In 1961 when the Charter was issued Barbara Brown was the Victorian Chief Ray, Dorothy Wood the State Supt. and John W Goodluck the Chief Director. The Methodist Girls' Comradeship was formed in 1918 with the first Branch being in Bondi, NSW. There were three sections: Junior Rays, 8 - 11 years; Senior Rays, 11 - 15 years and Comrades, 15 years and over. The aims of the MGC was to "challenge young people with the saving power of Jesus Christ and provide avenues of christian service" and "to provide for the spiritual, social, physical and educational welfare of the members". The MGC's motto was "The Utmost for the Highest".Cream coloured Charter with blue and gold print and handwritten informatiion.."Fawkner No. 337 Red Tulip" "Barbara Brown State Chief Ray" "Dorothy Wood State Supt" "John W Goodluck Chief Director"methodist girls' comradeship, methodist girls' comradeship rays' section, methodist church of australasia, youth groups, barbara brown state chief ray, dorothy wood state supt., john w goodluck chief director

The Methodist Girls' Comradeship was formed in 1918 with the first Branch being in Bondi, NSW. There were three sections: Junior Rays, 8 - 11 years; Senior Rays, 11 - 15 years and Comrades, 15 years and over. The aims of the MGC was to "challenge young people with the saving power of Jesus Christ and provide avenues of christian service" and "to provide for the spiritual, social, physical and educational welfare of the members". The MGC's motto was "The Utmost for the Highest".Six cream coloured charters with blue and gold print and handwritten information. E3094.19.1 Fawkner No 337; E3094.19.2 Snow Myrtle No 369; E3094.19.3 Traveller's Joy No 292; E3094.19.4 Box Hill No 391; E3094.19.5 Ivy Leaf No 396 and E3094.19.6 West Newport No 325.E3094.19.1 "Fawkner No. 337 Red Tulip 3-5-61 Barbara Brown State Chief Ray Dorothy Waod John W Goodluck" "E3094.19.2 ""SNOW MYRTLE" BRANCH NO 369 12th march 63 S.P.Arhur S.C.R. Margaret Nevitt John W Goodluck" E3094.19.3 "Traveller's Joy Branch No 292 6th May 58 J Green" E3094.19.4 "Box Hill no.391 "Sunflower" 26th March 65 Norma E Pearce STATE CHIEF RAY Beverley J. Lowe" E3094.19.5 "Ivy Leaf Branch No. 396 26-4-65 Beverley J. Lowe Bruce Rollins" E3094.19.6 "Chrysantemum Rays' Branch Wes Newport No.325 24-5-60 Barbara Brown State Chief Ray Dorothy Wood Graeme W Speedy"methodist girls' comradeship, methodist girls' comradeship rays' section, charters, methodist church of australasia, youth groups, barbara brown state chief ray, graeme w speedy chief director, beverley j lowe state supt., bruce rollins chief director, ivy leaf branch no 396, chrysanthemum west newport no 325, norma e pearce state chief ray, sunflower box hill no 391, traveller's joy no 292, j green state supt., snow myrtle no 369, s p arthur state chief ray, margaret nevitt state supt., john w goodluck chief director, dorothy wood state supt., red tulip fawkner no 337

Portrait plaque of a bare headed profile bust of John Wesley left, made of bronze gilt and mounted on dark brown wood. The plaque has paper on the back on which text is printed including manufacturer's details for re-ordering. On front: "SEAL OF THE METHODIST CONFERENCE" On back: " SEAL OF THE METHODIST CONFERENCE/ THE REVD. JOHN WESLEY NAT 1709, OB. 1791/WHAT HATH GOD WROUGHT, rev. printed label in twenty lines, TO THE METHODIST CONNECTION AT LARGE/ THE WANT OF A NEW METHODIST CHAPEL IN BIRMINGHAM/ CORRESPONDENT TO THE SIZE AND RESPECTABILITY OF THE TOWN, HAS LONG BEEN FELT BY THE FRIENDS OF METHODISM, A CONSIDERABLE NUMBER OF WHOM CANNOT BE ACCOMODATED IN THE CENTRAL CHAPEL. SUBSCRIPTIONS FOR THE ERECTION OF A COMMODIOUS PLACE OF WORSHIP HAVE ALREADY COMMENCED AND THE PROFIT ARISING FROM THE SALE OF THEIS INTERESTING PIECE WILL BE SACREDLY APPROPRIATE TO THE SAME PURPOSE. THE PURCHASERS OF THESE MEDALS WIL BE MANIFESTING THEIR LIBERALITY AT THE SAME TIME AS THE PIECE ITSELF WILL OPERATE AS A MOMENTO OF OUR OBLIGATION TO THE LASBOURS AND LEARNING OF THAT APOSTOLIC MAN TO WHOM WE ARE INDEBTED FOR OUR RICHEST BLESSINGS. IT WILL ALSO REMIND US THAT WE ARE ONE BODY THROUGHOUT THE WORLD. AND WITH THESE ENLARGED VIEWS NO UNDERTAKING CAN BE TOO GREAT FOR US TO ACCOMPLISH AND SURELY THEN NO FRIEND OF METHODISM WILL BE WITHOUT ONE OF THESE IMPRESSIONS IN HIS POSSESSION. THE FRIENDS IN EVERY CIRCUIT MAY BE SUPPLIED BY APPLYING TO JAMES HEELEY MANUFACTURER OF FINE STEEL TOYS, GREAT CHARLES STREET BIRMINGHAM. JANY. 1ST 1820 ENGRAVED AND PRINTED BY R. PEART, 38 BULL STREET BIRMINGHAM."rev john wesley, rev james watkin

