Destination sign - route 112 - Fitzroy St St Kilda to West Preston. Used as a temporary sign in the front window of a tram following its introduction by Yarra Trams in August 2000. See reference for the route history.Demonstrates a temporary destination sign for route 112 pending changes to destination rolls or indicators.Printed Corflute sign - printed on both sides.trams, tramways, route 112, destinations, west preston, st kilda

A booklet issued by The Grand Master and Board of Directors M.U.I.O.O.F. in Victoria and compiled by W .H. Best, Grand Secretary printed in the year the City Of Melbourne began the celebration of its Centenary (1934). The booklet is about the history of Manchester Unity I.O.O.F. and the building of their Gothic building, known as the Manchester Unity Building on the corner of Collins and Swanston Streets, Melbourne. The booklet also contains many advertisements from firms who supported the compiling and publishing of the document.Many of the families living in the City of Moorabbin were members of Manchester Unity I.O.O.F. Victoria.A booklet with 40 pages printed in black and white, contents include story of the building of the Manchester Unity Building on the corner of Collins Street and Swanston Street. Advertisements of various businesses in Melbourne. Coloured Cover with a view of Collins Street.CENTENARY SOUVENIR/ PHOTO of Collins St Melbourne, / MANCHESTER UNITY / Crest of Arms/ I.O.O.F IN VICTORIAmanchester unity i.o.o.f. victoria, manchester unity building, collins street, swanston street

Rectangular chart made from printed and coated paper on a fabric base. The chart shows the upper torso of a human male. The chart is mounted at either end on timber batons using small metal tacks. Masking tape has been placed over the metal tacks in an attempt to repair the chart. The upper baton is moulded, while the lower baton is circular in cross-section. Both batons are stained black.Two screwed metal eyelets have been attached at either end of the upper baton for use in hanging the chart. A short length of brown/white cotton tape is attached to the mid-point of the upper baton with a metal tack. the tape is used to secure the chart after it has been rolled up.Printed on the RHS front face of the chart at bottom edge are the words 'All rights reserved'. Printed on the LHS front face of the chart at bottom edge are the words 'RUDDIMAN, JOHNSTON & CO., Ltd., LONDON'ruddiman johnston & co, medical chart

