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matching solider
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Tennis Australia
Racquet, Circa 1902
Tennis racquet with solid, convex throat, shoulders with string whipping, and fine grooved handle, flaring slightly at the butt. Materials: Wood, Metal, Glue, Lacquer, Gut, String, Gut, Leathertennis -
Tennis Australia
Racquet, Circa 1895
A Slazenger 'Pastime' tennis racquet with solid convex throat, and fine-grooved octagonal handle. Model name features on throat on obverse. Materials: Wood, Gut, Leather, Glue, Lacquer, Metaltennis -
Federation University Historical Collection
Drawing Equipment, Ruler, Straight /Parallel Lines
This type of solid brass ruler may have been used in Drawing Offices of Consultants - Engineers, Architects, Surveyors. It would also be used in mechanical drawing classes at Ballarat School of MInes. Brass rule with straight edges. Mounted on grooved roller mounts. Kasner & Moss, MELBOURNE. Initials "DNR" scratched into surface. Miniature "SMB" - 2 at each end. (Suze used for jewellery)brass, ruler, engineers, architects, surveyors, mechanical drawing, ballarat school of mines -
Creswick Campus Historical Collection - University of Melbourne
Equipment
Surveying equipment in fitted timber box. 3 components of solid brass painted dark green. Missing one additional component. Outer fitted and hand tooled leather carrying case.EquipmentT.005 Ass.No.108B From Norman H.Seward, Optician 459 Bourke St (near Queen St.) Melbourne -
The Beechworth Burke Museum
Photograph, c1916
... Solider ...Taken during World Ward 1, the photo features a soldier, HJ Ronald, holding a rifle in front of a building and fencing.This photograph is historically significant as it provides insight into the uniforms worn during the early 20th century and World War 1 period.Black and white rectangular photograph printed on photographic paper and mounted on a beige card.Obverse: H. J. Ronald / Reverse: Donated by George Ronald / 5899 (crossed out) / Dufty Bros Photographers / 237 High Streetmilitary album, burke museum, beechworth, beechworth museum, world war one, wwi, solider, wwi solider, hj ronald -
The Beechworth Burke Museum
Geological specimen - Coorongite
Coorongite is a dark, rubber-like, highly resilient structureless algal deposit. In the Coorong district of South Australia it occurs in moderate quantities associated with the coastal swamps and sand dunes which extend for a considerable distance east of the mouth of the Murray. This particular specimen was recovered from the south of the Coorong River, South Australia. A type of sediment rich in organic matter, Coorongite is the unlithified end-member of the sapropelic coal series. The members of the sapropelic coal series can be ranked in order as sapropel (the unlithified form), sapropelic-lignite, and sapropelic-coal (the lithified forms) based on increasing carbon content and decreasing volatile content. Sapropel (Coorongite) is an unlithified dark, pulpy, fine organic mud containing concentrations of algae and miospores that are more or less identifiable. Coorongite is typically found as an algae like substance, that can be found in irregular size pieces. Coorongite was believed to be dried up oil due to its rubber-like texture. The Coorongite is also soft to the point where it can be cut into with a knife or it can be broken and torn by hand. Otherwise known as 'Kurangk', the Coorong River is home to the Ngarrindjeri people, which acts as both a place for gathering food and a spiritual place. In 1852 the first sight of Coorongite was found along the Coorong River. The finders mistook the Coorongite for dried up oil, which lead to the belief that there were oil reserves under the Coorong River. Between the 1860s and the 1930s the Coorong River became a place where mining oil and Coorongite became precedent. Nowadays, the local council and the South Australian Government are working together with the Ngarrindjeri people to sustain and preserve the Coorong River and the culture that is with it. Soon after gold was discovered in 1851, Victoria’s Governor La Trobe wrote to the Colonial Office in London, urging ‘the propriety of selecting and appointing as Mineral Surveyor for this Colony a gentleman possessed of the requisite qualifications and