BHS CollectionBlack and white photograph mounted on rectangular brown board. House ( no address given ) weatherboard and rough cast. Box window at left and small ditto under verandah. Awning over window. Curved timber trim to verandah roof. Timber balustrade and slats to wooden verandah. Curved trim to barge board. Frank A. Jeffree Bendigobendigo, business, t c watts & son

Rough sketch for the new Flinders Street building designed by Walter Richmond Butler. The copy was published in the 2002 conservation plan without mentionne the source. The original has not been located.The drawing shows the first design of the chapel, the intented position of the weathervane, the absence of chaplain's residence and dome.Original drawing for the new chapel with signature of Walter Butlerwalter richmond butler (1864–1949), flinders street, building, sketch, built heritage

The interior of the Saloon on the S.S.Casino showing the elaborate table arrangements and the swivel chairs that were bolted to the floor to allow passengers more comfort when the ship was moving through rough seas.Black and white photographs.s.casino, port fairy, ship, boat, sea, moyne river

Colour tinted large format postcard showing lifting bridge over the Tambo River, at Swan Reach, Victoria. Bridge is closed to allow road traffic through. Rough gravel road to Metung on right. Landing on left near bridge. Vegetation on river bank right. Houses in distance on both sides of river.The Swan Reach Bridgeboats and boating, bridges

Double page spread from 'The Graphic' newspaper of Summer 1886 entitled 'ALL ABOUT OUR LAWN-TENNIS CLUB'. A cartoon style composition by Arthur Hopkins narrating the story of a club establishing their courts on rough country fields. Framed under UV glass. Materials: Ink, Paper, Glass, Metal, Woodtennis

Jocelyn Hall indicated in notes that the gentleman could possibly be an estate agent. This was confirmed by a grandson of the original owners. (REF: Email 1/8/2020) The original photos is thought to have been a publicity photo for the real estate agency. Carl Theodore Offszanka (1874-1944) was born in Germany. He is listed in electoral rolls at 44 Guildford Road from 1915, occupation furrier, with his wife Ida (nee Schade, 1882-1963), also born in Germany. They were married in Victoria in 1908. In later electoral rolls at the same address are Erna Helena (b 1913; d 1996) and Maria Eliese (b 1910; m Benedict Francis Rieusset in 1936). Both daughters are listed as typists. Also listed is Bernard George (b 1914; d 1987) who in later electoral rolls is described as a process worker. He served in the AIF in the Second World War. Not listed is Carl Bernard b 1909. The Offszanka family lived at 44 Guildford Road from 1913 until post-1980; they came to Surrey Hills from Richmond. Their home was called 'Westfalia' (ref: 1919 electoral roll), presumably after the region in NW Germany. It is not known when Carl and Ida migrated from Germany. This home has had a 2nd storey added to it in late 1990s. According to a family descendant (REF: Email 1/8/20 from grandson) Carl Theodor Offszanka purchased the home in 1913 for £616. He also purchased the adjoining vacant block of land at 42 Guildford Road and ran a large orchard on it before later selling it. This appears to have been between 1920-1930. The family continued to occupy the house until after 1980 when Erna Helena and Bernard George are listed in the electoral rolls. Our property register lists Erna Helena Offszanka as the last member there. She died on 5 May 1996. The Offszanka family occupied this home from its beginning for over 70 years. Such long-term occupancy by one family is unusual.Black and white photo of a ? dark-stained timber Edwardian home at 44 Guildford Road, Surrey Hills. A hooded buggy is located in the rough driveway at the side of the house. A gentleman in a hat and with a moustache is seated in the buggy. A tall building can be seen in the far distance and a street leading up the hill from Canterbury Road.edwardian style, houses, guildford road, horse drawn vehicle, carl theordore offszanka, miss ida schade, mrs ida offszanka, miss edna helena offszanka, miss marie elsie offszanka, mr bernard george offszanka, estate agent, mr carl bernard offszanka, westfalia

