Showing 1191 items
matching the 'hope'
-
Stawell Historical Society Inc
Book, John Kingston, Beaters to Blitz's and Beyond - History of the Stawell Fire Brigades Group 1943-1993, 1993
This booklet was produced for the dinner held to celebrate the fifty years the Stawell fire Brigades Group has existed in its service to the community. It does not intend to be a definitive history of fire fighting in the area but it is hoped that it outlines the beginnings from which Stawell Fire Brigades Group originate, and its growth, as it developed over the years.Front Cover: Cream medium card with B/W photo of old truck in center. Title in bold black print above, other information below inc. Author Rear Cover Heavy Card.Beaters To Blitz's and Beyond. History of the Stawell Fire Brigades Group (Glenorchy- Richella Bush Fire Brigades Group) 1943-1993 John KIngstonstawell -
Bendigo Historical Society Inc.
Postcard - CITY OF GREATER BENDIGO PALL MALL AND FOUNTAIN
Black and white postcard of Bendigo looking towards post office. Three trams and several horse carriages around the fountain. On the back the emblem of the government of state of Victoria on left and in the centre the Commonwealth of Australia Victoria welcomes the American fleet. Handwritten: Seville, Tuesday, Dear Mary, I regret to say that I will not be going down today but hope to be down soon. Will write later.. Yours faithfully Edwin (?)bendigo, streetscape, pall mall and city -
Ballarat Tramway Museum
Newspaper, The Courier Ballarat, "All precautions on tram shed drainage", 14/11/1972 12:00:00 AM
Newspaper clipping from The Courier, 14/11/1972 about Mr Maurie Calnin for the BTPS expressing surprise that the Fish Acclimatisation Society had approached the City Council with its worries about drainage from the shed. Notes discussion with Mr. Sharp, the City Engineer and the hope that it would be able to have the tram line saved to Forest St. to enable passengers to disembark at Wendouree Railway Station.date in pencil of "14/11/72" in top right hand corner of cutting.trams, tramways, btps, fish hatchery, drainage -
Unions Ballarat
Till death us do part : industrial death narratives, 2001
Interviews with the families of ten workers who died in industrial accidents. Explores the adverse impacts upon families. The author's father died at work in 1995. "... it is our hope that our stories will make a difference and encourage employers and governments to ensure safe work practises and prevent further needless industrial deaths." Elizabeth Horvath Mobayad Relevant to workplace health and safety. Particularly of relevance to workplace fatalities.Paper; book. btlc, ballarat trades hall, ballarat trades and labour council, oh&s, occupational health and safety, workplace deaths, industrial accidents, bereavement -
Greensborough Historical Society
Book, Family memories: a guide to reminiscing: by Bob Price, 1992_
This book encourages readers to reminisce about their lives and shows how to record these personal and family memories for generations to follow.Demonstrates the importance of oral history and recording family histories.Hard cover. 130 pages, illus. (some col.).Inside front cover "To mum, hope this will jog a few memories, p'raps we can get 'em down on tape, or paper. From Shirl 18/3/93." "To Faye Fort 2007 From Shirl"oral history, family history, reminiscing, genealogy -
Ringwood and District Historical Society
Newspaper, Scrapbook Clipping, Library Collection, Ringwood, Victoria, `
``Newspaper clipping from "The Mail", 9-2-93, P11, Myer move Work on the $120 million redevelopment of Ringwood's Eastland shopping centre is expected to start by April.The second stage of the redevelopment was to be put out to tender soon. It was hoped that work would start in late March, early April.` -
Clunes Museum
Book, THE FLORENCE NIGHTINGALE COMMITTEE, VICTORIAN BRANCH. et al, ALL CARE AND RESPONSIBILITY - A HISTORY OF NURSING IN VICTORIA 1850-1934, 1955
COMMENCING WITH THE RUDIMENTARY NURSING ARRANGEMENTS OF MID 19TH CENTURY VICTORIA. ALL CARE AND RESPONSIBILITY EXAMINES THE GRADUAL INTRODUCTION INTO THE COLONY OF NEW CONCEPTS OF NURSING THE SICK AND REVOLUNIONARY APPROACHES TO THE ORGANISATION OF THE MASCENT PROFESSION.BOOK WITH DUSTCOVER, BOOK COVER IS MAROON COLOUR, IMAGE ON DUSTCOVER IS OF FOUR FRAMED WOMEN IN VARIOUS NURSING UNIFORMS. RICHARD TREMBATH AND DONNA HELLIER ON THE HISTORY OF NURSING IN VICTORIA 1850 - 1934non-fictionCOMMENCING WITH THE RUDIMENTARY NURSING ARRANGEMENTS OF MID 19TH CENTURY VICTORIA. ALL CARE AND RESPONSIBILITY EXAMINES THE GRADUAL INTRODUCTION INTO THE COLONY OF NEW CONCEPTS OF NURSING THE SICK AND REVOLUNIONARY APPROACHES TO THE ORGANISATION OF THE MASCENT PROFESSION.local history, book, hellier, trembath -
Rutherglen Historical Society
