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Ballarat Heritage Services
Photograph - Colour, Earth Banks, Old Sarum, England, 01 November 2016
William the Conqueror inherited Old Sarum from the last Saxon king of England. It was an ideal site for a royal castle. It was here in 1070 that William paid off his army after a long and bitter campaign in northern England. It was here in 1086 that he called together all the major landholders in England so they could swear allegiance to him. It was a crucial moment. The Domesday Book was being written, a threatened Viking invasion had only just been averted and William's eldest son was in armed rebellion. Old Sarum was an important place where this Norman king of England held power. In 1794 the Ordnance Survey set out to check the accuracy of the first mapping of Southern England, which had begun ten years earlier. From a point just below Old Sarum Lieutenant William Mudge laid out a base-line 36,574 feet (11,253 metres) long. From each end of the line the positions of distant places were plotted using a huge theodolite made in 1791 by Jesse Ramsden. The accuracy of the process, which was repeated all over England, depended on Jesse Ramsden's craftsmanship and on William Mudge's surveying skill in setting out this first base-line from Old Sarum. The nearer end of Mudge's line is marked by an inscribed stone beside the modern A345 at Old Sarum. ordnance survey, william mudge, jesse ramsden, william the conqueror, old sarum, saxon, 1086, england -
Ballarat Heritage Services
Photograph - Colour, Earth Banks, Old Sarum, England, 01 November 2016
William the Conqueror inherited Old Sarum from the last Saxon king of England. It was an ideal site for a royal castle. It was here in 1070 that William paid off his army after a long and bitter campaign in northern England. It was here in 1086 that he called together all the major landholders in England so they could swear allegiance to him. It was a crucial moment. The Domesday Book was being written, a threatened Viking invasion had only just been averted and William's eldest son was in armed rebellion. Old Sarum was an important place where this Norman king of England held power. In 1794 the Ordnance Survey set out to check the accuracy of the first mapping of Southern England, which had begun ten years earlier. From a point just below Old Sarum Lieutenant William Mudge laid out a base-line 36,574 feet (11,253 metres) long. From each end of the line the positions of distant places were plotted using a huge theodolite made in 1791 by Jesse Ramsden. The accuracy of the process, which was repeated all over England, depended on Jesse Ramsden's craftsmanship and on William Mudge's surveying skill in setting out this first base-line from Old Sarum. The nearer end of Mudge's line is marked by an inscribed stone beside the modern A345 at Old Sarum. ordnance survey, william mudge, jesse ramsden, william the conqueror, old sarum, saxon, 1086, england -
Ballarat Heritage Services
Photograph - Colour, Dorothy Wickham, Earth Banks, Old Sarum, England, 2016, 01 November 2016
William the Conqueror inherited Old Sarum from the last Saxon king of England. It was an ideal site for a royal castle. It was here in 1070 that William paid off his army after a long and bitter campaign in northern England. It was here in 1086 that he called together all the major landholders in England so they could swear allegiance to him. It was a crucial moment. The Domesday Book was being written, a threatened Viking invasion had only just been averted and William's eldest son was in armed rebellion. Old Sarum was an important place where this Norman king of England held power. In 1794 the Ordnance Survey set out to check the accuracy of the first mapping of Southern England, which had begun ten years earlier. From a point just below Old Sarum Lieutenant William Mudge laid out a base-line 36,574 feet (11,253 metres) long. From each end of the line the positions of distant places were plotted using a huge theodolite made in 1791 by Jesse Ramsden. The accuracy of the process, which was repeated all over England, depended on Jesse Ramsden's craftsmanship and on William Mudge's surveying skill in setting out this first base-line from Old Sarum. The nearer end of Mudge's line is marked by an inscribed stone beside the modern A345 at Old Sarum. King William devised the Domesday Book, considered to be the first listing of land owners in England. Among the names is that of D'Arques, from Normandy, France. Descendants of this family later emigrated from England and settled in Victoria, Australia under the surname 'Dark'. ordnance survey, william mudge, jesse ramsden, william the conqueror, old sarum, saxon, 1086, england -
Ballarat Heritage Services
Photograph - Colour, Earth Banks, Old Sarum, England, 2016, 01 November 2016
William the Conqueror inherited Old Sarum from the last Saxon king of England. It was an ideal site for a royal castle. It was here in 1070 that William paid off his army after a long and bitter campaign in northern England. It was here in 1086 that he called together all the major landholders in England so they could swear allegiance to him. It was a crucial moment. The Domesday Book was being written, a threatened Viking invasion had only just been averted and William's eldest son was in armed rebellion. Old Sarum was an important place where this Norman king of England held power. In 1794 the Ordnance Survey set out to check the accuracy of the first mapping of Southern England, which had begun ten years earlier. From a point just below Old Sarum Lieutenant William Mudge laid out a base-line 36,574 feet (11,253 metres) long. From each end of the line the positions of distant places were plotted using a huge theodolite made in 1791 by Jesse Ramsden. The accuracy of the process, which was repeated all over England, depended on Jesse Ramsden's craftsmanship and on William Mudge's surveying skill in setting out this first base-line from Old Sarum. The nearer end of Mudge's line is marked by an inscribed stone beside the modern A345 at Old Sarum. ordnance survey, william mudge, jesse ramsden, william the conqueror, old sarum, saxon, 1086, england -
Ballarat Heritage Services
Photograph - Colour, Earth Banks, Old Sarum, England, 2016, 01 November 2016
William the Conqueror inherited Old Sarum from the last Saxon king of England. It was an ideal site for a royal castle. It was here in 1070 that William paid off his army after a long and bitter campaign in northern England. It was here in 1086 that he called together all the major landholders in England so they could swear allegiance to him. It was a crucial moment. The Domesday Book was being written, a threatened Viking invasion had only just been averted and William's eldest son was in armed rebellion. Old Sarum was an important place where this Norman king of England held power. In 1794 the Ordnance Survey set out to check the accuracy of the first mapping of Southern England, which had begun ten years earlier. From a point just below Old Sarum Lieutenant William Mudge laid out a base-line 36,574 feet (11,253 metres) long. From each end of the line the positions of distant places were plotted using a huge theodolite made in 1791 by Jesse Ramsden. The accuracy of the process, which was repeated all over England, depended on Jesse Ramsden's craftsmanship and on William Mudge's surveying skill in setting out this first base-line from Old Sarum. The nearer end of Mudge's line is marked by an inscribed stone beside the modern A345 at Old Sarum. ordnance survey, william mudge, jesse ramsden, william the conqueror, old sarum, saxon, 1086, england -
Ballarat Heritage Services
Photograph - Colour, Earth Banks, Old Sarum, England, 2016, 01 November 2016
William the Conqueror inherited Old Sarum from the last Saxon king of England. It was an ideal site for a royal castle. It was here in 1070 that William paid off his army after a long and bitter campaign in northern England. It was here in 1086 that he called together all the major landholders in England so they could swear allegiance to him. It was a crucial moment. The Domesday Book was being written, a threatened Viking invasion had only just been averted and William's eldest son was in armed rebellion. Old Sarum was an important place where this Norman king of England held power. In 1794 the Ordnance Survey set out to check the accuracy of the first mapping of Southern England, which had begun ten years earlier. From a point just below Old Sarum Lieutenant William Mudge laid out a base-line 36,574 feet (11,253 metres) long. From each end of the line the positions of distant places were plotted using a huge theodolite made in 1791 by Jesse Ramsden. The accuracy of the process, which was repeated all over England, depended on Jesse Ramsden's craftsmanship and on William Mudge's surveying skill in setting out this first base-line from Old Sarum. The nearer end of Mudge's line is marked by an inscribed stone beside the modern A345 at Old Sarum. ordnance survey, william mudge, jesse ramsden, william the conqueror, old sarum, saxon, 1086, england -
Bendigo Historical Society Inc.
