Showing 4754 items
matching 1922-2012
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Kew Historical Society Inc
Badge - Fundraising Button, Australian Natives Association, Wattle Day, 1914-1918
Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.‘Wattle Day’ was celebrated nationally for the first time in 1910, even though the term and day had been celebrated in particular states and territories since the 1870s. This patriotic fundraising button depicts a map of Australia on a pale green background. The map includes a symbolic image of wattle sprigs.Wattle Daywattle day, first world war (1914-18), badges -
Kew Historical Society Inc
Badge - Fundraising Button, Australian Natives Association, Wattle Day, 1914
Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A circular pressed metal fundraising button that was produced at the beginning of World War 1. ‘Wattle Day’ was celebrated before, during and after the War. For each Wattle Day different designs were chosen. This design features sprigs of wattle on a brown background."Wattle Day"wattle day, patriotic buttons, first world war (1914-18), badges -
Kew Historical Society Inc
Badge - Fundraising Button, Australian Natives Association, Wattle Day for Children, 1914-1919
Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A ‘Wattle Day for Children’ badge, which appropriates national symbols of fauna and flora: a kookaburra and wattle. The circular pressed metal fundraising badge was produced to support the war effort."Wattle Day for Children"wattle day for children, wattle day, francis rigg, badge -
Kew Historical Society Inc
Badge - Fundraising Button, Australian Natives Association, Wattle Day For Children’s Charities, 1914-1920
Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A ‘Wattle Day’ button featuring the head of a young girl surrounded by sprays of wattle. In the design for this fundraising button the purpose of the fundraising – ‘for Children’s Charities’ is emphasised.Wattle Day / For Children’s Charitieswattle day, patriotic buttons, badges -
Kew Historical Society Inc
Badge - Fundraising Button, Australian Natives Association, Wattle Day For Children’s Charities, 1914-1920
Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A ‘Wattle Day’ badge featuring the head of a young girl surrounded by sprays of wattle. In the design for this fundraising button the purpose of the fundraising – ‘for Children’s Charities’ is emphasised."Wattle Day: For Children’s Charities"wattle day, patriotic buttons, first world war (1914-18), badges -
Kew Historical Society Inc
Badge - Fundraising Button, Women’s Day: Women’s Hospital 27th June 1919 [&] Queen Victoria Hospital, 1919
Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A pressed metal fundraising button released in 1919 to support the Royal Women’s and Queen Victoria Hospitals. In June 1919, The Argus reported that a ‘A well attended public meeting was held at the Town Hall yesterday afternoon to complete arrangements for the Button Day on June 27 in aid of the Women’s and the Queen Victoria Hospital. The Button Fund committee desires it to be known that several busy city sections are still vacant and that further offers of help in the sale of buttons will be welcomed’. It would appear that different buttons were released on the same day to support different hospitals in various urban and rural locations in Victoria."Women’s Day / Women’s Hospital 27th June 1919 [&] Queen Victoria Hospital"patriotic buttons, first world war (1914-18), royal womens hospital, queen victoria hospital, button fund -
Kew Historical Society Inc
Badge - Fundraising Button, Women’s Hospital Appeal 1923, 1923
Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A postwar fundraising button featuring a simple design using white text in a red boarder with and central blue cross. In February when the buttons were sold, The Argus reported that: ‘Each suburban municipality has formed a committee under its mayoress, to assist in the button distribution, and local committees in the country are also working for the success of the appeal. Kiosks are prohibited in the city streets, but many suburban councils have granted permission for their erection. In addition to buttons, many kinds of saleable articles will be obtainable at the kiosks.’"Women’s Hospital Appeal 1923"royal womens hospital, fundraising buttons, badges -
Surrey Hills Historical Society Collection
Photograph, Marj Haeffner and her brother Peter, 1940s, 1940s
Peter Haeffner’s birth details have not been found but he was the son of Henry Norman Neil and Mabel Haeffner, who in 1922 lived at 'Spring Creek' near Tallangatta, close to Henry’s parents Henry Thomas Haeffner (1858-1935) and Eliza Jane (ms Chesney - 1868-1940), farmers near Tallangatta. Henry and Mabel moved to 22 Wharton Street, Surrey Hills before moving back to the Tallangatta area to help out on his parents' farm during the Depression. They moved back to Surrey Hills c1932 to 33 Clyde Street. Peter had a sister Marjorie and brothers Jack and Donald. His service record has not been found, possibly due to a mis-spelling of the surname Haeffner. Marj, Jack and Donald were pupils at Chatham Primary School. A black and white photograph of a young man in uniform standing next to a lady standing on a kerb or garden edging.(mr) peter haeffner, uniforms, armed forces, world war, 1939-1945, clyde street, surrey hills, (miss) marjorie haeffner, (mrs) marjorie higgins -
Mentone Grammar School
J Allan Anderson - one of the founders of Mentone Grammar School