Image, Paramount Studios, 1945
Photograph is part of a collection from the Presentation Sisters, Mount Carmel Convent.Black and white portrait photograph, printed on pale green paper and mounted in a cardboard folder, of a woman in a nurse's uniform.At bottom of photo: "Paramount Studio" On inside of folder: "Pat Phibbs. Boarder Mt Carmel Convent 1940s" On back of folder: "Hope you like this Mother. Not many do. Pat Phibbs. 15/10/45"mt carmel convent, presentation sisters, mount carmel convent, pat phibbs, nurses -
Port Fairy Historical Society Museum and Archives
Postcard - post card, A.C. Aberline, Moyne Bridge & River Port Fairy, c.1900
A card sent to Miss R. Atkinson of West Warrnambool to add to her collection of postcardsHand coloured Photograph of the Moyne river road bridge, a domestic windmill in foreground and in the background large sheds made for use as a postcard with reverse side stamped Front:- Moyne bridge & river, port Fairy. Reverse:- aug.13/8/08- i hope this will be a welcome addition to your collection yours Sincerly, L Murphy - To Miss R Atkinson, West Warrnambool moyne bridge, moyne river, windmill -
Warrnambool and District Historical Society Inc.
Document, Good Luck Post card WW1, Early 1900s
This post card has been sent from a military camp in England by Private George Hall to his niece Myra. Private Hall was a farmer from Purnim who enlisted in August 1915 (14th Battalion, 15 Reinforcement Group). He was aged 30 at the time. He left Australia in 1916 and transferred to 3 Field Artillery Brigade. He returned to Australia in 1919. The card gives no details of Private Hall’s activities at the time but indicates that he had sent several post cards to members of his family. This post card is of interest as an example of the many beautiful embroidered post cards that were sent by Australian soldiers to family members during World War One. The cards were usually made in France and sent from there but in this case was sent from England. The card is also of interest because it is a personal message sent from a local soldier from Purnim during World War One This is a post card from World War One. It has a written message on the back from Private George Hall to his niece Myra and it has a piece of embroidery on the front of the card. This depicts a black cat with the British colours of red, white and blue around its collar and other ornaments – a white horseshoe, a Union Jack, a white pedestal and red, green and white greenery. The words ‘Good Luck’ are stitched in yellow. The stitching is on white silk which is somewhat stained. There is a crimped border in lightweight cardboard around the embroidery. The message on the back is written in pencil.‘Dear Myra, Just this P.C. to let you see I have not forgotten you. Hope you are quite well. I have sent you & Dorry a lot of P. cards from England. I hope you get them all right. Your poor old Uncle George, 4821, 40 Bat. Worgret Camp, Wareham, Dorset. Wishing you all a very Merry Xmas & Happy New Year XXXX Nov. 24th -11-16.private george hall, world war one, world war one embroidered postcards, history of warrnambool -
Federation University Art Collection
Work on paper - Artwork - Printmaking, Jessica Price, 'Garden #1, #2, #3 and #4' by Jessica Price, 10/2017
Jessica PRICE (1996- ) Born Busselton, Western Australia In 2017 Jessica Price completed a Bachelor of Arts (Fine Arts) Printmaking at the Federation University Arts Academy. A general theme in her work is nature to reveal the beauty of God in nature. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Four limited edition screenprints with fineliner printed on Somerset Satin White paper. Artist's Statement: I am a practising printmaking artist and enjoy experimenting with various forms of print including chine colle, screenprinting and monoprint. I also enjoy drawing and painting, and hope to expand my practise to incorporate all these methods to create a unique style of artwork for myself. I am constantly in awe of the delicacy and grandeur of creation. I find that bringing this concept and theme thorughout my work using a botanical like approach not only expresses a part of who I am, but connects me with the creator of the universe. My hope is that by making these works I can create a similar experience for my viewers, as well as celebrate the master craftsmanship of the creator. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.1/1jessica price, screenprint, printmaking, flora, alumni, bee, australian nature -
Emerging Writers' Festival
Book, The Emerging Writer - Volume Two
