A seal is the corporate signature of an organisation. It is usually referred to as a ‘common seal’, meaning it represents a whole company ‘in common’, rather than any individual committee member, director or agent. A common seal can be used to signify the company or association’s authority or approval of a certain action, such as signing a legal document, or authenticating an award or certificate. It might also be used as the emblem or symbol of an organisation. This seal was for the former Shire of Marong now part of the City of Greater Bendigo.Circular, brass seal with wooden handle. Remnants of red wax remain in seal.Shire of Marongshire of marong, city of greater bendigo administration item

The Australian Women's netball team the Diamonds, played England in Bendigo on Sunday October 19, 2014. 'Fresh from a four-Test Constellation Cup clean sweep against New Zealand last week, the Diamonds started the game at a blistering pace, with wing attack Madi Robinson running rings around her rivals. England tried to go with them but the trade-off was a high error count and while they settled in the second quarter they still trailed 29-17 at halftime'. www.theguardian.com/sport/2014/oct/19/australian-diamonds-crush-england-in-first-netball-testSigned 'Gilbert' netball in acrylic display case. Wooden base with plaque on front.Australian Diamonds Team / International Test Series Netball / Australian Diamonds V England / 19 October 2014, Bendigo Stadium / Score Australia 55 - England 37 (Signed) Caitlin Bassett, Laura Geitz, Kim Ravaillion, Madi Robinson, Caitlin Thwaites, Susan Pettitt, April Brandley, Courtney Bruce, Jo Weston, Gabi Simpson, Liz Watson, Stephanie Wood.city of greater bendigo sport, bendigo stadium

Royal District Nursing Service (RDNS) Sisters worked from this, their rented Collingwood Centre at 98 Charles Street, Collingwood, which opened in 1977. The Sisters left each morning taking any sterilized equipment needed with them to carry out their nursing visits in a specific area (district), They returned at the end of the day to write up their patients nursing histories, clean and reset any equipment used ready for re-sterilization, and contact other medical and community personal as necessary. From its inception as Melbourne District Nursing Society (MDNS), in 1885, their Trained nurses (Nurses) worked in specific areas, 'districts'. The first Nurse worked east and west, between Victoria Parade and Flinders Street and, north and south, between Spencer Street and Spring Street. When a second Nurse was employed they divided this area at Elizabeth Street so each Nurse could attend to patients in the same area giving continuity of care. Gradually over the years, Melbourne District Nursing Service (MDNS), later known as Royal District Nursing Service (RDNS) from 1966 when they received Royal patronage, opened Centres throughout the Melbourne Metropolitan area and outer suburbs with Heidelberg Centre opening in 1971. Their Trained nurses (Sisters) left from these Centres each morning to carry out their nursing visits in a specific area (district), taking any sterilized equipment needed with them. They returned at the end of the day to write up their patients nursing histories, clean and reset any equipment used ready for sterilization, and contact other medical and community personal as necessary. Through its expansion quality of care was not lost, the RDNS nursing staff gave best practice care in many fields of nursing and to people of many cultures with their patients ranging in age from babes, children, adults to the elderly. Some of the care provided was – Post-Natal care, Diabetic Care, Wound Care, Giving of injections and medications, Catheterizations on children and adults, Stoma care, Dementia care, Palliative Care, General care, Rehabilitation, Spinal care, Cystic Fibrosis care, Haemo-Oncology care, Home Enteral Feeding care, and IV therapy at home. Assisting with rehabilitation with an aim towards independence remained at the forefront of the Sister’s minds. All care included giving advice and support to the patient and their Carers. Black and white photograph showing the front facade of the Royal District Nursing Service (RDNS), Collingwood Centre. It is a Victorian style, single story, light coloured painted concrete faced building built around the 1870s. To its left is the front wooden door with a small central glass section in the upper center, and a wire door in front of this. To its right is an Electricity Department meter attached to the wall, and under this a large "98" and to its right, and a little lower is an attached rectangular white sign, with black capital letters, saying "Royal District Nursing Service" and below this in smaller letters "Collingwood". To the right sits a long sash window with dark frame. At either end of the building white concrete face extensions, with embellishments, support a corrugated iron straight veranda roof, with wrought iron embellishment attached to its outer edge. This sits above the window and door and runs along the building protecting the small porch. Above this, along the building, is deep decoration, including a row of concrete balusters and above and central is a concave shell shaped structure. A short dark metal spiked fence runs along the edge of the narrow garden bed. In the foreground the footpath and part of a road can be seen. A small bare tree can be seen on the left hand side of the building and a small bush on the right hand side.Photographer stamp. Quote No. DO 66royal district nursing service, rdns, rdns centre

