Rectangular wooden base with two metal strips on top of each other. Each strip is separated with a rectangular block between them at one end and has a terminal knob at that end. The other end of the top strip has a knob that when pressed produces a contact between the two strips. Engraved on top: 'GAMBRELL BROS & CO LTD / PATT. 5037'morse code switch, contact switch, gambrell bros, telegraphy

Carnival glass is an inexpensive pressed glass, made as both functional and ornamental objects. Most carnival glass was made between 1907 and 1925, with production tapering off by the end 1931 during the great depression. the name "carnival glass" came about because when the demand for the glass tapered off it was often given away as prizes at carnivals.Large amber coloured glass bowl. It has four short legs moulded to the base. It is very ornate and solid. On the base is a pattern of fruit and flowers. The rim is fluted and the bowl is oval shaped. It is carnival glass.

Hand-held kerosene lamps were introduced in the late 1800s for lighting homes prior to the introduction of electricity. This lamp was used in the Bridge Hotel during early European settlement and migration to the area.This lamp is the only example of domestic lighting within the collection. It belongs to the objects relating to the interpretation of Echuca's Bridge Hotel, built by European founder Henry Hopwood.Ornate pressed metal base (4 sided) with floral design. Featuring a ribbed blue glass fuel fount, a four-pronged metal carrier (that would hold a flat cotton wick) with small circular knob (a mechanism for adjusting the wick) and a bulbous clear glass chimney with decorative scalloped edge.lamp, glass, blue glass, kerosene, flat wick, 1800s

The clothes brush was donated along with a vanity set owned by a local woman who lived in the Harbour Master's house at Warrnambool at the turn of the 19th century. The clothes brush and vanity set were possibly a wedding gift from her mother-in-law, a local business woman who was an importer of 'china and fancy goods'. The item is significant socially as an example of accessories available to, and used by, women in the late 1800s and early 1900s. Historically, it is linked to a local import business ‘Staffordshire House’ in Timor and later Liebig St, Warrnambool, where it most likely came from. The top of the clothes brush has an ornate dragon design constructed from pressed metal (possibly tin or chrome). The natural bristles of the brush have been glued together in small clumps and placed in holes in a wooden base. The wooden base is held within the metal top using small nails.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, metal, pressed metal, tin, chrome, natural bristles, staffordshire house, harbour master’s house

Milk glass is an opaque or translucent, milk white or colored glass that can be blown or pressed into a wide variety of shapes. First made in Venice in the 16th century, colors include blue, pink, yellow, brown, black, and white. https://en.wikipedia.org/wiki/Milk_glass#:~:text=Milk%20glass%20is%20an%20opaque,brown%2C%20black%2C%20and%20white.The ointment smells faintly of tar, so it was proberly used to alleviate irritation of some sort.White glass container with brown ointment inside which is now almost dried up. Black screw lid, and no label to indicate contents. Indented base.None.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, milk glass, ointment, medical

The belt and badges were collected by Herbert Hopetoun Brownlee No 6312 4 FAB AIF. Refer 444 for service history also 441.4, 443P, 445..1) Belt, cloth with "Gloire Allies" in blue sewn into middle. Belt is multicoloured from blues to browns. Fixed to the belt are 47 badges and buttons. On the ends are 2 leather straps and buckles. .2) Small pressed brass item; bird's claw grasping a branch. Possibly broken off a larger item. collection, numismatics-badges-military, handcrafts-leatherwork, metalcraft, military-equipment

Black and white photograph of a section of the interior of the Handschin and Ronus factory in Switzerland ( the parent company of Hanro). It depicts about a dozen women working in the pressing room, they are using industrial steam irons and there are assorted bins in front of the workbenches. Some of the bins are empty and some are full of freshly pressed garments ready for collection.organization, business, hanro, clothing manufacture, iro9ning, pressing, handschin and ronus, hanro

Small square gilt finished pressed metal compact. Top of lid features a plastic covered panel of Petite Point embroidery in a design of curtiares roses and blue flowers. Inside the lid is a square mirror with a spring hinged metal flap over powder compartment, fitted with pink nylon mesh panel.Inner top edge: 'Patented'|Inner lower edge below mirror: 'Made in England'|On inner metal flap initials: 'RC/I/U'personal effects-toilet requisites, cosmetics