The Emerging Writer is an insider’s guide to the craft, philosophy and politics of being a writer. Whether you’re facing your first blank page or negotiating a publishing contract, this book is full of indispensable advice for any emerging writer hoping to turn their seedling of an idea into a mighty tree. The Emerging Writer - Volume Two was published in 2013 and edited by Andre Dao.A book with a red and white cover, with cartoons depicting a small plant growing into a large tree.emerging writers' festival, 2009, literary programming, the wheeler centre, the emerging writer, books, andre dao, 2013 -
Queenscliffe Maritime Museum
Leisure object - Toy train wheels
The Loch Ard ran aground crashing into Mutton Bird Island in 1878. The only two survivors Tom Pearce and Eva Carmichael managed to drag themselves to the safety of the beach inside Loch Ard Gorge. For a moment, these two tragic teenagers were the talk of the English-speaking world, which very much hoped they would marry (they did not).Relics from a very well know wreck near the Twelve Apostles in VictoriaForty miniature toy train wheels some with encrustations.loch ard, toys, salvage -
Flagstaff Hill Maritime Museum and Village
Textile - Altar Cloth, 1986
This altar cloth is representative of ecclesiastical linen in use in the early to mid-20th century. It is decorated with the Mariner's Cross symbol, connecting it to the history of the early Christian church. The cover for the cloth shows the respect the maker had for the cloth and what it stands for. The Mariner's Cross symbol also makes it appropriate as an altar cloth for the St Nicholas Seamen's Church at Flagstaff Hill Maritime Village. Mariner’s Cross symbol and what it symbolises The symbol of an anchor that also looks like a cross is called the Mariner’s Cross (also called the Anchored Cross or Cross of Hope). It looks like a ‘plus’ sign with anchor flukes at the base and a ring at the top. The anchor is one of the earliest symbols used in Christianity and represents faith, hope and salvation in times of trial. The Mariner’s Cross is linked to the scripture in Hebrews 6:19, which says “Which hope we have as an anchor of the soul, both sure and steadfast, and which entereth into that within the veil”. This particular Mariner’s Cross also has the letter ‘X’ under the post of the anchor. In Greek, the language of the New Testament, the word for Christ is ‘Christos’, which begins with the Greek letter ‘X’ or ‘Chi’. Together, the elements on this Mariner’s Cross - anchor, cross and ‘X’ - symbolise to the Christian that Jesus Christ the Saviour gives security and safety, hope and salvation. Many church organisations still use various forms of the Mariner’s Cross. This design is also known as the Anchored Cross or Cross of Hope. The Missions to Seamen organisation The Missions to Seamen is an Anglican (Church of England) charity that has been serving the world's seafarers since 1856. It was inspired by the work of Rev. John Ashley who, 20 years earlier, had pioneered a ministry to seafarers in the Bristol Channel in Great Britain. When Ashley retired because of ill health, others determined that the work should continue, and they founded the Missions to Seamen. It adopted as its symbol a Flying Angel, inspired by a verse from Revelation 14 in the Bible. Today there are over 200 ports worldwide where the Missions to Seamen has centres and chaplains. A Missions to Seamen’s Club offers a warm welcome to sailors of all colours, creeds and races. A sailor can watch television, have a drink and a chat, change money or buy goods from the club shop or worship in the Chapel. In Victoria, the Missions to Seamen still has clubs in Melbourne, Portland and Geelong. The altar cloth is representative of the ecclesiastical linen in use in the early to mid-20th century, when the original St Nicholas Seamen's Church was opened in Williamstown, Victoria. The Mariner's Cross embroidered onto the altar cloth gives it a connection with the early Christian church and with the Missions to Seamen. The fine hand stitching and embroidery is an example of traditional handcraft skills used over the centuries and still continuing in use today.Altar cloth, white linen, with custom made white cotton cover. The long rectangular cloth has the symbol of a Mariner's Cross (anchor and cross) embroidered with white silk thread on each short end. The wide hems are hand stitched. The cover has two white tape ties and embroidered text in blue silk thread. On cloth: symbol of (anchor with an 'X' stitched behind the centre of it). On cover, text "FLAGSTAFF/ HILL" flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, religious service, st nicholas seamen’s church flagstaff hill, altar cloth, church linen, ecclesiastical linen, mariner’s cross, anchor cross, cross of hope, symbol of christianity, anchored cross -
Flagstaff Hill Maritime Museum and Village
Furniture - Screen, Thomas Hope, 1905-1913