acquaintance with geological science and phenomena’. Alfred Selwyn was appointed geological surveyor in Australia in 1852 which began the Geological Survey of Victoria. Selwyn went on to collect geological samples and catalogue thousands of specimens around Australia. In 1853-69 the Geological Survey issued under Selwyn's direction sixty-one geological maps and numerous reports; they were of such high standard that a writer in the Quarterly Journal of the Geological Society of London bracketed the survey with that of the United States of America as the best in the world. During his years spent in Australia, Selwyn collected numerous significant geological specimens, examples of which are held in collections such as the Burke Museum.Coorongite is considered to be a mineral with a unique texture, where it can be both hard and soft. Coorongite can also be considered to be a rare mineral, as it is only located along the Coorong River and due to the mining of it, has left very few sources. It was believed at one point that Coorongite could be used to replace oil. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.Three solid varyingly hand-sized pieces of wooden appearing organic matter derived from the river in the Coorong District in South Australia. A rubber-like, highly resilient structureless algal deposit.Specimen 245 page 69 / in Descriptive Register / "Elcestic Bitumen, / Coorangite" South of / Coorung River, South Australia . / C. WIllman / 15/4/21burke museum, beechwoth, indigo shire, beechworth museum, geological, geological specimen, mineraology, coorong, coorong river, kurangk, ngarrindjeri, south australia, coorongite, coorongite specimen -
Orbost & District Historical Society
wheel hubs, first half 20th century
Wagon wheels were required equipment in Australia early days. They were used for transporting goods, commodities, agricultural materials, supplies, and sometimes people. Horse-drawn wagons are an important part of Orbost’s agricultural history.Two large solid elm bullock dray wheel hubs. They have a hole through the centre for spokes and have cut out sections at the sides. They are possibly hand-made. 456.1 is lighter coloured.wheel-hubs transport-bullock handcraft carving -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Furniture, Dressing table swing mirror c1900, c1900
This dressing table with swing mirror was used by the early settler families of Moorabbin Shire c1900. Accompanied by a wash stand , basin and water jug people cleansed, shaved and tidied their hair and themselves between their weekly bath. This Dressing table mirror was owned by a pioneer family of Moorabbin Shire c1900 c1900 Mahogany Toilet / Swing Dressing table mirror A shaped mirror, domed top with thick frame, turned side supports finished with small finials and a solid base on 4 round supportseraly settlers, pioneers, furniture , mirrors, dressing tables, mahogany wood, carpenters, cabinet makers, market gardeners, moorabbin shire, bentleigh, cheltenham -
National Vietnam Veterans Museum (NVVM)
Model, Half Track Troop Carrier
Wheeled front, tracked rear. Solid half sides. Caged roof. Machine gun in troop bay. Bush bash roller on bumper bar and fold down armoured windscreen with observation slits.m3, half track truck, troop transport, white motor company, model -
Victorian Interpretive Projects Inc.
Photograph - digital, LJ Gervasoni, Murtoa War Memorial Gates and Arch, 2011, August 2011
Digital photograph showing the World War I and World War II war memorial gates and arch at Murtoa located beside the lake and the football ground. A figure of a solider stands atop the arch.war memorial, murtoa, arch, wwi, wwii, world war -
National Vietnam Veterans Museum (NVVM)
Newspaper, Newsletters to the Troops
Collection of photocopied pages of stories from Vietnam soliders, mostly humorous and cartoons. Front page SundayTimes and various editions. Many loose joke sheets. Jan 4th to May 21st editions.newspaper -
Tatura Irrigation & Wartime Camps Museum
Uniform - Helmet - German
Possession of POW in Vic war campSolid metal Tan painted helmet with tan coloured leather lining. Lining attached to metal frame in helmet and drawn together centrally with a piece of cord, has a tan leather chin strapSwastika. 66tatura, uniforms, army -
Whitehorse Historical Society Inc.
