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Sunshine and District Historical Society Incorporated
WUNDERLICH TILE, Wunderlich Limited, Circa 1965
In the Sunshine Advocate of 21/03/1925 it is reported that Wunderlich Ltd decided to establish works in Sunshine for the manufacture of terra cotta and faience for the facing of city buildings. The product was intended to imitate granite, which would give a brighter appearance to concrete walls. A stone surface finish to the terra cotta could be achieved by applying a variety of colour combinations of glazes with a special 'spackle' gun. A building that is still standing and has the imitation granite finish terra cotta is the Nicholas Building at 21 - 47 Swanston Street, Melbourne. The Nicholas Building was designed by Harry Norris for Alfred Nicholas (Aspro fame), and was built during 1925 - 1926. The building is classified by the National Trust (B4079) and has the Victorian Heritage Register (H2119). During my employment in the factory from 1964 to 1969 the tiles were generally faced with single colour glazes. For some small jobs a light coloured mottled finish was achieved by spattering a white glaze over a cream coloured background or vice versa. There were no imitation granite jobs done, probably because of changing attitudes to the intended appearance of buildings. The green coloured tile in our collection is an unfinished (untrimmed) retain tile typical of the green coloured tiles that were made for the two stages of the Commonwealth Centre Building (colloquially known as the Green Latrine), that was once located on the corner of Spring and Victoria Streets in Melbourne. Similar coloured tiles were also used on some shop fronts. The Commonwealth Centre Building no longer exists, however the Century Building at 125 - 133 Swanston Street, Melbourne is covered with single coloured tiles (white). The Century Building was built in 1939, with the architect being Marcus Barlow. The Building is classified by the National Trust (B4045). Our tile along with several others were headed for dumping among the asbestos waste at the rear of the two Wunderlich factories (Circa 1968). With permission from the Factory Superintendent of the Terra Cotta factory they were saved and taken home. Several are still in use as pavers around a barbecue in Melton from where our tile was obtained. It should be noted that the Wunderlich Architectural Terra Cotta factory in Sunshine did not manufacture terra cotta roofing tiles, as reported in the Brimbank City Council Post-contact Heritage Study HO 073 former Wunderlich now West End Market. Wunderlich terra cotta roofing tiles were manufactured at their factory in Mitcham Road, Vermont. Document HO 073 contains at least 3 errors. Other References: (1). http://nla.gov.au/nla.news-article74726224. (2). Armstrong, J. 'Investigating the historic and current use, manufacture and conservation of architectural terra cotta and faience USA & UK'. This tile is an example of the type of facing that was applied to city buildings for over 40 years from the mid 1920's. As building techniques changed the need for this type of facing diminished, and so the factory was eventually sold and demolished. A free standing tall chimney stack which serviced two of the kilns was a significant feature of the North Sunshine skyline. A part of the history of Sunshine disappeared with the demolition of the factory and the chimney stack. Only the façade of the finishing section of the factory where tiles were trimmed and stored remains. Off-white/beige architectural terra cotta tile with green coloured vitreous glaze on the face of tile. The rear of tile is ribbed. wunderlich limited, terra cotta, architectural, commonwealth centre, spring street, sunshine, mcintyre, victoria street, faience, faence, imitation granite, nicholas building, century building -
Slovenian Association Melbourne
Moomba, Participating at Moomba Festival, March 1969 or 1970
... ) Markic in Slovenian national costume in front of the home... national costume in front of the home of Slovenian Association ...Slovenians Participating at Melbourne Moomba festival in 1969 or 1970Slovenians in Slovenian national costume, Moomba festival MelbourneColour photo of Anica (Anne) Markic and Alojz (Lojze ) Markic in Slovenian national costume in front of the home of Slovenian Association Melbourneo priort o participating in a dance at Moomba festival melbourneslovenians, slovenian association melbourne -
Wangaratta RSL Sub Branch
Folder, Evan Nolan, 1921
