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Orbost & District Historical Society
magazine, Woman and Home, September 1940
Women’s magazines during WWII played a “reflecting role,” meaning they cooperated with government agendas while still including topics of readers’ interests Women’s employment rate skyrocketed during WWII. However, even though the number of women working outside the home grew rapidly most of them were still engaged entirely in homemaking. Therefore women’s magazines centered mostly on the stresses and shortages of wartime. Articles as well as advertisements presented information on “product rationing, tips on keeping the family healthy, guidelines for thrifty shopping and advice on how to look good through it all.This is an example of an English women's magazine published during WW11.It gives practical advice on needlework / knitting and evidences the widespread interest in contemporary fashion. In doing so it shows what were the fashionable, but broadly affordable, women's and children's clothing styles of their day. These magazines also reflect women's interests.A 64 pp magazine, titled Woman and Home and Good Needlework Magazine. The front cover has a a coloured picture of a man in a uniform and woman sitting at a round table drinking tea and photographs of knitted jumpers, the patterns of which are inside the magazine.Handwritten on front cover in pencil -Mehlert -
Ringwood and District Historical Society
Crochet Work, Tray Cloth, Mat and Cuff off-cut all with crochet edging. Belonged to the Maggs Family Ringwood. Examples of crocheting and Hardanger work.c1940's, c. 1940s
Belonged to the Maggs Family. Examples of crocheting and Hardanger work.Three pieces of work with crochet edging:; 1. Tray Cloth with cotton diamond pattern edging.; 2. Mat with fan and shell cotton edging and Handanger drawn thread work.; 3. Diamond edging on cuff cut off a sleeve. -
Bendigo Military Museum
Costume - JAPANESE ROBE
Part of the Flight Lieutenant Ian A. 'Joe' Lyons MBE Collection. See Catalogue No. 5374P for details of his service record.Traditional style full length Japanese robe in black and white patterned fabric. Pleat on each side of opening. Front crosses over to be secured by a separate belt. Reinforcement panels sewn onto the inside of the neck and seat. Robe is handmade.japan, costume, ian a. 'joe' lyons -
Warrnambool and District Historical Society Inc.
Legal record - Letter Book, G.S. Mackay, Circa 1920
This book contains private letters which G. S. Mackay wrote to his daughter, Meta? and his aunt in the 1920’s. G. S. Mackay was born in Sutherlandshire Scotland in 1850. He qualified as a solicitor and came to Australia in 1884 and later to Warrnambool in 1893. He served as a Warrnambool City Councillor and also held a number of important positions within the Presbyterian Church. He was one of the earliest and strongest supporters of the Warrnambool High School. Many of the letters within this book are to his daughter who studied medicine in Glasgow in the early 1900’s. G. S Mackay was prominent in legal, civic and religious life in Warrnambool almost from the time of his arrival in 1893 until his death in 1926. Many of these letters are of a religious nature and as such display that aspect and personal thoughts of Mr Mackay’s personal life. Dark green fabric cover with light brown suede spine and cover edges. Hard cover. Green patterned paper inside front and back covers. Alphabetical index at front. Pale fine yellow pages numbered up to 502. L. ****Queen Douglas, Newpark West Calder, MidLothian 14 miles from Edin’h Ry Stn Newpark. Meta Selby The Calouda(?) Club 35 St Georges Square London S.W.1 warrnambool, g.s. mackay letter book, solicitor, g. s mackay councillor. -
Warrnambool and District Historical Society Inc.
Letter Opener, Ivory Carved, Early 20th century
No specific information is available on this item. Household items made of ivory were common in the early 20th century and were often brought back to Australia from people returning from an overseas trip. Many of these types of items came from Asia. Letter openers are still is use today.This item is of interest as an example of the use of ivory in household items early in the 20th century. This use of ivory is in the main illegal today.This is a letter opener made of ivory. It has a plain blade with a rounded highly decorated handle. The decoration consists mainly of punched holes in geometrical patterns. The top has a hole for hanging up the item. There is a small split in the ivory in the middle of the handle. letter opener, warrnambool -
Warrnambool and District Historical Society Inc.
Book, Elizabeth Craig, New Standard Cookery Illustrated, 1933
Advice and recipes on home cookingA book of 1015 pages . The dark blue cloth cover has embossed patterns on the front cover with gold edging and gold printing on the spine. There is slight staining on the front cover. The pages contain printed text, and coloured and black and white photographs.non-fictionAdvice and recipes on home cookingcookery books, 1930's cookery book, warrnambool -
Warrnambool and District Historical Society Inc.
