Mary-Lou began exhibiting in the mid 1980s and over the years has been known for producing unique pieces of domestic ware influenced by food and traditional ceramic ware of the past.Food and tradition have always played a big part in Mary Lou’s ceramic work. 'Serving Platter' is rich in colour. The decorative designs are inspired by her surroundings in a style reminiscent of the past. Mary-Lou and husband Chris have a studio and gallery attached to their residential property in Eltham North which is open to the public. They also participate in the Nillumbik Artists Open Studios program. Oval platter with bold, stylised flowers glazed in reds, blues and yellows.mary-lou pittard, eltham, nillumbik, ceramic

This screen with embroidered and appliqued panels was entered in the First Australian Exhibition of Women's Work 1907, at the Royal Exhibition Building in Melbourne. This landmark exhibition gave women artists and craft workers an opportunity to display their works to a broad audience and gain recognition for the variety and high standard of the works in both traditional and non-traditional fields for women. The embroidery and applique design is based on an original design for a similar object made by British Arts and Crafts Architect and Designer, M.H. Baillie-Scott, which was published in The Studio magazine in the early 1900s,This three-panel draught screen was made by Hilda Leviny in the Arts and Crafts style and entered into the First Exhibition of Women's Work, at the Exhibition Buildings, Melbourne in 1907.Arts and Crafts style three-panel draught screen made from timber(American Oak), linen panels, silk embroidery threads, beaten copper decoration and varnish. The embroidered panels, made by Hilda Leviny, are mounted within the timer framework, depicting a design of birds and trees in the Arts and Crafts style. Pattern Reg. No. 3227.2 and 2503. With copper decoration.hilda leviny, buda, castlemaine, domestic furniture, handcrafts, needlework, art nouveau, 1907, exhibition of women's work, royal exhibition building, woodwork, draught sceen, arts and crafts movement, embroidery and applique

This map originally came via Mitiamo East Loddon RSL who when they closed their Sub branch the map and their records were handed to the Bendigo RSL for safe keeping. It was framed and was hanging in the Office of the SMI until the renovations to the building in 2016.Dark green mount with brown wooden frame. Brown printing on cream paper. Perspex covering map.Top centre of map: “Returned Sailors, Soldiers & Airmen's Imperial League of Australia Map of Victoria showing Sub Branches 1949” Stamped on rear: Bethany Gallery. Traditionally a touch of Excellence Terry ? Jarvis, 116 Bridge Street, Bendigo Vic 3550 Ph (03) 5442 4771brsl, smirsl, map rsl's

The Kew Historical Society’s collection includes a wide range of leisure objects. Many of the items are European-made, generally of British origin, however there are a number that were made for the Australian market by Australian manufacturers. In the Nineteenth and Twentieth centuries, there were large numbers of games produced for children and adults. These included: arcade games, board games, playing cards and puzzles. A representative sample, many now rare survivors, can be found in the collection.Children's table game. Probably made in Germany c.1926. On the box is "Ges.Gesch" which is German for trademark registered. The box includes patterns and multicoloured glass marbles. The aim of the game is to arrange the beads in the holes of the pattern. The box pictures four children playing the game. Rules: BASIC RULES There can be two aims to the game - the first to clear the board of all the pieces and the second to try and position the pieces into a specific pattern. The playing surface is a special board and set of pegs or marbles made of ivory, bone, wood and later plastic. The traditional French board is octagonal and has 37 holes to accomodate the same number of pegs. the traditional English board is circular and has 33 holes or hollows, usually to accomodate the same number of marbles (33). Often there is a channel running around the outer edge to hold eliminated pieces. Some games required all the pieces, others only a certain number. The pieces are positioned before the start of the game.Box cover: "Gloria Mosaic. Ges.Gesch"gloria mosaic, games and puzzles

Indonesian is one of two LOTE languages taught at Galen Catholic College, the other being Italian. These photos show students in the Indonesian language classroom studying and wearing traditional Indonesian dress.galen catholic college, galen college, indonesian, lote, indonesian language, indonesian culture, students, 2016

