Coloured photograph of the Golden Square Primary School - 2002 - Laurel St. Grey Netball Team. Their names are: Back Row: Calez Holmes, Ryley Flint, Jeanette Connor. Front Row: Lauren Stirling, Jenna McMahon, Jessica Parsons, Emma Penno, Alysia Semmens. Coach - Carol Holmes (Absent). Blue border around the photo and a rectangular sketch of the school in the top right corner.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - photograph - grey netball team 2002, calez holmes, ryley flint, jeanette connor, lauren stirling, jenna mcmahon, jessica parsons, emma penno, alysia semmens, carol holmes

Coloured photograph of the Golden Square Primary School Swimming Team 1999. their names are: Back: Tim Sproule, Seb Robins, Logan Buck, Joseph Scoble. Middle: Bianca McPherson, Belinda Caldwell, Adelaide MacLeman, Elma-Jean Hosking, Emily Boutard, Zoe McPherson. Front: Lorne Dunlop, Chris Kline, Jeff Lewis, Lachlan Carter, Josh Parsons Michael Lewis.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - photograph - golden square primary school swimming team 1999, tim sproule, seb robins, logan buck, joseph scoble, bianca mcpherson, belinda caldwell, adelaide macleman, elma-jean hosking, emily boutard, zoe mcpherson, lorne dunlop, chris kline, jeff lewis, lachlan carter, josh parsons michael lewis

Coloured photograph of the Golden Square Primary School 1997 Staff. Their names are: Back Row: Judi Greenslade, Claire Robins, Shane Rodda, Tony Gundry, John Wakker, Sheryl Argall, Dzintra Martin, Barbara Reidy. Front Row: Julie Gibson, Jill Honey, Graeme Draaisma, Lyndal McClure, Ron Payne, Jenny Levett. Oval sketch of the school on the right of the names.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - photograph - golden square primary school 1997 staff, judi greenslade, claire robins, shane rodda, tony gundry, john wakker, sheryl argall, dzintra martin, barbara reidy, julie gibson, jill honey, graeme draaisma, lyndal mcclure, ron payne, jenny levett

Coloured photograph of the Golden Square Primary School No. 1189 Grade 6 Basketball Team 1996. Photograph taken at a wooden piece of playground equipment. Their names are: Back Row, L to R: Shaynie Hercus, Nataly Holahan, Danielle Kline. Front Row, L to R: Nerida Hyett, Megan Burchell, Rebekah Peters. Coach: Joanne Hyett. Oval sketch of the school on the right of the names.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - photograph - grade 6 basketball team 1996, shaynie hercus, nataly holahan, danielle kline, nerida hyett, megan burchell, rebekah peters, joanne hyett

''Preparing a Brief for a Performing Arts Centre'' Min. for the Arts - this is a similar documents to 8350.117 but not exactly the same. It is entitled ''As adaptation of ''Preparing a Brief for a Theatre Building'' by the Standing Advisory Committee on Local Authorities and the Theatre, 9 Fitzroy Square, London W. 1, England. Handwritten annotation of cover as follows: ''Copies held by - President - R. Herriot - Secretary. 16 Pages and single page Appendix.

Plastic bag containing photographs of Golden Square Secondary College students. The year covered is 1997 classes 7A-7B-7C-7D-7E-7F-7G-7H / 8A-8B-8C-8D-8E-8F-8G-8H / 9A-9B-9C-9D-9E-9F-9G / 10A-10B-10C-10D-10E-10F-10G Six photographs of teachers and staff.golden square secondary college, students' photographs, teachers and staff

Photographs of Golden Square Secondary College students. The year covered is 2004 Classes: 7A-7B-7C-7D-7E-7F-7G-7H-7I / 8A-8B-8C-8D-8E-8F-8G-8H8I / 9A-9B-9C-9D-9E-9F-9G-9H-9I / 10A-10B-10C-10D-10E-10F-10G-10T One photo of staff students' photographs, golden square secondary college

