Two guides or leaflets: 1. A Cherry Growing in Victoria Bulletin 67 from The Department of Agriculture, Victoria, Australia. Pp. 24. It has full details and photographs for cherry growing contributed by several writers. Advertisements for agriculture are inside the front and back covers. Price 3D. is printed towards the bottom of the front cover. 2. A very damaged four page leaflet titled, Fruit Spraying Guide for the Home Gardener compiled by two contributors, (Reprinted from The Journal of the Department of Agriculture, Victoria.) It has several tables for various fruits, diseases, symptoms and treatment. (It is reprinted from The Journal of the department of Agriculture, Victoria.) Two Invoices are included in this entry: 1. F.W. Britton & Son Timber and Hardware Merchants. Invoice No. 2441 12 June 1948 for three items sold. 2. An account Sales Note Barrow Bros. Commission Agency Proprietary Limited Produce & Dairy Produce merchants and Manufacturers in Melbourne. Four items were sold, plus cartage on 23.3.50.non-fictionThe Cherry Growing in Victoria booklet and Fruit Spraying Guide for the Home Gardener leaflet were useful for understanding how to grow the local produce in Victorian conditions at the time. dockets, receipts, sales records, leaflets, information sheets, information booklets, instruction leaflets, fruit growing, fruit pests

BHS CollectionDiggers & mining. Life Of The Selectors. A Farmer his family in a wagon and a workman to the left of scene working. The home is constructed of vertical timber and a shingled roof. There is another timber building behind it possible for the workman to live in. Cattle, ducks and chooks. Markings; Life Of The Selectors 1860-1890. Set 432 No.3. A Victorian Selector's Homestead - ''The Australasian Sketcher,'' September 25, 1880. Used as a teaching aid.Visual Education Centreeducation, tertiary, goldfields

Folded double-sided advertisement for auction of 24 home sites and existing residence on Saturday, 24th May, 1958, including locality map, subdivision layout, terms of sale, and summary of local facilities and services. Additional plan of lots 28-33 dated 26/10/60 by Licensed Surveyor for Kirkpatrick & Webber, 225 Maroondah Highway Ringwood headed Plan of Subdivision of part of Crown Allotment 26A Parish of Ringwood.Subdivision includes Mount Dandenong Road, Ware Crescent, Davey Drive, and Grey Road (later Grey Street). Timber residence included in the subdivision was formerly Ware Kindergarten Holiday Home. (Agent) Ellingworth's Estate Agency, 580 Station Street, Box Hill - (Phone) WX1228.

A slab construction cottage built in Ripplebrook in 1880 as a home for a single female landowner by the name of Ada Donaldson, and later relocated to Labertouche. It was donated to Old Gippstown by the Mason-Brook Pastoral Co. of Labertouche. A small building of horizontal timber slabs. It has a verandah over the front entrance and the front porch, a main living area with a cast iron stove in the fireplace and a separate room (probably a bedroom). There is a stone chimney on the back wall and the roof is shingled. Originally a cottage in its own right, the slab kitchen is now a part of the Bushy Park display.Medium local historic significance.A small building of horizontal timber slabs. It has a verandah over the front entrance and the front porch. There is a stone chimney on the back wall and the roof is shingled. This building was built in 1880sout kitchen, old gippstown, west gippsland, gippsland, gippsland heritage park, goldfields, coal mine, victorian era, moe, historical village, timber slab cottage, ripplebrook, labertouche, mason-brook pastoral co., baw baw shire, latrobe valley, old gippsland heritage park, gunaikurnai, latrobe city council

This hut came from the Tanjil goldfields, and was in use around 1900, and was the home of two miners on the Tanjil River gold field. The township of Tanjil came into being above what is now the Blue Rock Dam, in about 1867.A small, rectangular bark hut with a bark roof. The fireplace and chimney are made of corrugated iron with stone base. It has a timber framework.tanjil, gold, mining, old gippstown, west gippsland, gippsland, gippsland heritage park, goldfields, moe, historical village, tanjil valley, blue rock dam, baw baw shire, blue rock lake, old gippstown heritage park, latrobe valley, latrobe city council