J Allan Anderson graduated from the University of Melbourne in 1902. The following year he joined a law practice in the Victorian country centre of Stawell, where he met and married Ethel M. Allingham. Moving to East Kew, Melbourne, in 1917, where his son attended Trinity Grammar School. By March 1921 the family had exchanged their annual summer holidays at Mentone for permanent residence when they moved into Captain Dawson's former home, 'Riviera' off Mentone Parade. Disappointed with standards at this son's new local school and now living in a fast-growing town and district, in 1922, on a train journey to his office in the City, 46-year-old solicitor J.A. Anderson came up with the idea to form a new grammar school for boys in Mentone. -
Wodonga & District Historical Society Inc
Photograph - Border United Co-op Breweries, c1911 - 1915
The Border United Co-operative Breweries Limited was formed in 1911 by the amalgamation of The Albury Brewing and Malting Company Limited and The Anglo-Australian Brewery Company Proprietary Limited which operated breweries in Beechworth, Tallangatta and Yarrawonga. The Anglo-Australian Brewery was owned by the Billson family. By August the new plant was operating near the Union Bridge on the border of Victoria and NSW as shown in this photo. However the enterprise failed in August 1914 when not enough co-operative shares could be sold and also due to declining water quality. In December 1914 its spirit merchant’s license was transferred to the newly established Murray River Proprietary Company. In 1922, the brewery and 32 acres of land was sold to Mr E E Waite. Waite sold the buildings for removal.This image represents buildings related to early industries in the Albury-Wodonga region.Black and white image of brewery buildings. The image has been mounted on board.On building wall: "The BORDER INITED CO-OP BREWERIES LTD/LICENSED BREWERS"breweries northeast victoria, murray breweries, manufacturing history albury wodonga -
Melbourne Legacy
Photograph, Royal Visit 1945, 1945
A photo of the visit by the Duke and Duchess of Gloucester to Legacy clubrooms on 27 November 1945. The photo appears in the Argus newspaper and the caption read: 'During her busy tour of service clubs yesterday the Duchess, while at the Legacy Club, accepted a cup of tea from Mrs E Sherwen, wife of the senior vice-president of Legacy.' The article continued that the Duke and Duchess of Gloucester were welcomed by the President W A Perrin and his wife and Legatee Kemsley. Mr Perrin explained that Legacy has accepted the responsibility of caring for children of deceased service men, and that since 1922 27,000 children have been given a chance at least equal to the one they might have had their fathers lived. The Duke of Gloucester was Governor General of Australia from 1945 to 1947.An important photographic record of the work of Legacy in the 1940s being acknowledged with a royal visit.Black and white of the visit of the Duke of Gloucester shaking hands with a legatee with President Perrin standing beside him and the Duchess, part of a photo album with blue leather look back and front cover. From one of 20 pages with black and white photos.royal visit, duke, gloucester, bill perrin -
Glen Eira Historical Society
Article - Glen Eira
Six items about the Glen Eira Mansion. Letter dated 2/06/2012 from the St Kilda Historical Society to Glen Eira Historical Society asking for further information as well as providing some items on Glen Eira’s history Attachment to above letter of information about Glen Eira printed from Melbourne Mansions Database on 30/05/2012 about Glen Eira House referencing the Argus newspaper for 10/03/1865 and 25/07/1881, ‘Sand, Swamp and Heath’, ‘Caulfield’s Building Heritage and Pioneer Families’. Entry is dated 27/06/1997. Second attachment to above letter of a memo detailing information about Glen Eira mansion form History and Heritage Officer at City of Glen Eira together with an image extract of birth notices from the Argus 22/5/1863 re the birth of a daughter to W.Lamborn Esq on 20/05/1863 at Glenalry house Caulfield Third attachment to above letter of questions and parish plan image re properties including area occupied by Glen Eira from Heritage Officer St Kilda Historical Society Southern Scenarion quarterly newsletter of the Royal Southern Memorial Hospital Issue No. 7 Winter 1988. It contains a black and white photograph of Glen Eira with a brief history of the residence and owner on P 2 plus an article on P 3 about the bequest from the late Rudolph Ashley Ricketson for the Ashley Ricketson Centre in the hospital. Demolition of the mansion occurred in 1965. Newspaper article (source & date unknown) about the bequest from Ashley Ricketson of $10.5 million to the Southern Memorial Hospital in Caulfield. It is on the site of Glen Eira, demolished 4 years prior. A sketch and photo of the hospital.glen eira, glen eira house, ricketson henry, lamborn william, kooyong road, caulfield, alison road, seymour road, beemery park, elsternwick, watts thomas, mansions, sargood frederick, rippon lea, australian general military hospital no. 11, southern memorial hospital, architects, staniforth georgina, were edith alice mary, were jonathon binns, fulton thomas, caulfield district crown land, glen huntly road, glen eira road, hawthorn road, military hospitals, ricketson rudolph ashley, towers, jacka albert captain vc, the white house, soldiers, hospitals, caulfield geriatric hospital, glenalry, caulfield roads board, foot henry boorn, surveyors, southern scenario, ashley ricketson centre, royal southern memorial hospital, best joan mrs, caulfield grammar school, the white house, barrata, house names -
Southern Sherbrooke Historical Society Inc.
