Showing 3889 items
matching flower
-
Royal District Nursing Service (now known as Bolton Clarke)
Photograph - Photograph, black and white, Barry Sutton, 17.10.1973
This photograph is taken in the lounge room of Mrs. McCoubrie's home in Dudley Street, Fitzroy. Sr. Fullarton is assisting her to regain her independence from being wheelchair bound to walking with a 4 prong stick.From the founding of the Melbourne District Nursing Society (MDNS) in 1885, known as Royal District Nursing Service (RDNS) from 1966, the rehabilitation of patients to ensure they were able to live independently in their own homes was at the forefront of care given by their Trained nurses. As well as teaching and supervising the use of equipment, their Trained nurses taught them safe transfer techniques. These techniques were also taught to family members to enable them to care for their loved ones. RDNS at first held workshops given by a contracted private Physiotherapist before employing their own Physiotherapist in 1975 who taught staff the correct techniques, not only for safety of the patient, but to reduce physical strain on RDNS nursing staff and patient’s family members. When required the Physiotherapist accompanied the Sister on her visit to the patient in their home. On the left of this black and white photograph, is Mrs. McCoubrie, who is an elderly lady with white curly hair and is wearing dark rimmed glasses. She is standing on a rug between the raised footplates of a wheelchair which is behind her. She is smiling and looking at Sister Ethel Fullarton from the Royal District Nursing Service (RDNS) who is in the right of the photograph. Mrs. McCoubrie is wearing a black frock with white buttons, collar and belt. She has her right hand on the wooden handle of a 4 prong stick and her left arm is supported by. Sr. Fullarton, who is standing side-on, and is smiling at Mrs. McCoubrie. Sr. Fullarton is wearing glasses; has curly dark hair, and is wearing a white gown over her uniform. She has her right hand under, and supporting, the upper section of Mrs. McCoubrie's left arm and is grasping Mrs. McCoubrie's hand with her left hand. In the left background, part of a brick fireplace with a small vase of flowers sitting on the wooden mantelpiece can be seen. A lounge chair is seen on the far right and a patterned carpet is under the dark patterned rug.Barry Sutton LW 1 Names.royal district nursing service, rdns, rdns rehabilitation, sister ethel fullerton, mrs mccoubrie -
Ringwood and District Historical Society
Photograph, Ringwood State School - Grade 6, 1964
Black and white photograph - Grade 6, 1964."Attached to photograph" Back Row- L to R: Meg Flowers, Barbara Donald, Rosemary Weaver, Anne Downey, Ross Anisbett, Carl Gibson, Janet Conlon, Wilhelmina Coenders, Elizabeth Clarke, Christine Schruhn. 2nd Row- L to R: John Tann, Ian Carrington, Gary McCubbin, Ian McCall, Russell Paine, Craig Austin, John Moon, Russell Bourke, Stephen Foster, David Kimberley, Gary Fowler. 3rd Row- L to R: Alan McLean, Leslie Read, Michael Thwaites, Harry Parker, Malcolm Kerr, Howard Archer, Grant Nichol, Ian Jones, Rodney Hason, Peter Ockinghaus. Front Row- L to R: Christine Smith, Kay Langford, Jennyn Flarherty, Linda Jusland, Karen Williamson, Janne Thompson, Janet Guinn, Annette Smeeton, Christine Radford, Diana Hack, Lynette Milne. On Ground: Alan Foley, Daryl Anderson, Chris McDonald, Mark Kulbeak, Peter Maher, David Grant. Absent: Alvina Crawford, Philip Stoker. Teacher: Mr Warriner. -
Glen Eira Historical Society
Letter - CAULFIELD CENTENARY - 1957
This file contains seven items: 1/One double sided pamphlet regarding the Caulfield Centenary Carnival at Caulfield Park from 25/10/1957 to 05/11/1957, listing attractions and special events. Includes advertising for Bunny Industries on the back. 2/One pamphlet for the Children’s Carnival at Caulfield Racecourse on 29/10/1957 as part of the City of Caulfield Centenary celebrations. The pamphlet includes a timetable for the day’s events. 3/One six page pamphlet for a film festival organised by the Caulfield Film Society as part of the City of Caulfield Centenary Celebrations. The pamphlet includes a programme for each of the four days of the film festival, 14/10/1957, 17/10/1957, 23/10/1957 and 25/10/1957. The pamphlet also includes information about the Caulfield Film Society regarding their formation, their values, their manifesto and their officials. 4/An eight page programme for the centenary Thanksgiving Service on 13/10/1957 featuring prayers and hymns. 5/Two copies of a pamphlet regarding City of Caulfield Centenary Celebrations from 13/10/1957 to 05/11/1957 created by H.G. Nelson, Town Clerk. Events listed include Thanksgiving Service, Music Festival, Film Festival, Special Centenary Council Meeting, Gymkhana, Parade of Decorated Floats, Spring Flower Show, Massed Bands Display, Display of Art, Naturalisation Ceremony, Solemn High Mass, carnivals and plaque unveiling. 6/One original and one photocopy of an eight page notice paper for the Special Meeting of Caulfield City Council to commemorate the 100th Anniversary of the proclamation and declaration of the Caulfield Road District, to be held on 15/10/1957. The booklet includes the agenda, a council summons, a picture of Caulfield’s City Hall and a list of current and past councillors, chairmen, presidents, mayors and Shire Secretaries and town clerks. 7/A letter addressed to F. Campbell from Hazel Da Costa, dated 07/11/1997 regarding the acquisition of pamphletts for the Caulfield Centenary Carnival. For further information refer to the Oakleigh and Caulfield Times 09/10/1957 and Caulfield-Elsternwick Advertiser 05/11/1957 and 22/10/1957 stored in the Newspaper Archive room 4.caulfield centenary carnival, queen crowning ceremony, dandh bunny pty ltd, caulfield film society, carnegie memorial hall, caulfield park, hawthorn road, balaclava road, glenhuntly road, parades and processions, fire works displays, festivals and celebrations, bunny industries, glen press, hardware stores, builders suppliers, plumbers suppliers, centenary celebration, caulfield centenary, children’s carnival, caulfield racecourse, sinclair a.j.g., sporting events, film festival, new supper room, town hall, methodist hall, saint john hall, birch street, orrong road, princes park, caulfield hospital, daughters e.f., ward miss n., madigan mr. r, ritchie miss e., weichelt mr f., machin l.r., green w.c., jenner e.r., thomas w.r., centenary thanksgiving service, hymns, prayers, naturalisation ceremony, caulfield and district horses and pony club, special centenary council meeting, caulfield horticulture society, saint aloysius church, packer reserve, oakleigh road, caulfield memorial youth centre, commemoration, caulfield road district, mayors, presidents, chairmen, councillors, town clerks, parton e.m., bunny f.c.d., sims h.e., thomson w.r., wallace g.e., gunn e.e., gamble h.a., yorston j.s., handasyde g., murry ross w., stephen j.w., masters s., lloyd j.c., watts thos., watts t., nelson c., webb g.h., stephen f.j., crosbie j.w., watts w.c., holland j.c., lempriere w.g., millar w., newing t. r., ballantyne j., cotton a.d., long j., kirkham c.f., lloyd c.du p., wood f.g., akhurst a.c., riddell w.j.c., sharp t.c., phillips r.l., lempriere j.t., bayston w.s., dunbar a., hall p., saint j., fiske w., thompson h., murphy e.c., eggleston f.w., murray n.l., wood h.s., tyner w., wharington w.a., packer j.t., falls t., brooks w.r., lord r.h., morris a.e., page j.w., porter f.w., england e.f.s, patton r.t., mcculloch r., richie h.g., packer j.t., mackinnon d.c., mackinnon g.a., smith h.c.h., shillabeer f.e., pullman c.a., stewart l.mcr., tyers s.w., morris t.w., prior p.l., brooks w.r., webster h.c., sims h.e., prior p.l., thomson w.r., gunn e.e., parton e.m., wallace g.e., dempsey w., hart j., jowett f., briggs j.r., nelson h.g. -