The fire screen was part of the original furnishings of the Lighthouse Keeper's Quarters in Merri Street, Warrnambool. It was made by Lighthouse Keeper, Thomas Hope. Thomas served two terms as an assistant lighthouse keeper in Warrnambool. His first term was from 1905 to 1907. He later returned from 1910 to 1913, when he was appointed as Keeper five months after the untimely death of his predecessor Peter Quinn. Woodworking was one of Thomas Hope’s hobbies, and the three-panel fire screen he made as a lighthouse keeper is now in the Flagstaff collection and is displayed in the Lighthouse Keeper’s Cottage. Thomas Hope 1857 - 1928 Thomas James Hope was born in Camden, Surrey, England in 1857. His father, also called Thomas, was reputed to be a member of the Royal Family, and Thomas Hope Junior his illegitimate son. Thomas was subsequently brought up on the estate of the Earl of Hopetoun in Somerset and it was thought that Thomas was the Earl’s grandson. Against the wishes of those in charge of Thomas, he joined the navy at an early age, seeing much of the world until he settled in New Zealand at the age of twenty-four. After some years in New Zealand, he came to Australia to live. One of the jobs Thomas Hope had prior to becoming an assistant lighthouse keeper in 1896 was as a cook in the Lunatic Asylum at Sunbury, Victoria. He served as an assistant keeper at Shortlands Bluff, Gabo Island, Split Point and Warrnambool, retiring in 1918. He bought a house in Nicholson St, Warrnambool and died in March 1928. He is buried in the Warrnambool cemetery. Thomas Hope is recorded in family history as being of short stature and, not surprisingly given his alleged aristocratic connections, possessed a beautiful speaking voice. He and his wife Elizabeth nee Waters, whom he married in New Zealand, had six children (Thomas, killed in World War One), Ellen (Nell), Nora (who was married at the Warrnambool lighthouse keepers cottage), William (who died in Warrnambool), Marion and Alan. Joseph Hoover (Dec 29, 1830, to Aug 7, 1913) Joseph Hoover, the printer of the pictures on the screen, was born in Baltimore, of Swiss-German heritage. He was trained as an architectural woodturner. In 1856 Hoover moved to Philadelphia and began producing elaborate wooden frames in his wood-turning and framing business. By 1865 Hoover had started to produce popular prints for publishers and artists, which included noted Philadelphia artist James F. Queen. In the 1880s Hoover set up a complete plant specialising in chromatography, the process of producing colour prints from lithographic plates. The coloured prints he produced were affordable to business and private customers. In 1893 his son Henry L., a trained lithographer, joined the company as overseer and it was called J. Hoover & Son. It became one of the largest in America by the turn of the century. Hoover won a medal for Excellence for his Chromolithographs of James Queen’s works. In 1904 Joseph’s other son, Joseph W, joined the business as a partner and the company was called Jos. Hoover & Sons. Hoover died of a heart attack in 1913. He was survived by his wife and six children: two sons who were also his business partners, and four daughters. The firm continued in production until around 1985. Hoover’s prints included scenes, still life and landscapes of America and other locations. They were sold in America and overseas to countries including Canada, Germany, Mexico and England. The three-panelled screen in the Lighthouse Keeper’s Cottage was made by the Assistant Lighthouse Keeper, Thomas Hope during one of his two terms at the Lighthouse Keepers' Quarters. It is the only object in the collection known to be connected to Hope. The Lighthouse Keeper's Cottage is part of the Lady Bay Lighthouse Complex, which is listed on the Victorian Heritage Register for being of historical, scientific (technological) and architectural significance to the State of Victoria.Fire screen comprising three black wood framed panels hinged together. Each panel contains a glass-encased print depicting a rural landscape. Ornate stencil cut wood edging and quilt-inspired parquetry sits above each panel. The central panel is taller than those either side. Screen is lined in black-painted cardboard.Printed at the base of each of the three prints “COPYRIGHT 1896 BY J. HOOVER & SON, PHILAD’’A.”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, firescreen, thomas hope junior, ellen (nell) hope, nora hope, william hope, marion hope, alan hope, jos. hoover & sons of philadelphia, lighthouse keeper, assistant lighthouse keeper, carved screen, merri street, lighthouse keeper's cottage, lighthouse residence, lighthouse, wood carving, lighthouse complex, lady bay lighthouse, fire screen -
Bendigo Historical Society Inc.
