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Federation University Historical Collection
Article - Article - Women, Ballarat School of Mines, Girls' School: Women of Note; Valda D'Angri, Teacher, (1930 - )
Val grew up in Ballarat and started school in the early 1940s, during World War II. Her mother was a teacher and her father worked in Melbourne on war-related business. She attended kindergarten, which she recalled was unusual for the time. She attended Humphrey Street State School and her secondary schooling was at Ballarat Girls' School. Val completed her secondary school education at 15 years of age and went on to tertiary study at The School of Mines, where she trained in art and dressmaking. After completing her education, she worked as draughtswoman before becoming a teacher. The remainder of her career was spent teaching art and textiles at both secondary and tertiary levels. She taught at the secondary school that she had attended.women of note, valda d'angri, teacher, kindergarten, humphrey street state school, ballarat girls' school, ballarat school of mines, art, dressmaking, draughtswoman -
Federation University Historical Collection
Article - Article - Women, University of Ballarat: Women of Note; Heather Durant, Librarian at SMB, 1951-2005. (1933-2009)
Heather Durant (nee Walton) began as an Assistant Librarian at the SMB Campus in 1951. In December 1961 she resigned from the position due to her approaching marriage. No replacement was found so she returned in a "part-time position". She progressed to head librarian. Heather resigned again in 1962 and took a break for eight years. She then returned to the school. Combining the two periods of work she was employed for almost 50 years. During her time with the University of Ballarat she made an important contribution to the operation of the SMB Library. At times she was put in charge and worked to maintain library standards and collections through her work in library acquisitions and cataloguing. Over the years she witnessed the changes that occurred when technology was introduced and the growth of the University and TAFE divisions.women of note, teacher, ballarat school of mines, heather walton, heather durant, smb campus, librarian, resigned to marry, part-time work, library standards, and collections, acquisitions and cataloging, technology, 50 years service, 1951-2005 -
Federation University Historical Collection
Article - Article - Women, Ballarat Technical Art School: Women of Note; Mary Fogarty, teacher Arts and Crafts.(1910-1981)
Mary Fogarty was a student at the School of Mines in the 1920s. She was a member of the Hockey team that was part of the Ballarat Hockey Association Competition. She studied Arts and Crafts and became a teacher at the SMB Technical Arts School. In 1945 she was in charge of the Girls' Preparatory Classes - Years 7 and 8. In 1950 she was asked to start the Technical School for Girls. !951 saw 30 Form 1 students in the ground floor of the old SMB Secondary School (E J Tippett Library/former Gaol Governor's residence). She had an assistant. 1952 saw another 30 students enrolled and two more staff. As the school grew they were given space in the Art School. Houses along Grant Street were bought with the intention of building a three storey building. The girls had Art with Art School Staff, Science in SMB Science Room and Music women of note, teacher, ballarat school of mines, smb campus, mary fogarty, student, hockey team, arts and crafts, technical arts school, girls' preparatory classes, technical school for girls, ballarat girls' technical school -
Federation University Historical Collection
Article - Article - Women, Ballarat School of Mines: Women of Note; Edna May Grigg, Art Teacher, 1931-1946
Edna May Grigg studied Art in South Australia. She studied under Hans Heysen and became a successful painter. She won the Melrose Prize - portrait in oils - that hangs in the Adelaide Art Gallery. The Melrose Prize for portraiture was instituted in 1921. Edna came to Ballarat and was employed as an Art Teacher at SMB from 1931 to 1946. women of note, teacher, ballarat school of mines, smb campus, edna may grigg, artist, painter, hans heysen, melrose prize for portraiture, adelaide art gallery, 1931-1946 -
Federation University Historical Collection
Article - Article - Women, University of Ballarat: Women of Note; Carolyn Blackman, Lecturer in Chinese Language, c1992 - 1999