Tribute of honor from the Carboor Welcome Home Committee and surrounding district, to Mr and Mrs John Nolan in appreciation of the service rendered to the Empire by their son Pte Evan Nolan who made the supreme sacrifice.- dated 1st February 1921. Service number 3436 Pte Evan Nolan aged 21 years died of wounds on September 20th 1918 in hospital at Rouen France. He served with the 59th Battalion and is buried at St Sever Cemetery in Rouen. Black leather bound folder with gold coloured writing in centre front of border. Folder contains a tribute document and photograph of soldier.To Mr & Mrs John Nolan Carboor 1st February 1921.pte evan nolan, carboor, wwi, 59th battalion -
Wangaratta RSL Sub Branch
Embroidered Postcard, c. 1917
Postcard from WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion while posted in France to his family at home.Embroidered silk postcards were first made in 1900 for the Paris Exposition. The popularity of silk postcards peaked during the First World War 1914 - 1918.They were mostly embroidered by French women in their homes and then sent to the factories for cutting and mounting on cards. Many of the cards were illustrated with patriotic symbols, flags, slogans, or sentimental texts. During the First World War, many Allied officers and soldiers based in France sent silk embroidered postcards to their loved ones back homeWhite rectangular postcard with embroidered beige, brown and yellow flower and foliate decoration on front. Handwritten message on the back.Front: "From a loving heart" (embroidered) Back: "To my dear Alice / Best love from Will xxxxxx / xxxxxxxx"wwi, postcard, embroidered postcard, paris depose, fabrication francaise -
Wangaratta RSL Sub Branch
Embroidered Postcard, c. 1917
Postcard from WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion while posted in France to his family at home.Embroidered silk postcards were first made in 1900 for the Paris Exposition. The popularity of silk postcards peaked during the First World War 1914 - 1918.They were mostly embroidered by French women in their homes and then sent to the factories for cutting and mounting on cards. Many of the cards were illustrated with patriotic symbols, flags, slogans, or sentimental texts. During the First World War, many Allied officers and soldiers based in France sent silk embroidered postcards to their loved ones back homeWhite rectangular postcard with embroidered pink flower, green foliate and yellow rising sun decoration on front. Handwritten message on the back.Front: "To my dear Wife" (embroidered) Back: "Best love from your loving / H[usband] ??????? France ???? 1919 / ???? presents / money on ??? to not / so you keep ?????"wwi, postcard, embroidered postcard -
Wangaratta RSL Sub Branch
Embroidered Postcard, c. 1916
Postcard from WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion while posted in France to his family at home.Embroidered silk postcards were first made in 1900 for the Paris Exposition. The popularity of silk postcards peaked during the First World War 1914 - 1918.They were mostly embroidered by French women in their homes and then sent to the factories for cutting and mounting on cards. Many of the cards were illustrated with patriotic symbols, flags, slogans, or sentimental texts. During the First World War, many Allied officers and soldiers based in France sent silk embroidered postcards to their loved ones back homeWhite rectangular postcard with embroidered pink, purple flowers green foliate decoration on front. Handwritten message on the back.Front: "To my dear Daughter" (embroidered) Back: "France / 23/1/1916 / To Dear Little Enid / From Daddy Dear / Best Love / xxxxxxxxxxxxxxxx"wwi, postcard, embroidered postcard -
Wangaratta RSL Sub Branch
Embroidered Postcard, c. 1917
Postcard from WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion while posted in France to his family at home.Embroidered silk postcards were first made in 1900 for the Paris Exposition. The popularity of silk postcards peaked during the First World War 1914 - 1918.They were mostly embroidered by French women in their homes and then sent to the factories for cutting and mounting on cards. Many of the cards were illustrated with patriotic symbols, flags, slogans, or sentimental texts. During the First World War, many Allied officers and soldiers based in France sent silk embroidered postcards to their loved ones back homeWhite rectangular postcard with embroidered flowers and green foliate decoration on front. Handwritten message on the back.Front: "I THINK OF YOU" (embroidered) Back: "Write Soon / O[ct]? / To Enid / From [Dad] / Best [lo]ve / xxxxx" wwi, postcard, embroidered postcard, carte postale -
Wangaratta RSL Sub Branch
Embroidered Card, c. 1918