Built post WW2 as home for Rev Canon Albert E Clark. The decorative brick and stone work on house and in garden built by Canon Clark with assistance of wife and daughter Ruth. Ruth Clark, noted botanist, with particular interest in the ground orchids of East Gippsland, continued living here until her death in Septemebr 1997.Colour photograph of a timber dwelling. Tiled gable roof, sash windows, decorative stone work on chimney, base of house, veranda, paths, garden and front fence. Attractive wrought iron railings atop stone fence, at 7 Williams Road, Lakes Entrance Victoriafences, houses, heritage study

Dr Robert Hughes had a well set up surgery in what may have been originally a garage beside the family home, during 1970 - 1980's. Later resident converted surgery to a flat.Colour photograph of a timber dwelling with tiled hip roof. Brick chimney has been cement rendered. Windows on each side of central front entry have pictured window in centre of sash windows, at 20 Devitt Street Lakes Entrance Victoriahouses, heritage study

Original home of the Charles Cross family.The property became the first Camp Park at Lake Tyers Beach of the Methodist, now Uniting Church.A colour photograph of a timber dwelling with corrugated iron hip roof. Eight steps lead up to a bullnose veranda across the front and sash windows. Situated at the Uniting Church Camp Park, Lake Tyers Beach, Victoria.houses, local history

House built 1911 for James Carpenter as family home. Original front lawn of violets was venue for Violet Picking Days, around 1920 and 1930. Exterior now aluminium cladding. Occupied by Mac and Margo Kerby, pharmicists, 1960's to early 1980's. Ian Daniel 1990's. Name of house 'Corumbene' Also One Colour photograph of front fence. 02442.1Colour photograph of a substantial weatherboard triple fronted Californian Bungalow. Bull nose veranda returns around angle to side main decorative timber frieze under veranda roof. Two cypress trees and one Norfolk Island Pine of significant age. Situated at 90 Carpenter Street, Lakes Entrance.houses, heritage study

First part of house transported to Carpenter Street, from the flats behind Sale Cemetery by Dr Fitzpatrick as holiday home 1950's. Additions built by Dr Fitzpatrick who shaped timber with tomahawk as he couldn't use a saw.Colour photograph of a triple gabled weatherboard dwelling with veranda on two sides with one end enclosed. Plain veranda posts and brackets. Pretty cottage garden. Situated at 53 Carpenter Street, Lakes Entrance, Victoria.vegetation, houses, heritage study

Freeman family home originally situated on south side of Gray Street, western corner of lane. Relocated to Bulmer Street after Arceris bought site and extended the general store.Colour photograph of a timber dwelling at 10 Bulmer Street, which has gable roof, bay window in one front room, gable roof veranda over front entry. Timber picket fence. Lakes Entrance Victoriahouses, heritage study

Possibly relocated from another site (local information). Home of Berlingeri family since 1960's.Colour photograph of a dwelling at 8 Roadknight Street, with corrugated iron hipped roof. Timber walls, original veranda on front and side have been enclosed. Outer walls covered with cladding. Lakes Entrance Victoriahouses, heritage study

Opening of Home Hardware Stock Street previously East End HardwareColour photograph of seven Management and staff members at opening of Home Hardware Stock Street previously East End Hardware, taken in the timber yard with three delivery vehicles. Lakes Entrance Victoriabusinesses, hardware