Kew Historical Society Inc
Photograph - Grace Tabulo, 'Fairyland', 57 Malmsbury Street, c.1963
Mr. and Mrs. Tabulo, who owned the house between 1945 and 1965, created Fairyland in the 1940s. Fairyland was open to the public, especially children, who were invited to write their names in visitors’ books. These are now in the possession of the Kew Historical Society. Following the sale of the house after Mrs. Tabulo’s death, the garden and content of the house was cleared of its previous adornments. Grace Tabulo died in 1965. "CHILDREN LIVING IN THE ONE STREET soon find out which house will welcome them and which house to avoid. Few children in few streets have ever had such a find as those who live in Malmsbury st, Kew. At 56 Malmsbury st they all belong. It is their house. There are no young children who are actual residents, but they are to be found there all day long. Mrs J. Tabulo is chatelaine of 56, but few children know her by this name. To them she she is the Fairyland Lady. In her pocket handkerchief front garden there are few flowers; there isn't room, for it has been turned into a children's dream. Cement, tiles, old broken pieces of priceless china, miniature bottles, leadlights, and strange and beautiful little statues have been welded into a grotto which Mrs Tabulo says is only appreciated and understandable to children. It started off in a small way three years ago with a few odd statuettes, but with a street full of children ready and eager to build, it now has hardly room for even a miniature. Like the children, the Fairyland Lady knows and values each mosaic-like piece. Many a wedding present, succumbed at last to the ravages of time, holds a vantage spot in the grotto. The children bring along their broken bits and each is found a spot and cemented into the fairy story picture. In the cottage itself the children are also welcome. There is no spot, from skirting board to ceiling, that is not crowned with some gem or another. Fans, plaques, and china, some of it more than 300 years old, is handled daily by tiny but careful hands. "Children," said Mrs Tabulo, "should be allowed to love and handle beautiful things. They are much more careful than adults. Bless them!" -H.S (The Argus, 22 January 1949)A photograph of Mrs. Grace Tabulo in the garden of ‘Fairyland’ in 57 Malmsbury Street, Kew. fairyland, malmsbury street, kew, tabulo, grace tabulo -
Federation University Historical Collection
Photograph - Photograph - black and white, Ballarat School of Mines Staff, 1946
The Ballarat School of Mines was the first school of mines in Australasia. It is a predecessor institution of Federation University Australia. Black and white photograph of Ballarat School of Mines Staff. The photograph is taken at the back of the Administration Building (formerly called new Classrooms). Back left to right: F.L. Collins, A.W. Bridson, J.J. Hanrahan, Harry Brew, G.W. Cornell Second left to right: J.T. Collings, R.W. Whitla, S. Mayo, Neville Bunning Third left to right: L.O. Brown, G.V. Bergin, R.R. Watson, T. Kellock, A.J. Murdoch, R.W. Richards Fourth left to right: A.C. Miller, A.V. Gilpin. T. R. Gordon, R.P. Flowers, H. Yates, D. Mullins, T. Trengove, W. Wilkinson, Lindsay Hillman, C. Fairbank Fifth left to right: A. Johnson, Annie Jones. M. Fogarty, Hester Darby, J. Allsop, William J. Paterson, A. Lambert, H. Goldsmith; M. McTaggart, C. King, M. Harland, F. Gladstone Procter Front left to right: N.W. Penrose, R.R. Calder, S. Williams, Dr Pound, C.F. Jeffrey (Head of Ballarat Junior Technical School, A.F. Heseltine (Principal), D.I. Johnson (Head of Art), J. Sutherland, Ruby H. Lonie, F.W. Ferguson, B. Law, J. Lochead. ballarat school of mines, dick richards, patterson, gladstone procter, university women -
Bendigo Historical Society Inc.
Magazine - HANRO COLLECTION: HANRO AUTUMN WINTER CATALOGUE 1961, 1961
Hanro Autumn - Winter Catalogue 1961: The front cover is of a white and pink card background is a sketch in black ink of a lady wearing a matching night dress and dressing gown. To the right top is a sketch of a cuckoo clock. A black banner with Hanro in Pink is also to the right and across the bottom is *Swiss-inspired Lingerie . Catalogue Autumn - Winter 1961*. Inside the cover is advertising and the Index. The Catalogue consists of sketches of ladies wearing a variety of lingerie with the items number, description, material, size, quantity and colours available on gloss paper. The last page is of yellow paper and is the suggested retail selling prices, Style, item number, sizes. On the back is Trade Price List, Style, Size Range and price. On the back of the catalogue on pink and white card is a scene of pink sky with white clouds, sketched in black ink is the Swiss Alps with a Swiss Chalet, trees, flowers and a cow. In a box with a black border on a white background is *Hanro (Aust) Knitting Mills Limited. 163 Hargreaves Street, Bendigo, Victoria. 3024. Sales Offices, addresses and phone numbers of Melbourne, Sydney, Brisbane, Perth, Adelaide and Hobart. There is a sketch in black on a pink background of the Hanro factory in Switzerland *The home of World-Famous Hanro in Liestal, Switzerland*book, magazine, catalogue, hanro. catalogue -
Bendigo Historical Society Inc.
Photograph - PATRICIA COLES (NEE MCLEAN) COLLECTION: BENDIGO EASTER PARADE QUEEN COMPETITION 1929
Photograph. The Patricia Coles (nee McLean) Collection. Bendigo Easter Parade Queen Competition 1929. Copy of a black and white photograph of four women, one seated on a central chair, with flowers, and two small children. A boy and a girl. On the reverse the Queen, seated, is identified as Gwen McPherson (Mr McPherson, her father, was a senior policeman in Golden Square). The small girl, front right, is named as June McLean, daughter of Nellie and Tom McLean, United Kingdom Hotel, Golden Square. [Note: Peter MOLONEY, Gwen's son emailed [email protected] 13/10/2014 after the photo appeared in the Bendigo Advertiser, 'The Way We Were’ - 'Hi, please have a look at the attached photo. My name is Peter Moloney, Gwen McPherson’s son; my grandfather was a policeman at Golden Square from about 1935 to 1945. My mother was born in 1920. Given all the information above and also the fact that the 'Queen' in the photo does not look like my mother, who would have been 9 years old in 1929, I am afraid the detail on the photo is incorrect. Hope this information is of some use to you. Peter Moloney.']bendigo, entertainment, easter parade queen competition, bendigo easter fair. bendigo easter parade queen compettion. mclean family of golden square. united kingdom hotel. -
Bendigo Historical Society Inc.