The Stars and Compass Trophy was donated by Richard Hawkins in 1998 (the Year of the Oceans) to encourage the use of traditional navigation skills by yachts at sea. See attached document for more extensive background informationnavigation, hawkins

Sport competition between schools large and small in the Kiewa Valley were held in 1970 and included 'potato race' and 'bounce ball' along with more traditional events including high jump and running.Pink cardboard larger than A4 size folded in half listing Officials, Schools, Events with names of competing students. Dated Friday October 2nd 1970. Held at Mt Beauty High School Oval.In blue biro numbers 1,2,3 after some names in some events.kiewa valley school sports, mt beauty, athletics, games

Opera glasses, also known as theatre binoculars are compact, low-power optical magnification devices, usually used at performance events, whose name is derived from traditional use at opera performances. A pair of opera glasses with a leather caseearly settlers, market gardeners, theatre groups, operas

Cards given to his (father) in N G / VX 81823 T.H. DRUMMOND..1) Cardboard box containing 52 playing cards and sheet of instructions black print on white paper, box red, yellow, blue, white and grey print of navy vessel. cards red yellow blue white and grey, naval vessel or cover, flags and pendants on back. .2) Sheet of paper with coloured international code and flag signals on one side and instructions for playing two games traditionally played in Navy.sticker " A gift from the Australian Red Cross Society" on box.cards, playing, leisure object

A centenary tribute to Carl (a.k.a. Charles) Walter, (1831-1907), an itinerant potographer and botanist who in his maturer years made Anderson's Creek his home. Includes photographs attributed to Walter, and anecdotes and recollections of author Murray Houghton's ancestors."... By raising his stein in appreciation, the author herein toasts Carl Walter in the accostomed traditional method of 1850s German beer drinkers with a hearty 'Prosit!', i.e., a most warm, enthusiastic and respectful greeting, roughly equivalent to our contemporary custom of saluting a treasured friend with a rousing 'cheers!' or 'good health!'."

Photograph of two of the shops at Briar Hill. Also in this shopping precinct is Briar Hill Bakehouse which made the Urban List May 2022 guide to Melbourne and Victoria’s Best Vanilla Slice. "Briar Hill Traditional Bakehouse. When half of Melbourne are contacting Urban List and singing the praise of Briar Hill's snot block, there wasn't a chance that it'd miss out on a spot in this list. Flaky and custard-y in all the right ways, Briar Hill Traditional Bakehouses vanilla slice has cemented itself as a part of many local's mid-morning ritual." Colour digital photograph.briar hill, briar hill shops, mountainview road briar hill, sherbourne road briar hill, briar hill bakehouse

These Silver Cadet Badges are worn on the front of slouch hats which are traditionally worn by senior cadets for all parades and by the whole unit for Final Parades and formal events (ANZAC Day and Remembrance Day ceremonies). These badges are significant as most cadet units do not have a separate unit badge for their slouch hats and instead wear the similar Australian Army Cadets badge. However, a separate badge is often commonplace within school units as community units will usually display the other badge. 2 x Silver Metal Badge showcasing the Peninsula Grammar logo in a sphere of silver. Possibility for clasps on back and comes attached with two gold hat pins to do so. Peninsula Grammar Logo with engraved 'The Peninsula School Cadet Unit'cadets, cadet badge, peninsula grammar army cadet unit, silver badge, metal badge, australian army cadets, peninsula grammar

It has long been a tradition to distribute a piece of wedding cake to guests who attend a wedding. Traditional wedding cake is a rich fruit cake with long keeping qualities. It is unknown to whom this wedding souvenir belonged.This item has social significanceSmall rectangular tine with rounded corners inside a plain white cardboard box. Wedding bells are imprinted on the lid of the tin.wedding cake, warrnambool

The Peterborough Sandcastle competition has run for at least 50 years and is a highlight of the summer holiday season. Residents and visitors children all take part and the prizes are traditionally presented by the a gentleman dressed as the Lady Mayoress, with attendants.Significant because it has been a feature of Peterborough for so long.Two pages from the Warrnambool Standard, Mon 24th Jan 2005 with story and photos regarding the Sandcastle Competition at Peterboroughsandcastle competition, peterborough, men's pool, andy wilson, richard beggs, iconic annual event