Document. Harry Biggs Collection. A collection of items pertaining to the word Bendigo. (a) Typed 2 page sandy coloured paper titled 'Those Early Changing Years'. A rough copy with many alterations. Originally the Post Office was Bendigo Creek. In 1854 The Post Office changed to Sandhurst. 1891 a poll of rate payers changed the name to Bendigo. (b) A typed rough copy of 'Little Bendigo' describing a Houldens Bus trip (in 1969) from Bendigo to Ballarat. Charles Sherratt named Bendigo Creek after his bullock driver Bendigo. C) 2 sheets of paper pasted on cardboard relating the findings of the Select Committee inquiring into the claim of Henry Frenchmen to be the 1st discoverer of gold on Bendigo & the origin of the name Bendigo.cottage, miners

BHS CollectionBlack and white photograph mounted on rectangular brown board. House, weather board below windowsills, rough cast above, two bow windows of 10 lights all leadlighted, twin leadlighted doors, roughcast columns support verandah, front gable, balustraded steps and curved brick wall to verandah. Corrugated iron hipped roof, rough cast chimney with cap of exposed brick. Timber framed fence with woven wire covering and woven wire to gate frame. On back of photo 'Mr. Irwin, Drought Street, sewered £700 for house and land on which it stands 80 x 66 or £875 for house all land through to Stout Street 16.9.36' 2012 photo of house attached to record.Frank H. Jeffree, Photo, Bendigobendigo, business, t c watts and son

This mallet is of a basic construction. It is a rough shaped head which has been reinforced with rivets. The handle is slim in relation to the mallet head. Timber mallets were used to knock timber pieces together.Wooden mallet, with a rectangular replacement handle affixed to a large block of wood. Two rusted rivets are affixed through the top of the block, which is missing a chunk from one side. mallet, woodwork, carpenter's tools, churchill island

Corporal Francis John Papworth (VX66806) served in the 2/2 Australian Commando Squadron in Timor, New Guinea and Borneo, Tarakan during World War II. His pencil drawn images of the John Viera and his family during 1942. This work of soldiers is significant as a work produced by a serving soldier on location during WWII and is a unique example of an artistic work showing the men and their surroundings at the time. Strong provenance as part of the family collection.Multiple pencil drawings on white paper board showing three drawings images of John Viera and his family by Corporal F. J. Papworth during his Commando service on Timor in 1942 during World War II. One of the drawings is of John Viera, five rough drawings and a sketch of the Viera family group.john viera and his family during 1942

This historic bronze nail dates back to 1790s to 1890s. Nails such as this one were used for ship building, as deck fasteners and many other uses. This nail was made at a time when the shanks of nails were usually machine cut but the heads were hand formed by blacksmiths. The nail was recovered from a shipwreck along the coast of Victoria in around 1968 and is part of the John Chance Collection. The nail is significant historically as an example of hardware used when building wooden ships in the early to mid-19th century. The nail is historically significant as an example of the work and trade of blacksmith. The nail is also significant as it was recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Nail; bronze, deck nail. Rounded rectangular head, rectangular shank cross-section, tip flattened to a rounded wedge shape. The surface is pitted and rough and has blue-grey, green and orange concretion and degradation on the nail's surface. Recovered from an unspecified shipwreck along the coast of Victoria. Part of the John Chance Collection. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, john chance, fastener, nail, square nail, machine cut mail, blacksmith, historic nail, bronze nail, hand forged, coastal shipwreck, victorian shipwreck