Embroidered post card made in France which reads to... W West from Worthy. Embroidered silk postcards became a booming industry during the First World War that was largely driven by women. Many French women embroidered strips of silk in their homes before sending them to a factory to be mounted on card by a largely female production line. Designs endorsing patriotism and unity were popular amongst Allied troops.White rectangular bi-fold card with window mounted embroidery of the colours and flags of different countries in the shape of 1918. Inside is glossy paper with decorative flowers and printed and handwritten messages. Bound with yellow ribbon.Front: "1918 / souvenir from France" (embroidered) "Merry Christmas" (printed) wwi, postcard, embroidered postcard -
Wangaratta RSL Sub Branch
Embroidered Postcard, c. 1917
Postcard from WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion while posted in France to his family at home.Embroidered silk postcards were first made in 1900 for the Paris Exposition. The popularity of silk postcards peaked during the First World War 1914 - 1918.They were mostly embroidered by French women in their homes and then sent to the factories for cutting and mounting on cards. Many of the cards were illustrated with patriotic symbols, flags, slogans, or sentimental texts. During the First World War, many Allied officers and soldiers based in France sent silk embroidered postcards to their loved ones back homeWhite rectangular postcard with embroidered butterfly representing the flags and colours of different countries. Front: "FROM YOUR SOLDIER BOY" (embroidered) wwi, postcard, embroidered postcard, carte postale -
Wangaratta RSL Sub Branch
Embroidered Postcard, c. 1917
Postcard from WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion while posted in France to his family at home.Embroidered silk postcards were first made in 1900 for the Paris Exposition. The popularity of silk postcards peaked during the First World War 1914 - 1918.They were mostly embroidered by French women in their homes and then sent to the factories for cutting and mounting on cards. Many of the cards were illustrated with patriotic symbols, flags, slogans, or sentimental texts. During the First World War, many Allied officers and soldiers based in France sent silk embroidered postcards to their loved ones back homeWhite rectangular postcard (portrait orientation) with embroidered cross representing flags and colours of different countries. Flower and foliate decoration beneath. Handwritten message on backFront: "THE CROSS OF THE ALLIES" (embroidered) Back: "to Enid from Dad / best love little girlie xxxxxx"wwi, postcard, embroidered postcard, carte postale -
Wangaratta RSL Sub Branch
Embroidered Postcard, c. 1917
Postcard from WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion while posted in France to his family at home.Embroidered silk postcards were first made in 1900 for the Paris Exposition. The popularity of silk postcards peaked during the First World War 1914 - 1918.They were mostly embroidered by French women in their homes and then sent to the factories for cutting and mounting on cards. Many of the cards were illustrated with patriotic symbols, flags, slogans, or sentimental texts. During the First World War, many Allied officers and soldiers based in France sent silk embroidered postcards to their loved ones back homeWhite rectangular postcard with embroidered numbers representing flags and colours of different countries. Front: "1914 / 1915 / 1916 / 1917" "Souvenir from France" (embroidered)wwi, postcard, embroidered postcard, carte postale -
Wangaratta RSL Sub Branch
Embroidered Postcard, c. 1917
Postcard from WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion while posted in France to his family at home.Embroidered silk postcards were first made in 1900 for the Paris Exposition. The popularity of silk postcards peaked during the First World War 1914 - 1918.They were mostly embroidered by French women in their homes and then sent to the factories for cutting and mounting on cards. Many of the cards were illustrated with patriotic symbols, flags, slogans, or sentimental texts. During the First World War, many Allied officers and soldiers based in France sent silk embroidered postcards to their loved ones back homeWhite rectangular postcard with embroidered yellow, orange, red, white rising sun badge, green banner and english maritime flags.Front: "AUSTRALIAN COMMONWEALTH" "Australian Commonwealth Military Forces" (embroidered) Back: "To Alice best of love from loving husband Will xxxxxxx write soon"wwi, postcard, embroidered postcard, carte postale -
Wangaratta RSL Sub Branch
Embroidered Postcard, c. 1916