Pickering's Dairy was located on the south Side of High Street, Kew, between Charles Street and Highbury Grove. Kew was a major milk producing district in the Nineteenth and early Twentieth centuries, with three major dairy farms lining the Yarra between Studley Park in the west and Burke Road in the east. In addition to these dairy producers, there were also a number of accredited dairy retailers in the suburb. The largest and most enduring of these was the Model Dairy founded by the Kew pioneer James Venn Morgan. Milk bottles that include the name of the producer or retailer are historically significant as they represent a period in Kew's history before the mass production of milk in the second half of the Twentieth Century. A number of these named bottles have the additional attribute of rarity.Milk bottle - F.G. Pickering, Highbury Dairy, 344 High St., Kew. Pressed inscription: "This bottle contains MILK Bottled for Sale by F.G. Pickering, Highbury Dairy HAW5538, 344 High St., Kew. Bottle is the property of the above. It is loaned and cannot legally be used by others". Reverse: "One Imperial Pint". milk bottles, pickering's dairy (kew)

These are milk bottles from the Warrnambool firm of Antarctic Ice. In the 1930s a pasteurising plant was set up in Warrnambool in conjunction with an ice works in Kepler Street, Warrnambool, known as Antarctic Ice (Good and Stevenson). This firm secured a milk supply from several dairy farmers in the Warrnambool district. Antarctic Ice at the Kepler Street site was eventually bought by the Warrnambool Cheese and Butter Company and Kraft Foods as equal partners and the milk was marketed as the Sungold brand. A farmer, Kaye Ryan, had set up a pasteurization plant in East Warrnambool (Raglan Parade/Verdon Street) to treat his own milk in opposition to Antarctic Ice and later Sungold. Kraft and Warrnambool Cheese and Butter purchased the Ryan business and the Sungold operations moved to the Ryan site. Kraft sold its share of Sungold and in 1989 the Sungold plant was moved to the Warrnambool Cheese and Butter Factory at Allansford where it operates today. These bottles are of great interest, firstly as examples of the pint bottles in which we used to receive bottled milk in the mid 20th century and secondly as examples of the bottles used by an important local Warrnambool firm, Antarctic Ice. These are six clear glass one pint milk bottles. They have round bases and bodies tapering through to the neck with a round moulded glass top. These bottles were originally sealed with a circle of waxed cardboard pressed into a recess at the top but there are no seals with these bottles. .1 bottle has a slight chip on the base and on the top opening.‘This bottle contains milk bottled for sale by Antarctic Ice Products Pty Ltd Warrnambool’ ‘Bottle is the property of the above. It is loaned and cannot be legally used by others.’ ‘497’ milk supply in warrnambool district, history of warrnambool

Belonged to Capt Warick Rosenthal TX6321 2nd AIF. Refer 622.3, 775.Badge, pressed metal, gold colour. Crown sits over a 6 pointed star shape with centre circle with a snake coiled around an upright rod. Around the centre circle lettering "Royal Australian Army Medical Corps." A small scroll at the bottom has "Daulatum" 2 x lugs & pins on rear. numismatics, badges, military, medical corp

This is a marble stopper bottle that came from the Warrnambool aerated waters factory of John Fletcher. This bottle was filled upside down so that as soon as the filling stopped the marble was forced down to seal the bottle against the rubber ring. Pressure inside the bottle would keep the marble pressed against the top of the bottle. To open the bottle the marble was pressed down where it has fallen into the neck chamber below. The marble stayed inside the bottle when it was tilted for drinking. John Fletcher worked as a young boy at Rowley’s cordial factory in Banyan Street Warrnambool. He then worked for John Davis who had established the Union Cordial Factory in Koroit Street in the 1860s. In 1885 Fletcher bought John Davis’ business and operated it until 1930. It was then bought by Ralph Reeves. John Fletcher manufactured soda water, tonic waters, lemonade, ginger ale, sarsaparilla, cordials, hop beer and hop bitters. This bottle is of some significance as an example of a marble stopper bottle and as a memento of the Warrnambool soft drinks business of John Fletcher. He was a prominent businessman in This is a mauve-coloured glass bottle known as a marble stopper bottle. The base and body are round with the top part of the body heavily indented to form a narrow opening leading to the neck. The neck is rounded and slightly tapering to the moulded round top. A green glass marble is loose in the neck section. The rubber ring at the top of the opening is missing. The details of the soda water manufacturer are embedded into the glass on the sides. ‘John Fletcher Trade Mark (crown symbol) Warrnambool’ ‘Soda Water’ ‘M’ john fletcher, warrnambool, cordial manufacturers in warrnambool, history of warrnambool