Oliver Lewis Randell (1836-1/7/1899) was a Welshman who began in Ballarat in the 1860's before moving to the Bendigo goldfields in 1871. He was a speculator and one of the first members of the Bendigo Stock Exchange. He had large stock holdings throughout the state, including at the time of his death, 2000 shares in the New Chum Mining Co., and 1000 shares in the North Duke Mining Co., both of BendigoThree metal stencils. Brass frame with gold outer edge and oval shape in centre. Name O.L.Randall in one stencil and two with initials OLR in centre. Bailey Bros in left hand corner Engravers in right hand corner Chancery Lane in bottom left hand corner London WC in bottom right hand corner. Cardboard square with Logo on engraver in purple inkstencils, o.l. randall

An original duotone poster advertising an invitiational tennis tournament and prize match held at Madison Square Garden, New York in January 1970. Features photoprint face portraits of Laver and Gonzalez placed within net areas of crossed tennis racquets. Rest of compostion is graphic, using black and blue on white background. Under UV glass. Materials: Ink, Cardboard, Glass, Paper, Plastictennis

This item was worn by Maj Damien Batty whilst on UN peacekeeping in BougainvillePolyester cotton brassard in Disruptive Pattern Camouflage Pattern (DPCU Rabbit pattern) Fabric. Sewn on the main body of the brassard are two patches, the first patch represents the United Nations featuring the United Nations symbol, the second is a square patch of the Australian flag. The brassard is secured to the sleeve by a slit in the top through which the shoulder strap is threaded and a velcro straps wraps around the arm. United Nations Patch - UNITED NATIONS / NATIONS UNITES Australian Flag - AUSTRALIAbrassard, united nations, australian flag, dpcu

BHS CollectionBlack and white photograph mounted on rectangular brown board. House, Federation wooden house return veandah with cast iron lace work. Canopies over R.H. front window and side L.H. window Small room with door on end of return. Written on back of photoboard ' Mr. L. Taylor 'Graceline' Beech Street, Golden Square, £1250' 2012 photo of house is attached to record.Frank A. Jeffree Photo Bendigoresidential, t.c. watts and son, beech street bendigo

Handmade ivory coloured cotton full length night gown. Front has yoke of diagonal pieces of lace with cut work and floral patterns, squares, embroidered flowers with horizontal lace pieces across shoulders. The top edge of the skirt has an edge of lace with square shapes and centre flowers of cut work across the front and back. The back has five 1cm tucks on either side of centre that extend 5cm below the lace edge. The high front neckline is square and the high back neckline is rounded. The neckline is edged with cotton broderie lace and insert lace with cream coloured satin ribbon threaded through. Below the decorative lace strip at the front is a section of fine pintucking 12cm on either side of centre and 9cm below lace strip. The night dress has a front opening extending 31cm from the throat. It has a placket with two button holes 10cm and 20cm from the throat. Two buttons on other side. No fastening at throat. French side seams. Long set-in sleeves with two rows of lace and three rows of pintucks extending from shoulder down top of sleeve to wrist. A piece of insert lace at wrist. A frilled cuff of broderie lace widening from 9cm at inside seam to 12cm at outside edge, machine stitched.costume, female underwear, nightgown

Set of 20 digital images of Bendigo Tramways December 1970 by Stuart Lodington. .1 - Bendigo track gang renewing a joint, McCrae St, with welding truck alongside and Birney No. 29. .2 - No. 5 at Quarry Hill terminus? .3 - No. 24 at the depot .4 - No. 2 on the Quarry Hill line .5 - No. 5 approaching the Eaglehawk terminus .6 - No. 29? at the Golden Square Terminus with Bill Rodda's Golden Square hotel in the background. .7 - No. 3 inbound on the Quarry Hill line. .8 - trams crossing on the Eaglehawk line, through the window of one tram. .9 - side on view of a B23D controller in a bogie tram .10 - No. 5 at the Eaglehawk terminus .11 - No. 21 at No. 21 crossing on the Golden Square line. No. 29 showing special, No.21 - North Bendigo, Fire Station Loop? .12 - No. 29 and another tram - near work site? .13 - interior view from Birney looking at the front of another tram parked behind. .14 - No. 29, No. 6 crossing at .15 - No. 6, showing special at Charing Cross. .16 - No. 5 and another tram at North Bendigo on a Special .17 - No. 28 at Charing Cross .18 - No. 5 on Special at a Loop on the Eaglehawk line .19 - No. 28, and two other trams at the Myrtle St Loop .20 - No. 18 showing Quarry Hill and two other trams on View St.trams, tramways, bendigo, trackwork, mccrae st, depot, quarry hill, eaglehawk, golden square, controllers, north bendigo, view st, tram 29, tram 5, tram 24, tram 2, tram 3, tram 6, tram 28, tram 18

