These pieces of fleece of a Lincoln sheep come from the property, Carrakoorte, in Grasmere, 13 kilometres from Warrnambool. Lincoln sheep are a large British breed producing strong, heavy wool. Carrakoorte was established in the 1850s and the Manifold family members were the owners in the late 19th and early 20th centuries. In 1886 William Henderson, a dairy farmer and cheese maker, became the manager of Carrakoorte. He purchased the property in 1911 and the Henderson family retained the property until 2012 when the owner, Jim Henderson died. Carrakoorte was renowned for the breeding of Ayrshire Stud Dairy Cattle. The Lincoln fleece pieces are included in our collection of Henderson/Carrakoorte historical items.This fleece is of interest as a memento of the Henderson property, CarrakoorteThese are nine pieces of fleece of a Lincoln sheep. They are light brown in colour and have a curly texture. carrakoorte property grasmere, lincoln sheep, henderson family grasmere

Part of the Zakrzewski Collection of spinning wheels donated to the National Wool Museum by Mr Wlodzimierz Zakrzewski. For many years, Mr Zakrzewski collected, researched and repaired spinning wheels from all over the world. This spinning wheel is Australian and is made from Queensland Kauri pine. It dates from c.WWI and was designed by someone inexperienced in spinning wheel design, but who was able to solve the problems encountered in an innovative way. For instance the flyer and bobbin mechanism were made from the sort of bits and pieces that would have been found laying around a workshop. The wheel was acquired from a private home in Glen Iris, from the owner who knew nothing about it.Spinning Wheelhandicrafts - history, spinning wheels, highlights of the national wool museum: the zakrzewski spinning wheel collection - exhibition (28/07/2001 - 02/12/2001), zakrzewski, mr wlodzimierz

This trophy was awarded to William Kermode of Mona Vale for the best pair of Merino ewes exhibited at the Southern Tasmanian Agricultural and Pastoral Society in October, 1879. William Kermode formed the Mona Vale flock in 1829 with VDL C. Saxons. In the early 1870s under Kermode, Ercildoun rams were tried, as was a St Johnstone ram. It is well documented that the famous Steiger-blood ram, Sir Robert (out of a Mona Vale ewe), had considerable impact on a number of Tasmania's influential studs. At its height in the late nineteenth century, Mona Vale was regarded as "... one of Tasmania's leading and parent studs, producing robust fine-wool sheep with quality, long-stapled and dense wool." (Massy 1990: p.406). The first agricultural society in Australia was formed in Hobart on 1 Jan. 1822. The trophy was retailed by Walsh Brothers, Melbourne in c.1875. The cup has no makers marks, but has been attributed by Christie's to Edward Fischer, a local Geelong silversmith. This attribution is based upon stylistic criteria. However, Ms Veronica Filmer of the Geelong Art Gallery (curator of "Geelong's Colonial Silversmiths", Geelong Art Gallery, 1988), has suggested that the lack of stamps is unusual (most of Fishcher's work was stamped) and also that it is somewhat heavy for Fischer's work. The trophy originated from the collection of Edward Clark, an antique dealer. Prior ownership of the trophy is uncertain, but it is believed that Clark purchased it in the mid 1990s from descendants of the original prize recipients.Trophy, sterling silver. Circular, stepped base and tapering stem decorated with cartouches of leaves on a matt background. The bowl of the trophy has an applied belt cartouche with an inscription. Within the belt cartouche is an engraved and embossed panel of two sheep with a cottage in the background. There are ribbon tied floral swags on either side of the cartouche, and a presentation inscription with a beaded border on the reverse of the bowl.SOUTHERN TASMANIAN AGRICULTURAL & PASTORAL SOCIETY Presented / to / Joseph Clarke Esq / and awarded to / W.A. Kermode Esq / of Mona Vale / for Best Pair Merino Ewes, / October 1879southern tasmanian agricultural and pastoral society, logo merino: sheep in australian art and design - exhibition (29/07/2000 - 04/02/2001), fischer, mr edward - silversmiths and jewellers kermode, mr william - mona vale stud clarke, mr joseph, mona vale stud, tasmania

These domestic kitchen bags were donated to the National Wool Museum by Lila Gore. Lila donated Children’s Clothing (RGE 8324) to the museum in 2022 and at her time of donating, inquired as to whether the museum would also be interested in these bags she had been collecting. Lila said there was no reason as to why she was saving the bags, other than she liked the art works and thought they were too good to end up in landfill. She had thought perhaps she would make something out of the bags, or perhaps give the bags to a friend to make something. When Lila was donating the Children’s Clothing to the museum, she thought that the National Wool Museum would be the perfect home for the bags. Domestic kitchen bags such as these date from the late 19th century through the mid-20th century. They were used at home, usually by women, containing household items which would not spoil, such as flour, sugar, animal feed, seeds, and other commodities. In modern times a trip to the supermarket is a daily chore, in the past however, these trips happened far less often, with big sacks such as these a large reason why. In the rural US and Canada, Feed sack dresses and Flour sack dresses, were an iconic part of rural life from the 1920s through the Great Depression, World War II, and post-World War II years. Australia also reused these sacks, typically for making wagga style blankets, but re-use for clothing was not unusual.Calico bag with yellow and blue graphic text on front.Front: COOK-WELL \ SELF- \ RAISING \ FLOUR \ PREPARED WITH \ PHOSHATE AERATOR \ HENRY BERRY & Co (A/S??Ltd) \ 568 580 COLLINS STREET \ MELBOURNE \ NET 7 LBSwagga, flour, oats, bag, calico, lila, gore, depression, war, kitchen