Document - ARTICLES FOR ROYAL HISTORICAL SOCIETY (BENDIGO BRANCH) NEWSLETTER DECEMBER 1972
Articles for Royal Historical Society (Bendigo Branch) Newsletter December 1972. 1. ''Bells in and around Bendigo - No 3 - The Hand Bells of St Pauls Church, Bendigo'' - mention of Mr Bill Robertson; Dr J B Pounds; Bendigo Bell Ringers Club; Whitechapel Bell Foundry, London; Odd Fellows Hall; St Pauls Bell Band; Dr A M Bush. 2. ''A sight worth seeing'' - description of the rolling down from the top of Mr Alexander of a large boulder (for entertainment!) in 1860 (extract from the Bendigo Advertiser); mention of Mr Plowright, Talbot Hotel, Harcourt; Mr Wheatcroft.3. ''Memories of Old East Bendigo'' - original draft with alterations in handwriting; mention of 71 Strickland Rd; Government Powder Magazine; Purdon family; the ''Irish Castle'' (at one time the Charlston Hotel); Mr Sullivan; Mr Burns; Pritchard and Chamberlain (brewery); Solomons Hill; Day's asphfelt (sic) and bone works; Marist Brothers 'Jounerate ' (sic)??; Hines Flower Nursery; Mr Hamson MP; Carlile Bros skin and hide store; Kitchen's Soap factory; ''Green Gates'' Hotel; Bendigo Fertiliser Works;bendigo, history, city history. the goldfields. -
Bendigo Historical Society Inc.
Book - BENDIGO SALEYARDS COLLECTION: PIG AND CALF MARKET - DRAWN AND SOLD
Pig and Calf Market, Numbers Drawn and Sold book with a grey and cream cover with a red tape spine. Book has pale blue pages. 'Pigs' written on the front of the book. Book dates from 4/1/1990 to 13/12/90. Agents names are written in the book in the order of draw for the weekly market. Agents are Nuttall, Nevins, Elders, McKean, McGregor, V.P.C., Dalgety. Names in the branding column are Daylesford, Ralph, Gilby, CBC 3, and Aus Pork. Listed are the number of Bobby Calves for each agent and the numbers of Fats and Stores and Total. Pig and Calf Market, Numbers Drawn and Sold book with a grey and cream cover with a red tape spine. Book has pale boue pages. Pigs written on the front of the book. Book dates from 3/1/91 to 12/12/91. Agents names are written in the book in the order of draw for the weekly market. Agents are Dalgety, McKean, Nuttall, McGregor, Nevins, U.P.C.. Names in the branding column are Highland Meats, Ralph, Daylesford, Gilby, CBC, and Castle. Listed are the number of Bobby Calves for each agent and the numbers of Fats and Stores and Total.bendigo, council, cattle markets, bendigo saleyards collection - pig and calf market - drawn and sold, nuttall, nevins, elders, mckean, mcgregor, vpc, dalgety, cbc, aus pork, ralph, daylesford, gilby -
Parliament of Victoria
Portrait of Queen Victoria, Winterhalter, Franz Xaver (After), Queen Victoria, after Winterhalter, c.1859
Queen Victoria’s appreciation of German artist Franz Xaver Winterhalter (1805-1873) began after she saw portraits by him of other European monarchs. Accordingly, between 1842 and 1861 he made fifteen visits to England and painted over 100 portraits of Her Majesty, the royal family and other friends and dignitaries. In 1843 Winterhalter was commissioned to paint matching portraits of Queen Victoria and Albert, the Prince Consort. These originals hang in the Garter Throne Room at Windsor Castle and are part of the UK Royal Collection. Many legitimate copies of Winterhalter’s portrait were produced and presented to the Parliaments of the British Empire, including the Parliament of Victoria. Such copies are referred to as “After F. X. Winterhalter” and artists responsible include William Corden and John Prescott Knight. When creating copies, artists were not restricted by the size of the original portrait. Walterhalter’s original is 2.7m x 1.7m whereas copies can reach an impressive 4.5 metres in height. The portrait that hangs in Queens Hall at the Parliament of Victoria is not signed. Comparison with other copies of the work suggest that the Parliament’s painting may have been completed by William Corden. The Government Art Collection (United Kingdom), has a Queen Victoria copy in their collection and Parliament’s portrait has similar traits. A copy by John Prescott Knight which hangs in the Legislative Council in the Parliament of Tasmania is quite different, particularly with reference to the shape of the young Queen’s face, which is rounder in the Corden portraits.This portrait of Queen Victoria was presented as a gift by the British Government to the Parliament of Victoria in April 1860. Painted on fine linen supplied under Royal Warrant by the workshop Winsor and Newton, London, the frame has been embellished with elaborate wooden carvings. Framed portrait, oil on linen, of Queen Victoria. Victoria is posed in front of a curtain partially obscuring a building (possibly Buckingham Palace) in the background. Timber frame with a layer of gesso and decorative composition ornaments. There are rose, scotch thistle, clover leaf and Acanthus ornaments. A carved wood and composition element crown, resting on a tassled pillow sits on top of the frame.Canvas unsigned. Verso printed: ‘WINSOR AND NEWTON / Rathbone Place, London’. Embossed stamp into stretcher wood, stamped ‘Winsor and Newton’ in black ink.victoria queen of great britain, 1819-1901, winterhalter, franz xaver, 1805-1873, corden, william, queens hall, parliament of victoria -
Puffing Billy Railway
Railway Mine and Plantation (RMP) 0-6-0 Diesel Mechanical Locomotive 2' Gauge - "LI'L TOOT", 1951
Builders Number 3354 Build for Inkerman Mill Queensland in 1951 Displayed at the British Industrial Fair at Castle Bromwich, England 1951 prior to delivery to Australia Weight: 10 Tons Known at Inkerman mill as "LI'L TOOT" Major Ernest E. Baguley (1863–1948) was a British engineer.- In the years leading up to the First World War, Baguley served in the Territorial Army and became Second-in-Command, 6th Battalion, North Staffordshire Regiment, rising to the rank of Major. He served in France from 1914 to 1915. Baguley (Engineers) Ltd After the War there was a decline in the production of road vehicles (probably due to competition from other manufacturers) and an increase in the production of railway equipment. The name of the company was changed from Baguley Cars Ltd to Baguley (Engineers) Ltd on 10 April 1923. Following a dispute with their partners Drewry Cars. Ltd, Baguley (Engineers) Ltd went into decline and entered liquidation in 1931. Most of the plant and effects, including Major Baguley's own Baguley car, were sold at auction on 10 November 1931. E. E. Baguley Ltd Major Baguley was a great survivor of WW1 and, he set up a small repair business for Baguley products at Clarence Street, Burton-on-Trent. A new company, E. E. Baguley Ltd, was registered on 30 April 1932 and was soon building locomotives again. In 1934 E. E. Baguley Ltd moved to larger premises at Uxbridge Street, Burton-on-Trent. The company merged with Drewry to form Baguley-Drewry Ltd in 1962.Historic - Industrial Narrow Gauge Railway Diesel Mechanical Locomotive - Pioneer Sugar Mills - Inkerman Sugar Mill, Home Hill, Queensland, AustraliaRail Mine and Plantation (RMP) 0-6-0 Diesel Mechanical 2' Gauge - " LI'L TOOT " Builders Number 3354 Steel (Painted)RMP / 3354 "LI'L TOOT"rmp, diesel, mechanical, locomotive, 2', 2' gauge, puffing billy, inkerman, li'l toot, industrial narrow gauge railway, e. e. baguley ltd, pioneer sugar mills - inkerman sugar mill, rail mine and plantation (rmp) -