This book was part of a large group of books referred to as the Pattison Collection, which belonged to the Warrnambool Public Library, part of the Warrnambool Mechanics’ Institute. About RALPH ERIC PATTISON and the ‘PATTISON COLLECTION’ The ‘Pattison Collection’ is a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the WMI was led to ask the City Council to take it over in 1911 due to lack of financial support. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Public Library as it was then called. Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 when Pattison accepted the position as City Librarian for the Warrnambool City Council his huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower areas of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave from 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However, he continued to take a very keen interest in the continual development of the Library until his death in 1969. THE NEW WARRNAMBOOL LIBRARY When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Pattison. Eventually, the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. WARRNAMBOOL MECHANICS’ INSTITUTE Warrnambool's Mechanics' Institute (or Institution as it was sometimes called) was one of the earliest in Victoria. On 17th October 1853, a meeting was held where it was resolved to request the Lieutenant Governor of the Colony to grant land for the erection of a Mechanics' Institutes building. A committee was formed at the meeting and Richard Osburne chaired the first meeting of this committee. The land on the North West corner of Banyan and Merri Streets was granted but there were no funds to erect the building. The Formal Rights of the Warrnambool Mechanics' Institute's encompassed its aims and these were officially adopted in1859; "This Institution has for its object the diffusion of literary, scientific, and other useful knowledge amongst its members, excluding all controversial subjects, religious or political. These objects are sought to be obtained by means of a circulating library, a reading room, the establishment of classes, debates, and the occasional delivery of lectures on natural and experimental philosophy, mechanics, astronomy, chemistry, natural history, literature, and the useful and ornamental arts, particularly those which have a more immediate reference to the colony." The Warrnambool Mechanics' Institute opened its first reading room in November 1884 in the National School building at the corner of Banyan and Timor Streets. The Institute was funded by member subscription, payable on a quarterly, half-yearly or yearly basis. Samuel Hannaford, the Manager of the Warrnambool Bank of Australasia, was the first Honorary Secretary of the Mechanics' Institutes, and an early President and Vice-President. He also gave several of the early lectures in the Reading Room. Another early Secretary, Librarian and lecturer was Marmaduke Fisher, the teacher at the National School. Lecture topics included The Poets and Poetry of Ireland', 'The Birth and Development of the Earth', 'The Vertebrae - with Remarks on the pleasures resulting from the study of Natural History' and 'Architecture'. In 1856 the Reading Room was moved to James Hider's shop in Timor Street, and by 1864 it was located in the bookshop of Davies and Read. In the 1860's the Mechanics' Institute struggled as membership waned but in 1866, after a series of fundraising efforts, the committee was able to purchase land in Liebig Street, on a site then called Market Square, between the weighbridge and the fire station. A Mechanics' Institute building was opened at this site in August 1871. The following year four more rooms were added to the main Reading Room and in 1873 the Artisan School of Design was incorporated into the Institute. The same year Joseph Archibald established a Museum; however, it deteriorated when he was transferred to Bendigo in 1877. In 1880, with Archibald's return to Warrnambool, the Museum was re-established, and in 1885 a new building was built at the back of the Institute to accommodate the re-created School of Design, the Art Gallery and the Museum. In 1887 the Museum section was moved to the former courthouse in Timor Street (for some time the walls of the building formed part of the TAFE cafeteria but all is now demolished)). In 1911 the Museum was transferred back to the original building and the management of the Mechanics' Institute was handed over to the Warrnambool City Council. The Museum and Art Gallery became one and housed many fine works of art, and the Library continued to grow. The building was well patronised, with records showing that at the beginning of the 20th century there were between 500 and 800 visitors. During World War One the monthly figures were in the thousands, with 3,400 people visiting in January 1915. The Museum was a much-loved Institution in Warrnambool until the contents of the Museum and Art Gallery were removed to make room for the Warrnambool City Council Engineers' Department. The contents were stored but many of the items were scattered or lost. When the original building was demolished the site became occupied by the Civic Centre, which included the new City Library. (The library was temporarily located in the old Palais building in Koroit Street.) In the process of reorganisation the Collection was distributed amongst the community groups: -The new City Library took some of the historical books and some important documents, historic photographs and newspapers. -The Art Gallery kept the 19th Century art collection and some of the artefacts from the museum. -The Historical Society has some items -The State Museum has some items -Some items were destroyed -Flagstaff Hill Maritime Village has old newspapers, Government Gazettes, most of the Mechanics' Institute Library, ledgers and documents connected to the Mechanics' Institute Library, some framed and unframed artworks and some photographs. The Warrnambool Mechanics' Institute Library book collection is deemed to be of great importance because it is one of the few collections in an almost intact state, and many of the books are now very rare and of great value. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. Selections from Goldsmiths Poems and Helps's Essays Notes on Goldsmith's Poems by Rev A R Vardy. Notes on Helps's Essays by F J Rowe and W T Webb As prescribed for the Matriculation Examinations at the Melbourne University Publisher: Melville, Mullen & Slade Date: 1894 The label is a black square that is unreadable The top and front of the text block have the name "T Alston" on them in black ink. The top text block also has the date 9/8/94 written in black ink on it. Pastedown front endpaper has a sticker from Warrnambool Mechanics Institute and Free Library covered by a sticker from Corangamite Regional Library Service Front loose endpaper has a stamp from Corangamite Regional Library Service flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, goldsmiths poems, melbourne university, selections from goldsmiths poems and helps's essays, rev a r vardy, helps's essays, f j rowe, w t webb