These domestic kitchen bags were donated to the National Wool Museum by Lila Gore. Lila donated Children’s Clothing (RGE 8324) to the museum in 2022 and at her time of donating, inquired as to whether the museum would also be interested in these bags she had been collecting. Lila said there was no reason as to why she was saving the bags, other than she liked the art works and thought they were too good to end up in landfill. She had thought perhaps she would make something out of the bags, or perhaps give the bags to a friend to make something. When Lila was donating the Children’s Clothing to the museum, she thought that the National Wool Museum would be the perfect home for the bags. Domestic kitchen bags such as these date from the late 19th century through the mid-20th century. They were used at home, usually by women, containing household items which would not spoil, such as flour, sugar, animal feed, seeds, and other commodities. In modern times a trip to the supermarket is a daily chore, in the past however, these trips happened far less often, with big sacks such as these a large reason why. In the rural US and Canada, Feed sack dresses and Flour sack dresses, were an iconic part of rural life from the 1920s through the Great Depression, World War II, and post-World War II years. Australia also reused these sacks, typically for making wagga style blankets, but re-use for clothing was not unusual.Calico oat bag with graphic image on front showing three bears holding porridge bowls with yellow background and red, white and black text. Back of bag shows red and white graphic image of a woman wearing a dress and heeled shoes holding a coffee cup, with red and white text.Front: THREE BEARS \ PORRIDGE \ FLAKED \ OATMEAL \ SOMEBODYS BEEN TASTIN' MY PORRIDGE \ AN' THEY'VE EATEN IT ALL UP \ Jas. F. McKenzie & Co. Pty. Ltd. \ AUSTRALIA \ 7 LBS. NET. Back: MCKENZIES \ EXCELSIOR \ COFFEE \ ESSENCEwagga, flour, oats, bag, calico, lila, gore, depression, war, kitchen

These domestic kitchen bags were donated to the National Wool Museum by Lila Gore. Lila donated Children’s Clothing (RGE 8324) to the museum in 2022 and at her time of donating, inquired as to whether the museum would also be interested in these bags she had been collecting. Lila said there was no reason as to why she was saving the bags, other than she liked the art works and thought they were too good to end up in landfill. She had thought perhaps she would make something out of the bags, or perhaps give the bags to a friend to make something. When Lila was donating the Children’s Clothing to the museum, she thought that the National Wool Museum would be the perfect home for the bags. Domestic kitchen bags such as these date from the late 19th century through the mid-20th century. They were used at home, usually by women, containing household items which would not spoil, such as flour, sugar, animal feed, seeds, and other commodities. In modern times a trip to the supermarket is a daily chore, in the past however, these trips happened far less often, with big sacks such as these a large reason why. In the rural US and Canada, Feed sack dresses and Flour sack dresses, were an iconic part of rural life from the 1920s through the Great Depression, World War II, and post-World War II years. Australia also reused these sacks, typically for making wagga style blankets, but re-use for clothing was not unusual.Calico oat bag with graphic image on front showing three bears holding porridge bowls with yellow background and white and black text.Front: THREE BEARS \ PORRIDGE \ ROLLED \ OATS \ SOMEBODYS BEEN TASTIN' MY PORRIDGE / AN' THEY'VE EATEN IT ALL UPwagga, flour, oats, bag, calico, lila, gore, depression, war, kitchen

These domestic kitchen bags were donated to the National Wool Museum by Lila Gore. Lila donated Children’s Clothing (RGE 8324) to the museum in 2022 and at her time of donating, inquired as to whether the museum would also be interested in these bags she had been collecting. Lila said there was no reason as to why she was saving the bags, other than she liked the art works and thought they were too good to end up in landfill. She had thought perhaps she would make something out of the bags, or perhaps give the bags to a friend to make something. When Lila was donating the Children’s Clothing to the museum, she thought that the National Wool Museum would be the perfect home for the bags. Domestic kitchen bags such as these date from the late 19th century through the mid-20th century. They were used at home, usually by women, containing household items which would not spoil, such as flour, sugar, animal feed, seeds, and other commodities. In modern times a trip to the supermarket is a daily chore, in the past however, these trips happened far less often, with big sacks such as these a large reason why. In the rural US and Canada, Feed sack dresses and Flour sack dresses, were an iconic part of rural life from the 1920s through the Great Depression, World War II, and post-World War II years. Australia also reused these sacks, typically for making wagga style blankets, but re-use for clothing was not unusual.Calico oat bag with colour image and black text. Image shows a full length brown horse with bridle.Front: PARSONS FARM ANIMAL SERIES No.3 \ SUFFOLK \ The Suffolk, often known as the Suffolk Punch, originated in the County of Suffolk, England \ and is noted for its hardiness. From 15 to 16 hands in height. The Suffolk in general is smaller than \ the Clydesdale. The head is rather coarse, with the neck short. The body long deep and wide with \ a round full appearance. The croup is straight and legs short and free from leather. The invariable \ colour is chestnut, varying from light to dark.wagga, flour, oats, bag, calico, lila, gore, depression, war, kitchen