S. S. ROWITTA: - The 1909 steam ferry, S. S. Rowitta, was installed as an exhibit at Flagstaff Hill in 1975 and was enjoyed by many visitors for 40 years. S. S. Rowitta was a timber steam ferry built in Hobart in 1909 using planks of Huon and Karri wood. She was a favourite of sightseeing passengers along Tasmania’s Tamar and Derwent rivers for 30 years. The Rowitta was also known as Tarkarri and Sorrento and had worked as a coastal trading vessel between Devonport and Melbourne, and Melbourne Queenscliff and Sorrento. In 1974 the S. S. Rowitta was purchased by Flagstaff Hill to convert into a representation of the Speculant, a historic and locally significant sailing ship listed on the Victorian Heritage Database. (The Speculant was built in Scotland in 1895 and traded timber between the United Kingdom and Russia. Warrnambool’s P J McGennan & Co. then bought the vessel to trade pine timber from New Zealand to Victorian ports and cargo to Melbourne. She was the largest ship registered with Warrnambool as her home port, playing a key role in the early 1900s in the Port of Warrnambool. In 1911, on her way to Melbourne, she was wrecked near Cape Otway. None of the nine crew lost their lives.) The promised funds for converting the S. S. Rowitta into the Speculant were no longer available, so she was restored back to her original configuration. She represented the importance of coastal traders to transport, trade and communication in Australia times before rail and motor vehicles. Sadly, in 2015 the time had come to demolish the Rowitta due to her excessive deterioration and the high cost of on-going repairs. She had given over 100 years of service and pleasure to those who knew her. Arthur Victor Gregory (known as A. V. Gregory) was born in Melbourne in 1867. He was the son of George Frederick Gregory who was an established marine painter with a studio in South Melbourne. A. V. Gregory worked with his father and his elder half-brother (George Frederick Junior). They made numerous photographic reproductions of their ships' portraits, selling the originals to captains and owners and the photographic prints to the crews. A. V. Gregory inherited the business on the death of his father in 1890 and continued to paint until World War 2 when he stopped for wartime security reasons. Gregory worked mainly in watercolour and gouache. He kept all his working sketches so he could repeat earlier paintings and make more copies of the same ship. His carefully detailed portraits of every kind of vessels seen on Port Phillip Bay created a body of work regarded as a valuable record of the maritime traffic of that period.This print is a significant example of the work of the well-known and well-respected marine painter A. V. Gregory who created a detailed record of shipping in the Port Phillip Bay area in the years before W.W. 2. It is also significant as it connects the history of the S. S. Rowitta, which was a large exhibit on display at Flagstaff Hill Maritime Village from the museum’s early beginnings until the vessel’s end of life 40 years later. The S. S. Rowitta represents the importance of coastal traders to transport, trade and communication along the coast of Victoria, between states, and in Australia before rail and motor vehicles and is significant for its association with Tasmanian history from the early to mid-1900s. The vessel was an example of a ferry built in the early 20th century that served many different roles over its lifetime of over 100 years.This is a photograph of a watercolour painting of the S. S. Rowitta. It shows a steamer moving through the water. The ship has a blue, metal hull, a wooden lower and upper deck, a lifeboat and smoke coming out of a chimney. Flags are flying from the bow, the stern and the mast. Seven figures can be seen on the decks. A second boat can be seen in the distance in the far left of the picture. It has the signature "A. V. Gregory - 12" in the bottom left corner and the title "S. S. Rowitta - 121 tns" in the lower right corner.Signed "A. V. Gregory -12-" Titled "The S. S. Rowitta / -121 tns" Printed on the ships' bow - "ROWITTA"flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, s. s. rowitta, rowitta, a. v. gregory, painting, marine painting, marine painter, steamer, steam ferry, passenger ferry, alfred gregory, tarkarri, sorrento, speculant, print, photograph

Land selected 1888 by A F Petersen who kept bees. First house was a bark hut.Colour photograph taken at Mrs Maisie Byrnes home The Bee Farm, showing an unpainted timber cottage set in old farm clearing, at Byrnes Track Toorloo Arm Victoriahouses, heritage study