Functional object - Pen Holder
Solid moulded glass container with small indents to rest a pen. Glass dish has a shallow recess to hold pins and paper clips. Base of dish has pattern of small squares moulded into it.domestic items, writing equipment, commerce, office equipment / stationery -
Tennis Australia
Racquet, Circa 1903
An unmarked wooden tennis racquet, with solid convex throat, and fine-grooved octagonal handle. Most likely a part of a tennis set. Materials: Wood, Lacquer, Glue, Metal, Gut, Leather, Painttennis -
Tennis Australia
Racquet, Circa 1875
A rare tilt-top lawn tennis racquet with solid convex throat. Impressed inscription across throat on obverse: ALLAH EN/MISTRIE/SIALKOT. Materials: Wood, Lacquer, Glue, Metal, Guttennis -
Tennis Australia
Racquet, Circa 1900
An FAO Schwarz children's tennis racquet, with solid concave throat, and fine-grooved handle. Schwarz bell trademark features on throat on obverse. Materials: Wood, Gut, Leather, Glue, Lacquer, Inktennis -
National Wool Museum
Textile - Cloak, Dr Deanne Gilson, Banksia Tree Cloak (water and fire business), 2022
Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future).The sacred banksia tree was a favourite for Wadawurrung people. Flowering before deep Winter, the banksia was used for spear making and other wooden tools. The sap was drunk as a sweet drink and the seed pods used for water straining and fire sticks. The banksia tree flowers at the time when fire sticks farming is practiced marking the days before the coldest days and nights and the hotter days.White, orange, and yellow banksia design on outer cloak, yellow and white circle and diamond design in lining. Solid black trimming. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, wadawurrung dja, first nations art, cloak -
National Wool Museum
Textile - Cloak, Dr Deanne Gilson, Nan’s Spirit Watching over me (Rita Dalton) Cloak, 2022
Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future. The white ochre was used to create the feather pattern. White ochre is deeply connected to spirit or ‘murrup’ as we call it in language. The ochre is used on our bodies in ceremonies to paint our body up and is also placed on graves when someone passes. The white ochre is our most sacred connection to our ancestors and is used to celebrate both life and death. I source the white ochre from the You Yangs and only take what I need for ceremony and my painting.White and black feather motif with yellow eye design on outer clock, brown feather motif in lining. Solid black trimming. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, wadawurrung dja, first nations art, cloak -
National Wool Museum
Textile - Cloak, Dr Deanne Gilson, Waa the Crow Totem Cloak (Waa represents our ancestors watching over us), 2022
Standing proud, still here, the spirit of ten ancestral matriarchs adorned in contemporary ceremonial cloaks. Representing our women past, present and future, her Spirit, our culture, our Country (spelt with a capital for its importance and this is part of First Peoples protocols on acknowledging Country, our strength, our resilience and healing towards a sustainable future). Waa the Crow Totem Cloak (Waa represents our ancestors watching over us). Waa and all the birds get their names by the sounds the bird makes.Blue feather motif with blue star background on outer clock, blue and black feather design in lining. Solid black trimming. Cloak is machine sewn and handstitched with hand stitching on shoulder seam.deanne gilson, wadawurrung dja, first nations art, cloak -
Montmorency/Eltham RSL Sub Branch
Accessory - Kitbag, Australian Army, WW2
WW2 standard army issue kitbag.Name and serial number of soldier stenciled on bag. Details of service available on Australian WW2 Memorial Roll. Donated by a family member who was a Montmorency/Eltham sub-branch member.The kitbag consists of a long, brown, canvas cylinder closed at the bottom. The top has an internal canvas flap and eight brass grommets to allow a drawstring type rope to securely close the bag. A metal D-shaped hinged clasp to enable fitting of a padlock (end of straight section of D has been broken off - see photo). The name and army serial number of the owner are stencilled in white paint on the side of the bag. Along side of bag: D.F. NEWTON VX41537 61419 Stencil of "armoured arm holding battleaxe" (see photo - a unit insignia?) On base: D. NEWTON VX31537 61491 "A white solid circle"personal accessory, carry bag -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Photograph, 1914-18 The Methodists Youth Group Cheltenham, 1914-18 The Methodists Youth Group Cheltenham, 1914-18
The date of the photograph is unknown however it can be suggested it was probably during world war one, 1914-18, as one member in the group is in solider's uniform. The photographs are showing the Cheltenham Methodists Youth Group.These two small photos depicting a group photo of the Cheltenham Methodists Youth Group. The first photo shows the group sitting on the grass having a picnic. The second photograph depicts five members standing and two people sitting in front of them to the right of the photograph.back of photographs : C Whiteheadcheltenham, cheltenham methodists youth group, youth group, 1914-18, moorabbin shire, market gardeners, world war 1 1914 - 1918, soldiers, australian infantry force, -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 2000