These domestic kitchen bags were donated to the National Wool Museum by Lila Gore. Lila donated Children’s Clothing (RGE 8324) to the museum in 2022 and at her time of donating, inquired as to whether the museum would also be interested in these bags she had been collecting. Lila said there was no reason as to why she was saving the bags, other than she liked the art works and thought they were too good to end up in landfill. She had thought perhaps she would make something out of the bags, or perhaps give the bags to a friend to make something. When Lila was donating the Children’s Clothing to the museum, she thought that the National Wool Museum would be the perfect home for the bags. Domestic kitchen bags such as these date from the late 19th century through the mid-20th century. They were used at home, usually by women, containing household items which would not spoil, such as flour, sugar, animal feed, seeds, and other commodities. In modern times a trip to the supermarket is a daily chore, in the past however, these trips happened far less often, with big sacks such as these a large reason why. In the rural US and Canada, Feed sack dresses and Flour sack dresses, were an iconic part of rural life from the 1920s through the Great Depression, World War II, and post-World War II years. Australia also reused these sacks, typically for making wagga style blankets, but re-use for clothing was not unusual.Calico oat bag with graphic blue and yellow image and text on front. Image shows head and shoulders of person resting on forearms surrounded by flora. Back of bag shows blue and white image of a cube with text and star graphics.Front: HARPER'S \ STAR \ AVENA \ BRAND \ ROLLED OATS \ ??INCORPOR?? ??STORIA?? \ ????? \ AUSTRALIA Back: THE \ SILVER STAR \ RICE \ STARCH \ ROBERT HARPERS AND CO LIMITED \ AUSTRALIA \ THE \ BEST \ IN \ THE \ WORLD \ WONT \ STICK \ TO THE \ IRON \wagga, flour, oats, bag, calico, lila, gore, depression, war, kitchen

These domestic kitchen bags were donated to the National Wool Museum by Lila Gore. Lila donated Children’s Clothing (RGE 8324) to the museum in 2022 and at her time of donating, inquired as to whether the museum would also be interested in these bags she had been collecting. Lila said there was no reason as to why she was saving the bags, other than she liked the art works and thought they were too good to end up in landfill. She had thought perhaps she would make something out of the bags, or perhaps give the bags to a friend to make something. When Lila was donating the Children’s Clothing to the museum, she thought that the National Wool Museum would be the perfect home for the bags. Domestic kitchen bags such as these date from the late 19th century through the mid-20th century. They were used at home, usually by women, containing household items which would not spoil, such as flour, sugar, animal feed, seeds, and other commodities. In modern times a trip to the supermarket is a daily chore, in the past however, these trips happened far less often, with big sacks such as these a large reason why. In the rural US and Canada, Feed sack dresses and Flour sack dresses, were an iconic part of rural life from the 1920s through the Great Depression, World War II, and post-World War II years. Australia also reused these sacks, typically for making wagga style blankets, but re-use for clothing was not unusual.Calico flour bag with red, blue, white and yellow graphic image and text. Image shows head and shoulders of a woman wearing a bakers hat. Reverse side shows same image with slightly different text.Front: O*SO*LITE \ SELF-RAISING \ FLOUR \ 25lb \ NET \ THE \ FINEST \ FLOUR \ O-SO-LITE \ PRODUCTS PTY. LTD. \ LENNON STREET, SOUTH KENSINGTON \ VICTORIA 13 0261 \ SELF RAISING \ SELF RAISING \ SELF RAISING Back: O*SO*LITE \ SELF-RAISING \ FLOUR \ PREPARED WITH PROSPHATE AERATOR \ 25lb \ NET \ THE \ FINEST \ FLOUR \ O-SO-LITE \ PRODUCTS PTY. LTD. \ LENNON STREET, SOUTH KENSINGTON \ VICTORIA 13 0261wagga, flour, oats, bag, calico, lila, gore, depression, war, kitchen

This book gives a comprehensive and scholarly account of the ill-fated Burke and Wills expedition in Australia in 1860-1961. It is written by Peter Fitzsimons. The narrative includes the parts played in the expedition by two men who also had important connections to Warrnambool. One of these was Henry Foster who was Superintendent of Police in Swan Hill in the 1860s. In the early 1840s Henry Foster and Thomas Strong took up a run of 16.000 acres (St. Mary’s, Wangoom)). Their land was bounded on the south by the Southern Ocean, on the east by the Hopkins River, on the north by a fence from the Hopkins to the Merri Rivers and on the west by the Merri River and included the later surveyed site of the Warrnambool township. After Warrnambool was established Foster was able to retain 450 acres of the original run near Wangoom on the Hopkins River. He was active in Warrnambool’s early history, was a Justice of the Peace for the Belfast (Port Fairy) district in the late 1840s and his portrait is on the Warrnambool Pioneer Honour Board. The other local Warrnambool personality mentioned in the Burke and Wills book is Richard Bennett, in the 1860s, the manager of several large farming properties in N.S.W., including Canally Station on the Murrumbidgee where he came into contact with the expedition leaders. In the Warrnabool district Bennett was well-known from the 1870s to his death in 1904 as the proprietor of wool-scouring establishments on the Shaw River and at Dennington and as a public campaigner for local coal exploration, for artesian bore drilling and for numerous other projects, including the development of the local wool industry. His portrait is also on the Warrnambool Pioneer Honour Board. This book is retained as an account of an important event in Australia’s history and because it has several references to two men (Henry Foster and Richard Bennett) who also played a part in Warrnambool’s history. This is a hard cover book of 700 pages. The cover is black with gold printing on the spine and the dust cover has a cream background with light brown and black printing, black and white photographs and sepia-coloured sketches. The contents include a List of Maps, Dramatis Personae, Background and Acknowledgements, Prologue, 18 Chapters, Epilogue, Endnotes, Bibliography and Index. The pages contain maps, sketches and black and white and colour photographs. australian exploration, burke and wills expedition, richard bennett, warrnambool, henry foster, st. mary’s wangoom, history of warrnambool