This bank cheque originated from the Bank of Australasia, Melbourne branch. It was issued on 3rd December 1885 to a person surnamed Slater for £71.11.5 (seventy-one pounds, eleven shillings and five pence). The parallel lines are called Cheque Crossed and mean that only Slater and no one else could receive the payment and that it would have been paid into Slater's bank account, not exchanged for cash. The embossed dots signify that the cheque amount was also paid to be the bearer of the cheque. Slater would have visited the bank to deposit the money into his or her own account. The cheque was printed by Sands & McDougall, a long-standing Melbourne printing and stationery company. It was then Stamped at the bank with its own unique number before it was issued to the customer. From its previously perforated edges, it is presumed that the cheque was part of a page of cheques, likely to be contained within a book of similar cheques ready for use. The Bank of Australia was incorporated by Royal Charter of England in March 1834. It had its Australian beginnings on 14th December 1835, opening in Sydney. The Acting Superintendent of the bank at that time was David Charters McArthur. He was Superintendent from 1867-to 1876. The Melbourne branch opened on 28th August 1838 in a two-roomed brick cottage on the north side of Little Collins Street, where two huge mastiff dogs were used at night to guard the bank. The government also provided an armed military sentinel. Due to the bank's rapid growth, a new building for the Melbourne branch was opened in 1840 at 75 Collins Street West. By 1879 the bank had been upgraded to a magnificent two-storey building on the corners of Collins and Queens Streets, with the entry on Collins Street. In 1951 the Bank of Australasia amalgamated with the Union Bank to form the Australia and New Zealand Bank, now known as the ANZ. Then in 1970, the ANZ merged with both the ES&A and the London Bank of Australia to form the ANZ Banking Group Limited. The ANZ Banking Group Ltd kindly donated a variety of historic items from the Bank of Australasia. BANK of AUSTRALASIA, WARRNAMBOOL – In 1854 Warrnambool had two banks, the Union Bank and the Bank of Australasia. Later, completely different bank businesses opened; in 1867 the National Bank of Australasia, then in 1875 the Colonial Bank of Australasia. The original Warrnambool branch of the Bank of Australasia was established in July 1854, and operated from a leased cottage on Merri Street, close to Liebig Street. The bank next bought a stone building previously erected by drapers Cramond & Dickson on the corner of Timor and Gibson Streets. Samuel Hannaford was a teller and then Manager at the Warrnambool branch from 1855 to 1856 and the Warrnambool Council chose that bank for its dealings during 1856-57. In 1859 Roberts & Co. was awarded the contract to build the new Bank of Australasia branch for the sum of £3,000. The land was on a sand hill on the northeast corner of Timor and Kepler Streets and had been bought in 1855 from investor James Cust. The new building opened on May 21, 1860. The bank continued to operate there until 1951 when it merged with the Union Bank to form the ANZ Bank, which continued operating from its Liebig Street building. Warrnambool City Council purchased the former Bank of Australasia building in 1971 and renovated it, then on 3rd December 1973 it was officially opened as the Art Gallery by Cr. Harold Stephenson and Gallery Director John Welsh. The Gallery transferred to the purpose-built building in Liebig Street in 1986 and the old bank building is now the Gallery club. Staff at the Bank of Australasia in Warrnambool included the following men but others were also involved: Samuel Hannaford, Teller then Manager from 1855-1856; W H Palmer, Manager from January 1857 until November 1869 when the Teller Basil Spence was promoted to Manager; H B Chomley, Manager from April 1873 and still there in 1886; A Butt, Manager in 1895-1904; J R McCleary Accountant and Acting Manager for 12 months, until 1900; A Kirk, Manager 1904; J Moore, staff until his transfer to Bendigo in December 1908; J S Bath was Manager until 1915; C C Cox, Manager until April 1923; Richard C Stanley, Manager 1923 to April 1928. The bank cheque has significance through its association with the Bank of Australasia. The early Australian bank was established in 1834 by Royal Charter and opened in Sydney, Australia, in Sydney in 1835. The bank had many Australian offices in November 1877, particularly on the east and south coasts. Victoria had 45 percent of all Offices. The bank cheque is significant as an early example of financial management of money and money exchange or transfer.Bank cheque of the Bank of Australasia, Melbourne branch. The rectangular paper has three sides that have been perforated. It is printed in blue with bank's Insignia of a heraldic shield of sheep hung by their waists and ships in full sail. Embossed Stamp Duty mark. Embossed dots. Handwritten black ink details Dated 3rd Dec 1885. Printed in Melbourne by Sands & McDougall. Diagonal parallel lines are across the cheque. Printed: "Bank of Australasia, MELBOURNE (75 COLLINS ST. WEST)." "454,358" "Sands & McDougall, Melbourne" Embossed stamp: Symbol of Crown above double oval lines " - STAMP DUTY" "ONE PENNY" Embossed dots forming test "7 PAID T2" Handwritten: "3rd Dec. [188] 5" "134 - Slater" "Seventy one pounds 11/S 5p" "£71.11.5" Signature: (undecipherable) flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, bank cheque, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, bank of australasia, boa, union bank, australia & new zealand bank, anz bank, bank note, melbourne, slater, sands & mcdougall, chrssed cheque, embossed dots, paid cheque

Nicholson Family HistoryDust Jacket a series of B/W Photos Blue hard Cover with Gold PrintOn Dust Jacket: 115 First Cousins. 250 years of Beth Nicholson's Kith & Kin. Researched by Elizabeth Bell nee Nicholson. Compiled By Jan Bell On Hard Cover in Gold Print: 115 First Cousins. 250 years of Beth Nicholson's Kith & Kin. Researched by Elizabeth Bell nee Nicholson. Compiled By Jan Bell Inside: Donated to the Stawell Historical Society by Elizabeth Bell (Nicholson) 21st July 2019 Further Inside: Best wishes stawell

Illustrated book with dustjacket. Book has a red cover, with title, author's surname and publisher's name embossed in gold on spine. Dust jacket has a light blue background, title and publishers name printed in black ink on front and spine. Author's name printed in red ink on front and spine of dustjacket.non-fictionA history of nursing from the earliest times up to 1949, from an international standpoint. It also traces the development of various special branches of nursing, e.g. psychiatric and public health nursing.nursing-history, alfred hospital nurses league

A photograph of the 1933 wedding of Mr Nikos Antypas and Nina Paizis (Kotsinis) in the Ithacan village of Kollieri surrounded by family and friends. As was traditional the village would accompany the the bride and bridegroom to the church. Nina was from the village of Anoghi.A sepia photograph reproduced in carte postale format of a wedding party which took place in the Ithacan village of Kollieri in 1933. The bride and bridegroom, Nikos Antipas, are surrounded by family and friends in a large open outdoor area. A printed label in Greek and English has been stuck across the bottom of the photograph.Written in pencil on the back:ER 4. The Ithacan Historical Society stamp is stamped on the back. The words 'CARTE POSTALE and columns for correpondence and address are printed on the back also.

