A display of five hand embroidered World War One postcards mounted on a board and protected by glass. Multi-coloured lettering on a white background. From One in Camp, Harrah for England, 1917 Souvenir de France - I'm Thinking of You Until the End.embroidery, 1917, postcards, souvenirs, first world war

The Oakey Army Aviation Centre is a training facility formed in October 1943 at Oakey, Queensland. It was built with the purpose of providing a maintenance facility: the units would erect, repair and insect aircrafts and engines. At the end of the war in 1945, the depot was used to store surplus aircraft. In early 1946, the RAAF Station Oakey was disbanded and categorised ‘to be retained but not maintained’. Since then, the RAAF Station Oakey facilities have been used few times for some minor activities. Although there are no information relating to the owner or usage of the cup; it holds historic significance for its direct link with the Australian Army Aviation Centre in Oakey and its involvement in World War II; and more generally for its link to the Australian Army.Large white cup with a handle; decorated with a blue ink symbol (displaying a crown and below it, a bird handling two swords) and blue ink inscriptions (from the Army Aviation Centre Oakey). Inscription on top: 'Frank McNamara VC Club' Inscription at the bottom of the symbol: 'Vigilance' Inscription circling the symbol: 'Army Aviation Centre Oakey'

Puttees were long established items of a soldiers kit. Although time consuming items to tie correctly, puttees were a very comfortable and practical method of ensuring that mud and loose debris would not enter the tops of ankle length boots. Short puttees were common during the second world war.A pair of dark khaki woven wool cloth bands that were wound around a soldier's ankle. Each puttee has cotton stitching across one end, with the other end stitched into a triangular shape. Attached to the triangular end is a long khaki woven cotton strap that was used to secure the puttee in place. Cotton stitching is across the end of the cotton strap.V307 1944 D (broad arrow) Dputtees, clothing

Two patterns of clasp knife were supplied to the Australian Military Forces in the WW2 era by the Carr Fastener Company. These clasp knives were identical to those made by Whittingslowe Engineers that were made in the Whittingslowe factory under contract to Carr Fasteners. William Whittingslowe had a close association with Carr Fasteners prior to WW2 and had been Chairman of Carr Fasteners for some time.Smaller sized canoe shaped body military steel clasp knife. The clasp knife is the Carr Fast second pattern with the improved tin opener, manufactured in Australia in the World War Two era. The clasp knife has a blade, a tin/bottle opener, a marline spike as well as a screw driver and a copper wire shackle used to attach the knife to a lanyard or belt clip. The body of the knife is held together by steel rivets. Indentations to aid opening are located on the top RHS of the blade, and on the top LHS of the tin opener. The end of the tin opener is shaped to a point.CARR FAST CO AUST D (broad arrow pattern) Dclasp knife, world war two, australian military forces, steel

See document 1507Information for the brochure (http://www.artdes.monash.edu.au/globe/issue8/tbtitle.html) Construction in Process VI The Bridge, Melbourne Event: March 21-31 1998 Exhibition April 1-30 1998 During Construction in Process (CIP) III at Lodz, Poland in 1991, Emmett Williams and other participating artists initiated the idea of a biannual "performance" of their project in different cities and sites around the world. In the first instance, CIP was a response to the strictures of museum contained commodification of art practices and the dissolution of communism. And with this agenda in mind, their events affirm the active participation of international artists with local infrastructure and site specific materials. The organisation of the 1998 CIP in Melbourne, titled "The Bridge", took Richard Thomas, Katherine Armstrong, Gail Davidson and the legion of others over two years of dedication. And they brought off one of the most open-ended, logistically challenging conceptual events this metropolis has witnessed. The following photo essay provides a personal survey of the "The Bridge", as I saw it transpire around me. German artist Dagmar Udhe created several art installation in Swanson Dock and the Mission. This plaque was placed either in the dome or outside the dome. It may have been forgotten or left intentionally by the artist.PerformanceUltramarine ovoid shaped perspex plaque attached to the wall in the entrance of the Mission (Flinders Street).art installation, dagmar udhe, cultural events, artwork-paintings