This broderie perse' wall hanging was donated to the Kew Historical Society in 1980 by Mrs Joy Ivory. The hanging had belonged to her mother - Amy Grigg - and was used by the latter to demonstrate skills in darning (the red stitching). Provenance includes a certificate dating from 1889 which records an award to Amy Grigg of Pakington Street (Kew) for skills in needlework, issued by the Kew Floral Industrial & Art Society. Amy Grigg later married Albert Watson, the son of John Watson. The latter was an early pastor of the Kew Methodist Church in Highbury Grove, Kew. Both the Watson and Grigg families were early pioneers of Kew. While the hanging was modified by Amy Grigg in 1889, the original textile dates from an earlier period when 'Broderie Perse' (Persian embroidery) was used to create quilts and wall hangings. It is estimated that the hanging dates from the first half of the 19th century. An exact dating will require a detailed examination of the cotton chintz fabrics used to embroider the hanging. This appliquéd wall hanging is one of the earliest textiles in the Kew Historical Society's fashion & textiles collection. Similar examples are held in major international collections such as the Victoria & Albert Museum. This example of broderie perse is significant for the cross-cultural influence of Indian textiles on European taste, not unusual given the English foothold in India during this period. Additional interest is due to the mixing of Indian and European textiles in the design, while staying true to the derivation of the design. The textile is both well-provenanced and rare. While it is unlikely to be Australian-made, it is probably an example of a textile brought to Australia during the colonial period that indicates a desire to decorate interiors using items created in and for the English home. On another level, the wall hanging is a fine example of 'women's work' in the first half of the nineteenth century.Small wall hanging, comprised of five panels that are each appliquéd by hand in herringbone stitch using a range of decorative figurative motifs including flora and fauna. The design is based on an Indian palimpore representing a tree of life design. The base textile is a cream linen while the appliquéd figures or shapes are cut from cotton chintz. These additions are probably a mix of Indian and European designs. The quality of the herringbone stitching is very fine. Later stitching in red wool was added in the 1890s to demonstrate skill in darning. The main panel is bordered by a narrow green and ecru braid. It has a narrow tan braid at the top and bottom of the two side panels. A surrounding tan braid around the entire textile is missing in some places. textiles, applique, broderie perse, amy grigg, wall hangings, migration

This jumper is part of a General Purpose Uniform issued by the Australian Airforce to Bernard Farley during service. This uniform type was developed in 2014 and replaced camouflage as the uniform worn during general base duties and in non-warlike environments. Although a camouflage pattern, this design is not intended for use as camouflage. This woolen jumper was presumably a winter addition to the GPU.This item has social significance, as an item of uniform worn by Warrnambool RSL community member and Secretary (2019), Bernard Farley during service with the Australian Airforce. The item is a representative example of current Airforce General Purpose Uniform and is in excellent condition. As a set, the uniform has aesthetic significance in it’s design, incorporating GPU uniform design from the Army alongside the colours and motifs of the Australian Airforce. Navy blue ribbed knitted jumper with stitched navy cotton elbow patches, rectangular in shape. Similar rectangular shaped patches on the left and right shoulder, bearing two epaulettes, stiched at one end and fastened with velcro and the other. The left shoulder carries an Airforce embroidered patch at the top of the arm. Arm cuffs have external seam for approximately 100 mm from the end, indicating that the jumper may have been worn with cuffs folded over. Synthetic strip of black fabric on the interior collar behind a cream coloured label.Label on interior of collar reads: “CALCOUP KNITWEAR/291083/ 06/01 / 8405/661468799 / SIZE: 115cm-125cm/SERVICE No........./ NAME........../MACHINE WASHABLE GENTLE CYCLE/Fasten shoulder straps before/washing. Warm machine wash,/inside out on medium cycle./Do not bleach./Warm rinse. Normal spin./Doi not tumble dry./Dry in shade. Warm iron./ Dry Cleanable A/80% Wool 20% Nylon”camouflage, general purpose uniform, airforce, uniform, australian defence force

