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Mt Dandenong & District Historical Society Inc.
Photograph
The photograph is from the album of Ivy Child. The Old Farm could refer to the early homestead of her grandfather Matthew Francis Child. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Black and white photograph with a homestead in the centre surrounded by trees with hills and bushland in the background.Written below the photograph in album: The Old Farmfarm, ivy child, child family, homestead, kalorama -
Mt Dandenong & District Historical Society Inc.
Photograph
The photograph is from the album of Ivy Child. It shows the homestead where she lived with her parents Ted and Ethel Child. The photograph is presumably taken during the summer. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Sepia photograph with tree ferns in the foreground. A homestead with fence is just visible in the centre with cleared land beyond rising up to thick bush.Handwritten below photograph in album: IN SUMMERivy child, child, homestead, kalorama, summer, tree fern -
Mt Dandenong & District Historical Society Inc.
Photograph
The photograph is from the album of Ivy Child. The farm yard is probably her home - The farm of her parents Ted and Ethel Child. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Sepia photograph showing a farm yard with a group of old, wooden farm sheds. A tree is growing centre left. A hand plough is in the centre with two larege wagon wheels. Various implements are leaning against the tree.Handwritten below the photograph in the album: Farm Yardivy child, ted child, ethel child, plough, farm, kalorama -
Mt Dandenong & District Historical Society Inc.
Photograph
The photograph is from the album of Ivy Child. The photograph is a side view of the homestead of Ted and Ethel Child. Ted is recorded as having a well established garden. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Sepia photograph with a tree in the centre and a wooden building to the left. Bushes are in front of the building. A cleared area with rows of planted trees is visible with bush in the distance.ivy child, ted child, ethel child, kalorama, homestead, garden -
Mt Dandenong & District Historical Society Inc.
Photograph
The photograph is from the album of Ivy Child. It gives an insight into the size and make up of the settler selections in Kalorama between 1927 and 1932. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Black and white photograph looking from a flat, grassed area up a hillside. There has been significany clearing of trees with a patchwork of crops planted. A fence is visible in the foreground.ivy child, kalorama, selections -
Mt Dandenong & District Historical Society Inc.
Photograph
Photograph is from the album of Ivy Child. 'The Old Homestead' refers to either the Kalorama homestead of Ivy's parents, Ted and Ethel Child or her grandfather, Matthew Francis Child. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Black and white photograph of a homestead with three tall tree ferns in the foreground of an established garden. Several buildings are to the right with a man standing beside them.Handwritten below the photograph in the album: The Old Homestead.ivy child, homestead, kalorama -
Mt Dandenong & District Historical Society Inc.
Photograph
Photograph is from the album of Ivy Child. The back view of the homestead is either the Kalorama homestead of Ivy's parents, Ted and Ethel Child or her grandfather, Matthew Francis Child. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Black and white close up photograph of the rear of a wooden building. A girl holding a sun hat is standing with her arm on the tray of an old truck.Handwritten below the photograph in album: DOWN BELOWivy child, kalorama, homestead, farm, matthew francis child, child, ted child -
Mt Dandenong & District Historical Society Inc.
Photograph
The photograph is from the album of Ivy Child. The homestead depicted belongs to Ivy's parents Ted and Ethel Child. It was part of the Child Family land at Kalorama. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Black and white photograph showing two women wearing sun hats and dresses walking down a pathway to the gate of a homestead.ivy child, ted child, ethel child, homestead, kalorama, child -
Mt Dandenong & District Historical Society Inc.
Photograph
The photograph is from the album of Ivy Child. The original black and white photograph is also in the album. The homestead shown belonged to Ivy's parents Ted and Ethel Child. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. A black and white photograph that has been coloured. It shows a scene of a homestead with a post and wire fence at the front and tress beside it. Hills can be seen in the distance.homestead, ivy child, ted child, ethel child, kalorama -
Mt Dandenong & District Historical Society Inc.