Postcard from WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion while posted in France to his family at home.Embroidered silk postcards were first made in 1900 for the Paris Exposition. The popularity of silk postcards peaked during the First World War 1914 - 1918.They were mostly embroidered by French women in their homes and then sent to the factories for cutting and mounting on cards. Many of the cards were illustrated with patriotic symbols, flags, slogans, or sentimental texts. During the First World War, many Allied officers and soldiers based in France sent silk embroidered postcards to their loved ones back homeWhite rectangular postcard with embroidered flags. Handwritten message on back.Front: "Victory / and / Liberty" (embroidered) Back: "To Alice from Will / Best love / hope you are all well as it leave me at present / xxxxxx"wwi, postcard, embroidered postcard, carte postale -
Wangaratta RSL Sub Branch
Embroidered Postcard, c. 1916
Postcard from WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion while posted in France to his family at home.Embroidered silk postcards were first made in 1900 for the Paris Exposition. The popularity of silk postcards peaked during the First World War 1914 - 1918.They were mostly embroidered by French women in their homes and then sent to the factories for cutting and mounting on cards. Many of the cards were illustrated with patriotic symbols, flags, slogans, or sentimental texts. During the First World War, many Allied officers and soldiers based in France sent silk embroidered postcards to their loved ones back homeWhite rectangular postcard with embroidered scene depicting two brown sail boats and vase of pink flowers. Handwritten message on back.Front: "To my Wife" (embroidered) Back: "My dear Alice just a PC to let you know I'm still well I heard Joe is in Hospital with a sore throught I have not heard from you latly this is all at present all well and hope you are all the same / best love Will xxxxx"wwi, postcard, embroidered postcard, carte postale -
Wangaratta RSL Sub Branch
Postcard, 1917
From the album of WWI soldier William West (1268) of the 29 Infantry Battalion, 5th Pioneers Battalion. This postcard, addressed to soldier William West, was written by his wife on behalf of their young daughter. The final line reads, 'When are you coming home Daddy dear?' This collection of postcards, photographs and clippings were sent between William and his family and loved ones during the years he was on active service. See also 207 and 220. Cheaper and more efficient than traditional letters, postcards were an enormously popular means of communication between families and those at the front. Postcard with white background and cut out of a green gum leaf"wishing you a speedy and safe return" "A gum leaf from Australia"album, photo album, newspaper clippings, postcard, wwi, remembrance, gum leaf, gumleaf, australia -
Wangaratta RSL Sub Branch
Diary, John William ELLIS
Personal diary of John William ELLIS Born: Rupanyup. Home Town: Nyarrin Occupation: Farmer Private 5334 Enlisted 1915 aged 37 24th Battalion Fought on the Western Front. Wounded on 9/10/1917 at Ypres - gunshot wound to right leg and returned to Australia 16/4/1918. Diary entry ......"Oct 9 was in the charge this morning and got wounded ankle and arm".....Diary contains principal events written in pencil between leaving Australia on the 10th April 1916 and arriving back in Melbourne on the 16th April, 1918.Thin brown leather book with attached holder for pencil.private john william ellis, 24th battalion, ww1, diary -
Wangaratta RSL Sub Branch
Papers - assorted personal, John William ELLIS
Assorted personal papers, cards and letter belonging to Private John William ELLIS 218,5334 24th Battalion and Australia Flying Corps. Born Rupanyup. Occ Farmer at Nyarrin. Served Gallipoli and Western Front. Returned to Australia 15/2/1918YMCA Aldwych Hut x 2 No 46137 and 46200 Bed only YMCA In the Field notepaper dated Jan 7 1918 handwritten letter in pencil Receipt dated Mar 29 1919 for Australian piano and stool. Four page letter written in pencil dated July 10th France from brother Bob Statement of Account for AIF pay and allowances Pte J W Ellis Card - cream coloured - From the Majoress of Exeter and Committee Wishing you good luck Card - cream coloured stamped in red Massage Dept. Daily Appointment with handwriting in pen Card x 2 one pink one orange Welcome Home - Returned Soldier's Hospitality Committee, FremantleAs abovejohn william ellis, 24th battalion, ww1, personal papers -
Wangaratta RSL Sub Branch
Postcards and photographs
