These bottles were common in the late 1800's and 1900's. Bottle Nos 1 and 2 were made by Angus & Co, a Sydney company producing ink and gums (glue and clag) from about 1880 to 1920. Their products were sold in stoneware and glass containers in varying sizes. 1. Small pottery bottle referred to as a "Penny Ink" bottle, made by Angus & Co. The small bottle got its name because of the price of 1d. = 1 penny. This bottle is missing. Nos. 3 and 4 The two tall thin Erven Lucas bottles with handles at the top were usually referred to as "Dutch Gins". In fact they actually contained "'Seltzer Spa water' or a form of Quinine Tonic, both supposed to be health drinks. These types of bottles first arrived in Australia with the Gold-seekers from Europe. Early samples are somewhat crudely made. The potter would have formed the bottle with a young apprentice applying the handle, name stamp and the glaze prior to being fired in the kiln. There is evidence of fingerprints from these processes on both samples.A collection of five handmade rare stoneware bottles with a salt glaze: 1. Small pottery bottle referred to as a "Penny Ink" bottle, made by Angus & Co. The small bottle got its name because of the price of 1d. = 1 penny. This is missing. 2. Medium glazed brown pottery bottle with a pouring spout (Angus & Co Ink Commercial). 3. Medium glazed brown pottery bottle with a pouring spout (Bourne Denby). 4. Large glazed brown pottery bottle with a pouring spout (Bourne Denby). Sample is from England probably sold for 2/- or 2/6d. Two shillings or two shillings & sixpence. 5. and 6. Two tall thin brown pottery bottles, one with a broken cork stopper and one without a stopper with Erven Lucas Bols - Het Lootsje Amsterdam stamped at the top of both. They were usually referred to as "Dutch Gins". 6. Green/black bottle is a traditional Dutch Gin with tapering sides, which made it easy to remove from the mold after being blown by hand and the cork top was applied by an apprentice. This sample dates from approximately 1900. Earlier samples are very crude with later samples being machine made with embossing.(This bottle is missing, 13.10.2022). 2. 'Angus & Co Ink Commercial' 3 and 4. 'Bourne Denby' stamped inside an oval lined shape. 5. and 6.Erven Lucas Bols - Het Lootsje Amsterdambeverage bottles, bottles, storage containers, stoneware bottles

Commemorative Port bottle produced to commemorate the uniting of Freemasonry in Victoria 1889-1989Commemorative item.Empty pottery bottle, blue glaze with gold writing. 750ml capacity.freemasons, all saints winery

The 1846 London Directory lists David Bumsted & Co., trading at 86 Lower Thames Street, 35 Bridge Wharf, City Road Basin & 338 Wapping High Street Droitwich, as a salt merchant. The London Gazette had the following announcement dated 30th November 1887 advising his partnership with John Campbell Bumsted, carrying on business at 36, King William-street, in the city of London, as Salt Merchants, is dissolved as and from this date; and that the business will be continued to be carried on by the said John Campbell Bumsted alone.A rare item now sought after by collector of ceramics and significant as a collectors item from the late 19th century.Glazed Container; cream coloured ceramic salt jar, round shaped, Has lion and unicorn emblem and inscription impressed on outside. "D.BUMSTEAD & CO.\ ROYAL BRITISH TABLE SALT \ 86 LOWER THAMES ST \ LONDON"flagstaff hill, warrnambool, flagstaff hill maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, ceramic container, salt jar, d. bumstead & co, london salt merchant, food and drink, doulton & co

Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most pieces in his collection were found. Some maps drawn by Aldo Gios, also give more detail. This detail is rare as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location where they were found. This object is part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Stoneware lid, no glaze, slightly blackened - possibly been exposed to fire.Pattern on top of lid.chinese, ginger, jar, glaze, stoneware, lid, harrietville

Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most pieces in his collection were found. Some maps drawn by Aldo Gios, also give more detail. This detail is rare as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location where they were found. This object is part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Stoneware ginger jar, half glazed, (bottom and inside unglazed) Green Chinese writing on base.chinese, ginger, jar, goldfields, glaze, stoneware

Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most pieces in his collection were found. Some maps drawn by Aldo Gios, also give more detail. This detail is rare as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location where they were found. This object is part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Stoneware ginger jar, wide opening, glazed except base. Green Chinese writing on base.stoneware chinese jar ginger glaze goldfields

Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most pieces in his collection were found. Some maps drawn by Aldo Gios, also give more detail. This detail is rare as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location where they were found. This object is part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Chinese porcelain spoon, design in glazed celadon, with dark blue pattern.Dark blue pattern, swirls and dashes.chinese, spoon, gios, tableware, glaze, porcelain, buckland, celadon

Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most of the pieces in this collection were found. Some maps drawn by Aldo Gios also give more detail. This detail is rare, as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location they came from. Part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Porclain food dish, glazed, Chinese. Handpainted blue swirls as decoration.chinese, goldfields, gios, tableware, glaze, porcelain, dish, buckland, handpainted