Photograph
The photograph is from the album of Ivy Child. The woman standing on the veranda is her mother Ethel Child (nee Madden). The homestead is on Childs Road and belonged to Ted and Ethel Child. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Black and white photograph showing a woman wearing an apron standing on the veranda of a wooden homestead. Ferns are in the foreground and around the building.ethel child, ted child, homestead, childs road -
Mt Dandenong & District Historical Society Inc.
Photograph
This photograph is from the album of Ivy Child. It shows her parents Ethel and Ted Child (rhs) standing on Childs Road with another couple and their two young boys. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Sepia photograph showing two men, two women and two young boys standing in the centre of an unmade rad. Ferns and trees are growing up to the edges of the road.Handwritten below the photograph in album: Child's Roadted child, ethel child, childs road, bush -
Mt Dandenong & District Historical Society Inc.
Photograph
The photograph is from the album of Ivy Child. It shows Ivy's mother Ethel Child (LHS) standing on Childs Road with another couple and their two young sons. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Sepia coloured photograph showing two women and a man standing with two young boys in front of them on an unmade bush road. The man is wearing a hat.Handwritten below the photograph in album: TAKEN ON CHILDS RDivy child, ethel child, childs road -
Mt Dandenong & District Historical Society Inc.
Photograph
The photograph is from the album of Ivy Child. The homestead appears to be that of Ted and Ethel Child. The people in the photograph have not yet been identified but are most likely family members. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Sepia coloured photograph showing a group of people in the yard of a homestead. One young man on a motorbike is wearing a cap and smoking a cigarette.A woman nursing a child is in the sidecar of a motorbike while a young girl is on the pillion seat. A man wearing a hat and smoking a pipe is standing between the two motorbikes. A young man in a jacket is standing behind the motorbike with sidecar. In the distance a man and young girl are standing in the open doorway of a shed.Handwritten below the photograph in the album: SEEING THEM OFFivy child, chhild homestead, motorbike, side car -
Mt Dandenong & District Historical Society Inc.
Photograph
The photograph is from the album of Ivy Child. The young woman standing on the bridge is Ivy Child probably aged 17 years. The location is the Olinda Falls. Ivy May Child (1910 – 1989) was the daughter of Arthur Edward (Ted) Child (1878 – 1964) and Ethel May Madden (1888 – 1970). Ted Child was the son of Matthew Francis Child (1839 – 1933) and Martha Jeeves (1857 – 1926). He was the grandson of one of the early pioneers Francis Child. Ivy grew up on the family property on Childs Road and took many photographs. Most of these are glued into her photo album. The album covered the years from c1927 – 1932. Ivy married Henry William Burgess (1906 – 1968) in 1944. The photographs remain in their original state in the album with individual copies made. Black and white photograph showing a young woman standing on a wooden bridge with a handrail above a creek. Rocks are in the foreground in the creek and bush surrounds the scene.Handwritten below the photograph in the album: The Fallsivy child, olinda falls, bridge -
Bacchus Marsh & District Historical Society
Map - Land Sales Plan, Broadlands Estate, Bacchus Marsh, 1916