Information folder - Southern Sherbrooke Historical Society
Information folder containing items pertaining to Southern Sherbrooke Historical Society. Contents: -typescript, "A short history of the Original St Martins church & church hall buildings & their development to become the home of the Southern Sherbrooke Historical Society", A4 sheet printed on both sides -article, "School glory days", The Mail, 27th March 2012, 3 copies -3 colour photos showing the creation of the replacement stained glass window for the Original St Martins Church and a visit to the glassmaker by members of the society -typescript, "Sites of historical significance", 2 A4 sheets, stapled, containing short descriptions and Melways locations of 32 places to be placed on Shire of Yarra Ranges Heritage listing -minutes of meeting held 30 August 2010 -newsletter No. 7, May 2010, 2 A4 sheets stapled together with minutes of AGM held 28 May 2009original st martins church, publication glory days, stained glass window for original st martins church, helen gibson, elaine cordell, sites of historical interest in south riding of sherbrooke -
Melbourne Tram Museum
Photograph - Digital Image, Melbourne International Arts Festival, "Art Trams 2019", 2018
.1 - Digital pdf file from the Yarra Trams Web file for the 2018 - 2019 Art Trams, Transporting Art - list the tram and artists and gives a background for each artist. Also has links to find the tram on TramTracker. Was part of the Melbourne International Arts Festival. .2 - digital pdf file - providing details of each tram, the artist, tram number and details along with images. Tram and Artist 2009 - Hayley Millar Baker 273 - David Larwill 2054 - Stephan Baker 2012 - Valerie Tang 3003 - Oli Ruskidd 5106 - Troy Innocent 5002 - Nick Howson 3532 - Oslo Davis .3 - Award Announcement 13/12/2018 accessed 9/5/2019 from http://artsreview.com.au/melbourne-art-trams-peoples-choice-award-announced/ Winner Valerie Tang See Reg item 5542 for newspaper cuttings.trams, tramways, transporting art, art trams, decorated trams, tram 2009, tram 273, tram 2054, tram 2012, tram 3003, tram 5106, tram 5002, tram 3532 -
Melbourne Tram Museum
Postcard, Railcard, B2 class tram 2014, late 1990's?