Clothing - MERLE HOULDEN COLLECTION: WEDDING DRESS, April 1985
Embroidered silk tulle with an embroidered geometric pattern - .75 cm X .05 cm. 20 cm wide deep frill at hemline. Frill is made of the same fabric, but has a border of embroidered flowers edging the frill.A narrow band of satin ribbon, .05cm wide is stitched midway on the frill. The same frill outlines a deep V shaped neckline front and back, starting 8 cms from the shoulder along the puff sleeves. The main sheer fabric extends to a high round neckline, defined with a band of ribbon and a 3 cm wide frill at the throat. Back neckline fastens with metal hook, and handstitched loop, and a zip extends on the main body of fabric. Back of skirt is gathered, and front has three pleats either side of centre to give fullness to the skirt. Fine elastic marks a frill at the elbow length sleeves, finished with a ribbon bow. Bodice and skirt are lined with silk taffeta fabric, including a frilled skirt, bodice extends to a V shaped waistline. The dress mounted on silk taffeta, extended to a train at the back. Kerryn's dress was made by her mother, Merle Houlden, as a labour of love. Marriage of Kerryn Houlden and Bruce Roberts - April 1985.costume, female, wedding dress -
Bendigo Historical Society Inc.
Clothing - NAVY BLUE DRESS WITH PINK FLOWER TRIM, AND ROULEAU FEATURE, 1920-30's
Clothing. Navy blue silk dress with V neckline faced in soft pink silk, which is overlaid with navy rouleau, giving a ''lattice'' effect, and then the neckline has been bound with navy fabric. The lower edge and side is decorated with three, four-petalled flowers, backed with navy fabric, with navy covered buttons in each centre, and navy tipped, pink rouleau 'stems'. Three X 2 cm diameter navy covered buttons are spaced on either side of neckline. Six X 1cm wide loose pressed(not stitched) pleats and two 2 cm pleats form a panel from neckline to waist of bodice. This pleating continues from the waistline, and is stitched horizontally for 31 cm below the waistline, before falling in a pressed form to the hemline. Back of skirt is plain, with top stitched centre back seam, which opens into a (X2) 5.5 cm wide inverted pleat at centre back. Long sleeves are also pleated-stitched down horizontally, for 17 cms, then pressed(not stitched) to the cuff. The cuff has an 8 cm deep peak, tapering to 4.5 cm deep at the opening-which fastens with two metal press-studs. Sleeve fullness is gathered into the cuff.costume, female, navy blue dress -
Bendigo Historical Society Inc.
Postcard - GLADYS DEAN COLLECTION: POSTCARD, 1906 - 1908
Printed card folded to form an opening card. Front is printed with a decorative blue border enclosing the words Everlasting Silver Leaves from Durban Natal. An address has been handwritten to Miss G Dean Esmond McKenzie St Golden Square Victoria. Opening the card, on the left hand side is a coloured photograph attached to the card inside a decorative gold border. The image depicts three males wearing native headdresses standing in front of three two wheeled carriages. The words Ricksha Boys are printed in red in the border beneath the photograph. Words have been handwritten below. On the right hand side are three leaves made of silk stuck to the card within a gold decorative border. The first leaf contains the words With love to ... My only Girl printed onto the silk. The name Glad has been handwritten onto dotted space. The second leaf has a printed image of an urn with flowers growing from it. The words Good wishes have been handwritten. The third leaf has the word souvenir printed onto it with initials C.N. The words From a fond heart across the sea have been handwritten across it.postcard -
Bendigo Historical Society Inc.
Document - R.S.L. BENDIGO COLLECTION: ANNUAL VICTORY BALL 1949, 16th August, 1949
Three copies of Bendigo Sub-branch R.S.S.A.I.L.A. Annual Victory Ball held at the Town Hall, Bendigo on August 16th, 1949. Guests of Honour were Lt.-En. S. F. Rowell, C.B., C.B.E., and Mrs Rowell. Card is cream with gold print on the front and a blue RLS badge. Other printing is blue. The inside of the trio-fold has a Dance Program of 28 dances and a space for Autographs. The other side has the Debutantes: Dorothy Ell, Joan Ell, Clarinet Bilby, Fay Webb, Aileen Harrowfield, Beryl Gillies, Wilma Sinclair, Margaret Pettit, Joyce Lucas, Gaynor Collier, Valerie Jones and Jean Bolitho. Chaperone: Mrs H A Morey. Flower Girl: Jillian Batten. Page: Elaine Guidice. Partners: Max Frayne, Roy Speechley, Les Morey, Len Kelly, Brian Walsh, Allan Scarfe, Clive Millar, Ken Sepping, Allan Holmes, Don Peterson, Ron Campbell, Jim Jeffrey and Ken Longstaff. President Bendigo Branch R.S.L. Col G V Lansell. Chairman Ball Committee: Mr F E Jackson. Hon. Sec. Ball Committee: Mr J W Swatton. Printed by James, Print, Eaglehawk.James Print, Eaglehawkevent, social, victory ball, r.s.l. bendigo collection - annual victory ball 1949, lt.-gen. s f rowell, mrs rowell, dorothy pell, joan pell, clarice wilby, fay webb, aileen harrowfield, beryl gillies, wilma sinclair, margaret pettit, joyce lucas, gaynor collier, valerie jones jean bolitho, mrs h a morey, jillian batten, elaine guidice, james, max frayne, roy speechley, les morey, len kelly, brian walsh, allan scarfe, clive millar, ken sepping, allan holmes, don peterson, ron campbell, jim jeffrey, ken longstaff, col g v lansell, mr f e jackson, mr j w swatton -
Bendigo Historical Society Inc.
Document - PETER ELLIS COLLECTION: A GUIDE FOR DRIVERS ON THE WHIPSTICK TOUR
A Guide for Drivers on the Whipstick Tour. First page gives assembly area, driving in convoy and negotiating water or boggy patches across the road. Amended written at the end of the page. Directions with mileage and items of interest for the tour on Sunday September 9th (no year). A Whipstick Map 1971 showing State Forest, Crown Lands, Uncleared Mallee - Private (shown in different colours) Water Reserve and Roads. Noted are Flora and Fauna - Plants, Birds & Mammals, and areas of State Forest and Southern State Forest with Mallee Scrub area noted. Also State Forest & Crown Lands Total Area and a map scale. The Bendigo Whipstick mentions area, suggestions of where the name Whipstick came from, shrubs and flowers with their flowering times, descriptions of some of them and some information on the Mallee Fowl. The Eucalyptus Oil Industry paragraph mentions the beginnings of the industry. Mentioned are the different uses of oils (perfumery, industrial and medicinal) and the different species of eucalypt used for each and various products. Also notes on the growing, harvesting and refining of eucalyptus. P Ellis at the end of the page. The next two and a half pages mentions reserves, and at the end acknowledgements. Includes a spare copy of 'The Bendigo Whipstick' by P Ellis.bendigo, history, early bendigo, peter ellis collection, a guide for drivers on the whipstick tour, the whipstick 1971 map, shire of marong, shire of east loddon, shire of huntly, borough of eaglehawk, city of bendigo, shire of strathfieldsaye, the bendigo whipstick, eucalyptus oil industry, eaglehawk town hall, lightning hill lookout, eaglehawk rifle range, new moon mines, blue jacket reservoir, maggetti's wine hall, camp hotel (ex), skylark dam, eucalyptus oil production, eucalyptus factory, whipstick eucalyptus farm, ruedin's eucalyptus factory, dutch bowls, governor philip, sir joseph banks, john white, baron von mueller, joseph bosisto, commonwealth government, perfumery oils, industrial oils, medicinal oils, p ellis, dr frith, csiro wildlife division, harley webster, forests commission, vincent serventy, victorian national parks association, bendigo field naturalists club -
Bendigo Historical Society Inc.