Federation University Art Collection
Painting - Oil on paper, William Frater, 'Nude' by William Frater, 1932
William FRATER (1890-1974) Born 31 January 1890 at Ochiltree Castle, near Linlithgow, Scotland Arrived Melbourne, Australia in September 1910 In a lecture on modern art in 1925, Frater stated the basic position from which the rest of his oeuvre stems: 'Copying nature is not an art; … to copy effects of light tends to destroy form and colour'. Frater gave aggressive leadership to the small group of modernists in the 1920s. His example, teaching, lecturing and crusty style of polemic did much to disrupt the academic style as the arbiter of pictorial values and to pioneer a change of taste in the community.His approach in the 1930s was markedly indebted to Cézanne, especially in the portraits which predominated until his retirement from stained-glass designing in 1940. (L. J. Course, 'Frater, William (1890–1974)', Australian Dictionary of Biography, National Centre of Biography, Australian National University, http://adb.anu.edu.au/biography/frater-william-6239/text10739, published first in hard copy 1981, accessed online 3 May 2016.) Jock Frater was on of the first modern painters who opposed the fashionable and academic schools of painting. During the 1930s he exhibited with the Contemporary Art Group along with Arnold Shore and George Bell. During a very conservative period in Australian Art John Frater advanced the cause of innovation and modernism. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed seated nude study in oil on paper. Lower centre in pencil "W. Frater". In lighter pencil "painted 1932"art, artwork, frater, william frater, life drawing, nude, oil on paper, portrait, jock frater, william jock frater, available -
Nepean Historical Society
Functional object - Key with Tag
This object features a key with a labelled tag attached to it. It was once the key to the well-known Nepean Hotel. Also known locally as 'The Castle', likely due to its grand size and turret-like tower, the Nepean Hotel was officially established in 1872 by James Sandle Ford (https://poi-australia.com.au/points-of-interest/australia/victoria/portsea/approximate-site-ford-family-nepean-hotel-c-1870-pt-nepean-rd-near-fitzjohns-crt-portsea-mornington-peninsula-vic/). Born in 1811, Ford was only nineteen years old when he was sentenced to seven years transportation for 'Machine Breaking' in 1830. (https://nepeanhistoricalsociety.asn.au/james-sandle-ford/). He arrived in Van Diemen's Land (Tasmania) in 1831 and served five years of his sentence, before being pardoned in 1836. Ford met and married Irish immigrant Hannah Sullivan in 1841 in Sydney. The following year, the couple settled in Point Nepean. Ford is often accredited with the naming of the town of Portsea - after Portsea in Hampshire, UK - and spent a lifetime establishing himself throughout the area. This included: lime burning, dairying, horse judging and breeding, and the cultivation of land and livestock. Ford died in 1890, however his hotel continued to operate for many decades, run by his descendants - including Julia Cain during the first half of the twentieth century (https://trove.nla.gov.au/newspaper/article/65817831) (https://trove.nla.gov.au/newspaper/article/3734533). The hotel was demolished in 1971. This object is significant as it is important in relation to the development and prosperity of the area of Point Nepean. A door key with a rusted surface. One end of the key features a single set of teeth with three notches. Attached to the other end is a rounded handle with a hole through the middle. Looped through the hole is a piece of thin, rusted wire. The wire is looped through both the key and a hole in a white square-shaped tag. Printed on the tag are the words: 'CAIN'S HOTEL PORTSEA'. CAIN'S HOTEL, PORTSEAnepean hotel, cain family, james ford, james sandle ford, portsea hotel -
Bendigo Military Museum
Uniform - SERVICE DRESS, RAAF, 2003
Items in the collection of SQD LEADER "SHANE WRIGHT". Enlisted RAAF 1982 Regiment number 0323963/ 8194842. Became radio technician on Electrical systems on Orion and F111. 1990 became Electrical Systems Specialist promoted to Sgt. 1996 Commissioned as an Officer. Postings: HQ Logistic Command. Aerospace Equipment Systems. OTS as Specialist Military Training Flight Command. 2005 Promoted Sqn Leader. Posted Executive Officer RAAF Williamtown. 2018 Discharged from RAAF.1. 2. 3. Service dress style, dark blue colour wool/polyester fabric. 1. Jacket - collar, four front patch pockets with button down flap. Buttons - gold colour plastic with shank and raised emblem - crown and wings - RAAF. On right pocket, metal RAAF Badge, above metal name badge. Above left pocket - service ribbons. Blue and yellow ribbon - long service with three rosettes, black, red, white ribbon - Defence medal. Sleeves - three rank stripes, black and blue ribbon. Lining - dark blue polyester fabric with concealed pocket. White colour cotton/polyester fabric. Manufacturers label inside left side. 2. Belt - fabric with gold colour plastic buckle with dark blue plastic buttons and strap belt keepers. 3. Trousers - waist band with belt loops, fob pocket, two side pocket and one inset back pocket. Nylon and metal zipper fly and metal closer. Lining - dark blue polyester fabric to waistband and pockets. White colour cotton/polyester fabric. Manufacturers label on back pocket lining.. 4. Shirt - light blue cotton/polyester fabric. Long sleeves, collar, shoulder epaulettes with fabric rank slides - 3 stripes, black and blue ribbon - Sqdn Leader. Top left sleeve - dark blue and white oval shoulder patch, embroidered - wings and "AIR FORCE". Clear plastic buttons. Manufacturers label - illegible. 5. Tie - dark blue colour necktie. polyester/wool. 6. Cap - peaked, Service dress Officer, dark blue colour fabric with black cloth band around exterior of cap. Black colour patent leather chinstrap secured by two gold RAAF buttons around the front half of the brim. RAAF badge on front, Queens Crown with red insert over gold coloured wings over laurel leaves. Interior - black sateen fabric with clear plastic lining. Brown leather look sweatband, White cotton manufacturers label.Manufacturers information - black ink print. 1. "A73/ADA/VICTORIA 2003/ NSN:/ NAME: / SERVICE NO:/ 70% WOOL, 30% POLYESTER/ LAUNDRY INSTRUCTIONS/ DRY CLEAN ONLY/ PRESS ON ORIGINAL CREASES/ USE DAMP CLOTH OR MEDIUM/ TO HOT STEAM IRON/ MADE IN AUSTRALIA" 3. "A72/ADA/ VICTORIA 2003/ NSN:/ NAME: SERVICE NO:/ 70% WOOL 30% POLYESTER/ DRY CLEAN ONLY/ MADE IN AUSTRALIA" 1. 3. Handwritten blue/black ink "S. WRIGHT/ 40594" 5. Black label white embroidered print "NOONE/ IMAGE WEAR/ MADE IN / AUSTRALIA/ 2002" 6. "MOUNT CASTLE PTY LTD/ BRISBANE 1999/ SIZE 59^". Handwritten black ink "S. WRIGHT"uniforms, raaf, service dress, shane wright -
