Also another copy 10 x 15 of side view.Colour photograph of the Kalimna West Hall, situated on the Princes Highway, halfway between Lakes Entrance and Swan Reach, Victoria. A single storey weatherboard building with gabled corrugated iron roof with four ventilators. Small entry porch and side door. Hardiplank clad extension at rear. Kalimna West Lakes Entrance Victoriahalls, community facilities

Boys Under 14 Basketball team after recent final C Darcy J Coad R Allett N Peglar Ross Davis S White M O'Donnell held in Recreation Hall Carpenter Street Lakes Entrance VictoriaColour photograph of Boys Under 14 Basketball team after recent final C Darcy J Coad R Allatt N Peglar Ross Davis S White M O'Donnell held in Recreation Hall Carpenter Street Lakes Entrance Victoriasports, basketball, clubs, recreation

Photograph taken for Lakes 150 year display (not used)Colour photograph of the small stage built into the chancel of St Nicholas Church, after church was moved and used as church hall in 1960. Arched window replace by plain rectangular glass. Lakes Entrance Victoriareligion, buildings

Black and white photograph.Image shows street scene looking east towards clocktower in original position in middle of Warrandyte Road intersection. Moran and Cato store on corner of Melbourne Street, opposite Station entrance.

Dr Donaldson (Snr) owned the block of land on the corner of Sussex and Grant Streets, Linton. He had a ten-room house set on the back of the block (where the block backs on to Surrey Street), with a large barn fronting Sussex Street. Other identifiable buildings in the photograph are Ball Brothers blacksmith's shop, the Royal Standard Hotel on the corner of Sussex and Clyde Streets, the Shire Hall, Criterion House and Joseph Shepherd's store. The roof of Oscar Ball's house can be seen.Black and white copy of original photograph which shows houses and other buildings along Sussex Street. The view is to the south (up the hill) from the Ballarat entrance to Linton. A large barn, enclosed by a picket fence, is in the foreground. A cart drawn by two horses, with a man standing next to it, is in the street near the barn. Further along the street, a group of people appear to be wheeling a barrow or cart. Houses and other buildings can be seen along the street.sussex street linton, dr donaldson's barn, ball bros. blacksmith, royal standard hotel, shire of grenville offices linton, criterion house, joseph shepherd's store