Tait collection: item 18 of 62 This document contains information on the Probate papers of James Evenett, a fellmonger from Warrnambool. He died in September 1898. James Evenett had a fellmongery on the Merri River, commencing business about 1869 and continuing in to the 1890s. In the 1880s his woolscouring works employed four people and this increased to ten at the busy times. He purchased sheepskins from the neighbouring farms and sent the wool to England with the skins being used in the Merri River tannery works. He left real estate property to the value of £686 and personal estate to the value of £200. The three executors were William Ponting, James Harman and his wife Mary Evenett. These probate papers relate to James Evenett, a fellmonger from Warrnambool.This is an 1898 document containing the Probate papers of James Evenett. The paper has been folded in two with handwritten material on four sides. There is a seal of the Supreme Court of the Colony of Victoria attached with a green ribbon and a red stamp of the Master in Equity of the Supreme Court. The writing in brown ink is legible but the paper is somewhat stained in places. probate papers, james evenett, tait collection, ernest chambers

Medal ribbon used for Olympic medals in the Sydney 2000 Olympic Games and made from fine 19.5 micron merino wool. It was made by Melbourne company TD Noone Woven Products who created the ribbon on a conventional ribbon loom. The finishing processes were undertaken by Superior Fit Australia, an Albury-based company. The pattern is an adaption of the SOCOG wave design. The ribbon was colour tested against various garment colours to confirm design suitability and colour balance and trialed for wearer comfort as it needed to be soft against the skin when carrying a medal. Durability was important as an Olympic medal is a lifelong keepsake. Woolmark supplied 5.2 kilometres of completed ribbon for medal useage.SYDNEY 2000wool - superfine, woolmark company td noone woven products superior fit australia, ribbon, sport, the woolmark company 2000 australian olympic display - exhibition (21/12/2001 - 24/05/2002)

Knitting socks for soldiers in the trenches in France was a common women's activity during WW1. Often white wool was knitted up and Condy's crystals were used to dye the socks a khaki colour. Jane Cook married William Slessar (land agent / farmer) in 1887. They had a family comprised of at least: Arthur, Frederick Alan, Gladys Isabella, William Cook, William Kenneth, Robert Harold. They lived at 17 Albert Crescent, Surrey Hills. William died in 1921; Jane in 1952 aged 90. They are buried in Box Hill Cemetery B-0086. Their son Arthur is buried with them. Their son William Cook Slessar was Killed in Action on 24 June 1916 in Belgium.Black and white photo of 2 women standing in a garden knitting. One is identified as Mrs Jane Slessor; the other is a younger woman. Between them is a cane table and a small palm. In the background is the side of the adjacent property - a timber Victorian home.knitting, red cross, world war, 1914-1918, albert crescent, box hill cemetery, jane slessar

The Ada is a barge made of a composite of wood and iron. it was built at Echuca in 1899 to carry wool and cargo from station properties on the Murray and Murrumbidgee rivers to the Port of Echuca . It was towed along the river by paddle steamers, mainly The PS Pevensey. The Ada could carry 350 tons of cargo and was originally owned by The Permewan and Wright, Murray Shipping Co. In the late 1930s she was bought by the Evans Brothers' Red Gum Sawmill. Two bulkheads were removed to enable the logs, to be placed inside and transported to the mills. Road transport overtook the use of the river barges, and The Ada was left abandoned on the banks of the Murray River opposite the sawmill until it was purchased by the Port of Echuca in 1974 and refloated in 1979.A barge with a composite hull of steel and timber which was built in 1898ADA signage on port and starboard bow

This jacket is part of the dress uniform of a Major in the Army Reserve. Major Bernard Farley who owned this jacket wore it to official functions in the Mess dining room. He served in this capacity from 1998-2001. Bernard also served in the RAAF for a number of years.These trousers are part of the dress uniform of a Major in the Army Reserve. Major Bernard Farley, who owned the uniform, wore it to official functions in the Mess dining room. He served in this capacity from 1998-2001. Bernard also served in the RAAF for a number of years.Long black trousers with a single red stripe running down either side from the top of the waistband to the base of the legs. There are two pockets just eunderneath the waistband on either side of the trousers. The fabric frms two stiff peaks at the centre of the back of the waistband. The trousers have a black zip with a metallic clip just above and six black plastic buttons along the interior of the waistband. There is one white square label with inscriptions attached to the back/left of the interior section of the waistband. Directly underneath this is another rectangular white label of the same length however much shorter. This also has inscriptions.Inscriptions on the larger square label: Fletcher Jones / Victoria / 1998 / NSN: 8405-66-095-9737 / NAME........... / SERVICE NO............ / 70% Wool / 30% Polyester / DRY CLEAN ONLY (A) / Press on original creases. Use damp cloth. Medium to hot iron / ZT782 AR0009 Inscriptions on the smaller rectangular label: 425267283.ZT782G / 94-92-76 / 347 044 07063222 / CLOTH / AR0009 / . . 5 . D40. 5 / J10066. . W *army reserve, dress uniform, dress trousers, trousers, army uniform, uniform, bernard farley, farley, warrnambool rsl, warrnambool