The rock and attached plaque to Caroline Chisholm stand in front of the Royal District Nursing Service (RDNS) Essendon Centre. It was unveiled at the opening of the Centre on the 30 August 1967.The plaque has a deep silver colour background, light silver colour writing with gold coloured edging.Caroline Chisholm visited the goldfields of Victoria in 1854 and was horrified by the conditions en-route. The Memorial plaque to Caroline Chisholm, in front of the RDNS Essendon Centre which is situated on Crown Land, is in recognition for her work in establishing, with Government assistance, shelter sheds about a days walk apart, to enable the prospectors and their families heading for the goldfields shelter on their way. Caroline Chisholm, a Philanthropist, began her work in Madras in 1834 founding a Female School of Industry for the daughters of European soldiers. They were taught to read, write, cook, keep house and were given instructions in nursing. After coming to Sydney in 1838, she set up accommodation for poor young unemployed migrant women and families. This work was extended when she arranged employment for assisted immigrant women and families into the countryside, many times travelling with groups of young women to check their employment conditions. In seven years she placed 11,000 people in homes and employment. On her return to England she fought for, and won, free passage to Australia for wives and children of former convicts, and for children left behind in England by circumstances, when the family migrated. She established the Family Colonisation Loan Society in 1849, which set up a saving scheme for emigrants, and later loaned them half of their passage to Australia. The Society's Agents found them employment on arrival, and the loan was paid back within two years by a humane payment scheme. At first they used emigrant ships, but then the Society provided ships with much improved conditions, and this led to the upgrading of the passenger Act.. The Chisholm's lived in Kyneton for several years, returning to Sydney for health reasons, before going back to England where Caroline died, aged 68 years, on the 25th of March 1877.Black and white photograph of the Memorial plaque to Caroline Chisholm. The rectangular plaque sits on a rough light grey rock, and has light colour writing and edging, on a dark grey background. The inscription on the plaque is in five lines and reads: "On this site in the year 1855"/, "Mrs Caroline Chisholm"/, "Established a Shelter for"/, "Diggers and their families"/ "Travelling to the Goldfields"/.Photographers stamp. Quote No. GJ 56rdns, royal district nursing service, rdns centre, caroline chisholm, memorial plaque

Taking the Bar, 1876 woodcut of original entrance, with paddle steamer 'Lady of the Lake' and pilot boat grinding through rough conditions, can see Roadknight's Jetty, they lived at Merrangbaur, is aboriginal for home of lyrebirds.Colour photograph of a painting of a ship being towed over the natural entrance to the Gippsland Lakes. Red Bluff in background, Roadknight Jetty glimpsed through the natural vegetation. Lakes Entrance VictoriaTaking the Bar from Roadknights Jettyjetties, public works

From the 1970's onward the relative isolation of regional areas was improving in "leaps and bounds". Social amenities, and life styles were changing at a great rate. Items such as this camera (recreational/life style/non professional) capture of the altering socio economic balance of rural based activities provided the catalyst for greater appreciation by city dwellers to the benefits of rural life. The greater levels of communicative avenues, especially the visual (photography, pictures, television and the internet), from the beginning of this period and throughout the time frame (1970 to the 2000s) has cut the major restraints of what was rural "isolationism".The significance of this type of camera, being a small two lens (normal, telescopic) and portable piece of equipment, allowed non professional tourists, locals or visitors to visually display the uniqueness of the Kiewa Valley and Alpine regions. This method of promotional and intimate visual reproduction of not only physical but also through personal involvement, of the photographer to the audience, a greater psychological impact, by the nature of intimacy involved. This type of photography is one of the most effective stimuli to promote the unique qualities of the Kiewa Valley region.This Item is dual lens (22mm,44mm) camera comprising of an elongated oblong shape, black hard plastic shell. It has a slightly rough surface(for a better fingers grip), two latches are located at the back, one to release the camera from its hinged protective cover and one to move to the next picture frame (film is within a cartridge).On swing cover "Kodak Tele 1 " on back in small print "MADE IN USA" On camera body "KODAK TELE EKTRA 1" underneath "CAMERA" and on slide switch(front) to change lenses:"Tele" and "Norm" kodak two lens camera, photographic hobby usa made camera

