Showing 12577 items
matching brown
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Rutherglen Historical Society
Image, Semco Series, The Bowling Green, Rutherglen, 1910 to 1912
Black and white photograph on a post card, with brown border, showing the Bowling Green in Murray Street.bowling green, sports grounds, murray street -
Rutherglen Historical Society
Image, Semco Series, The Prentice and Southern Gold Mine, Rutherglen, 1910 to 1912
Black and white photograph on a post card, with brown border, showing the Prentice and Southern Gold Mine.prentice and southern gold mine, gold mining, mining industry -
Dandenong/Cranbourne RSL Sub Branch
Equipment - Shell Dressing, Johnson & Johnson, 1941
Shell dressings were carried by individual soldiers, intended to be used as a first dressing in event of wounding or injury. Each cloth pack contains dressings comprised of a gauze pad stitched to a bandage and a safety pin. The field dressing was often the first line of treatment and was intended to be applied by the wounded man himself or other soldiers.This dressing is significant as a representative object carried by every soldier in WWII.Bandage covered in light brown cotton casing. Front side has inscription and instructions for use.Commonwealth of Australia / Shell Dressing / (directions for use)dressing, bandage, australia, johnson & johnson -
Dandenong/Cranbourne RSL Sub Branch
Newspaper Clipping, Soldiers' Voices Heard in Radio Greetings, WWII era
Newspaper clipping of an article about Australian forces fighting in the Middle East doing a radio broadcast for friends and families at home. Exact date is unknown but during WWII. VX 27898 Corporal Thomas John Morris Thomas (Tom Thomas) donated several items to Cranbourne RSL. He served in the Australian Corp Signals in WWII both in Australia and overseas. He was born at Womerah on 9/11/1906 and died at Koo Wee Rup 16/06/1984. He enlisted at Yarram on 1/7/1940 and was discharged at Royal Park on 9/3/1945.Newspaper clipping adhered to brown support card with note typed by a typewriter down left side.Printed: "SOLDIERS' VOICES HEARD IN RADIO GREETINGS' Typewriter: "STH GILAND SOLDIER - CPL. TOM THOMAS VX 27898"newspaper article, wwii -
Unions Ballarat
Part of the furniture : moments in the history of the Federated Furniture Trades Society of Victoria, Lynn Beaton (dec), 2007
Lynn Beaton narrrates the social history of the Victorian Branch of the Federated Furnishing Trades Society from 1856 to 2001.Relevant to the history of the trade union movement in Victoria. The author, Lynn Beaton, was a PhD student at Federation University, Ballarat. Her thesis topic was the history of Trades Hall, Ballarat. Sadly, Lynn passed away before completing her thesis. Paper; hardcover. Front cover: hardcover with dustjacketp; brown and white cover; white and grey lettering.Front cover: author's name and title.btlc, ballarat trades and labour council, ballarat trades hall, furniture trade, trade unions, federated furnishing trades society, trade unions - history, social history -
Unions Ballarat
Abraham Lincoln (Don Woodward Collection), Foster, Ernest, 5th edition - 1893?
A biography of Abraham Lincoln from boyhood to assassination (1809-1865). Lincoln was a lawyer and politician who served as the sixteenth president of the USA. He was assassinated in 1865.History and politics - USA. Biographical interest - Abraham Lincoln.Book; 128 pages. Cover: light brown background; red embellishments; black lettering; title.Black ink, "??? Combs?, from his father, 14th July 1909". Pencil, "Bob Tarrant, 1927".btlc, ballarat trades hall, ballarat trades and labour council, lincoln, abraham, presidents - united states, politics and government - usa, biography -
Ambulance Victoria Museum
Switchboard
Used in the Victorian Civil Ambulance Service Lonsdale Street headquarters until that facility closed and moved to Latrobe Street. The small size of this headquarters service switchboard demonstrates the rapid growth of the ambulance service in the 20th CenturyBrown timber switchboard. Black switch panel on front and notice plaque top right corner.noticevictorian civil ambulance service, lonsdale street -
Brimbank City Council
General Cash Book, E. Whitehead and Co. Melbourne, General Cash Book 1923-25, 1923
Local historical significanceGeneral Cash Book 1923-25, Shire of Keilor, dark blue covers, brown spine.Manufacturer - E. Whitehead and Co. Melbourne 1923 -
Wangaratta High School
WHS Trophy- Sport, 1964-1966
Silver cup trophy with brown plastic base with 5 metal plates attached. Engraved in the cup is:WANGARATTA HIGH SCHOOL Presented by DICK PENDLEBURY INTER-HOUSE COMPETITION BASEBALL -
Wangaratta High School
Replica Oil Lamp, 1971
Green-brown Eboracum LXXI 1971 Replica Roman oil Lamp with rope and explanatory noticeEboracum LXXI -
Wangaratta High School
WHS Magazine -Korrumbeia, 1992
Brown folder with a collection of pages from the 1992 edition of Korrumbeia, with a pink notice outlineing the issue. -
Ballarat Tramway Museum
Postcard, H&B, "Shoppee Square Ballarat", c1910
Photograph - looking west from the Snows building showing "Shoppee Square" area and a ESCo tram westbound. Shows the various statues in the central median strip along with the garden beds and iron railings. On the rear is a message about celebrating Christmas - with a lemon squash. Published by H&BYields information about the streetscape of Sturt St. and Shoppee Square.Postcard black and white, used, H&B, with a brown and cream border, slightly embossed photo.See image 2tramways, trams, esco, sturt st, shoppee's square -
Bendigo Historical Society Inc.