Brought to the Ovens Goldfields by Chinese men working in the area in the 19th century. Most likely made in China.Aldo Gios recorded the location of where most of the pieces in this collection were found. Some maps drawn by Aldo Gios also give more detail. This detail is rare, as most pieces of broken crockery were discarded and complete items were usually collected with no thought to recording the location they came from. Part of one of the largest collections of Chinese ware found in the Upper Ovens area and the only one recording the location where found.Chinese porcelain food dish, glazed. White colour with flower pattern.chinese, goldfields, gios, tableware, glaze, porcelain, dish, harrietville

Bottle white ceramic glaze marked "Port Dundas Pottery, Glasgow"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, bottle, port dundas pottery

Bottle white ceramic glaze marked "Port Dundas Pottery, Glasgow" flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, bottle, port dundas pottery

Bed pan ceramic white glaze handle cracked at bottom of handle.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, bed pan ceramic, ceramic bed pan

Pie Dish, ceramic, cream brown colour, has crazing of the glaze.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, pie dish, ceramic dish, ceramic pie dish

Miniature glazed pottery jug with handle, brown upper and cream bottom.domestic equipment, ornaments, pottery

James Tyson (8 April 1819 - 4 December 1898) purchased Heyfield Station from the Firebrace family in the late 1860s. Tyson referred to Heyfield as his "cabbage patch". Tyson was famous for insisting his workers were accommodated at the same standard as he was, and arranged for George Drew (1834-1892) and his family to come to Heyfield from his home station at Deniliquin to make bricks for the homestead and for the workers quarters. As far as can be ascertained they arrived in 1868, and selected land that became known as the Brick Yard. After making the bricks for Tyson he operated as would any normal brickmaker. George carried on the business until his death, with it being then operated by his sons Jack and Henry. Many buildings in the district contain Drew bricks, which are sometimes smaller than normal bricks. The most accessible example is the first Anglican Church of 1874, now in the school grounds.This brick has historical significance as an example of one of the early bricks made by the family, similar to those made for James Tyson, an important figure in Australian history. It has community significance as the story of the Drew family (who still remain in Heyfield) provides the community with a strong link to Tyson. The family has remained linked to the Anglican Church (having made the bricks for the first church), as well as being active in the wider local community.A single clay brick with two thumbprints in diagonal corners, ends glazed.brick industry, brickmaking, bricks

This object was used for storage mostly in a domestic situation.A large stoneware storage jar with coloured graduated glaze around neck.containers, domestic items, george evans collection

Mary-Lou began exhibiting in the mid 1980s and over the years has been known for producing unique pieces of domestic ware influenced by food and traditional ceramic ware of the past.Food and tradition have always played a big part in Mary Lou’s ceramic work. 'Serving Platter' is rich in colour. The decorative designs are inspired by her surroundings in a style reminiscent of the past. Mary-Lou and husband Chris have a studio and gallery attached to their residential property in Eltham North which is open to the public. They also participate in the Nillumbik Artists Open Studios program. Oval platter with bold, stylised flowers glazed in reds, blues and yellows.mary-lou pittard, eltham, nillumbik, ceramic

Plain ceramic tile used for brown coloured glazes numbered 6,11,12,13,14,15,16,17,18(Handwritten on back) 25 Blytheceramics, earthenware

Probably made for a churchPaartly glazed terra-cotta tile with Christian Pascal sign and leavesCrudely hand etched on back - chrismaceramics, terracotta

See 359Glazed Border tile with black background and interlocking green and cream diamonds.(on back) '9' '676'ceramics, earthenware

Glazed mosaic tile - dark green background with light green patternceramics, earthenware

Dark red glazed border tile slightly rounded with darker edge.ceramics, earthenware

See 359Orange glazed border tile with pattern of diamonds within squares of green'479'ceramics, earthenware

See 359White glazed rectangle tile engraved in orange writing 'This Water is Scalding''492A' '29' '5'ceramics, earthenware

see no. 359Thin earthenware tile glazed orange with black pattern. Used for border3770 (on back)ceramics, earthenware

Possibly designed by donor's mother, Mrs Emma OtterbachGreen glazed mosaic tile depicting morning angel with child on backceramics, earthenware

See 359Border tile glazed with brown and white squares. Rounded on one end.(on back) 298ceramics, earthenware

See 359Brown glazed corner tile. Raised edge with lighter brown design.ceramics, earthenware

See 359Blue glazed border tile with light blue pattern and gold knobs.ceramics, earthenware

This mug was found in an above ground rubbish pile at the rear of the house and mill that was dismantled in 2019. The rubbish pile contained many previously discarded items dating from approximately 1880's to 1980. Brown coffee/tea mug with a lighter glaze on the rim and with an embossed pattern."JAPAN" on the base days mill and farm, ann day, william day, joseph day