Gloves, Kid gloves Mrs Ponting, Early to mid 20th century
These gloves were donated by Miss E. Kerr of Warrnambool and were probably worn by her. The Ponting family has been prominent in the timber and building business in Warrnambool since the 1920s and still operate today. Miss Kerr was a member of the Warrnambool and District Historical Society in the 1970s and donated many items, especially household goods. Many women in the early to mid 20th century owned leather gloves which they wore mostly with suits and coats in the winter time. They can still be purchased today. These gloves are of interest as an example of the type of gloves worn by women in the 20th century. They will be useful for display.These gloves are made of a light brown leather. They have a leather string lace inserted as a decorative pattern on the wrist openings and the same lacing on the upper sides of the gloves but in this area the leather string is missing. The gloves have been much worn and are stained. women’s accessories, history of warrnambool -
Warrnambool and District Historical Society Inc.
Book - Braille Books
These three books contain braille printing and may have come from The Victorian Association of Braille Writers and may have been used by Miss Skirrow in South Warrnambool in 1916. This latter information comes from the loose card in one of the books. Braille writing was invented by the French man Louis Braille in 1824 based on the French alphabet. These books are of historical interest and appear to have local significance..1 A hard cover book with a mottled pattern and black bindings containing 42 pages of braille printing. There is one loose card. .2 and .3 as above except for the card and .2 has 32 pages ,.3 has 36 pages .1 L9 55 .2 L9 53 .3 L9 54warrnambool history, vintage braille books -
Bendigo Military Museum
Uniform - BADGE, RISING SUN
See Cat 5192This appears to be a small, pressed tin badge. The pattern is that of the Rising Sun with a crown. There are two banners at the bottom with the words: - " Australian Commonwealth Military Forces". There is a small patch of corrosion on the crown. There is no sign of mounts on the badge on the rear, only a square piece of solder.badge, rising sun, australian army -
Bendigo Military Museum
Accessory - BATH TOWELS, C.1960’s
.1) This is a Australian military issue towel. .2) This was obtained in Vietnam origin unknown, “KB 138” is a washing No allocated to individuals to have washing done in the town of Baria near the Australian Base Nui Dat. Washing was taken to Baria in bulk from a unit and when it came back it did not necessarily mean you got yours back. Peter Ball collection, refer Cat No 4704..1) Bath towel, green cotton with sewn edging all around, white tag in one corner with faint details. .2) Bath towel, green cotton, ends of towel are patterned with frayed ends, texta pen numbering & lettering on..1) On white tag faint,”........Beach SA 1969”, on the other side, “(arrow up)”, in black pen, “PB” .2) In faint black texta pen, “KB 138”, in one corner in texta, “PB”.towels, bath, accessory -
Glenelg Shire Council Cultural Collection
Print, The Organist, 1984
CEMA Art Collection. Part of "A Community View: 150 years in Portland Screenprint Exhibition". Part of Angela Gee residency 1983 and 1984.Screenprint of torso and head of a woman. The woman is wearing a long-sleeved top, a large necklace, and a brown hat with large feathers. The background is yellow wit light brown wallpapered patterning. No Matt. Wooden frame with gold edging and glass glazing.Front: 1834 1984 Portland Commemorative Print (lower left, stamp) 1/20 A Gee The Organist (lower centre) John Cain (lower right) (signature, brown ink) Premier of Victoria (black ink stamp) Back: (no inscriptions) -
Glenelg Shire Council Cultural Collection
Photograph, 1934
Photographs taken by Esther Winifred Hall (nee Smallpage) - great grand-daughter of Stephen George Henty. Taken in 1934 Centenary Celebrations in Portland.Black and white photograph showing two women in full-length dresses, posed indoors, standing on a patterned carpet before striped wallpaper. The woman on left is holding an open fan and is wearing a bonnet. The woman on right is out of focus and blurred.esther winifred hall, photography, portland centenary, 1934, portrait photography -
Glenelg Shire Council Cultural Collection
Domestic object - Frame - Ornate Gold Frame, Whitehead, Isaac, n.d
UnknownFrame in four sections. Outer edge design is an entwined leaf design. Second layer of design is a broad leaf design (like acanthus). Third layer is a simple pattern of raised points. Final interior layer is plain. Painted Gold.Front: (no inscriptions) Back: Framers label - (Isaac Whitehead, Collins St, Melbourne) Conservation Centre, Melbourne label. -
Glenelg Shire Council Cultural Collection
Plan - Ship Plan / Mould, n.d
Wooden pattern for mould for boat fitting. Arch shaped, flat base. Smaller arch shaped piece attached to front and back. Centre section shaped narrower at top, small wooden cylinder through centre. Traces of white paint. -
Glenelg Shire Council Cultural Collection
Plan - Ship Plan / Mould, n.d