The Chapel of Saint Peter was dedicated on September 6, 1917 by His Grace the Archbishop of Melbourne. The total sum necessary for the construction of the chapel was collected by the L.H.L.G and the chapel stands as a tribute to the honoured memory of the officers and men of the Mercantile Marine who lost their lives in the Great War. Note that the building was erected to commemorate fallen Mercantile Marines in the Great War before the war was concluded. This shows that the war and death toll thus far was significant enough at this point that it was having a serious impact on Australian society. Highly significant as the identifier of the raison d'etre for the chapel building and the massive fundraising effort made by the Ladies Harbour Lights Guild to fund the building prior to the end of the Great War.Large rectangular engraved brass plaqueMEMORIAL CHAPEL OF SAINT PETER / THIS CHAPEL WAS BUILT WITH FUNDS / COLLECTED BY THE LADIES HARBOUR LIGHTS GUILD/ TO THE GLORY OF GOD / AND TO THE COMMEMORATE THE/ BRAVE AND FAITHFUL MEN / OF THE MERCANTILE MARINE WHO/ GAVE THEIR LIVES IN THE/GREAT WAR / THEY ARE TOO NEAR TO BE GREAT / BUT OUR CHIDREN SHALL UNDERSTAND/ WHEN AND HOW OUR FATE/ WAS CHANGED AND BY WHOSE HAND/ ERECTED 1917 At the bottom manufacturer's name and address: P.J. King / 175 Collins Stmemorial, memorial chapel, wwi, first world war, great war, 1917, lhlg, merchant navy, mercantile marine, st peter chapel, walter richmond butler, p.j.king engraver

non-fictionBased on the author's own vivid experiences, The Cruel Sea is the nail-biting story of the crew of HMS Compass Rose, a corvette assigned to protect convoys in World War Two. Darting back and forth across the icy North Atlantic, Compass Rose played a deadly cat and mouse game with packs of German U-boats lying in wait beneath the ocean waves. Packed with tension and vivid descriptions of agonizing U-boat hunts, this tale of the most bitter and chilling campaign of the war tells of ordinary, heroic men who had to face a brutal menace which would strike without warning from the deep . . nicholas montsarrat, ww2, royal navy, battle of the atlantic, corvette, frigate

The flyer reads: The War is over! We are inviting all the seamen to come tonight to the Mission in Melbourne to take part to our big celebration. We will pick you up from your ship at 5.30pm and will take you to the Mission by train. In French: La Guerre est finie! Nous invitons tous les marins [de] à venir ce soir à la Mission à Melbourne [pour prendre part] pour participer à nos Grandes Réjouissances. On viendra vous chercher à 6 1/2 h du soir a bord, pour vous [conduire] accompagner à la Mission par train.This draft is a rare draft for a flyer and of historic significance as it was written on the calendar page dating 11th of November 1918.Draft for a flyer written on a calendar page dating from the 11 November 1918, advertising for the mission celebrating the end of the war. Some corrections in pencil are visible.La Guerre est finie! Nous invitons tous les marins [de] à venir ce soir à la Mission à Melbourne [pour prendre part] pour participer à nos Grandes Réjouissances. On viendra vous chercher à 6 1/2 h du soir a bord, pour vous [conduire] accompagner à la Mission par train.ww1, 1914-1918, first world war, great war, french, francais

The story of the Royal Air Force in the Middle East during World War II237p., hard cover, plates, end maps.royal air force, world war ii, middle east

Commemorates a visit to to Watsonia Primary school on 15th August 1995 by members of Watsonia RSL and members of the Army School of Music for a wreath laying ceremony.The ceremony was a part of the Australia Remembers celebrations commemorating the 50th Anniversary of the end of World War II.A black and white photocopy of a newspaper article featuring a large photograph of some ADF personel with school children.Some blue biro words at the bottom and the word "Watsonia" in pencil at the top right corner.watsonia rsl, watsonia primary school, army school of music, australia remembers

This souvenir issue of The Age (August 29 1995) commemorates the 50th anniversary of Peace in the Pacific in World War II.4 pages, colour images and black text.world war ii