Winners: Baptist Premiers and Champions 1974; Salvation Army 1975; Salvation Army Reserve 1976; St John's Green Premiers 1977; Presbyterian Premiers 1978; St John's Presbyterian Premiers 1979; Uniting Premiers 1980; Uniting Gold 1981; Salvation Army Gold Premiers 1982; Uniting Green Premiers 1983; O.L.H.C. Red Premiers 1984; Uniting Green Premiers 1985; Salvation Army Premiers 1986; O.L.H.C. (Navy) Premiers 1987; Uniting Blue Premiers 1988.Varnished rectangular wooden award shield with a large central metal shield surrounded by fifteen smaller silver coloured metal shields which are attached to the wood with small nails and screws."W.I.C.N.A. NETBALL LORIMER SHIELD U/12. DIV 2.""warrnambool inter church netball association, lorimer shield

Commissioned by the Friends of Wombat Hill Botanical Gardens and gifted to the Hepburn Shire in 2012. Historical Significance - In 1848, Irish immigrant John Egan took up land on the future town site then known as Wombat Flat. He and a party of searchers found alluvial gold in 1851 on ground now covered by Lake Daylesford initiating the local gold rush. Other finds quickly followed. With the finding of alluvial gold a town site was surveyed and founded in 1852. Initially called Wombat, it was renamed Daylesford. Cultural and Artistic Significance - Miriam Porter's 'Wombat' is a symbol of the Wombat Hill Botanical Gardens where visitors and locals alike love being photographed. Large scale solid redgum wombat sculpture.Artist intends to sign the work with 'M' on one leg.daylesford, hepburn shire, public art, miriam porter, wombat, art, sculpture, red gum, australian wood, australia, tourist attraction

The two Thonet black bar stools were purchased by Patricia and John Davies at the same time as the new black Thonet dining chairs, to replace the worn blond wood Thonet dining chairs that Patricia and Robin owned. (The wicker seats have been repaired more recently.)Set of two bar stools with black legs and circular seat covered in wicker.walsh st furnishings, robin boyd

Robin and Patricia Boyd had blond wood Thonet dining chairs in their Camberwell home and Walsh Street home. These were replaced with nine black Thonet dining chairs (one a carver with arms) by Patricia and John Davies - they also purchased two bar stools at the same time. The set of nine dining chairs are currently stored offsite. The current chairs (no carvers) at 290 Walsh St were arranged by Rowlands Catering circa 2009.Set of black frame Thonet chairs, wicker seat chairs and a single carver with arms.Thonetwalsh st furnishings, robin boyd

Robin and Patricia Boyd had blond wood Thonet dining chairs in their Camberwell home and Walsh St home. These were replaced with nine black Thonet dining chairs (one a carver with arms) by Patricia and John Davies - they also purchased two bar stools at the same time. The set of nine dining chairs are currently stored offsite. The current chairs (no carvers) at 290 Walsh St were arranged by Rowlands Catering circa 2009.Set of black frame, wicker seatsThonetwalsh st furnishings, robin boyd

SoftcoverCity planning -- History, Urbanism, Urban ecologywalsh st library

Reproduction unglazed ceramic bust.Engraved on back: "The Rev John Wesley M.A. Fellow of Lincoln College Oxford and founder of Methodism. He sat for this bust to Mr Enoch Wood, Sculptor Burslem 1781 and died in 1791 aged 88 years". "Is not this a brand plucked out of the fire".john wesley, methodism, lincoln college oxford