The Cambridge Glass Company was chartered in 1873 by a group of Cambridge, Ohio businessmen. But it was not until 1899, when the site was purchased by the newly formed National Glass Company, that funds became available to start the construction of this new glass factory. n 1901, The Cambridge Glass Company was organized by the owners of the National Glass Company of Pennsylvania Arthur J. Bennett, a native of England, was hired to manage this new factory. Having experience in the china and glass trades. Many of the patterns were of Mr. Bennett's own design. Sometime around 1903-1904 the company's first trademark came into being, the words "Near Cut" pressed into the glass. Cambridge Glass soon became known worldwide for quality in both "crystal and colours, pressed and blown’. 1984. The National Cambridge Collectors purchased many of the moulds, all of the etching/decorating plates and other assets of Cambridge Glass from Imperial. The Cambridge Glass factory building was demolished in 1989A shallow factory made, frosted green glass vase. The central "frog" is a figurine in the shape of a draped lady, with ten holes at her base to hold flowers. The lady's shape is poorly moulded, indistinct and would have been cheaply made. No Makers Mark. Appears to be similar to vases made by Cambridge Glass Co, Ohio, America, (1901 - 1958), during the Depression. glassware, cambridge glass company, ohio, bennett arthur j., orme wilber l., national glass company, pennsylvania, imperial glass company, bellaire, pioneers, early settlers, herron john, bentleigh, market gardeners, moorabbin, cheltenham

Built as a toy, either by a well resourced home workshop or by a toy maker. Have been well used or loved with missing wheels and damaged roof. Possibly dates from the early 1900s. St Kilda was a popular destination for Melbourne cable trams. Demonstrates a toy cable tram set.Cable tram set made from wood and pressed metal. Grip car or dummy has remnants of paint (green and gold) on the sides, holes for wheels on the two wood blocks on the underside. Has an eye hook at one end and a hole for another at the other end. Seat made from timber with a steel wire or rod to represent a grip lever. Metal secured to wood base with nails. Has four metal Staunchions on either side. Trailer similar construction with sides stamped or cut from sheet steel with holes at either end for a eye or hook and wheels. Roof on both items has been pressed and assembled. The trailer has painted on one side "St Kilda" and the remnants of a similar word on the other side.cable trams, toys, trams, st kilda

This guards van is part of a set of matching carriages. The 1CW refers to it being a class leader or the first of that type ever built.Guards Van 1CW, steel sides painted red with a white clerestory roof, contains two compartments with a controllers section at each end of the carriage. Each compartment is made up of 3 hinged shelves, a desk with a set of shelves and pigeon holes above the desk. The ceiling is decorative pressed metal with hooks attached in rows.1CW painted on the front

Used by East Preston Depot until they were phased out and replaced with the Automatic Vehicle Monitoring system c1990. Used to identify the depot and "run number" or timetable that the tram was running on, two in each tram, to enable monitoring by inspectors and crews.Demonstrates a MMTB Tram depot run number plate that was carried by each tram when in service.Pressed metal plate with corners trimmed, top section partly folded with two slotted holes, sides folded to give strengthening to the plate, painted with a yellow background and the letter "P" and numbers "41"painted in black, to give a Run Number Plate for East Preston Depot. Painted with the same detail on either side of the plate.trams, tramways, east preston depot, mmtb, timetables