Sister Watt is an RDNS Liaison Sister and has arrived at the Community Care Centre at Southern Memorial Hospital where she works. She attends discharge meetings and visits patients who will need nursing care from RDNS when they go home. Sr. Watt is wearing the RDNS winter uniform of a blue/grey skivvie under a blue/grey V neck tunic style dress made of herringbone winter material. The RDNS logo on the car is a royal blue edged circle with the words "Royal District Nursing Service" written in white capital letters around it. The centre of the circle is divided in three with the upper and lower sections white, and the centre section royal blue with white capital letters "RDNS".Liaison had occurred between Doctors and the Trained nurses (Nurses) of the Melbourne District Nursing Society (MDNS), from its inception in 1885. This increased when Midwifery was introduced in August 1893 with close liaising with the Women’s Hospital. As District nursing grew it was recognized that closer liaising between many Public Hospitals would be beneficial, for not only the MDNS, later called Royal District Nursing Service (RDNS), Trained nurses (Sisters), but also for the patients and the hospitals. In August 1964 a Liaison Officer commenced at the Alfred Hospital. This soon increased to Liaison Officers working full time at several Public Hospitals. They facilitated the smooth transition from hospital to home for many patients who required ongoing nursing care. Liaison Sisters regularly attended discharge planning meetings, interviewed prospective patients, co-ordinated discharge and booked the first visit by the visiting RDNS Sister. At the time of a patient’s discharge, the Liaison Sister forwarded information on their diagnosis and instructions regarding the care required at home to the appropriate RDNS Centre, and in turn the attending District Sister wrote a report of progress and any queries to the Hospital Doctor, via the Liaison Sister, at the time the patient was attending outpatients. Any new instructions were then sent back to the District Sister. Liaising also occurred between District Sisters and Doctors when patients were referred by General Practitioners and did not attend a hospital.On the left of this black and white photograph is Royal District Nursing Service (RDNS) Sister (Sr.) Helen Watt, who has short dark wavy hair; is smiling and is looking towards the camera. She is standing with her left hand on the bottom edge of a large white sign with a black border and capital letters. It reads, in four lines, "Community Care Centre/, Southern Memorial Hospital/, 240 Kooyong Road/, Caulfield/." Sr. Watt is wearing a light grey skivvie and a darker grey V neck tunic style frock. Her right hand is holding the solid horseshoe style handle on top of a black leather bag with the light colored letters "RDNS" in the upper centre. The sign is held up with white round poles either side. These are placed in a garden bed with low foliage and a rock border. Directly behind Sr. Watt is a grey Torana car with the RDNS logo on the upper section of the door. In the left background, behind the car, is a wooden fence and behind that a brick building with a tiled roof and a large window. In the right background, behind the sign, Is part of a brick building with part of a doorway. It has a flat roof.Barry Sutton LO 28royal district nursing service, rdns, rdns liaison, rdns uniform, sister helen watt

Presented by DViets first Chaplain.Record of the sub branch's first Padre.Plaque, wooden. Engraved: Presented by the first DViet Padre, Noel Boyce - Nov 02; Unit crest: Royal Army Chaplains' Department, Motto: Ïn This Sign Conquer".vietnam, vietnam war, diamond valley vietnam veterans sub branch