Domestic Object - BROWN EARTHENWARE LID
Brown earthenware coffee pot lid with acorn shaped handle & six strainer holes in base.domestic equipment, food consumption, kitchen -
Bendigo Historical Society Inc.
Document - GOLDEN SQUARE P.S. LAUREL ST. 1189 COLLECTION: PHOTO, 1900's
Copy of N.J. Caire print 'View of Golden Square township' mounted on light brown board.N.J. Caire, Photo Sandhurst. Forbes & Halmes, Agents.education, primary, golden square laurel st p.s., golden square township. -
Kew Historical Society Inc
Archive (Sub-series) - Subject File, Farming (Kew), 1958
Various partiesReference, Research, InformationSecondary Values (KHS Imposed Order)Subject file containing a newspaper article/clipping called ‘Our Pastoral Routes’ by Jenny Brown.kew (vic) - history, kew (vic) - farming, kew (vic) - dairies, kew (vic) - agriculturekew (vic) - history, kew (vic) - farming, kew (vic) - dairies, kew (vic) - agriculture -
Tennis Australia
Case, Circa 1930
A brown suitcase, with pop-up locks. Materials: Cardboard, Leather, Metal, Paper, Ink, Stringtennis -
Tennis Australia
Ball, Circa 1960
An unbranded grey tennis ball. "GRUEB' written on ball in brown marker. Materials: Rubber, Felttennis -
Tennis Australia
Catalogue, Advertisement, 1932
1932 Brown Brothers illustrated catalogue of sports goods and seasonable sidelines. Materials: Paper, Inktennis -
Stawell Historical Society Inc
Memorabilia - Realia, 1930's
Box Brownie Camera in Hand Made Brown Leather Case. J.L. Aitken Callawadda Vicstawell -
Stawell Historical Society Inc
Memorabilia - Realia
Round Lens Spectacle or Reading Glasses in Brown Case, Velvet Lined, Belonged to Mr Semmler stawell -
The Dunmoochin Foundation
Oil Painting, Adriane in Bed, 1982
Portrait of woman with short brown hair lying on a blue and white patterned pillow with white coverlet. Signed (L.r) 'Clifton 22 July '82'. clifton pugh, painting, portrait, adriane -
Brighton Historical Society
Cloak, c.1925
Orange bouclé wool coat woven with velvet stripes; brown fur collar and deep hem.1920s, cloak, cape -
Brighton Historical Society
Shoe, Child's shoe, 19th century
This child's shoe was found underneath the floorboards of the historic Brighton house St Ninian's, 10 Miller Street, during its demolition in September 1974. One of Brighton's earliest buildings, St Ninian's was built around 1841 for merchant, politician and former British naval officer George Ward Cole (1783-1879) and his family. Ward Cole was a prominent member of Victorian society in the mid-to-late nineteenth century. He served in the Victorian Parliament from 1853-55 and 1859-79. His seaside home in Brighton was a fashionable rendezvous for many important identities who shaped Melbourne’s history. Victoria’s first royal visitor, Prince Alfred, Duke of Edinburgh, was a guest there in 1867. It is possible the shoe belonged to one of the Ward Cole children. During the demolition of St Ninian's in September 1974 the Brighton Historical Society's then-secretary, Rosalind Landells, snuck onto the work site in the hope of saving some part of the building and its history. She found this shoe under the partially-demolished floor of the house.Brown leather child's shoe with an ankle strap, fastening with a mother-of-pearl button. Heavily deteriorated.Handwritten in pencil on the sole of the shoe: "Found under floor at St Ninians 1974 Sept during demolition".st ninians, george ward cole, children's clothing, 19th century -
National Wool Museum
Textile - Jumper, Tina Knitwear, 1980-2000
Part of a selection of garments knitted by ‘Tina Knitwear’. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Two-tone brown jumper with vertical ribbed pattern, raglan sleeves, ribbed collar and cuffs. knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community -
National Wool Museum
Textile - Skirt, Tina Knitwear, 1980-2000
Part of a selection of garments knitted by ‘Tina Knitwear’. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. This garment was owned and worn frequently by Assunta herself, as part of an ensemble. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Forrest green skirt shaped with darts and has an elastic waistband. Has a brown silky lining. knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community -
National Wool Museum