Book: "Where The Twain Meet" by Mary Gaunt, 1922, publisher John Murray Albermarle Street, W.1, LondonThe book "Where the Twain Meet" is written by Mary Gaunt, a member of the prominent Gaunt Family who were active in the Indigo Shire during the nineteenth century. Her writing depicts in great detail the social structure and the ongoing changes that faced the people of Jamaica before and after British colonial rule. It is a historic perspective of Jamaica's reckoning with the slave trade. A hardcover book bound in navy blue fabric with gilt embosses titles and decals. Image one: WHERE/ THE TWAIN/ MEET/ _ MARY GAUNT/ JOHN MURRAY Image three: Sister Bessie Smythe/ Dear Bushwanderer/ With love from/ aunt Prue/ Gb. Wood/ Jan. 16 1923/ Image four: (embossed) WITH Mr MURRAY'S COMPLIMENTS/ WHERE THE TWAIN MEET/ BY MARY GAUNT/ Author of "Alone in West Africa,""A Woman in China,"/ "A Broken Journey,""The Uncounted Cost," etc./ LONDON/ JOHN MURRAY, ALBEMARLE STREET, W.1/ 1922/mary eliza gaunt

7126-1: Lelie Bennett, Mayoress Anne gardiner. 7126-1A: Betty rouch, Jen Coote. 7126-1B: John & Mrs Grey. 7126-1C: Sandra Horne, Jeane Skurrie. 7126-1D: June Radford, Jeanne Skurrie. 7126-1E: Shane Wegener, COral Eagles, Tracy Wegener, 7126-1F: Rae Smith,. 7126-1G: Sandra Horne & Daughter, Jen Radford (Back). 7126-1H: Shane wegener, Gail Wood (Libraian) 7126-1I: Don Gardiner, Elenor Musumeci. 7126-1J Beryle Cox, Rae Smith looking at the Slorach Family Tree. 7126-1K: Beryl Cox, Doug Hately (President), Rae Smith.43 Colour Photographs. Showing various peole at the 10 year celebrations.biarri

Image depicting the Sydney Wool Exchange. The donor's father (Wilhelm Eckles) had this picture on his office wall over his 43 year career in the wool industry. The image was possibly won at an event such as a Wool Ball but exact details have been forgotten.Artwork drawn on paper with wood and gold frame. Artwork depicts the Sydney Wool Exchange in the Background with trees on either side in the foreground and low vegetation bellow.Signed, bottom right corner: John Van Vliet Rear, lettering: This Picture Belongs to W.M. Eckels 17 Bushlands Ave Gordonsydney wool exchange

Home in Seaby Street no.1 next to railway line. Built by Luke Kinsella about c 1870. Photo taken March 1992 about time of sale. A series of nine coloured photos in Album 8. p 37-42 of the Seaby house and interior. Photos in album 8 show 3 different views of the side of the building. One of the wood paneling in the entrance hall. Also 3 photos of the mantlepieces and cast iron grates in the fireplace. Luke Kinsella, brother to Thomas Kinsella's (part owner of Magdala cum Moonlight mine). Thomas was the eldest of the boys then Luke and John Kinsella the youngest. Home in Seaby Street no.1 next to railway line. Built by Luke Kinsella about c 1870. Colour photograph. Series of 9 photos in Album 8. p37-42.stawell dwellings

Colour Photograph: Brick Home with Tile roof, Wood and wire Fence in front.On Reverse: 25 Seaby Streetseaby street, john m bennett

Official Prep grade reader for Victorian schools from 1951 to mid 60s. Teaching reading in Victorian Prep grades was based on the John & Betty book & associated flash cards.Significant to every Victorian child educated in the 1950s & 1960s.School reader for Prep Grades, used in Victorian State schools from 1951 to the mid 60's . Orange cardboard cover & coloured illustrations'Michael Woods'john, betty, education, victorian readers, fluff, scottie, john & betty, first reader, schoolbook 1960s