Print black and white in wooden frame, at bottom of print the words in large font "SAVING AMIENS" / " A brilliant Bayonet Charge by the 9th Australian Brigade" Ornately carved wooden frame with Gold inlay on the inner edge closest to the glass with off white mounting board. The print appears to sit loosely in the frame. The picture is signed by F. Mantania in the bottom left corner and on the picture mounting board "by F. Mantania, R. J." centered on the top mounting board is "Copyright published 15th May 1919 by "The Sphere and Tatler", LTD, 6, Great New Street E.C.4Copyright published 15th May 1919 by "The Sphere and Tatler", LTD, 6, Great New Street E.C.4

This is the residence of Miss Isabelle Taylor.14cm x 8.5cm black and white photograph. Light colour rendered building, 9 Sydney Street Kilmore, with wooden detail around windows and doors. Neat garden in the front yard and a small chain link fence. There is a street sign on the nature strip "no standing any time". Printed on glossy photograph stock.Written on the back: 9 Sydney St Kilmore

Appears to be an original piece from Mt Buffalo Chalet. Purpose made for the Chalet as inscribe d with Mount Buffalo Chalet to Clock face most likely in Victorian Railways era, post 1924.. "Interestingly, the photograph indicates that a big round clock was mounted on the fenestration just behind and above the cabinet (fig 36). Reminiscent of railway clocks, it was perhaps introduced by the Victorian Railways after 1924. it resembles the clock that was subsequently mounted on the wall above the Chalet reception desk, and more recently stored away for safety with other movable items in the Chalet. Closer comparison however seems to indicate that the two clocks have different wooden frames and probably differ in diameter." "A number of specific items, which have been useful in the day to day operations of the chalet, remain in the building, with each complementing the other to provide context, meaning and character to their setting. items such as the hall porter bell, the many signs providing information to guests, the wall clock, barometer and dinner bell point to the Chalet being a well-run social institution with a pleasant environment for rest, recreation and congenial company." (Pg 81, Historica, MBCC)Large circular clock with "Mount Buffalo Chalet" printed in black on face. Clock has Roman numerals in black with two black hands against a white face. Wooden , circular frame. "Mount Buffalo Chalet"

An artwork hanging in the main function room at Legacy House depicting aspects of the Gallipoli campaign. The prominent position shows the reverence Legatees feel for military history.Artwork on paper in wooden frame depicting aspects of Gallipoli around the letters spelling Gallipoli.Signed in bottom right corner with indistinct name and '03/07'.gallipoli, soldiers

General Blamey went on to be the head of Australian forces in WW2Framed certificate - Australian Military Forces Warrant. Certificate is printed in cursive script and has the recipients details typed in. This award was presented to 183765 Sgt. Thomas Roy HOGG of the 58th Bn on 31 Jan 1936 and is Signed by Gen Blamey. The certificate is in a white wooden frame. Signed by Blameyblamey, 58th battalion, wark vc club, warrent

The domestic sewing box would have been used in the home.A brown varnished rectangular wooden lidded Sewing Box with a lift out top section which has 16 varying sized compartments for storing sewing accessories. There is a has a hollow area underneath the tray. The lid is attached with brass hinges and it has a brass lock and small key. There are several sewing items included - cotton reels and thread, assorted darning thread for hosiery, wool and nylon threads, a box of black pins, assorted sewing needles, thimbles, small decorative sewing scissors, black rolled tape, mixed buttons, hooks and eyes, nickel plated fittings for hats, vintage stocking hooks, a stick of white chalk, two (one green and one ivory) antique cotton thread winders and a medium sized vintage safety pin.a Variety of brands of items include - 'Rite Tone', 'Della Darn' 'C No Darn', 'Clark's Filosheen' hosiery thread, 'Barbour's Linen Wax Thread', 'The Flora MacDonald Best Steel Bodkins' 'National Hat Guard' nickel plated steel and brass fittings, 'Chadwick's Wool and Nylon' reinforcing mending thread, 'The Myrene Snap Studio' size 1 rustless press studs, 'The Pagoda Brand' rolled tape 5 yds, 'Cross Fox Brand' Best quality Steel Stems (long plastic headed pins), 'Toledo' brass thimble and a black box of 'F. Tayler & Co's Solid Headed Mixed Pins'. The brass lock has 'SECURE PATENT' stamped in to it on the inside of the edge of the front of the box. there is also a small VR with a tiny rounded pattern opposite the Patent sign. sewing equipment, sewing box, sewing, embroidery scissors, functional object