Primarily a painter, Mandy Nicholson also produces ceramics, carvings, murals, prints, designs and children’s clothing. Born in 1975, Nicholson was raised in Healesville and belongs to the Wurundjeri-willam (Woiwurrung language) clan of the Kulin Nation. Mandy’s paintings often represent important cultural rituals and are executed in her distinct graphic style using the traditional motifs of her people blended with contemporary interpretation. Cultural Map of Melbourne shows significant sites across Melbourne. These include scar trees, corroboree trees, stone quarries, bush tucker sites, significant rivers, fresh water wells and traditional campsites.

The First Word is the traditional opening night Emerging Writers' Festival event. The event offers a sample of what is to come during the festival. This flyer, advertising the 2009 First Word event, also lists the staff, Board and partners.A black and white A4 page folded into a flyer providing details of the First Word opening night Emerging Writers' Festival in 2009.emerging writers' festival, 2009, literary programming, the wheeler centre, the emerging writer, books, first word, david ryding

Kew Festivals were held locally from 1974, initially every two years and later annually. For a number of years, Festival parades were held. Kew Historical Society members traditionally participated in historic costume.Group of nine Kew Historical Society members and friends, dressed in period costume in readiness for participation in a Kew Festival parade. Participants include L-R: Scott Littlechild (bike rider), Ken Silcock (swagman); ...; Kim Sullivan (top hat); Les Littlechild (policeman with truncheon); Graeme McCubrie (judge); ...; ...; Graeme Lindsey (policeman).kew festival -- parades, kew historical society - kew festivals

Christmas time at sea has traditionally been a key focus of Mission services to seafarers. It has also been a location where family members or friends can meet up briefly. This image was taken at the Hastings Mission to Seafarers.Part of a collection of Hasting Memorabilia collected by Keith and Pat Dann over a number of years. Prior to helping set up Hastings mission Keith Dann was also an active member at 717 Flinders St Mission.small colour photograph depicting decorated Christmas tree two seated and one standing seafarer. Also an older Sikh gentleman and his wife, possibly related to one of the seafarers. A chess and draughts confutable in foreground. christmas, hastings mission, keith dann, pat dann, pool table, television

Comparison of Canberra and Surfers Paradise as potential cultural capitals of Australia. Canberra represents one end of the spectrum of traditional architectural morals of sophistication and orderliness; Surfers Paradise represents the opposite end of the spectrum, that is extreme Pop, fun and flashiness.Original manuscript of an article published as ‘Trad modern, pop modern’ in "The Sunday Australian", 25.4.1971. Typewritten (p/copy), quarto, 9 pagesTop of page 1 handwritten where and when published, page numbers, minor correctionscanberra, surfers paradise, australian culture, morris lapidus, australian cities, robin boyd, manuscript