Postcards dated 1917 sent to Private J W ELLIS 5334 during WW1. Born: Rupanyup. Home Town: Nyarrin Occupation: Farmer Enlisted 1915 aged 37 24th Battalion Fought on the Western Front. Wounded and returned to Australia 16/4/1918. Buried at Wangaratta Cemetery Ten postcards - five coloured postcards and five black and white postcards Three photographs of soldiers, one seated, one standing and one on horseback. One photograph of female. Four envelopes Twenty-five photographsPhotograph of female has handwritten inscription on front - Yours Sincerely Theresa 7-8-1916 Two envelopes address to J W ELLIS and one to Miss Jean Heap 21/25 photographs have handwritten inscriptions on rear and dated between 1915-1917j.w. ellis, 24th battalion, ww1 -
Anglesea and District Historical Society
Ration Coupons, H.E. Daw, Government Printer, 1947 to 1948
... Flinders Lane, Melbourne. ww2 home fronts ration coupons rationing ...Ration cards owned by Edith D Anderson, 12 Wilson St, Moonee Ponds. 807/1 1948 Clothing Ration Card. Rg D1 - printed in red - coupons numbering 1 to 56 (B587395) 807/2 1947 Clothing Ration Card. Rg D1 - printed in black - coupons numbering from 33-38, 41-46, 49-54. Also has A - 1947, B1947, D1947, F1947 (B418440) 807/3 1947 Clothing Ration Card. Douglas Anderson, 12 Wilson St., Moonee Ponds. Nos 12 to 56 (B418442)Commonwealth of Australia. Described above - front. Back: If this rationing card is found it must be returned at once to THE DEPUTY DIRECTOR OF RATIONING, Cavendish House, 159 Flinders Lane, Melbourne.ww2, home fronts, ration coupons, rationing -
Robin Boyd Foundation
Painting, Asher Bilu, Solstar, 1968
Robin Boyd most likely saw Solstar at Asher Bilu's exhibition at South Yarra Gallery in September 1968. In November 1968, Robin Boyd arranged for the loan of this painting from South Yarra Gallery to Australian Pavilion at Expo '70 in Osaka, where Boyd was appointed Exhibit Architect. It hung in the bedroom over a bed, containing a life-size cut-out figure by Bruce Petty, in the Model House Interior exhibit on modern living in the Space Tube. On its return from Expo, the painting was in transit at the Boyd's home in Walsh Street and they liked it so much that they decided to buy it. Solstar originally hung on the wall at the end of the galley kitchen. The artwork at the Boyd's home in Walsh St has been moved several times over the years. Solstar now hangs above the dining table, but at the time of Solstar's acquisition, the Boyds hung the painting "Winter Triumphant" (1920) by Penleigh Boyd, Robin Boyd’s father, above the dining table. In early 2021, Asher and Luba Bilu visited Walsh St to view Solstar again. Asher was extremely happy with how the painting looked and its condition 53 years after painting it. He requested it be hung a little higher and he returned in April to make some minor restorations to remove scratches. Silver mixed media with large black circular area in the central lower half. On reverse has the title: Solstar/A. Bilu/Arrow showing which way up. Unsigned on the front.asher bilu, penleigh boyd, expo 70, osaka, robin boyd, south yarra gallery, walsh st artwork, ohm2022, ohm2022_13 -
Robin Boyd Foundation
Functional object - Appliance, "Semak" Vitamiser
The Boyds brought this vitamiser from their Camberwell home. Mandie Boyd, Robin and Patricia's eldest daughter, has very vivid memories of this gadget. "It made everything from milkshakes for us to mayonnaise, stuffing for chicken, soups, but especially I remember Robin in the kitchen using it to make daiquiris, endless ice, rum and lemon juice crushed and blended in the good old Vitamiser. He was wearing an amazing pale grey suit. American fabric beautifully cut, must have been synthetic, and had flecks of a darker grey through it, sounds hideous and was “of the time”. His American cotton business shirts were also beautifully tailored, with loads of room to move your arms unlike the daggy Aussie shirts." "Semak" Vitamiser, with a white plastic base, with 'on/off' switch at front of base. 4 black holders. Glass jug with black plastic lid. Black power cord. 3 black rubber stoppers at base.SN 7-81. 50 CYCLE 240v 120Wcookware, walsh st appliances, robin boyd -
RMIT Design Archives
Textile pieces
Michael O’Connell (1898-1976) arrived in Melbourne in 1920 with no professional training apart from that of a soldier on the Western Front. During the 1920s however he discovered a talent for design and, returning from a visit home to England via France and Italy in 1929, focussed on textile design with his wife Ella. This fragment of a wall hanging shows clear indebtedness to the School of Paris, Matisse in particular, and other designs from the early 1930s indicate that O’Connell was familiar with the work of Raoul Dufy who had created some successful and popular fabric designs for Paul Poiret.Textile piece featuring women and geometric patterntextile design, rmit design archives, mid-century modern -
Robin Boyd Foundation
Book, Barbara Leonie Picard, The Odyssey of Homer, 1960