Carolyn Blackman took up an appointment to teach Chinese at the University of Ballarat (UB) c1992. During her time at UB she developed, coordinated and taught Chinese language and associated Asian studies. She was the Director of Asian Studies Unit, University of Ballarat. Prior to this Carolyn was a broadcaster in Chinese at Radio Australia. She moved to Singapore in 1968 and worked in broadcasts of Radio Singapura. She was also a foreign correspondent in Taiwan. In 1976 Carolyn Blackman set up Chinese language and studies at Melbourne Grammar School. Carolyn was appointed Director of the Centre for International Business at UB, and served on the Victorian Executive of the Australia China Business Council. Ballarat and Queen's Anglican Grammar School have The Carolyn Blackman Award for International Understanding which is presented each year.women of note, carolyn blackman, university of ballarat, c1992 - 1999, chinese language, teacher, asian studies, director of asian studies unit, broadcaster chinese, radio australia, singapore, foreign correspondent, taiwan, chinese studies at melbourne grammar, international business at ub, australia china business council, ballarat and queen's grammar school, carolyn blackman award, international understanding -
Federation University Historical Collection
Article - Article - Women, Federation University: Women of Note; Professor Helen Bartlett, Vice-Chancellor Ballarat, 2017 - 2020
Professor Helen Bartlett was Vic-Chancellor of Federation University Ballarat from 2017 to 2020. Prior to this she was Pro Vice Chancellor and Chief Executive of Monash University Malaysia from 2013 to 2017, and Pro Vice-Chancellor and President of Monash University’s Gippsland Campus from 2008 to 2012. She is the current Chair of the Regional Universities Network and Vice-Chancellor of the University of Sunshine Coast. Professor Helen Bartlett is an experienced leader and passionate advocate for regional education. Professor Bartlett led a period of transformation at Federation University Australia, enhancing its profile as a multi-campus institution, its innovative approach to regional higher education and focus on responding to the needs of its communities. Professor Bartlett was also Chair of the Victorian Vice-Chancellors’ Committee in the year prior to her move to Queensland and worked closely with the Victorian Government as universities shaped their response to the COVID-19 pandemic.women of note, professor helen bartlett, federation university, vice-chancellor, monash university malaysia, pro vice-chancellor, chief executive, president, monash university gippsland, regional universities network, university of the sunshine coast, victorian vice-chancellors' committee -
Federation University Historical Collection
Article - Article - Women, Ballarat School of Mines: Women of Note; Annie Bowker Whitla, Art Teacher - Photography (1898-1977)
Annie Whitla was a student at Ballarat Technical Art School from 1915 - 1919. In 1920 she was appointed Drawing Mistress at Ararat High School. She returned to Ballarat and taught night classes in Photography at Ballarat Technical Art School from 1921 - 1922. During this period she was X-ray assistant at Ballarat Hospital. She had a teaching post at Warrnambool High School from 1923 until her retirement. In 1926 she joined the Warrnambool Hospital as an assistant in the X-ray Department. Annie is buried in the Warrnambool Cemetery.women of note, teacher, ballarat school of mines, annie whitla, ballarat technical art school, drawing mistress, ararat high school, photography, night school, ballarat hospital, x-ray department, warrnambool high school -
Federation University Historical Collection
Article - Article - Women, Ballarat School of Mines: Women of Note; Ellie Campbell (Martin), Telegrapher
Emily (Ellie) Martin was one of ten children born to James Martin and Bridget Hyde at Spring Hill near Creswick. This farmland was allotted to James c1849. When her mother died James moved them into Ballarat. All the children attended Ballarat School of Mines. Ellie studied Telegraphy at SMB in 1874 and 1875. In 1889 she married Cosby Stockford Mangin Campbell. He had also studied Telegraphy at the Ballarat School of Mines (SMB), the same time as Ellie. Photograph of a woman in a hat. She is Ellie Campbell. women of note, teacher, ballarat school of mines, smb campus, emily martin, ellie martin, ellie campbell, telegraphy, james martin, bridget hyde, spring hill, creswick, 1874-1875, cosby stockford mangin campbell, cosby campbell -
Federation University Historical Collection
Article - Article - Women, Ballarat Technical Arts School: Women of Note; Margaret Young, Teacher, Woodcarving