Guyetts and Sons is a family business that began providing funeral services in Warrnambool and South West Victoria in 1905. Today in 2019 the business is still in operation as Guyetts Funerals Warrnambool. This wooden coffin was used as a display model in the 1920s at Guyetts. Its simple six-sided design was an economical choice as it used less wood than the box-shaped coffins. This coffin is an example of coffin design in the 1920s in Warrnambool and South West Victoria. It is historically significant, representing a local business that began in the first decade of the 1900s and is still in operation today.Coffin made of polished wood with pressed, silver coloured metal decorations on top and along sides in several designs. Its shape is similar to the human body; wide at the shoulders and narrow at the feet. It has a six-sided base and a completely removable lid. The coffin was used as a display coffin by Guyett and Sons, funeral directors of Warrnambool, from the 1920s.Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, coffin, display coffin, guyett funeral directors warrnambool, warrnambool 1920s, warrnambool 1905 business, funeral item, funeral service, funeral director warrnambool, funeral home, funeral arrangements, burial service, cemetery funeral, death, herse, cemetery supplies, funeral director supplies, mortuary equipment

This Bible belonged to Minnie Maud Middleton (d. 1958). She came from Framlingham, near Warrnambool. Miss Middleton’s parents, Hannah and Thomas, brought the Bible to Australia from England in the 1870s. The Bible, printed in 1816, contains a pencil drawing of the Roydon Church of England where the Middletons worshipped in England. This Bible is of interest as an example of a Bible that many families owned, treasured and read in times gone by and especially in the 19th century. It has local provenance.This is a Bible with a hard leather cover and the spine covering replaced at some stage. The front and back of the book are much rubbed and scored. The pages are numbered according to the sections and the font varies with two columns to each page. There are over 40 black and white illustrations (from engravings) and several pressed ferns. Some pages are damaged. There are four loose sheets. Brown’s Holy Bible printed 1816 Presented to G. Phillpot 80 Kelp St Warrnambool in 1953 by Miss M. Middleton of Bendigo, late of Framlingham. Was brought to Australia by Miss Middleton’s parents approx 80 years ago. The pencil drawing is of Roydon Church of England where Miss Middleton’s parents worshipped. Copy of ‘Willing Work’ dated Nov 3 1877 was found in the Bible. minnie maud middleton, framlingham, history of warrnambool, bible, roydon church of england

Roy Leslie Thurlow enlisted 25.5.16 No 2493 in the 60th Batt A.I.F. K.I.A 25.10.17. Refer Cat No 1890P for service history also 649P..1) Badge "Rising Sun" hat badge, pressed blackened metal "rising sun depiction, crown centre, scroll under with "Australian Commonwealth military forces" .2) Badge "Australia" shoulder, curved shape blackened metal with 2 lugs on rear. .3) identity disc, round, aliminium with stamped details re R.Thurlow..3) " R. Thurlow, 2493, 60 BT, A.I.F CE."numismatics - badges -military, military history, identity discs

This set of calipers was used for measuring and marking in the planning and making of components for the ship model Sovereign of the Seas. It is part of a collection of objects used by Jim Williams, maker of fine ship models from about 1930-1955. Most of the components for the models, as well as many of the tools, were handmade by Jim Williams. Jim’s family has donated the ship model “Sovereign of the Seas” and many tools, accessories and documents used in the making of this and other ship models have been donated to Flagstaff Hill Maritime Village. Ship model of HMS Sovereign of the Seas, scale model of 17th Century English war ship, was handmade and carved from plans, enclosed in airtight glass case. All components of that model, including even the smallest pulleys, were hand crafted using tools designed and made by Jim. Outstanding details include functional rigging and moving cannons. Please see our record 3732 of the mode Sovereign of the Seas for further details of the ship and the maker. This calliper is connected with the hobby and skill of ship model making that has been crafted as a leisure activity for many generations. The hobby is often chosen by serving and retired mariners who appreciate the connection with maritime history. This calliper was used by local Warrnambool man, Jim Williams, who was employed at Cramond and Dickson clothing store, and then at Fletcher Jones menswear for 27 years. It was used in making components for the model of the historic ship, the Sovereign of the Seas. The Sovereign of the Seas was a historic 17th century English war ship with important maritime heritage. Calipers, metal, two arms joined by hexagonal bolt. Made by Moore & Wright, Sheffield, England. Maker’s name pressed into metal on arm. Use to measure thickness of materials. This set of calipers is part of a collection of tools and accessories once used by Jim Williams, maker of a series of ship models 1930-1955 including “HMS Sovereign of the Seas”. “MOORE & WRIGHT / SHEFFIELD ENGLAND”flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, ship model sovereign of the seas, jim williams, james bernard williams, ship model hobby, ship model tools, ship model making equipment, ship model making accessories, technical drawing instrument, calipers for drawing and measuring, moore & wright of sheffield england, sovereign of the sea, ship model, hobby, ship model tool, english war ship, measuring instrument