Unique certificate signed by General Sir Dallas BrooksCertificate in Wooden frameSee photo for full Details

Apple packers were employed on piece work to pack fruit from the sizing graders into wooden boxes, following prescriptive packing charts that ensured a box of even sized fruit. Depicts women’s occupations in horticultural district. Photo depicting 12 women standing outside the Harcourt Fruit Growers Association packing shed on the loading dock. The registered office sign is on the wall behind Mrs I. Gibbons. There is other sign writing on the wall weather boards of the building. The weather boards to the left of the window appear to be second hand as the writing is partly covered up. It also appears to be warmer weather as all the women are in light clothing.

Used by Ron Robins for delivery of eggs (30 dozen per box) to the agents for the Victorian Egg Marketing Board, in this case Soding Bros , succeeded by Sympag and Crystal Ice Works, initially to premises at 64 Mostyn St, Castlemaine (now Saffs Cafe) later to premises at south-west corner of Calder Hwy and Lockwood Road, Kangaroo Flat (now Aldi supermarket).Made obsolete by use of trolleys holding 360 dozen eggs, handled into refrigerated transport by a hydraulic tailgate loader. Original label specifies that the eggs are ; infertile; unwashed; not damp cleaned; of specified yolk colour; held at 55 to 60 degrees Fahrenheit and delivered within 96 hours of lay.Significance During the 1950s and 1960s many folk in Harcourt conducted poultry farms of varying sizes, utilising boxes of this type. Harcourt thus became a major producer in the Victorian egg industry. Smaller-scale operations were wiped out when the producers were expected to hold eggs in a coolroom.Illustrates one aspect of the multi-faceted streams of income open to local landowners who conducted an orchard, bred pigs, raised fowls for egg production and kept a few cows for cream production. Wooden box with detachable wooden lid, two internal compartments and a galvanised holder for a card on which the producer has signed a declaration as the condition and handling of the contents.Property of Soding Bros, Melbourne

Arthur Edward Stevenson enlisted on 17 September 1914 and served with the 14th Battalion of the AIF. He was killed in action at Gallipoli on 20 August 1915 at age 28. His personal effects of a belt, hairbrush, knife, postcards and photos were returned to his brother John in June 1916. Later that year, John Stevenson wrote to the Officer in Charge of base records, asking for confirmation of his brother’s death, as he had received a letter from Arthur dated 27 August 1915, seven days later than the date on which he was reportedly killed. The Army confirmed that Arthur had in fact died, and concluded that he had likely misdated his letter. In 1920, Arthur’s sister Rachel wrote to the Department of Defence, asking whether her brother’s grave had been located and again querying the date of his death. Later, she completed a form that was sent to next of kin seeking information on deceased soldiers for the Australian War Memorial’s Roll of Honour. Arthur Stevenson’s death is recorded at the Lone Pine Memorial on the Gallipoli Peninsula. Honour Certificates WW1 - From 1915 onwards, recruits in many shires and towns in eastern Australia were honoured by local government authorities. A common form of recognition was the award of honour certificates. The first honour certificates were presented in 1915 and 1916 to men who had yet to leave Australia. The designers and publishing companies solicited business directly from councils. Publishers began to print two different types of certificates: honour certificates to thank soldiers who had survived and memorial certificates to commemorate the dead. D.W. Paterson, a Melbourne publishing firm, claimed they had supplied certificates to over 150 cities and shires in Victoria and New South Wales, including the Shire of Wodonga. Paterson also had the widest range of designs The certificate signified that the officials of the community recognised and shared the family's pride and grief. The certificate was signed by S. T Parker, Shire President and R. H. Murphy, Council Secretary on 4th August 1919.This certificate is significant as it recognises service given to Australia by Arthur Edward Stevenson. Coloured certificate presented to the family of Arthur Ernest Stevenson by Wodonga Shire Council. The certificate is mounted behind glass in a wooden frame.gallipoli, world war 1, arthur edward stevenson