Photograph - HILDA HILL COLLECTION: BLACK AND WHITE PHOTOS, 1917-1923
Hilda Hill Collection. Black & White Photos Depicting Family Life Total 8. Dora dressed all in white and wearing a small hat standing within the branches of a tree, 'the lawns' 1917. Hilda & Rose S.H.L.C. 1917, Hilda wears a white hat and lightly coloured outfit, Rose is wearing a dark hat and dark outfit, both seated on a lawn area. Three boys (unnamed), wearing swimming outfits in the surf at Brighton 1918. Hilda & Dora both dressed in light coloured blouses and dark coats with decorative collars and similar style hats, at Hanging Rock July 1923. Frank at 'The Ranch' Easter Tuesday 1918, Dressed in dark suit and white shirt with bow tie, verandah post on left and weatherboard house in the background. Unknown female dressed in dark dress with white collar, large flower pot on verandah, house window in background, plant trellis to right. Jack, dressed in dark coat over light coloured shirt and lighter coloured trousers sitting on snow bank at 'Buffalo' 1923. Photo of the 'Chalet' at Mt Buffalo, covered in snow and the snow covered gardens in foreground, farm type post and wire fence also enclosing the garden.Hilda Hill Personal Collectionaustralia, history, family life -
Bendigo Historical Society Inc.
Container - Box of collected items
Items found by Barry Maggs in the Whipstick National Park with a metal detector. A purple plastic display box with a clear plastic lid. it has ten compartments containing items made from metal, wood and ceramics. a: Five pieces of pipes made from clay wood and metal decoration. b: Clay pipe with a metal decoration. c: Four pieces of metal jewelry one to two centimeters in diameter Including a ring, a flower brooch, a pendant and a button. d: Metal button two in diameter with an inscription Warranted Superior and a coat of arms. e: Two metal badges both have ship's anchors on them, one is three centimeters round the other is five centimeters by four centimeters. g: small piece of jewelry made of metal and glass five centimeters long and two centimeters wide. h: Four pieces of hollow metal five to eight centimeters long and one centimeter diameter. i: A piece of hollow metal tube five centimeters long and one centimeter in diameter. It had a small piece of wood and some pieces of paper with printed text inside. j: a metal nail seven centimeters long and one centimeter diameter head. k: pottery, part of a gold crucible three centimeters high and three centimeters in diameter. barry maggs, whipstick national park, metal detection -
Brighton Historical Society
Clothing - Dressing gown, circa 1894
This dressing gown belonged to Clara Johnstone Miller (nee Bell, 1866-1910). Clara was the only daughter of Mr James Bell, a councillor of the Shire of Leigh (today a part of Golden Plains Shire) and owner of Woolbrook Homestead in Teesdale, near Geelong. In 1888, Clara married prominent businessman, racehorse owner, racing identity and pastoralist Septimus Miller (1854-1925). Septimus was the sixth of seven children born to Henry 'Money' Miller and Eliza Miller (nee Mattinson). 'Money' Miller was a well known financier and politician and reputedly one of Australia's wealthiest people in his time. In 1889, Clara and Septimus moved into the house 'Cantala' in Dandenong Road, Caulfield, where they hosted lavish receptions for Melbourne's elite. Clara was known as a stylish hostess who wore elegant imported fashions. This dressing gown is believed to have been manufactured by Japanese silk merchant Shiino Shōbei. Following the opening of the port of Yokohama to foreign trade in 1859, Shōbei began producing western-style silk garments, initially selling them to foreigners living in Japan and later exporting them around the world, even exhibiting at the Melbourne International Exhibition of 1880. His popular exports included quilted 'at-home' gowns or dressing gowns similar to this one. They had one child, Gwendoline Stewart Miller, who died in 1902 at the age of thirteen of diabetes - a largely untreatable condition at the time (insulin would not be discovered until 1921). Clara died in 1910, aged only 44. Septimus subsequently married Helen (nee Henderson), with whom he had a son, Ronald (1915-1990). The Millers were buried in the Brighton General Cemetery in a large Gothic-style vault. Upon Clara's death, Septimus sent much of her clothing and Gwendoline's to her mother Mary Bell. Some of these items were passed down to two of Clara's nieces, Miss Mary Bell and Mrs Lois Lillies, who donated them to BHS around 1973.A hand stitched purple pink silk quilted dressing gown with pale pink embroidery from circa 1894. The dressing gown is embroidered from the collar and shoulders though the centre front body to just above the hemline, on the cuffs and remaining pocket in a pale pink Perle thread embroidery featuring leaves and flowers. The entire gown is hand quilted with vertical parallel lines. The gown's neckline features a flat collar and the sleeve head fits on the neat shoulder line. The sleeve head is gathered and full tapering to a loose flat cuff at the wrist. The front of the garment is currently secured by fourteen decorative frogs of two different styles, none of which appear to be original. There is also evidence of a fifteenth toggle that has been removed from the base. The gown's original left hand pocket has been removed and attached to an area around the right breast presumably to patch a hole or obscure some damage. It is unknown when these modifications have been made. The back of the gown features a gathered pink and black concertina pleated silk insert panel from the neck through to the base of the garment. The garment is lined with a very fine pale pink silk over the woollen batting.clara miller, woolbrook, septimus miller, cantala, gwendoline miller, caulfield, brighton general cemetery, shiino shobei, s. shobey -
University of Melbourne, Burnley Campus Archives
Album - Digitised, Sandra Pullman, Sandi Pullman Album, 1998-2000
93 photographs from Sandi Pullman's album. Scanned March 2013. Some have descriptions on reverse. Originals remain with Sandi Pullman (Student, FOBG). (13-19) John Delpratt's Grassland Project FOBG 30.05.98. (20-30) FOBG Working Bee 10.10.98 Ground Cover Trial Plots. (1-12) First Friends of Burnley Gardens Working Bee, "Planting the Back Car Park along the trainline 2nd May, 1998. (First Stage of the car park sited on Richmond City Council land at the rear of the College completed 1980.) (31-45) Back Car Park 11.09.99. (46-51) Native Garden 27.11.99. (52-53,72-75) 150th Celebration of What? Oct 2000, Ellis Stones Rockery Oct 2000. (54-58, 71, 76, 84, 86, 88-91, 93) Harvesting Grasses. (59-62) Nicki Rose from the Australian Plant Society presenting Dr Greg Moore with $1,500 cheque at an afternoon tea on the Citriodora Lawn 31.03.2000. (63-70) Melbourne International Flower & Garden Show (M.I.F.G.S.) 2000. (77-83) First Pruning Day 1999.sandi pullman, sandra pullman, fobg, john delpratt's grassland, working bee, native garden, ellis stones rockery, harvesting grasses, nicki rose, australian plant society, dr greg moore, melbourne international flower & garden show, m.i.f.g.s., back car park, wrong 150th celebrations, ground cover trials -
Mission to Seafarers Victoria
Flyer, Sensory Experiments, 2019
