with a cat on her lap.front: [printed] PRICE / 3d. / ALBANY / Knitting / Albanella Crochet / BUST 32-36 inches / 4-5 ozsknitting, pattern, fashion, knitwear, albany woollen mills

Four page paper fold out brochure with colour photograph on the front and printed black text on other pages. Image shows a woman wearing a black and white striped jumper with a fountain in the background.front: [printed] PRICE / 3d. / ALBANY / Knitting / Two Colour Sweater / ALBANY 4-PLY FINGERING / Bust 32 36 40 inches / Main Colour 14 16 18 ozs. / Contrast Colour 3 3 3 ozs.knitting, pattern, fashion, knitwear, albany woollen mills

Four page paper fold out brochure with colour photograph on the front and printed black text on other pages. Image shows two children wearing grey, yellow and purple knitwear, one child is using a yo-yo.front: [printed] ALBANY / KNITTING WOOLS / Girl's Sweater and Windcheater / ALBANY SCOTCH KNIT / CHEST .... 24 26 28 30 ins. / SWEATER ... 10 11 13 15 ozs. / WINDCHEATER . 10 11 13 15 ozs. / PRICE 3d.knitting, pattern, fashion, knitwear, albany woollen mills

Four page paper fold out brochure with colour photograph on the front and printed black text on other pages. Image shows a woman seated in a garden setting wearing a blue cardigan.front: [printed] Albany / PRICE 3d. / SISTER SET / ALBANELLA CROCHET / Bust 32-40 inches. Jumper 9-11 ounces / Cardigan 13-15 ounces / ALBANY / designed by / V O G U Eknitting, pattern, fashion, knitwear, albany woollen mills

Four page paper fold out brochure with colour photograph on the front and printed black text on other pages. Image shows a woman wearing an orange cardigan with black gloves and black headwear.front: [printed] Albany / PRICE 3d. / JACKET in 2 LENGTHS / ALBANY 4-PLY FINGERING / Bust 32-40 inches Hip Length 19-21 ounces. / Waist Length 17-19 ounces / ALBANY / designed by / V O G U Eknitting, pattern, fashion, knitwear, albany woollen mills

This item is part of a group of five green display boards with photographs of sheep. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9.Five black and white photographs and printed paper mounted on green display board. Photographs depict sheep and men. The display board has pin holes in each corner.Front: [handwritten] Piebald Sheep and First Crosses. / [printed] The piebald breed of sheep (sometimes called Spanish, Zulu, Jacob's / sheep etc.) is represented by many flocks in this country. The piebald / pattern is distinctive. Crosses with all other breeds give nothing but / self-blacks. A back cross to piebald have half blacks and half piebalds. / This shows that Piebald sheep posses a dominant black and a recessive pat- / tern factor. / Fig. 1 shows a typical Piebald ewe, Figs. 2 and 3 the extremes of / dark and light patterns. Figs. 4 and 5 show black first cross rams. Back: [handwritten] Piebald Sheep / [?] Crosses / 2 / [printed] PHOTOGRAPH COPYRIGHT / BY / THE ANIMAL BREEDING RESEARCH DEPT., / THE UNIVERSITY, EDINBURGH. / PLEASE RETURN TO :new south wales graziers association, world tour, england, sheep, farm, rural, agriculture, scotland

This item is part of a group of five green display boards with photographs of sheep. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9.Five black and white photographs and printed paper mounted on green display board. Photographs depict sheep and men. The display board has pin holes in each corner.Front: [handwritten] Reversed Badgerface Pattern. / [printed] This is a remarkable instance of a reversal of pattern. The areas / that are black in the badgerface are white in this type, and vice versa. / This pattern behaves as a simple recessive to white and to badgerface / pattern. As in the badgerface, there are many modifications. Figs. / 1-3 show the typical pattern. Fig. 4 shows the head of another sheep / and Figs. 5-6 a typical lamb. Back: [handwritten] Reversed / Badgerface Pattern / 8 / [printed] PHOTOGRAPH COPYRIGHT / BY / THE ANIMAL BREEDING RESEARCH DEPT., / THE UNIVERSITY, EDINBURGH. / PLEASE RETURN TO :new south wales graziers association, world tour, england, sheep, farm, rural, agriculture, scotland