Photograph of Straight Street Damascus.Digital copy of black and white photograph. "Damascus. The end of the street called Straight. The gate where St Paul escaped"charles marshall, world war 1

Craven "A" is a brand of cigarette that exhibits the English-style flavour of a Virginia-tobacco dominant blend, with that plant's attendant nutty sweetness. The cigarette was named after the third Earl of Craven in 1860. Craven A's were a favourite cigarette during World War II. The 'plain' version of the cigarette was unusual in that, there was at one end a cork tip in place of the paper. The Craven A brand is owned by Rothmans, Benson & Hedges Inc (RBH), which also owns or otherwise controls a wide variety of cigarette brands. It was sold by the Carreras Tobacco Company in the United Kingdom.. A tin with hinged lid for 'Craven A' CigarettesTop Lid : CORK 'cat figure' TIPPED / CRAVEN/ A / VIRGINIA / CIGARETTES / MADE IN LONDON ENGLAND/ TRADE MARK Inside lid - Made specially to prevent sore throats / CRAVEN 'A' / CORK TIPPED CIGARETTES / are made from the finest imported / matured Virginia and other choice / tobaccos guaranteed pure and / absolutely free from any adulteration / of any kind. / CARRERA'S LIMITED / (Est. 1788) / ARCADIA WORKS LONDON ENGLANDcigarettes, tobacco, morrabbin, cheltenham, bentleigh, early settlers, craven a, filter tipped cigarettes, cork tipped cigarettes, wd & h.o.wills pty. ltd., british american tobacco co.pty.ltd., craven a cigarettes, carrera’s tobacco company, rothmans pty ltd., , benson and hedges pty ltd.,

The Australian Government provided the medallion to commemorate the 60th Anniversary of the end of WW 2.The medallions were distributed to all surviving veterans, widows and widowers.Gold coloured round medallion.On the front - World War 11 60 years 1945-2005, map of Australia. On the Back - World War 11 Service to Australia, the Australian Coat of Arms.ww2, veterans, 60th anniversary medallion

RMS Orcades was a British built ocean liner that served on the UK-Australia route as a Royal Mail Ship from 1937-1939. Orcades was requisitioned by the British government as a troopship in 1939. It was torpedoed and sunk in October 1942 with the loss of 48 lives. The next Orcades was the first new purpose-built vessel to enter the Australian migrant trade after the Second World War and made over 55 voyages to Australia between 1948 and 1972.The significance of this painting is that it was presented as a commemoration of the 50th anniversary of the end of the second world war by the Scullin Australia Remembers Committee in 1995.Framed and signed print of ship "Orcades". Print measures 22 x 30 cm. Print is signed "Peter Jones '95".On back of frame "No.9 Orcades to Asia Peter Jones". orcades, world war ii, scullin australia remembers committee, prints, peter jones

This "ladies" pocket knife was used up to the late 1900's by influential and "well off" ladies, not only as a fashion statement but as a practical tool when away from the kitchen/home to peel fruit and provide a cutting instrument for small items. It was a method to show the growing independence of women to skillfully process food away from the home and kitchen. The use of such a small compact knife could also have been used by male cigar smokers (docking the end of the cigar)This "lady's "purse" knife was a demonstration of the growing independence of women in Australia and especially in rural areas up to the 1940's. The two World Wars provided the opportunity for women to take over what was traditionally "men's work". This evolution of women's equality in society brought changes to what the traditional role of rural women had been entrenched from first colonisation of Australia. The use of such a small compact knife could also have been used by male cigar smokers (docking the end of the cigar). This method of preparation of a good cigar would have been used by wealthy property owners or men of "class"This small one blade knife (lady's) has an "ivory" body containing one small blade. Horizontal lines in "off white" appearance run from one end to the other. One end has a "U" fitting(to provide an anchorage for a chain). This small knife could also have been used by male cigar smokers.ladies pocket knife, small knives, traveller's cutting implements

Used by Lt Col Murray Bourchier, Commanding Officer 4th Light Horse RegimentTwin bladed pocket knife. Steel construction with black plastic type material on handle. Poor condition, body pin separated at blade end and sides sprung apart. Handle covering chipped on one side. Owner's initials "MB" scratched on handle. gallipoli, 1915, world war 1, pocket knife, bourchier, 4lh, 4th light horse