Colour postcard of B2 class tram 2014 turning from Gertrude St into Nicholson St with the cable winding house behind. Tram has all over advertising for Christian Dior Dolce Vita perfume (yellow & black). Reference VicSig http://www.vicsig.net/index.php?page=trams&article=adtrams, web site page, accessed 4/12/2012. Gives date of introduction as 15/9/1996 and next version as at 29/1/1997. Postcard produced by Association of Railway Enthusiasts, Photo Ray Marsh. ARE No. 9/06. Has Railcard copyright and phone number of rear, ARE shop details and hours, space for small message, address and stamp. For rear photo see image htd114i5, which has been used by Kevin Tierney for correspondence to the Museum Oct. 2011. Two copies held.trams, tramways, melbourne, decorated trams, nicholson st, gertrude st, cable trams, tram b2 2014 -
Melton City Libraries
Newspaper, Mowbray Funding, Unknown
" Designed by architect Norman Day, the school was built in an innovative postmodern style. Day’s vision was for the school’s students to feel as comfortable and familiar at school as in their own homes. He based the design on the local suburban typology. The buildings consisted of individual self-contained classrooms, each with a front door, back door and garden. Each class retained the same homeroom for the duration of their schooling. Norman Day won the inaugural Lustig & Moar Architectural Prize in 1988 for his Mowbray College design, and the Australian Library Promotion Council/RAIA Library Design Award for the school’s library building. The school officially opened on 7 February 1983 with an enrolment of 93 students from Prep to Year 7. Mark Fergus was a Prep student in the school’s inaugural year. He later remembered: It was good then because everyone knew each other. Our first few weeks at school we had classes in the Guide Hall because the Mill wasn’t finished. The rest of the school where the Labs and Coppin Court are now was only a big paddock. Another Prep student, Brooke Harrison, recalled: The only recreation we had was the rough playground which consisted of monkey bars, old tractor tyres and a sandpit and high bars. Accidents were a frequent occurrence in those days! It was a friendly atmosphere, you know everyone and their business ... During some classes we used to do horticultural work and planted trees out the front of the school. In 2003, Mowbray College celebrated two decades of educating students in Melton. By that stage, the school had expanded to two campuses with over 1,450 students and 120 staff. It was estimated that over the twenty years since its establishment, 13,000 students passed through the gates. By the mid-2000s, the school offered an International Baccalaureate program and operated across three campuses: the original campus, named Patterson after the first principal, and the Brookside and Town Centre campuses, both located in Caroline Springs. Unfortunately, in 2012 Mowbray College found itself in an unmanageable situation. The community had lost faith in the school’s financial security and as a result some parents withheld their school fees, fearing the school would collapse. It had been in financial difficulty since the mid-2000s and by 2012 was $28 million in debt. 84 In June 2012, all three campuses closed and within four months, each of the campuses of the former Mowbray College had been purchased by other education institutes. Heathdale Christian College bought the original Mowbray campus and established its own campus there and Grace Children’s Services bought the Brookside campus. The Town Centre campus was purchased by Intaj Khan from the Western Institute of Technology but remained vacant after some failed attempts at re-establishing a school. In 2017 the Australian International Academy established an Islamic school on the site".The Express article about a grant for Mowbray Collegeeducation -
Surrey Hills Historical Society Collection
Photograph, Yielima, 31 Erasmus Street, Surrey Hills
Known as ‘Yielima’ 1888-1922 and ‘St. Aubins’ 1922-1956, this ‘modernized’ mansion was built about 1887 for Edward Kellett. He was born in Chorley, Lancashire, England. Edward Kellett married Selina Wells in 1852 at St Peters, Eastern Hill. She was born in c1827 in Aston Clinton, Buckinghamshire, daughter of William Wells and Elizabeth Allan. The family arrived from Aylesbury, Buckinghamshire on the 'Osprey' on 22 March 1849. The couple had 8 children - 5 girls and 3 boys; 3 died in infancy. All were born in Collingwood before the family came to Surrey Hills. Edward's funeral notice in The Argus of 11 July 1893 states that he was a corn merchant of Exhibition Street. His property was sworn at 1512 pounds, 1232 in realty and 280 pounds personally. He was buried in Melbourne General Cemetery (CofE Compartment K, No 306). Selina is listed in Erasmus Street in the 1903, 1905 and 1908 electoral rolls as a boarding house keeper. She died at Surrey Hills on 22/10/1911. In her will she left realty valued at 900 pounds and personally at 220 pounds. She was buried with her husband. 