Hardcover w/ Dust Jacket"Penleigh Boyd" inside front cover. Awarded as a prize from Melbourne Grammar School in 1961 for "Project and Neatness"walsh st library -
Robin Boyd Foundation
Book, Robin Boyd, Australia's Home, 1968
Australia's Home' was first published in 1952. In this book, Boyd crystallised his ideas on what he saw as the historical development of the everyday suburban home. Accompanying the text was a series of drawings of houses by Boyd that documented his ‘Major Steps of Stylism’.SoftcoverBoyd on inside front cover, list of Australian Architecture firms penciled on the last pageaustralian architecture, australian history, walsh st library -
Robin Boyd Foundation
Book, Jill Ker Conway, The Road from Coorain: Recollections of a harsh and beautiful journey into adulthood, 1989
Hardcover w/Dust JacketBlue ballpoint handwritten inscription, first page: 'Patricia and John, / To keep home in your minds - / Much love, / Mary / September 1989' Printed cardboard flyer c. DL size with full colour print on one side and black and white printed text on the back. Flyer for Sotheby's 'Fine Australian Paintings' viewing held in Melbourne 26th November 1990. Printed adhesive mailing label affixed addressed to 'Mr John Davies / 290 Walsh Street / SOUTH YARRA / VIC / 3141'. Full colour image of painting on front: William Blamire Young, "The Prima Donna Awaits Her Cue", 81.5 x 41cm, Estimate $36,000|40,000australian biography, australian women, jill conway, smith college, australian history, walsh st library -
Robin Boyd Foundation
Book, Robin Boyd, The Australian Ugliness, 1960
“The Australian Ugliness” was first published in 1960. “Australia's Home” (published in 1952) and “The Australian Ugliness” both discuss architecture in terms of the total environment. Today they are regarded as classics, important documents of Australian cultural criticism by the nation’s foremost public intellectual on all matters relating to the built environment.Hardcover, no dust jacket. Rebound copy from the State Library of Victoria.Catalogue card slipped between pages. Catalogue number 203794. Inside front cover, pasted "NOTICE TO BORROWERS" from the State Lending Library of Victoria. Due date stamp page insideaustralian architecture, australian society, australian culture, home, suburbs, robin boyd, walsh st library -
8th/13th Victorian Mounted Rifles Regimental Collection
Functional object - German gas mask, 1916 circa
German gas mask brought back from Western Front as a souvenir by a member of 13th Battery AFA (Albury Battery) and included in a collection of memorabilia donated to the 8/13th VMR as the local citizen soldier force.Representative of a souvenir of the Great War brought home by a soldier from the Albury area. It is complete and in very good condition.Cylindrical metal canister with hinged lid and light fabric carry strap containing Gas Mask type GM15. Inside hinged lid are printed instructions for use of mask.gas, albury battery, german -
8th/13th Victorian Mounted Rifles Regimental Collection
Headwear - Helmet - AIF, WWI, circa 1916
Regimental 543 Trooper Geoff Gilbert of Northcote Victoria enlisted in the 13th Light Horse Regiment AIF aged 21. He served at Gallipoli and Egypt before the regiment moved to the Western Front in March 1916 as Corps cavalry. Steel helmets and gas masks became regular equipment as the regiment engaged in all the major actions involving the Australians. Gilbert brought his helmet home after the war as a souvenir.Rare souvenir of headwear worn by an Australian light horseman of World War 1 (1914-18). Steel helmet worn on the Western Front by Lance Corporal Geoff Gilbert 13th Australian Light Horse during World War 1 (1914-1918).helmet, 13th light horse, wwi, world war one, the great war, first world war, gallipoli, australian imperial forces, aif -
Vision Australia
Photograph - Image, Serving tea at Kelaston
... A woman smiles as she places a cup of tea in front... places a cup of tea in front of a nursing home resident ...A woman smiles as she places a cup of tea in front of a nursing home resident at the Association for the Blind's Ballarat home.1 B/W photograph of resident and staff at Kelaston Nursing Homeassociation for the blind, kelaston home (ballarat) -
Vision Australia
Image, 1984
Mr Keith Stratton, Mr Stekelenburg and Mrs Hamill awaiting transportation for the day centre. To assist people in accessing service, volunteer drivers were used to facilitate transport to and from Kelaston. They were provided with a sticker for their front window to advise other people of this service when they were collecting people from their homes.1 x col. photographs1984association for the blind, kelaston home (ballarat)