Brass shell case, engraved with trench art.Engraved with ornate Egyptian symbols in 8 cm band around base end of case. 6 cm high AMF rising sun badge at open end, under which is - " TENTH A.L.H." and below that - "GALLIPOLI MAY-DEC 1915, ROMANI AUG 5 16, KATIA AUG 7 16, BIR EL ABD AUG 11 16, MAZAR SEP 12 16, EL ARISH DEC 18 16, MAGDHABA DEC 23 16, RAFA JAN 9 17, GAZA APR 19 17, BEERSHEBA NOV 1 17, JERUSALEM DEC 9 17." Also at open end - 10 cm wide stylised bird with wings spread. Markings on base: " 18 PR II, OTB 5997, EOC B 1917, 27, Defence broad arrow, CF, 11/16, 5/16 No 1, II, F7 BK/L"world war one, egypt, trench art, palestine, shell case, 10th light horse, ww

Distributor's blurb: " The First World War (1914-1918) was supposed to be 'the war to end all wars'. For the young, eager and patriotic men who enlisted in their thousands to fight for King and Country, it was to be a marvellous adventure - an opportunity to march to Glory with the battalions of 'pals' and 'chums'. Nothing could have prepared them for the nightmare that beckoned. This video explains what it meant to live and fight on the Western front, from the innocent patriotism of 'Kitchener's Army' to the war weary anger of the war poets. This is the story of the horror of life in the trenches. Powerful contemporary film footage and photgraphic images are revealed in this DVD, featuring the latest computer graphics and dramatised accounts of those who were there, with comment and analysis by Dr. David Chandler and a special appearance by Brian Blessed.DVD: 1-16x Speed 55 Minutes 4.7 GB Picture Format 4:3 Colour PAL 0 Disc Format DVD 5 Audio Content 2.0 Stereo9 325425 026123dvd, life in the trenches, ww1

Black painted steel cabin trunk.On maker's label inside lid: "GUARANTEED BEST COLD ROLLED CLOSE ANNEALED STEEL. MANUFACTURED AT WOLVERHAMPTON JAPANNING WORKS" Displays a Registered Trade Mark in form of a piece of cord in shape of a slip knot. In white stencil paint applied to end: "BOURCHIER MELBOURNE"world war 1, bourchier, 4th light horse, cabin trunk

Frank Hurley (1885-1962) was an Australian photographer and adventurer. He participated in trips to Antartica and was an official photographer with the Australian forces during both world wars. This book was first published in 1955.Photographs include the Hume Reservoir, Mt Buffalo and the Alpine High Country of Mt Kosciusko. (pages 140-144) All are associated with the type of country at each end of the Kiewa River. The Kiewa River flows into the Murray River just below the Hume Dam and Mt Buffalo and Mt Kosciusko are part of the Alpine High country near the Bogong High Plains. Clare Roper lived on a farm in the Kiewa Valley.Blue hard cover, bound book with the title in gold at the top. 208 pages. Mostly Black & white photos but some coloured.Inside back of first page - written 'Clare Roper'frank hurley photographer, australian photography, clare roper

Bill Sutton Collection Jacob Estey founded te Estey Organ Company Battleboro in the late 1800s. One of the largest manufacturers of reed organs in the world. The company closed in the 1960s. This organ possibly 1923Used by a resident of the Kiewa ValleyMade of white Oak this small organ has a lid on 2 hinges at the sides and has 2 steel clips, each side, to keep it closed. At each end is attached a leather handle to move the organ.Next to the right-hand side of the keyboard is a movable silver knob. It has 2 wooden pedals each with a piece of non-slip material 'glued?' on. Each pedal is attached to the keyboard area with a leather strap. See "Reed Organ Society" La Vernia Tx, USA"Estey Organ Co. Brattleboro Vt USA" on the lid. (Note: Vt = Vermont) "Allan and Co. Ltd / Melbourne / Sole agents for Victoria" on the lid.reed organ, music, estey organs