Document - LONG GULLY HISTORY GROUP COLLECTION: LETTERS FROM THE LONG GULLY HISTORY GROUP
Letter, dated 12 March 2002, from the Long Gully History Group to Mrs Ruth Claridge, Secretary of the Bendigo German Society. Letter mentions it is their belief that the German Society has obtained a plaque and is in the process of organising its placement alongside the Cornish Plaque. The Long Gully History Group has picked May 4th for the unveiling and hopes the time frame allows the German Society to place their plaque in place.bendigo, history, long gully history group, the long gully history group - letters from the long gully history group, mrs ruth claridge, bendigo german society, cornish plaque, carol rasmussen -
Eltham District Historical Society Inc
Book, Marguerite Marshall, Eltham Shire: Historic buildings, people and places, by Marguerite Marshall, 1987
Historic buildings people and places in Eltham Victoria45 p. : ill., map ; 30 cm.In one copy of 1983 edition [written on note stuck onto preface page] Hi Sue, book as promised. Hope you can get some use out of it. Nice meeting you, regards, Jane Glynnhistoric buildings eltham victoria, historic people eltham victoria -
Tatura Irrigation & Wartime Camps Museum
Suitcase
Made by POW at Camp 13, Murchison who was a crew member of the "Ramses". Suitcase made for owners possessions Many of the Internees & POW's who arrived in Australia with all their belongings in a canvas hold-all, made wooden suitcases for their possessions. Some were hoping for repatriation, others used them when moved from camp to camp. then lastly on their release.Handmade wooden suitcase with metal handle and clips- canvas straps attached to inside of case (Lid)suitcase, wooden, hahn j, asboth s, camp 13, tatura, camp 13 wooden suitcase, personal, effects, travel, goods -
Federation University Historical Collection
Photograph - Photograph - Sepia, Ballarat Looking South Along Armstrong Street, 1872
This photograph was taken not long after the Ballarat Town Hall tower was builtFramed sepia photograph showing a bird's eye view of Ballarat looking south from the tower of the Ballarat Town Hall. Businesses shown in the photograph include Town Hall Hotel, West's Hotel, National Loan Office, Edinburgh Castle Hotel, Magill and Coglan, Dana Street Primary School, Band of Hope and Albion Mine, I. Dean auctioneer, Pritchard, Murray, Victoria Foundry. Just south of West's is the Phoenix Foundry.ballarat, ballarat town hall, ballarat streetscape, ballarat townscape, william bardwell, fotobiennale -
Ballarat Tramway Museum
Ephemera - Place Mat, Sebastopol Bowling Club, 100 years of Electric trams, 23/09/2005 12:00:00 AM
Place Mat used at the celebratory dinner of the BTM at the Sebastopol Bowling Club - 24 September 2005. Produced by the Bowling Club. Has words "Tram Museum / 100 years / On behalf of Sebastopol Bowling Club Inc we hope you have a wonderful day!", with Bowling club logo. Features photos of No. 31 at Victoria St. terminus and No. 26 c 1960 at intersection of Sturt and Lydiard St. North". Two copies held.trams, tramways, btm, 100 years of electric trams, sebastopol -
Bendigo Historical Society Inc.
