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City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Badge - PATRIOTIC CARNIVAL 1917, 1917
The Patriotic Carnival was held at the Melbourne Cricket Ground (MCG) from the 20th to the 27th of October to raise funds for the support of returned servicemen and their families. Early Settle families in Moorabbin Shire were generous supporters of local charities for returned service men and womenVoided round gilt and enamel badge with pin on back. The front has the Melbourne Cricket Club logo, ‘MCC’ in red and white at the centre; around on blue background, ‘PATRIOTIC CARNIVAL 1917’. The reverse has the makers name, ‘STOKES & SONS MELB’.Patriotic Carnival 1917 MCCmelbourne cricket ground, fundraising, returned service men, patriotic carnival -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Leisure object - The Rose Stereograph Cards, Coronation of King George V, 1911
This collection of Stereograph card depicts scenes from the Coronation of King George V. Produced by 'The Rose Stereographs. George Rose was born in Clunes, Victoria in 1861 and later worked in his father’s boot-making business in Prahran while studying photography. In 1880 he founded the Rose Stereograph Company and became famous for producing stereographs, or stereoviews, which gave the illusion of being in 3D when seen through a hand-held viewer. Some of the pioneers of Moorabbin were staunch supporters of the Monarchy of England. This collection of cards was donated by one of the founding pioneer families.Stereograph cards - 25 cards produced by Rose Stereographs. - black and whiteDescription of each card written on bottomcoronation, king george v, england, monarchy, moorabbin, london, westminster abbey, trafalgar square, boy scouts, crystal palace, queen mary -
Geoffrey Kaye Museum of Anaesthetic History
Inhaler, Bruck, 1908
The Bruck Inhaler is a modification of the Clover Inhaler, designed by Lambert Bruck. Bruck added a glass dome which enabled the level of ether to be monitored during administration. This was a revolutionary change as it removed guess work from the process.The Bruck Inhaler is a historically, aesthetically and scientifically significant piece. The basic design is based on the Clover Inhaler, but with a rounded bottom. The idea of a glass viewing window was possibly inspired by Wilson-Smith Inhaler. The Bruck Inhaler is historically significant as it is the first inhaler to be made with a completely clear lower glass section. This improved the usability for the ether administrator, and eliminated much of the guesswork associated with dosage and ether levels, which in turn improved the patient experience. This piece provides a strong local link to both anaesthetic and general medical practice at the turn of the century. The design is credited to Ludwig Bruck of Sydney, and was presumably manufactured in the same area. Bruck, as the attributed designer, holds much relevance to the significance of the object, as connected with him is much historical information about the social context of medical practice. Ludwig Bruck was a prominent figure in the medical industry. He started his medical career in Sydney as a Medical Transfer Agent, and later owned a shop at 16 Castlereagh Street, Sydney. This business is listed in the 1903 Register of Firms as a Medical Agent and Importer of Medical Instruments and Books. Bruck was vocal as a journalist and published analyses of medical statistics, as well as the well known Australasian Medical Dictionary and Handbook, which included the “List of Unregistered Medical Practitioners”. Ludwig Bruck was an immigrant. He was of German descent, which placed him in a precarious position within Sydney society during the turn of century. Bruck conducted several public conversations with prominent members of the Australian Natives Association through the Sunday News in regards to his disagreement of the employment of medical practitioners by the ANA specifically to corroborate their health insurance policies. He was also a stalwart supporter of the Australian arm of the British Medical Association, being the publisher of the first and subsequent editions of The Australian Medical Gazette. Bruck chose to end his life with a combination of poison and chloroform on 14 August 1915, after being accused of trading with the enemy during World War One. His suicide note stated his horror at leaving his business partner to deal with the tarring of his reputation as the reason for his decision. The Bruck Inhaler has aesthetic significance as it is a beautiful example of turn of the century surgical design and craftsmanship. Aseptic methods of surgery were well known by 1909, and the aesthetic design of the Bruck Inhaler conformed to these principles. The ability for the surgeon to unscrew, clean and sterilize each part of the Inhaler contributes to the streamlined design of the piece. The Buck Inhaler holds scientific significance. There is the capacity for further research to be undertaken on the object. Geoffrey Kaye often collected multiple examples of equipment, usually one for reverse engineering and another for teaching. There are currently two examples of the Bruck Inhaler in the collection, presenting an opportunity for further technical research on the object. The inhaler is oval shaped with one half made of glass to allow observation of the ether level. A vertical cross tube, 22mm in diameter passes between the face-piece and the bag [missing]. There is a stopcock for admission of oxygen or nitrous oxide opposite the bag attachment. There is a central tube, 28mm in diameter, with controllable ports on either side. There is also a tear-drop shaped fask mask.Hand engraved on side of base: L. Bruck / Sydneyclover, joseph, bruck, lambert, inhaler, rebreather, nitrous oxide, oxygen, williams, probyn -
