Zilles Printers was begun by Lewis Zilles in the early 1930s. It was in McKenzie Street Ballarat. His son Jeffrey also became a printer - letterpress, offset and screen printer. The business became Zilles Printers/Graphics and was in Armstrong Street and later Bell Street Ballarat. Documents relating to a printing job ordered by Montrose Cottage. They required Gold Licences that would be presented to visitors to the museum.1 Worksheet: Blue pen information in sections. .2 Example of work ordered - Gold Licence Hand writing on blue paper .2 Date and signature examples. In pen number of copies and date zilles printers, montrose cottage, gold licence, breakdown sheet

The Royal Australian Survey Corps produced complete coverage of Papua New Guinea of Joint Operations Graphics (JOG) at 1:250,000 scale. JOG were produced in two versions JOG Ground in metres and JOG Air in feet. This report estimates the amount of manpower required to complete the last 30 x JOG and JOGA as at 22 March 1982 by Cartographic Squadron.A4 typed 4 x page report stapled top LHSroyal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr, png

A comprehensive summary of Automated Data Processing at the Army Survey Regiment with a description of each. Textronix 4052, PDP 11/70, Quantex Replay Unit, Automap 1, Automap 2, Konsberg GT5000, RTE 6, Autochart, Plot 79, IGDS, Schut Bundle, DTM - Nucleus, DTM - Graphics, ASMAPS, ASTIS, PAT-B, PRE-B5, PAT-M, PRO-MS.Typed Report, 3 x foolscap photocopy pagesroyal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr

Zilles Printers was begun by Lewis Zilles in the early 1930s. It was in McKenzie Street Ballarat. His son Jeffrey also became a printer - letterpress, offset and screen printer. The business became Zilles Printers/Graphics and was in Armstrong Street and later Bell Street Ballarat. The letterheads show the various addresses of the company. They also indicate the change from Lew (Lewis) Zilles to his son Jeff Zilles.Pages of various sizes with name, address and phone number. Some pages yellow.Names of printing house varieszilles printers, lew zilles, jeff zilles, ballarat, letterheads

Zilles Printers was begun by Lewis Zilles in the early 1930s. It was in McKenzie Street Ballarat. His son Jeffrey also became a printer - letterpress, offset and screen printer. The business became Zilles Printers/Graphics and was in Armstrong Street and later Bell Street Ballarat. Letterhead for GO THERE, Public Relations in a Newspaper. The address is 112A Armstrong Street South, Ballarat 3350. This is the same address for Zilles Printers.White page with red printGO THERE - Address and postal informationzilles printers, ballarat, go there

'The Years Between' is an oral history of RVIB 1866 - 1991. It was put together by Allan Nuske and Jamie Kelly and consists of narration and excerpts of oral histories from past staff/students. Through historical data and personal recollections, former students tell the story of how the institution developed under the changing approaches of teachers and other staff, the need to keep fundraising, being shipped to Olinda during the war, 153 MP3 audio recordings comprising a file for each section of the bookMany thanks to Alan Nuske, Betty Vinters, Jon Lock, Ross Johnstone, Simon von Saldern, Leo Hartman, Elaine Leahy, Mary Adams, Ben Quin, Kasia Graphics, Art Attack, June Treadwell, Jamie Kelly, Neville Kerr, Dorothy Hamilton, family and friends of Alan Nuske, Pam McAleese and Julie Brain.royal victorian institute for the blind, allan nuske, jamie kelly, alice mcclelland, john murphy, harry worland, dorothy hamilton, hugh jeffrey, violet arnett, ian cooper, harry finlayson, elaine leahy, joan neich, reuban ryan, neville kerr, e.e. (ted) petersen, neil westh, norman rees, charlie bradley, ethel sutcliffe, esme dunnell, margaret fialides, carol baxter, ben quin, graeme mcgowan, margaret bull, jim smith, dick sutcliffe, ray smart, george findlay, edward (ted) hanlon, david blyth, martin stewart, len stevens, oral history

Zilles Printers was begun by Lewis Zilles in the early 1930s. It was in McKenzie Street Ballarat. His son Jeffrey also became a printer - letterpress, offset and screen printer. The business became Zilles Printers/Graphics and was in Armstrong Street and later Bell Street Ballarat. Sticker produced are for the Royal Yacht Club of Victoria and Nap Silentflow - "The Experts in Noise Control". They are based in Oakleigh Victoria and manufacture acoustic louvres.Small white sticker with bright blue print and symbol.1 ROYAL YACHT CLUB OF VICTORIA around shield shape - formed by belt and buckle. Anchor and crown in centre part. .2 Arch shape with radiating line representing airflow. NAP SILENTFLO underneath.zilles printers, stickers, royal yacht club of victoria, nap silentflo, acoustic louvres, ballarat