Melbourne Legacy
Postcard, Postcards of Ireland and Northern Ireland
Postcards were a common form of souvenirs for soldiers who were travelling around Europe either during World War 1 or just after, before returning to Australia. These were with other World War 1 memorabilia that has come from Private John Basil McLean, 2nd Reinforcements, 37th Battalion, A.I.F. There was a large collection of postcards so he may have been collecting them as souvenirs. He also had a vesta (match) case from Belfast, so it is likely he visited there. These scenes include the Guiness Brewery in Dublin and the Belfast Town Hall, and a set of scenes from Killarney. J.B. McLean (Service No. 13824) was from near Maffra, Victoria and enlisted on 22 January 1916. He embarked on 16 December 1916 for Europe. His full war record is available from AWM. He spent time with the Australian Field Artillery (Pack Section). At the end of the war he worked for a year at the A.I.F. Headquarters in London before returning to Australia on the 'Ceramic', arriving Portsea in 1920.Postcards were a very common form of communication in the first World War. Postcards as souvenirs or as correspondence would have been familiar to the first Legatees as they had served in World War 1.Postcards x 15 with images from Ireland and Northern Ireland. Most from 'Valentine's Series' printed in Scotland.01136.1 City Hall, Belfast 01136.2 Marble Stairway, City Hall, Belfast 01136.3 Killarney 01136.4 'Tis said that passing angles paused a while / To rest within and bless the Emerald Isle 01136.5 Guiness's Brewery, Lower Level, Dublin 01136.6 Scald Bank (Unloading empty casks) Guiness's Brewery, Dublin 01136.7 Fermenting House (Exterior) Guiness's Brewery, Dublin 01136.8 The Islands, Upper Lake, Killarney 01136.9 On Middle Lake, Killarney 01136.10 Serpent Lake, Gap of Dunloe, Killarney 01136.11 Shooting the rapids, Killarney 01136.12 Ross Castle, Killarney 01136.13 Eagle's Nest, Killarney 01136.14 Colleen Bawn Rock, Killarney 01136.15 Grafton Street, Dublin Each one has the word POST CARD on the reverse with room for an address and an area for Correspondence. Different makers.souvenir, world war one -
Bendigo Historical Society Inc.
Programme - BENDIGO OPERATIC SOCIETY ''THE SOUND OF MUSIC''
Bendigo Operatic Society ''The Sound of Music'' At the Capital Theatre Bendigo For an Eight Night Season Commencing June 11th, 1975. Producer: mMax Collis - Assistant Producer, Wardrobe and Ballet Mistress: Madge Welch - Stage Manager and Director of Design: Malcom Cannon - Musical Director: Gwen Grose - Society Pianist: Dianna Cohn. Cast in Order of Appearance: Carol McKenzie as Maria Rainer 9A Postulant at Nonnberg Abbey) - Elaine Buckland as Sister Berthe (Mistress of Novice) - Suzanne Fraser as Sister Margaretta (Mistresss of Postulants) - Valerie McCracken as The Mother Abbess - Barbara Potter as Sister Sophia - Fred Trewarne as Captain Georg Von Trapp - Philip Johnston as Franz (The Butler) - Julie Hoebert as Frau Schmidt (The Housekeeper) - Julie Lyon as Liesl - Michael Frayne, Bruce Ashman as Friedrich - Leonie Perry, Carol Bourchier as Louisa - Russell Theodore, Tommy Potter as Kurt - Jacinta Hull, Ann Johnson as Brigitta - Cheryl Wottoon, Andrea Smith as Marta - Suzanne Favaloro, Kristin Bolding as Gretl - Ian Richardson as Rolf Gruber - Sandra Sessions as Elsa Schrader - Gwen Cox as Ursula - Glynn Sessions as Max Detweiler - John Higgs as Herr Zeller - Ray Harding as Baron Elberfeld - Bartina Daws as Baroness Elberfeld - David Castles as Admiral Von Schreiber.program, theatre, bendigo operatic society -
Bendigo Historical Society Inc.
Photograph - HARRIS COLLECTION: PHOTO ALBUM, Nineteenth century
Family Album. Brown leather , broken clasp. 30 cm x 23.5 cm. H Harris Axedale hand printed calligraphic style inside front cover. 'The Balmoral Album' Bound in Germany. Coloured Roses and heather with Balmoral Castle full page size inside. Similar floral pages inside surrounding photos. Numerous photos captioned. Captioned photos in sequence from front. 1. Friend of Harris Family from America. 2. George Harris & Mother. 3. George Harris & his pony. 4. David Harris. 5. David Harris. 6. captioned loose Birthday card. 7. Grandparents of George & David Harris. 8. In Memoriam cutting Jonathan Harris 1891. 9. George Harris on pony. 10. A dwarf from Europe, who came to Australia late 19th Century for show business. 11. Grandparents of Geo D Harris taken at Benalla Vic. 12. David and George Harris. 13. David Harris. 14. George & David Harris with friend. 15. Meggs Harris cat 1933. 16. Missing, Hotel between Axedale & Bendigo. 17. David Harris. 18. Missing. SS Axedale Mr Ferber H J about 1872. 19. George Harris Axedale Tin type. 20. David Harriscottage, miners, harris family identified photos. -
Kew Historical Society Inc
Album, Eva Grant, Historic Buildings in Victoria & New South Wales, 1919-c.1962
One of three scrapbooks created by Eva Grant, a past member of the Kew Historical Society which were donated by her niece, Julie Thomson, in 2013. The scrapbook includes photographs and descriptions of the following sites. (Many of these are now demolished and so the photographs and descriptions may be rare records of a site.) Sites include: Abbotsford (Vic) - Abbotsford Convent, Mayfield (c.1962), prefabricated house - Church street Armadale (Vic) - church (c.1959) - Thomson & Wattletree Roads Arthur’s Seat (Vic) - McCrae homestead Ballarat (Vic) - Memorial plaque on site of Bentley’s Hotel, Memorial on site of Eureka Stockade, Early municipal buildings - East Ballarat, Adam Lindsay Gordon’s cottage - Botanical Gardens, View from Sovereign Hill, Shell house Broken Hill (NSW) - panorama (1963), Flying Doctor’s base (?1963) Eltham (Vic) - Hassell’s outdoor art gallery Essendon (Vic) - Niddrie Homestead and stables (1963) Geelong (Vic) - first Bishopscourt Hawthorn (Vic) - Convent (1930), The Hawthorns, Keilor plains (Vic) - pioneer homes, pioneer cemetery Kew (Vic) - Roseneath (1951), Tarring - Ruyton, Turinville, house - Foley street (c.1960). Malvern (Vic) - church Mount Ridley (Vic) - Summerhill Melbourne (Vic) - Old Brewery - Custom’s House Lane (1960), Customs House, Scott’s Hotel (1962), Western market (c.1960) Phillip Island (Vic) - Grave Toorak (Vic) - Mandeville Hall, Merna (sic) - Arthur Streeton’s house, Toorak House Wentworth (NSW) - Harvey’s Hotel, Sturt Memorial, Sturt’s Tree, Wentworth Gaol Williamstown (Vic) - Williamstown Dairy Yan Yean (Vic) - Bear’s Castle (c.1947) Beveridge/Big Hill (Vic) - Kelly’s cottageImportant photograph record (and notes) about historic buildings in Victoria.38-page scrapbook with additional text created by Eva Grant, a past member of the Kew Historical Society. In addition to the 68 photographs, there are two postcards and a number of publications/handouts.collected by Eva on her trips to heritage sites in Victoria and New South Wales. The pages of the album can be viewed in the image carousel above. Most of the photographs of heritage buildings were taken in the early 1960s.See imagesheritage sites - victoria - australia, eva grant, scrapbooks - 20th century -