This land sales map was produced by real estate agents for an auction of part of a property near Bacchus Marsh known as the Broadlands Estate. 132 acres of irrigated land in 11 separate lots was to be auctioned on the 8th of June 1916. On the 27 May 1916, nine of the 11 eleven lots were withdrawn from sale. The reason stated was due to "road and severance difficulties", according to a notice in the Bacchus Marsh Express newspaper on 27 May, 1916, page.2. When the sale took place on 8th June the two lots were passed in but the local newspaper reported they were expected to be sold privately, see Express, 17 June, 1916, page. 2. The Broadlands Estate was owned by the Miller family whose father Henry Miller, 1809-1888, was a politician and an immensely wealthy financier in Victoria.A typical example of a land sale map of this era. The Broadlands Estate was just over 2,000 acres at its its peak size and was a significant holding of land in the Bacchus Marsh district. Paper printed land sales mapbroadlands estate bacchus marsh, land sales bacchus marsh, farms bacchus marsh, henry miller 1809-1888 -
Eltham District Historical Society Inc
Negative - Photograph, J.A. McDonald, Eltham-Diamond Creek Road, May 1958
Wing pier Eltham abutment Bridge construction Eltham-Diamond Creek road over the Diamond Creek (Wattletree Road), Eltham, May 1958Record of various Shire of Eltham infrastructure works undertaken during the period of 1952-1962 involving bridge and road reconstruction projects, sometimes with Eltham Shire Council Project Reference numbers quoted. It was during this period that a number of significant improvements were made to roads and new bridges constructed within the shire that remain in place as of present day (2022). In many situations, the photos provide a tangible visible record of infrastructure that existed throughout the early days of the Shire. The album was put together by or under the direction of the Shire Engineer, J.A. McDonald.infrastructure, shire of eltham, 1958-05, bridge construction, wattletree road bridge -
Port Melbourne Historical & Preservation Society
Badge - MUA Here to Stay, Maritime Union of Australia (MUA), May 1998
On a visit to the picket at Swanson Dock in May 1998 there were no badges left to sell. This one, being faulty, was given to donor by a wharfie. Needs a cover.M.U.A. Here to Stay badge from the 1998 Patrick Stevedores lockout of the MUA wharfies. Blue with white letters, damagedpiers and wharves - waterside workers, societies clubs unions and other organisations, public action campaigns, transport - shipping, maritime union of australia, mua -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Bob Whitehead Courier, Wednesday May 25th, 1994, Stepping Down as Chairman of the Friends of the Ballarat Botanic Gardens, May 25th, 1994
Courier, "Inside Out with Kim Quinlan", Wednesday 25th May, 1994, speaking with Bob Whitehead, outgoing Chairman of the Friends of the Botanic Gardens, Ballarat.Bob Whitehead was instrumental in the formation of the Friends of the Ballarat Botanical Gardens. Prior to that, he was Parks and Gardens Director for the City Council. So, he was something of an authority on the Gardens and the Friends' early history. p.4 of the Ballarat Courier, torn down right side, yellow with age. There is a black and white photograph of the Statuary Pavilion in the Gardens, top right hand corner.Blue biro marks in columns 3,4,5.john garner collection, garner, dr, whitehead, courier, chairman, friends of the botanical gardens, city council, ballarat botanical gardens, ballarat, gardens, bob whitehead, jack chisolm, jessie scott, ballarat botanical gardens' design, gardens' history, history of the friends. -
Bendigo Historical Society Inc.
Programme - Programme ""Brigadoon" by Bendigo Community Theatre & Arts Inc
"Brigadoon" is a musical in two acts with book and lyrics by Alan Jay Lerner and music by Frederick Loewe Music Programme for "Brigadoon" a musical in two acts performed by the Bendigo Community Theatre & Arts Inc. May 18-21 and matinee May 22, 1994 at Capital Theatre, Bendigo- a 20 page booklet with acknowledgements, advertisements, details of Acts, cast,and story synopsis. programme, concert -
Bendigo Historical Society Inc.
Photograph - STRAUCH COLLECTION: MARINA MEYER NEE KOCH
Copy of photograph of Marina Meyer nee Koch, b. 1840 Holstein Germany m. Heinrich Meyer 1864 D. 1916 at Bendigo. Managed Adventure Vineyard, Tannery Lane with help of only daughter, after husbands death in 1888 photo courtesy - F.Legg, Melbourne.N.White Sandhurstphotograph, person, meyer, bendigo-vineyards-meyer- koch- german -
Bendigo Historical Society Inc.