“Alone in West Africa” is one of a number of works written by Mary Gaunt. Her other works include, A Woman in China, The End of the Earth, Kirkhams Find, The Moving Finger and Deadman’s. Mary was born at Indigo near Chiltern in 1862 and lived for many years in Ballarat where her father W.H. Gaunt was gold commissioner and later a judge. The original Gaunt family home was converted into St Patrick’s College. She married Dr Lindsay Miller and moved to Warrnambool and after his death in 1899 she embarked on her travels which took her to many parts of the world. She died in Cannes, France in January 1942. Mary Gaunt wrote over 25 novels, numerous travel books and many stories and articles. She had a strong link with Warrnambool and details of the district are included among her writings. She also wrote regularly in the early 1900’s for the Times in London on women issues. She was an independent thinker and worker. Apart from the text of “Alone in West Africa,” the work contains 97 black and white photographs which Mary had taken and developed herself. These photos are a significant view of aspects of life in Africa at that timeDark blue cover with gold text. Title, “Alone in West Africa” with sketch of two children in the centre, with Mary Gaunt underneath. The back cover has an embossed letter “L”. Inside the front cover is a rough sketch of the author’s route of the French Ivory Coast. It contains a number of black and white plates and index. 399 pages.T Werner Laurie on bottom of spine. Black and white photograph of author with autograph underneath. T Werner Laurie Clifford’s Inn London. Acknowledgements included in the dedication , Sir Charles Lucas, Sir George Denton, Elder Dempster and Co. Messrs. Swanzy and Co.,gaunt, mary gaunt, alone in west africa, french ivory coast 1912

Photograph (proof 74) Thomas' Battery at Wilson's Hill, date unknown. Shows the Battery in the middle distance, there is a very rough timber dwelling with a wide, low, chimney at the end of it and tents to the right of these. A male wearing a white apron is standing in front of the chimney and there is a group of males in front of the Battery building, several bicycles are leaning against the building.topic, mining, battery, thomas battery, wilson's hill, mining

p34 'Old Farm Machinery in Australia' Society Ref.Horse drawn, hand operated Spring Tyne Orchard Cultivator. It can be paired with a similar cultivator. Has 7 tynes one disc at rear both adjustable. Depth of tyne into soil controlled by levers for light scratching to deep. The weight per tooth was 1/2 that of ordinary English harrow. Useful for rough stony ground.'Harvey' - on rear disc adjuster pivot.rural industry, orcharding

This subdivision plan shows 10 lots, numbered A-J, that were offered for sale in Camberwell. Streets in the subdivision include Camberwell Road, Judd Street, Bellett Street and King Street. The plan lists existing houses in the vicinity including weatherboard and ‘Rough Cast’ villas. The old Golf Links are identified at the rear of the Bellett Street lots.subdivision plans -- camberwell (vic.)

Two bearded gentlemen standing in front of weatherboard Home with Wooden Shingle Roof overgrown with ivy. A rough picket fence and gate in front with boy with straw boater hat sitting against it. Swalwell - Eastlake families.stawell

1. Home made Print of ANZUK Force (Aust, NZ, UK), which was unit based in Singapore in early 1970's. 2. Identification sign roughed up to identify Padre's tent as part of the ANZUK Unit.1. Printed paper, red background, white edge, picture of orange and blue crown in centre and ANZUK Force written in black on white background ribbon at bottom. 2. Hand painted on metal plate, emblem of 6th Coy RAASC and in yellow writing at bottom " Padre". Small hole drilled thru at top and bottom to hang sign.1. Crown in centre & "ANZUK FORCE" below. 2. Emblem of shield with wings, a halo above and "Div", "RAASC", "Tpt" below and "Padre" written at bottom. souvenirs, signs, passchendaele barracks trust