Margaret Young studied at Ballarat West Art School in 1894. This was one of Ballarat's Art schools. In 1907 they merged and became Ballarat Technical Art School (BTAS). Margaret became a teacher and taught for many years at BTAS, specialising in woodcarving. At the end of the First World War, Honour Boards were requested to be made to honour the men who had served. Ballarat was the main provider of these boards. Margaret Young was one of the people responsible for the carvings and specially mentioned for her work by the Caulfield School in Melbourne. On her resignation, Margaret moved to Adelaide. At the past students Reunion Celebrations in 1930, Margaret Young was to be the Guest of Honour. Unfortunately she was unable to attend due to ill health.women of note, teacher, ballarat school of mines, smb campus, margaret young, woodcarving, ballarat west art school, ballarat technical art school, reunion celebrations, world war 1, honour boards, caulfield school, guest of honour, 1930, adelaide -
Federation University Historical Collection
Article - Article - Women, Ballarat School of Mines: Women of Note; Emily Stitfold, Photographer, (1866-1948)
Emily Ann Hanson Stitfold was born in Ballarat in 1866 to Thomas Stitfold and Sarah Stitfold (Hanson). There were six children, one boy and five girls. Emily attended photography classes at Ballarat School of Mines in 1896 (Grade !) and 1898. Photography was a new course offered and she was one of the first students to attend. She became a member of the Ballarat Amateur Photographic Association. Emily died in 1948 and is buried in the Ballarat Old Cemetery. (BN Section 19 Grave 9). Her parents, Thomas and Sarah are also buried in the Old Cemeterywomen of note, ballarat school of mines, emily stitfold, photography, student, ballarat amateur photographic association, ballarat old cemetery, thomas stitfold, sarah stitfold -
Phillip Island and District Historical Society Inc.
Book, PATTON, Eddie, From khaki to Cowes... Ten wartime stories by men and women who made Phillip Island their home / compiled by Eddie Patton, 2002
HistoricalA4 soft covered booklet military history, navy, eddie patton, vietnam war, joe gains, ken lang, bill ross, jack white, bill white, barrie goldsbury, barbara howell, ross smith, les lester, world war 2 -
Mission to Seafarers Victoria
Photograph - Photograph, Sepia, Women in their coat at the beach
on page 10women, beach, port melbourne, 1928, fan album -
Mission to Seafarers Victoria
Photograph - Photograph, Sepia, Women and children drinking tea
on page 15fan album, 1928 -
Greensborough Historical Society
Newspaper Clipping, Portraits honour trailblazing women, 28/10/2019
The Victorian Parliament will hang portraits of two female members of parliament, Lady Millie Peacock, first woman to be elected to the parliament, and Pauline Toner, first woman cabinet minister. and local member. Black and white text, two photographspauline toner, victoria parliament, millie peacock -
Greensborough Historical Society
Photograph - Digital image, Iredale 2 [man and two women], 1930c
Part of a collection of photographs of the Iredale family, descendants of James Iredale (arrived Greensborough c1858) and his son George (arrived 1873). The people in this photograph have not been identified.Digital copy of black and white photograph.iredale family -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Book, Pownall, Eve, Australian Pioneer Women, 1975
Traces the history of Pioneer Women in Australia from the Stone Age ( Aboriginal Women) up to 1975. The author has concentrated on women that settled firstly in the bush with their families and the hard life they endured in this environment.296 p. : ill., ports A hard cover book with a dust cover and a plastic clear cover over that. On the dust cover front and back there is a picture of a man and a woman ( early settlers) out in the bush.On the back cover the woman is holding a baby. The inside covers front and back show an old photo of a man leaning on a gate talking to a woman in the front garden of a house. non-fictionTraces the history of Pioneer Women in Australia from the Stone Age ( Aboriginal Women) up to 1975. The author has concentrated on women that settled firstly in the bush with their families and the hard life they endured in this environment. australia, pioneer, women, history, pastoral, goldfields. -
Eltham District Historical Society Inc
Photograph, Figure study of women and sheep
Pencil drawing from a sketch book by Walter Withers. Photograph of pencil sketchwalter withers, walter withers sketch -
Eltham District Historical Society Inc
Postcard, House with women and children on verandah, 21 Dec 1915, 1915