"Herbert Rex WILLIS" Reg No. 342872 Service Details. Refer Cat No. 5231.31. Jacket - Khaki colour, wool serge fabric, Battle dress style, belted at the waist with metal buckle and brown plastic buttons. Collar, shoulder epaulettes, two front pockets with concealed button down flap and sleeve cuffs. Shoulder insignia - with yellow lettering - "ROYAL AUSTRALIAN ELECTRICAL & MECHANICAL ENGINEERS". Rank insignia on sleeves - brown, white and red, - Warrant Officer Second Class. Service Ribbons above left pocket L-R, Vietnam Campaign Medal. Long Service Medal, South Vietnamese Medal with clasp "60-". Light khaki colour cotton twill fabric lining. Manufacturers white cotton twill fabric label - inside on left pocket lining. 2. Lanyard - dark blue colour cotton cord with knots. 1. Manufacturers information on label - black ink print "REGIMENTAL NO./ NAME", Red ink print "M.TX/IZE 5". On pocket lining - purple ink "D^D/ MADE IN AUSTRALIA/ 1954. On collar lining - handwritten, black ink pen "WILLIS" .uniform, army, battle dress, rex willis

Part of the Reverend Chaplain Major Thomas Bruce Williams, No 556101, Collection..1) Khaki battle dress trousers in wool fabric with pleated front. Waistband and pockets lined with light khaki cotton drill fabric. Wide waistband secured with three brown bakelite buttons Inside the waistband are six brown bakelite buttons used to secure braces. On each outer side of the waistband are two tabs with metal fasteners used to adjust the waistband. Extra buttons are sewn onto the outside of the waistband. A zipper fly is on the front of the trousers. Pockets consist of two hip with button down flaps, two lined side and one left leg cargo with button down flap. A light khaki heel protector is sewn into the hem of each trouser leg. .2) Set khaki elastic and leather braces are attached to the trousers via khaki coloured leather button attachments..1) On white calico manufacturer's label - stamped in black ink: 'YF 34". Handwritten on manufacturer's label in black ink: 'PADRE Tom, 556101'.un iform, battle dress, army chaplain, major thomas b. williams

The Working Men’s College was founded in 1881 by a prominent grazier and philanthropist, The Hon. Francis Ormond, who donated £5000 towards the establishment of the college. The Council of the Melbourne Trades Hall then matched Ormond's initial donation by rallying its members. On 4 June 1887, the college opened in its purpose-built building on the corners of Bowen Street and La Trobe Street in Melbourne, with a gala ceremony. It became the third official provider of higher education in the new Colony of Victoria (the Melbourne Athenaeum was founded in 1839 and the University of Melbourne in 1853). The college was the predecessor to the current-day Royal Melbourne Institute of Technology (RMIT University). Adjoining the college in the 1890s were the Supreme Court of Victoria (later the Melbourne Magistrates' Court) and the Melbourne Gaol - both which are now part of RMIT today. A list of Scholarship Governors and Life Governors is included. The former have donated 250 Pounds Sterling and upwards, the later have donated 20 Pounds and over but less than 250 Pounds Sterling. The Patron of The Working Men's College was His Excellency The Right Honourable Lord Brassey. The President of the Council was Professor W C Kernot. The majority of classes were at night and on Saturdays. Tan soft covered book of 112 pages. The thirteenth edition of the Working Men's College (later Royal Melbourne Institute of Technology [RMIT]). It inlcudes the following photographic images: Main Building, Assaying, 1899 council (W.C. Kernot, W.H. Embling, Thomas smith, F.H. Bromley, John Reid, R.H. Solly, E. Findley, D. McIvor, James Robb, John Hancock, C.E. Oliver, A.J. Arnot, James Smith, Joseph Nixon, R.L.Jellery. C.S. Paterson), UNveiling the Ormond Statue, Victorian Lead and Shot Works, Francis Ormond, Telegraphy room, Lecture Theatre, photography, painting class, wool sorting, plumbing, Remington typewriter, W. Ison, H.D. Evans, library, Verdon prize, Denton Hat Mills. working men's college melbourne, rmit, w.c. kernot, w.h. embling, ormond statue, f. ormond, electricity, surveying, architecture, photography, assaying, dressmaking, veterinary science, plumbing, letterpress printing, w. ison, h.d. evans, library, denton hat mills, literary and commercial department, typewriting department, languages, telegraphy, department of music, department of mathematics, department of engineering, 'department of architecture, department of art and applied art, department of mining and metallurgy, department of chemistry, department of household economy, department of agriculture and rural industries, woodworking, carpentry and joinery, turning and fitting, coachbuilding and carriagedrafting

Men's black wool waistcoat, fastened with four fabric buttons (1.5cm diameter). Decorative lapels edged with Ric-Rac.Back section of black cotton. Fully lined with cream cotton fabric. Two front pockets lined with black cotton fabric (12 cm X 8 cm). Pockets with 2 cm band at opening edged with black Ric-Rac. Half belt across back of waistcoat (5 cm at sides tapering to 2.5.cm at centre), fastened at centre back with black metal buckle with two prongs. Found inside pocket - small pink pencil (5 cm) with silver coloured metal cap with 2 cm string attached, black metal hollow tube 3.5 cm X 2 cm.costume, male, mens black waistcoat

Blazer World Swimming Championships California 1975. Dark green single breasted wool blazer. Fastened with one 2cm metal button. Three external front pockets. LHS breast pocket (13 cm X 13 cm) embroidered with Australian Coat of Arms ''Amateur Swimming Championships Manager 2nd World Championships CALI-1975''.Two pockets below waist level (18 cm X 21 cm) have decorative turned down hem across top of pocket. Two internal pockets in lining - LHS with zipper opening, RHS with slit opening. Back centre vent (30cm) with stitched down half belt across back above vent (5cm X 37 cm). Padded shoulders. Fully lined with leaf green satin.''By A.W.S.Huntington Sydney.costume, male, dark green blazer.