This item is part of a group of five green display boards with photographs of sheep. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9.Six black and white photographs and printed paper mounted on green display board. Photographs depict sheep and men. The display board has pin holes in each corner.Front: [handwritten] Typical Badgerface Ewe and Ram. / [printed] This pattern crops up in many breeds all over the world. It behaves / as a simple recessive to white. The typical pattern in very character- / istic, but many modifications are found so that badgerface sheep may range / from those that are almost white to those that are almost black. Back: [handwritten] Typical / Badgerface / ewe and ram / 4 / [printed] PHOTOGRAPH COPYRIGHT / BY / THE ANIMAL BREEDING RESEARCH DEPT., / THE UNIVERSITY, EDINBURGH. / PLEASE RETURN TO :new south wales graziers association, world tour, england, sheep, farm, rural, agriculture

The Keith Wingrove Trust conducts a competition among Australian artists, graphic designers and students for the production of Ex Libris Bookplates. The competition is called The Australian Bookplate Design Award. The purpose of the competition is to increase interest in and to attract publicity to the artistic value of bookplates. Although the competition is referred to as 'Australian' there is a category of award open to International artists. This bookplate was entered in the 2001 Australian Bookplate Design Awards.Graphic Print bookplate for fibre artist, Giselle Penn, who loves textures and brilliant colour. The design was made with the colours and patterns to portray Giselle Penn's art making and to show the theme of textiles or fabrics. Signed below artwork '9/10 Sharon Tompkins 2001'bookplate, sharon tomkins, textiles, australian bookplate design award, keith wingrove memorial trust

Max COWARD ( -1991) Born Ballarat Max Coward was training to be an art teacher at the Ballarat Technical Art School from 1937 to 1941. He enlisted in the A.I.F. and was a Naval Trainee at Flinders Naval Depot in 1941. During these years Max Coward was described as a cartoonist and illustrator, and was was attached to the Naval Intelligence Division in 1945, producing stories and drawings for the Navy newspaper Dit. His work was reproduced in the Christmas annual, HMAS Mk IV and the Army educational journal, Salt. He was a foundation staff member at the Burwood Teachers' College art department when it opened at Box Hill in 1954, transferring to the Burwood Campus in 1955. Upon his retirement he moved to Queensland to start a graphic arts consultancy. Coward was active as a printmaker during the 1970s. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition linocut by Max Coward. 'Hen Party' uses simplified forms reminiscent of the shapes gracing 'moderne' interiors of the 1950s and 1960s. The simplification of form and decorative pattern achieved through repetition shows the influence of Paul Klee's work and imagery. lls 'Hen Party' lower centre edition '8/28' lrs 'Max Coward 64' art, artwork, max coward, printmaking, alumni, hens, linoprint, linocut

Debbie LLOYD Debbie Lloyd returned to study in 2005 completing a Bachelor of Fine Arts (Visual Arts) degree at the University of Ballarat (now Federation University) in 2007, with honours the following year. She returned to the university as Artist in Residence in 2009. During her time at the University Debbie exhibited in many group exhibitions and her work was selected for the National Graduates Show at PICA in Western Australia. Debbie’s first solo exhibition was held at Space22 in Ballarat, towards the end of 2010. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Two artworks featuring a third dimension created with folded paper. Artist's Statement: "My artwork explores the visual experience that can be achieved using black and white, lineal patterns or by creating illusion and surface movement through the simple manipulation and repetition of forms. In these works I have used everyday objects, and shapes, repeated, reconfigured and recontextualised to provide the viewer with visual challenges that slow down and complicate the reading of the work. In the words of a former lecturer of mine, who kindly delivered the opening speech at one of my exhibitions – There is in Debbie’s work a belief in the transcendental power of repetition, a tribute in many respects to the fact that human kind is defined by nothing more noble and uplifting than its ability and obligation to persist." (http://100thgallery.com/gallery/debbie-lloyd/, accessed 08 May 2018) art, artwork, debbie lloyd, available, recycling, envelopes