Students attended Sunday School at the Kergunyah Presbyterian Church and were given prizes. The students included those aged between 8 and 12 years and included boys and girls. Sunday school was held in a little 16 foot square wooden building which came from Rocky Valley after it was no longer needed there. Ewen Wallace's father initiated and organised the move. C2011 the building was knocked down because of white ants. The Presbyterian Church will be 125 years old in 2015.Historical: Religious Education: Students attended Sunday School at Kergunyah Presbyterian Church. Religion: Presbyterian Church at Kergunyah in the Kiewa Valley, celebrates its 125th anniversary in 2015 after being handed over tot the Uniting Church in the 1970s. White book with black printed title at top. Cardboard cover. Photo of soldiers with swords charging towards battle. On back it explains 'Red Dragon' is for boys and girls 8 - 12 years."Awarded To ...Class ....Teacher....From the Kergunyah Presbyterian Sunday School" stampreligion, religious education, kergunyah, sunday school, presbyterian, ewen wallace

This booklet commemorates the 100th anniversary of the proclamation of the Shire of Warrnambool. The original proclamation was read from the Government gazette 13/12/1863 Pg 2958. This follows from being proclaimed a roads district in 1854 which was then partly portioned and proclaimed the Municipal district in 1855. Portion of the shire was again annexed to the city in 1955. The Warrnambool shire covers the area on north east and western sides of the city of Warrnambool covering approximately 600 square miles and has a rich history of farming and dairy products. A program which commemorates 100 years of the shire of Warrnambool. It contains a comprehensive list of councillors who served during that time.White light card cover with royal blue text and tied with royal blue ribbon.Pale blue vertical lines. Shire crest with dates either side at top centre of page.Back cover has list of councillors names who have served from 1863 up to 1963. Photographs in green tinge inside front and back covers. 8 pages. Cr Cyril Geoffery Boyle. Thursday 12th December 1963.Mr Robert Burke, Cr C S Brown, Cr C G Boyle, A F Ponting,The Honourable Murray Porter, Hon R W Mack, Cr J Pascoe, Mr J W Crawley, Mr L Crawley, J Wm Crawley, Jnr, R L Crawleywarrnambool,, warrnambool shire, cr c g boyle, warrnambool shire 1863, warrnambool shire 1963

Used to lay out Machine work, or to set up pieces on a planer, radial drill, milling machine or boring machine. To set the Scriber the spindle swivels down or up into any position where it is clamped by the knurled nut. There is a fine screw adjustment for the Scriber point (note: this is not original Scriber supplied with this instrument). The base on this Surface Gauge can be set on cylindrical work, using the ‘V’ groove in the base, or by pushing down the two gauge pins. It can be brought square with an edge or T slot. Metal gauge toolgauge, tool, trade, brown and sharp manufacturing company

