Synopsis: “In WW1 Melbourne a pioneering network of women at the Mission to Seafarers called the Ladies Harbour Lights Guild supported sailors who risked their lives at sea. The documentary “Harbour Lights” tells the remarkable story of the Ladies Harbour Lights Guild and the lives of seafarers in early 20th century Melbourne. It focuses on Melbourne’s iconic Mission to Seafarers building, its connection to the Great War and to a unique community of ships crew and volunteers. Featuring Melbourne historians, commentators, archivists and architects and rare footage and images of sailing and social life in and around the ports of Melbourne, this film will inform and connect audiences young and old.” Commissioned by Victorian Government The movie was produced in collaboration with the Mission to Seafarers Victoria. It was directed by Jary Nemo and written and produced by Lucinda Horrocks and Jary Nemo with executive producers Sue Dight and Gordon MacMillan. The film features: Jill Garner Kate Darian-Smith Chris McConville Janet Miller (curator) Gordon MacMillan (former seafarer and board committee member) Narrated by Sharon Turley. Music by Richard Chew (professor of the Arts Academy in Ballarat) The film was presented at several festival in Australia and abroad in 2020-2021. Credits: Narrator Sharon Turley Featuring (in order of appearance) Dr Chris McConville, Gordon MacMillan, Janet Miller, Professor Kate Darian-Smith and Jill Garner With Raul S Gantalao Jr, Escoto Lemuel, Ben Schroeder, Cinda Manins And Ian Fletcher, Yuan Jia, Uma Kothari, Gordon Lansley, William Reed and Cheka Samaranayake Directed by Jary Nemo Written and Produced by Lucinda Horrocks and Jary Nemo Music by Richard Chew Executive Producers Sue Dight and Gordon MacMillan Research advisors Geraldine Brault, Maria Culka, Professor Kate Darian-Smith, Ros Fletcher, Professor Uma Kothari, Dr Barbara Lemon, Catherine McLay, Dr Chris McConville, Janet Miller, Rick Mitchell, Duncan ‘John’ Perryman, Dr Annette Sheill and Peter Taylor Archival photographs, music and footage courtesy of Australian Red Cross Society, Central Highlands Libraries, Internet Archive, National Film and Sound Archive, National Library of Australia, Mackarness Family Personal Archives, Mission to Seafarers Victoria, Public Record Office Victoria, State Library of Victoria and US National Archives Music Harbour Lights. Music by Richard Chew. Westering. Music by Richard Chew. Twilight (Crépuscule) by Jules Massenet. Performed by Amelita Galli-Curci. I Love You So, Waltz from The Merry Widow by Franz Lehár. Performed by Elise Stephenson and Harry Macdonough with Orchestra. Harbour Lights 2. Music by Richard Chew. If I Could Fly by Walking Hearts featuring Jennifer Holm. Courtesy of Epidemic Sound. With thanks to Peter Barrow, Sarah Bartak, Lin Bender AM, Patty Braumueller, Csilla Csongvay, Emer Diviney, Moira Drew, Ian Fletcher, Ajith Jayasuriya, Ben Jones, Patience Jones, Cinda Manins, Madeleine Martiniello, Georgia Melville, Elisabeth Moglia, Tara Oldfield, Lyn Pasquier, Nigel Porteous, Rev’d Onofre (Inni) Punay, Dr Rosalie Triolo, Ben Schroeder, David Simpson, Cheka Samaranayake, Daria Wray, the Helen Macpherson Smith Trust and KPMG. A special thanks to The women of the Ladies Harbour Lights Guild 1906 to 1961 Produced in collaboration with The Mission to Seafarers Victoria Created with the support of The Victorian Government Licensing This film has been released under a Creative Commons BY-NC-ND 4.0 International license Acknowledgement of country Project production and development took place on the lands of the Kulin nation. We acknowledge Traditional Owners and pay our respects to Elders past, present and future. Production company A Wind & Sky Production Copyright with © Wind & Sky Productions MMXIX The film was launched on Wednesday 26th February 2020 at the Mission. Speech by Veterans Affairs. Amongst the guests were current and former volunteers (Maria Culka, Gordon MacMillan, Elisabeth Moglia), curators (Georgia Melville, Jay Miller, Geraldine Brault)18mn documentary mixed of photographs from teh collection and interviews about the Ladies Harbour Lights Guild work during WWIladies harbour lights guild, documentary, jay miller, janet miller, geraldine brault, lucinda horrocks, gordon macmillan, jary nemo, kate darian-smith, jill garner, chris mcconville, sharon turley, richard chew, footage, archive

The Bendigo Theatre Company Present ''Camelot'' by Frederick Loewe - Alan Jay Lerner - June 1990 Directed by Carol McKenzie-Grose at J.B. Osborne Theatre Kangaroo Flat June 21st,22nd,23rd,28th,29th,30th 1990 at 8pm with a matinee on Sunday 24th at 2pm. Stage Manager: Jim Dunn - Wardrobe: Jill Fitzgerald - Choreographer: Viktoria Lee. Cast: Ken Dunn as Arthur - Sally Hyett as Guenevere - Michael Goss as Lancelot - Jack Paynting as Pellinore - Jim Watson as Merlyn - Viktoria Lee as Morgan Le Fey - Glenn Grose as Sir Dinadan - John Adams as Sir Sagromore - Grant Thomas as Sir Lionel - Shane Rofe as Sir Clarius - Robert Caldwell as Squire Dap - Kate McQueenie as Lady Sybil - Hilary Bottcher as Nimue - Elfi Willman as Ballad Singer - Brad Giri, Sean Hillman as Tom of Warwick - Sean Hillman as Juggler - Dancers: Kristen Tuddenham, Sasha Poole, Christine Fitzgerald, Harmony Davis, Kerry Schache.program, theatre, the bendigo theatre company

This Mt Blowhard Primary School photo was taken in 1975. Photos were taken at most schools on an annual basis.The only photo of the Mt Blowhard Primary School in 1975Black and White photo of the students from the Mt Blowhard Primary School in 1975 with the names printed on the back. Width 12 & 1/2 cms x 17 & 34 cms high.Mt Bloward, Primary School, 1974 on the front. On the back, Back row: Catherine McCallum, Murray McCallum, Bernadette Murphy, Neville Loader, Danny Ryan, Rodney Timmins, Cathy Schroeders & Jeff Fyffe. Middle row: Janine Hucker, Tony Ryan, Anthony Shelton, Geoffrey Lakey, Leanne Timmins, Sandra Dehn, Janene Grills, Joanne Ryan & Jeanette Dehn. Front row: Marion Ford, Angela Loader, Jamie Bannister, Kate Murphy, Stephen Hucker, Darryn Crick, Paula Ryan, Sandra Lakey, Len Timmins & Alison Bannister. Seated on ground: Stephen Dehn & Gary Crick.