'Yielima' was sold on 19 Febraury 1919 with a sale of contents on 18 March 1919. From 1922-1947 Thomas Daniel O’Callaghan (c1871-1962), a police magistrate, made his home here. He is remembered as being of ‘soldierly demeanour, with a flowing mane of hair’. He always carried a walking stick and wore a flower in his buttonhole. His wife was Florence (nee Harling, c1873-1933) pre-deceased him. They had previously lived in Essendon, Moonee Ponds and Stawell before coming to Erasmus Street. After moving out of Erasmus Street he is listed in the 1949 and 1954 electoral rolls at 90 Durham Road, Surrey Hills. In 1952 the property was purchased by Father Timothy Fitzpatrick, Parish Priest of Our Holy Redeemer Parish, Surrey Hills. It consisted of a large two storey house, a coach house and stable, and an acre and a half of land. In 1954 the coach house and stable were converted into the Church of Our Lady of Perpetual Succour and the following year Father John Kelly was appointed parish priest. and resided in the house. At this time the house was not in good repair. "The gentleman who had lived there alone since his wife died many years before, lived in the servants quarters and the rest of the house had been badly neglected. (REF: https://ourholyredeemer.cam.org.au/history) At the beginning of 1957 the Missionary Sisters of the Sacred Heart opened a school next door. As they travelled from Balwyn on a daily basis, the property at 301 Elgar Road was purchased as a presbytery and 'Yielima' became a convent. The stables continued to be used as a church until 1964 when a new church was completed and opened by His Grace Archbishop Simmonds on the 20th of March. There were never large numbers of double-storey Victorian mansions in Surrey Hills. 'Yielma' is significant as one of the few remaining ones. It is also significant for its association with the Catholic Church.A black and white photograph of an Italianate style home with a weatherboard building with a cross on it in front of the main building and to the left of the photograph. There are some well established trees in the garden, a car parked in the parking area and a picket fence along the front.yielima, st aubins, house names, erasmus street, surrey hills, 1887, (mr) edward kellett, (mr) thomas daniel o'callaghan, corn merchant, police, italianate style, wattle park roman catholic church, (mrs) florence o'callaghan, mrs selina kellett, miss selina wells, convent, presbytery, our lady of perpetual succour -
Bendigo Military Museum
Manual - The Plane Table - Its Use in Surveying, McGraw Publishing Company, New York, USA, 1908
The plane table instrument was a simple but very effective early method of producing maps. Some very early editions were produced by the Australian Survey Corps after its formation in 1915 using this method. This manual details how to use the "Plane Table" for Surveying purposes.Hard Cloth covered Covers front and back, paper pages. title page has rubber stamp impressions (see below). Contents page, symbols page, pages 1-47 and index page.Adhesive label on front "46.10 and 12411", "1504" in purple also on front cover, Numbers inside front cover - "Acc. No. 000076" and crossed out. "scm - B0 - 86-72" written underneath. stamps- Australian Intelligence Corps, Headquarters library No 150 (difficult to read) on first page and stamped "CANCELLED" , Stamp School of Military Survey Library Call No 526 - 9825 LOV. Another stamp on title page - Department of Defence Library 46.10 and 12411. Second stamp 2/D. M.O.S. 2012 with CANCELLED. royal australian survey corps, rasvy, army survey regiment, army svy regt, asr, fortuna -
Bendigo Military Museum
Book, The War Diaries of Weary Dunlop, 1986
Please note: A newspaper article & handwritten note included with book.Hard cardboard cover, red colour buckram with gold print on spine. Dust cover is red background with white print on front, spine & back. Colour portrait photo of Weary Dunlop on front, colour copy of a Jack Chalker water colour illustration of Weary Dunlop operating in a jungle hospital on back. 401 pages cut plain white paper, illustrated with black & white photos of illustrations, diagrams & photos. Auto biography diary. Fawn paper fly leaf front & first title page contain handwritten dedications.Handwritten in black in on front fly leaf: Donated in memory of Joyce & Edward Baker WWW2 Jan Pavich Sebastian 7/11/2012. Weary Dunlop saved my life when my mother was 6 months pregnant with me as no other Doctor would operate on her goiter. Weary saved my life because of this. Long live his memory Jan Pavich. Handwritten in blue ink on first title page: Joyce Baker with all possible good wishes Weary E E Dunlopbooks-diaries, military history-army -
Grey Street Primary School, Traralgon
Plaque, John Coverdale (1944-1995) Memorial Award
1995 Courtney Ford, 1996 Shae Haefele, 1997 Neil McComiskie, 1998 Rebecca Austin, 1999 Dean Rode, 2000 Jarryd Hay, 2001 Quinn McGennisken, 2002 Kirsten Lieshout, 2003 James Lu, 2004 Sarah Grzregorczyn, 2005 Colin Lu, 2006 Declan English, 2007 Abbey Steer, 2008 Nahreen Mostofa, 2009 Karlee Dal Pra, 2010 Nathan Catherwood, 2011 Bhavi Patel, 2012 Lachlan Jewell, 2013 Mitchell Bellingham, 2014 Charley Whitby -
Glen Eira Historical Society
Article - Caulfield Park Bowling Club