A woman, an elderly woman and two children pose on the verandah of a Federation style home. On the back of the postcard is written: "21-12-15 To wish you and all. A Happy Christmas, and all good wishes for the new year from Mrs Green and M. Mills". This family is possibly related to the Rev Wm Green who was associated with St Margaret's Church Eltham at around this time. Evelyn Observer and Bourke East Record, Friday 6 March 1914, page 2 A very pleasant social gathering was held by the Glee Club in the Church of England schoolroom on the evening of last Thursday. An interesting programme of music, varied by a very amusing dialogue by Glee Club members; made an enjoyable evening. After the programme was finished, and before refreshments were served, Mr, Gilsenan, on behalf of the Glee Club and the visitors, expressed their good wishes to Rev. Wim. Green, Mrs. Green, and Miss Mills, who were leaving on the 3rd inst. for a visit to the old country. Mr. Green responded, reciprocating the good wishes expressed. The gathering broke up to the strains of "Auld Lang Syne." Evelyn Observer and Bourke East Record, Friday 11 December 1914, page 2 The Rev. Wm Green, Mrs. Green, and Miss Mills; who have been on a nine months' trip to Europe, returned to Melbourne by the "'Morea" on Monday and out to Eltham the same day. As the rev. gentleman only left England a few weeks since and the continent just before war broke out, he ought to have some reminiscences worth listening to; His return is welcome both to his church, and the community generally, the more so he being the only resident clergyman in the neighbourhood. Evelyn Observer and Bourke East Record , Friday 11 June 1915, page 3 The Rev. Wm. Green, who has been in charge of St. Margaret's Anglican church here for some eleven years, resigned to take charge of the Church of England " Messenger". and work in connection with the ? about Melbourne. He is to be succeeded in Eltham by the Rev, ? Sapsford, of North Brighton. Printed postcard with faded photograph on frontInscribed back: "21-12-15 To wish you and all. A Happy Christmas, and all good wishes for the new year from Mrs Green and M. Mills" Also inscribed in pencil - "V. Lay" (Vera Lay Greensborough)eltham, 1915, m. mills, mrs green, postcard, v. lay, houses -
Kiewa Valley Historical Society
Magazine - The Protectors, A Tribute to the Men and Women who Defended Victoria in Fire Season 2006-07
The magazine covers details of the 2006-07 bushfires in Victoria. On page 31 Region 24 list includes towns in the Kiewa Valley. The Kiewa Valley is under constant threat of bush fires during summer. Local fire brigades assist in the protection of residents.The Kiewa Valley was affected by the 2006-07 bushfires. Residents are encouraged to have a fire plan, to be knowledgeable about bush fires and to be ready to leave their homes when under threat. The local towns each have a fire brigade which includes volunteers. On page 18, 'The Yellow Line" - Photo of Kiewa Valley (Mt Beauty and Tawonga) Crews.Glossy coloured photograph of firemen on the front cover and raging fire on the back cover. 31 pages2006 - 2007 bushfires, kiewa valley fire crews -
Eltham District Historical Society Inc
Photograph, Hurst women, 1910
Sisters, Francis Ellen Hurst (who married William George Gray), of Hurstbridge, Mary Ellen Hurst (who married C. E. Rankin) with their mother Catherine Hurst (nee Heffernan) of Hurstbridge and Ada Alice Hurst (1880-1910). Ada married Claude Pizzey of Diamond Creek. It is thought that this photo was produced after Ada's death and has incorporated a separate image of Ada behind the piano. This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, hurstbridge, ada alice hurst, frances ellen hurst, mary ellen hurst, c. pizzey, c.e. rankin, catherine e. hurst, w.g. gray, family, sisters, post-death -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Book, Brighton Cemetorians Inc, Our Men & Women of WW1
Men & women of WW1 buried in the Brighton Cemeterynon-fictionMen & women of WW1 buried in the Brighton Cemeterybrighton general cemetery, brighton, cemetery, artists -
Women's Art Register
Slide - Set of slides, Aboriginal Women: The Artistic Experience 1983 by Dianne Bell and Penny Tweedie
Set of 24 slides numbers 25 to 48 from a set of 60Slides are numbered and have sticky labels with descriptions of the slides -
Women's Art Register
Book, Isabelle Anscombe, A Woman's Touch, A. Women in Design from 1860 to the Present Day, 1984
Women interior decorators of the 1920s and 30s and their contribution to the Arts and Crafts movement in Britain, The Glasgow School of Art and The Bauhaus School..non-fictionWomen interior decorators of the 1920s and 30s and their contribution to the Arts and Crafts movement in Britain, The Glasgow School of Art and The Bauhaus School..industrial design, craft, wallpaper, weaving, furniture, design theory, architecture -
Women's Art Register
Book - Anthology, Thomas B Hess and Elizabeth Baker, Art and Sexual Politics Why have there been no great women artists?, 1971