Mr. Evans is CEO of Royal District Nursing Service (RDNS), and he is sitting in his office at RDNS Headquarters, 452 St. Kilda Road, Melbourne.Mr. Evans was CEO of Royal District Nursing Service for many years and introduced computers to improve the Payroll system and the Records Department. In his years at RDNS the Service expanded into many suburbs with Centres being built, more cars required, more nurses employed and a rise in patient numbers. He was CEO when RDNS underwent its initial 'Accreditation for 3 years' in 1985. A coloured photograph of Mr. Frank Evans, who has receding dark hair, and is wearing a pale blue long sleeve shirt and a brown patterned tie. He is looking at the camera as he sits on a grey chair behind his desk, and has a pen in his right hand poised over a white sheet of paper. Other sheets of white papers cover the desk., To the left rear is a small two shelf table, with papers and a blue cellotape dispenser on the top shelf, and books and cards on the bottom shelf. On the wall above it, part of a large map can be seen. Behind Mr. Evans, and to the right of the table, is a grey multi draw cabinet with some draws partly open, and one fully open with white papers in it. Multi coloured books and folders stand vertically on the top of it, and to there right are two rows of stacked open shelving with files and papers in the individual shelves. royal district nursing service, rdns, rdns ceo, mr frank evans

This photograph shows some of the information documents displayed on boards during an Education session on Palliative Care run by the Royal District Nursing Service Education Department.Education was an integral part of Melbourne District Nursing Society (MDNS), from its inception in 1885, later, in 1966, called Royal District Nursing Service, (RDNS). From 1885, only Trained Nurses (Nurses), through the Hospital training system, were employed by the Society, and on visits to patients they taught the necessity of hygiene and cleanliness, as well as the need for a good diet, to bring about good health. Doctor’s lectures were later given at the MDNS home to instruct patients and their families on prevention of disease. Education to patients continued throughout the years regarding health care and the use of equipment in the home. In 1961, Education programs commenced at MDNS with their Trained nurses (Sisters) receiving In-service education. Sr. Pat (Paddy) Rowley was a leader in In-service Education and established the RDNS Department of Community Nursing Education in 1962. Staff could also apply for scholarships to further their education outside of RDNS. Many of their senior Sisters received Postgraduate diplomas from the College of Nursing in Community Health Nursing, Education, and Administration and several travelled overseas visiting nursing organizations viewing their public health and district nursing systems. At RDNS many programs were run, including: a Post Basic Course, Cardiac Rehabilitation Nursing, Haematology/Oncology Nursing, Palliative Care program, Diabetic Stabilization Program, Leg Ulcer Management Program, Wound Care Specialist Program, HIV/AIDS Nursing Care, Cystic Fibrosis Home Support, Veterans Home Care Program, Breast Cancer Support Program, Continence Management Program, Stomal Therapy Program, In-Home Lactation Support Program and the Homeless Persons Program. RDNS staff attended several hospitals to observe and learn special care needed to some clients, e.g. to the Austin Hospital to learn the care required for paraplegic and quadriplegic clients at home, and to Mount Royal Hospital to observe the care of clients in the Rehabilitation ward. A Community Nursing Education Program was extended to student nurses from hospitals and to other nursing organizations. These Education programs kept the RDNS Sisters abreast of new techniques, such as changes in technology for e.g. new testing methods in detecting glucose levels in Diabetic patients. Sr. Nan Deakin obtained a Post Basic Certificate in Psychiatric Nursing and included this area in her Education lectures. Sr. Daphne Geldard specialized in the area of Alzheimer’s disease and Dementia. These Sisters visited patients in District areas with the regular RDNS Sister when required. Every member of staff, both professional and non professional staff, received regular education in the Education Department. In 1980, a Home Health Aide pilot study, funded by the Federal Government, the Brotherhood of St. Laurence and RDNS, with the program written and taught by Sr. Rowley, was evaluated as successful, and Home Health Aides were employed and worked in RDNS Centres under the supervision of the RDNS SistersColoured photograph of a Royal District Nursing Service (RDNS) Sister standing in front of a Palliative Nursing Display board. The board has a white banner across the top with the dark blue words 'Royal District Nursing Service' written in capital letters. There are several light coloured background posters displayed on the large dark coloured display board. The Sister, who has her dark hair drawn up, is wearing a RDNS blue and white patterned blouse and short sleeve V neck dark blue jumper with a name badge attached on the upper left. The Sister is holding.a white sheet of paper. Part of a red covered table is seen in front of her. A mid green board with documents attached to it is behind and to the right of the Sister. Behind this is a pale green wall with part of a bench and two large windows showing a room beyond.royal district nursing service, rdns, rdns palliative care nursing, rdns education