Zilles Printers was begun by Lewis Zilles in the early 1930s. It was in McKenzie Street Ballarat. His son Jeffrey also became a printer - letterpress, offset and screen printer. The business became Zilles Printers/Graphics and was in Armstrong Street and later Bell Street Ballarat. Items are examples of print available. Instructions are included. Letter from Jeff Zilles gives helpful information to staff. It explains things to do and not to do..1 A4 typed sheet - instructions to staff .2 Instant lettering sheet. Printed section peels off backing .3 Yellow sticker advertising Jeff Zilles .4 Letraset information paper - 4 pages .8 Green sample packet - 2 sheets enclosed .10 Sheets inside folder - 3 zilles printers, letraset, ballarat

Bronze-gold circular metal "film canister" with the word "convergence" applied to lid using "Colour Ease" system available at university at the time. This was essentially a way for Ballarat design students to produce their own transferable graphics and was often applied to packaging. The metal canister is filled with coffee beans, CD Rom, brochure, a coaster and poster. Some invitees received gold-bronze canisters, some received silver.Bronze-gold metal film canister. "Convergence" wording hand applied using Colour Ease method. Small white labels holding lid on (no tack remains).university of ballarat, federation university, graphic design, helmut stenzel, colour ease

Zilles Printers was begun by Lewis Zilles in the early 1930s. It was in McKenzie Street Ballarat. His son Jeffrey also became a printer - letterpress, offset and screen printer. The business became Zilles Printers/Graphics and was in Armstrong Street and later Bell Street Ballarat. Stencil has sections relating to various parts and functions of a cutting machine. These labels / decals would be placed at appropriate parts for the safe operation of the machine.Frosted sheet with black labelled sectionszilles printers, ballarat, machine, labels, decals, cutter height, choke, cutter, park brake, transmission, throttle, turn right, turn left

This is a paper back book of 128 pages with plastic binding. It has a red cover with black printing, ornate lettering and a sketch of a tent. The booklet includes printed material and photographs in colour.non-fictionA compilation of the first 11 years of the choral group, The Red Tent singers Warrnambool.red tent singers, warrnambool

Zilles Printers was begun by Lewis Zilles in the early 1930s. It was in McKenzie Street Ballarat. His son Jeffrey also became a printer - letterpress, offset and screen printer. The business became Zilles Printers/Graphics and was in Armstrong Street and later Bell Street Ballarat. Decals and stickers printed for Phil Morgan. Company was Major Water Products. Labels and stickers were used for containers of 11 litres of water. business was in Wendouree. VictoriaDecals printed by Zilles Printerszilles printers, phil morgan, wendouree, decals, stickers, major water products

Photographs of packaging works by University of Ballarat, Bachelor of Graphic Design/ Multimedia students. Many of these works were likely created for the Packaging Design Awards. Several use the application of graphics created in-house at the University of Ballarat on the "Colourease" system. Digital scan contact sheets of photographic slide transparencies. Please note, scanned images are for archive reference only. Images may appear flipped or rotated, and colours may not be accurate.Series of 41 unmounted 35mm slide transparencies of student packaging designs.university of ballarat, federation university australia, graphic design, multimedia, packaging, higher education, bachelor

Adhesive label or adhesive sign with the SEC 1921 logo printed on to a Avery Graphics label paper cover with a paper sheet with an adhesive finish. Photo i2, shows the paper being peeled off. One copy held without the paper sheet and one copy with. Made by the Bendigo Tramways c2010 and two copies given to Warren Doubleday at the time. High resolution image - tiff file held.tramways, trams, sec, logos, bendigo, tramcars

Large, brown, cloth covered book. A lengthy survey of 1920s graphic advertising in both the USA and England, with the aim of educating the public on what exactly made good advertising. Subjects include “Art & the Public,” “Art & the Business Man,” “The Art of the Printer,” “Commercial Studios & Their Work,” “The Art Agent & His Work,” “Retail Store Advertising,” “Notable Advertising Campaigns,” and much more. Many black and white images, with some in colour. press art school, percy v. bradshaw, ballarat technical art school, posters, advertising, graphics, lettering, press, bookplates, ballarat technical art school library

This series of photos are just a brief snapshot of some of the class based activities that were offered at Galen Catholic College to Year 7 students in 2002.galen catholic college, galen college, year 7, ceramics, technology, graphics, it, computing, 2002, students