Glen Eira City Council History and Heritage Collection
Letters Patent, Letters Patent for the Grant of Arms to the City of Caulfield presented on 1st May, 1977, 01/05/1977
Glen Eira has a long history of association with various heraldic forms. From its early years the municipality of Caulfield had used the armorial bearings of the Caulfield Family (the Charlemonts of Castle Caulfield) to represent the roads board and later the town and city. In 1969 Caulfield City Council began planning to apply for an official coat of arms for the City. In 1974 Horace Hall, a Balwyn North resident and member of the Heraldry Society in London advised Council that the current usage was illegal, and that the Houston family, current owners of the Caulfield Arms could take legal action against Council for 'usurping their arms'. Mr Hall was commissioned to develop new heraldry for the City, and in conjunction with J. P. Brooke Little at the College of Arms, London, he prepared an acceptable design for Caulfield's Coat of Arms. The Council paid an additional sum to have a standard painted on the Letters Patent and the municipality's new coat of arms was drawn up in June 1975. The Coat of Arms retains a number of heraldic elements from the original Caulfield family insignia, including the dragons, the colours and the elements of the shield. The newly registered coat of arms and Letters Patent document for the granting of arms was presented at a civic service to mark the granting of armorial ensigns and the city banner to the City of Caulfield on the 1st May 1977. Significant elements of the coat of arms granted by these Letters Patent are as follows: The motto 'Labore Vinces' translates to 'By our labours we will conquer'. The helmet represents the rank of the owner. Public authorities are granted an esquire's helmet. The brickwork on the crest is a recognised emblem of local government. The Letters Patent also display a banner and a badge, both official symbols of the City of Caulfield. The badge, which is displayed on the banner as well as on its own, features a bridled horse. This represents the importance of racing, the Caulfield racecourse and the Caulfield cup to the municipality. These letters patent officially proclaim the granting of the coat of arms to the City of Caulfield. They are highly significant to the City of Glen Eira as they are the primary document that signifies the official and ceremonial heraldic powers of the Coat of Arms of the City of Caulfield. Mounted Letters Patent illuminated document for the Grant of Arms to the City of Caulfield presented on 1st May, 1977. Hand written and hand painted on cream coloured parchment using different coloured inks, mainly black, blue, red and gouache and gold paint. The bottom edge is folded up over itself approx. 45mm revealing the flesh side of the parchment, which displays black ink signatures and three sets of two horizontal slits that hold three blue ribbon. The ribbons support three wax seals in round, gold coloured metal cases held by the wax through slots in the casing. Although covered by the cap top, each wax seal within displays a different flag emblem with a crown on top, surrounded by a ring of text (difficult to read), noted when the cases were opened during conservation treatment. See attached transcription.arms, symbol, heraldry, glen eira, council, caulfield -
Uniting Church Archives - Synod of Victoria
Booklet - Methodist Order of Knights Court Astolat Benalla, Silver Jubilee Anniversary 1934 - 1959 Souvenir Brochure
Court Astolat was chosen as the name for the Benalla Mehtodist Order of Knights in 1939. It is manor/castle in Arthurian legend where Sir Lancelot spent the night. The story of the naming of the Court is explained in E3112.73. The Methodist Order of Knights was the official youth organisation of the Methodist Church of Australasia. It originated in Hurstville, NSW, on the 4th October 1914 by the then Mr and later Rev Alex Bray. Alex Bray was a Sunday School teacher and spoke to his class of the Knights of the Round Table. In 1917 the Order of Knights was officially recognised by the Sunday School Dept of the NSW Methodist Conference. Courts spread thoroughout Australia. In 1927 the High Court of NSW called for designs for a badge and in 1929 the General Conference of the Methodist Church of Australasia recognised the Order as an approved Organisation. In 1938 the Senior Section was organised into Degrees of Sincerity, Service and Sacrifice; the Junior Section into Pages' Degree with advancement to Esquire. In 1954 the Junior Section was reorganised into two groups: Pages 8 to 11 years and Esquires 12 to 15 years. The Knight's Motto: "Live Pure, Speak True, Right Wrong, Follow Christ the King, else wherefore born?" Courts of the Order: General Conference Department of the Christian Education - General Court - Provincial High Court - District Court - Local Court - Senior Court - Intermediate Court - Junior Court . Regalia: All members of the Intermediate and Senior Courts wore regalia consisting of a cloth shield superimposed by a cross of light and dark blue ribbons, and supported by a cloth collar. Esquire and Degree of Sincerity regalia: White collar and white shield. Degree of Service regalia: Green collar and shield. Degree of Sacrifice: Scarlet collar and shield. District Court regalia: Blue collar and gold shield. High Court regalia: Gold collar and purple sheild. General Court regalia: Purple collar and shield. Officers of the local courts wore their symbols as part of their regalia.Blue card covered booklet with nine typed pages. The cover has blue and silver text and an image of a MOK knight and the Order of Knights symbol. The inside covers contain a list of Past Knight Commanders and Past Bishops and the Officers for 1959-60 or Court Astolat No 31. The pages have blue text and include a greeting from Mervyn F Redman, General Grand Commander; the story of Court Astolat, No 31 and the proceedings for Saturday 2nd May 1959, Sunday 3 May, the banquet programme and the theme hymn for Court Astolat's jubilee.methodist order of knights court astolat -
Uniting Church Archives - Synod of Victoria
Booklet - Methodist Order of Knights Court Astolat Benalla, Astolat : Being the record of Court Astolat No 31