Book has a red white and Malaya 1941, Nursing Sisters of cover, tile printed in white and author's name printed in black on front cover. On the front cover is a coloured black and white photograph "Malaya 1941, Nursing Sisters of 2/4 Clearing Station, 8 Division. Title and author's name also printed in white on spine. The back cover has a summary of the booknon-fictionn 1942 a group of sixty-five Australian Army nursing sisters was evacuated from Malaya aboard the Vyner Brooke, a few days before the fall of Singapore. Two days later their ship was bombed and sunk by the Japanese. Of the fifty-three survivors who scrambled ashore, twenty-one were murdered and the remaining thirty-two were taken prisoner. The book is the engrossing record kept by one of the sisters, Betty Jeffrey, during the three grueling years of imprisonment that followed. It is an amazing story of survival and deprivation in the harshest of conditions.world war 1939-1945 prisoners of war, nurses

Illustrated book with dust jacket. Book has a dark blue cover, abbreviated title, author's surname and publisher's name embossed in gold on spine. Front of dust jacket has a reproduction of the painting "Arrival of first Australian wounded from Gallipoli at Wandsworth Hospital, London" by George Coates, in a red/brown and white border. Rest of dustjacket is yellow brown in colour. Full title is printed in blue and red /brown above painting, author's full name is printed in blue below painting. Abbreviated title, author's surname and publishers name are printed in blue on the spinenon-fictionThis book draws on many first-hand and previously unpublished accounts of the work of Australian nurses in World War one, to tell the story of courage and companionship under conditions of great hardship - in the mud of Flanders, among the cholera cases in India, on the hospital ships during the Gallipoli campaign, on the Afghanistan border, in Vladivostok, in mosquito infested Macedonia and in the Sinai Desert.world war 1914-1918 - medical care, military nursing, nurses, australian nurses

Black and white photograph of Geelong No. 4 at a terminus, with the destination of Chilwell? Photographer - Leon Marshall-Wood, March 1947. .1 - Copy small format print from Lloyd Rogers collection via Robert Green 2/2014. Added 4-4-2019On rear in pencil " S/S, L M-W" and in light green pencil, and "Owned JR". On rear of copy print 4194.1 - "Geelong" in top left hand corner.tramways, trams, geelong, tram 4

1. Blue cardboard, black print. 2. Yellow cardboard, black print. 3. Orange cardboard, black print. 4. Lemon cardboard, black print. 5. Grey cardboard, blue print.15th Transport Squadron, Royal Australian Corps of Transport Ball. 1. When - 18 Sept 82 - Where - Mollison Street Depot, Bendigo. 2. When - 7 Dec 85 - Where - Mollison Street Depot, Bendigo. 3. When - 21 Feb 87 - Where - Mollison Street Depot, Bendigo. 4. When - 5 Dec 87 - Where - Mollison Street Depot, Bendigo. 5. When - 26 Nov 88 - Where - Mollison Street Depot, Bendigo.ball tickets, 15th transport, passchendaele barracks trust

Four page paper fold out brochure with colour photograph on the front and printed black text on other pages. Image shows a woman seated in a garden setting wearing a blue cardigan.front: [printed] Albany / PRICE 3d. / SISTER SET / ALBANELLA CROCHET / Bust 32-40 inches. Jumper 9-11 ounces / Cardigan 13-15 ounces / ALBANY / designed by / V O G U Eknitting, pattern, fashion, knitwear, albany woollen mills

Contains details and photos of many soldiers that served on Gallipoli. Not indexed.Black leather bound Gold rising sun embossed on the front.. Victorian edition printed 1917. All Australian memorial. Australia's roll of honour 1914-1916. History of heroes and helpers.Printed pages and photographs. Lists names of all Victorians who served on Gallipoli with a special section listing all those killed.. Dedicated to Warrant Officer Ferdinand Oates of Beechworth Vic. His parents worked at the Asylum Beechworth.