This file contains five items. Two original photographs of the remains of Caulfield Park Bowling Club after the fire of 1977, date unknown. An article on the opening of the greens at Caulfield Park Sports Club from the CAULFIELD/ PORT PHILLIP LEADER dated 30/08/2011. An article on a competition that Caulfield Park Sports Club participated in to support the Alcohol Education Rehabilitation Foundation, dated 25/10/2011. An article on the Caulfield Park lawn bowls team being crowned the champions of the Sandbelt region bowls competition and their advancement to the regional playoffs. From the CAULFIELD/ PORT PHILLIP LEADER dated 10/04/2012. An article on the Caulfield Park bowling club ladies team’s win of the 2013 Victorian State Fours Title at Bendigo. GLEN EIRA/ PORT PHILLIP LEADER dated 07/05/2013.caulfield park bowling club, caulfield, caulfield park sports club, entertainment, competitions, aer mixed pairs challenge, alcohol education rehabilitation foundation, mccarthy ann, meltzer sel, sandbelt, pekelman marion, macaulay desiree, victorian state fours title, clubs, associations, organisations, societies, sports, recreations, leisure, cultural events, cultural activities, lawn bowls, sporting clubs, competitions, sports grounds, sports people -
Glen Eira Historical Society
Article - Shoobra Road, 2, Elsternwick
Three real estate advertisements and one article about the sale of 2 Shoobra Road on three occasions: 1/Article from Bayside Weekly of July 2009 by Neil Clerehan describing the house’s history and features. Includes one exterior and two interior colour photographs. 2/Advertisement for sale of 2 Shoobra Road in Bayside Weekly of July 2009. It describes house’s features, one exterior colour photograph. 3/Advertisement for sale of 2 Shoobra Road by Auction dated 10/08/2011 in Melbourne Weekly Bayside. Describes house features and includes one colour exterior photograph and plan of the land. 4/Advertisement for sale of 2 Shoobra Road by auction in Melbourne Weekly Bayside dated 06/06/2012. Describes house features and includes one exterior and one interior colour photograph.shoobra road, elsternwick, city of glen eira, city of caulfield, city of moorabbin, elsternwick, glen huntly road, glen huntly railway station, elsternwick railway station, caulfield north, tbm, persichetti leonard, meltzer selwyn, architectural styles, edwardian style, architectural features, gables, verandahs, lead lights, brick houses, biggin scott, crowe amy, stavrakis bill, williams kharla, ceilings, real estate agents -
Glen Eira Historical Society
Document - Heatherbrae
A three page photocopy from a Caulfield Conservation Study by Andrew Ward, on house Heatherbrae located at 73 Neerim Road. The study gives a brief history of the property, describes the house’s architectural features and heritage significance and includes a photograph (100mm x 152mm) of the exterior of the house. The file also includes a page of undated, unattributed, handwritten notes giving a partial list of Heatherbrae’s occupants from 1885 to 1900s and some description of the house. Also included in the file is an undated, unattributed one page handwritten list of the main occupants of Heatherbrae between 1880 and 1970. The file also includes one page of research notes by Dianne Visnovsky, dated 06/11/2009, with details of a publication that describes church fairs held at Heathrbrae circa 1910. These notes are accompanied by a handwritten annotation by Claire Barton dated 05/03/2012.heatherbrae, mansions, neerim road, caulfield conservation study, architectural features, architectural styles, holland john charles, booran road, glenhuntly road, kambrook roads, griffiths george f, vail e l junior, clarke alfred e, clarke margaret h, mcgowan beatrice, mcgowan leslie, macgowan leslie, buildings, caulfield, heatherbrae avenue, clarke street, stoddart j, ross william murray, wright william t, macgowan m h, mcgowan malcom, mcgowan jean, barton claire, visnovsky dianne -
Eltham District Historical Society Inc
Folder, St Margaret's Anglican Church, Eltham, 1999
Photocopy of page headed "order of programme" with historical information Photocopy of article "St Margaret's C of E, 95 years" from "The News" 14th December 1956 Photocopy of article "The oldest shire church" from" and "Eltham in old days" by Sarah Dawson both from 100 years of News Special edition August 27, 1997 page 30 Typed recollections from Peter Bassett-Smith, 2001 Invitation, flyer and booklet: Celebration of 150 years for gathered community of St Margaret's 1861-2011 (26 February 2012). Service booklet 10 pages from an unsourced book about the early history of the Church of England in Eltham, including references to the denominational school, naming of the district, church, Henry Dendy, site, W.B. Andrew, building committee, laying of foundation stone, building, opening and dedication, list of vicars to 1960. Other documentsHG Booklet 39 and 190harry gilham collection, st margaret's anglican church, norm williams, peter bassett-smith, doney, organ -
Federation University Historical Collection
Article - Article - Women, Federation University: Women of Note; Professor Helen Bartlett, Vice-Chancellor Ballarat, 2017 - 2020