This group and RDNS Sisters are at a meeting at Fawkner Park Community Centre and are listening to the lady on the left who is pointing out information to them.. Liaison had occurred between Doctors and the Trained nurses (Nurses) of the Melbourne District Nursing Society (MDNS), from its inception in 1885. This increased when Midwifery was introduced in August 1893 with close liaising with the Women’s Hospital. As District nursing grew it was recognized that closer liaising between many Public Hospitals and Community Centres would be beneficial, for not only the MDNS, later called Royal District Nursing Service (RDNS) Trained nurses (Sisters), but also for the patients of RDNS and the hospitals. In August 1964 a Liaison Officer commenced at the Alfred Hospital. This soon increased to Liaison Officers working full time at several Public Hospitals. They facilitated the smooth transition from Hospital to home for many patients who required ongoing nursing care. Liaison Sisters regularly attended discharge planning meetings, interviewed prospective patients, co-ordinated discharge and booked the first visit by the visiting RDNS Sister. At the time of a patient’s discharge, the Liaison Sister forwarded information on their diagnosis and instructions regarding the care required at home to the appropriate RDNS Centre, and in turn the attending District Sister wrote a report of progress and any queries to the Hospital Doctor, via the Liaison Sister, at the time the patient was attending outpatients. Any new instructions were then sent back to the District Sister. Liaising also occurred between District Sisters and Doctors when patients were referred by General Practitioners and did not attend a hospital. District Sisters also liaised with personnel attached to Community Centres.This black and white photograph is of a group of two men and five ladies, three of whom are Royal District Nursing (RDNS), Sisters, sitting at a large dark wooden table which has an open folder and papers with diagrams or information on them, Notepads and pens sit in front of several. L-R is a partly hidden man who has short dark hair; wears glasses, a dark suit over a white shirt and dark tie. His left hand is up to his face. Next is another man with short dark hair who wears glasses; has a grey suit, white shirt and patterned tie. His right hand is up to his face. Next is a lady with short curled hair who is wearing a dark patterned and white edged vest over a round neck grey jumper. She is looking at, and holding a pen in her right hand poised over, a sheet of paper with columns and writing on it. Next is an RDNS Sister with collar length dark curled hair, who has her left hand up to the side of her face. Then an RDNS Sister with short straight hair. Next is a lady with her dark hair drawn back and wearing a white jumper; she has her hands up to her chin. Next, and far right, is an RDNS Sister, who has short straight blonde hair and has a pen in her right hand. Her left hand, with a dark watch at the wrist, is up to the side of her face. The group are all looking at the columned information sheet which the lady on the left is pointing out with her pen. The RDNS Sisters are wearing light grey skivvies under dark grey V neck tunic style frocks.Barry Sutton LO 40royal district nursing service, rdns, rdns liaison, rdns uniform