The Eltham Community and Reception Centre was Australia's first public mud-brick building. Commissioned in 1977 by Eltham Shire Council, led by Shire president (and architect) Robert Marshall, architects Whitford and Peck were asked to design a multipurpose facility in mud-brick and timber. The official opening was performed by the Hon. R.J. Hamer; E.D., M.P., Premier of Victorai on Saturday, April 22, 1978. Architects: Whitford & Peck Pty Ltd Quantity Surveyor: D.J. Cant & Associates Structural Civil Engineers: Charlett & Moore Pty Ltd Landscape: Peter Glass, Dennis Edwards Mech Elec: Lobley Treidel & Partners Pty Ltd Acoustics: Riley Barden & Kirkhope Builder: L.U. Simon Pty Ltd Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p177 The Wiggles performed there, so has the ABC’s Play School. New citizens have made their vows, volunteers have been honoured, school children have performed, weddings celebrated and people mourned at funerals. Since 1978 the Eltham Community and Reception Centre at the corner of Pitt Street and Main Road, has provided a beautiful and quintessential Eltham environment for people from all over Melbourne. Recognised as Australia’s first public mud-brick building, the centre was built partly on the site of the parsonage of the former Methodist Church (now the Uniting Church).1 Commissioned by the Eltham Council headed by President Robert Marshall, architects Whitford and Peck were asked to design a multipurpose facility in mud-brick and timber. Following public consultation, it was agreed to build a centre for dances, exhibitions, films, plays or concerts. The results – at a cost of around $620,000 – captured the Eltham rustic style. The building – in soft tones of mud-brick and timber and immense floor-to-ceiling windows – overlooks the Diamond Creek and sporting fields. Eltham’s strong artistic heritage is reflected in the centre. Although the lighting is not ideal for a gallery and labels cannot be placed on walls, the centre hosts the Nillumbik Art Awards and displays around ten to 20% of the Nillumbik Shire Art Collection, usually for around a year at a time.2 On permanent display, close to the entrance, is local artist Clifton Pugh’s White Choughs in the Landscape. Further to the right is the Walter Withers Gallery, named after a local member of the Heidelberg School of artists. As part of the Eltham Gateway opposite the Eltham Hotel, the centre stands on what was once part of the Eltham Town Centre along this section of Main Road, then known as Maria Street. On the same site once stood the house and flour mill owned by Henry Dendy, best known as the founder of Brighton, although he lived longer in Eltham. Beside the drive is a wheel-rim tool with accompanying plaque, illustrating a technology important during the horse-powered age and now almost completely gone, as has the blacksmith’s shop that had housed it nearby. The implement is a platform for fitting iron tyres to the wooden rims of cartwheels. Beneath it is a capsule placed in 1985 to commemorate Victoria’s 150 years, which is to be opened in 2035. Although the plants, forming part of the landscaping by Peter Glass and Denis Edwards, are largely indigenous and other native species, some exotic plants are protected as an important link with the site’s past. Planted at the front around 1920, is a large Peppercorn tree with two joined trunks growing from the base, and close by is a Bhutan Cypress (Cupressus torulosa). Three other Peppercorn trees fringe the drive. The building includes two halls – the larger seating 250 people – and a large foyer overlooking trees and ovals. Both halls have retractable rear walls providing varying spaces as required, and guests can use several external decks. A site for outdoor theatre has been carved out of the natural slope outside the entrance. The Bricklayers Union refused to use the traditional mud-bricks, which weigh more than 22kg. As a result the mud-bricks were redesigned to reduce their weight and were laid back-to-back to produce a wall of normal thickness.3 The centre’s massive timber frame is reminiscent of timber bridge construction, with infill panels of mud-brick.4 In accord with the rustic style are colossal rough-sawn posts, bolts and steel brackets. The combination of mud-brick, exposed feature timber framing and creative design in this centre, characterises Eltham’s innovative buildings and the social movement behind them from the 1940s to the 1970s.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham community and reception centre, mudbrick construction

Black and white photographShops include CBC Bank on corner of Railway Station entrance, and A.N.Z Bank at 116 Maroondah Highway.

Black and white photograph (2 images)Image shows ANZ Bank to left, Chemist and Jimmy's Handy Bar towards entrance. Methodist Church in background at top right.

The Institute movement came to Melbourne in 1839 with the establishment of the Melbourne Mechanics’ Institute later known as the Melbourne Athenaeum. Adopting the principles of self help, social improvement and the recognition of the importance of useful knowledge, it maintained a library, a reading room and an art gallery, while also establishing classes and lectures in a variety of fields. Various dates have been suggested for the founding of the Cheltenham Mechanics’ Institute with the range being somewhere between 1853 and 1856. The first Institute building erected on the tip of the land where Charman Road joined Point Nepean Road was of weatherboard construction. It consisted of a small hall, a reading room and a library. Later it was realized that the building was inadequate for community functions that attracted a large number of participants; consequently additions and modifications were needed. The Shire Council in 1888 voted £10 to the building fund but stipulated that the money would only be paid when the new building was commenced. Major contributors to the fund were the temperance societies who were regular users of the Institute’s facilities. As a result of their contributions the building was named Mechanics’ Institute Free Library and Temperance Hall with this title being proudly painted on its façade in ‘gold letters shaded with blue’.Black and white image of a group of six men dressed in suits and wearing hats, standing at the front entrance of the Mechanics Institute, Free Library and Temperance Hall, Cheltenham

Black and white photograph (2 images)Written on back of one photograph: "Town Hall roof Dec, 1962. Series taken by Paddy Miles." Image shows Methodist Church in background.