Professor Helen Bartlett was Vic-Chancellor of Federation University Ballarat from 2017 to 2020. Prior to this she was Pro Vice Chancellor and Chief Executive of Monash University Malaysia from 2013 to 2017, and Pro Vice-Chancellor and President of Monash University’s Gippsland Campus from 2008 to 2012. She is the current Chair of the Regional Universities Network and Vice-Chancellor of the University of Sunshine Coast. Professor Helen Bartlett is an experienced leader and passionate advocate for regional education. Professor Bartlett led a period of transformation at Federation University Australia, enhancing its profile as a multi-campus institution, its innovative approach to regional higher education and focus on responding to the needs of its communities. Professor Bartlett was also Chair of the Victorian Vice-Chancellors’ Committee in the year prior to her move to Queensland and worked closely with the Victorian Government as universities shaped their response to the COVID-19 pandemic.women of note, professor helen bartlett, federation university, vice-chancellor, monash university malaysia, pro vice-chancellor, chief executive, president, monash university gippsland, regional universities network, university of the sunshine coast, victorian vice-chancellors' committee -
Greensborough Historical Society
Photograph - Digital image, Jasmin Burge, Cross 2010, 30/07/2010
Photograph of Cross carved by Kevin Gilders and completed in 2010. Inscription on plaque: 'This Cross commemorates the 30th anniversary of Loyola College Watsonia. It is sculptured form the wood of the cedar tree that once stood on these grounds in the roundabout in front of the Loyola Jesuit House of Studies and Novitiate building from 1934-2009. The Cross was unveiled by College Captains Adam Leary and Julia Cosgrave; Fr Steven Rigo; President of the Association of Canonical Administrators and Mr Joseph Favrin; College Principal. It was blessed by Fr Gerry Healy SJ at the College celebration of the feast of St Ignatius held on July 30th 2010. Part of a collection of photographs of Loyola College; Grimshaw Street Watsonia; established 1980 on the site of the Loyola Seminary. The College purchased the original building in 2002. These photographs of the original building and grounds were taken by GHS member Jazz Burge in June 2012.Digital copy of colour photograph.loyola college -
Orbost & District Historical Society
black and white photograph, 1962
This is a photograph of Bruce Evans, Member of the Victorian Legislative Assembly, signing the visitors' book at the Orbost High School Golden Jubilee in 1962. In 2012, Orbost Secondary College and the wider community celebrated 100 years of secondary education in Orbost. With earlier levels of schooling available at the Orbost State School or nearby schools of Newmerella and Jarrahmond School, it was not until April 1912, and after much campaigning from parents and other notable community members, that the Orbost Higher Elementary School was opened. Mr Richard Trembath was appointed the new Head teacher of Orbost Higher Elementary School and was assisted by Miss Olga Hirst. The senior class consisted of 26 pupils, and the junior class, 16 pupils. A limited curriculum was available which included lessons in Latin, Arithmetic, Algebra, Geometry, Geography, History, Drawing and advanced English. (inf0. from O.S.C. website)Orbost High School / Orbost Secondary College has played a significant part in the education of senior students in the Orbost district . It is the sole senior educational institution. A black / white photograph of a man in a suit signing a book.on back - hand-written -" Orbost H. S. Golden Jubilee 1962. Bruce Evans M.L.A. signing Visitors' Book>" -
Glen Eira Historical Society
Document - St. Christopher’s Anglican Church, Bentleigh East
4 items: 1/Three parish newsletters dated May 1957 and December 1959, and Christmas 1959, and undated. Newsletter about fundraising for new church building completed in 1969. 2/Three Christmas church service details for 1979, 1984, one undated and one for 09/05/2010. 3/Photocopy of booklet dated 1977 celebrating 25 years of the church and list of invitees and 2002 celebration of fifty years of the church and order of service dated 08/09/2002, and photocopy of recollections, handwritten, by Mrs. Iris Fowler in 2002 of her years as a parishioner. 4/Two pages of names of St. Christopher’s Pioneers, handwritten, dated 24/07/2012 by Clare Barton. Newsletters all contain lists of officials and various parishioners, and advertisements by local businesses, and lists of all ministers and curates.st. christopher’s church of england, centre road, mackie road, bentleigh east, chambers david h. rev., green laurie v. rev., st. john’s church of england, glasscock geoffrey t. rev., brady road church of christ, brooker burne, east boundary road, north road, bignell road, south oakleigh uniting church, st. peter’s catholic church, east boundary road uniting church, kenny charles rev., cecil street, cottier john rev., poole tony, churches, anglican church, church services, church festivals, christmas, sunday schools -
The Adam Lindsay Gordon Commemorative Committee Inc.