Originating from Scotland pre-1950, this wool winder is ornately decorated featuring a male figure at its peak and a cherub at its base. Wool Winders are practical objects typically with minimal decoration; however, Wool Winders with ornate design features do exist. Scrimshaw (whale ivory) was a popular choice of material in the 18th and 19th century. It is smooth, preventing yarn from getting caught when unwinding, as well as having artistic beauty. Wool winders require a heavy base, as to not topple over when in use. It is popular to decorate these bases on more elaborate winders, such as shown in this example. The bows featured to tie the wood segments together is another feature of more elaborate models of wool winders, also highlighted in this example. This winder began life in the possession of Annie Crawford. The Crawford name has a strong connection with the town of Paisley, Scotland, and its Woollen Mills. The Crawford name can be seen working at the Woollen Mills in the 1851 Scotland Census, with Robert and his brother’s James and John working as Wool dyers. Their father Alexander also worked as a Loom Weaver. The winder immigrated with Annie when she, her husband and 3 children travelled to Australia, ready to start a new life. Most of their possessions were left behind in Scotland. This winder accompanied the family on their journey; so it stands to reason that the winder was special to them. Annie Crawford passed the winder onto her eldest daughter Joan Crawford. Joan did not have any children and so she passed the winder onto the eldest female grandchild, Fiona Crawford. Fiona Crawford continued the connection of the Crawford name with textiles, with an exhibition titled "When you go looking for me, I am not there". Utilising medieval embroidery tradition of ‘Punto Assisi, the exhibition was a reflection on the lack of women recorded in history, particularly their contribution to the domestic arts. Her work investigates both the absence of women while also honouring the unknown female makers of this now highly desired art. The Wool Winder was donated to the National Wool Museum in 2021 by Dianne Crawford, the sister of Fiona Crawford. Umbrella swift style wool winder made of metal, wood, and ribbon. Decorated at its highest point with a sculpted man standing on one leg, holding what is perhaps a rolled newspaper as though he may be bidding at an auction. Or perhaps he is holding a hank of wool. The man stands upon a three-tier platform of decreasing size and design which leads to the central metal shaft. At the base, the winder is decorated with an engraved cherub. Both figures have a small hole in one of their hands, indicating that they originally held something. Unfortunately, it is not known what this is. From the central metal shaft, this winder has 2 rows of 6 arms radiating out. These arms cross in the middle to form an X. These arms are also connected horizontally with additional arms which cross. This all forms an intricate web design, tied together with ribbon. The size of the web these arms create is adjustable, to accommodate yarns of different length. Beneath the second row of arms is a locking screw which holds this row at the desired height and width. This entire top section, beginning at the central metal shaft, can be unscrewed from its base for easier storage. The base begins in a wooden circular shape growing into a smaller ornately designed raise on which the cherub sits. From the head of the cherub the central metal shaft begins.paisley, scotland, wool winder, immigration

Brochure for auction of 70 sites bounded by Mitcham, Doncaster East and Whitehorse Roads on 1 May ?1920. Agents: T.R.B. Morton & Sons, Coghill & Haughton.|The home/hospital shown on brochure in Harrison Street near Mitcham Road owned by Dr Drake and later Dr Cochrane was called 'Coombe-Wood'Brochure for auction of 70 sites bounded by Mitcham, Doncaster East and Whitehorse Roads on 1 May ?1920.auctions, doncaster east road, mitcham, whitehorse road, mitcham road, mcdowall street, burnett street, t.r.b. morton & son, coghill & haughton, william street, harrison street, drake, francis, john, dr

Community activist. Born 3.4.1946- died 12.9.1997. Involved in employment, youth education, government and the arts. Born in Wales, family moved to Mitcham early 1950's. Economics degree. Taught at Foster, created farming commune in NSW, started Mallacoota Easter Festival 1981. Known for school and community workshops with music & drama. Later became Co=orninator at Mallacoota TAFE Outreach Centre.Community activist. Born 3.4.1946- died 12.9.1997. Involved in employment, youth education, government and the arts. byers, jill, thornycroft, bob, ingram, john wood, mallacoota tafe outreach centre, paul wood, anna wood, paddy wood, rory, phoebe & briony

Part of collection of Carpenters' tools used on sailing ships from England to Australia7 metal centre bits of various sizes for drilling in wood.NA987.1 Arthur NA987.2 Marples and Sons 11/16 NA987.3 Larnshaw BRC Sheffield NA987.4 JOHN WILSON Sheffield NA987.5 1 1/4 NA987.6 W.Marples + Sons NA987.7 R.Sorby Casteeltrades, carpentry

Donated by Jean Cornell. It was owned by her Grandmother, Eliza Waite, who was born in Gippsland in 1867 & married a Cornish man John Tredilock & had five children. Eliza died in 1942 & grandfather died in 1945. Jean & her husband have lived in Mitcham since 1956.Cover made to hold knitting books. One side is hard board & the front cover is ply wood, handpainted with red (cottage) & green (trees). Two sides are tied together with brown wool & are bound with green linen binding.handcrafts, knitting, hand painted