Pressed copper image of HMAS Bendigo. Pressed on timber with cork print plastic on back.Stamped on starboard side: “J187’ In black texta in back: “To my skipper in Bendigo 1942 - 1943 thanks Griffo from Ric. Rigg. Hopper. We all went through rough - good time together & were a happy united crew. Thanks to Management”craft, copper, hmas, bendigo

Robert Ulmann was born in Zurich, Switzerland, where he studied sculpture and painting, exhibiting annually with the National Art Society of Switzerland and in Paris, Munich and Stockholm. He migrated to Canada in 1956 and became a Canadian citizen. After working on the restoration of sculpture on the west wing of the Parliament Buildings Ottawa, he took up a Government appointment as one of six artist advisers to the Eskimos, initiating handicraft and sculpture programs in isolated settlements across the Central Arctic. He arrived in Australia with his Australian wife, Helen, in 1969, after two adventurous years backpacking and sketching through the United States, Central and South America and the South Pacific. From 1970 to 1972 he was employed by the Northern Territory Administration as a manual arts instructor to the aboriginal people of Docker River, a remote settlement west of Ayers Rock. A series of drawings from this period was exhibited by the Department of the Interior in Canberra, Sydney and Adelaide. Robert Ulmann’s paintings and prints of wildlife from Australia and overseas fill a beautiful studio overlooking the famous Logans Beach whale nursery at Warrnambool in the Western District of Victoria. His previous studio and home, together with 13 years of field sketches and his best work collected together for two books were destroyed by the Ash Wednesday fires at Naringal in 1983. Rob exhibited in Sydney, Melbourne, Adelaide and Perth as well as in the Regional Galleries of Warrnambool, Ballarat, Portland and Horsham, and, among numerous prizes, he won the award for watercolour at six of the annual exhibitions of the Wildlife Art Society of Australasia, between 1978 and 1983. Although his principal interest was in drawing and painting, he retained a fascination with sculpture. His works range from two stone fountains with figures commissioned by the City of Zurich, while he was still a student, to a 4 ½ ton sculpture in bluestone commissioned in 1977 as a memorial to Sir Fletcher Jones., a five metre representation of whale tails in steel, and a life-size bronze of St. John of God commissioned for a private hospital.Image of a goat beginning to rise from a seated position, possible struggling out of mud. Painted in yellow and brown tones, with blue shadows. Earth colours form a rough ground area surrounding the goat. A brown wash provides a cursory background behind the goat's head. Dark cream matt surrounds image. Gold painted wooden frame, with glass.Front: Robert Ulmann (lower centre, paint) Back: (no inscriptions)

According to the donor these image copies were used in an exhibition, and distributed at the conclusion. The originals are thought to be in the collection of Snake Valley HIstorical Society.Framed black and white photograph of a group of shearers at the Mount Emu property of McCookes. The shearers shear in an open paddock with a rough wool classing table. Shearers from left: A. Corbet, W. Rowler, L. Tanner. Others from left: V. Corbet, the owner A. McCooke, Bert McCooke, A. McCooke, woolclasser J. Ringin, C. McCooke, J. Brown.a. corbet, w. rowler, l. tanner, v. corbet, a. mccooke, bert mccooke, j. ringin, c. mccooke, j. brown, woolclassing, woolclasser, shearing, shearer, mount emu, mt emu, farm, livestock

This historic bronze nail dates back to 1790ss to 1890s. Nails such as this one were used for ship building, as deck fasteners and many other uses. This nail was made at a time when the shanks of nails were usually machine cut but the heads were hand formed by blacksmiths. The nail was recovered from a shipwreck along the coast of Victoria in around 1968 and is part of the John Chance Collection. The nail is significant historically as an example of hardware used when building wooden ships in the early to mid-19th century. The nail is historically significant as an example of the work and trade of blacksmith. The nail is also significant as it was recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Nail; bronze, deck nail. Rounded rectangular head, rectangular shank cross-section, tip flattened to a rounded wedge shape but cut straight down at the end instead of a point. The surface is pitted and rough and has yellow and orange concretion and degradation on the nail's surface. Recovered from an unspecified shipwreck along the coast of Victoria. Part of the John Chance Collection. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, john chance, fastener, nail, square nail, machine cut mail, blacksmith, historic nail, bronze nail, hand forged, coastal shipwreck, victorian shipwreck