National Vietnam Veterans Museum (NVVM)
Book, Briand, Rena, No Tears to Flow: Woman at War (Copy 2)
The Vietnam problem is not simply defined by clashes of the Ho Chi Minh regime against supporters of whoever is currently in charge of the South.The Vietnam problem is not simply defined by clashes of the Ho Chi Minh regime against supporters of whoever is currently in charge of the South. 1961-1975 - personal narratives, australian, vietnam war, 1961-1975 - women, ho chi minh -
National Vietnam Veterans Museum (NVVM)
Book, Various authors, Indochina in the Year of the Dragon - 1964
For South Vietnam the year 1964 opened with the government in turmoil. Reeling from the November 1963 coup, the government had been purged of supporters of outsed President Ngo Dinh Diem, and the individuals who had replaced them were very often political hacks of little experience or ability.For South Vietnam the year 1964 opened with the government in turmoil. Reeling from the November 1963 coup, the government had been purged of supporters of outsed President Ngo Dinh Diem, and the individuals who had replaced them were very often political hacks of little experience or ability.vietnam -- history., vietnam peace movement, montagnard (vietnamese people), 1961-1975., vietnam war, 1961-1975 -- united states., president ngo dinh diem -
National Vietnam Veterans Museum (NVVM)
Book, No Tears to Flow: Woman at War
The Vietnam problem is not simply defined by clashes of the Ho Chi Minh regime against supporters of whoever is currently in charge of the South.The Vietnam problem is not simply defined by clashes of the Ho Chi Minh regime against supporters of whoever is currently in charge of the South. 1961-1975 - personal narratives, australian, vietnam war, 1961-1975 - women -
Tatura Irrigation & Wartime Camps Museum
Photograph, Harry Murray, 2001
Harry Murray, a keen Tatura Football Club follower, supported his team by running around the boundary for the whole match.murray, harry, football supporter, photograph, people -
Melbourne Athenaeum Archives
Theatre Program, The Playboy of the Western World (play) by John Millington Synge, performed by the Melbourne Theatre Company at the Athenaeum Theatre commencing 25 July 1978, 1978
John Millington Synge's plays were produced by the Irish National Theatre Society in 1905. Program notes reveal that the first performances "were the focus of some of the bitterest scenes ever witnessed in a theatre. Audience unrest ... grew to full-scale riots, and Yeats claimed that by the end of the week's run 70 police were keeping order inside the theatre, while 500 patrolled the streets outside".Unruly gatherings have been witnessed in the Athenaeum Theatre and Collins Street, such as in 1843, a year after the building was completed: "The first election for the Melbourne seat in 1843 turned into a sectarian battle between a Catholic and a Presbyterian candidate." Supporters of the losing candidate "massed outside the Mechanics Institution where the official declaration of the poll was to occur, and tried to storm the building. The police arrived and did disperse them but only to send them on a rampage throughout the town, ...("Building a Free Australia : Places of Democracy" by John Hirst, 2009)Paper program; coloured cover; 16 p. includes articles about the play and the actors.melbourne theatre company, the playboy of the western world, john millington synge, athenaeum theatre, katy wild, riots -
Peterborough History Group
Plaque - Fred Moore Trophy
Fred Moore was a long time holiday maker with a house in Robertson St, whose children continue to visit. This event is played on the long weekend in January and is very popular as non handicapped players can play. Draw for partners, no handicaps required, and it is a 12 hole event. It is the only time the practice tee is used in an official event, it is used as the first tee and the first becomes the 10th. Winners: 1961 F Calvert T Austin 1962 H McCulloch M Howard 1963 F Calvert T Austin, 1964 J Moore J Irvine, 1965 O Horn W Sinclair, 1966 B Nash H Lucas, 1967 P Nash T Austin, 1968 M Moore J Wilson, 1969 J Chirnside J Wilson, 1970 J Gray P Clark, 1971 D Irvine L Hobson, 1972 K Morrison B cook, 1973 G. Paton T Austin, 1974 K Harris DW Rogers, 1975 J Neville DW Rogers, 1976 F Calvert JS Irvine, 1977 S Clark TL Austin, 1978 J McNabb JS Irvine, 1979 S Cole DW Rogers 1890 J. Dowse, M