Document - COHN BROTHERS COLLECTION: HANDWRITTEN DIVIDEND SHEET DATED 1888
Folded paper document handwritten top fold, 'The Cohn Bros Victoria Brewery Company Ltd, Dividend Sheet October 31st 1888. Shareholder names and addresses listed along with number of shares in holding. Numerous Green One Penny Stamp Duty stamps attached.bendigo, industry, cohn bros brewery -
Ballarat Tramway Museum
Document - Photocopy, Signalling Record Society of Victoria, "Safeworking Operations of the Ballarat Electric Tramway System", May. 1988
Copy of an article by Neville Gower, published in "Somersault", the magazine of the Signalling Record Society of Victoria, May 1988. Describes location of loops in horse drawn era compared to those of the ESCo area 1905 to 1934, with reference to changes made to ESCo Loops by SECV upon rehabilitation of the system, based upon changes on BTM's collection of staffs. Published in p54, 55, 56 and 60 of Somersault, May 1988. Copy supplied by Graeme Reynolds, printed with a dot matrix printer. Page 56 and cover page supplied by Warren Doubleday (2/1999). Was a follow up article or item by Peter Barry in the July 1988 issue and an article on Bendigo during 1989. (Information provided by David Langley editor at the time - 1/1999). See also item 988.p1 - 54 has been enhanced in black ink.trams, tramways, signals, crossing loop, esco, tramway staffs -
Melbourne Tram Museum
Newspaper, Head of River Boat races, May. 1934
Head of River Boat races Newspaper clipping and table card for tram scheduling for Head of River Boat Races, Thursday 17 May & Friday 18 May 1934: 1 - Newspaper clipping: outlining daily program of races. 490H x 60W, poor condition, torn and folded 2 - Set of 3 pages of handwritten table cards for Head of River Boat Races. Loading Checks on all routes taken at St Kilda and City Rds, Elsternwick, St Kilda Beach, Toorak, South Melbourne & St Kilda Beaches, east Malvern, Glen Iris, Camberwell, east Malvern @ St Kilda Junction. Loading Checks of Batman Avenue Cars, Glenferrie Rd, Swan & Church Sts, Prahran Cars Swan & Church Ststrams, tramways, instructions, events -
Ruyton Girls' School
Photograph - Group photograph, Whole School with Miss Bromby 1909, 1909
Miss Eliza Bromby was Principal of Ruyton Girls’ School, 1888-1910. She shared her Principalship with business partners Mrs Louise Gubbins & Miss Lilian Irving 1888-1895, and Miss Emilie Lascelles 1900-1910. Ruyton Girls' Schools was founded in 1878. From 1889-1920 Ruyton was located on the corner of Abeckett and Barry Streets, KewBlack & white photograph of Principal Miss Eliza Bromby, with the students and staff of Ruyton Girls’ School, in 1909. The group is arranged in four rows of seated and standing individuals, with the school’s main building behind them. The photograph has been mounted on grey card. It was taken at Ruyton, corner of A’Beckett & Barry Streets, Kew. Miss Bromby is seated in the second front row, ninth from left. Her co-Principal Miss Emilie Lascelles is probably the woman seated beside her. Miss Hilda Daniell, Principal of Ruyton 1913-1952, stands in the second from top row, eleventh from left.ruyton girls' school, kew, eliza bromby, emilie lascelles, abeckett street, 1900-1909, 1909, private school, school photo -
Kiewa Valley Historical Society
Photograph of Clover Power Station, No. 3 Power Station, after May 1944
In July, 1941 work commenced on the site of the power station with the building of a coffer dam and excavation for the power station building and machine foundations followed. Work proceeded, and the access bridge, transformer foundations and transfer track were completed in April, 1943 and the power station building in May, 1943. Installation of the machines was then proceeded with and No. 1 machine was run for the first time in June 1944. No. 2 machine was completed in April, 1944 and placed in service in May.A pictorial record for the State Electricity Commission of the first Power Station commissioned in the Kiewa Hydro Electric Scheme.Black and white photograph of the bridge and entrance to No. 3 Power Station (Clover Power Station).Handwritten on back of photograph in blue ink "No. 3 Power Station".clover, power station, machine, kiewa scheme -
Waverley RSL Sub Branch
Minutes of Inaugural Women's Auxiliary Meeting
Framed hand written minutes of Minutes of Inaugural Women's Auxiliary Meeting held 8th of May 1951The original minutes of this meetingare shown being presented by the Foundation President to the Waverley RSL Memorabillia Officer Bob Leach. Joyce is being ably assisted by Foundation Secretary Joy Chivers and Foundation Treasurer Ellen Webster (left) and foundation Vice-President Rita Foot (right) -
Greensborough Historical Society
Article - Newspaper Clipping (copy), John Harrison, Original correspondence to the Editor, by John Harrison, 09/05/1842
Correction of a report made about the killing and capture of bushrangers raiding station on the Plenty River2 p. typescript copied from Port Phillip Patriot and Melbourne Advertiser 9 May 1842bushrangers, plenty river -