BHS CollectionCopy of a Bendigo Advertiser 20/11/1976 article titled Historically Speaking A gully with a past - and a present - Long Gully with Amy Huxtable. Mentioned is a study carried out by the consultants Ashton and Wilson, the people who settled in the areas and the houses and miners' cottages. Photos include a miners cottage with a hip and valley roof construction, the Truscott Family home, Rutland House, built for the Koch Family during the quartz era of Bendigo's mining days is now Crusade House, a timber miner's cottage with a kangaroo roof construction and a cottage in William Street. There are also advertisements from various businesses on the page.bendigo, history, long gully history group, the long gully history group - long gully, bendigo advertiser 20/11/1976, amy huxtable, bendigo city council, commonwealth government's national estate program, ashton and wilson, henry koch, truscott family, rutland house, hip and valley roof construction, kangaroo roof construction, vahland villa, helen lang's beauty salon, cane & kitchen, bazulas, myer, kangaroo flat newsagewncy, margaret kean, corrigan's pharmacy, w p bissett, rob vains, golden hills motel, gale's carpet steam cleaners, ray gale, dungey's bendigo travel service

The subject of this photograph is the S.S.Rowilla, a passenger steam ferry built in Hobart for use in Tasmania's rivers, the Derwent and the Tamar. The photograph shows her docked at the Charles Street Wharf in Launceston. The S.S. Rowitta was built by Purdon & Featherstone, at Battery Point, Hobart (Tasmania) in 1909 from Huon Pine and Kauri planking. Her final configuration included three masts and a ship rig. S.S. Rowitta took its first voyage from Hobart to Launceston in 1909 and operated for 30 years as a passenger ferry on the Tamar and Derwent Rivers. She also served as a freighter, an army supply ship, a luxury charter ferry and a floating restaurant as well as a prawn boat at Lakes Entrance. (She has also been named “Sorrento” and “Tarkarri”.). In the very early days of Flagstaff Hill ‘Rowitta’ was purchased from Lakes Entrance by Warrnambool City Council and the Victorian State Government for $20,000. The Rowitta had a hull configuration very similar to a local boat named the SPECULANT, which played a key role in the Port of Warrnambool in the early 1900s. The Speculant was the largest ship ever registered with Warrnambool as her home port. Local owner and trader P J McGennan & Co, (Peter McGennan) used her as a freight carrier to Melbourne and timber trader between New Zealand and Victoria. She sunk at Cape Otway in 1911 on a voyage to Melbourne. In 1974 Rowitta was delivered to Port Fairy and then later sailed to Warrnambool’s Breakwater where she was lifted out of Lady Bay and loaded onto the back of a long transport truck and slowly and carefully driven along Pertobe Road, through the Surfside Caravan Park and over the railway line, into Flagstaff Hill’s Maritime Village. Transfer arrangements were coordinated by Jack Morse, of Morse Engineering, a member of the Flagstaff Hill Planning Board, and Ken Goyen, a local crane operator. The ‘Rowitta’ was originally acquired to be rebuilt to match the original SPECULANT. When finances became tight in 1976 a review of all plans ended in the decision to restore the “Rowitta” to her original configuration. She was then restored, renamed the original name of “Rowitta” and installed in the Village’s Harbour Lake to become one of the popular vessels on display for visitors to enjoy. It was the decision of the Advisory Committee to Flagstaff Hill to have Rowitta demolished in April 2015 due to extensive deterioration. Items associated with the Rowitta continue to be held in Flagstaff Hill Maritime Village’s Collection.The photograph of the passenger ferry S.S. Rowitta.is significant for its association with Tasmanian history from the early to mid-1900s. It is also connected to the history of the Rowitta, which was a large exhibit on display at Flagstaff Hill Maritime Village from the museum’s early beginnings until the vessel’s end of life 40 years later. The Rowitta represents the importance of coastal traders to transport, trade and communication along the coast of Victoria, between states, and in Australia before rail and motor vehicles. The vessel was an example of a ferry built in the early 20th century that served many different roles over its lifetime of over 100 years. Black and white photograph of the steamship S.S. Rowitta at Charles Street Wharf, Launceston. It shows the vessel docked at the Charles Street Wharf in Launceston. Smoke is coming from its funnel and there are people on board. There is a handwritten inscription on the top edge of the photograph. The vessel was built in 1909 by Purdon & Featherstone, Hobart. Blue-green handwriting on top left margin "ROWITTA AT LAUNCESTON"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, photograph, s.s. rowitta, charles street wharf,, launceston., purdon & featherstone, rowitta, tarkarri, speculant, purdon & featherstone of hobart, passenger ferry 1909, sorrento