Set of six digital images of Geelong trams photographed by Doug Colquhoun. .1 - No. 3 with destination of Station turning from Ryrie into Moorabool St with the Bank of New South Wales in the background. The conductor is watching the traffic. .2 - No. 4 - at the Railway Station or Beach terminus? .3 - No. 5 - in Ryrie St? .4 - No. 19 in St. with E. R. Sparrow & Co Auctioneer and Wool Broker building in the background - Moorabool St, tram has the destination of Beach. .5 - No. 23 with the conductor leaning against the bumper bar chatting to a man. Tram has the destination of North. Has a Kodak - E. A. O'Meara Chemist shop in the background. Ryrie and Moorabool Streets Geelong looking south along Moorabool St, along with a Safety Zone sign. .6 - No. 34 with the destination of Belmont.trams, tramways, geelong, ryrie st, moorabool st, conductors, north, beach, belmont, safety zone, tram 3, tram 4, tram 5, tram 19, tram 23, tram 34

Woollen jumper / pullover / jersey made for the Ballarat Tramway Preservation Society, mid 1980's featuring No. 26 and the words "Ballarat Vintage Tramway" embroidered onto the jumper. Both jumpers have full length sleeves. Two colours - red - size 16, just with label. Green - size 18 with a washing instructions label and a manufacturing label, "Unlimited Motifs", To fit Size 100 Chest 100cm / Pure New Wool (with the logo) and Made in Australia". Note: Green one taken by Dave O'Neil, pending return of an older green one at time of cataloguing. (This has not occurred at 9/11/15) Second green jumper - from Peter Winspur 6/2/2015 added 9/11/2015 - numbered 4573.2trams, tramways, btps, jumper, ballarat vintage tramway, 26

Four small Patons knitting booklets, c.1940's or 1950's. 1. The front cover of three of the booklets show babies lying down or sitting, wearing hand knitted clothes. Inside are various patterns for clothing. Two covers are pink coloured and have the price 1/6d. and one is black and white coloured with the price of 1/-.No. R6 has p.67, R.11 has p.51, No.317 has p.23. 'Better Knitting with Patons - Use your Leisure Knit for Pleasure' is printed in black print on the grey cover of the fourth book. No price.It has general knitting instructions, diagrams, photographs, tables and some patterns, along with information about various Patons wool. p.51.non-fictionFour small knitting pattern books for home knitters, c.1940's or 50's. knitting, knitting patterns, knitting equipment