Glenelg Shire Council Cultural Collection
Newspaper - Newspaper - death notice K. S. Anderson, PORTLAND OBSERVER AND GUARDIAN, 14/05/1986
Portland Observer and Guardian, for Wednesday, 19th May 1986, containing death notices and obituary for K.S. Anderson.k s anderson, death, portland observer, portland guardian -
Ringwood and District Historical Society
Legal record - Conditions of Sale (C.E. Carter), Bayswater - Lot 10 on Plan of Subdivision No.8305 ,Title 4848 Folio 969462. Frederick Hobbs to Flora Christina Bates
Particulars and Conditions of Sale, from Frederick Hobbs to Flora Christina Bates dated 28th May 1929. -
Flagstaff Hill Maritime Museum and Village
Ceramic - Ceramic Piece, Minton Potteries, ca 1877
The ceramic piece is one of four porcelain fragments washed up from the Loch Ard wreck near Port Campbell Victoria. These fragments resemble the foot and leg of a large bird and legend has it that another bird had drifted ashore at the same time the Loch Ard peacock. This figurine is on display at Flagstaff Hill Maritime Museum and regarded as the most valuable shipwreck relic. It is believed that all four fragments could belong to another peacock or a Minton porcelain stork that had been photographed in a Home Beautiful magazine in 1928. This stork appeared to be missing a leg and foot and experts have hypothesized that the four fragments could belong to this stork, the whereabouts of which are currently unknown. History of the Loch Ard: The Loch Ard got its name from ”Loch Ard” a loch which lies to the west of Aberfoyle, and the east of Loch Lomond. It means "high lake" in Scottish Gaelic. The vessel belonged to the famous Loch Line which sailed many vessels from England to Australia. The Loch Ard was built in Glasgow by Barclay, Curdle and Co. in 1873, the vessel was a three-masted square-rigged iron sailing ship that measured 79.87 meters in length, 11.58 m in width, and 7 m in depth with a gross tonnage of 1693 tons with a mainmast that measured a massive 45.7 m in height. Loch Ard made three trips to Australia and one trip to Calcutta before its fateful voyage. Loch Ard left England on March 2, 1878, under the command of 29-year-old Captain Gibbs, who was newly married. The ship was bound for Melbourne with a crew of 37, plus 17 passengers. The general cargo reflected the affluence of Melbourne at the time. Onboard were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionery, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were other items included that were intended for display in the Melbourne International Exhibition of 1880. The voyage to Port Phillip was long but uneventful. Then at 3 am on June 1, 1878, Captain Gibbs was expecting to see land. But the Loch Ard was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4 am the fog lifted and a lookout aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp and Loch Ard's bow swung back towards land. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time the ship was among the breakers and the tall cliffs of Mutton Bird Island rose behind. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves subsequently broke over the ship and the top deck became loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of Loch Ard and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as Loch Ard Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael a passenger had raced onto the deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke the open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a complete state of exhaustion, he told the men of the tragedy. Tom then returned to the gorge while the two men rode back to the station to get help. By the time they reached Loch Ard Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost her family in the tragedy. Ten days after the Loch Ard tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of Loch Ard still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some items were washed up into Loch Ard Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced in March 1982. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton majolica peacock- one of only nine in the world. The peacock was destined for the Melbourne 1880 International Exhibition in. It had been well packed, which gave it adequate protection during the violent storm. Today the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artifact and is one of very few 'objects' on the Victorian State Heritage Register.The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. The collections historically significance is that it is associated unfortunately with the worst and best-known shipwreck in Victoria's history.Ceramic piece, broken with remnants of glaze. It has been shaped. It may be from a peacock leg section.Noneflagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, ceramic, porcelain, piece, fragment, ceramic bird, loch ard, shipwreck, salvage, recover, 1877, 1878, minton, shard