Graphic Design / Multimedia: Daniel Buckingham, Dominic Carey, Claire Hards, Simon Hunt, Rose Kim, Glen McClay, Joshua McGregor, Luke Monssen, Stuart Murray, Kristian Pechotsch, Melissa Price, Michael Renga, Kristen Retallick, Claire Robson, Jarrod Rouhan, Leigh Ryan, Alana Smyth, Stuart Sullivan, Mary Rose Thomas, Peter Wallace. Multidiscipline: Marlene Broadbent, Gary Brogden, Marg Delahunty-Spencer, Nathan Donegan, Cameron Haldane, Natali Mirovski, Darren Newby, Kelly Roberts, Natasha Young Drawing: Kim Anderson, Vane Andonov, Rebecca Brown, Lucas Corbett, Kathryn Cudia, Jessica Jackson, Penelope Jenner, Michelle Trgovac Ceramics: Marty Foster, Perry Lane, Georgina Moon, Kristine Thomas, Paul Uren, Dawn Whitehand Painting: Esmene Beyzade, Christopher Geljon, Peta Jeffries, Sara Johnson, Mari-Martha Mago, Ricki Millar, Kate Peachey, Daniel Salmon, Sandra Williams Honours: Claire Blake, Wendy Bolger, Suzanne Close, Benjamin Cox, Kieran Denahy, Natasha Dusenjko, Judith Hughes, Paul Mears, Michael Shiell, Leigh Scholten, Janelle Vaughan, Fiona Woolley. Custom polypropylene case, printed single colour black. Eight single-sided pages printed black and yellow, bound top left with metal paper fastener. CD Rom included in pack, unprinted.university of ballarat, federation university, graphic design, multimedia, camp street campus, new north, arts academy, painting, ceramics, drawing, multidiscipline, honours

1 wooden boomerang shaped shield with engraved silver plates and bronze coloured man holding an image of a female lawn bowls player The central large silver plate is edged with wreaths and inscribed "Presented by E. & N. Maxwell 1976" and a long silver plate banner with "V.B.L.B.C. Most Improved Player" surrounded by multiple small silver shields with the names of individuals and the year that they won the award. A bronze coloured figure stands in front of the banner, holding a black, silver and green coloured picture of a female lawn bowls player taking a shot whilst two others look on. The smaller shields are engraved with the following: 76-77 Edna Wratten, 77-78 Michael McGuire, 78-79 Colin Johnson, 79-80 Mrs H. Conroy, 80-81 Mr L. Tester, 81-82 R. Teague, 82-83 H. Eustace, 83-84 Kate Smith, 84-85 George Hardham, 85-86 Laurie Hoskins, 86-87 Bill Martin, 87-88 Frank Bartoli, 88-89 Clarrie Greening, 89-90 Ron Jones, 90-91 Jean Moore, 1991-92 Marjorie Goodall. Digital Image of wooden trophySee descriptionroyal victorian institute for the blind, nameplates

Booklet (2 copies) with brownish photo of Amy Castles and Sir John Quick on the front cover, titled Footprints on the Sands of Time: Bendigo's Citizens, the 1909 Bendigonian Annual and Community History by Professor Jeff Brownrigg. La Trobe University, Bendigo. The Ninth Sir John Quick Bendigo Lecture 2 October 2002. Photos in the book include: Sir John Quick, Amy Castles, Amy and Eileen Castles, Anthony Palamountain, John Quick's birthplace in Cornwall and Professor Jeff Brownrigg. Sir John Quick, Robert Garran, The Bendigonian, Bendigo Evening News, Bendigo Advertiser, Nellie Melba, Bendigo Independent, Amy Castles, Alice Crawford, Edward Allan Bindley, Joseph Castles, Lili Sharp, Eileen Castles,Frank Cusack, David Horsfall, Louis August Samuels, Kate Samuels, Madame Benda, Bertha Rossow, Anthony Palamountain, Dorothy Penfold, Penfold Gallery, Pauline Bindley, Convent of Mercy, Masonic Hall, Ashman's Dry-Cleaners, The Ninth Sir John Quick Bendigo Lecture are mentioned in the book.footprints on the sands of time: bendigo's citizens, the 1909 bendigonian annual and community history, professor jeff brownrigg, research and outreach screensound australia, la trobe university, sir john quick, robert garran, the bendigonian, bendigo evening news, bendigo advertiser, nellie melba, bendigo independent, amy castles, alice crawdord, edward allan bindley, joseph castles, lili sharp, eileen castles, frank cusack, david horsfall, louis august samuels, kate samuels, madame benda, bertha rossow, anthony palamountain, dorothy penfold, penfold galery, pauline bindley, convent of mercy, masonic hall, ashman's dry-cleaners, the ninth sir john quick bendigo lecture