This black and white photograph was taken when the SS Edina was as port at the Gellong Wharf in Moorabool Street. The Port of Geelong had many wool sheds alongside the wharf - wool was a major export product. ABOUT THE S S EDINA The three masted iron screw steamer SS Edina was built in Glasgow, Scotland, in 1854 by Barclay and Curle. She was adorned with the figurehead of ‘fair maid of Judea’. The many years of service made SS Edina famous world-wide as the longest serving screw steamer. (The term screw steamer comes from being driven by a single propeller, sometimes called a screw, driven by a steam engine.) SS Edina’s interesting history includes English Chanel runs, serving in the Crimean Ware carrying ammunition, horses and stores to the Black Sea, and further service in the American Civil War and later, serving in the western district of Victoria as well as in Queensland and carried gold, currency and gold prospectors Australia to New Zealand. SS Edina had the privilege of being an escort vessel to H.R.H. the Duke of Edinburgh during his visit to Australia in 1867. In March 1863 SS Edina arrived in Port Phillip Bay, Melbourne and was bought by Stephen Henty, of Portland fame, to work the cargo and passenger run from Melbourne – Warrnambool – Port Fairy - Portland. After a short time of working the run from Australia to New Zealand, with passengers and cargo that included gold and currency, she returned to her Melbourne - Warrnambool – Port Fairy run, with cargo including bales of wool produced in the western district of Victoria. The Warrnambool Steam Packet Company purchased SS Edina in 1867; she was now commanded by Captain John Thompson and Chief Engineer John Davies. She survived several mishaps at sea, had a complete service and overhaul and several changes of commanders. In 1870 SS Edina was in Lady Bay, Warrnambool, when a gale sprung up and caused a collision with the iron screw steamer SS Dandenong. SS Edina’s figurehead was broken into pieces and it was not ever replaced. SS Edina was re-fitted in 1870 then was used as a coastal trader in Queensland for a period. She was then brought to Melbourne to carry cargo and passengers between Melbourne and Geelong and performed this service 1880-1938. During this time (1917) she was again refitted with a new mast, funnel, bridge and promenade deck, altering her appearance. In 1938, after more collisions, SS Edina was taken out of service. However she was later renamed Dinah and used as a ‘lighter’ (a vessel without engine or superstructure) to be towed and carry wool and general cargo between Melbourne and Geelong. In 1957, after 104 years, the SS Edina was broken up at Footscray, Melbourne. Remains of SS Edina’s hull can be found in the Maribyrnong River, Port Phillip Bay. [Reference: A Brief Review of Steam Navigation in Victoria; C Dickson Gregory; Centenary Maritime Exhibition catalogue, 1934; published by Shiplovers' Society of Victoria Dandenong, Passengers in History, http://passengersinhistory.sa.gov.au/node/924034 Edina, Victorian Heritage Database VHR S199 http://vhd.heritage.vic.gov.au/shipwrecks/heritage/199 SS Edina, Coastal Trader and Passenger Ship 1853-1938, Museum Victoria Collections, https://collections.museumvictoria.com.au/articles/6227 SS ‘Edina’ – the Longest Serving Screw Steamer in the World, POI Australia, https://poi-australia.com.au/ss-edina-the-longest-serving-steamer-in-the-world/ ]This postcard of the SS Edina is significant for its association with the screw steamer SS Edina and shows her at one of her trading ports on the Melbourne - Warrnambool - Port Fairy - Portland run. The SS Edina is heritage listed on the Victorian Heritage Database VHR S199. She had endeared herself to the people of Port Phillip Bay as a passenger ferry, part of their history and culture. She played a significant role in the Crimean War, the American Civil War and the gold rush in New Zealand. She also served western Victoria for many years in her cargo and passenger runs. The SS Edina is famous for being the longest serving screw steamer in the world. After spending her first nine years overseas she arrived in Melbourne and her work included running the essential service of transporting cargo and passengers between Melbourne and the western Victoria ports of Warrnambool, Port Fairy and Portland. The SS Edina was purchased in the late 1860’s by local Warrnambool business, the Warrnambool Steam Packet Co. and continued trading from there as part of the local business community. The SS Edina’s original ‘fair maid of Judea’ figurehead was broken to pieces in a collision with another vessel (the SS Dandenong) in a gale off Warrnambool, Victoria, in 1870.Black and White photograph of S.S Edina at the Moorabool Street Wharf, Geelong in calm water that shows the reflection of the steamer. Ship has no sails raised. The funnel has a light coloured base with a dark coloured top. There are people on board the steamer. Other ship masts and people are in the background. In the foreground is a jetty with a small boat beside it and a person inside the boat. There is a title printed along the base of the photograph. c. 1870's to 1930'sPrinted at base of photograph "S.S. "EDINA," Moorabool Street Wharf, Geelong"warrnambool, shipwrecked coast, flagstaff hill, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, shipwrecked artefact, barclay & curle, figurehead 'fair maid of judea', centenary maritime exhibition 1934, a brief review of steam navigation in victoria, pleasure steamer edina, trade and travel late 19th and early 20th century, trade melbourne to geelong, screw steamer edina, coastal trader edina, lighter dinah, cargo carrying for cremean war, cargo carrying for american civil war, passenger and trade in western district of victoria, export gold and currency and gold diggers to new zealand, export vessel to h r h the duke of edinburgh, melbourne - warrnambool - port fairy - portland cargo run, warrnambool steam packet company, stephen henty, captain john thompson, chief engineer john davies, lady bay warrnambool, lighter edina, shipping victoria, port phillip bay steamers, steamship great britain, edina, vhr s199 victorian heritage database, postcard of ss edina 1870's - 1930's

An early Alistair Knox design and build, this home was purchased by George Coop in 1968. Eltham builder, Graham Rose, extended the original Alistair Knox structure over the foundation excavation dug by George. Graham organised the brick walls where required, raised all frame work and laid the steel tray roof. George did all external/internal wall cladding, made all opening windows, sliding and swinging doors, stairs and general interior timber cabinet work. Bedroom wardrobe doors came from scrapped Victorian Railways country coaches. Most of the timbers used in the extension were re-purposed from the Templestowe Cool Store and the Port Melbourne wool, hide & skin store.Digital TIFF file Scan of 35mm Ilford XP1 black and white transparencyalistair knox design, eltham, graham rose, houses, mount pleasant road

An early Alistair Knox design and build, this home was purchased by George Coop in 1968. Eltham builder, Graham Rose, extended the original Alistair Knox structure over the foundation excavation dug by George. Graham organised the brick walls where required, raised all frame work and laid the steel tray roof. George did all external/internal wall cladding, made all opening windows, sliding and swinging doors, stairs and general interior timber cabinet work. Bedroom wardrobe doors came from scrapped Victorian Railways country coaches. Most of the timbers used in the extension were re-purposed from the Templestowe Cool Store and the Port Melbourne wool, hide & skin store.Digital TIFF file Scan of 35mm Ilford XP1 black and white transparencyalistair knox design, eltham, graham rose, houses, mount pleasant road

An early Alistair Knox design and build, this home was purchased by George Coop in 1968. Eltham builder, Graham Rose, extended the original Alistair Knox structure over the foundation excavation dug by George. Graham organised the brick walls where required, raised all frame work and laid the steel tray roof. George did all external/internal wall cladding, made all opening windows, sliding and swinging doors, stairs and general interior timber cabinet work. Bedroom wardrobe doors came from scrapped Victorian Railways country coaches. Most of the timbers used in the extension were re-purposed from the Templestowe Cool Store and the Port Melbourne wool, hide & skin store.Digital TIFF file Scan of 35mm Ilford XP1 black and white transparencyalistair knox design, eltham, graham rose, houses, mount pleasant road