Note by T.H. Kneen 26.2.1992, Library in new College building immediately after occupation in 1949. Note inkwells carried over from Commonwealth Reconstruction Training Scheme which operated from 1946-1951.Black and white photograph. Old library in the Administration Building On reverse, Commercial Photographic Co. Pty. Ltd. 217 Queensberry Street, Carlton, Melbourne, N.#. FJ 5266 When Ordering Further Prints Please Quote-No K370-3.inkwells, commonwealth reconstruction training scheme, old library, administration building

Note by T.H. Kneen 4 March 1992, "This could be at the time when the Orchard was equipped with a stationary spray plant located in the Spray Shed on the West boundary adjoining the old nursery. The shed was close to the large specimen of Agathis robusta (Queensland Kauri.)"Black and white photograph. Student holding a hose and spraying fruit trees in the OrchardInscribed on photograph, "Spraying trees Burnley Gardens B36-2231." Student spraying a fruit tree. Looks very similar to B91.237 in which case he has been identified as Rod Cantrill (1953).spraying, trees, orchard, nursery, agathis robusta, queensland kauri, stationary spray plant, spray shed, rod cantrill, chemical shed, fruit trees

1 copy made by A.P. Winzenried as a possible inclusion in, "Green Grows Our Garden." Note by T.H. Kneen 16 March, 1992, The "Administration Building" referred to frequently in these photographs was the building erected to replace the old Pavilion which housed the School of Primary Agriculture & Horticulture and also the Pasture & Fruit Preserving Branches of the Department of Agriculture. The new building also provided for a future Plant Breeding Branch and some additional facilities such as the Assembly Hall, Library, two additional class rooms." Another comment on 8 April 1992, "The willow, a basket willow, was heavily pollarded annually."3 copies black and white photographs, different sizes. Photograph taken about 1960 showing Administration Building, pond, lawns and garden bed in foreground, student mowing in background. On reverse of 2 copies, "Photograph by Information Branch Victorian Department of Agriculture Ref. No. D1099C." On reverse of 1 copy, "from box the Garden/Land." On reverse, "The Main Building at Burnley photo taken winter approx 1960. This building replaced the original building - The Pavilion."administration building, pond, lawns, garden beds, students, mowing, a.p. winzenried, green grows our garden, school of primary agriculture & horticulture, pasture & fruit preserving branches, department of agriculture, plant breeding branch, assembly hall, library, basket willow, student working outside

Note by T.H. Kneen 8 April 1992, "Fred Rae kneeling."Black and white photograph. 2 men holding a white sheet behind a fruit tree in the Orchard to highlight branch structure. One man squatting beside the tree.On reverse, "Apple tree showing old limb destroying symmetry of tree July 1920."fred rae, orchard, apple tree, pruning demonstration

Associated with Ebbie Snow WW1 Chiltern resident. Sent to him from Aunty Bell and Gertie. Associated with Chiltern Resident Ebbie Snow WW1 soldier. Sent to him by his relatives with wishes for a safe journey home again. Small pocket Holy Bible containing the old and new testaments, Oxford, printed at the University Press London. Black leather over cover upon hard cardboard front and back. Internal pages are soft parchment. The book spine has "Holy Bible" and Oxford annotated upon it. Spine contains the wording Holy Bible (top) and Oxford (bottom). Blank cover and back. Internal first page contains title contents and publication details. The front cover has ink handwriting detailing the following : "To Ebbie with best love and wishes and may god bless and guide you safe home from Auntie Bell and Gertie". Note - Ebbie refers to Ebbie Snow. ww1 ebbie snow, holy bible old and new testaments, ebbie snow - aunty belle and gertie