Ticket punch - pressed steel with ticket guide, steel rivet for pivot, circular finger clip, spring steel wire - punch has a shaped hole. Has number 2509 stamped in near rivet and Maun Industries England on the reverse side. The arms of the punch have a pattern stamped into the metal to give a possible non-slip surface.trams, tramways, ticket punch, tickets, fares, conductors

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.Small circular pressed tinplate badge featuring a gold-bordered art nouveau style heart within a green wreath, surmounted by a yellow seven-pointed star, all on a brown background. The words ‘Discharged Soldiers’ Fund For Our Returned Soldiers’ feature within the heart, on a buff background. A gold and white border encloses the whole design.first world war (1914-18), patriotic buttons, badges

Colloquially called the 'Tin Hat' this helmet was designed by John L Brodie in response to the French helmets. It was easilly pressed from a single sheet of steel and saw service with all British Empire/Commonwealth Forces. Even the American Expeditionary Force (AEF) of World War I succumbed to its charms, and it also featured in early United States battles with Japan in the Pacific during World War II.Khaki steel helmet with brown leather straps

Found by Rudy Kraus in a building at ELDORADO (town) Found 2019Typical of cigarette tin used by airmen in WW2Tin 107mmx80mmx20mm , kharki colour.hinged lid ie two partPlayers Airman virginia cigarette tobacco Made only from leaf of perfect length and texture 20 by 12 very small pressed dots pressed on bottom in area in middle 40x24mm Raundel on front lid corners(4) in colours red(on corner)white then blue- total of 10 mm from lid corner towards centre Written in very small print along edge of lid(side) - 2 oz net wgt when packed Written along front of lid is - MAnufactured by ..........tobacco company of New Zealand.......wellington tin, tobacco, virginia, airman

Although these scales cannot be identified against a historical period of Australian development they are therefore placed in a time frame when commercial markings from manufacurers were not important enough to have domestic kitchen items labeled. These cast iron scales were made for domestic and possibly rural areas and not for cities where demand for known branded utensils was more an issue. These scales are very "basic" and not to the level of weighing detail that commercial scales had to be at. These scales do not show any visible markers for accurate measurement. The "near enough is good enough" principle can be related to these scales.These scales are significant as they identify one of the basic preparation items for the weighing of foodstuff before the televising of "cooking" shows (1960s onward). The meals for which quantity measurements are required for domestic cooking is not exact however the use of cup measurements for large dishes is tedious and these scales offer the capacity for a larger mixture and an easier method for the "cook". As the need for accurate measurements of ingrediants for rural domestic meals has in the past been not been critical the requirement of accuracy that these scales do not provide is of no consequence. Domestic kitchens in the Kiewa Valley and the type of meals produced would not have required the accuracy of ingrediants that "modern " international cuisines of the later 1900's require. These kitchen scale were used whenrecipes had the terms "pinch, dollop, squidge and smidgen" were about as accurate as most recipes needed to be.Black cast iron, medium weighing scales, with a two arm cradle. On one side of the cradle is a two half circle holding frame for the retention of the metal container scoop. This light weight steel scoop/dish allows for the weighing of loose grain or similar type material to be contained and held in place for establish its saleable contents. On the other side of the weighing cradle is a flat circular platform to hold various metal disc. All the disks used on this platform have their weight stamped on them. When the produced filled in the scoop balances with the metal weight on the opposite end of the balance match (visual horizontal appraisal) the appropriate quantity required is obtained. This scale does not have any visual markings on the arms to identify a true balance. It is therefore reasonable to assume that these scales were for domestic use only and not for commercial transactions. There are two weights that are useable with these scales, one is stamped "1 lB"(pound) and one stamped "1" and both are made as a solid round piece of cast metal.The smaller disc has a "1 lb" moulded and pressed form within a marked inner circle and a mouled ridge outer circle enclosure. The other weight is slightly larger and has a moulded "1" located on the top within a raised circular edge.domestic kitchen scales, weighing scales, metal scales