These type of gaiters were used by soldiers who would have been attached to the Light Horse Regiments. No other men other than soldiers in the Light Horse Regiments wore these gaiters as they were part of their uniform and added protection of their lower legs when riding their horses. All levels for AIF people wore these gaiter from Privates to Officers. There seems to be several types of gaiters which were lace ups or had straps over the outside of the gaiters or some were just done up with the buckles at the top. It is unknown it the ones we have would have had straps on the outside or if this was a choice of the wearer. Towards the end of WWI many of the light horse regiments combined with each other as their numbers became less and eventually with the advancement of military weapons the use of horses in war battles become less and were not needed in consequent world wars. These gaiters are historical significant to world war one and the light horse regiments especially the 4th and 13th Regiments. Men from the the Kiewa Valley went off to war and fought with the these regiments. Henry Higginson fought with both the 4th and 13th LHR in France. Sydney Stewart fought with the 4th LHR in France and was killed in France aged 20 years of age. A few of the young men that left from Tawonga in the Kiewa Valley went into the Light Horse Regiments as they were farmers that had experience with horse. Even though the AIF said they just did not automatically put country men into the LHR . Despite not having provenance of these gaiters the fact that men from Tawonga were in the light horse regiments, and only men from the LHR wore these gaiters it would be safe to say they would have been from some one in the local area that fought in WWI who owned these. Therefore they are representative of gaiters from the LHR and have excellent interpretive capacity as KVHS have a photo of Henry Higginson wearing his uniform which clearly shows his gaiters similar to these ones.One pair of brown leather gaiters with buckle at top. Seam at ankel. Left gaiter has strap missingmilitary, army, horse, gaiters

Typical early 1920's to late 1950's suitcases made in Australia using Australian and British manufactured clasps and locks. The majority of manufactured goods especially locks and other metal components were sourced from England. English manufacturers, who in that period, where still world leaders of most manufactured items.This period 1920- 1950 shows the historical shift of the balance between the more complex metal imported items, mainly manufactured in Britain and that of the relevant infant stage of the developing manufacturing industries in the Australian market. The rarity of this type of suitcase is of significancy This suitcase belonged and was used by the C.W.A. of Tawonga.Suitcase brown, possibly lacquered cardboard with leather chrome studded reinforced corners. Lid has two silver coloured(chrome) clasps each end with chrome lock in centre. "D" rings for missing handle secured to main frame by leather straps, these having metal chrome studs. Substitute handle made from string. Metal protective trim on lid and top edge of suitcase compartmentLock stamped "Made in England" and two end clasps stamped "Made in Australia"case, luggage, travel suitcase, country women's association

This item represents one of the most important spiritual references available to a settler in countryside Australia in the period 1800s to 1900s. This is the family bible and relates to the major religious beliefs of the early settlers who pioneered British/European colonial settlements. Although the first pages are missing the family name is written on the inside cover (J.A. Fleming). Most of these bibles (of this era) showed the family genealogical record of births, baptism and deaths, however this bible has the relevant pages missing. This bible would have provided the spiritual strength needed in bad times. Throughout this bible there are copies of specially commissioned lithographic engravings, each published between March 1812 to December 1813. These photographs were provided to visualise the theme of the each chapter.This item is significant because it shows that spiritualism of a small group (family in this case) is a vital part of the cohesive forces which holds a family(the basic subgroup of society) together, against all odds, and external pressures. It demonstrates that even in isolated or sparsely populated areas, the mores of a christian community is as strong as that of the cities. Mountains (Victorian Alps) have throughout the enlightened Ages been of extreme spiritual significance and this beholds those who live in this area.The families in the Kiewa Valley fall into the "isolated rural area" when this bible was first in use. This bible contains as its introduction,scripture history starting from 4004 BC "God created all things" to 2900 AD end of the World. There is a high degree of probability that this bible belonged to a member or members of the John Ambrose Flemming extended family who resided in the Kiewa Valley. J.A. Flemming (a famous English electrical engineer and physicist) invented the first diode in 1904). He and his family were devout Christians and he helped establish the Evolution Protest Movement.Leather bound bible. Leather in some areas is in tatters revealing the thick multi-layered cardboard backing. Front and back covers are held together by the thin leather binding. The lettering of the bible is large.Hand written inscriptions are in ink on the inside front cover, " J Tangam" at the top, "J A Fleming" underneath "Tangambalanga" and below that "1900". There are penciled dates "1937 1900" which have at one point in time been scribbled over in pencil. Although not marked on cover, the bible was known as "Brown's Bible" after the Author, the Rev. John Brown. Each of the major chapters is introduced by a copy of a lithographic print detailing the relevant religious picture and all are headed by "Brown's Superb Bible" and the date of the print. bible, rev. john brown, old and new testament, christianity