Used for decoration in the home.A small rectangular badly damaged oil painting of a clipper ship sailing in calm waters with seabirds in the background. It has a decorative leaf patterned cream painted wooden frame with rusted wire at the back for hanging. It is backed by a wooden board secured by four small nails and a layer of paper.oil paintings, paintings, artworks, objects

A rectangular, wooden 25 Willem II Half Corona cigar box with a red paper label with red and white printing WILLEM II logo in the centre of the top and inside the hinged lid. The pattern on the logo has two half semi circular shapes with a crown.'25 Cigars Made in Holland'boxes, smoking equipment, cigar boxes

A dark green hardcover book with a self embossed pattern and lines around the edges of the covers. The title Weeds, Poison Plants and Naturalised Aliens of Victoria is printed on the spine at the top in gold lettering with double gold lines above and below. The author Ewart. is printed in the middle with the date of publication 1909 at the bottom. Alfred J.Ewart, D.Sc., Ph.D., F.L.S. was the Government Botanist and Professor of Botany in the Melbourne University and was assisted by J.R.Tovey, Herbarium Assistant. Detailed coloured plates are throughout the book. It has two parts. P.110 Inside is a tan coloured piece of paper printed with the Department of Agriculture, Victoria. The title: Fungus Diseases or Citrus Trees in Australia, and Their Treatment: with Twelve Coloured Plate and 186 Figures. Presumably this is from another book which was donated by the same people. The book has not been located as yet.non-fictionAlfred J.Ewart, D.Sc., Ph.D., F.L.S. was the Government Botanist and Professor of Botany in the Melbourne University and was assisted by J.R.Tovey, Herbarium Assistant. Detailed coloured plates are throughout the book. It has two parts: Part 1 - Poisonous, Injurious, and Proclaimed Weeds (Native and Introduced), With The Coloured Plates. Part 11 - Census of The Naturalised Aliens And Introduced Exotics. P.110australian plants, plants, botany, australian flora, weeds

A blue self patterned hardcover non fiction book with the title printed in gold lettering: Channel Islands Edith. Carey (author), Henry Wimbush (illustrator) and the publisher A&C Black at the bottom.It has a damaged white paper dustjacket with the same information printed in blue lettering as well as a coloured illustration of The Sister Rocks, Alderney in a blue lined frame. The back of the jacket has a list of Books and Postcards on the Channel Islands with details and prices. There is an inscription on the right hand endpapers written in faded black ink. Opposite the tile page is a frontispiece coloured illustration of St. Peter-Port, Guernsey, from the Pool. There are several coloured illustrations throughout the book.p.226non-fictionAn up-to-date account of The Channel Islands to sketch out the history of Jersey, Guernsey, Alderney and Sark, pointing out a few of the many legends and traditions associated with them, the storm and stress through which they have battled, some of the remnants of feudalism which they have managed to preserve, and certain conspicuous men and women who once lived in them. Mr Wimbush has painted them as they are - these delectable fragments of France.travel books, books, channle islands, history

A faded, damaged burgundy colour hardcover book with an embossed self pattern on the cover. It's title: The History of Guernsey is printed in gold lettering on the spine with the author's surname Tupper, Second Edition, London and the publisher Simpkin, Marshall at the bottom. Protecting each black and white illustration is a tissue paper page. Pp. 596. At the back there is an Appendix and Index.non-fictionThis book is The History of Guernsey and its Bailiwick; With Occasional Notices of Jersey. The Bailiwick of Guernsey is comprised of the Islands of Guernsey, Alderney, Sark and Herm. Situated 10 to 30 miles off the north-west coast of France, the Channel Islands are not part of the United Kingdom. They are dependent territories of the British Crown, as successor to the Dukes of Normandy.history, history of guernsey, ancient history