Clothing - Coat
Brown long sleeved coat with button front. Coat has synthetic lining and two pockets. -
National Wool Museum
Card - Packaging – The Look of Berber, c.1980s
Modern industrialized Berber carpets are distinguished by a loop pile construction type that gives a similar appearance to the distinct knot of traditionally woven Berber carpets. The modern carpets usually contain small flecks of dark colour on lighter shades of background colours resembling a natural undyed version of the traditional carpets. Berber is known for being one of the oldest and most durable kinds of carpet. Traditionally, Berber carpets are carpets hand-woven by the Berber people in North Africa and the Sahara. The carpets come in traditional and modern designs, which are distinguished by different knotting patterns, dyes and fabric textures. The origin of carpet weaving by the Berber populations dates back several millennia. The hand-spun cloth they created was named after the individual tribe, and they used natural fibres to create cloaks, rugs and other fabrics. Card showing printed text and graphic featuring an image of a sheep in tones of orange, brown and cream. Printed: PURE NEW WOOL / THE / LOOK OF / BERBERcollins bros mill pty ltd, manufacturing, geelong, wool, berber -
Federation University Art Collection
Bookplate, 'Ex Libris Kevin'
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition.An aerial view depicts a red-roofed house and a tractor amongst green, yellow and brown paddocks.Kevin Marriot on backbookplate, printmaking, australian bookplate design award -
City of Greater Geelong
Painting - Acrylic on Canvas, Billy-Jay O'Toole, Wadawurrung Country and Connection, 2019
The blue section of the paining represents our amazing ocean, bays, rivers, creeks and wetlands. The white creamy section represents our coastline with the footprints imbedded into the sand tells the story of our old people who have been so connected to this coastline for many thousands of years, the mountain represents the You Yangs which holds a special part of our history here on Wadawurrung country, the 7 gathering circles in the mountain represents the 7 family groups within Wadawurrung, WAA the crow he is our protector here on country and Bundjil is our creator which is why I have implemented these 2 birds into my painting, the u shape people symbols represents my family of 5 generations still living on Wadawurrung country, my great grandmother Joye Eccles my pop norm Eccles my mum Corrina Eccles myself and my beautiful daughter Alira, the eucalyptus leaves up the top is a part of cleansing I have incorporated therese leaves because this country is cleansed everyday by he family when conducting a smoking ceremony.Painting of Eagle and Crow with water and footprints below. Brown, orange, blue, green, black used.bundjil, you yangs, wadawurrung -
Beechworth RSL Sub-Branch
Shell Dressing, March 1944
Shell dressings were carried by individual soldiers, intended to be used as a first dressing in event of wounding or injury. Each cloth pack contains dressings comprised of a gauze pad stitched to a bandage and a safety pin. The field dressing was often the first line of treatment and was intended to be applied by the wounded man himself or other soldiersThis dressing is significant as a representative object carried by every soldier in WWII.Bandage covered in light brown cotton casing. Front side has inscription and instructions for use.Printed on cotton package containing the Shell Dressing. Inside a lined box. Commonwealth of Australia/ SHELL DRESSING / To Open /Outer Cover. Tear cover open at top between stitches. / Inner Waterproof Cover. Tear apart at the corner indicated by arrow. / DIRECTION FOR USE -Take the folded ends of/bandage in each hand, and keeping bandage taut, apply the/gauze pad to wound and fix bandages with safety pin./ In the case of head wounds, when respirators have to be worn, care should be taken to adjust the pad so that it / does not interfere with the fit of the face-piece. / DO NOT HANDLE WOUND OR PAD. / under a black line / Johnson & Johnson Pty, Ltd, Sydney/ MARCH 1944 On the reverse an adhesive sticker with the words "Lent by Lance Flynn" dressing, shell dressing, commonwealth of australia, johnson & johnson