Melbourne Design Week: 14-24 March 2019 Sat 16 Mar 19, 2pm–10pm Norla Dome The Mission to Seafarers Victoria 717 Flinders St Docklands Indulge in a fleshy live experience. Reconnect with your primal being through a progression of sensorial confrontations. Recalibrate your connection to the world around you – the future depends on it. Sensory Experiments is a call for change – a Manifesto for Sensory Intelligence. Part social experiment, part philosophical inquiry and a fully immersive performance piece, this innovative project is forged from a collaboration between two of the city’s (and, indeed, the world’s) most progressive and inquiring minds. An eclectic cohort of creative contributors has been assembled to design a provocative experience intended to awaken the senses. Allow internationally renowned chef Justin James (Executive Chef of Vue de monde and Iki Jime and previously of Eleven Madison Park & Noma Copenhagen) to reignite your sense of taste. Avail yourself to floral artist Hattie Molloy’s interrogation of sensual perception with her reckoning of the Sublime. Absorb and participate in live-choreographed performances, and be aurally challenged by the masters behind the Sydney Opera House’s iconic acoustics. Come, bear witness, bring curiosity. Immerse yourself in this never-before seen collective. Guided by Sense Whisperers, you’ll wander through a series of live, uniquely designed corporeal experiences. Your emotional and physical responses will leave a digital imprint as the results of Sensory Experiments are transmitted in real time. Connect to self, connect to others, and connect to nature – and leave your mark on a living, breathing manifesto for living. Project Partners Matt Tambellini, More Studio and Mr. Kyle Mac, Design and Web Amara Speechley, Curated by, Marketing, PR & Partnerships Damien Boecasse and Erika Hirzinger, Event Production & Project Management Event Partners Justin James, Edibles Hattie Molloy and Emma Proudfoot, Flower Art Mihan Aromatics, Scent Design Chelsea Kate Evans, Performance Direction Samantha Iliov and Holly Simpson, Ensemble Studio, Costume Rachelle Austin, Olivia Reddan and Holly White, Set Stylists Isabel Johnson, Ed Supreme, Messaging and Copy Arup, Soundscape Design Hayden Sommerville, Videography Belle Nowak, Social Media Pord, Wine Tasting Noomi, Seating Website inscapesprojects.com Instagram: @inscapesprojectsA4 size flyer on creamy colour papercultural events, sensory experiments, ngv, national gallery of victoria, melbourne design week, 2019, community, norla dome, incas projects -
Melton City Libraries
Photograph, Tom and May Barrie, 1935
Ferris Road–Ferris Lane family farm of John and Elizabeth Ferris until 1939, until daughter Marion married Thomas Linsday Barrie. Marion Elizabeth nee Ferris born 29th of August 1914 -died 5th of June 1990 SUMMARY - Thomas Lindsay Barrie 1914 – 1990 A life long resident of Melton Son of Jessie and Charles Ernest Barrie of Darlingsford Melton Married Marion Ferris at Christ Church Melton on 11th May 1939. They lived on the family farm at Ferris Road Melton. They had one son, Ian who has continued in farming in Melton. He served the community in the following – Shire of Melton Councillor Member for 32 years 1941 – 1970 Elected as Councillor for Melton South 1970 – 1973 Councillor for Rockbank 1943 – 1944 Shire President for three terms 1958 – 1959 ditto 1964 – 1965 ditto Council Representative: Bacchus Marsh High School and Western Suburbs Municipalities. Representative on delegation to prevent Melton post primary students being sent to Deer Park prior to the establishment of Melton High School. Melton Bush Fire Brigade 1941 Member Melton Bush Fire Brigade Registered No. 425 1942 1942 2nd Lieutenant 1943 – 1944 4th Lieutenant Country Fire Authority Rural Services Award 1963 20 Years Long Service Badge Scots Presbyterian Church Melton Member of the Board of Management 1947 – 1969 information from Annual Reports note more research needed at Uniting Church Archives Tom farmed the family property with his father and brothers, and later the Ferris Road property which continued with his son Ian. His childhood interest in horses began with the draft horses kept at the bluestone stable and barn at Darlingsford. When the stables were empty in the late 1980s visit, he vividly recalled the names of the horses he had handled in his youth. When the draft horse became obsolete with the introduction of tractors and trucks this interest continued with the breeding and training of harness racers. Darlingsford Drafts and Ponies. Order of Stalls Clydesdales – Dick, Dolly, Flower, Nugget, Blossom, Lofty, Prince. Roger, Rose, Violet, Don, Beauty, Baldy, Diamond. Cart and Mounts Creamy, Digger, Popsy Couple at Francis McGregor Barrie and Linda Willaton's wedding at Sunshine Methodist Church 20th April 1935?local identities -
Melbourne Legacy
Photograph, Harefield UK, 1919
Copies of photos of the No 1 Australian Auxiliary Hospital set up in the ground of Harefield Park during the first World War. They were wooden huts. Also the graves of the deceased soldiers in the Australian Military Cemetery in 1919 in Harefield's St Mary's churchyard. Plus two photos of the Mansion at Harefield one in 1917 and one from 1927. Harefield Park was owned by Australian couple, Letitia Billyard-Leake (born Letitia Leake) and her husband Charles Billyard and their 4 children. The family donated their property, Harefield Park, to the Australian Government for use as an Australian-run hospital. The family moved off the property and lived nearby to help run the hospital. Letitia and her daughter, also named Letitia, ran the canteen while Charles Billyard organised activities and was a hospital board member. (from research from Carol Grbich and John Berger). During World War 1 the Australian Auxiliary Hospital No.1 was stationed at Harefield Park in Harefield, UxBridge, Middlesex UK. 111 Australian soldiers and one nurse from the hospital are buried at St Mary's Church, Harefield. This became an Australian Military Cemetery with individual headstones and an obelisk and arch. The headstones which are of a scroll design unique amongst Commonwealth War Graves Commission cemeteries were chosen by the staff and patients at the hospital. The arch was erected by the CWGC. Anzac Day services are held there and the local school became involved with the headmaster, Mr Jefferies, bringing the school children to lay flowers on every grave and attend the service on Anzac Day. This started in 1921 and has continued until at least 2021. One school child who attended was Mr Alf Young, he made contact with Legacy in the 1990s and sent photos of the Anzac Day Services and the cemetery. Legacy responded by sending Australian flags for the school children and also Legatee John Cohen met with Mr Young when in London. Melbourne Legacy staff member Susie Howard also visited Mr Young and the cemetery in 1995. Mr Young provided historical photos and information of the area to Legacy. He was featured in the widows' newsletter The Answer many times and his death was announced in The Answer in April 1997, he was 85. Many of the photos he provided were labelled as coming from Mr R G Neil, Photographic historian from Harefield. He holds copyright over those photos.A record that Legacy helped support remembrance of Anzac Day and World War 1 soldiers buried in the UK.Black and white photos x 4 of the Harefield Hospital and area from 1917 to 1927.02067.1 Printed on front 'Australian Auxiliary Hospital, Harefield No 1. 1914-1918'. Handwritten on reverse 'Harefield Park 1917'. Handwritten label 'Hospital as it was 1916-1918'. 02067.2 Handwritten on the reverse 'Part of the old Australian cemetery 1919'. Handwritten label 'The grave on the left "Private Wake" was the first grave in the cemetery'. 02067.3 Printed on the front 'The Lake, Australian Hospital Harefield Park, Mdx.' Handwritten on reverse 'Harefield Park 1917'. Handwritten label 'The lake in front of the mansion 1917'. 02067.4 Printed on the front 'Harefield Park' and 'Coles Watford'. Handwritten on reverse 'The Mansion, 1927 Harefield Park'. All four have a sticker of Mr RG Neil, the photograph historian that provided the reprint.cemetery, harefield, alf young, memorial, wreath laying ceremony, hospitals -
Flagstaff Hill Maritime Museum and Village
Award - Trophy, c. 1886