These marble stopper bottles came from the Warrnambool aerated waters factory of John Fletcher. A marble stopper bottle was filled upside down so that as soon as the filling stopped the marble was forced down to seal the bottle against the rubber ring. Pressure inside the bottle would keep the marble pressed against the top of the bottle. To open the bottle the marble was pressed down where it would fall into the neck of the chamber below. The marble would stay inside the chamber when the bottle was tilted up for drinking. As a young boy John Fletcher worked at the cordial factory of John Rowley in Banyan Street, Warrnambool. He then worked in Koroit Street, Warrnambool at the Union Cordial Factory of John Davis. This factory had been established in the 1860s. In 1885 John Fletcher bought the business of John Davis and continued it on until 1930 when it was bought by Ralph Reeves. John Fletcher manufactured lemonade, tonic waters, soda water, sarsaparilla, cordials, ginger ale, hop beer and hop bitters. These bottles are of interest, firstly because they are good examples of the marble stopper bottle type of bottle, no longer in use. They are also important because they are John Fletcher bottles and he was a prominent businessman in Warrnambool for over 40 years.These are two glass bottles. They have a rounded base and body with deep indentations which give a narrowed aperture to the top of the body and the neck. The neck is round and tapering to a moulded opening at the top of the bottle. Both bottles had a round rubber ring inside the bottle, with one lodged in the bottom of the bottle. Both bottles have a green glass marble in the neck of the bottle. The name of the manufacturer of the lemonade is impressed into the body of the bottles. ‘J. Fletcher’s Aerated Waters Koroit Street Warrnambool’ ‘Lemonade’ ‘This bottle is the property of John Fletcher Warrnambool & cannot be legally used by others’ ‘A.G.M.’ john fletcher warrnambool, cordial manufacturers in warrnambool, history of warrnambool

Clothing. Navy blue silk dress with V neckline faced in soft pink silk, which is overlaid with navy rouleau, giving a ''lattice'' effect, and then the neckline has been bound with navy fabric. The lower edge and side is decorated with three, four-petalled flowers, backed with navy fabric, with navy covered buttons in each centre, and navy tipped, pink rouleau 'stems'. Three X 2 cm diameter navy covered buttons are spaced on either side of neckline. Six X 1cm wide loose pressed(not stitched) pleats and two 2 cm pleats form a panel from neckline to waist of bodice. This pleating continues from the waistline, and is stitched horizontally for 31 cm below the waistline, before falling in a pressed form to the hemline. Back of skirt is plain, with top stitched centre back seam, which opens into a (X2) 5.5 cm wide inverted pleat at centre back. Long sleeves are also pleated-stitched down horizontally, for 17 cms, then pressed(not stitched) to the cuff. The cuff has an 8 cm deep peak, tapering to 4.5 cm deep at the opening-which fastens with two metal press-studs. Sleeve fullness is gathered into the cuff.costume, female, navy blue dress

The Government first granted land for the building of a Presbyterian Church in Sunbury in Stawell Street and Barkly Street, in 1864 and a smaller building was later erected on the site. In 1904 Rev Goyen pressed for a brick church rep[lace the smaller weather board building and the foundation stone was laid for the new church was laid by Mrs. John Duncan on 17th August 1904 and the new church opened by Lady Clarke on 13th November 1904.The Presbyterian Church was one of the earliest churches to be established in Sunbury along with a school.A non-digital sepia photograph in post card format of the front view of a brick church with a light picket fence across the front.