Professor of Art Linda Nochlin, and critic and art historian Thomas B. Hess respond to the question "Why have there been no great women artists?'. Nochlin writes of 'the women question' in art and beyond, addressing barriers in education and art schools negating full participation or studying the nude, the limiting definitions of 'greatness', domestic demands and class, and maintains it is the institutional structures that are the key to equality, and it is these which should be challenged and reformed. Hess addresses wrong attribution, the studio system, the relative freedoms in the Middle Ages before the Renaissance emphasised the male genius ideal and self confidence. Ten replies from artists follow, mainly responding to Nochlin's treatise. Elizabeth Baker, writes the final essay, charting the changes in regards to representation including issues surrounding quotas, recognition, the debates surrounding the contested definitions of female and feminist artists.and the frequent lack of support by female dealers, critics and curators.non-fictionProfessor of Art Linda Nochlin, and critic and art historian Thomas B. Hess respond to the question "Why have there been no great women artists?'. Nochlin writes of 'the women question' in art and beyond, addressing barriers in education and art schools negating full participation or studying the nude, the limiting definitions of 'greatness', domestic demands and class, and maintains it is the institutional structures that are the key to equality, and it is these which should be challenged and reformed. Hess addresses wrong attribution, the studio system, the relative freedoms in the Middle Ages before the Renaissance emphasised the male genius ideal and self confidence. Ten replies from artists follow, mainly responding to Nochlin's treatise. Elizabeth Baker, writes the final essay, charting the changes in regards to representation including issues surrounding quotas, recognition, the debates surrounding the contested definitions of female and feminist artists.and the frequent lack of support by female dealers, critics and curators.essays, feminism, studio practce, art history, gender, politics, discrimination, museolgy, curatorship, identity -
Women's Art Register
Book, Germaine Greer, The Obstacle Race. The fortunes of women painters and their work, 1979
Traces the social, educational, and psychological barriers for women artists from the Middle Ages to the early 19th century to gain recognition, most relying on relationships with artists in their families to gain success. or conversely denied success through partnerships with male painters.Book non-fictionTraces the social, educational, and psychological barriers for women artists from the Middle Ages to the early 19th century to gain recognition, most relying on relationships with artists in their families to gain success. or conversely denied success through partnerships with male painters. portraiture, flowerpainting, miniaturists, still life -
Women's Art Register
Book, Cindy Nemser, Art Talk. Conversations with 12 Women Artists, !975
Interviews with 12 significant women artists, predominantly working in North America. The interviews start include a brief biography and black and white photos of each artist,and images of their work.Booknon-fictionInterviews with 12 significant women artists, predominantly working in North America. The interviews start include a brief biography and black and white photos of each artist,and images of their work.sonia delaunay, louise nevelson, lee krasner, alice neel, grace hartigan, marisol, lila katzen, elanor antin, audrey flack, nancy grossman, barbara hepworth, eva hesse -
Women's Art Register
Book, Uta Grosenick, Women Artists in the 20th and 21st Century, 2003
Individual focus on 47 women artists, predominantly from the UK, USA and Europe, in photographs and brief text prepared by various critics and writers.bookIndividual focus on 47 women artists, predominantly from the UK, USA and Europe, in photographs and brief text prepared by various critics and writers.marina abramovic, louise bourgeois, guerrilla girls, cindy sherman, adrian piper, georgia o'keefe, portraiture, perfomance, political art, tracey emin, hannah hoch -
Women's Art Register
Book, Perth Institute of Contemporary Arts, In the Company of Women. 100 Years of Australian Women's Art from the Cruthers Collection, 1995
Book -
Monbulk RSL Sub Branch
Book, Random House, Write home for me : a red cross women in Vietnam, 2006
Working as a journalist at the Adelaide Advertiser in 1966, Jean Debelle yearned to be involved in the biggest story of the decade - the Vietnam War. But only male journalists in Australia were being sent to cover the escalating conflict. Instead, she volunteered to work in Vietnam for the Red Cross to tend to the non-medical welfare of the sick and wounded ANZAC forces. Jean had planned to report on the war in spare moments - but there were none. For one year she lived in the spotlight: a young Australian woman among 5,000 men. This intimate personal account is told from the rare and compassionate perspective of a young woman living close to the battlefront. Jean tells of the resilience of the soldiers in the face of daily atrocities