Zilles Printers was begun by Lewis Zilles in the early 1930s. It was in McKenzie Street Ballarat. His son Jeffrey also became a printer - letterpress, offset and screen printer. The business became Zilles Printers/Graphics and was in Armstrong Street and later Bell Street Ballarat. Booklet provides a number of questions, 46, with clear answers. Diagrams and photographs used to illustrate the area being discussed. The printer is made by Davidson Corporation of Brooklyn, New York.Twenty-four page booklet. Salmon coloured card cover with thick pages. Print, diagrams and photographs.Stamp of business on back cover - B J Ball Ltd, 401 Post Office Place, Melbourne.zilles printers, ballarat, manual, davidson duel-lith printer, questions and answers, davidson corporation, brooklyn new york

Zilles Printers was begun by Lewis Zilles in the early 1930s. It was in McKenzie Street Ballarat. His son Jeffrey also became a printer - letterpress, offset and screen printer. The business became Zilles Printers/Graphics and was in Armstrong Street and later Bell Street Ballarat. Ronaldson Bros and Tippett began in Creswick Road Ballarat 1905. They were manufacturers of agricultural machinery and oil engines. In the 1930s they began production of tractors. The company was taken over in 1970 and closed. Black design on white background.Name of company. Artwork inside oval shapezilles printers, ballarat, ronaldson bros and tippett, agricultural machinery, oil engines, tractors, coat of arms, logo

Zilles Printers was begun by Lewis Zilles in the early 1930s. It was in McKenzie Street Ballarat. His son Jeffrey also became a printer - letterpress, offset and screen printer. The business became Zilles Printers/Graphics and was in Armstrong Street and later Bell Street Ballarat. Designs for Duetscher machinery. 27114.2 are Safety Instructions for a large lawn mower (ride-on). 27114.1 decals are for sections of the mower such the cutter section - height drive and park brake, Transmission and Choke/Throttle.Ten sheets of transparencies for Deutscher machineszilles printers, duetscher, decals, lawn mower, ride-on, cutter, cutter height, cutter drive, park brake, transmission, throttle, off/on

John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash

John Ash succeeded Thomas Harrison as the Australian Note Printer in 1927 and oversaw the printing of a new series of banknotes, known as the Ash Series. First issued between 1933 and 1934, the new banknotes sought to improve the currency's resistance to counterfeiting. A special watermark was created to increase the security of the new series. Shaped as a medallion, the watermark showed the profile of Edward, the Prince of Wales. A new portrait of the King was also introduced, depicting him frontally rather than in profile as he had appeared in the prior banknotes of the Harrison Series (1923-1925). The back of each denomination contained an individual vignette that reflected a sector of the country's economy. The wool and agricultural industries were represented, as they had been in the first series of the nation's banknotes (1913-1914), and they were joined by manufacturing and commerce. The prominent British sculptor, Paul Montford, contributed to the design of the new series. Recognised for his sculptural works on the exterior of Melbourne's Shrine of Remembrance, Montford was commissioned to produce relief sculptures that formed the basis of the banknotes' vignettes. His sculptures were translated into wash drawings by Frank Manley, the artist and engraver for the Commonwealth Bank's Note Printing Branch. Manley accentuated the sculpture's three-dimensional qualities with deep shadows and touches of illusionism. A sheep in Montford's pastoral scene, for example, stands forward from the frame as if entering the viewer's space to escape branding and Manley preserves this visual conceit in his drawing. Whereas the printing of the previous series of Australian banknotes had been criticised for its poor definition, the sculptural basis of the Ash Series clarified the banknotes' imagery. During a period of record unemployment, the scenes emphasised the strength of the human figure in gestures of labour, evoking classical, heroic qualities in their poses. The sculptural forms suggested stability in the turbulence of the Great Depression and imparted a sense of solidity to paper currency. - museum.rba.gov.auCommonwealth of Australia paper one pound note in green and white tones depicting graphics and text. The obverse has a framed design with a blank portal to the left and King George VI in the right portal. The centre shows the Australian Coat of Arms, serial number, and detail over one pound symbol on a mosaic background, with signatories below. The reverse features a framed pastoral scene with farmers tending sheep, with a blank portal to the right.Obverse: ONE / 1 / 1 / ONE / COMMONWEALTH OF AUSTRALIA / K / 58 / 790230 / K / 58 / 790230 / This Note is legal tender for / ONE POUND / in the Commonwealth and in all / Territories under the control of the / Commonwealth. / [signature] / GOVERNOR / COMMONWEALTH BANK ON AUSTRALIA / [signature] / SECRETARY TO THE TREASURY Reverse: 1 /1 / 1 / 1 / PASTORALcurrency, money, pound note, pastoral scene, industry, commonwealth of australia, paul montford, king george vi, frank manly, john ash