Illustrated book. Front cover has a coloured black and white photograph of Kit McNaughton in nurse's uniform seated alongside soldiers. Book title is printed in golden-brown and white ink on the front cover along with the authors name (white ink) Spine and back cover have a golden-brown background. Abbreviated title printed in white and black ink on spine, along with the authors name in white ink. Same coloured photo of Kit McNaughton is printed at top of spine. Publishers mark is printed in white ink on a black background at base of spine. The back cover has a summary of the book along with three black and white photographs: Kit McNaughton and another nurse standing behind two soldiers in hospital beds, the photograph from which the image on the front cover was taken, and a photograph of Kit McNaughton aged 16non-fictionThis book is based upon the previously unpublished diaries of army nurse Kit Mcnaughton, who embarked on the troopship Orsova in 1915, tracing her journey through the war from Egypt (where she nursed Gallipoli veterans), Lemnos Island and then to France and the Somme. Kit finished active service as Australia's first plastic surgery nurse, assisting medical pioneers in this field as they repaired the shattered faces of Australian soldiersworld war 1914-1918, nurses, nursing

This is a German made figurine, attributed to Jaschke Pretzl. Loosely translated, the label text on the figurine says 'Neurologist' and 'Out! They're getting on my nerves!'. Stamp printed on underside of base says that this is a hand-carved figure.Carved wooden figurine. Depicts a man in a white coat, red tie, and glasses, standing with his hands at his side. He has a receding hairline, and a mohawk-like hair style. The figure is atop a small wooden base, one side of which carries handwriting that reads 'Nervenarzt/Raus! Sie gehen mir/auf die Nerven!' The underside of the plinth is printed with a stamp that reads 'Handgeschnitzte/Pretxl/Figur'. 'Nervenarzt/Raus! Sie gehen mir/auf die Nerven!'/'Handgeschnitzte/Pretxl/Figur'obstetrics

The soldier in the photo is Nr 1366, Dvr Donald GILLIES of the 4th Field Artillery Brigade. The grey horse, Bess, was blinded by shell fire. The bay horse was Lady. Photo was taken near Villers-Bretonneux. For photo of the four Gillies brothers, refer to Cat No 3531. For book refer to Cat No 3534.Photographic print in colour of a soldier smoking a pipe. He is in uniform - slouch hat, jacket, trousers, puttees & boots, alongside 2 horses. Print is mounted in wooden decorative frame with floral arrangements at top, bottom & both sides. Frame is rounded at top & at each corner with curved glass front. Wire hanging strap on back.Written in black texta on back: “Donated by J Gillies” Stamped on back: “Empire Art Company Ltd”photographs, framed

UnknownAbstract print. Yellow underlayer with brown layer of ink on top. Darker pigmentation towards the centre of the print. At the top right and bottom centre there are two thin crosses. The entire surface is thickly built up, creating an undulating surface to the image with variation in pigmentation. Mounted in cream matt. Framed in natural wood frame with perspex glazing.Front: Robert Grieve (lower left) Composition (centre) 4-10 73 (lower right) (pencil)

Illustrated book. The front cover and spine have the same black and white photograph of six men walking ("the guards were old, the soldiers young. Bertie Giles is third from left) Front cover has full title in red and black print, authors name in white print. Spine has abbreviated title in red print, authors name in black and white print and publishers name in black print. Back cover has a black and white photograph of a group of women (Australian nurses, (civilian and army) after being held POW for almost three and a half years by the Japanese). Under this photograph is a summary of the book and information about the author.non-fictionThis book has not been written for ex-prisoners: they know the homesickness of exile, the tyranny of bondage; it was written for those people of today who know little of the experiences of these men and women, of their courage, endurance and pain. It has been written for the generations to come.prisoners of war-australia, world war 1914-1918-prisoners and prisons, world war 1939-1945-prisoners and prisons, korean war 1950-1953 - prisoners and prisons

Brighton local Margaret Cooke (nee Parish) had this dress made for the Miss Summer Festival competition fundraiser. The idea for the dress came from a photograph in the Womens' Weekly. A professional dressmaker cut and made the dress. It has an 18" waist. There is a black and white photocopy on file of the dress being worn at the time.Floral cotton dress with matching belt and shoes. Sleeveless polished cotton cream dress with large red, pink and brown rose print. Heavily ruched front. The skirt has an in-built crinoline structure made with thick Vielene lining and corded hoops. Separate belt with bow at centre front. Shoes made to match by 'Suzette' in their original box. .1- dress .2 - belt .3 a-b - pair of shoes .4 a-b - shoe box and lidShoes - Label, printed in gold on white leather in sock: Suzette / Styled in / NEW YORK-PARIS-ST. LOUISprinted fabric, miss summer festival, 1950s, margaret cooke