Wooden pattern for mould for boat fitting. Rectangular section with nail sticking out top, attached by short end to a larger rectangular block, which has rounded edges and a U-shaped opening one end. Painted yellow/orange. -
Glenelg Shire Council Cultural Collection
Plan - Ship Plan / Mould, n.d
Wooden pattern for mould for boat fitting. Rectangular piece with one rounded end, attached to larger rectangular piece, rounded at one end, tapering into a narrow rectangular 'neck'. A hump attached to 'neck' section at right angles. Painted white. -
Horsham RSL Sub Branch
Sword Bayonet
1855 British Lancaser No 10 pattern Sword Bayonet. Long straight blade swelling out beyond the back edge towards the point witha single edge and a pipe back. Brass hilt with chequered compressed leather hand gripsSerial No. 945 Stamps on blade. -
Orbost & District Historical Society
ledger, 1. 8. 1915 - 30 .6. 1923
This ledger was kept by the management of a rural property in Marlo, East Gippsland. Entries were made by Hugh Cameron and Alaster Cameron. Their property was reputed to be the largest private dairy producer in Australia at one stage. (ref. Mary Gilbert) Some station owners or managers kept records like diaries, wage and ration books, and registers of births, deaths and marriages. This one records federal transactions, costs of produce and payments for share farming at Brodribb and Marl, as well as a list of donations made. Hugh Cameron (1850-1921) was on the Orbost Shire council from 1892-1915. His son Alaster was also an Orbost Shire councillor representing the East riding from 1932 to 1954. Hugh died at Orbost on 3rd May 1921, aged 71, and was buried on 5th May at the Orbost cemetery. (more info. in O.D.H.S. newsletter -Tambo Shire)This is an example of record keeping on rural properties in the first half 20th century. It is associated with the Cameron family who were early settlers in the Orbost district.A large leather bound ledger with a dark blue patterned cover and suede leatherette binding and corners. There are pages with alphabetical indexing. Some pages are ruled for accounts. All entries are hand-written in blue or black ink.There is blotting paper inside.on spine on red leatherette in gold print - " "STATION LEDGER" and on black in gold print - "CLOVERDALE"cameron-marlo dairy-farm-cameron agriculture-records station-ledger-cameron -
Glenelg Shire Council Cultural Collection
Photograph, n.d
Port of Portland Authority Archivesport of portland archives, event, speech -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Lights, Victorian kerosene banquet lamp, c1900
The kerosene lamp is a type of lighting device that uses kerosene as a fuel. Kerosene lamps have a wick or mantle as light source, protected by a glass chimney or globe; lamps may be used on a table, or hand-held lanterns may used for portable lighting. There are three types of kerosene lamp: traditional flat wick, central draught (tubular round wick), and mantle lamp. The side screws adjust the length of the wick and hence the strength of the flame / light produced. Prior to the introduction of gas and electricity these lamps provided light in households after sunset.Prior to the introduction of gas and electricity these lamps provided light after sunset for the early settlers, as they established their farms and businesses, in Moorabbin Shire.A Victorian kerosene banquet lamp, with a gilded metal quad footed base, cranberry glass oil reservoir with geometric patterns, original etched, yellow, glass globe shade and clear glass chimney. There are 2 side screws for adjusting the flame.early settlers. pioneers, follett w, moorabbin, bentleigh, brighton, ormond, market gardeners, kerosene, paraffin, lights, lamps, candles -
Bendigo Historical Society Inc.
Clothing - LENGTH OF FABRIC
Length of fabric. Royal motifs- Grenadier Guards; Three Lions; Golden Carriage; Beefeaters. Pattern printed onto fabric. Possibly a synthetic or silk mixture. Possibly produced to mark the Coronation of Queen Elizabeth 2. Old Box 85. -
Bendigo Historical Society Inc.
Clothing - BABY CLOTHES COLLECTION: BABY VEST, 1940s
Cream coloured hand knitted woollen baby vest.Cream coloured cotton tie at neck. Patterned yolk and lower edge. Stocking stitch. This collection of knitted and sewn garments were made in the early 1940s and were intended for a baby that was stillborn.costume, children's, baby vest -
Bendigo Historical Society Inc.
Photograph - FORTUNA COLLECTION: ETCHED GLASS CONSERVATORY
Black and white photograph of etched glass window in conservatory, Fortuna Villa. Image shows a man in a seashell towed by two swans, sun rising from sea in background. Window is framed with leaf pattern in corners. Roman or Greek mythology.bendigo, house, fortuna villa -
Churchill Island Heritage Farm
Furniture - Wheelchair, c. 1900
Cane wheelchair with small metal wheels. Curved arms supported on each side by single strut. Decorative scroll top centre of backrest. Hole in wickerwork of seat. Diamond pattern in backrest. Fold-away solid footplate under seat.churchill island, early wheelchair, amess barn -
Bendigo Historical Society Inc.