ORIGINAL PHOTOGRAPH OWNED BY MR. WILLIAM HARRIS OF SUTHERLAND STREET, CLUNES. THE BUILDING OF THE CHURCH WAS COMPLETED IN 1870.BLACK & WHITE PHOTOGRAPH (COPY) OF THE WESLEYAN (METHODIST) CHURCH, CLUNES. BUILDING ON RIGHT OLD POST OFFICE?TANNER PHOTO . (HANDWRITTEN NOTE "ORIGINAL CLUNES PO)local history, photography, photographs, churches, wesley

Map donated by Barry Jenkins and assume that updated names were written on the map by him. Good information pertaining to the history of each allotment. Significant as it shows the names of the owners of each allotment in 1931 and handwritten notes of more recent owners.27/6/1931 paper map of the township of Peterborough including names of the landowners at that time.Handwritten landowner names over the original printed names.peterborough, old maps, maps

Same map as 4012 but printed names are easier to read. Hand drawn arrows show the road now built connecting Macs St to the Warrnambool RdShows early layout of the town and names of landownersgovernment map of the township of Peterborough with handwritten notes on it. Includes the names of the landowners 1931some hand drawn arrows.peterborough, old maps, maps

Undated but indicative of the layout of the town. includes printed notes regarding the landscape and flora.Old map of the township of Peterborough from J S Irvine.A3 size paper map with tape around the sides. Includes handwritten notes.Handwritten on the rear is J.S Irvinepeterborough, old maps

Shows the allotment boundaries and names of landowners at the timeSignificant as it shows owners of rural land in the Peterborough area.Photocopy of an old mapHandwritten notes and markings on the map.peterborough, curdies river, curdies river inlet, old maps, maps, narrawaturk

Photograph from 1930 newspaper cutting taken of residents Celebrating Stawell Diamond Jubilee in Stawell Town Hall. The photograph taken of the interior in the town Hall showing the painting at the one end of the hall. Note the wooden door head decoration. The newspaper is dated October 18, 1930. The large crowd fills the scene taken of residents in the hall spilling over to the stage area. Black and white newspaper photograph of a large crowd inside a hall taken in 1930. There are 2 photographs of newspaper cuttings from The Weekly Times of the crowd scene.The WEEKLY TIMES Magazine section 6, October 18, 1930, Stawell Celebrates Diamond Jubilee by Entertainment of Old Residents. Happy Party at the Old Time Ball in Stawell Town Hall. Handwritten - X Grace where cross is near Stage on one newspaper cutting. On the second newspaper cutting is Belle Mcleod marked with an X.stawell

Studio Portrait of older Lady with umbrella and glasses wearing a Toque - a lace Cape - pinned at neckline with a cameo Brooch and Chain. Note fine Dress.stawell

Collector says - "I can still recall one of my earliest childhood memories, of my nana's bright aqua shoes against the checks of our family travel rug on summer picnics. Maybe that's when this collection planted its seed in me - 40 years later I start my first blanket collection after stumbling across old Onkaparinga travel rugs. I would go to a vintage market in Collingwood every month and almost always found a good one, amassing enough for the entire household. Everyone had their favourite, even the cat had his own – a small red tartan one just for him." Note from collector-"For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. " Tan and brown plaid fringed travel rug. Albany Woollen Mill/Travel Rug/All Pure Wool/Emblem: A, Albany blanket, blanket fever, wool, rug, albany, albany woollen mills

Collector says: I can still recall one of my earliest childhood memories, of my nana's bright aqua shoes against the checks of our family travel rug on summer picnics. Maybe that's when this collection planted its seed in me - 40 years later I start my first blanket collection after stumbling across old Onkaparinga travel rugs. I would go to a vintage market in Collingwood every month and almost always found a good one, amassing enough for the entire household. Everyone had their favourite, even the cat had his own – a small red tartan one just for him.Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Fringed plaid travel rug, brown, yellow and blue Onkaparinga/washing instructions/use A.W.C. approved wool detergent/warm machine wash on short gentle cycle/or warm hand wash/DO NOT BLEACH/warm rinse well on gentle cycle/normal spin/DO NOT TUMBLE DRY/dry in shade - gently pull to shape/dry cleanable (A) - in emblems: The Woolmark pure new wool, Woven in Australia, F 472wool, blanket, blanket fever, travel rug, onkaparinga