Owner Keith Bryce? Let as holiday accommodation.|Also one other colour photograph similar view, taken from street shows house behind solid fence, tall trees at side.Colour photograph of a timber dwelling at 40 Roadknight Street, with corrugated iron hipped roof. Three entries from front veranda, one to enclosed side veranda, a main entry, and third into extension beside main entry. Mix of door and window styles reflects DIY additions. Lakes Entrance Victoriahouses, heritage study -
Kiewa Valley Historical Society
Article - "This Week" - History of Green Tea, Green Tea - The Facts
'The Japanese company Ito En has been working solidly for the last five years to establish a green tea industry in this area .' The article includes assistance from the Alpine Shire, the cost and benefits of the schemeThis is of historic and social significance regarding industries in Mt Beauty and the Kiewa Valley especially as some no longer grow green tea as the affect of bush fires (smoke) made the industry not viable.Article with Title "Green Tea - The Facts" published on Page Seven from local publication "This Week" Falls Creek. Bogong. Mt. Beauty Summer Edition 21 Friday January 23rd 2004. Refers to properties of which there are 50% in the Kiewa Valley including Mt Beauty.green tea in mt beauty, japanese company ito en -
Kiewa Valley Historical Society
Boot Last x2
A last is the solid form around which a shoe is moulded. The fit of a shoe depends on the design, shape, and volume of the last. Used by boot makers and shoe makers to construct a pair of boots or shoes or to mend them.Used by residents of the Kiewa ValleyCast iron with three foot sizes on each and each facing different directions.boot last, shoe last, bootmaker -
Flagstaff Hill Maritime Museum and Village
Domestic object - Cooler, First half of the 20th century
An unusual item believed to have been made by carving from a solid piece of sandstone for domestic use no history or manufacturing provenance currently available item could have been made as a one off.The subject item at this time cannot be associated with an historical event, person or place, provenance is unknown, item assessed as a collection asset as it is believed to have been produced before 1950.Sandstone cooler round barrel shape. 2 equal sections. Top section has small wooden knob for lifting.Noneflagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, cooler, kitchen ware, sandstone cooler, kitchen item, ice bucket -
Orbost & District Historical Society
bowl, Mid 20th century
Carnival glass is an inexpensive pressed glass, made as both functional and ornamental objects. Most carnival glass was made between 1907 and 1925, with production tapering off by the end 1931 during the great depression. the name "carnival glass" came about because when the demand for the glass tapered off it was often given away as prizes at carnivals.Large amber coloured glass bowl. It has four short legs moulded to the base. It is very ornate and solid. On the base is a pattern of fruit and flowers. The rim is fluted and the bowl is oval shaped. It is carnival glass. -
Warrnambool and District Historical Society Inc.
Artefact, Butter ram, Early to mid 20th century
This butter ram appears to have been made locally and was probably hand-made at a local factory. It was used to ram or mould butter into 56 pound butter boxes for bulk supply or for later cutting up into smaller quantities. Warrnambool was, and is still today, the centre of an important dairying industry with several large milk, cheese and butter factories in the area. The Warrnambool Cheese and Butter Factory at Allansford is the oldest operating factory of this type in Victoria and was established in 1888. The production of butter in the area was greatly accelerated by the invention of refrigeration in the early 1880s, enabling butter to be transported overseas. Warrnambool had two butter box factories which both closed in the 1920s. Up to the mid 1950s the production of butter was largely a hand process.This butter ram is of considerable interest as an example of the early tools used in the local butter industry.This is a heavy solid wooden block in a rectangular shape with the top shaped in the form of a pyramidal base. The edges of the base are worn from constant pounding. A long round wooden handle or rod is inserted into the top of the block. dairying industry in western victoria -
Glenelg Shire Council Cultural Collection
Souvenir - Glass - Portland Squash Club, n.d
Glass, solid base, squat, gold rim, gold printed PORTLAND SQUASH CLUB', logo of same, 'VICTORIA' trophy, below logo. Image of two men playing squash on opposite side of glass. -
Glenelg Shire Council Cultural Collection
Plan - Ship Plan / Mould, n.d
Wooden pattern for mould for boat fitting. Triangular base with rounded corners; two solid cylinders of different diameter, on top of one another, on top of base. painted green, underside of base painted white. -
Burrinja Cultural Centre
Iniet Sculpture: Male, hands on hips, Mid 20th Century
Limestone carving of human figure standing on solid base, knees slightly bent, hands resting on hips. Narrow torso with protruding genitals. Facial features clearly defined. Mouth Wide and lips pouted.