Zilles Printers was begun by Lewis Zilles in the early 1930s. It was in McKenzie Street Ballarat. His son Jeffrey also became a printer - letterpress, offset and screen printer. The business became Zilles Printers/Graphics and was in Armstrong Street and later Bell Street Ballarat. Booklet for the Ballarat Dog Obedience club Inc. This is the Constitution published in 1995. The Club was established in 1977. It is located in Military Drive. Victoria Park, Ballarat. Classes are held Sundays. It is a non-profit organisation promoting responsible dog ownership.A5 booklet, stapled together. White pages with black print. 26 pages including cover.Name of club. Year of productionzilles printers, ballarat, ballaarat dog obedience club, constitution, responsible dog ownership, victoria park

Zilles Printers was begun by Lewis Zilles in the early 1930s. It was in McKenzie Street Ballarat. His son Jeffrey also became a printer - letterpress, offset and screen printer. The business became Zilles Printers/Graphics and was in Armstrong Street and later Bell Street Ballarat. The Ministry for Economic Development, Government of Victoria, awarded the Zilles family company the certificate for Approved Decentralized Establishment in the category of Printing and Publishing for the benefits provided pursuant to the Government's Decentraization Program. Dated 28th September 1982.Buff coloured card. Scroll edging, brown and red print.Symbol of government, red seal, signature. Certificate No 4525zilles printers, ballarat, minister of economic development, government of victoria, decentralized industry, award

Zilles Printers was begun by Lewis Zilles in the early 1930s. It was in McKenzie Street Ballarat. His son Jeffrey also became a printer - letterpress, offset and screen printer. The business became Zilles Printers/Graphics and was in Armstrong Street and later Bell Street Ballarat. Ronaldson Bros and Tippett began in Creswick Road Ballarat 1905. They were manufacturers of agricultural machinery and oil engines. In the 1930s they began production of tractors. The company was taken over in 1970 and closed. Framed copies of these posters are in the collection.Large posters - one with red border, one with blue border. zilles printers, ronaldson and tippett, ballarat, agricultural machinery, oil engines, tractors

Zilles Printers was begun by Lewis Zilles in the early 1930s. It was in McKenzie Street Ballarat. His son Jeffrey also became a printer - letterpress, offset and screen printer. The business became Zilles Printers/Graphics and was in Armstrong Street and later Bell Street Ballarat. "The Hideaway" was in Sturt Street Ballarat during 1960s-70s. The propriotor was Graeme McKenzie. He was the manager and swimming teacher at the Eureka Pool until it was taken over by the YMCA. He was also on the committee of the Eureka Stockade Memorial Park. Buff coloured thick card with black printzilles printers, graeme mckenzie, the hideaway, coffee lounge and restaurant, sturt street ballarat, eureka pool, eureka stockade memorial park, swimming teacher

Zilles Printers was begun by Lewis Zilles in the early 1930s. It was in McKenzie Street Ballarat. His son Jeffrey also became a printer - letterpress, offset and screen printer. The business became Zilles Printers/Graphics and was in Armstrong Street and later Bell Street Ballarat. The business / advertising cards are for Lewis Zilles, founder of the printing company. All show the address for Mackenzie Street Ballarat. Two of the cards have a calendar for 1934. Cards give businesses information on how Zilles through design can help promote their products -Seven cards various sizes and coloursZilles name and addresszilles printers, lewis zilles, mackenzie street, ballarat, business cards, maker of quality printing

Zilles Printers was begun by Lewis Zilles in the early 1930s. It was in McKenzie Street Ballarat. His son Jeffrey also became a printer - letterpress, offset and screen printer. The business became Zilles Printers/Graphics and was in Armstrong Street and later Bell Street Ballarat. Purchase Order forms for Munro Engineers and Gyrocast Pty Ltd with the estimates for costs related to production of these - setting up plates, press, numbering and then bind, trim and back. It also must provide a declaration section for Sales Tax and their Registration Number.Two sizes of forms - each has two sheets per order, white and yellow. White sheet has perforations to allow it to be torn out of order book. Yellow sheet retained. scrap page with estimates of costs.Munro Engineers and their address. Purchase Order Numberzilles printers, purchase order forms, munro engineers, gyrocast, cost estimates, sales tax, printing plates, numbering