Photograph - GOLDEN SQUARE LAUREL STREET P.S. COLLECTION: PHOTOGRAPH - FOOTBALL CARNIVAL 2002
Faded coloured photograph of the 2002 Football Carnival Team and their coach. Their names are: Back: Hayden Dixon, Daniel Dole, Kyle Owen, Jamie Lock, Andy Rosos, Josh Gordon, Doug Holt, Jye Gibson. Centre: Shane Rodda, Rhys Wardle, Henry Anderton, Nick Lancaster, Dylan Holliday, Brett Monti, James Logan, James Rooke. Front: Scott Owen, Michael Measures, Luke Scoble, Matthew Hope.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - photograph - football carnival 2002, hayden dixon, daniel dole, kyle owen, jamie lock, andy rosos, josh gordon, doug holt, jye gibson, shane rodda, rhys wardle, henry anderton, nick lancaster, dylan holliday, brett monti, james logan, james rooke, scott owen, michael measures, luke scoble, matthew hope -
Mission to Seafarers Victoria
Letter - Correspondence, Letter to Lillie from Howard, 29 August 1925
The "letters to Lillie" show the international nature of the Mission to Seafarers. They are an important display of the handwriting style of the time, revealing courting attempts and give us an insight into life in 1925. Page 1 S/S City of Norwich Port Said My Dear Old Lillie, Well, I never got so much of a shock in my life, when your postcard turned up 2 days before my birthday, wishing me many happy returns, for which I thank you sincerely, and am sorry to say I had forgotten yours, or being very quiet about your various qualities, you would not tell me. Well to get on with the news, the next day I had a telegram to report at the Line head office, on the 15th Aug. early, imagine how I swore, as a little do was to [be] held at night, they immediately shored me on this ship S/S City of Norwich to go to Port Said, then join the City of Corinth bound for Boston & New-York so I may come out to “little Aussie” again from there with a little luck, any way we ought to be in New-York about the 19th Sept to stay a month, I will write you more in detail from there, if you feel inclined and have forgiven me for being so long about answering your last letter, could you write to S/S City of Corinth, C/o Norton Lilly & Co, New-York. U.S.A. I would jump like L”l Page 2 how is the cow milking going on, but still that joke is as unfair as the small joke about my age now, both afflictions being cured by now I hope. Well really I am no letter writer and can find very little to interest you on paper Lillie, and my photo, I hate being taken as much as you, but will do my best, if you can wait a little please, hoping you are getting one that awfully exciting week with the mission as you call it. You must be A.1 actresses to amuse such a motley crew. Hoping you are all well at home, give Mr & Mrs Duncan my kind regards, sending my best love to you dear. Hoping you will recognize me if I can come along. with tons of love, Howard. P.S. I hope to be a little more sophisticated when I come next time [-] you may be able to tell me. Lillie Duncan was a member of the Harbour Lights Guild and this letter forms part of a collection of letters sent to her by different seafarers.Letter addressed to Miss L Duncan, 11 Paxton St, East Malvern, Melbourne, Australia from Howard in three parts: Part 1.1 (0007.1) Envelope Part 1.2 (0007.2) First page of letter Part 1.3 (0007.3) Second page of letter The pages, as is the envelope, are a creamy yellow colour with black cursive writing on one side of the page. Page 1 of the letter begins with the salutation "My Dear Old Lillie...". Page 2 of the letter concludes with "...you may be able to tell me".The envelope is torn across the top for access to its contents. It has two stamps on the top right hand corner both with the text "Port Said 23AU25.4.5P".lillie duncan, howard, port said, lhlg, ss city of norwich -
Mission to Seafarers Victoria
Book, Jill Barnard et al, Welcome and Farewell: The Story of Station Pier, 2004