The photograph shows the demolition or removal of cable tram track in Swanston St Melbourne. The reference notes that work commenced 27/12/1925 and that conversion was completed by 24/1/1926. Given the worksite it would be most likely late December 1925. Note the large unsilenced air compressor, the large crowd of on-lookers and that Swanston St northbound seems to remain open for traffic. In the background are the Royal Hotel Arcade entrance and the Melbourne Town Hall. This photograph is Public Records Office photo H109 in the Victorian Railways collection. There are at least three similar photos in the PROV Collection.Yields information about the extent of work need to quickly convert the Swanston Street cable tram track to electric trams in about a month.Photograph - Black and White of the demolition of the cable tram track in Swanston St near Bourke St 1925-1926trams, tramways, cable trams, workmen, mmtb, swanston street, demolition, track work, air compressor, royal hotel arcade, conversion

This is the before paired photograph used in the 150 year, Lakes Entrance 1858-2008 display.|The after paired photograph number is 01424.1.|Also one 12 x 16 framed photograph used in room display.Black and white photograph of State Electricity Office, Esplanade, taken from Air Observers Spotting Tower on Esplanade. Photo taken on day of dedication of Tower in February 1944. In view is Stewarts Butcher shop, rear of Mechanics Hall. Crowd of people on road, two cars, one with gas producer of back, and bicycles. Lakes Entrance Victoriatownship, celebrations, transport, room display

Black and white photograph (2 images)Image shows corner of Railway Station entrance looking east.

Graham Masters is a potter based at Sweenies Creek, just outside Bendigo, Victoria who specialises in a patented technique of low relief stoneware depicting Australian animals and landscapes. He obtained a Diploma of Art and Design in Ceramics from the Bendigo Institute of Technology in 1973, then operated a pottery for a year in Bendigo, before becoming an employee, then a partner at Maldon Pottery, Victoria with Neville Wilson and Thomas Metcalf. He left Maldon to set up his own pottery at Sweenies Creek in 1984. (1.) (Judith Pearce). Built in 1869, the (former) Strathfieldsaye Shire Hall is one of The City of Bendigo's earliest surviving public buildings. Designed by George Steane and built by George Pallett in 1869 the Strathfieldsaye Shire Hall has aesthetic significance as a purpose built Shire Hall designed in the Free Classical manner. It is also of importance as an early example of the novel system of cavity wall construction. The building is largely intact and unaltered. Other important elements include the arched portico of the main entrance with brick arched features on either side; the brick quoining and dressings to the round arch windows; the three gabled roof; and the matching chimneys that reinforce the symmetrical design. The Hall has social significance as a temporary schooling facility in the 1870s and as a flood refuge in 1889. The Strathfieldsaye Shire Hall is a brick building designed in the Free Classical manner. This style was favoured by the Public Works Department for a number of public buildings including Shire Halls and courthouses. The form includes a central taller volume flanked by matching smaller gables. In the case of the Shire Hall these would be occupied by the Shire Secretary and Shire Engineer whilst the larger volume was the council chamber. The portico at the front is designed with a flat arch in the centre and matching smaller arches each side. The face red brick is unadorned apart from a plain string course at the roof springing point, brick quoining and dressings to the round arch windows. There are matching chimneys that are located to reinforce the symmetrical design and the original roof is believed to have been slate but is now corrugated iron. Large wheel thrown ceramic platter with a shallow well, broad flaring ledge and raised on a high foot rim. Rim decorated with slab rolled gum trees protruding on centre left and right sides of plater. which reflect the low relief image of trees and the Strathfieldsaye Shire Hall on the surface of the plate. Glazed with golden brown and cream. Front centre top; 'Shire of Strathfieldsaye'. Front lower centre '1866 - 1991 - 125 Years'. Signed 'G Master / 1991' on rim centre right. Reverse; signed 'G Master' / 1991. Bendigo Pottery stamp.shire of strathfieldsaye, bendigo pottery