Clothing - GRAYDON COLLECTION: WOMEN'S STRAIGHT FULL LENGTH PETTICOAT, 1870-1890
Clothing. Women's straight full length white cotton petticoat. Fold over waistband (4.5 cm) with cotton tape drawstring fastening at centre back above 7 cm opening. Decorative geometric pattern stitching above hemline.Tag at centre front waistband, ''Cherry lane by French Connections'', ''100% cotton'' ''Hand wash''.costume, female, women's straight full length petticoat -
Tatura Irrigation & Wartime Camps Museum
Functional object - Cigarette Case
Made by a German Prisoner of War in Murchison POW Camp 13. A gift to one of the Garrison guards who was boarding with the Fennell Family in SheppartonHandmade wooden cigarette case with inlay pattern on top and bottom of case. A slide opening in front for cigarettes to be placed in case. The case is attached to a wooden base with a drop-in turned ashtray and cigaretter holder. Sitting on four legs on each corner.murchison pow camp 13, camp 13 garrison, cigarette case, woodwork -
Villa Alba Museum
Photograph - Hearth Tiles, Main Bedroom Fireplace, Villa Alba, Mintons Ltd, c.1882
The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Born digital photograph of the gold, black and white hearth tiles of the fireplace in the main bedroom at Villa Alba. The twelve geometric, visually interlocking tiles feature an abstract flower within a black border. There are twelve parts of the pattern on each tile.fireplaces, mintons, mintons - tiles, villa alba --- main bedroom -
Uniting Church Archives - Synod of Victoria
Photograph, Talma & Co, C. 1900
William Webster was born in England in 1848. He was ordained into the Presbyterian ministry in Melbourne for Middle Darling-Wilcannia, N.S.W. in 1880. He served in Inglewood Vic. from 1884; Kerang from 1889; St. Andrew's Oakleigh from 1900-1912. He was demitted in 1912 and died in 1919.Matte, sepia toned head and shoulders studio portrait of Rev. William Webster. The photograph is mounted on a textured and patterned grey card which bears the photographer's details. The Rev Webster is looking directly at the camera and is wearing his clerical clothes.On the front "Talma & Co. 119 SWANSTON ST. MELBOURNE."rev william webster presbyterian minister, st andrew's presbyterian church oakleigh -
Hume City Civic Collection
Photograph, Late 1980's
'Dunhelen' is situated on the Mickleham Road at Greenvale. The rear of the homestead was constructed in the 1850's and the original owners were Richard and George Sinclair Brodie who emigrated from Scotland.A coloured photograph of part of a porchway of a house. The verandah roof is constructed from wooden beams and corrugated iron. The walls are bluestone with granite stone quions around the corners and window frames. The verandah was paved with stone pavers done in a diamond pattern.dunhelen, brodie, george sinclair, richard sinclair, george evans collection -
Chiltern Athenaeum Trust
Accessory - Locket
This locket is from the museum's collection of objects relating to Wilfred Clarence Busse. Busse was born in Chiltern in 1898, completed his secondary education as Wesley College in the early twentieth century, and went on to study law at the University of Melbourne. As a lawyer, he spent time in the room of Supreme Court Judge Bernard Cussen (1859-1933). Judge Cussen was popular, known for being just and precise and for completing through statutory consolidation in his spare time. As well as working as a lawyer, Busse wrote historical fiction inspired by his life in Chiltern, these included The Blue Beyond; A Romance of the Early Days in South Eastern Australia" and "The Golden Plague: A Romance of the Early Fifties," which won the T.E.Role gold medal for the best historical novel in 1930 and went on to become a best seller. He was a member of the Chiltern Athenaeum until his death in 1960. The placing of hair in lockets was a common 19th and early 20th century, with Queen Victoria wearing a locket containing a piece of Albert’s hair after his death in 1861. Wearing a loved one’s hair or giving a lock of your hair to someone for wearing, could be a gesture of love and friendship, or of mourning. The tangibility and personal nature of hair made it a common keepsake, especially in cases of high mortality or where family members were separated by oceans without the possibility of air travel. The intention and origin of this locket is currently unknown, but it is likely it was a keepsake of love or mourning, either way, a emotional object. This object artistically significant as an example of late 19th/early 20th century jewellery, and social and spiritual sigifiicance as locket containing a piece of hair, which, regardless of exact intention, imbues it with a strong emotional aura. A small dark metal locket with a decorative leaf pattern on the exterior. The locket contains a small amount of reddish hair, supposedly from a loved one or family member of the original owner, and a degraded image that may have ocne represented a person. busse, w.c. busse, wilfred clarence busse, chiltern, chiltern athenaeum, "the blue beyond, a romance of the early days in south eastern australia”, "the golden plague: a romance of the early fifties.", "the golden plague”, wesley college, university of melbourne, sir leo finn bernard cussen, supreme court of victoria, locket, hair locket, hair jewellery, jewellery