Boiler purchased by Malvern city council to supply steam to a stationary vertical engine that drove a stone crusher. Built by George and George Pty. Ltd., Melbourne in 1929, it is an external under-fired return-flue type 18 tube boiler capable of supplying steam at 100 pounds per square inch (600 kPa). This boiler can be occasionally seen in steam at the Museum supplying steam for the operation of stationary engines on display near by. Donated by Malvern City Council in 1969. Historic - Industrial Steam Boiler EquipmentSteel, Cast IronGeorge and George Pty Ltd, Melbourne 1929george and george, malvern, steam, boiler, stone crusher, puffing billy

The district of Strathfieldsaye was proclaimed in 1861 and named a Shire on the 17th September in 1866. It remained a shire until amalgamation in 1994 when it became part of the City of Greater Bendigo. The shire was located 8 km to the south- east of Bendigo and covered an area of 601 square kilometres and extended from the Calder Highway to the Coliban and Campaspe Rivers. The shire's administration centre was in Strathfieldsaye until 1972 when new offices were opened in Kennington. This coat of arms was commissioned for the front of the shire hall building.Brass painted coat of arms or emblem within a circle of the Shire of Strathfieldsaye. Outer rim contains text: SHIRE OF STRATHFIELDSAYE VICTORIA 1866 with the shield of the monarch of the United Kingdom centre top. The shield is divided into four parts with images reflecting the leading industries of the time; wine growing, mining, farming and tanning. The motto PROGRESS is depicted lower centre of shield. SHIRE OF STRATHFIELDSAYE / VICTORIA / 1866 / PROGRESSshire of strathfieldsaye, city of greater bendigo amalgamation, city of greater bendigo signs

This set of 11 colour photographs of a Ceremonial Guard of Honour from the Army Survey Regiment was most likely taken at Russell Offices, Canberra in 1995. Most Guard of Honour detachments sent to Canberra performed the ceremony in the Blamey Square at Defence’s Russell Offices precinct. An identification label in the storage folder identified the parade was at an Australia Remembers 1945-1995 event, one of many activities designed to commemorate and celebrate the 50th anniversary of the end of the Second World War on 15 August 1945.This set of 11 colour photographs of a Ceremonial Guard of Honour from the Army Survey Regiment was most likely taken at Russell Offices, Canberra in 1995. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) & .2) - Photo, colour, 1995. L to R: Right file – No 1: SPR Cameron Gee, No 2: SPR Shane Campbell, No 3: CPL Andrew Quin, No: 4 SPR Ken Labouchardiere, No 10: SPR Lance Hillier, remainder unidentified. Parade formation commander: LT Jason Selman, Centre file – front No 1: CPL Ian Bowes, No 3: CPL Chris Wynn, No 4: SPR Mick Muzeen, No 5: SPR Julie Gretton, No 6: CPL Ken Peters, No 7: SPR Allison Ottaway, No 9: CPL Hamish Goetz, No 11: SGT Darren Wilkinson, remainder unidentified. Left file – No 2: SPR James Commons, No 3: SPR Matt White, No 4: CPL Andrew Lazdovskis, No 6: SPR Michelle Withers, No 7: CPL Greg Howell, remainder unidentified. .3) - Photo, colour, 1995. Front rank L to R: SPR Lance Hillier, CPL Dave Scott, SPR Andrew Arman, unidentified, SPR Mick Muzeen, CPL Darren Scott, SPR Ken Labouchardiere, CPL Andrew Quin, SPR Shane Campbell, SPR Cameron Gee. Parade formation commander: LT Jason Selman. Centre rank L to R: unidentified (x2), CPL John Commons, SPR Allison Ottaway, unidentified (x3), CPL Chris Wynn, unidentified (x2.) Rear rank L to R: unidentified (x3), CPL Greg Howell, unidentified, SPR Helen Scorgie, CPL Andrew Lazdovskis, unidentified (x3). .4) to .6) - Photo, colour, 1995. All unidentified. .7) & .8) - Photo, colour, 1995. L to R: LTCOL Duncan Burns, Parade formation commander: LT Jason Selman, COL COMDT COL Don Swiney MBE, unidentified dignitary. Front rank L to R: SPR Lance Hillier, CPL Dave Scott, SPR Andrew Arman, unidentified, SPR Mick Muzeen, CPL Darren Scott, SPR Ken Labouchardiere, CPL Andrew Quin, SPR Shane Campbell, SPR Cameron Gee. Centre rank L to R: unidentified, CPL Chris Wynn, unidentified. CPL Ian Bowes, Rear rank L to R: CPL Greg Howell, SPR Helen Scorgie, CPL Andrew Lazdovskis, SGT Darren Wilkinson. .9) - Photo, colour, 1995. L to R: CPL Ian Bowes, LTCOL Duncan Burns, Parade formation commander: LT Jason Selman, COL COMDT COL Don Swiney MBE, unidentified dignitary, unidentified (x3), SPR Michelle Withers, SPR Helen Scorgie, unidentified, SPR Matt White, SPR James Commons, unidentified. .10) - Photo, colour, 1995. L to R: CPL Ian Bowes, Parade formation commander: LT Jason Selman, unidentified dignitary, COL COMDT COL Don Swiney MBE (partly obscured), unidentified (x3), SPR Michelle Withers, SPR Helen Scorgie, unidentified, SPR Matt White, SPR James Commons, unidentified. .11) - Photo, colour, 1995. L to R: CPL Ian Bowes, Parade formation commander: LT Jason Selman, COL COMDT COL Don Swiney MBE, unidentified dignitary, Matt White, SPR James Commons, unidentified, SGT Darren Wilkinson.Identification label ‘RASvy Guard of Honour – Australia Remembers 1945-1995’. No personnel identified.royal australian survey corps, army survey regiment, army svy regt, rasvy, fortuna, asr