Comfort Station Camping Reserve No 33 Halls Gap The GrampiansLog cabin with a tin roof and stone features around entrance and windows. Building in natural setting.Comfort Station, Camping Reserve hall's Gap Grampians No 33.halls gap grampians

scouts enjoying a Martian dressup night At back are Peter Hall Gippsland MLA Bruce Evans MLA East Gippsland who presented scouts with their own state flag on behalf of State Government Lakes Entrance VictoriaBlack and white photograph of group of scouts enjoying a Martian dressup night At back are Peter Hall Gippsland MLA Bruce Evans MLA East Gippsland who presented scouts with their own state flag on behalf of State Government Lakes Entrance Victoriascouts, clubs

Black and white photograph group people, Heather Leatham, Rowan Cook, Warren Meade, Alf Graving, Graham Trimble, Peter Hall, Ray Barling, Amanda Miles, Chris Ross, after Gippsland Games, winners of cycle criterium. Lakes Entrance Victoriasports, awards

Black and white photograph large group of people in Mechanics Hall at the Lions Club Fish Tasting. Lakes Entrance Victorialions club, volunteering

Black and white photograph (2 copies)Image shows shops looking west from Midway Arcade and Town Hall.

Comprises 12 photos of Melbourne, mid to late 1930s. Produced by Rose Stereograph of Armadale. 1 - Botanical Gardens and Government House Melbourne. - 2 - The MacRobertson Fountain Melbourne - Both the Fountain and the Shrine of Remembrance were completed in 1934. Government House tower features in the background. Also note the absence of any mature trees. See reference - completed 1934. 3 - Flinders Street Railway Station with a "W" class tram in Flinders Street and "Y" class tram in Swanston Street in the view 4 - St Kilda Road Melbourne - Looking south with the Queen Victoria Gardens in the left of the photo. 5 - Collins Street Melbourne - Showing the Regent Theatre, Manchester Unity Building and the Town Hall. 6 - Princes Bridge and city Skyline Melbourne - Shows; Princes Bridge, Yarra River, Excursion Ferry, Princes Walk, Flinders Street Railway Station, the Nicholas and Manchester Unity Buildings in Swanston Street and the Sargood Gardner building in Flinders Street. 7 - The Conservatory, Fitzroy Gardens Melbourne - 8 - The Cathedral Corner Melbourne - shows; Young & Jacksons Hotel, St Paul's Cathedral, The Gas & Fuel building, Ball & Walsh Department store and The State Theatre plus several "w" class trams in Swanston Street. 9 - St Kilda Road Melbourne - Looking south from Nolan Street. Note trees still present at the entrance area to the Shrine of Remembrance. 10 - Looking across Princes Bridge to St Kilda Road Melbourne - Looking south from the roof of the Nicolas Building showing; Princes Bridge, St. Kilda Road, The Shrine of Remembrance and the Victoria Barracks in the distance. 11 - Parliament House Melbourne - in Spring Street 12 - Captain Cook's Cottage, Fitzroy Gardens Melbourne - Erected in the gardens in 1934. Yields information about Melbourne city views and new attractions mid 1930s. Paper envelope folder with 6 photos on each side of a foldout section titled "Picturesque Views of Melbourne" melbourne, photo folders, postcards

Central Hotel, showing a large single storey building, three chimneys with chimney pots, veranda across the front divided from side veranda by protruding gable. Iron roof, bull nosed veranda roof. Sash windows. Bluestone wall along edge of lake. Sign 'To Public Hall' on corner. Lakes Entrance VictoriaBlack and white postcard of timber Central Hotel, showing a large single storey building, three chimneys with chimney pots, veranda across the front divided from side veranda by protruding gable. Iron roof, bull nosed veranda roof. Sash windows. Bluestone wall along edge of lake. Sign 'To Public Hall' on corner. Lakes Entrance Victoriahotels, architecture, accommodation