Collector says: "I can still recall one of my earliest childhood memories, of my nana's bright aqua shoes against the checks of our family travel rug on summer picnics. Maybe that's when this collection planted its seed in me - 40 years later I start my first blanket collection after stumbling across old Onkaparinga travel rugs. I would go to a vintage market in Collingwood every month and almost always found a good one, amassing enough for the entire household. Everyone had their favourite, even the cat had his own – a small red tartan one just for him."Collector's note- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. "Fringed travel rug, red, blue, green and blackOnkaparinga/washing instructions/use A.W.C. approved wool detergent/warm machine wash on short gentle cycle/or warm hand wash/DO NOT BLEACH/warm rinse well on gentle cycle/normal spin/DO NOT TUMBLE DRY/dry in shade - gently pull to shape/dry cleanable (A) - in emblems: The Woolmark pure new wool, Woven in Australia, F 472wool, blanket, blanket fever, travel rug, onkaparinga

Collector says: "I can still recall one of my earliest childhood memories, of my nana's bright aqua shoes against the checks of our family travel rug on summer picnics. Maybe that's when this collection planted its seed in me - 40 years later I start my first blanket collection after stumbling across old Onkaparinga travel rugs. I would go to a vintage market in Collingwood every month and almost always found a good one, amassing enough for the entire household. Everyone had their favourite, even the cat had his own – a small red tartan one just for him." Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. "Fringed travel rug, teal and brownAn Onkaparinga 100% pure wool production. In emblem: Made in Australiawool, blanket, blanket fever, travel rug, onkaparinga

Collector says: "I can still recall one of my earliest childhood memories, of my nana's bright aqua shoes against the checks of our family travel rug on summer picnics. Maybe that's when this collection planted its seed in me - 40 years later I start my first blanket collection after stumbling across old Onkaparinga travel rugs. I would go to a vintage market in Collingwood every month and almost always found a good one, amassing enough for the entire household. Everyone had their favourite, even the cat had his own – a small red tartan one just for him."Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from."Plaid travel rug, double-sided , fringed , brown and orangeThe Seal of Quality/"Onkaparinga" /Pure Wool/Manufactured in Australia by Onkaparinga Woollen Co.Ltd/Owner___wool, blanket, blanket fever, travel rug, onkaparinga

Photograph depicts a Sturgeon merino ram of the Negretti type. According to the notes accompanying the donation, the photograph is believed to have been taken in England in c.1860.Photograph - "Sturgeon's Merino"STURGEON'S MERINO / 2 YEARS OLD LIVE WEIGHT 192 lbs. / PERMANENT CARBON PHOTO. This Photograph represents a Sturgeon Ram of the pure Negretti type, ... / [12 further lines of text]sturgeon merino, negretti, logo merino: sheep in australian art and design - exhibition (29/07/2000 - 04/02/2001), sturgeon, mr glen

Note from Frances Warren. 'The Dance Card really belonged to George, I think perhaps he did try to learn to dance. Didn't like it very much. Probably about 1935. We didn't have dance cards we just knew the dances and the sets and the Alberts were great fun. With the sets you had to swing and change your partners. If the partners were tall they just had to lift their arms a bit and you were off your feet and around you would go. Great fun.Yellow card folded into thirds Called 'Old Time' Dance Guide x Mullens 5th Edition 6d. Seven set dances. Three Round Dances, Valetta, Schottische, Two Step Printed instructions for these dances.documents, programmes

A4, 285 pages. A draft copy of the City of Whitehorse Post-1945 Heritage Study, dated 4 March 2015 (on front page) plus published copy of Appendix 2 pages 275-285non-fictionCity of Whitehorse Post-1945 Heritage Study, dated 4 March 2015 city of whitehorse, post war buildings, built heritage pty ltd, historic buildings, post war development, houses, architectural styles