This house, understood to have been built around 1858/59, and demolished around 1990, was situated along what is now known as the Linton-Naringhil Road. It was the home of the Rankin family - John and Catherine Rankin, and later their son Ewen and his wife Anna Rankin. The last member of the Rankin family to live there (until 1974) was Marjorie Jackson, a granddaughter of John and Catherine. The original roof is thought to have been made of wooden shingles.Black and white photograph showing a weatherboard house which has a corrugated iron roof, two front windows and a small front porch. The windows have sunshades supported by timber brackets. A chimney can be seen above the rooftop at the rear of the house. The view of the house is partially obscured by branches of a tree. Date of the photograph is not known.glenree', rankin family, john rankin, ewen rankin, houses

Western Aranda artist, Gerhard Inkamala. Born in 1917, Gerhard was the nephew of Albert Namatjira and grew up being inspired by his artwork and the surrounding landscapes. He became a skilled artist and during the 1940s was one of the founders of the famous Hermannsburg School of Art. In the 1950s Gerhard and his brother Adolf were included in a group exhibition in Alice Springs at the home of Rex Battarbee who was the Warrnambool-born art teacher of Albert Namatjira. He died in 1977.A landscape scene showing the Australian outback. Trees and shrubs in the foreground with rocky hills in the background. The foreground is an ochre/orange colour and the hills and rocks in the background are a blue/grey colour. The sky is clear and blue. Signed bottom right. The work is mounted on cream mountboard and framed in a white timber frame under glass.'Gerhard Inkamala' signed bottom right hand side of the painting.

This honor board was made by Robert Prenzel (1866–1941) who was born and trained in Prussia, and migrated to Australia arriving in Melbourne on 24th November on the steamer Habsburg. In Melbourne Prenzel first worked for the German sculptor and modeller Otto Waschatz, decorating private homes and public buildings. From 1891-1901 Prenzel worked in partnership with another German, Johann Christian Treede, after which he continued in business on his own. He also participated in the activities of Melbourne’s Deutscher Turnverein. During the first quarter of the current century he became the major exponent in the field of furniture and woodwork of the cult of nationalism, and was renowned for his carvings, many of them in the art nouveau style, of Australian animals, birds, trees and flowers. The two most common types of Australian timber in his work are mountain ash and blackwood.Colour photographs of a beautifully carved World War One Honour Board by Robert Prenzel.lakes entrance, robert prenzel, world war one, lakes entrance honour board

House constructed c.1928. Photograph taken in 1988.Colour photograph of double fronted timber house with pitched tile roof, two chimneys and verandah on part front and side of building. Set in garden with white 3 rail wooden fence along front of property.bennett family, buildings, houses, gordon bennett