This wedding photograph is an illustration of the intermarriage of notable Victorian (and Kew) families. The parents of the groom were the Hon. James Balfour MP., and his wife, Frances Charlotte (Henty) [the eldest daughter of James Henty] who married at Hawthorn in 1859. The Balfour lived at 'Windella' in Studley Park Road. Henry Rairey (Harry) Balfour was the youngest son of Mr & Mrs Balfour who married Katie Harrison of 'Horley' in Molesworth Street, Kew. Miss Harrison's father was the T.S. Harrison (merchant and importer, b. Banbury, Oxon, 1829, d. Melb 1901). Portrait of the wedding party in the garden of Horley in Molesworth Street, following the marriage of Elizabeth Kate (Katie) Harrison to Henry Rairey (Harry) Balfour at the Kew Presbyterian Church in 1905. The outfits worn by the women were reported in Punch, on 9 February 1905]. The bride wore a frock of ivory white satin, with bertha of duchesse lace and a yoke of ruched chiffon. The bridesmaids … wore white muslin dresses, inserted with Valenciennes, made in early Victorian style. The white straw hats were trimmed with lace and blue hydrangea, and their flowers were blue hydrangea, delphiniums and cornflowers. … The bride’s mother [right] wore a well-cut dress of black silk. The bridegroom’s mother [left] wore a gown of black silk voile, and smart black bonnet grouped with roses. L. to R. Christian Balfour, Jean Mackintosh, Mrs James Balfour (nee Henty), Bridegroom, Bride, Dr. Lewis Balfour, Genevieve Harrison, Hon. James Balfour, Henry Harvey, Marion Harrison (nee Borodin) [Married by Mr Alec Scholes at Kew Presbyterian Church] .Individuals identified in ink on reverse plus donor name and date.balfour, henty, harrison, horley, molesworth street, kew

University of Ballarat, third year / graduate A5 promotional pack/publication consisting of four volumes and one 4pp card, with a paper wrap holding the five pieces together. Reverse of Volume Two lists lecturers: Chrissie Smith, Ben Mangan, Glen Bellman, Gavin Nash, Luke Keys, Damian Lentini and Jennifer Jones-O'Neill Guest speakers at the event were Travis Price, Amy Walker, Sam Harmer, Nick Hallem and Phillip Berry. Publication layout and design attributed to Leah Armstrong, Josh Dunbar and Carleen Harmon. Poster, Invitation and flyer design attributed to Leah Armstrong, Josh Dunbar, Carleen Harmon and Lara Russell. Sovereign Press sponsored the print. Exhibition opening Friday 22 November 2013. Students listed across volumes are: V1: Scott Gullock, Carleen Harmon, Kate Simpson, Josh Dunbar, Jennifer Marlow. V2: Billy Burns, Jessica Nuzum, Leah Armstrong, Lisa Kearney, Samantha Reddie, Lauren McKenna. V3. Ashlea Caygill, Sarah Trotter, Naomi Roberts, Simon Dunbar, Lara Russell, Ray Edwards, Casey Pinkerton. V4: Teghan Johns, Tyler Zebra, Nawal Al-Adasani, Bonnie Redfern, Amarinda Long, Dylan Leak. University of Ballarat, third year / graduate A5 promotional pack/publication consisting of four volumes and one 4pp card, with a paper wrap holding the five pieces together.teghan johns, tyler zebra, nawal al-adasani, bonnie redfern, amarinda long, dylan leak., ashlea caygill, sarah trotter, naomi roberts, simon dunbar, lara russell, ray edwards, casey pinkerton., billy burns, jessica nuzum, leah armstrong, lisa kearney, samantha reddie, lauren mckenna, scott gullock, carleen harmon, kate simpson, josh dunbar, jennifer marlow, university of ballarat, federation university, graphic design, multimedia, bachelor, degree, camp street campus, arts academy

Pages feature student works, contacts and artist statements. Introduction by Associate Professor Richard Chew, Director, Arts Academy Ballarat and Gippsland, School of Arts. Notes ongoing adaptation to "challenges of living, working and learning with extended lockdowns and changing restrictions" of the Covid-19 pandemic. Last page features long list of staff and supporters as well as EYE committee. Inside back cover features sponsors. Catalogue includes Bachelor of Communication Design (3), Bachelor of Visual Arts (11), Bachelor of Fine Arts (Gippsland) (3), Honours (Gippsland) (2), Honours (Ballarat) (2), Graduate Diploma of Ceramics (1), Advanced Diploma of Graphic Design (3), Diploma of Graphic Design (8). Liam Smith, Taylah Fenwick, Zainab Zaidi, Beth Aldcock, Concetta McFall, Donna Morrison, Garth Horsfield, India Potter, Emmalie-Kate Bird, Kristen Britten, Kya Duro, Ruby Hyatt, Sarah Canham, Tayla Champion, Alix Machen, Curtis Anderson, Georgia Gooding, Molly Berry, Tracey Raine, Vienna Bischard, Lauren Matthews, Aaron Haywood, Aprille Cantillas, Jesse Noonan-Wade, Mahalia Howard, Aquila Tavai, Ashleigh Freeman, Jackson Begelhole, Jarli-Kai Humm, Marina Melenhorst, Pauline Whitbourne, Sam Katzer, Samuel Francis. Catalogue to accompany the Federation University, Bachelor of Visual Arts graduate exhibition, 2021. 60pp + 4pp cover, saddle-stitched book, full colour throughout.federation university, visual arts, graphic design, arts academy, camp street campus, exhibition, eye, end of year exhibition, liam smith, taylah fenwick, zainab zaidi, beth aldcock, concetta mcfall, donna morrison, garth horsfield, india potter, emmalie-kate bird, kristen britten, kya duro, ruby hyatt, sarah canham, tayla champion, alix machen, curtis anderson, georgia gooding, molly berry, tracey raine, vienna bischard, lauren matthews, aaron haywood, aprille cantillas, jesse noonan-wade, mahalia howard, aquila tavai, ashleigh freeman, jackson begelhole, jarli-kai humm, marina melenhorst, pauline whitbourne, sam katzer, samuel francis.