In 1909, assistant Chaplain Rev. Haire presented the Mission with an 'uncommonly artistic pulpit' in memory of his mother. A plaque in memory of Jane King Haire can be found on the side next to the steps. The dedication was performed by the Archbishop of Melbourne on the 26th January (date engraves on the plaque) This pulpit was designed by Melbourne architect Rodney Howard Alsop (1881-1932) and manufactured by William John Dalziel (furniture manufacturer). It was initially used in the first Mission in Central Melbourne, Siddeley St. It is located in the Chapel of Saint Peter of the Mission to Seafarers 717 Flinders St. complex since 1917 (State Heritage listed (H1496). This complex was designed by Walter Richmond Butler in 1916, and officially opened on 11 September 1917, a day '...of unusually kind weather', by the Governor of Victoria, the Honourable Sir Arthur Stanley. According to a later article published in 1950: The pulpit is a model, built to scale, of the stern of an old ship of the line in Lord Nelson's day. This pulpit is significant as it is housed in The Memorial Chapel of Saint Peter forming part of the State Heritage listed Mission to Seafarers Victoria complex. It was built in Melbourne of Australian timbers, and is one of only two known maritime inspired pulpits, both associated with Missions to Seamen of the early 20th C. the other is held in the ANMM Collection see link. Their statement of significance is worth quoting in part as it applies equally to this pulpit "...an extremely rare and unique example of such pulpits. It is highly significant as a wonderfully preserved example of a time when religion was preached to sailors for their spiritual guidance and temperance..." Rodney Howard Alsop was an important Melbourne architect of the Arts and Crafts movement. John William Dalziel had sailed from Liverpool to Melbourne in 1862. Seventeen years later Penman and Dalziel founded the business in Lonsdale Street West, and won recognition at the Indian and Colonial Exhibition in London in 1886. Penman and Dalziel were identified in 1937 as one of Melbourne’s early ‘skilled craftsmen’ and ‘leading names’ in the manufacture of fine furniture. He died in February 1918 in a railway accident.Timber pulpit built in the form of a ship's stern including a timber step ladder for access, a timber keel and rudder, a rope fixed from the pulpit to a post mounted to the floor, and a dedication plaque on the side of the pulpit. The pulpit sits on timber legs. It's likely to be the original rope: traditionally made coir rope with twisted fibres, covered with canvas supported by a thread. At lower end the rope is secured by a monkey fist know and at the top by a turk head knot.Inside the pulpit (right) is the cardboard label with the maker details: " On an attached plaque see 0678 To the greater glory of God and in ever loving memory of Jane King Haire. This pulpit is erected by her son. Blessed are the pure in heart. For they shall see God. St. Matt. V.8. 26.1.09mission, seafarers, melbourne, victoria, chapel, saint peter, pulpit, australian timber, stern, walter richmond butler, australian maritime history, reverend w.f. haire, rodney howard alsop (1881-1932), wright's lane, william john dalziel, gifts-1917, heritage listed

This sideboard was from the home of Henry and Mary Jane Giles, who lived in Mailor's Flat, Wangoom, and Purnim West, Victoria, and is part of the many 19th century items of furniture, linen, and crockery donated to Flagstaff Hill Maritime Village by, Vera and Aurelin Giles. The items are associated with Warrnambool and the Giles Family history. Items donated by the family have come to be known as the “Giles Collection”. Many items in the Lighthouse Keeper’s Cottage were donated by Vera and Aurelin Giles and mostly came from the home of Vera’s parents-in-law, Henry Giles, and his wife Mary Jane (nee Freckleton) who married in 1880 and whose photos are on display in the parlour. Henry was born at Tower Hill in 1858, and was a labourer on the construction of the Warrnambool Breakwater before leaving in 1895 for around seven years to build bridges in NSW. Mary Jane was born in 1860 at Cooramook and she attended Mailor’s Flat State School and where she eventually was to become a student-teacher. After which she became a governess at “Injemiara” where her grandfather, Francis Freckleton, had once owned land. Henry and Mary’s family consisted of six, some of the children were born at Mailor’s Flat, and later some children at Wangoom. They lived with their parents at Wangoom and Purnim west, and this is where Henry died in 1933 and Mary Jane in 1940.The Giles family collection is of social significance at a local level, because it not only illustrates the level of material support the Warrnambool community gave to Flagstaff Hill during it’s establishment. But the Giles collection also gives us today a snapshot into what domestic life was like in early colonial times prior to Federation.Kauri Pine Mirror Backed Sideboard, two drawers and two doors to the base, the doors being carved in the traditional manner with a leaf design, brass swing handles are fitted to each of the drawers. The back has two shelves each supported on two turned columns, three mirrors are fitted into carved panels matching design as doors.The pediment is also carved in the same manner finishing with scrolled edges. Circa 1880. This item is part of the Giles Collection.Marked "Villa Rica" "Ambassadors" "Claro" "50" In pencilflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, sideboard, furniture, dresser, giles collection, henry giles, vera giles, tower hill, cooramook, mailor’s flat, wangoom, 19th century furniture, purnim west, 1880s furniture