The handmade basket has a variety of pieces of War Memorabilia as listed in the description.A large lidded firm natural, green and tan raffia woven basket with a looped handle on the lid which is attached to the base by rusted twisted pieces of wire. It closes with a brown strip of leather onto a metal clip at the side. Inside are pieces of War Memorabilia - an instruction card for Knitters Get Busy!, one tortoiseshell knitting needle, a pair of large olive green woollen mittens, two strips of paper with instructions and illustrations for sewing Red Cross Pyjamas for the Soldiers and a small grey folded card - 'The Grey Sock' which has directions for knitting good socks with finer wool and needles. This is incomplete.'Knitters Get Busy! War Chest Wants Socks Appeal for 150,000 Pairs'. There is an acrostic poem for the word KNITTERS, describing the word. 'The Grey Sock' - instructions for knitting fine and coarse wool. Suitable pyjama pattern with instructions.war, containers, knitting, sewing, baskets

A small vintage paper booklet with no cover 'Needlework Romance' - modern, exclusive needlework designs which are finding a growing place in the lives of everyone. It is filled with black lined illustrations and full descriptions of the many varieties of pattern ideas which could be ordered from The Sun News Pictorial in Melbourne for the price of 1/3 each. Patterns include Crotchet, Embroidery, Rugs, Doyleys, Toys, baby clothes and more. Pp.17. It is stapled together.non-fictionA small vintage paper booklet describing many varieties of needlework patterns which could be ordered through The Sun News-Pictorial Pattern Service Bureau in Melbourne. Readers were encouraged to 'watch for beautiful & exclusive needlework designs appearing in our paper regularly.' Details of how to order the patterns is given on the back of the booklet, along with the price, 1/3 each.dressmaking patterns, dressmaking equipment, sewing equipment, embroidery equipment, embroidery patterns, sewing patterns

A large thick, heavy green hardcover Girl's Own Annual Volume 46 with a large square picture depicting two women walking in the snow holding bunches of holly. The title is in red print and there is holly surrounding the illustration. The spine has the title printed in gold lettering, holly leaves and Vol 46 in black type at the bottom. It is a 1924 edition of this series. The end papers show green tinted woods and a stream. The coloured frontispiece is of a woman decorating a Christmas Tree from the story - The Christmas Fairy. Tissue paper protects this page. The contents of the book are for girls and women with stories, knitting and sewing patterns, handy home hints, factual information and more. There is an emphasis on Royal Family life. Inside is a 1997 religious bookmark for a Ekankar Seminar, Brisbane Australia. A bookplate is pasted at the front of the book. non-fictionThe contents of the book are for girls and women with stories, knitting and sewing patterns, handy home hints, factual information and more. There is an emphasis on Royal Family life.books, children's books, awards, adventure stories, family life fiction, family life

These bottles may have been in use in the 1940's or earlier. Cordial drinks came in bottles bought at a local grocery store. The shape of the bottles changed as did the stopper or seal. Bottles were recycled remaining the property of the manufacturer - 1. O.T. Ltd., Australia and 2. Lemos Australia in these samples. It appears these bottles may have the remains of a soft drink or cordial which is now dark in colour. Two vintage glass bottles: 1. A clear glass bottle with an embossed decorative leaf pattern around the neck. It has a rusted metal cap. 2. An embossed diagonal square patterned clear glass bottle with a rusted screw top lid. It has an oval shape on the front where the paper label was glued; there are the remains of a label.1. 'This bottle is the property of O.T. Ltd.' 2. 'Design No. 9072 Australia No. 8449 India 6888661 Great Britain. No. 1826 United Union of South Africa........ Only contents sold'. 2. 'Lemos. Registered trade mark.'bottles, beverage bottles, glass, cordial