Notes from the State Library's Trove collection on the murder of Iolene Sampson 28 years old on 3 Jan 1928 at quarry Road Mitcham and the subsequent court case on 22 Feb 1928.Iolene Sampson had been married to Ted Sampson for 15 months and they were orchardists near the corner of Quarry and Mitcham Roads. The Kleinert's had an orchard across the lane from them. Ernest Ambrose Kleinert, 20 years old, was tried for the murder of Iolene Simpson but was acquitted. The murder was never solved.kleinert ernest ambrose, , sampson mary iolene, sampson edward augustus

Union of Rutherglen Shire & Borough. Handwritten on back of photo: "Old Wesleyan Church used as Shire Office. R. Ready's house built on same site using materials from original building." (Note: R. Ready's house was built on site of Old Shire Office, not on Church site. Original Church still in use as Sout & Guide Hall. 1985-06-18)Copy of a photograph of Wesleyan Church used as temporary Shire Office during building of new office. Group portrait of Councillors in front of building."Union of Rutherglen Shire and Borough / Date of Union: December 15, 1920. Dissolution of Combined Councils: August 25, 1921. Rutherglen Shire Office. The Secretary Attends Monday & Friday 10am till 4pm" Front row (left to right) Ex. Cr. S.P. Gollings, Cr. R. Ready, Cr. E.E. Cock, Cr. J. Burch (Ex Mayor), Cr. C.H. Morris (Shire President), J. Hiskins (Ex President), Cr. R.J. Burrowes, Cr. D.B. Smith, Cr. P. Gullifer / Centre Row (left to right) Cr. H.G. Richards, Cr. W.H. Chambers, Cr. R.H. Berryman, Cr. R.J. Harvie, Cr. W.R. McRae, Cr. W.V. McDonald, Cr. C.L. Dobbin, Cr. R.A. McLaurin, Cr. P.M. Seymour, Cr. M.T. Graham, Cr. F. Fuge, Cr J. Milthorpe / Back Row (left to right) T. Trenen (Editor "Sun"), P. Lingford (Shire Engineer), W.C. Bayliss (Banker), A.H. Thompson (Shire Secretary, A.C. Carter (Inspector), N.F. Turnbull (Assistant Secretary)"rutherglen shire, rutherglen borough, s p gollings, r ready, e e cock, j burch, c h morris, j hiskins, r j burrowes, d b smith, p gullifer, h g richards, w h chambers, r h berryman, r j harvie, w r mcrae, w v mcdonald, c l dobbin, r a mclaurin, p m seymour, m t graham, f fuge, j milthorpe, t drenen, p lingford, w c bayliss, a h thompson, a c carter, n f turnbull

Union of Rutherglen Shire & Borough. Handwritten on back of photo: "Old Wesleyan Church used as Shire Office. R. Ready's house built on same site using materials from original building." (Note: R. Ready's house was built on site of Old Shire Office, not on Church site. Original Church still in use as Sout & Guide Hall. 1985-06-18)Original of a photograph of Wesleyan Church used as temporary Shire Office during building of new office. Group portrait of Councillors in front of building."Union of Rutherglen Shire and Borough / Date of Union: December 15, 1920. Dissolution of Combined Councils: August 25, 1921. Rutherglen Shire Office. The Secretary Attends Monday & Friday 10am till 4pm" Front row (left to right) Ex. Cr. S.P. Gollings, Cr. R. Ready, Cr. E.E. Cock, Cr. J. Burch (Ex Mayor), Cr. C.H. Morris (Shire President), J. Hiskins (Ex President), Cr. R.J. Burrowes, Cr. D.B. Smith, Cr. P. Gullifer / Centre Row (left to right) Cr. H.G. Richards, Cr. W.H. Chambers, Cr. R.H. Berryman, Cr. R.J. Harvie, Cr. W.R. McRae, Cr. W.V. McDonald, Cr. C.L. Dobbin, Cr. R.A. McLaurin, Cr. P.M. Seymour, Cr. M.T. Graham, Cr. F. Fuge, Cr J. Milthorpe / Back Row (left to right) T. Trenen (Editor "Sun"), P. Lingford (Shire Engineer), W.C. Bayliss (Banker), A.H. Thompson (Shire Secretary, A.C. Carter (Inspector), N.F. Turnbull (Assistant Secretary)"