The mystery of the Portuguese Caravel, commonly known as the ‘Mahogany Ship’ is today regarded as legend and refers to an ancient wreck that is said to lie beneath the sand between Warrnambool and Port Fairy. Its location is currently unknown, but many people have searched for it through the years since the first reported sighting of an unidentified wreck in 1836. For over a century this mystery has fascinated Australians because the existence of such a vessel could throw light on the earliest phase of exploration of Eastern Australia by Europeans. The interest in the mystery was high enough for the Victorian Government to offer a reward in 1992 which was subsequently withdrawn a year later with no monies being paid.This item is historically significant because of its relationship to an ongoing mystery (the Mahogany Ship) that may throw light on the early exploration of Australia. The offering of a reward, 150+years after the first recorded sighting, by the Victorian Government points to the ongoing fascination with this subject to the Victorian people.A reward poster printed on calico. Even though the poster was created in 1992 it follows the regular structure of a reward poster from earlier times; the word REWARD in large print at the top, the amount $250,000 in bold type and an imagined drawing of the missing Portuguese Caravel.Printed text: REWARD Notice is hereby given that the Government of Victoria is offering a REWARD of $250,000 for the DISCOVERY of an international invader that has eluded authorities for more than 400 years. Believed to be a PORTUGUESE CARAVEL, this traveller is thought to be hiding somewhere along the world's most scenic coastal drive- Victoria's Great Ocean Road. Positive sightings could rewrite the HISTORY OF AUSTRALIA. More than 20 unconfirmed sightings have been reported since 1836. Description: Approx. 26 metres long, 12 metres wide, 20 metres in height, dark brown in colour. BOUNTY HUNTERS AND INTERESTED PARTIES SHOULD APPLY TO: FLAGSTAFF HILL MARITIME MUSEUM, PO BOX 574 WARRNAMBOOL 3280 OR TOURISM MANAGER, DEPARTMENT OF CONSERVATION & ENVIRONMENT, 8TH FLOOR 250 VICTORIA PARADE, EAST MELBOURNE 3002 BY ORDER OF THE VICTORIAN MINISTER FOR TOURISM. Printed image: back view of a Caravel in full sail flagstaff hill maritime museum and village, great ocean road, shipwreck coast, warrnambool, port fairy, portuguese caravel, mahogany ship, reward poster, victorian government

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, 6 Sturt St Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) A tintype portrait of a woman's head, attached to a card. Printed on the lower edge of the card "Allen & Gove, American Studion, 6 Sturt St, Ballarat"ballarat, american studio, little gem, allen gove, tintype, woman, unidentified woman, photography

Produced as one of a series of 24 prints commissioned by Nunawading & District Historical Society -|Theme: Intersections of Mitcham and Nunawading 2000/2001.|See also Series by P. Simmenauer on the same theme. Black and white photograph - print and negative looking East along North side of Whitehorse Road towards Mitcham Road intersection from corner of Station Street. Featured from L-R shops include Stan Russell Mens Clothing; Top floor Wing Chum Kung Fu Academy (Martial Art); Lower floor: Florist, Bryson Office Supplies, Mitcham Pharmacy and Medical Centre; Road sign - Mitcham Road - Vermont; across intersection - sign for 'Bristol Paints'.whitehorse road, mitcham, stan russell menswear, wing chum kung fu academy, florists, mitcham pharmacy, mitcham medical centre, bristol paints, bryson office supplies

Produced as one of a series of 24 prints commissioned by Nunawading & District Historical Society -|Theme: Intersections of Mitcham and Nunawading 2000/2001.|See also Series by P. Simmenauer on the same theme.Black and white photograph - print and negative of Railway Crossing on Heatherdale Road near Heatherdale railway station looking north towards intersection of Whitehorse and Heatherdale Roads, from L - R Station signage 'The Met/Heatherdale Station (sign to be replaced by new owners Connex - see also No. 3 neg). Note Pedestrian & Cyclists signs; strip shops Hungry Jack's fast food; Dyns LPG Service Garage; ACE Auto Services; bus shelter.railway crossing, heatherdale road, mitcham, connex, 'the met', dyns, ace auto services, hungry jack's fast food outlet