A laminated copy of the "Graduate Diploma in Education 2004". It displays a photo and the names of the recipients - Naomi Boyd, Sophie Gaballa, David Young, Bing Ge, Maggie Francis, Mohammad Khalaf, Vaughan Prain, Elaine Toogood, Kristina Zeravica, Linda Savva, Jodie Long, Bradley Rankin, Bradley Palmer, Ngaire Breen, June Zhu (Julia), Marita Haigh, Penny Lynch, Rhian Birnie, Elise Perry, Ian Riley, Kristen Watson, Janine Watson, Robert Dart, Stephen Oakes, Chris Townsend, Peter Hill, Kerrie Stewart, Ceorgina Hasell, Claire Bolwell, Annie O'Shannessy, Lara Poupard, Jen Duffield, Joerg Parschau, Jason Bysouth, Tim Danes, Amanda Parker, Tracey Miles, Kate Berry, Jaynelle Parks, Richard Allwell, Jenny Watts, Tristan Davis, Alex Harding, Cameron Scott, Dave Marshall, Andrew McCormick, Tom Hartley, Charles Street, Darren Moyle, Genevieve Stanaway, Christine Edgar, Sandy McNeilly, Terri Giri, Christine Evans, Marcus Mann, Alex Fekete, Elaine Doling, Luke Barker and Cathleen Farrelly.bendigo, education, la trobe university bendigo, la trobe university bendigo collection, collection, bendigo, education, teaching, teachers, students, diploma, graduate diploma, tertiary education

This Certificate was presented to Trained nurse, known as 'Nurse' in those days, Nettie Osborne on completion of six months employment with Melbourne District Nursing Society (MDNS). This is the only example of a MDNS Nurses certificate in the RDNS collection. In 1913 the MDNS Nurses had their board and residence, uniforms, bicycles and laundry expenses provided. Newly employed Nurses were paid £50 a year for her first six months. At the end of a year her salary was increased by £5, and later she earned £60 a year. .Following the founding of the Melbourne District Nursing Society (MDNS) in February 1885 to care for the sick poor in Melbourne, subsequent meetings were held to form a Committee and to draw up a Code of Rules of the Society. It was decided that only nurses who had attended a Hospital Nurses Training School and were fully qualified would be employed by the Society. After interviewing several candidates, it was on the first of May 1885 when the first Trained nurse, known as 'Nurse' in those days, Mrs. Ferguson, was employed by MDNS with a salary of £100 per annum. She was employed for three months initially, but this was soon extended, "on the understanding she will make arrangements to live in the more immediate vicinity of her district". A Doctor agreed to assist the Nurse with advice at any time. In rotation, a member of the Superintendence Sub-Committee supervised the Nurse’s visits and could assist to alleviate some poor social conditions they found. A second Nurse, Mrs. Joanna Cannon was employed by MDNS six months later, with a trial period of six months which was extended. They were the stalwarts of the Society in the early years, Nurse Cannon remaining with the Society for four years and Nurse Ferguson for five years, though both had a short break due to illness through the heaviness of the work. Nurses salaries were reduced to account for the cost of uniforms, and then when establishments were rented by the Society and the Nurses could now live in the Nurses Home. The Nurses worked in the now CBD, ie from Spencer Street to Spring Street and from Victoria Parade to Flinders Street. From its inception the Society was at the forefront of health care. They liaised with Doctors and provided high quality trained nursing care; educated their patients in the curing and prevention of disease; teaching the importance of cleanliness, fresh air and good nutrition, both by verbal instruction and demonstration, even supplying soup and milk when needed. At that time they walked the streets and lane ways amid the slums of inner Melbourne carrying their nursing bag containing lotion, ointments, powders, liniment, bandages, dressings, a case of spirits, and the Nurse's own clean apron, soap and small towel. They supplied equipment on loan, such as earthenware hot water bottles, splints, urinals, bed pans, bed cradles, feeding mugs, and air-cushions as well as providing blankets and clean bed linen, and nightdresses as necessary. They provided nursing care to a range of people, often in destitute situations, some lying on rags on the floor as they had no bed, others with just a bed and maybe a thin blanket, a chair and nothing else. Their ages ranged from babes, children, adults to the elderly. The Nurses gave medications as ordered, dressed wounds e.g. to the injured, and surgical cases, and to those with leg ulcers; attended to patients with ‘surgical ailments’ such as ‘hip disease’; gave care to those with acute illnesses such as bronchitis, pleurisy, pneumonia, measles, and scarlet fever, as well as those with chronic illnesses such as consumption (tuberculosis), heart disease, arthritis, cancer, debility, neuritis and paralysis. As the work increased a third Nurse was employed but this was arduous work, particularly in the heat of summer and many nurses only remained with the Society for several months. A Trained Midwife was employed in August 1893. The work was arduous, particularly in the heat of summer. Permission to use bicycles was given to the Nurses in 1898 and the Society decided to purchase their own in 1903. A business man offered ‘new free wheel’ bicycles at £13 each which included maintenance for one year. Bells and wooden frames were added, at a cost of £5 per frame, so the Nurses could carry extra equipment. Nurses’ bags were strapped to the handlebars. Soup was made for those in need 2-3 times a week and if patients could not arrange to have it collected the soup was delivered by the Nurses on their bicycles. The use of bicycles caused a change in uniform, with white pith helmets, and veils covering them and tied under their chin, now being used; straw hats were worn in summer. Over the years the Nurses complained that their veils became wet in the rain and asked for a change of uniform but this did not occur until 1921. Bicycles continued to be used in inner areas until 1945. Public transport was also used over the years, in conjunction with a Motor Auxiliary from 1929 to 1971. MDNS began with its own small fleet of vehicles in the early 1950s which gradually expanded into a full fleet.The coloured Certificate is made of white paper attached to a buff card forming a boarder. It is in gold print on the white background which has a thin gold border. In large bold script are the words "Melbourne District Nursing Society" In between the words "District" and "Nursing" is a red Maltese cross which extends above and below the writing. Underneath this, in smaller capital letters, are the words "For Nursing Sick Poor In Their Own Homes"/. Below this in bold script are the words "This is to Certify that"/. Under this, written in black handwriting, is "Nurse Nettie Osborne"/; below this in script is "has acted in the capacity of District Nurse", then in black handwriting the words "Six Months"/. The next two lines read "having fulfilled her Duties to the satisfaction of her Committee, /"and appreciation of her Patients". The Certificate is signed in black by Mary Leeper, Vice President; Kate Hood; Hon. Treasurer; C.M. Tatham Hon. Secretary, and has Date; 8th July 1913 in black handwriting. On paper attached with tape to the back of the Certificate, is a copy of a photograph of two unidentified people. [Possibly Nettie and her husband]. Some small marks, and in one area a small area of cracking is seen on the white background of the certificate.certificates, mdns, melbourne district nursing society, rdns, royal district nursing service, nurse nettie osborne