A document containing a speech by Colonel A. N. Kemsley, E.D. at a weekly luncheon at Legacy sometime in the early 1950s. He presented details of the initial building of the Shrine and the changes being made to commemorate the second world war, such as the forecourt and new cenotaph and flagpoles. He mentions the upcoming Anzac Day in 1953. After the first world war there was a decision made to create a memorial. Legatees were involved in the process at various times and capacities. In particular Legatee Kemsley was vocal in idea of a structure over a utilitarian memorial (such as a hospital or a park) - see letter at 01182. These notes include the resolution that passed at the Melbourne Town Hall at a public meeting: "That this meeting of citizens confirm the launching of an appeal by the Lord Mayor to establish a National War Memorial by means of a monument and that an executive committee with the Lord Mayor as Chairman with power to add and point sub-committees be formed to carry out the project." Also that 20 sites were selected for consideration in 1921. Although the St Kilda Road site was favoured early on, by 1926 there was pressure to change to a "provision of square" and Cenotaph at the intersection of Spring and Bourke Streets. Legacy Clubs voiced their opposition to this proposal by passing a resolution "That the Melbourne Legacy Club, representative of the returned soldiers in business in this city, whilst welcoming the Anzac Square Scheme as a city improvement, cannot support it as a War Memorial scheme and affirms its support for the Shrine of Remembrance in the Domain as the only War Memorial worthy of Victoria's unparalleled efforts in the Great War." The document was in an envelope with a letter dated 30 April 1971 (01182) that also outlines the efforts Legacy (especially L/- Kemsley) went through to promote the construction of the Shrine of Remembrance over a proposed square. The envelope says 'The Origin of the Shrine of Remembrance p/p Legatees Kemsley and Joynt'. And the initial 'JMBA'?. It was in a file with other documents concerning the Shrine and it's history.A record of the events that led to the construction of the Shrine of Remembrance as noted by a Legatee at the time. There was an effort to record historical events for the "Archive Committee" which collected this an other documents relating to the Shrine together in a file (see items 01181 - 01190, 01206 - 01212)White quarto paper x 8 pages of black type of a speech given by Legatee Kemsley.S6 in red penmemorial, speech, shrine of remembrance, kemsley

This book, written for girls by the English novelist, Bessie Marchant, was given as a prize to Claire Gilbert. She was the daughter of Roy and Miriam Gilbert and lived in Coulstock Street. Her father worked at Swintons Store in Warrnambool. She would have been at school in the 1940s. She married a farmer, Ainslie Crothers. It is presumed that ‘Y.W.L’ stands for ‘Young Women’s League’, but no Warrnambool group with this name has been found (apart from a Young Women’s Association run by the Presbyterian Church in the 1920s). This book is of interest as it belonged to a local girl, Claire Gilbert, at school in the 1940s. This is a hard cover book of 152 pages with 16 pages at the back giving information on other books published by the same company. The cover is green with the title information enclosed in dark red text boxes with green printing. The spine has red printing with red lines and squares for ornamentation. The inscription is handwritten in black ink on a printed book plate pasted onto the first page. There is a colour plate at the beginning of the story. ‘2nd prize Awarded to Claire Gilbert, Y.W.L., Warrnambool’ claire gilbert, yung women’s league, history of warrnambool