The framed certificate proclaiming the Shire of Wodonga as a City in 1973 documents the development of Wodonga as an important rural city in the north east of Victoria. The decentralisation of industry and the establishment of international companies in Wodonga in the second half of the 20th century contributed to the growth of Wodonga as a major regional centre.The certificate proclaiming the Shire of Wodonga as a City in 1973 has local significance as it documents the history and development of Wodonga. It also has state significance as part of the history of the regional development of Victoria from the mid-20th century onwards.Thin wooden frame with gold trim around a certificate with the text in black proclaiming the Shire of Wodonga as a City dated to 1973. Embossed gold seal of the State of Victoria on the left side of the text in the lower part of the certificate. Signed by the Governor of Victoria, Sir Rohan Delacombe and the Victorian Minister for Local Government.wodonga shire, wodonga, rural cities in victoria, victorian state government certificates

The permanent fruit fly road blocks in Victoria began in 1958. The first was set up on the Lincoln Causeway between Albury and Wodonga. The aim was to protect the Victorian fruit export industry, the largest in the country. Cars would be stopped and inspected when entering Victoria. At peaks periods, such as Easter and school holidays, there were up to 10 inspectors at the 24 hour checkpoint near the former butter factory on the Lincoln Causeway. Local residents could apply for a pass which would be displayed on their window, but were still subject to random checks. Hundreds of tonnes of fruit each week was confiscated and pulverised by Department of Agriculture staff. The road block was closed in 1980, partly due to the increased traffic flows and the cost of maintaining inspection points.This image reflects government measures taken to protect the fruit industry in Victoria.A large image of the LIncoln Causeway at the Victorian/NSW border at Wodonga. The southbound lanes on the right hand side feature overhead signals and traffic light signs to control traffic leading into the Fruit fly inspection checkpoint ahead. The photo is in a wooden frame.On right hand side: Border sign: Wodonga/Victoria and the Victorian State Coat of Arms.fruit fly control, victoria border, lincoln causeway wodonga

William George Page was Shire and City Engineer in Wodonga from 1965 until 1989. When he arrived the Shire of Wodonga had a population of 17,000 people. In 1966 Wodonga was selected as a city for special growth assistance. In 1972 Bill Page presented a new Town Plan to the Wodonga Council. Over the ensuing years he dedicated himself to bring this plan to fruition. He often had to argue and campaign with the Albury-Wodonga Corporation to push for the interests of development in Wodonga. This included winning a planning appeal to allow the saleyards to be relocated to Bandiana on the outskirts of Wodonga. Bill Page retired on health grounds in July 1989. The Council honoured him with a farewell dinner and renamed the saleyards at Bandiana the W.G. Page Saleyards in his honour.The Mayor , Cr Valentina Gillard, said "Every development in Wodonga in the past 24 years has a bit of Bill Page in it". William Page died 3 months later at 58 years old.This image depicts an important centre in the development and support of the livestock industry around Wodonga.An aerial photograph of the W. G. Page Saleyards in Wodonga. It has been mounted in a wooden frame.On a sign attached to the photo frame: "This photo of the W.G. Page Saleyards has been donated to the people of Wodonga from Mrs Pat Page and Family. The saleyards were named after the late Bill Page, City Engineer of Wodonga Council for 25 years until his death".w. g. page saleyards, wodonga saleyards, william george page