The family members are identified as follows: Back row (L to R): Percy Leigh with Phyllis, Robert Beckett (junior), Herbert Ingamells, Annie Leigh with Marjorie, Harry Leigh, Clara Beckett, Arnold Bear (brother of Olly Beckett), William Beckett with Edna, Ben Gray. Middle row (L to R): Robert Gray, Ethel Beckett, Polly (sister-in-law of Harry Leigh), Nelly Ingamells, Eliza Beckett with Esther Leigh, Alice Beckett with Basil, Dorothy Beckett, Olly Beckett, Emma Gray with Norman. Front row (L to R): ??? (a Leigh brother), Kate Beckett, Mabel Beckett, Cyril Ingamells, Bert Gray, Elsie Leigh with Ethel Ingamells. Robert (John Robert) Gray, Ben Gray and Norman Gray were 3 of 6 children of John Gray and Emma Beckett who married at Guildford Villa in 1888. Norman was born in 1901 and looks to be c.3 years old in this photo; the youngest in the family was Evelyn (b 1906) so this would give an approximate date for the photo of 1904. The donor, Wendy McLellan is the daughter of Minnie Caroline Beckett (1907-1998) and Francis James Renkin who married on 13 March 1934. Peter Renkin (formerly of 59 Guildford Road, Surrey Hills, now Shoreham) is her brother. Exact date photo was taken was 17 September 1904.Black and white photo at Guildford Villa, 4 Essex Road, Surrey Hills, home of the Beckett family. The family is formally posed with croquet equipment on the lawn of the substantial Victorian-style home which has 3 chimneys and a veranda on 2 sides. victorian style, croquet, percy leigh, phyllis leigh, robert beckett (junior), herbert ingamells, annie leigh, marjorie leigh, harry leigh, clara beckett, arnold bear, william beckett, edna beckett, ben gray, robert gray, ethel beckett, nelly ingamells, eliza beckett, esther leigh, alice beckett, dorothy beckett, olly beckett, basil beckett, emma gray, norman gray, kate beckett, mabel beckett, cyril ingamells, bert gray, elsie leigh, ethel ingamells

John Rodney Oliver (7 July 1931 – 26 September 2010) was the son of Frank and Moira. Rodney Oliver was born on 7 July 1931, and lived for many years at the Missions to Seamen at the Flinders St Extension. Rodney was schooled at Melbourne Grammar, matriculating in 1948. Then, after a couple of years as a lumberjack and jackaroo, he commenced at University of Melbourne, beginning more than half a century’s association with Trinity College. Graduating with a BA in 1953, Rodney then made the first of many trips to England, reading theology at Bishop’s College, Cheshunt. A man who revelled in scholarship, he was also a competitive and energetic bowler, snooker and squash player. Ordained deacon on 23 September 1956, in the St Albans Diocese, his first ministry as curate began at the picturebook village of Much Hadham, where he met the love of his life, Lesley Brooks. Rodney was ordained priest on 5 January 1958, at the Missions to Seamen, Melbourne, commenced twelve years as Chaplain of Ballarat Grammar School in February 1958, and returned to England to marry Lesley in early 1961. Each of his and Lesley’s four children, Jeremy (TC 1979), David, Antony and Kate (TC 1987) was born at that time, during which amongst other things, Rodney taught Religious Instruction, Latin and English, pioneered bushwalking and mountain climbing in western Victoria, ran a large scouting group and coached an Australian archer.Medium format photograph depicting two chaplains.rodney oliver, frank leslie oliver, mission to seafarers, flinders street, st peter chapel, courtyard, ordination, john rodney oliver (1931-2010)

This spinning wheel originates from New Zealand; however, it has no distinguishing features relating to its creator such as an inscription, so its exact maker is not known. Gill Stange remembers buying the wheel on Bridge Road in Richmond, approximately 30 years ago. Gill had joined her local Spinners and Weavers Guild after the Ash Wednesday bushfires of 1983. She was a then resident of Mount Macedon and lost everything in the fires. Moving to Melbourne to get away from the scene of much pain, Gill was also in need of a new hobby to help occupy her mind. That is when spinning and weaving entered her life. The local Spinners and Weavers Guild was a great support network for her and with their recommendation, she purchased her own spinning wheel. Her passion was started, and the wheel was to become a treasured item in Gill’s home. She had several spinning wheels within her possession over the years, however, this wheel was her first and always her favourite. When the time came for Gill to downsize, there was simply no longer room for her spinning wheel. This is when she decided to donate the wheel to the National Wool Museum. Gill remembers one highlight was weaving a tablecloth from a traditional German design. It took her two years to complete, with Gill spinning all the wool herself on this wheel. The tablecloth won the first prize in the Melbourne Show in 1987. Gill also used the wheel to teach programs to school children on how to spin and knit wool. She would take the easily transported little wheel, and its accompanying seat, with her to schools. Its small size enabled her to teach children to knit and spin, bringing others the joy that spinning had brought her. Not just limited to schools, Gill also taught programs with the wheel here at the National Wool Museum. It is a fitting home for the wheel, which Gill donated to the National Wool Museum in 2021.Dark varnished wood in a Castle style spinning wheel. The wheel has 8 small spokes which meet a thick outside rim. The outside rim has four golden disc weights on the bottom edge, to aid in the turning of the wheel. The spinning wheel has four legs of turned wood giving a sculptural form, a design pattern which is continued throughout. The wheel has a single medium sized foot pedal. This pedal is well worn with varnish missing from years of use. The wheel is completed with its accompanying chair. Made of the same dark varnished wood, its legs are also of turned wood, continuing the design pattern and uniting the two objects. The chair is very simple outside of the legs, with a medium size base and a thin backrest ending in a rounded head. The chair’s varnish is also starting to fade from years of use. The chair is small, designed to keep the spinning wheel operator at the appropriate height when spinning on the equally small and compact Castle style spinning wheel. Additional parts were donated with the Spinning Wheel. - 3 x Lazy Kates - Spare Maiden. - 450mm Niddy Noddy - Steel teeth brushspinning wool, spinning wheel, ash wednesday, mount macedon, textile production