Court Astolat was chosen as the name for the Benalla Mehtodist Order of Knights in 1939. It is manor/castle in Arthurian legend where Sir Lancelot spent the night. The story of the naming of the Court is explained in E3112.73. The Methodist Order of Knights was the official youth organisation of the Methodist Church of Australasia. It originated in Hurstville, NSW, on the 4th October 1914 by the then Mr and later Rev Alex Bray. Alex Bray was a Sunday School teacher and spoke to his class of the Knights of the Round Table. In 1917 the Order of Knights was officially recognised by the Sunday School Dept of the NSW Methodist Conference. Courts spread thoroughout Australia. In 1927 the High Court of NSW called for designs for a badge and in 1929 the General Conference of the Methodist Church of Australasia recognised the Order as an approved Organisation. In 1938 the Senior Section was organised into Degrees of Sincerity, Service and Sacrifice; the Junior Section into Pages' Degree with advancement to Esquire. In 1954 the Junior Section was reorganised into two groups: Pages 8 to 11 years and Esquires 12 to 15 years. The Knight's Motto: "Live Pure, Speak True, Right Wrong, Follow Christ the King, else wherefore born?" Courts of the Order: General Conference Department of the Christian Education - General Court - Provincial High Court - District Court - Local Court - Senior Court - Intermediate Court - Junior Court . Regalia: All members of the Intermediate and Senior Courts wore regalia consisting of a cloth shield superimposed by a cross of light and dark blue ribbons, and supported by a cloth collar. Esquire and Degree of Sincerity regalia: White collar and white shield. Degree of Service regalia: Green collar and shield. Degree of Sacrifice: Scarlet collar and shield. District Court regalia: Blue collar and gold shield. High Court regalia: Gold collar and purple sheild. General Court regalia: Purple collar and shield. Officers of the local courts wore their symbols as part of their regalia.Blue paper covered booklet with a black silhouette image of the Methodist Order of Knights knight. The 16 typed pages include the theme hymn of the Order; the Court's Honour Roll; the story of the naming of the Court; its history and details of its one hundredth meeting held on October 9th, 1939.On cover: "0158 BOX 4 ITEM 9"methodist order of knights court astolat -
Bialik College
Audio (Item) - Bialik College SVE The Journey 1995-1997
Created 1995-1997 by the SVETrack list: 1. Will I...? 2. Once Upon a Dream. 3. Fame 4. Amazing Grace 5. I know him so well 6. Do you hear the people sing? 7. Castle on a cloud 8. Bohemian Rhapsody 9. But-Doi 10. Can you feel the love tonight? 11. Once Upon a Dream 12. Sounds of Silence 13. Unlikely Lovers 14. Seasons of Love. Contributors include: Libby Bezoza, Anna Dorevitch, Greg Frid, Elise Hearst, Talia Krape, Gabi Lopata, Alexis Palmer, Ilana Payes, Jo Rosenberg, Beth Sackville, Michelle Samuel, Danny Starr, Adina Trainor, Joanne Warrener, Emily Bock, Zoe Horton, Bianca Olstein, Janine Paynes, Simon Trainor, Julian Fieldman, Jessie Ryderman, Michelle Zeimer. Please contact [email protected] to request access to this record.music, bialik, jewish school, secondary school, student work, 1990s -
Bendigo Historical Society Inc.
Photograph - MADGE SIMMONS COLLECTION: BENDIGO MUNICIPAL BAND
Photograph.The Madge Simmons collection. Bendigo Municipal Band. Black and white photograph mounted on cardboard. Twenty-three male band members in the photo, the man in centre front is not in uniform. All are holding instruments. In the bottom right corner is: Bartlett Bros Bendigo. On the back of the photograph in lead pencil is written information relating to the achievements of the band : In centre : Bendigo Municipal Band / Winners Bendigo Easter Contest 1923 / 1st Quick Step Punchinello / 1st Selection Ephor / 1st Walze Rosen / Les E. J. Simmons Soprano. Around the sides the following information is given: Winners Bendigo Easter Fair 1904 / Haydon’s Works Rosen B. B. C. C.? / Winners South St Ballarat C Grade 1924 / Schubert’s works Beethoven Haworth castle….?.. / 3rd Soprano cornet solo / Brunswick 1925 3rd A & B grade 4th Hon Men soprano solo 2nd hymn contest. Winners Bendigo Easter Contest 1924 1st selection labour and love 1st walze les Fleurs de Astraller? / 1st A grade quick step Sydney 1932 Ravenswood / 1st B Grade selections Sydney 1932 Owens Beethoven works / 1st B Grade selection Bendigo 1932 / 1st B Grade Quick steps Bendigo 1932 / 2nd B Grade Bendigo 1932 / 2nd B Grade quick step 1931 / 2nd B Grade selection 1931 2nd Dimboola 1930 (unbeaten music on the wards??)bendigo, entertainment, bendigo brass band, bendigo municipal band. -
Flagstaff Hill Maritime Museum and Village
Furniture - Table
Some very early tables were made and used by the Ancient Egyptians around 2500 BC, using wood and alabaster. They were often little more than stone platforms used to keep objects off the floor, though a few examples of wooden tables have been found in tombs. Food and drinks were usually put on large plates deposed on a pedestal for eating. The Egyptians made use of various small tables and elevated playing boards. The Chinese also created very early tables in order to pursue the arts of writing and painting, as did people in Mesopotamia, where various metals were used. The Greeks and Romans made more frequent use of tables, notably for eating, although Greek tables were pushed under a bed after use. The Greeks invented a piece of furniture very similar to the guéridon. Tables were made of marble or wood and metal (typically bronze or silver alloys), sometimes with richly ornate legs. Later, the larger rectangular tables were made of separate platforms and pillars. The Romans also introduced a large, semicircular table to Italy, the mensa lunata. Plutarch mentions use of "tables" by Persians. Furniture during the Middle Ages is not as well known as that of earlier or later periods, and most sources show the types used by the nobility. In the Eastern Roman Empire, tables were made of metal or wood, usually with four feet and frequently linked by x-shaped stretchers. Tables for eating were large and often round or semicircular. A combination of a small round table and a lectern seemed very popular as a writing table. In western Europe, the invasions and internecine wars caused most of the knowledge inherited from the classical era to be lost. As a result of the necessary movability, most tables were simple trestle tables, although small round tables made from joinery reappeared during the 15th century and onward. In the Gothic era, the chest became widespread and was often used as a table. Refectory tables first appeared at least as early as the 17th century, as an advancement of the trestle table; these tables were typically quite long and wide and capable of supporting a sizeable banquet in the great hall or other reception room of a castle. https://en.wikipedia.org/wiki/Table_(furniture)The table is one of the most important items of furniture used in the home, including the kitchen.Table wooden with 4 wooden turned legs and unvarnished raw wood topNone flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, table, kitchen furniture -
Kiewa Valley Historical Society
7 small black and white photographs of Pretty Valley, c1948