This silver trophy is named "Sir W. Clarke's Trophy" after its donor. Sir William John Clarke, Baronet, who was a citizen and philanthropist, well known in Melbourne and throughout Victoria. He gave donations to many public projects including Melbourne University and was a patron of many and varied sports. He encouraged the defence services with prizes for competitions among both military and naval forces. In colonial Australia in the 1880s there was an increase in the size of the colonial military forces, rising from 8,000 in 1883 to 22, 000 in 1885. In 1885 there was a return of unpaid volunteer soldiers, along with a fear of a Russian attack on Australia. As a result, the Sir W.J. Clarke's Trophy was given as a prize in 1885 to Victorian Militia Garrison Battery competition winners, for artillery firing target accuracy. On 12th December 1885, the conclusion of the first artillery competition for Sir W. Clarke's Trophy was held at the Williamstown battery. The first winner of the Sir W. Clarke's Trophy was the Geelong Garrison Battery, with the prize Sir W. Clark's Trophy presented to them in 1886. In 1887 Warrnambool Garrison Artillery, under the command of Major W.S. Helpman, was the proud winner of the Sir W. Clarke’s Trophy. The contest was held at Point Gellibrand with the trophy formally unveiled at the Warrnambool orderly-room on 3rd August 1887. In June 1892 the annual competition was held at the Gellibrand battery in Williamstown. The canvas targets were moored at sea and fired upon from three breech-loading guns mounted on disappearing carriages. Each team was allowed 4 shots fired from each of the 3 guns. An article in the Portland Guardian stated that "the Warrnambool team is certainly looked upon as the certain winners." The same article reported that In this particular year the Government withdrew its previous award of 10-pound cash to the men of the winning team, described in the Portland Guardian as a petty economy of the Government. As the Warrnambool Militia Garrison Artillery had won the Trophy, for the third time, they became Absolute Possessors of the prize. The Trophy is locally significant to the community of Warrnambool for its connection to the Warrnambool Volunteer Rifle Corps., which formed part of the original Warrnambool Garrison to protect the Warrnambool Harbour. The site of the 1888 Warrnambool Garrison and Fortifications is Victorian State Heritage-listed is significant for its intact and operational nature and is one of the best-preserved pieces of Victoria's early colonial heritage.This is the Sir W. Clarke's Trophy for the Victorian Militia Garrison Artillery, first presented in 1886. The silver trophy with lid rests on a square black timber base that displays award shields on each side edge. Inside the hollow trophy is a removable copper alloy bowl with a wide edge. The inner walls of the trophy are unpolished and there is a metal bracing plate between the sides and fitted metal bolts with nuts and washers. near the base. The large, elaborately decorated, silver bowl has a conical pedestal, two handles on the top edge of the bowl and a matching fitted lid. Much of the decoration is three-dimensional. Fine, detailed decoration includes a semi-kneeling figure with an upturned face on top of the lid, vine-like handles resting on necks of swans with outspread wings, figures seated on a ridge, two on each side, with ends of limbs hanging over the ridge, two holding lyres, patterns of leaves, flowers and draped ribbons. The timber base is painted black on the outside. The engraved silver shields around its sides have inscriptions of trophy winners and the name of the trophy. There is a handwritten, pencil inscription of the date 1887 under the timber base. The first award was made in 1886 and the last in 1892. The Warrnambool Garrison wond this trophy three times, including the last award given.Front centre large shield; “VICTORIAN MILITIA / GARRISON ARTILLERY / SIR W. CLARKE’S / TROPHY” Left side, right shield; “1886 / WON BY / GEELONG / GARRISON BATTERY / Major J PRICE / COMMANDING OFFICER” Front, right shield; ” 1887 / WON BY / WARRNAMBOOL / GARRISON ARTILLERY / Major W.S. Helpman / COMMANDING OFFICER” Left side shield: “1888 / WON BY / NORTH MELBOURNE / Garrison Battery / Major F.R.Y. Goldstein / Commanding Officer” Right side, left shield; “1889. / WON BY / WARRNAMBOOL / Garrison Battery / Major W.S. Helpman / Commanding Officer” Right side, centre shield; “1890 / WON BY / HARBOUR TRUST / BATTERY / Major J.H. Haydon / Commanding Officer” Right side, right shield; “1891 / WON BY / WILLIAMSTOWN / BATTERY /l Major W.H. Hall / Commanding Officer” Back, left shield; “1892 / WON BY / WARRNAMBOOL / Garrison Battery / Major W.S. Helpman / Commanding Officer” In pencil underneath timber base “1887”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, sir w. clarke's trophy, warrnambool volunteer rifle corps, statistics of warrnambool volunteer rifle corps, warrnambool volunteer rifle company, warrnambool rifle volunteers, warrnambool garrison, 1886, 1887, 1888, 1889, 1890, 1891, 1892 -
Bendigo Historical Society Inc.
Machine - BABY DAISY: HAND OPERATED BELLOWS VACUUM CLEANE
Hand operated Bellows vacuum cleaner. Previously #27 The “Baby Daisy” Vacuum Cleaner is constructed from timber, steel and leather bellows. It has a carry handle fixed to the top. The base is approx. 500mm x 250mm. The height is approx 400mm. On one side is a bracket for a handle (missing) used to operate the bellows. The device is mounted on a foot plate that is split. On one side of the bellows is a circular metal detachable hatch, fixed by wing-nuts. This has a central hole for a tube (missing). Attached internally to this hatch is a cloth dust collection bag. The metal hatch has the following moulded words arranged in a circular fashion. 'DAISY Vacuum Cleaner). There are two brass plates fixed to the side of the cleaner above the hatch. These plates are stamped with 'Rd. No. 518080 and Rd. No. 530353' Gold printed Labels on the side say the following. BABY DAISER Vacuum Cleaner. Registered England. No. 518080/7 No. 530353/08 Trade Mark No.294851 /07 Designs France No. 25469/08 Germany No. 330219 / 08 Further Patents applied for. In the centre of the label is a picture of a Daisy Flower. With the words Iles Patent. This is surrounded by a ribbon with the words. 'The Daisy Registered Trade Mark'. On one side near the base of the cleaner the number '7749' is stamped into the metal.fBaby Daisydomestic equipment, cleaning, vacuum cleaner -
Bendigo Historical Society Inc.
Clothing - MAGGIE BARBER COLLECTION: BLOUSE, Late 1870's - 1880's
Clothing. A concealed full length back opening reveals five tiny covered buttons, 7 mm in diameter and five hand-stitched button holes. This opening is bordered by two groups of five very fine pin tucks with a 3 cm spacing between the two groups. The blouse is made from very fine Swiss lawn cotton fabric, and is very soft to the feel. The front has a broad panel thirty cm wide of exquisite pintucks, crochet, lace and embroidery. The embroidery is white on white, and features flowers and leaves in a curved pattern. A crochet panel below the high neckline is 4 cm x 10 cms and is peaked at the lower edge. This is bordered by 1.5 cm wide cotton lace, and horizontal pintucks. Two panels, one on either side of three pintucks, 1.5 cm panel of lace, and then the central panel of embroidery, pintucks, lace, and crochet. Five pintucks, 1.5 cm panel of lace and five more pintucks run the length of the short sleeves. Sleeves are puffed, and gathered at the shoulder, and at the 1.5 cm deep cuff, which is also pintucked. A 1.5 cm deep 'stand-up' collar, spoke-stitched to the garment, as are the sleeves and shoulder seams. Front hemline is curved. Back hemline is straight.costume, female, a full length back opening blouse -
Bendigo Historical Society Inc.