The Ruyton Reporter (formerly known as Ruyton Reports) captures the essential Ruyton Girls' School experience for the broader school community. It has been produced since 1986.The record has strong historic significance as it pertains to one of the oldest girls' school in Victoria, Australia. Ruyton was founded in 1878 in the Bulleen Road, Kew, home of newly widowed Mrs Charlotte Anderson (now High Street South). Thus, the record can be used as a reference example for research into Victorian school history. It also gives insight into the types of activities and events undertaken at Ruyton Girls' School during the period of its production. The record's significance is further enhanced by its exceptionally well-documented provenance, having remained the property of Ruyton Girls' School since its production.Colour publication printed on paper with staple binding. 16 pages.Front Page: the reporter / Ruyton / summer 1995 / PRINT POST / PP 341999 00026 / APPROVED / 12 Selbourne Road Kew / Telephone: 9819 2422 / Facsimile: 9818 4790 / R / RECTE ET FIDE LITER / They love to win an argument! / Contents / Cherida's / Champions / Tulloch Sprint / Record / Photography / Exhibition / Left to right: Back Row: Kate O'Brien, Lauren Milner, Ms. Cherida Longley, Catherine Traynor, Prue Bodsworth / Middle Row: Anna Archer, Eve Bodsworth, Claire Waugh-Young, Sangeeta Sandrasegar / Front Row: Penny Hill, Grania Buckley SEE PAGE 2 / STOP PRESS: "Allegro Fantasia" A night of fantastic opera and fabulous food in the gardens of historic / Henty House, Saturday 3rd February 1996. For further details see enclosed brochure. /ruyton girls' school, ruyton, school, students, newsletter, ruyton reports, ruyton news, kew, victoria, melbourne, girls school

These eggs could be ostrich eggs from an ostrich farm which operated just out of Marlo. It is likely that they were donated by Kate and Richard Earle who ran the enterprise. Emu and ostrich eggs are perfect for decorating, painting or carving. Emu egg shells have multiple layers ranging from an inner white layer through to the dark green outer layer. The contents must be removed through a small hole (either tool drilled or poked with a needle). After the yolk has been blown out (scrambling the yolk first by poking with a needle will make it easier to remove), the egg needs to be washed through and left to drain dry. It can then be painted, carved, etched or decorated. Emu decorating is a traditional Aboriginal art. The carving of emu eggs by Indigenous and non-Indigenous people was popular in the late 19th century but production declined in the 20th century, partly due to the protection of eggs through legislation. This has been overturned in recent years with the development of commercial emu farms. In the period between the two world wars particularly, with the production of other Aboriginal artefacts for an outside market, the carving of emu eggs provided an important source of income for Aboriginal people in many parts of Australia. It was a widespread practice in the south-east and it was not unusual for Aboriginal people to decorate their own homes with carved eggs and other items created by themselves or community members, serving to affirm an Indigenous identity within the domestic environment. (ref National Gallery of Australia)This item is significant for its uniqueness and aesthetic appeal.Two painted eggs on stands. 1907.1 is painted black and has white emus or ostriches painted on it. 1907.2 is painted white and has black emus or ostriches painted on it. Both stands are wooden with brass pedestals. The eggs are possibly ostrich eggs.handcraft emu-egg ornament ostrich-egg

Set of nine Metcards with the Metcard logo and transport Mode icons. Tickets were used to record or mark the activities of well-known celebrities or personalities. Two copies of each ticket held. All are bar-coded on the rear and have the availability printed on the front of the ticket. 1 - 2008 - Glenn & Kantrina Manton - whitelion.org.au - Daily Full Fare, 1-7-2008 and 6-11-2008 2 - 2008 - Livinia Nixon - Channel 9 - 2 hour concession x 10 and daily concession - 11-2-2008 and 2nd has a blank rear, 3 - 2007 - Kate Ceberano - 2 x 10 and Daily concession - 23-11-2007 and 2 May 2008 4 - 2008 - Lord Mayor - John So - 2-hour concession and 2-hour concession x 10 - 19-3-2008 and 25-2-2008 5 - 2008 - Dannii Minogue - 2-hour concession x 10 and Daily concession - July 2008 6 - 2008 - Michael Kim - 2 hour concession - 13-3-2008 and 20-3-2008 7 - 2008 - Nicole Livingstone - 2 hour full fare and two-hour x 10 concession - May and March 2008] 8 - 2009 - Ron Barassi - 2 hour concession a 2 hour full fare x 10 - Jan 2009 and 7-3-2009 9 - 2008 - Garry Lyon - daily full fare and two hour x 10 concession - Feb 2008 and 27-6-2008 Demonstrates one of many different types of Metcards issued during the period of used in Melbourne from 1996 to 2013Set of nine Metcard tickets - printed on light card with a magnetic stripe. Has the ticket number and contact details, Metcard and Metlink logo on the front of the card.trams, tramways, tickets, metcard, metlink, glenn & kantrina manton, livinia nixon, kate ceberano, john so, dannii minogue, michael kim, nicole livingstone, ron barassi, garry lyon

This file contains five items relating to Caulfield Council Visits with the Melbourne & Metropolitan Board of Works (MMBW) from 1919 to circa 1974: 1/A photo album containing photos from the MMBW ‘visit to the Headworks, Yan Yean Water Supply, Wallaby and Silvery Creeks’ from 28/02/1919 to 03/03/1919, attended by members of the Caulfield City Council. The album contains 13 original black-and-white photographs, 3 of which are of the council members. The album is accompanied by a report by Felicitie Campbell, written 11/2008, about these visits. 2/A publication from the MMBW documenting its review of operations for 1973-1974. The report contains information about water supply, sewerage and drainage infrastructure completed or in progress during this period including infrastructure in Caulfield, Ormond, Carnegie and Bentleigh. 3/A periodical feature from the MMBW titled ‘Living City’, issue no. 16, Spring/Summer 1974. Included in the article titled ‘Program’ is a notice that construction will continue on the Elster Creek drain from Thomas St. to Wheatley Road, McKinnon. The periodical also includes the names of commissioners W. R. Walters from Caulfield and G. R. Bricker from Moorabbin (back cover). 4/2 maps and 1 information booklet from the Thomson Project Open Day attended by Felicite and John Campbell as representatives of the Caulfield City Council. This was an annual MMBW open date. Date unknown. 5/Resarch notes by Kate Aldred about the photo album and Thomson Project Open Day booklet and their links to Felicite Campbell 01/04./2014.koornang road, draper street, hall street, centre road, brewers road, caulfield intercepting sewer, byron street, caulfield park, elster creek, caulfield, carnegie, ormond, bentleigh, thomas street, brighton east, wheatley road, mckinnon, city of caulfield, bricker g. r., walters w. r., caulfield city council, melbourne and metropolitan board of works, hall councillor, murray councillor, murphy councillor, wharington councillor, phillips councillor, blyth councillor, best robert sir, reid doctor, jowett mr., wooley mr., hindle mr., annual reports, water supply structures and establishments, sewerage and sanitation, sewerage establishments, drainage, town planning, business and finance, councillors, mayors, acqueducts, dams and reservoirs, creeks, waterfalls, rivers, construction sites, north road, north road pumping station, cities and towns, campbell felicitie