The Royal Warrant assigning the Armorial Bearings to Victoria was signed on the 6th June, 1910 by King George V. The motto Peace and Prosperity was the first to be in English among the Arms of any Public Authority in Australia. In 1958 the Pink Heath was proclaimed as the floral emblem of Victoria. This led to a request to have it included somewhere in the Armorial Ensigns of the State. The solution was to have the plant shown growing from a grassy mound. On the 28 March 1973 Queen Elizabeth II signed a further Royal Warrant which added the mound. This shield is the official emblem of the State of Victoria. It can only be displayed in limited place such as Law Courts and Victorian Government offices with permission of the Victorian Government.2 Victorian Coat of Arms from the Victorian State Government offices in Wodonga. The kangaroo at the top holds a crown. The shield also features the Southern Cross. Two female figures represent Peace and Prosperity. The figure on the left wears a laurel wreath crown and carries a sprig of olive in her hand, representing Peace. The other figure wears a crown of golden cereal and holds the horn of cornucopia, representing abundance or Prosperity. The first one is mounted on a wooden, varnished board.At the bottom of each shield "'PEACE AND PROSPERITY"shield, heraldry, victorian state government

Percy Fairlam was an early 20th Century photographer living and working in Cheltenham. Fairlam captured important social and landscape scenes in and around the Cheltenham area including cliff faces, sea baths, and rock pools. With the outbreak of World War I (WWI), Fairlam began training in Seymour and documented preparations for war, comradeship and the voyage to France and war. Shrapnel to the shoulder, on 4 January 1917, saw Fairlam evacuated to England and resulted in him being separated from his personal possessions. As such, all these images have been lost. After the war, Fairlam moved into the family business and no longer pursued professional photography. However, he continued to take an interest in the art form capturing intimate family moments as well as continuing to capture social and landscape scenes.Black and white photograph of a Richard William Percy Fairlam (Percy Fairlam) standing in the doorway of a small wooden building. Above the doorway is a painted sign advertising it as the photography business of R.P. Fairlam. In the large window at the front of the shop a number of photographs can be seen.Handwritten in red ink on reverse: 115% Black printed text on a white round sticker on reverse: 71

A framed certificate that acknowledges that Melbourne Legacy was a member of The Australian National Flag Association (ANFA) in 1984. The ANFA is an association that promotes and defends the use of the flag of Australia.A record that the ANFA recognised Legacy's work as a positive contribution to preserving the Australian Flag.Glass, black wooden frame, mottled off white paper, picture wire, white tape and compressed timber backing. Top centre:- The Australian Flag. Centre:- The Australian National Flag Association, Victorian Division This is to certify that The Legacy Club of Melbourne is a Corporate member of The Australian National Flag Association, Victorian Division Bottom:- Date 6th June 1984. signed Bruce Ruxton Chairman. A. Harnel.Hon Secretary australian flag, membership

A certificate showing that the Legacy Club of Melbourne was a corporate member of the Australian National Flag Association (ANFA) in 1984. ANFA was founded in 1983 to promote the importance and significance of our national symbol – the Australian National Flag. The certificate was signed by Bruce Ruxton who was chairman of ANFA at the time. He spoke at Legacy luncheons a few times.Legacy was founded by returned servicemen and the Australian flag would have been important to them as a symbol of their service.Certificate of membership on white card in a black wooden frame under glass.

This is the before paired photograph used in the 150 year, Lakes Entrance 1858-2008 display.|The after paired photograph number is 01402.1|Also one 12 x 16 framed photograph used in room display.Black and white photograph of Barkes Store. Store was built in 1893, opposite the Post Office on Esplanade. Photo shows a large weatherboard building, hipped iron roof, imitation gables and timber frieze decorate the veranda roof. Building has many signs advertising various goods, products and services. A four-horse drawn wagon and crowd of people at front of the store, on ground-level wooden veranda floor. Lakes Entrance VictoriaLakes Entrance Cunninghame Gippsland, Victoriatransport, township, retail trade, room display

The wooden mould was originally made in the early 1980s by one of the crew in his spare time in East Gippsland (Bairnsdale maybe). It was passed it on to Ian Long and then Barrie Marsden at Altona. It was not made for any particular purpose other than just a copy of the iconic FCV logo. It sat in the office at Altona for a little while until one day Barry thought it could be used to cast a solid replica. The wooden mould was taken to a foundry in North Melbourne and three bronze replicas were cast and polished. One was used when the Chief Fire Officer, Bary Johnson, was retiring More were cast in brass and the plaques became a standard presentation item for retiring FCV personnel. The wooden mould eventually cracked and can no longer be used. Hand madeWooden mould and presentation plaqueforests commission victoria (fcv), forest signs