and of the international medical personnel fighting to save lives and to rebuild shattered bodies and minds. It is also the story of the Vietnamese, struggling to maintain not just their traditions but their very lives in the face of brutal hardship. With infectious humour, Jean tells of striving to be like a sister to the men when sex was in the very air they breathed. But she experienced stark terror when she faced a crazed gunman, had a close call in a minefield and was caught in the midst of a Vietnamese skirmish. Jean also offers an unvarnished look at the Australians' worst battle in Vietnam, Long Tan, and their worst landmine disaster. With unblinking candour, she writes of the harsh realisation that after nine months in Vietnam she had grown cold to the unrelenting horror of war. From diaries, letters and Red Cross reports, Jean Debelle Lamensdorf has researched and written a story not only of tragedy but also of hope and humour. It is a compelling adventure story - and one of love.Index, bibliography, ill, maps, p.302.non-fictionWorking as a journalist at the Adelaide Advertiser in 1966, Jean Debelle yearned to be involved in the biggest story of the decade - the Vietnam War. But only male journalists in Australia were being sent to cover the escalating conflict. Instead, she volunteered to work in Vietnam for the Red Cross to tend to the non-medical welfare of the sick and wounded ANZAC forces. Jean had planned to report on the war in spare moments - but there were none. For one year she lived in the spotlight: a young Australian woman among 5,000 men. This intimate personal account is told from the rare and compassionate perspective of a young woman living close to the battlefront. Jean tells of the resilience of the soldiers in the face of daily atrocities and of the international medical personnel fighting to save lives and to rebuild shattered bodies and minds. It is also the story of the Vietnamese, struggling to maintain not just their traditions but their very lives in the face of brutal hardship. With infectious humour, Jean tells of striving to be like a sister to the men when sex was in the very air they breathed. But she experienced stark terror when she faced a crazed gunman, had a close call in a minefield and was caught in the midst of a Vietnamese skirmish. Jean also offers an unvarnished look at the Australians' worst battle in Vietnam, Long Tan, and their worst landmine disaster. With unblinking candour, she writes of the harsh realisation that after nine months in Vietnam she had grown cold to the unrelenting horror of war. From diaries, letters and Red Cross reports, Jean Debelle Lamensdorf has researched and written a story not only of tragedy but also of hope and humour. It is a compelling adventure story - and one of love. vietnam war 1961-1975 – australian involvement, vietnam war 1961-1975 - red cross - women -
Monbulk RSL Sub Branch
Book, Hodder and Stoughton, Fighting on the Home Front : the legacy of women in World War One, 2013
In 1914 the world changed forever. When World War One broke out and a generation of men went off to fight, bestselling author Kate Adie shows how women emerged from the shadows of their domestic lives. Now a visible force in public life, they began to take up essential roles - from transport to policing, munitions to sport, entertainment, even politics. They had finally become citizens, a recognised part of the war machine, acquiring their own rights and often an independent income. Former BBC Chief News Correspondent Kate Adie charts the seismic move towards equal rights with men that began a century ago and asks what these women achieved for future generations. This is history at its best - a vivid, compelling account of the pioneering women who helped win the war as well as a revealing assessment of their legacy for women's lives today.Index, bibliography, ill, p.312.non-fictionIn 1914 the world changed forever. When World War One broke out and a generation of men went off to fight, bestselling author Kate Adie shows how women emerged from the shadows of their domestic lives. Now a visible force in public life, they began to take up essential roles - from transport to policing, munitions to sport, entertainment, even politics. They had finally become citizens, a recognised part of the war machine, acquiring their own rights and often an independent income. Former BBC Chief News Correspondent Kate Adie charts the seismic move towards equal rights with men that began a century ago and asks what these women achieved for future generations. This is history at its best - a vivid, compelling account of the pioneering women who helped win the war as well as a revealing assessment of their legacy for women's lives today. world war one - women - great britain, female emancipation - great britain