Three copies of the Australian Tradition, two copies of June 1996 and one copy of March 1997. Contains club news, an article on the Thirtieth National Folk Festival, regular Functions at Other Venues, Membership Forms and Contacts. March issue has a postscript on the Nariel Creek Folk Festival 1996/7Festival Guide, the Multicultural Nature of Australian Traditional Social Dance, Festival Guide, Regular Functions at Other Venues, Application Form, Newsletter Contributors and Contacts.clubs, music, victorian folk music club, peter ellis collection, australian tradition, victorian folk music club incorporated, harry gardner, betty davis, rick garrick, wongawilli colonial dance club, jo cresswell, wliza carthy, nancy kerr, ted egan, martin pearson, james fagan, alistair hulett, dave swarbrick, danny spooner, bernard bolan, simon nicol, ric sanders, roy bailey, nina simone, kristina olsen, phil wilson, elma gardner, bill buttler, maree buttler, jane bullock, melbourne folk club, bush dance and music club bendigo, the peninsula folk club, comhaltas ceoltoiri eirann, danswyr cumreig melbourne, melbourne scottish fiddle club, aussie music workshop and session, scottish box and fiddle group, fiddlers' workshop, colonial dancers, geelong folk music club, tsdav, modern american square dance workshops, shirley andrews

The Bendigo Easter Fair was established in 1871 to fundraise for the Bendigo Hospital and the Bendigo Benevolent Asylum. Donated by the Sadner family who were associated with the Bendigo Hospital, these family snap shots capture the regalia and atmosphere that the Chinese community bring to this community event. Set of three black and white photographs. All photograph are taken on the streets of Bendigo during the 1938 Easter fair and parade. 0322.1; Exterior; Three people on horses in traditional chinese costume. Person in the foreground is holding the reins of one of the horses. 0322.2; Exterior; street view with children in foreground and a line of people in costume holding chinese banners. 0322.3 Exterior, street view from balcony of the two cars with people lined up on either side.Verso; 0322.1, 0322.2 27 April, 1938. 0322.3 Handwritten; Late 1930's C/r Mitchell, Garsed Streets from Terminus Hotel Balcony.eugene and mollie sandner collection, bendigo hospital, eugene sandner, mollie sandner, mollie sibson, bendigo easter fair, mayor sandner, mayoress sandner, bendigo chinese dragon

In 1861 the Lake Tyers Mission Station was established by the Church of England missionary Reverend John Bulmer, to house some of the Gunaikurnai survivors of the conflict. The peninsula, which has a lake on each side, was known to its traditional owners as Bung Yarnda.A black and white photograph of an older, bearded Aboriginal man. He is sitting outdoors in front of a leafy bush. He is wearing a suit.Black Andy of Lake Tyers ORBOST 1/3/21 L.G.W. photo 741lake-tyers photograph

Slovenians loved to participate at the cultural and multicultural events and have proudly displayed their traditional national costume of Gorenjska region in Slovenia. The dancers have entertained the visitors with the lively Polka and waltz dancing and the musician on a piano accordion expressed his joy. traditional Slovenian national costume of Gorenjska region - SloveniaGroup of Slovenian musicians and dances participation at the Royal melbourne Show in 1956. The Slovenian Club Melbourne was always in favour of participating at the Australian and multicultural events.The heart was a sign of love for this beautiful and welcoming country Australiaslovenian national costume, gorenjska, slovenia, piano accordion, polka, slovenian songs

A mitre is the traditional, ceremonial head-dress of bishops. This early 20th century example is of a low cut style in its original case. It is decorated in a baroque style with arabesques and paste and is believed to have belonged to Ballarat's second bishop James Moore.bishop moore, ballarat, mitre, gold embroidery, stones, paste.

The print was created using a traditional woodblock technique. After ink is spread over a rectangular block carved with words and religious images, a thin piece of paper is placed atop the block and a roller is run over it. Then the paper is put aside to dry. This woodblock print on hand-made paper depicts Gesar, a legendary Tibetan warrior king who is invoked as a protector of the Buddha's teachings and emanation of Padmasambhava. Gesar's image is surrounded by four magical animals - garuda (top left), makara (top right), tiger (bottom left) and snow lion (bottom right). padmasambhava, tibetan buddhism, woodblock printing