These vintage tins contained medicinal products to help relieve illness symptoms for the family at home in the 1900's. Two were manufactured in Australia and the two Ayrton's products were made in England.Three vintage medicinal tins and cardboard container. 1. Small Ayrton's heart shape Bismuth Indigestion Tablets tin with the Manufacturer details printed at the bottom of the lift up lid. It has a large red heart shape on a white background. Approx. 2ozs. It has a gold base with information for use and recommended dosages. 2. A small badly rusted and worn tin Ayrton's Sulphur and Yeast Tablets with seven red dots showing usage features of these tablets. Manufacturer details are listed at the bottom of the front lift up lid and the back of the tin has further information. 3. A cylindrical green Robinson's Patent Barley tin with a patterned rusted lid. The manufacturer details and usage information are indecipherable due to wear and rust. 4. A cylindrical lidded De Witt's Antacid Powder cardboard container with a rusted tin lid. Manufacturer details and usage are printed on a paper wrapper glued to the cylinder.1. 'Ayrton's Heart Shape Bismuth Indigestion Tablets Ayrton Saunders & Co Ltd Liverpool. England.' 2. 'Ayrton's Sulphur and Yeast Tablets Ayrton, Saunders & Co. Ltd. Liverpool. Eng.' 3. Robinson's Patent Barley' (indecipherable details) On the bottom of the tin Robinson's "Patent" Barley Letters Patent Granted 1923 Now expired Packed March 1951. 4.De Witt's Trademark Antacid Powder 2/6 for Indigestion. Contents 4ozs. Approx. Lasting Action' Inside the Ayrton's Sulphur and Yeast Tablets tin is a sticker with 'M Burgi' handwritten on it in biro.medicinal containers, tins, medication, containers

This item is part of the Dodgson Collection, which was bequeathed to Queen's College in 1892 by the Rev. James Dodgson. The collection was created by Aquila Dodgson, brother of James. Aquila Dodgson was a friend of the English Egyptologist Flinders Petrie, and it was through this friendship the Aquila was able to acquire ancient Egyptian artefacts. A detailed study of the collection was made by Christine Elias "Discovering Egypt: Egyptian Antiquities at the University of Melbourne", M.A. thesis 2010.Coarse, gritty fabric almost sandy. Plastered surface has a dark brown paint with a star like pattern in yellow over the top. Small paper label inscribed with 'B9' attached to back of largest fragment. wall plaster, james dodgson, aquila dodgson, flinders petrie

This is a plain brown book with small diagonal squares pattern on the covers. La Nourriture De L'ame, ou Recueil De Prieres pour les Principales Fetes de L'annee which translates to - The Food for the Soul or Collection of Prayers for the Main Holidays of the Week. The author is Jean- Rodolphe Ostervald, pastor of the French Church of Bale. There is a drawing on the frontispiece of Jesus talking to men. At the back is a Table of Contents. Some pencil markings inside, foxing and tanning. There are two bookmarks included - One has Federal printed on it in red lettering with a rising sun pattern at each end with a French handwritten message written on the front and back. Another paper used as a bookmark has Y Foy and Gibson, Melbourne. 545p.non-fictionFood for the Soul - a collection of prayers for every day of the week and for the main holidays of the week. religion, prayers

Inside the silver box is a lock of hair with a handwritten note - Grandfather's hair Sept 9th 1899. A small rectangular ornately engraved and decorated lidded box with a linear pattern overall on the outside of the lid, sides and bottom. It has a scalloped shape on all edges. Inside is a lock of Grandfather's hair wrapped in a folded piece of paper with writing describing who it is from and the date. Inside on the lid bottom of the box are engravings of the maker. Inscribed on the outside of the lid in an ornate rectangular scalloped shape: Presented to Mr. George Birrell MECHANIC By his Fellow Workmen as a token of respect on his leaving for Australia 11th July 1851 GLASGOW Inside the lid top are three stamps: one is a face in a circle, next to it a rectangle with ES and the third is not recognisable. On the bottom of the box are three stamps: one is in the shape of a shield with a cross in the middle, next is a rectangle with ES and the third appears to be a moon shape.container, boxes, hair