The mantel clock has a rich history that dates back to the 18th century. These smaller clocks were designed during an age when people wanted elegant timepieces that fit on mantels or shelves. Their compact size and decorative designs made them a popular choice for homes of the time. They graced the mantelpieces or tables in homes, serving as both functional timepieces and sophisticated decorations. These clocks often feature ornate wooden carvings and intricate designs, with their gentle ticking and chimes adding a cozy ambiance to living spaces. It is from the home of Mr and Mrs Parker. It belonged to Mr Parker senior.A very ornately carved dark timber mantel pendulum clock with a white face and a brass clock face surround. It has black roman numerals and black metal hands. The Ansonia Clock Co. Manufacturers USA Trademark A is printed on the face. It has an ornate brass pendulum and the internal workings are visible. The very ornately embossed in gold decorated glass front door opens. There are two spirit plumb levels inside, one is aluminium metal and is attached to the wall, the other is brass with Wm Hunt Level Co with a triangle on top stamped on it. There is a brass key No.7 with two holes on the top of the winder handle. The Ansonia Clock Co. Manufacturers USA Trademark A. printed on the dial. Wm Hunt Level Co. stamped on the level.mantel clocks, clocks, timepieces, shelf clocks

The mantel clock has a rich history that dates back to the 18th century. These smaller clocks were designed during an age when people wanted elegant timepieces that fit on mantels or shelves. Their compact size and decorative designs made them a popular choice for homes of the time. They graced the mantelpieces or tables in homes, serving as both functional timepieces and sophisticated decorations. These clocks often feature ornate wooden carvings and intricate designs, with their gentle ticking and chimes adding a cozy ambiance to living spaces.A small vintage decoratively carved dark timber steeple mantel pendulum clock with a white cardboard face, black roman numerals and black metal hands. There is a brass trim around the face. The turned wooden frame at the front has has It is in working order. The very ornately white painted pattern on the glass door has a leaf and floral pattern. The door opens with a small decorative brass catch to reveal the inner workings. It has an ornate hanging brass pendulum and the internal workings are visible.There are two spirit plumb levels inside, one is aluminium metal and is attached to the wall. There is a brass key which does not wind the mechanism. clock keys, clock components, timepieces, clocks, mantel clocks

Nar Nar Goon, a town in Gippsland, Victoria, has a rich history dating back to the mid-19th century. Originally part of the Kulin nation, the area was home to the Boon Wurrung people. The name "Nar Nar Goon" is believed to come from a Boonwurrung word referring to either the koala or the rakali. European settlement began with the establishment of the Mount Ararat pastoral run in 1844, followed by land sales in the 1850s and 1860s. Many settlers came from Ireland, particularly from the Monteagle estate in Limerick. The arrival of the railway in 1881 was a turning point, facilitating timber and agricultural industries. Several sawmills operated in the area, transporting timber via wooden tramways to the railway station. By the early 20th century, Nar Nar Goon had developed into a thriving township with a general store, hotel, butcher, baker, and garage. The town had strong Catholic roots, with a church opening in 1905. Over time, timber milling declined, and dairy farming became the dominant industry. In 2021, part of Nar Nar Goon was annexed to form the new suburb of Pakenham East. Today, Nar Nar Goon is known for its murals, historical buildings, and community spirit. It remains a small but significant town in Victoria’s history. [AI generated text]Display book containing a table of contents and various newspaper clippings and other information pertaining to the Nar Nar Goon area.non-fictionnar nar goon (vic.), nar nar goon (vic.) -- history, bernie byrne, jack egan, mark & sylvia jones, daisy lia, bill doherty, michael o'brien, joan & frank lindsay, paddy henwood, bob rose, harry james, ray coombs, jack payroll, deb bramley, nar nar goon-maryknoll cricket club, john byrne, bernie dingle, jan van steensel, len & mary bramley, kylie shanks, bill bickerton, james dore, red gem potatoes, brydie cunningham

Gallipoli star medal and badge belonged to Private Thomas E. Rollings 1983 who was born at Tallangatta and enlisted on the 21/6/1915 at age 24 . He served with the 24th Battalion and on the 11/ 11/1915 at Lone Pine received severe bomb wounds to both legs and right arm. On 24/12/1915 his right leg was amputated and he was repatriated home in January 1916. He passed away in 1966 and is buried at Eldorado.Black timber frame containing bronze coloured star shaped metal medal with red blue and white striped ribbon and a gold-coloured metal badge/medallion depicted a soldier with rifle both mounted on red felt."1983 / Pte. Thomas E. Rollings / 24th Battalion A.I.F."gallipoli star, medal, anzac, wwi, world war one, 24th battalion