Produced as one of a series of 24 prints commissioned by Nunawading & District Historical Society -|Theme: Intersections of Mitcham and Nunawading 2000/2001.|See also Series by P. Simmenauer on the same theme.Black and white photograph - print and negative of Heatherdale Railway Station, viewed from the Heatherdale Rail Crossing. L-R West bound station platform for travel to City of Melbourne, next station is Mitcham. Right hand side Eastbound platform - next stop Ringwood, where some trains travel S.E. to Belgrave and some N.E. to Lilydale. Heatherdale is last station in fare Zone 2 and 1st station in Fare Zone 3. Note Telstra Phonebox on platformheatherdale railway station

Campaign material for the Victorian Labor Party ahead of the 2002 Victorian State Election, campaigning for Bronwyn Pike in the seat of Melbourne. Education and health polled as key issues ahead of the election. Labor comfortably won the election, gaining 20 seats, returning Steve Bracks as Premier. Robert Doyle was the opposition leader. Despite a heavy loss and lacking popularity with the Victorian community, Doyle continued as opposition leader following the election.Double-sided square white coaster with blue and red text. Printed on front with Australian Labor Party logo and authorisation, along with the following text: 'BRACKS LABOR healthy meal ♢ more nurses ♢ more teachers ♢ more police ♢ more jobs ♢ more services ♢ decent government Bronwyn Pike MELBOURNE' Printed on rear with blue decorative border and the following text: 'LIBERAL DOYLE-Y ♢ take away schools ♢ take away nurses ♢ take away jobs ♢ take away services ♢ take away democracy'Signed in blue pen by Steve Bracks, the 44th Premier of Victoria (1999-2007). Stained on bottom corner. Printed by BR Printing, 30 Albermarle St, Kensington, Victoria.victoria, election, campaign, education, health, politics, labor party, state politics, 2002 state election, steve bracks, robert doyle, nurses, nursing

Photographs, Black and White, of the MMTB bus 26 - Thornycroft BT Chassis - Side on view of the bus showing the lettering, logo, doorways and destination. Showing destination of "Melbourne & Elsternwick via High St". Photos Print and photograph by Sutcliffe of Cromwell buildings 366a Bourke St. Melbourne. Two copies held.In ink on the rear: .1 - "M&MTB (Small) Thornycroft Bus No. 26 - 20 seats - late 1920's". KSK print numbers SA951 and SA953.trams, tramways, mmtb, buses, elsternwick, thornycroft, tram 7

40 x 220 mm coloured print of Officer of Prince of Wales's Light Horse Hussars set in glass fronted wooden frameJess 45 Property of 4/19 PWLH Officers' Mess Feb 96 Framed by Elan's Picture Framers 818-7801, 277-6969australian light horse, history, army officers

In 1900 a group of former Ballarat School of Mines students working in Western Australia commissioned and presented a bust of Professor Alfred Mica Smith to the School. The former students are Claude Maitland (CLark & Co.); A.L. Hay (Queen Margaret Gold Mine); A.S. Lilburne (Freemantle Smelting Works); Latham Watson (Golden Rhine Gold Mine); Arthur Kildahl (Ivanhoe Gold Corporation. Thomas Copeland (Associated Gold Mine); F.A. Moss (Kalgurli Hold Mine, Hainault Gold Mine); W.A. Hearman (New Arrow Propriety); Caradoc James (Golden Link Gold Mine); Alex Fraser (great Boulder Gold Mine); E.O. Watt (Kalgurli Gold Mine); G.M. Roberts (great Boulder Gold Mine); J.J. Dunstan (Chaffers Gold Mine); H.W. Moss, (Kalgoorli Gold Rec. Co); J.A. Hill (Kalgoorli Gold Rec. Co); John Dunstan (Associated Gold Mine); C.M. Harris (Hannans Propriety Development Co. Ltd); W.H. Cobould (Hannans Reward Gold Mine); John W. Sutherland (Golden Horsehoe Estates)The original photo was presented to Professor Alfred Mica Smith by the 'Old Boys' pictured.A printed image of former students of the Ballarat School of Mines, and donors towards commissioning a bust of their former lecturer Professor Alfred Mica Smith. ballarat school of mines, mining, western australia, coolgardie. kalgoorlie, maitland, hay, lilburne, watson, kildahl, copeland, moss, hearman, james, fraser, watt, roberts, dunstan, hill, harris, corbould, sutherland, william corbould, john sutherland, john w. sutherland