Ellen Parke founder of Lakes Entrance Artworks at first exhibition at RSL Hall Barkes Avenue Lakes Entrance VictoriaColour photograph of Ellen Parke founder of Lakes Entrance Artworks at first exhibition at RSL Hall Barkes Avenue Lakes Entrance Victoriaarts, businesses, people

Colour photo of new roadside sign for school zone speed limit, held by two local members of parliament Peter Hall Darren Chester and child Morgan Chester Lakes Entrance Victoriaschools

left to right are Marie Redenbach, unknown, Sue Morrison, Peggy Smith at Host Month lunch in CWA Hall Carpenter Street Lakes Entrance Victoria 2002Colour photograph of East Gippsland CWA members, at Host Month lunch Lakes Entrance Victoria celebrations, clubs

cactus, cacti, clematis, orchard redevelopment, r. hall, geoff olive, pruning garden, field station, vcah, university of melbourne, burnley, jill kellow, field station redevelopment, field nursery, student gardens, turfgrass, grassy woodland, chris findlay, phil tulk, grasslands, herbaceous border, car park, native garden, restoration native garden, john rayner, hilda kirkhope rockery, herb garden, rainforest garden redevelopment, plant lists, shady walk, salvia, trees, tai-haku cherry, tree management, tree lists, david aldous, grey border

Victoria Hall, Armstrong St Charlton was built for E. Miles in 1884. Sid Rosewall's house is on the right. This photo taken c. 1960.Colour photograph of a single storey, triple fronted red brick building. The front of the building is painted. There are double doors for the main entrance and three single doors - one to the left and two to the right of the main doors. There is a large, ornamental parapet wall on the front of the building with a flag pole. A wide verandah runs the length of the front of the building with a pitched section over the main entrance. The LH side of the building is unpainted and has four windows high on the wall. A red brick building is partially visible on the RH side of the photo. It has two chimneys and iron roof.e. miles, s. rosewall, victoria hall, armstrong street, charlton, halls

The Presbyterian Church was built in 1871 by local contractor and grazier James Patterson of Nardoo Park, Woosang. The Presbyterian and Methodist Churches formed combined Parish in 1969. The buildings were demolished in 1989.Colour photograph of Charlton Presbyterian Church and Hall. The white-painted brick church building is on the right. The letters A . D 1871 in black are on the front of the church. There is also a bell tower, a small gothic arched window and a small round leadlight window on the front wall. The church hall is a white weatherboard building with blue trim. Red brick pillars stand at the entrance to the church and the hall. A large electricity pole is in front of the hall. james patterson, charlton, presbyterian, church, pastoral care

Water Police Snr Const. Tony Burke and Snr Const. Brian Hall of Paynesville Water Police docked at Lakes Entrance Victoria. An abandoned EPFRG emergency position indicating Beacon set off the alarm in Canberra initiating a full emergency response with helicopter, water police, coastguard and other units involved. The EPFRG was eventually located in a rubbish bin on a private property in Lakes EntranceBlack and white photograph of two Water Police Snr Const. Tony Burke and Snr Const. Brian Hall of Paynesville Water Police docked at Lakes Entrance Victoriacoast, defence services, police

The Old Colonists' Hall was opened in 1887. Colour photograph of the entrance of a double storey building in Lydiard Street Notth known as the Ballarat Old Colonists' Hall It was taken during the Covid 19 Pandemic lockdown. when there was little activity in the shopping areas. Collins Booksellers are tenants of the shops associated with the Hall. old colonists' association ballarat, ballarat old colonists' club, ballarat old colonists' hall, shopfront, lydiard street north

number in album 03547.01Colour photograph Pauline Rigby and Margo Kerby at the opening of the Garden Club show in the CWA Hall during the 100 Years Festival. Lakes Entrance Victoriaclubs, function