This honour board was created in the International Year of the Volunteer 2001, to recognise volunteers who have completed 15 years of voluntary service and have received their Tilly Aston bronze medallion award. It was displayed at the Geelong/Illawarra office until refurbishment and the merger of VAF into Vision Australia. 1990: Joan Backwell, Margaret Belleville, Louise Carnegie, Elsie Clutterbuck, Lou Hayden, Jenny Heath, Dorothy MacRobert, Brenda McDermott, Daphne Smith, Beryl Whiteside, Maria Zoppolato. 1991: Audrey Anderson, Elsie Barkley, Ellen Bell, Hilary Blakiston, Bobbie Bowen, Sydney Brown, Beatrice Carpenter, Joyce Carr, Helen Carter, Bobby Clarke, Janette Cohen, Sheila David, Betty Dunk, Betty Fulton, Marjorie Gray, Margaret Hambling, Patricia Heath, Mary Honman, Lorna Humphreys, Agnes Hutchins, Phyllis Leach, Sue Leggatt, Marcelle Loughnan, Marjorie Nall, Gwenda Nielson, Marjorie Opie, Anne Prosser, Dorothy Ruxton, Fay Schmidt, Ann Stewart, Jo Swinburn, Lou Walley. 1992: Beth Hunter, Roma Vanrenan. 1993: Mary Dobson, Betty Hamilton, Dorothy Hirst, Trudi Johnston, Doreen Long, Rhoda Lovett, Joan Slade. 1995: Judy Britton, Eleanor McDonald, Leila Shinners, Joy McMillan. 1996: Judith Kelso, Barbara Shone. 1997: Dorothy Marriner, Anne Cahn, Molly Grove. 1998: Poss Collins, Pam Hodgson, Peg Hook. 2000: Mardi McCann, Barbara Carr, Kate Whitworth, Joan Walsh. 2001: Dawn McFarlane, Joyce McRae. 2002: Marion Duell, Bev Hussey. 2003: Alison Lawson, Joan Livingston, Barbara McKane 2004: Alice O'Brien 2005: Judi Idle, Margaret Coulson, Patricia Ryan International Year of the Volunteer 2001Wooden board with names of volunteers who completed 15 years of service at the Geelong officeassociation for the blind, vision australia foundation

This item is from the private collection of George Shirling of Red Onion, Falls Creek. Team Red were the original free riders from Falls Creek who focused on freestyle skiing rather than more traditional downhill skiing. They trained to compete in the tough freestyle circuit. Over the years members have included: Eric Hymans, twice Australian Mogul Champion: Lyn Gross, Australian Aerial Champion and World Cup finalist; Kate Stevens twice Australian Mogul Champion; Kent Dowding. Australian Mogul Champion: Steven Lee, Australian Champion and Olympian; and Mark Stevens, Australian Mogul Champion Three-time World Cup competitor and coach to the Australian World Cup team along with many others who took on the challenge of freestyle skiing. George Shirling arrived in Falls Creek in 1962. He engaged Phil Nowell to build the original Koki Alpine Lodge which opened in 1965 with 14 beds. George operated the lodge with Michael “Baldy” Blackwell as manager. He also graduated in sport psychology in 1981 and was invited to become team psychologist for the Australian Winter Olympic team which went to Albertville, France, in 1992. He later owned the Red Onion Chalet. George credited the success of Koki to “Baldy” Blackwell. “Baldy” and Phil Nowell started the Trackers Mountain Lodge in partnership during the 1980s. In 1971 George sold Koki Lodge to Sigi Doerr. In 2024 the renamed Koki Alpine resort remains a highly popular destination in Falls Creek. George Shirling passed away on 27th February 2023. He had remained actively involved in Falls Creek and was generous with his time and knowledge, always an amazing supporter of The Falls Creek Museum and Falls Creek Village.This item is significant because it is representative of all those who took on the challenge of freestyle skiing at Falls Creek.A metal badge with red and yellow print I SUPPORT TEAM RED FALLS CREEKgeorge shirling, falls creek, exploding sports myths

18 Gordon Crescent Blackburn. A conservation analysis undertaken by Lois Routley for Dr Miles Lewis, Lecturer in Architecture. For titles accompanying this study see A-SP-T 13,A-SP-T 14, A-SP-T 15, A-SP-T 16. Includes detailed history of development of the area and occupants of the house.gordon crescent, blackburn, no.18, land subdivision, lewis, miles, woods, john, coppin, george seth, freehold investment and banking company of australia ltd, wolseley crescent, blackburn, blackburn, quarterman, martha, clarke, arthur e, game, kate, t. r. b. morton & son., game, thomas robinson, urquhart, finlay, newman, jeffrey william forbes, newman, valerie, jones, ian, jones, joan, strickland, kenneth william, strickland, wilma dawn