This brown glass bottle has been handmade from about the 1840s to 1870s. The bottle, possibly used to store ale or soda or mineral water, was found in the coastal waters of Victoria. It is part of the John Chance Collection. Glassblowers made bottles like this one by blowing air through a long pipe into the molten glass blob at the end of the pipe. The glass was blown out to fit into the shape of the cylindrical dip mould. Once it hardened, the glass was removed from the mould and the glassblower would continue using the pipe to create the neck while carefully using a tool to hold the base. The base may have been part of the dip mould, otherwise, a 'ponty' tool would have been used to flatten the base. A tool would have been used to cut off the bottle from the blowpipe. A piece of soft glass would be added to the mouth, then the double collar would be formed. Bottles like this would usually be sealed with a cork, which may have been held in place with wax or wire and tape. Although this bottle is not linked to a particular shipwreck, it is recognised as a historically significant example of handmade, 1840s to 1870s beverage bottles imported for use in Colonial Victoria. The bottle is also significant for its association with John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several shipwrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Bottle, brown glass, rough surface, uneven colour. Crude, applied mouth with double collar; wide straight upper, ring lower. Slightly bulbous neck. Shoulder seam. Body tapers inward towards base and has smooth ripples. Shallow base with wide heel. No obvious pontil mark. Sediment inside bottle. Glass is scratched in places. flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, handmade, mouth blown, blown bottle, collectable, bottle, dip mould, soda bottle, brown glass, ale bottle, beverage bottle

Record Book - The Whipstick Cyanide Company 1902-03. Cyanide records from March 1902 - March 1903; Petty Cash records and 'Rough Statements' from March 1902 to March 1903; Summary of Smelting April 1902 to Dec 1092 ( for Whipstick Cyanide Company and The Marong Gold Company); Various statements of expenditure; Income Tax Return 1902.bendigo, industry, whipstick cyanide company, whipstick cyanide company

Objects. MAGIC LANTERN COLLECTION- 2 x glass MAGIC LANTERN SLIDEs 14 x 19 cm / one has a rough pencil l sketch of a horse and cart, the other of an egg timer ? / 2 x slides glass antique Circa 1870's - 1900s (produced by Ernst Plank ?) Magic Lantern slides red bordered slides.photography, projectors - still

BHS CollectionBlack and white photograph mounted on rectangular grey board. House, weatherboard, 3 gable rooves and small gabled portico. All gables decorated with rough cast and wooden slats. Decorative chimneys with pots, verandah posts with capitals. Tall palm tree in established garden picket fence, with ornate fence posts. Creeper over gateway. Queen Street.Frank A. Jeffree Bendigoplace, building, residential, stamped on back in rectangle ''t.c. watts and son/auctioneer/estate agents/253 mitchell street/bendigo'' stamped on back in circle ''royal historical society of victoria, bendigo branch''

black and white photo. Mounted on soft manilla card. Image is of double fronted villa. Double gabled tiled roof, single rough cast chimney, buttressed arched verandah. Rectangular vent in shingled area above triple leadlighted double hung bow window, brick walls, stepped wide entry verandah. Brick/concrete fence.buildings, residential, art deco

Document. Cohn Bros. Collection. Buff envelope containing three pieces of paper. One is an Income Tax Schedule for 1908. 2 - is a financial statement at 30 Apr 1908. 3 - is a hand written Profit/Loss statement written on large pale green lined paper. Copy Income Tax Schedule for 1908 & rough figures re- same.organization, business, cohn bros, cohn bros. collection, brewers, cordial & aerated water manufacturers, income tax 1908