Some of the first homes built at Eventide Homes Stawell.Black and white line of timber cottages. in the foreground are two decorative posts with five mail boxes on each post. stawell

The old Church House served the Bruthen community in 1880s when no longer required it was barged to the New Works area where it became Church and meeting hall. By the time the Entrance work was completed the contractor J R Coate had the building moved to Church Street Lakes Entrance. It was a home for various local families until abandoned then acquired by Val Northrope. After renovation by Val in Lakes Entrance it was moved again to a site beside the Northropes new home at Tambo UpperColour photograph of timber cottage surrounded by picket fence four women at gateway. Cottage situated near Bruthen Victoria. Also eight more colour photographs taken of same house showing various aspects of building. houses, land settlement, churches

This tray was sent home by a soldier called Ern Goodridge. Believed to be WX34399 Hughie Ernest Goodridge. Serving tray made out of 11 strips of different timbers. All edges are curved. At the ends are metal handles that have been chromed.In the centre of the tray inscribed on a metal plaque "NEW GUINEA 1943"new guinea, trench art, souvenirs, wwii

The certificate relates to William John Turner Bendigo RSL Sub Branch. On the day the award was given Sir George Lansell acted on behalf of the President of the Benevolent Home Jtn Smalley. Another Life Govenorship was also give to Mr D.T. Langlands at the same time for the same work with the RSL. Refer Cat No 8029 for details re this award and other RSL work and fund raising. Refer Cat No 8030 for details re his RSL Committee details and WW1 service history.Framed certificate, frame is timber gold colour, certificate backing is maroon, certificate is light fawn colour with ornate edging, at the top “Bendigo Benevolent Home - Life Govenor” followed by details of the award, all print in blue & black, signed and dated, a red seal is in the bottom RH corner.Main points: “We certify that Mr W.J. Turner was duly appointed Life Govenor of this Institution on 14th October 1953” “J. Smalley President” “H. Truscott Vice President” “ ................... Hon Treasurer” “ J.H. Perryman Secretary”brsl, smirsl, life govenor, certificate

This Cat No 5880P and the following ten Cat No's to 5890P were part of the original GRINTON PHOTOGRAPHS exhibition in 2008. Each frame follows a story from the 'War to Home' at Tragowel near Kerang, Victoria. The Grinton Collection was a large negative collection found in a tin at Myers Flat and developed from there. Frame 1. 1. Jack Grinton in full marching order. This appears to have been taken after Jack came back from being wounded the 2nd time on 31/9/1918 in the push into the Hindenburgh Line. He was away 3 months with his wounds and rejoined his unit at Visme-au-Val on 11/1/1919, a small village near Abbeville, France. he is wearing his two "Empire Wounded Stripes" on his arm. It is believed he took this photo to show what a fully kitted out digger looked like. 2. Full kit lid out, right down to a tooth brush. It is also believed this was taken to go with the above photo. Note the protective cover on the rifle trigger and magazine area. 3. Mess parade line up. From notes of Jack this could be at "Gamaches", France where the last group of 111 men of the 38th Batt in the 45th quota left to come home. They went from Gamaches to Havre then to England. 4. In "Billets" behind the lines. Note the straw on the floor. When a unit came out of the line they were billeted in farm houses, barns, sheds, homes and at times anything that would give the men shelter from the elements. Refer Cat No. 1280 for Jack GRINTONS Service Records. Photographs - black and white on paper. Four photographs top to bottom, Soldier in uniform, Full kit laid out, Mess parade line up, Billets behind lines. Frame - timber, black colour paint with glass. Mount - black cardboard. Backing cardboard with handwritten notation.On backing cardboard - handwritten in black felt tip pen "1."framed photographs, grinton collection, ww1, 38th