Items in the collection re MAX Jolliffee, refer Cat No 4322.3 for service details..1) Badge metal square shape blue with gold trim and text, one pin on rear. .2) Badge metal silver colour black background crown at top, centre has the letters "CMF". .3) Badge metal centre oval shape, colours gold, black, two blues, crown at top, centre figure boomerang at bottom, one pin on rear. .4) Badge, miniature of .3).1) "National Servicemens Association 51 - 72 Navy Army Airforce". .3) .4) Royal Australian Signals Association".badges, association, cmf

This piece of equipment was used to predict the flight path of an aircraft in order for anti-aircraft artillery to fire accurately at an approaching enemy airborne target. A crew of six operated the machine with information ready to be relayed to a gun within 50 seconds. The predictor was manufactured at the Commonwealth Government Ordnance Factory, Maribyrnong.The item is made primarily from metal, is square shaped and bolted to a wooden base. Numerous hand operated wheel dials attached to gauges which input information related to wind speed, bearings and elevation are visible. Each of the four sides has a specific task with three sides being labelled - Elevation Unit, Wind Calculator, Bearing Unit. The item is housed in a glass and wood display case. Attached to the front of the display case: 'VICKERS A.A. PREDICTOR No1 MK III MANUFACTURED BY ORDNANCE FACTORY MARIBYRNONG'pedictor, military equipment, ordnance, anti-aircraft guns

The journals were written by George Ross FREEMAN No 2485 - 57th Battalion AIF. .1) This journal was written from the notes in .2) & .3). .2) & .3) Were notes taken during the war. Refer Cat No's 2057P, 2058.3P..1) Black fabric covered exercise book, ruled, written in ink, beginning Aug 1914, ending Mar 1919. .2) Brown cardboard covered blue lined grid squares written in pencil beginning Jan 1918, ending Dec 1918. .3) Light green cardboard cover, ruled pages, written in pencil beginning 1 Nov 1918 ending 10 Dec 1918..1) "G R Freeman 64 Barkly Place Bendigo" .2) "Army Book 152, Correspondence Book (Field Service)" .3) "November 10th, G R Freeman , London etc Nov - Dec 1918"journals, 57th

Photographs .2) & .3) are re Frank Hepburn HAMILTON No 2153 AIF, enlisted in 4th reinforcements 24th Batt on 12.7.1915 age 20 years. Embark for Egypt 27.9.1915, embark for France 20.3.1916, hospital with PUO 26.6.1917, rejoin unit 6.7.1917, awarded the Military Medal (MM) as a Battalion runner on 1.9.1918 at Mont St Quentin, discharged from the AIF 15.7.1919. Refer Cat No 2351.5P re his brother DJW Hamilton KIA. .1) Envelope, whitish with gold writing, folds in half. On front is Sketch Portrait, Wm Elsmore, 4 St Enoch Square, Glasgow. .2) Photograph, sepia on chamfered edge cardboard, shows soldier centre wearing an MM Ribbon & 2 girls, 1 each side. Fits inside .1). .3) Photograph, same as .2) but set on a large cardboard piece with brown wood texture.photography-photographs, military history - army