Forestry House was the fist time that Forests Commission Head office staff had been housed in a purpose built building in Melbourne 601 Bourke street is on the corner of Bourke and King streets The building opened in the late 1970s but staff relocated in the late 1980s after the formation of the Department of Conservation Forests and Lands (CFL)Large wooden sigh from outside Forestry House at 601 Bourke Streetforests commission victoria (fcv), forest signs

Print Council of Australia Members' Print Commission, 1983Abstracted views of a desert scene. A central road intersects image at a vertical diagonal. Faint outlines of houses and a WaterTower are scattered throughout the image. To the lefthand side a building can be seen with a veranda and several seating areas. To the righthand side there is another building and the numerals '1983' can be seen to the side of it. A railway crossing sign is positioned lower centre, at beginning of road. Kangaroos and trees can also be seen in the image. Dominant colour is a pinky red, with blue accents and grey shadows. Mounted in grey matt, in wooden frame. Front: Nullarbor (lower left of image) (ink) 35/100 (lower left) Nullarbor 1-1-83 (lower centre) Mary Macqueen 83 (lower right) (pencil) Back: (no inscriptions)nullabor, desert scene, female artists, female artist, abstract

Interesting record of commercial gold mining activity in Buninyong in the 1930s depression era.Three gold mining share certificates, set in a wooden edged frame. Two are for Bishop's Gold (Buninyong) and one for Buninyong Rand Mines. Dated from 1936-1938. Each of the certificates were issued to different investors and signed by A. E. Llewellyn as Manager. Signed by W. Llewellyngold mining, buninyong, share certificates, gold, great depression

In April 2002, illustrative panels were set in place at Kangaroo Ground War Memorial Park designed to inform visitors about significant aspects of the reserve and its tower. One of these deals with its indigenous story, another portrays its original 1920 memorial, a third has upon it Will Longstaff’s famous war painting, “Midnight at Menin Gate.” This sign establishes a connection with the First World War by way of the painting "Menin Gate at Midnight". (NL 144) The artist William Longstaff lived in Eltham; his son attended school at Kangaroo Ground. The orignal of his painting is on permanent display in the Australian War Memorial. Since this photograph was taken (date unknown) the information panel has been restored and re-erected by staff of the Shire of Nillumbik who replicated the wooden side frame pieces with the same wood-turn design as seen here in the original. Colour photographMENIN GATE AT MIDNIGHT Will Longstaff, 1927 Oil on canvas, Size 135cm high x 254cm wide Collection: Australian War Memorial The artist Will Longstaff was born in in Ballarat in 1879 and died at Littlehampton, Sussex, UK, 1953. Will Longstaff for many years lived in Eltham, his son Tommy, attending school at Kangaroo Ground. As an Official War Artist, will Longstaff depicted in his alegorical painting the Menin Gate Memorial, Ypres, Belgium. The Memorial unveiled on 24th July 1927 honours by name over 50, 000 allied soldiers who fell in the Great War and have no known graves. The names of 6,208 men of the first Australian Imperial Force (A.I.F.) are listed within the Memorial on stone tablets. The painting held huge emotional appeal to Australians when it arrived from England in 1928, attracting an estimated one million viewers, many of whom interpreted the field of red poppies in the foreground as the spirits of the dead rising from their unknown graves. The painting is to be found in the Australian War Memorial, Canberra.menin gate at midnight, william longstaff, kangaroo ground memorial, information panel, shire of eltham war memorial

Commanders Commendation presented to Brig Lowen (LT Lowen at the time), signed by General WavellCommanders Commendation issued to LT Ian Lowen by General Wavell, it contains the wet signature of General WavellCommanders Commendation in wooden class frame contains the Commanders CommendationCommanders Commendation present to Brid Lowen (LT Lowen at the time)5/6 rvr, bhq, brig lowen, 2/5th bn, lt lowen