Film - DVD, Brenton Manser, Rider and Writer- The Life of Lindsay, 2014
From website: "Shot at various locations by cinematographer Robert Tremelling under the direction of Brenton Manser, the docudrama Rider and Writer is based on poet Adam Lindsay Gordon’s life during the time he lived in South Australia and Victoria. Manser has been researching, planning and developing the script for the new film since February 2012. Much of the footage for Rider and Writer has been shot in Mount Gambier, Port MacDonnell, Penola, Coleraine and Warrnambool. Jakin Manser has the leading role of Adam Lindsay Gordon, and former Grant High School drama teacher, David Reed, returned to Mount Gambier to act in the film, cast as John Riddoch, wealthy pastoralist and friend of Gordon. After 50 commended performances playing Riddoch in the stage production ‘Reckless’, Reed had retired. However, he was enticed by Manser to revive the character for the film."With a bust of Adam Lindsay Gordon in Westminster Abbey, London, his story is of national and international significance. Only one other film about Gordon is known to exist, produced in 1916. Allan Childs, curator of Gordon’s former residence ‘Dingley Dell’ is excited by the project: ‘To have a film that is made with the latest high definition equipment will bring the story of this famous poet alive to a new generation. We’ve come a long way since the black and white silent movies of 1916.’ The film premiered in Mount Gambier on 30 August 2014.adam lindsay gordon, brenton manser, robert tremelling, docudrama, 2014 -
Federation University Art Collection
Painting - Artwork, Trudi Harley, 'Fallen' by Trudi Harley, 2009
Trudi HARLEY Born Korumburra, Victoria Born in country Victoria Trudi Harley graduated with a Bachelor of Education (Art and Craft) at Victoria College, Burwood. After teaching for 10 years in both Government and Independent schools in Melbourne she worked as a Sales Executive and Art Educator for Cavalier Art Supplies for 16 years. Recently Trudi Harley completed a Bachelor of Arts (Visual Arts) (Honours) with Distinction between 2008 – 2009, and a Master of Arts (Research), Visual Art between 2010 – 2012 at the University of Ballarat (now Federation University). Maintaining an artistic practice while in a business partnership Trudi Harley owns and runs Atelier Art Supplies in Williamstown, Victoria, which is a major supporter of the arts in the western suburbs of Melbourne/ This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Artist's Statement: As an artist am continually drawn to ‘what makes us who we are’ and as a result the work, whatever it may be, is a reflection on what makes me who I am. In this I refer to perception, experience and memory as aspects that contribute to our sense of reality. By using these references I intend to engage the audience and develop a sense of connection and community through the visual image. ‘Fallen’ was not necessarily a reflection on my own life but of life in general as I recall at the time I had a family member who was struggling to cope with their own reality. I can also recall at the time reflecting on the adage ‘walk a mile in my shoes’ and the pressures we all face in life. Added to this were my own influences of upbringing, I have always been particularly drawn to fabrics and patterns as my mother was/is (getting a little old now) a seamstress and my father was a bit of a ‘perfectionist’. During my honours study I came across the term ‘Esperpento’ which included such visual elements as exaggeration and unusual viewpoints. Fallen was a comment on the psychology associated with expectations in life, or more importantly those expectations placed on offspring by their parents. This painting reflected the consequences of not living up to those expectations. It is unfortunate that in life, by the time you get to the point of realising that you have the opportunity to set your own standards, that you’ve probably embodied a great many set of values by osmosis and that you’ve now claimed them as your own. The view is from above to dramatize the subject, the figure placed compositionally in the top right hand corner to open up the picture plane and allow for the narrative to continue outside the visual area of the canvas. It was also in this painting that I rubbed back some of the darker oil paint to allow the lighter underpainting to show through.art, artwork, trudi harley, harley, carpet, portrait, self-portrait, alumni