In 1947 it was proposed to construct a dam on the Pretty Valley branch of the East Kiewa River. This was part of the initial planning in 1937. The Pretty Valley Reservoir was to be part of a pumped-storage scheme with a pumping station located immediately below the main structure. Preparatory work was commenced in 1946 with erection of staff accommodation. Between 1947 and 1950 the main camp was erected, access roads, constructed and banks and benches at the dam site undertaken. Following the financial crisis in 1951, a review of the scheme was carried out and work ceased in June 1951. Construction of the dam was deleted from the programme of works and all buildings removed.A pictorial history of part of the initial planning in 1937 for a dam to be constructed at Pretty Valley as part of the Kiewa Hydro Electric Scheme.7 small black and white photographs of Pretty ValleyAll photos have a circular stamp on the back with 'Print by Willson White Albury' enclosed. Photo 1 - on the back, handwritten in ink 'New 22Kv pump line - Pretty Valley Nov. 1948'. In pencil '18'. Photo 2 - On the back, handwritten in ink 'Pretty Valley - Staff mess on right Nov. 1948'. In pencil '18'. Photo 3 - On the back, handwritten in ink 'Pretty Valley Basin - looking S.E. Nov. 1948'. In pencil '5'. Photo 4 - On the back, handwritten in ink 'New pump 22Kv line, Pretty Valley - looking towards Mt. Mackie. Nov. 1948'. In pencil '5'. Photo 5 - On the back, handwritten in ink 'Pretty Valley. Mt. Cope just out of picture extreme right. Nov. 1948'. In pencil '78'. Photo 6 - on the back, handwritten in ink 'View from Pretty Valley Ruined Castle in Background Nov. 1948'. In pencil '78'. Photo 7 - on the back, handwritten in ink 'Pretty Valley Pump line (Nov. 1948)'. In pencil'78'.construct, dam, pretty valley -
Dutch Australian Heritage Centre Victoria
tourists bicycle pennants, mid 20th century
TourismHow people went on holiday. A memento of simple holidays. The tradition of camping as the holiday of choice.calico, triangular pennant. One edged in blue, the other in red.4089.R1 - blue edged pennant, showing the tourist sites around a place called Epen in the southern part of the province of Limburg. This is known because the name of the town is in large red letters. Three locations shown 1. Kamper Boerderij - A farm providing camping grounds. 2. Kasteel Beusdael - The Beusdael Castle 3. Wingbergermoelen - Wingberger Mill Also a little tent beneath the name of the town, with refers to the camping holiday. Also a maker's mark on the pennant, a small triangle with the letters L, A & B within it. 4089.R2 - red edged pennant, showing the area around Vaals in Limburg province, the name is in large red letters. The scene shows the meeting point between the Netherlands, Germany & Belgium - "Drie Landen Punt" (Three Country Meeting Point) Also shows the height of the viewing point (193m), as well showing other features including: - Hotel Bellevue - Uitzichttoren - viewing tower - Panorama Aken - Panorama of Aachen, Germany - Spoorbrug-Moresnet - Railwaybridge-Moresnet in Belgium. Small makers mark. Black triangle, possible the same as that shown in the other pennant, though obscured. -
Mission to Seafarers Victoria
Journal (item) - Periodicals-Annual, Shiplovers' Society of Victoria, The Annual Dog Watch
This journal provides the reader with glimpses of the adventures and hardships of a seaman's life. Many of the stories are of sailing ships.Contributes to our knowledge of the importance of shipping and places on record those stories of the sea which would otherwise be lost.Contents Foreword - - 5 Editorial - - 6 The Aftermath of the Wreck of the Fiji - J.M. MacKenzie - 9 Features of St. Paul's Chapel By The Sea - - 17 Amateur Divers Saved the Army Ship AV1278 - John Chate - 23 I Sailed on the Salamis - Capt. William Philip - 35 Gantline Work - W.P. Shemmeld - 39 Glasgow to Sydney on the Ferry Dee Why - Connie Tomkinson -45 The Liner is a Lady - C.R. Bonwick - 57 A Famous Cape Liner -- R.M.S. ARUNDEL Castle - Captain C.J. Harris - 59 The Deck Boy - R.N. Thiele - 65 The Diary of a Ship's Surgeon Part 2 -- Journey's End - Dr. H.M. Lightroller, M.R.C.S. - 71 Gateway to India - G.M. Naug - 81 The Paddle Boat Mississippi on the Yarra - - 87 Recollections of a Royal Navy Chaplain - Rev. H.W. Coffey, MBE,MA - 89 Falkland Islands Duty - Mike Golden - 93 Xmas at Sea 1924 - Captain Ron Wayling - 97 The Story of Captain Olaf Paulsen The Extraordinary Seaman - Lieutenant-Commander F. Shaw - 99 A Freak of Navigation - - 102 The Nella Dan Story - Stefan Csordas - 103 Book Reviews - - 110sailing ships, steamships, shipping, seafaring life, shiplovers' society of victoria, dog watch -
Bendigo Historical Society Inc.
Document - SPECIMEN COTTAGE COLLECTION: VARIOUS DOCUMENTS
Various documents in plastic folders. Topics are: 1) Rocky Vale Villa in Maiden Gully built by William Beebe Snr, historical information and significance assessment. 2) The powder magazines of Bendigo and Eaglehawk talk given by Ralph Birrell. 3) Ralph Birrell obituary. 4) Early Surveyors on the Bendigo goldfields 1852-1860 three pages essay by Ralph Birrell. 5) History of Eaglehawk court house and log lock up with four photographs. 6) Submission from the National Trust regarding Bendigo Pottery. 7) Fistcuffs, Diamonds and Lace synopsis of a novel by Ann Rayner on the boxer Abednego Thompson after whom the name of the City of Bendigo is said (by same) to be derived. 8) Historical facts and dates on Bendigo by the Royal historical society of Victoria, Bendigo branch. 9) Arcades of Bendigo, by Tom Luke. 10) Benedict Branch family history with picture. Benedict invented a Miners Safety cage in 1883 and was awarded a medal, photos of the cage and medal included. 11) Burke & Wills 150 years on pamphlet, Jim Evans newspaper article, notes and photos of the monument at the Bendigo cemetery. 12) Marlborough House document on the history of this house. 13) Codicil to the last will and testament of William Beebe of Inglewood Road, Sandhurst. 18th September, 1891. 14) Document outlining the life of Sister Jessie Aitken 15) Document - W. Anderson and Sons business in Mitchell street 'Fancy goods'' history of the family. 16) Hand written notes on Florence Anderson. 17) Document family history of Hamlet Smart Appleby. 18) Document - Amy Castles ''The little Bendigonian singer'' 19) Quentin Clifford (Cliff) Binks words in remembrance, Bendigo Monday 23rd November 2015. 20) Background report on Vahland drinking fountain, list of William Vahland buildings, copies of photos of Vahland descendants and two brochures celebrating Vahland. 21) Blank invoice for the Taraxale Brewing Co. of Golden Square - G. A. Pethard, manager. -
Mission to Seafarers Victoria
Journal (item) - Periodicals-Annual, Shiplovers' Society of Victoria, The Annual Dog Watch
This journal provides the reader with glimpses of the adventures and hardships of a seaman's life. Many of the stories are of sailing ships.Contributes to our knowledge of the importance of shipping and places on record those stories of the sea which would otherwise be lost.Contents Foreword - 13 Editorial - 15 “Tyburnia” — London - R. W. Glassford - 19 Australian Reminiscences - Captain Carl Meyer - 30 By Tug from England - Geo. W. Torry - 40 New Year Revels in Honolulu - Richard Lunn - 44 Yuletide on the High Seas - Sir James Bisset, C.B.E., R.D., R.N.R., LL.D., Cantab. - 50 My Last Voyage in Sail - Captain Harry Daniel, M.B.E, D.S.C. - 54 “Emma,” Annie Larsen” and “Maverick” - Winston Langdon - 62 Hell’s Gates — Macquarie Harbour - Captain W. E. Eglen - 80 Jack of All Trades - J. H. Barr - 86 A Centenary Missionary Cruise - Captain E. Moodie-Heddie, O.B.E. - 92 The Steamship — “Sir John Harvey” Erik Heyl - 96 Memories of Childhood on Board the “Carlisle Castle” - J. M. Bruce Robertson - 101 Jorgen Jorgensen - George R. Leggett, B.A. - 109 Survivors of Sail - Captain H. R. Watson - 114 “Hard Over” - W. A. Thomson - 119 Intrepid South Sea Pioineers - Captain Harry O’May - 124 Memories of the “Strathdon” - Taken from Papers of the Late Captain W. Philip - 127 The Story of the “Rip” - E. M. Christie - 134 Postscript, “Superb” — London - R.W.G. - 137 Book Reviews - 139sailing ships, steamships, shipping, seafaring life, shiplovers' society of victoria, dog watch -