This item was manufactured in a period where the cheapest containers for portable equipment was canvas. The market place for cheap cameras was still restricted to European, England and its colonies. It was well before the post World War II explosion of the Asian manufacturing juggernaut.This item shows one of the most popular avenues of not only bringing new "modern" age equipment into the Kiewa Valley but also providing the local market with actual overseas inexpensive merchandise. It was a time when the new European fashion and "new age" equipment took years to permeate into regional Australia. The world, through Australia eyes, was still a very large planet and supply of "modern" lifestyle equipment emphasised the geographic isolation of Australia. Post World War II emigrants and an increasing flow of tourists to Australia provided the contact needed by rural settlements to open up not only their social contacts but lifestyle activities.Canvas, yellow, cream in color and with a weave pattern on the external side. It has stitched brown laminated fabric boarders containing all ends and corners. A flap opening top fastened on one side by a large press stud (15mm). A brown coloured leather carry strap (adjustable and 10mm wide) fasted at either of the longitudinal ends of the bag.camera, case photography, hobby, personal equipment

This item is a cheap Penny Whistle made in Thailand Circa 1955. The item was one of the first wave of imports from the growing Asian steel producers. This was an era where cheaper Asia based steel companies did not compete against the stronger, and well established Australian ones. This Penny Whistle was "roughly" made and possibly purchased by the Victorian Education Department for use in school bands and music classes. Schools within the Kiewa Valley would have used them to integrate students the fundamentals of reading music and playing basic musical scores. Later conversion from steel to plastics would have been more conducive to multiple users in a classroom environment (more hygienic and rust proof.This item shows how the "cheaper" invasion of all types of manufactured goods from the Asian regions have altered the purchasing patterns of rural Australians(the more traditional consumer). The cost imbalance of purchasing from "The Mother Country (England)" or European supply versus the Asian manufacturers was due to not only the financial pressures post World War II but also in the elimination of Tariff restrictions placed on non favoured suppliers.This tin Penny Whistle is made from rolled tin(steel), cylindrical in shape, with a wooden Fipple plug at the mouth end and six note holes starting half way down the front side evenly spaced and ending 35mm from the bottom. This whistle is in the key of D"G steel & Co. D"music, wind instruments, whistle, celtic music

These handsaws belonged to a Warrnambool furniture maker and dealer, Ernest Brighton Phillips (1875-1924). He learned cabinet making at the Warrnambool Box Works and established a furniture warehouse at the corner of Liebig and Koroit Streets in the late 1890s. By the early 20th century he had the largest furniture warehouse and factory in Victoria outside Melbourne and his furniture was sold all over Australia. He and his family lived at ‘Heatherlie’ in Koroit Street and today the site of this family home houses the retirement village complex known as ‘Heatherlie’. The makers of these saws was Robert Sorby of the Kangaroo Works in Sheffield, England. This business was established in 1928 and is one of the world’s premier manufacturers of specialist woodworking tools. These two tools are of some significance as they belonged to Ernest Phillips, a prominent businessman in Warrnambool at the end of the 19th and the beginning of the 20th centuries. These are also a good example of the type of tools used in the woodworking trade 100 years ago. These are two handsaws which belonged to Ernest Phillips. They have wooden handles attached to the blade by metal screws. One screw is missing on the larger saw. The blades are made of steel with serrated edges and they are inserted into a fold of steel along the top edge. The handles are well-worn and the blades are a little rusty. ‘Robt. Sorby Sheffield Cast Steel’ ‘E. Phillips’ ernest phillips, robert sorby, history of warrnambool