Document - IAN DYETT COLLECTION: AUCTION CATALOGUE - CHINESE TREASURES
White catalogue with dark blue printing titled Chinese Treasures. Sale held in the Malvern Town Hall on 17th October, 1944 under instructions from The National Trustees Company as Trustees in the Estate of the Late Mrs. W. T. Liley . A Rare Collection of Chinese Objects d'Art which were brought to Australia by the Late Capt. W. T. Liley who was a resident in China for many years. The Antiques, China, Furniture and Drapes were removed from 'YOU-MA-TI', Morris St., Williamstown for Convenience of Sale. Auction held by F. J. Andrew Pty. Ltd. In conjunction with J. H. Curnow & Son. (H. J. Lowe, Auctioneer). Front page has a blue shade photo of a statue of a man. Also a black & white photo of Lot 47 - one of a set of 6 Old Chinese Painted Lacquer Chairs, Another page has black & white photos of Lot 72 - Carved Coconut and Pewter Wine Set of 6 pieces, Lot 43 - Famille Rose Wine Bowls, Lot 168 - Cloisonne Vase, and Lot 179 - Pair of 16th Century Flower Vases. The next page has a black & white photo of Lot 42 - a Hand Carved Chinese Rosewood Writing Table.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - chinese treasures, chinese objets d'art, f j andrew pty ltd, j h curnow & son, the national trustees company, mrs w t liley, you-ma-ti, capt w t liley, h j lowe, stillwell & stephens pty ltd -
Bendigo Historical Society Inc.
Document - R.S.L. BENDIGO COLLECTION: ANNUAL VICTORY BALL 1950, 15th August, 1950
One copy of Bendigo Sub-branch R.S.S.A.I.L.A. Annual Victory Ball held at the Town Hall, Bendigo on August 15th, 1950. Guests of Honour were The Hon. Sir Norman Martin and Lady Martin. Card is cream with gold print on the front and a gold RLS badge. Other printing is blue. The inside of the tri-fold has a Dance Program of 28 dances and a space for Autographs. The other side has the Debutantes: Lesley Cornwell, June Beck, Genny Allan, Thea Abe, Margaret Phillips, Patrica Hall, June Tebb, Lexie Munro, Janet Neyland, Norma Sheard, Norma Richards and Vicky McCaw. Trained by Mr & Mrs G Hudson. Chaperone: Mrs F. Jackson. Flower Girl: Barbara Abe. Partners: Des Pearse, William Thomas, Junior Allan, Alf Whitely, Norman Goodwin, Frank Richards, Max Farnell, Allan Farnell, Allan Holmes,Lachlan Neyland, Frank Metcalf, Graeme Seddon and Kevin Murphy. President Bendigo Branch R.S.L.: Col G V Lansell. Chairman Ball Committee Mr F E Jackson. Hon. Sec. Ball Committee: Mr J W Swatton. MC: Mr R Wright. Printed by Hocking & Sloan Print.Hocking & Sloan Printevent, social, victory ball, r.s.l. bendigo collection - annual victory ball 1950, the hon sir norman martin, lady martin, lesley cornwell, june beck, genny allan, thea abe, margaret phillips, patrica hall, june tebb, lexie munro, janet neyland, norma sheard, norma richards, vicky mccaw, mr & mrs g hudson, mrs f jackson, barbara abe, hocking & sloan print, des pearse, william thomas, junior allan, alf whitely, norman goodwin, frank richards, max farnell, allan farnell, allan holmes, lachlan neyland, frank metcalf, graeme seddon, kevin murphy, col g v lansell, mr f e jackson, mr j w swatton, mr r wright -
Eltham District Historical Society Inc
Photograph - Digital Photograph, Jim Connor, Eltham Cemetery Trust's launch at Montsalvat of Our Eltham - Artistic Recollections, 21 September 2017
Our Eltham - Artistic Recollections by Jim Connor, EDHS newsletter No. 236 October 2017 The Eltham Cemetery Trust, established in 1858, selected the existing burial site at Mount Pleasant Road on high ground overlooking the village of Eltham. The first recorded burial took place in 1861 in the Church of England section. Headstones depict the names of many early and well known local families. In recent years the Trust has encouraged the use of creative artistic elements within the natural bushland environment in their landscaped grounds adjoining Montsalvat. Their ongoing vision has been to offer the local communty a fresh and unique relationship to the Cemetery. On Thursday 21st September 2017 their latest commissioned art project titled ‘Our Eltham - Artistic Recollections’ was unveiled. It is a collection of panels collaboratively created by artist Nerina Lascelles and ceramicist Linda Detoma. The project was designed and constructed by Leigh Wykes using Australian stone with ironwork by Neil Carter. All contributors to this installation, located adjacent to the car park near Metery Road, are residents of the Eltham area. Our Eltham - Artistic Recollections is described as a celebration of life in the Shire since the opening of the Eltham Cemetery more than 150 years ago. Depicting scenes of life in and around Eltham, the collection offers deeper connections to the Eltham area through a series of visual narratives of Eltham’s past, environment and community. The project involves the artistic interpretation by Nerina Lascelles of historic and current images symbolically intermixed with locally indigenous flowers and plants. These are displayed on thirty-one ceramic panels by Linda Detoma, mounted within an iron fence by Neil Carter, upon an attractive rock wall constructed by Leigh Wykes. The Eltham District Historical Society is pleased to have contributed to this project. Russell Yeoman and Jim Connor from our Society have collaborated with Liz Pidgeon, Local and Family History Librarian at Yarra Plenty Regional Library on a selection of photographs, many from the Shire of Eltham Pioneers Collection we hold in partnership, located at Eltham Library. We also provided information on the images chosen. The Eltham Cemetery Trust has produced a booklet about this artwork, which can be viewed on the Cemetery website at: http://www.elthamcemetery.com/oureltham/#1 Our Eltham - Artistic Recollections is a significant monumental installation, which will encourage visitors to come to view this outstanding combination of local creative skills, set within the attractive grounds of the Eltham Cemetery. jim connor collection, eltham cemetery trust, montsalvat, our eltham artistic recollections, 2017-09-21 -
Bendigo Historical Society Inc.