The Kangaroo Hoppet is Australia’s premier long distance cross country ski race, and a member of the Worldloppet series of international cross country ski events. The first race at Falls Creek was held in 1979 under the name of “Australian Birkebeiner”. It was a 21km race with about 80 participants organised by the Birkebeiner Nordic Ski Club of Mount Beauty. The course started and finished at Falls Creek Alpine Resort and took participants out into the Bogong High Plains. After running the event for 10 years, it was decided they should become part of the Worldloppet series of marathon ski races. Representatives from the Birkebeiner Nordic Ski Club and the Australian Ski Federation attended the Worldloppet Annual Meeting in Finland in June 1990 to put the case for the acceptance of an Australian event into the Worldloppet series. Before being admitted, they had to demonstrate that the Birkebeiner Club could run a world class event, so three months later in August 1990 a 42km event named the Australian International Ski Marathon was held at Falls Creek together with a 21km Birkebeiner race and a 7km event called the Birkebeiner Lite. The event was approved by delegates from USA, Norway and Austria, in 1991 Australia became the 12th member of Worldloppet, with the condition that there had to be a name change. After some late night discussion allegedly involving red wine from North East Victoria the main event became the 42km Kangaroo Hoppet, with the minor events being the 21km Australian Birkebeiner, and 7km Joey Hoppet. In the winter of 1991, the first Kangaroo Hoppet was held. It was a great success and has been a regular fixture on the international ski calendar ever since. It features the main 42km event as well as a 21km event and a 7km event. The Hoppet brings the Australian snowfields to an international audience. In 2007 the Men's Winner was Thomas Freimuth from Germany in a time of 1:46:57. The winner of the Women's event was Kate Calder of New Zealand in a time of 2:08:00. This poster is significant because it documents an event which brings international attention to Falls Creek and the surrounding region.A coloured poster with an image of a group of skiers skiing up a gentle slope. A kangaroo traffic sign has been stuck in the snow.. The logos of Falls Creek, Tourism Victoria and Worldloppet are on the bottom right hand side.Vertically on the left hand side: KANGAROO HOPPET 17 Horizontally on the left hand side: August 25 2007 Falls Creek Australia [email protected] www.hoppet.com.au kangaroo hoppet, worldloppet events, falls creek, mt. beauty

The bronze statue of a horse commemorates poet and horseman Adam Lindsay Gordon and the horses and mules killed during WWI. The statue depicts a horse going into battle known as a 'charger' mounted on a base of Warrenheip granite. During World War II the artist, Raymond Ewers was made an official war artist with the rank of lieutenant. Funds were raised from visitors to the Adam Lindsay Gordon cottage for the artwork which was unveiled on the centenary of the poet's arrival in Ballarat. Adam Lindsay Gordon the English born Australian poet spent some time in Ballarat, at one stage owning and running Craig's Stables in the city. He was not a very good businessman and his ventures left him in financial ruin. However his ballads and poems were recognized around the world as strong lines that told the story of the Australian bush. He is the only Australian Poet to be memorialized in Westminster Abbey, UK. The Queen quoted his work in 1992 Queens message..."Kindness in another's trouble, courage in one's own.."The artwork is of historic and aesthetic significance to the people of BallaratBronze horse on granite plinthERECTED BY/ THE ADAM LINDSAY GORDON SOCIETY/ TO MARK THE CENTENARY OF/ THE POET'S LIVING IN BALLAARAT,/ ALSO AS A MEMORIAL TO THE 958,600 HORSES AND MULES/ KILLED IN THE FIRST WORLD WAR/ INCLUDING 196,000/ THAT LEFT THESE SHORES NEVR TO RETURN./ "THE LAY OF THE LAST CHARGER"/ FORWARD, THE TRUMPETS WERE SOUNDING THE CHARGE./ THE ROLL OF THE KETTLEDRUM RAPIDLY RAN/ THAT MUSIC, LIKE WILDFIRE SPREADING AT LARGE/ MADDEN'D THE WAR HORSE AS WELL AS THE MAN./ WHERE ARE THEY? THE WAR-STEEDS WHO SHARED IN OUR GLORY/ THE "LANERCOST" COLT AND THE "ACROBAT" MARE,/ AND THE IRISH DIVISION "KATE KEARNEY" AND "RORY" AND RUSHING "ROSCOMMON" AND EAGER "KILDARE"./ WE TOO, SPRUNG FROM THE LOINS OF ISHMAELITE STALLIONS,/ THE RENDERING OF BLACKTHORNS AND RATTLE OF RAILS./ AND WHAT THEN? THE COLOURS REVERSED, THE DRUMS, MUFFLED/ THE BACK NODDING PLUMES, THE DEAD MARCH AND THE PALL/ THE STERN FACES, SOLDIER-LIKE SILENT UNRUFFLED,/ THE SLOW SACRED MUSIC THAT FLOATS OVER ALL/ BY A.L. GORDON/ UNVEILED BY/ HIS WORSHIP THE MAYOR OF BALLAARAT,/ CR. M.J.BROWN/ 1969/ PRESIDENT CR.W.E.ROOF C.B.E. SECRETARY P. ABSOY. ESQ.horse statue, adam lindsay gordon horse statue

Rectangular wooden honour board with gold text and a decorative shaped border. Hugging the top of the border is a title reading SPORTS PERSON OF THE YEAR AWARDS. At the very top of the honour board is the WHS logo and the Wangaratta RSL logo.SPORTS PERSON OF THE YEAR AWARDS 1973 GARY VOSS 1978 JANET ALLEN 1979 JANET ALLEN 1980 MEGAN HUME 1981 ANDREW DOUGLAS 1982 LISA WILSON 1983 LISA ALLEN 1984 LISA WILSON 1985 PAUL BRYCE 1986 KEVEN O'CONNELL 1987 CRAIG PATRICK 1988 BEN KNOX 1989 SUSAN BATEY 1990 LORI DELANEY 1991 ANDREW KERRIS 1992 DEBBIE McLaughlin 1993 JENNIFER SHARPE, BRADLEY LAMB 1994 KIM WELCH 1995 DEANNE SMITHERAM, KIM WELCH 1996 DEANNE SMITHERAM, DAVID BOX 1997 DEANNE SMITHERAM 1998 KATE SPILLER, BROOKE WINZER 1999 BROOKE WINZER, NATHAN BUZIMKIC 2000 BROOKE WINZER 2001 STEVE JOHNSON, REBECCA GILBERT 2002 REBECCA GILBERT 2003 TYSON HARTWIG 2004 ANDREW, HEATHER OLIVER 2005 ANDREW KELLY 2006 EMMA PANE 2007 AINSLINN KILDEA 2008 JANINA CHICK DONATED BY THE WANGARATTA SUB-BRANCH OF THE R.S.L.