In the mid-nineteenth century, Victoria’s primitive maritime infrastructure was not coping with the volume of passenger and cargo traffic arriving in and departing from the burgeoning gold-fevered colony. However, the opening of Railway Pier at Port Melbourne in 1854 greatly improved the situation. Railway Pier serviced the steamships, which plied Port Phillip Bay and the Victorian coastal waters beyond, and also offered berths for vessels on the regular runs to other Australian colonies and to overseas destinations. However, as the larger and more powerful steamships of the early twentieth century found berthing increasingly difficult at Railway Pier, the need for a more modern pier became apparent. By 1930, the new Station Pier had replaced its predecessor. Itself extended and upgraded several times including during the past decade, Station pier still offers every contemporary convenience to shipping services using its busy facilities, just as did its predecessor Railway Pier, 150 years ago. The Victorian Government commissioned Welcome & Farewell to celebrate the 150 years since the opening of the Railway Pier. In doing so, it was mindful that the story of the site is not limited to its contribution to national and state economies, or to its physical development. The Government wanted a history that would also speak to ordinary Victorians, and other Australians, of their own experiences of this significant place. For indeed the Station Pier site has played its part in almost every milestone or phase in our history: at moments of celebration and commemoration, during economic booms and depressions, during times of war and peace. It has also won a place in the hearts of ordinary individuals affected by the welcomes and farewells they have experienced there: those for visiting royalty and celebrities, for servicemen and medical personnel off to war or returning home, for migrants from distant countries and refugees from war zones, for friends and family travelling for personal, professional or cultural reasons. Welcome & Farewell thoughtfully examines Station Pier’s significance and offers a splendid visual panorama of the experiences lived out there between 1854 and 2004.Illustrated large-format book with 224 pages [36] p. of plates. : ill., maps, ports.Bibliography: p. 199-201non-fictionIn the mid-nineteenth century, Victoria’s primitive maritime infrastructure was not coping with the volume of passenger and cargo traffic arriving in and departing from the burgeoning gold-fevered colony. However, the opening of Railway Pier at Port Melbourne in 1854 greatly improved the situation. Railway Pier serviced the steamships, which plied Port Phillip Bay and the Victorian coastal waters beyond, and also offered berths for vessels on the regular runs to other Australian colonies and to overseas destinations. However, as the larger and more powerful steamships of the early twentieth century found berthing increasingly difficult at Railway Pier, the need for a more modern pier became apparent. By 1930, the new Station Pier had replaced its predecessor. Itself extended and upgraded several times including during the past decade, Station pier still offers every contemporary convenience to shipping services using its busy facilities, just as did its predecessor Railway Pier, 150 years ago. The Victorian Government commissioned Welcome & Farewell to celebrate the 150 years since the opening of the Railway Pier. In doing so, it was mindful that the story of the site is not limited to its contribution to national and state economies, or to its physical development. The Government wanted a history that would also speak to ordinary Victorians, and other Australians, of their own experiences of this significant place. For indeed the Station Pier site has played its part in almost every milestone or phase in our history: at moments of celebration and commemoration, during economic booms and depressions, during times of war and peace. It has also won a place in the hearts of ordinary individuals affected by the welcomes and farewells they have experienced there: those for visiting royalty and celebrities, for servicemen and medical personnel off to war or returning home, for migrants from distant countries and refugees from war zones, for friends and family travelling for personal, professional or cultural reasons. Welcome & Farewell thoughtfully examines Station Pier’s significance and offers a splendid visual panorama of the experiences lived out there between 1854 and 2004.port melbourne, station pier -
Whitehorse Historical Society Inc.