This butter pat profiler may have been manufactured post 1967 (year post codes appeared in Australia) however the post code was only stamped on after it was machined. This type of butter mould was used by rural families to fashion home/farm made butter. This period was in most rural regions a time of self sufficiency where any domestic type implement which could be fashioned by the family would be crafted with skill. Shopping for goods required catalogues from stores located in major rural towns and cities and involved lengthy waiting times. Travelling to and from these specialised stores was not pleasant due to the relatively poor quality of the roads and the lengthy times taken. The small general stores in the Kiewa Valley could not cater for all the needs of the valley. The 1960's was a time when facilities especially goods and services started to improve drastically. The S.E.C. of Victoria with its Kiewa Hydro Electricity Scheme provided not only an improvement of facilities in the valley but also a increase in the population. This increase resulted in a greater demand for local produce.This item is one of many domestic food processing implements used by Kiewa Valley households in the mid 1900s, whether on the farm or in the small towns and hamlets. Self sufficiency was the key to survival during these early times. Where ever possible supplies from within the valley were preferred to that brought in by travelling salesmen or traders. This butter mould and butter pat was commonly used to fashion "home" made butter throughout the valley and in some cases supplied to "outside" regional towns. Although this method of production was phased out by better access to goods from nearby cities the revival of the good organic home grown produce in the 1980s saw a greater demand of this type of farm based produce.This butter pat is one of two,see KVHS 0071 (B). It has been crafted from wood. One side has grooves running from the handle to the square shaped bottom. These grooves would stop the wet butter from clinging to the pat. The top side of the pat has been bevelled on both sides and the bottom edge. The hand grip is flat and curved to allow for a comfortable hold.domestic food preparation, wooden butter pat, butter mould circular, dairy industry, butter

This handmade ‘gallon’ style of bottle was generally used for storing and transporting wine and ale. Many bottles similar to this one have their bases embossed with “6 TO THE GALLON”. It is one of many artefacts recovered from unidentified shipwrecks along Victoria’s coast between the late 1960s and the early 1970s. It is now part of the John Chance Collection. The capacity of this is one-sixth of a gallon (imperial measure), which is equal to 758 ml. (American bottles were often inscribed “5 TO THE GALLON”, which is one-fifth of an American gallon, equal to 757 ml.) Contemporary home brewers can purchase new ‘6 to gallon’ bottles that hold 750 ml. and are sold in cases of 36 bottles, which is equal to 6 gallons of wine. Glass was made thousands of years ago by heating together quartz-sand (Silica), lime and potash. Potash was obtained from burnt wood, but these days potash is mined. The natural sand had imperfections such as different forms of iron, resulting in ‘black’ glass, which was really dark green or dark amber colour. The ‘black’ glass was enhanced by residual carbon in the potash. Black glass is rarely used nowadays but most beer, wine, and liquors are still sold in dark coloured glass. Glass vessels were core-formed from around 1500 BC. An inner core with the vessel’s shape was formed around a rod using a porous material such as clay or dung. Molten glass was then modelled around the core and decorated. When the glass had cooled the vessel was immersed in water and the inner core became liquid and was washed out. Much more recently, bottlers were crafted by a glassblower using molten glass and a blow pipe together with other hand tools. Another method was using simple moulds, called dip moulds, that allowed the glass to be blown into the mould to form the base, then the glassblower would continue blowing free-form to shape the shoulders and neck. The bottle was then finished by applying a lip. These moulded bottles were more uniform in shape compared to the free-form bottles originally produced. English glassblowers in the mid-1800s were making some bottles with 2-piece and 3-piece moulds, some with a push-up style base, sometimes with embossing in the base as well. Improvements allowed the moulds to also have embossed and patterned sides, and straight sided shapes such as hexagons. Bottles made in full moulds usually displayed seam seams or lines. These process took skill and time, making the bottles valuable, so they were often recycled. By the early 20th century bottles were increasingly machine made, which greatly reduced the production time and cost. This bottle is historically significant as an example of a handmade, blown inscribed glass bottle manufactured in the mid-to-late 1800s for specific use as a liquor bottle with a set measurement of one-sixth of gallon. It is also historically significant as an example of liquor bottles imported into Colonial Victoria in the mid-to-late 1800s, giving a snapshot into history and social life that occurred during the early days of Victoria’s development, and the sea trade that visited the ports in those days. The bottle is also significant as one of a group of bottles recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection of shipwreck artefacts by his family, illustrating this item’s level of historical value. Bottle, brown glass, handmade. Tall slim Gallon style liquor bottle. Applied, double collar lip; square upper with flared lower. Neck has seams and shoulder seam from 3-piece mould. Body with horizontal ripples tapers inwards to base. Push-up base with pontil mark and embossed inscription. Tape over wire around mouth. Cork remnants inside mouth. Embossed on base "6 TO THE GALLON"flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, gallon bottle, 6 to the gallon bottle, handmade, dip mould, mouth blown, pontil mark, blown bottle, liquor bottle, ale bottle, double collar, 19th century bottle, collectable