Eltham District Historical Society Inc
Photograph, Slab hut, Warrandyte, Warrandyte Mystery Tour, 29 May 1994, 29/05/1994
[article by Bettina Woodburn in EDHS Newsletter No. 97, July 1994:] THE WARRANDYTE MYSTERY TOUR MAY 29TH 1994 - Members of the Eltham Historical Society met at the Old Post Office, now converted into the Warrandyte Historical Museum, for a picnic lunch on the sunny back verandah overlooking the shimmering Yarra River. Interesting photographs and artefacts filled various rooms outlining the history of this area, and told tales of Aboriginal and more recent neighbours of the Eltham Shire. The weather was calm, cloudy mostly with only occasional sunny patches, but it wasn't cold, although the autumnal leaf colours had changed to wintry brown. "All Aboard" and we set off in the Warrandyte Community Bus (with the School Bus sign displayed at the rear) to learn about local places of "Pride and Joy” from Bruce our guide and Tom the driver. Almost directly opposite we entered Whipstick Gully to explore the first of the district's hidden treasures - the Victory, one of the largest of the six or so major mines, past the old quarry now used for abseiling practice. By torchlight we entered the rocky hillside and saw the seams of quartz the miners had followed in their search for gold. Stamping batteries, and there was one in this gully, converted discarded rock into 'road metal'. Warrandyte is proud to be the first declared Goldfield in 1851, and one of the longest surviving, into the 1920s. A pleasant drive across the Bridge and along Bradley's Lane to Norman's Reserve brought us to see another Tunnel at Pound Bend through which the Yarra was diverted to allow about three miles of river-bed to be used for prospecting for alluvial gold. Still on this side of the river we visited the Old Slab Hut in Castles Road. This remnant of miners' housing is preserved because it had been incorporated into a weatherboard house, and saved from the bulldozers - a last minute reprieve, for preservation, by the National Trust. Devastating bush fires have destroyed other old cottages built of wattle and daub, with bark roofs and stone fire-places. The Cairn commemorating the disclosure of Gold Discovery at Warrandyte on June 30th 1851 beside Anderson's Creek Road was our next point of historical interest. We drove on to South Warrandyte and circled back to above the ford on Anderson's Creek to the entrance of the 4th Hill Mine. Again we crept along with our torches, careful of the low roof-rock, and side shafts. At a junction in a large cavity we were able to stand, look up a long air-vent which some 'cavers' climb down, and marvel at, and experience an aspect of a miner's life. Outside we heard the same bird songs, the trills and bell-pealing, saw the same straggly eucalypts, and a silver leafed wattle in flower, native grasses and ferns, and the neat present day houses, often of Warrandyte stone, perhaps veneered only. The day ended pleasantly, seeing more of the Yarra from Everard Drive, and the water rushing out of the Tunnel at Pound Bend, before returning to afternoon tea or coffee at the Museum. A great day for all concerned - many thanks to the Organisers.Colour photographslab hut, warrandyte, "warrandyte miner's cottage" -
Eltham District Historical Society Inc
Photograph, Pound Bend tunnel, Warrandyte, Warrandyte Mystery Tour, 29 May 1994, 29/05/1994
[article by Bettina Woodburn in EDHS Newsletter No. 97, July 1994:] THE WARRANDYTE MYSTERY TOUR MAY 29TH 1994 - Members of the Eltham Historical Society met at the Old Post Office, now converted into the Warrandyte Historical Museum, for a picnic lunch on the sunny back verandah overlooking the shimmering Yarra River. Interesting photographs and artefacts filled various rooms outlining the history of this area, and told tales of Aboriginal and more recent neighbours of the Eltham Shire. The weather was calm, cloudy mostly with only occasional sunny patches, but it wasn't cold, although the autumnal leaf colours had changed to wintry brown. "All Aboard" and we set off in the Warrandyte Community Bus (with the School Bus sign displayed at the rear) to learn about local places of "Pride and Joy” from Bruce our guide and Tom the driver. Almost directly opposite we entered Whipstick Gully to explore the first of the district's hidden treasures - the Victory, one of the largest of the six or so major mines, past the old quarry now used for abseiling practice. By torchlight we entered the rocky hillside and saw the seams of quartz the miners had followed in their search for gold. Stamping batteries, and there was one in this gully, converted discarded rock into 'road metal'. Warrandyte is proud to be the first declared Goldfield in 1851, and one of the longest surviving, into the 1920s. A pleasant drive across the Bridge and along Bradley's Lane to Norman's Reserve brought us to see another Tunnel at Pound Bend through which the Yarra was diverted to allow about three miles of river-bed to be used for prospecting for alluvial gold. Still on this side of the river we visited the Old Slab Hut in Castles Road. This remnant of miners' housing is preserved because it had been incorporated into a weatherboard house, and saved from the bulldozers - a last minute reprieve, for preservation, by the National Trust. Devastating bush fires have destroyed other old cottages built of wattle and daub, with bark roofs and stone fire-places. The Cairn commemorating the disclosure of Gold Discovery at Warrandyte on June 30th 1851 beside Anderson's Creek Road was our next point of historical interest. We drove on to South Warrandyte and circled back to above the ford on Anderson's Creek to the entrance of the 4th Hill Mine. Again we crept along with our torches, careful of the low roof-rock, and side shafts. At a junction in a large cavity we were able to stand, look up a long air-vent which some 'cavers' climb down, and marvel at, and experience an aspect of a miner's life. Outside we heard the same bird songs, the trills and bell-pealing, saw the same straggly eucalypts, and a silver leafed wattle in flower, native grasses and ferns, and the neat present day houses, often of Warrandyte stone, perhaps veneered only. The day ended pleasantly, seeing more of the Yarra from Everard Drive, and the water rushing out of the Tunnel at Pound Bend, before returning to afternoon tea or coffee at the Museum. A great day for all concerned - many thanks to the Organisers.Two colour photographswarrandyte, activities, pound bend