Clothing - Women's Cape
Cape made and worn by Anne (nee White) Field, the mother-in-law of Jean Field at age 19. She came out from England on a sailing clipper (SS. Waspole) at age 7 years. Lived in Canberra as a tent city. Buried in St John Baptist Churchyard in Queensberry Street North Melbourne. (Hope I got it alright - Ted Arrowsmith)Heavy brown cape. Decorated with overlay of the same material bound with fine satin braiding. Wide border of sewn ripple stitch pattern.costume, female -
Rutherglen Historical Society
Image, 1938 (Exact)
Black and white postcard showing a photograph of the Rutherglen Railway Station.Message on back: "Dear Mother. Am sending parcel by rail to Windsor Railway Stn by this mail. Love from Eve. Hope you get it safely." "Just going down to Auntie Mats. Writing in shop. Love Eve"railway stations, railway yards, trains -
Orbost & District Historical Society
bottle, Paul Duval (Aust. Pty Ltd)
Paul Duval was an Australian company selling fairly inexpensive products although they were usually available from pharmacies and department stores rather than chain stores. They would have chosen the name Duval for it's "french" sound hoping to add to the prestige of the product. Australian manufacturers of perfumes and cosmetics tried using European sounding names to trick the local market into thinking the product was importedA small narrow rectangular bottle made of clear glass.On base - Paul Duvalbottle cosmetics perfume duval-paul -
Islamic Museum of Australia
Surfboards with digital decals, Inshallah Series 2008, 2008
Phillip George was inspired by his trip to the Middle East and the Cronulla riots in 2005 when Lebanese Australians where targeted on a beach in Sydney. The full series consists of 30 surfboards which are all adorned with intricate Islamic vegetal and geometric designs. The range was called Inshallah, or God willing and was made by George in the hope of bridging the cultural divides between Australian Muslims and other Australians.Fibreglass and carbon fire surfboards with digital decals x 3. The Inshallah surfboard series employ designs from famous mosques, showcasing the vegetal and geometric patterns of traditional Islamic design.phillip george, islamic design, australian culture, australian art, surfboard -
Vision Australia
Poster - Object, City Service Press (A J Charles), Blind Variety Entertainers showbill, 1904-1927
Concerts were a fundraiser that the Association for the Advancement of the Blind first introduced in 1900, based upon the experiences of the RVIB concert tours that Tilly Aston had participated in whilst attending the school. Initially not as successful as hoped, they were re-introduced in 1911 and soon became a regular fundraiser for the fledgling organisation. This undated handbill lists the acts and the ticket seller for one such performance, possibly around 1923.Long paper sheet with printing on one sideThe Most Popular Company on Tour Blind Variety Entertainers will visit here Thur May 28 The following Up-to-date Artists will appear Norman Leslie comedian Charles Bennett welcome reappearance of the famous Blind Tenor and Pianist T.H. Andrew welcome reappearance of Blind Instrumentalist A. Solomon welcome reappearance of Old Time Blind Comedian Special Engagement Paul Debur paper manipulator and sketch cartoonist Fred Tilley welcome reappearance of the Popular Blind Basso in Songs, humorous and sentimental Leslie & Debur in Double Comedy & Melody The Most Popular Company now on Tour. Interesting Program of Genuine Delight. Instrumental, Comic, Classic, Trios, Duets, Etc. The Whole of the Proceeds in aid of Association for the Advancement of the Blind and the Home for the Adult Blind Any Blind Person may participate in the benefits of this Association. An Association of Blind People. Popular Prices No Tax Advance Representative, R. Reid Touring Concert Manager, Norman Leslie General Secretary: T. Marks, Oxford Chambers, Melbourne City Service Press (A.J. Charles), Rear Payne's, Bourke Streetassociation for the advancement of the blind, fundraising -
Kiewa Valley Historical Society
Sewing Tool - Serrated Tracing Wheel
A cutting or serrated tracing wheel with a wooden handle. The metal arm holding the cutter is inserted into the wooden handle. The circular cutter has sharp spikes (the serrating wheel) which turn. The box used to store the wheel: Oblong cardboard box with separate lid. Inscription on top part - black on green background: Nicholson File Co. / Port Hope Ont. / Mae in Canada/Patent / Increment Cut / Warranted / and made from / Best / File SteelCutting wheel: Side 1: B. Humphreys engraved into the metal section holding the spiked wheel. Side 2: Made in England Box: Hand written in black ink on the bottom of the box: "To Betty / with love/ from Gran" On bottom end of box: black on green background: Nicholson / Warding Bastard / 1 doz. 4 and a half inch.sewing tool, ron white -
Bendigo Historical Society Inc.
Document - ANCIENT ORDER OF FORESTERS NO. 3770 COLLECTION: CORRESPONDENCE
Letter dated 13 Dec 1865 mentioning that W Salter had been paid seven pound and has since been paid £4, and received from contributions and he was still in the Funds, but it was hoped that he could go back to work in a week or ten days. He would like the amount forwarded as their balance takes place on the 27th. Signed Jas Thos Holl. Court King of the Forest seal impression in the top left corner.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, court king of the forest, commercial hotel, w salter, jas thos holl, court foresters home