Clothing - CREAM COLOURED WEDDING DRESS, 1911
Cream coloured taffeta wedding dress. Square yoke at front with spiral bead pattern and tassels of bead across lower edge of yoke. V shaped neckline at back with yoke and tassels. Short sleeves of double layer of net embroidered with flowers. Front and back of bodice of embroidered net. Neckline lined with 10cm cotton lace. Bodice fully lined with cotton fabric. Two vertical side panels of 5cm silk lace from shoulder to waist with triangular shaped tabs (12cm) extending to side seams. 5cm silk lace with 12cm triangular tabs across the waist at back of bodice. Taffeta floor length skirt 5cm lace with 12 cm triangular tabs extends from waist on LHS down to 3cm above hemline and extends across the front in a U shape to side on RHS and then across the back of the skirt in a U shape to the LHS. Triangular insert of embroidered net (45cm at hem) on LHS, from hem to 42 cm above hem. Centre back opening from neckline(25cm) fastened with seven metal hooks and eyes. Satin fabric belt with horizontal pin rtucks fastened with two metal hooks and eyes. Fabric circular buckle (5cm diameter). Lower edge of skirt lined with cotton fabric (14 cm wide). Semi-circular cotton padding stitched under arms.costume, female, cream coloured wedding dress -
Clunes Museum
Photograph - PHOTOGRAPHS OF EVENTS
.1-.23 PHOTOGRAPHS OF THE GOLD FESTIVAL: .1 CDAS FLOAT .2 A PALOMINO WITH RIDER IN FRONT OF THE OLD LIBRARY .3 PEOPLE IN COSTUMES FROM THE GOLD MINING TIME .4 FLOAT FROM THE ANGLING CLUB ON A TRAILER WITH SHRUBS, 2 MEN, "GONE FISHING" ON THE SIDE .5 FLOAT : A TRAILER WITH PEOPLE IN COSTUMES .6 CLUNES PRIMARY SCHOOL PUPILS MARCHING IN COSTUMES .7 M FAWCETT ON A MECHANICAL HORSE .8 BARB ADAM WITH THE HOSPITAL FLOAT\ .9 CLUNES DISTRICT HEALTH SERVICE FLOAT .10 WHEEL BARROW RACE .11 HEALTH SERVICE FLOAT .12 PREPARING HEALTH SERVICE FLOAT .13 CLUNES LIONS CLUB FLOAT .14 A UTE WITH PEOPLE AND FRUIT FLOAT .15 MT CAMERON FIRE TRUCK .16 CLUNES GARDEN CLUB MARCHING WITH FLOWERS AND WHEEL BARROWS .17 MEMBERS OF THE BOWLING CLUB ON A TRUCK .18 CDAS FLOAT .19 M FAWCETT ON A MECHANICAL HORSE .20 PEOPLE IN FRASER STREET AT THE GOLD FESTIVAL .21 MARCHING FIRE BRIGADE .22 PEOPLE LINING FRASER STREET, WAITING FOR THE PARADE .23 CLUNES DISTRICT AGRICULTURAL SOCIETY FLOAT .24 PHOTOGRAPH OF VINTAGE CAR RALLY 2/2001 .25 MINERS WALK TO CLUNES .26 A GROUP OF PEOPLE SOCIALISING .27 PHOTOGRAPH OF PEOPLE AT "BACK TO CLUNES EASTER 1982" .25 WRITTEN ON BACK: JUDITH FAWCETT (BACK), ALISON HULL, JOSIE SEERS, JO BIDWELLgold festival, back to clunes 1982, miners walk, vintage car rally -
Brighton Historical Society
Clothing - Dress, Day dress, circa 1875-1876
This dress belonged to Ethel Nina Blundell (1876-1949), having been first made for her mother Jane Blundell (nee Burkitt, 1845-1878). Born in Dublin, Jane married James John Blundell Jr at the Black Street Congregational Church in Brighton on 16 March 1874. The Blundells were a socially prominent Brighton family who played an important role in the development of the area. James' father, publisher and bookseller James John Blundell Sr, served as a Brighton Borough Councillor between 1862 and 1867 when the local government was still in its formative years, including holding the position of Mayor in 1864. He was involved in the foundation of the Brighton Volunteer Rifle Corps and was also a strong supporter of the Brighton Ladies Benevolent Society. The Blundell family were active members of the Brighton Congregational Church and supported the construction of the Black Street church, where James Jr served as a deacon for sixty years, in addition to his work in the Crown Land and Survey Department. The dress is believed to have been made for Jane in 1875 or 1876 during her early pregnancy, likely by a local dressmaker. Jane died in 1878 when Ethel was very young, and Ethel was then raised by her father and paternal grandmother. As she never married, Ethel remained living in the family home of 'Eumana', 164 Church Street, and as an adult she assumed the role of hostess whenever she or her father had guests. On these occasions, she reportedly wore her mother's dress. The family home was sold on James Jr’s death in 1924 and Ethel was living at 52 Black Street Brighton when she died in 1949. In the 1930s, Ethel gifted the dress to a close family friend, Dr Jean Kelly. She told Jean that the garment held precious memories, perhaps due to the connection it provided to the mother she had never known. Jean donated the dress to the Merimbula Old School Museum in NSW in 1987, where it was on display for many years. The Museum donated the dress to Brighton Historical Society in 2023.This is a good example of a late nineteenth century day dress, made from two different patterns of russet brown silk brocade and featuring a lobster tail style bustle. The lack of boning combined with waist and hip measurements indicates it may have been made as a maternity dress. It is lined with beige leaf pattern cotton fabric. The princess line fitted bodice of herringbone pattern brocade has a high round neck with small 'mandarin' style collar and buttons down the front to below the waist where it forms an overskirt which is bordered with a band of coffee bean patterned brocade. The overskirt drops down to hem length at the back but from the centre front it is draped up to the back to a point below the waist level. Here it is sewn to the edge of the lobster tail style bustle which is also bordered by the coffee bean fabric. There is a concealed pocket with the opening under the right edge of the bustle. The buttons on the front of the dress have a decorative circlet of small blue flowers around a russet silk covered dome. The long sleeves are set in and slightly full with a contrasting three pleat band of coffee bean fabric with an ornamental turn back from the pleats sewn just above the wrist. The skirt section of the dress is in four 20 cm bands of alternate fabric patterns with the top and third band of coffee bean pattern slightly gathered and the second and fourth bands of herringbone forming pleated ruffles.1870s, ethel nina blundell, jane blundell, jane burkitt, eumana -
Bendigo Historical Society Inc.
Document - PETER ELLIS COLLECTION: DEBUTANTE BALL, 10th July, 1987
Pink coloured card Green writing St. Clement's Anglican Church Huntly Debutante Ball Friday, 10th July 1987. Debutantes Partners Julie Fowler Frank Munro Donna McCullough Tim Carlile Angela Nolan Peter Kelly Mandy O'Neill Todd Pickering Danielle Price Karl Jenkins Maryanne Stratford Jamie Bennett Vicky Tehan Andrew Middleton Lisa Tiller Craig Jarvis Presented to the Bishop of Bendigo Rt. Rev. O. Heyward and Mrs. Heyward 9.00 p.m. Flower girls Diana Bosse Genai Roberts Page boy Austin Jinks Chaperone Mrs. Denise Roberts Trainers Mrs. Mary Smith Mr. Peter Ellis Pianist Mrs. J. Grotto M.C. Mr. Colin Silk. Programme 1 Foxtrot 2 St. Bernard Waltz 3 Maxina 4 Evening Three Step 5 Foxtrot 6 Pride of Erin 7 Progressive Barn Dance 8 Modern Waltz 9 Tangoette 10 Waltz Cotillion 11 Foxtrot 12 Valetta Waltz 13 Gay Gordons/ High Schottische 14 Foxtrot 15 Alberts 16 Parma Waltz 17 Charmaine 18 Swinging Waltz 19 Foxtrot 20 Auld Lang Syne Presentation Dance: Veletta Waltz Charmaine. Autographs.person, individual, peter ellis oam -
Bendigo Historical Society Inc.
Document - PETER ELLIS COLLECTION: FALCONS NETBALL CLUB DEBUTANTE BALL, 29th July, 1988
Small mustard coloured Falcons Netball Club Inaugural Debutante Ball Friday, 29th July 1988. Debutantes Partners Kim Read Barry Selleck Kylie McCloy Cameron Emond Paula O'Connor Brad Hecker Amanda Drummond Blair Hall Tracy Hecker Scott Burgess Helen Garde Marcus Phillips Susan Maggs Brendan Cox Presented to Strathfieldsaye President Mrs. M. I. Wallis and Mr I.M. Wallis at 8.00p.m. Flower Girls Tanya Kearns Rae Watson-Jones Chaperone Mrs. Estelle Waterman Tutors Mrs. Mary Smith Mr. Peter Ellis Band 'Premiers' M.C. Mr. Alan Stevenson Programme 1. Fox Trot 2. Veleta Waltz 3. Evening 3 Step 4. Fox Trot 5. Plain Schottische 6. Parma Waltz 7. Fox Trot 8. Presentation of Debutantes 9. Pride of Erin 10. Progressive Barn Dance 11. Fox Trot 12. Veletta Waltz 13. Charmaine 14. Fox Trot 15. Gypsy Tap 16. Alberts 17. Fox Trot 18. Parma Waltz 19. Evening 3 Step 20. Modern Waltz 21. Progressive Pride of Erin 22. Fox Trot Presentation Dance: Grand March & Alberts Quadrille Autographs Thank you Peter from Myrtperson, individual, peter ellis oam