Union of Rutherglen Shire & Borough. Handwritten on back of photo: "Old Wesleyan Church used as Shire Office. R. Ready's house built on same site using materials from original building." (Note: R. Ready's house was built on site of Old Shire Office, not on Church site. Original Church still in use as Sout & Guide Hall. 1985-06-18)Copy of a photograph of Wesleyan Church used as temporary Shire Office during building of new office. Group portrait of Councillors in front of building."Union of Rutherglen Shire and Borough / Date of Union: December 15, 1920. Dissolution of Combined Councils: August 25, 1921. Rutherglen Shire Office. The Secretary Attends Monday & Friday 10am till 4pm" Front row (left to right) Ex. Cr. S.P. Gollings, Cr. R. Ready, Cr. E.E. Cock, Cr. J. Burch (Ex Mayor), Cr. C.H. Morris (Shire President), J. Hiskins (Ex President), Cr. R.J. Burrowes, Cr. D.B. Smith, Cr. P. Gullifer / Centre Row (left to right) Cr. H.G. Richards, Cr. W.H. Chambers, Cr. R.H. Berryman, Cr. R.J. Harvie, Cr. W.R. McRae, Cr. W.V. McDonald, Cr. C.L. Dobbin, Cr. R.A. McLaurin, Cr. P.M. Seymour, Cr. M.T. Graham, Cr. F. Fuge, Cr J. Milthorpe / Back Row (left to right) T. Trenen (Editor "Sun"), P. Lingford (Shire Engineer), W.C. Bayliss (Banker), A.H. Thompson (Shire Secretary, A.C. Carter (Inspector), N.F. Turnbull (Assistant Secretary)"

The building is the old Shire Hall (formerly a Church) in High Street. Roy Ready Senior bought the land and building and built his house with it as a part.Black and white photograph, mounted on cardboard, of a number of men in front of a building labelled Rutherglen Shire Office. Printed at top of mount: "Union of Rutherglen Shire and Borough | Date of Union: December 15, 1920. dissolution of Combined Councils: August 25, 1921." Complete list of individual names printed at bottom of mount. At bottom right of mount: "Alf L Bowden, The Studio, Corowa, N.S.W." Note from donor pasted on back of mount.rutherglen shire, rutherglen borough, shire buildings, rutherglen shire councillors, roy ready

Ray MOLONY Born Albury, New South Wales "Notes for Raymond Walter Molony: Raymond Walter Molony grew up in the Dandenongs, and Maffra where he went to school. He attenended Sale Technical School, before studying at R.M.I.T. from where he gained a diploma of pottery and technical teaching qualifications. He taught at Shepparton Technical College leaving there in 1977 to become a full time potter. Ray Molony established the Mud Factory Pottery in Shepparton in 1977 after purchasing, renovating and extending the old Kialla Methodist church, and building a two storey mud brick pottery. Two of Ray and Deirdre Molony's sons, Kevin and Russell, were employed during the 1980s and 1990s. Kevin Molony left due in the early 1990s due to the recession at that time, and Russell Molony followed soon after. Both competent throwers, with Russell making some creative slab work while Ray continuing to decorate the works. Ray Molony continued to produce studio ceramics at the kialla studion until selling the property in 2000, and semi retiring to Miepoll. In 2005 he moved to Pottsville New South Wales." studio potterySmall ceramic bottle with leaf designs in brown glaze made at the Mud Factory Pottery by Ray Molony.ceramics, studio pottery, ray molony, mud factory pottery