Howard, 1981 N Kirby A Calvert, 1982 D Irvine J Swinnerton, 1983 N Wallace G Smith, 1984 J Armstrong J Mckenzie, 1985 J Howard L King, 1986 J Howard L king, 1987 H McCulloch P Sloan, 1988 W Mactier JS Irvine, 1989 D Irvine J McNab, 1990 D Smith D Whitehead, 1991 V Ryan F Carlin, 1992 V Hocking K Carroll, 1993 L Bourke C Campbell, 1994 M Scouller DH Bradshaw, 1995 R Whitehead M R Beer, 1996 Deb Calvert B Dumesny, 1997 F Beggs MR Beer, 1998 K Derham- Moore J McNab, 1999 A Deppeler G Smith 2000 V Beer T Pekin, 2001 J Hansson DH Bradshaw, 2002 SABeer CW Richmond, 2003 A Christian M Fisher, 2004 M Hesketh M Fisher, 2005 C Bell G Smith, 2006 T Smith P Watson, 2007 K Burl MBeer, 2008 J Manderson M Beer, 2009 A Gilson L Beer, 2010 L Hills B Dumesny, 2011 M Campbell D Dumesny, 2012 V Beer Dumesny, 2013 J Barrett M Bowden, 2014 C Cass G McGorlick, 2015 M McGorlick W Couch, 2016 C Leishman M Fisher 2017 C Bell D Laherty, 2018 J Barrett W Couch, 2019 J Muhor B Dumesny, 2020 M Hammond T Irvine, 2021 K Matheson H PetersSignificant because Fred Moore was a member and great supporter of the Golf Club. That weekend, the Australia Day long weekend, ia always a family weekend - the sandcastle competition is held, the tennis tournament is held, the cricket match against Timboon (played at Port Campbell) is played. This Canadian foursomes golf event is also held on this sporting weekend and is a very popular and social event. Two rectangular wooden honour boards, situated adjacent to each other, wih goldleaf namesList of winners of the Fred Moore Trophypeterborough, peterborough golf club, fred moore trophy, sporting honour boards, golf tournament -
Nillumbik Shire Council
Print (drypoint): Rick AMOR (b.1948 Melbourne, AUS), Rick Amor, 'The Ruin' from 'The Baldessin & Friends' commemorative folio, 2016
Painter, printmaker and sculptor Rick Amor is one of Australia's most distinguished senior artists. He was a good friend of the late George Baldessin and three times Archibald Prize winner Clifton Pugh, having lived and worked at Pugh's property, Dunmoochin in Cottles Bridge, Nillumbik during the 1980s and 90s. George Baldessin (1939-1978) was born in San Biagio di Callalta, in the Veneto in Northern Italy and arrived in Australia ten years later. A printmaker and sculptor he built his bluestone studio at St Andrews (Nillumbik) in 1971 with his partner Tess and the three Hails brothers, Rob, Doug and Don. Made of recycled materials the studio today contains all of George’s equipment including the large press, which he modelled himself with the help of Neil Jeffrey (Enjay Presses). George won many prizes throughout his career and is represented in many of Australia's public art collections including his famous 'Pears' sculpture in front of the National Gallery of Australia, Canberra. In 1975 he represented Australia in the Sao Paulo Biennale, before living and working in Paris until his return to St Andrews in 1977. In 1978 George was killed in a car accident aged 39 years. In 2001 Tess returned to St Andrews to reclaim the run-down studio and reconstitute it as The Baldessin Press & Studio - a printmaking retreat. It operates in George’s memory, so that artists may continue to create, perpetuating the generous spirit of George. 'The Ruin' is one of eight prints in the 'Baldessin & Friends commemorative folio. The folio was conceived by Tess Edwards as a fundraising initiative in celebration of the The Baldessin Press & Studio's fifteen year anniversary, and as a way to honour George Baldessin's memory. The folio is a unique coming together of seven very different and acclaimed artists who are connected by their friendship to the missing eighth member, George Baldessin. The Baldessin Press & Studio is a not-for-profit organisation created in memory of the late George Baldessin (1939-1978), whose original studio is now open to the public for creative use and as a practical legacy to living artists. The Studio is located in St Andrews, Nillumbik. Rick Amor has been an ardent supporter of the Baldessin Press & Studio and a great patron of living artists. In 2014 the Press partnered with Amor and the State Library of Victoria to create The Amor Residency at The Baldessin Press & Studio, which is part of the Library's annual fellowship program. 'The Ruin' was based on a plein air painting done by Rick Amor on a trip to Broken Hill in 2001 and reflects on death and the passing of time so eloquently portrayed by the industrial ruins of NSW. In the tradition of a Piranesi, the work emphasises the transience of life and the triumph of time. Black and white drypoint etching in which a small figure, a traveller; located bottom left, points to a large crumbling edifice (building), a stage like space in the background. Ed.14/25baldessin, print, drypoint, amor, 2018 ekphrasis, ruin, etching, ekphrasis2018 -
Melbourne Legacy
Document - Report, Annual Report, 1964 to 1993
Copies of various Annual Reports for Melbourne Legacy. Other annual reports at 01095, 01096, 01097, 01098 and 01099. Included: 00027.1 Melbourne Legacy Annual Report 41 - 1964 00027.2 Melbourne Legacy Annual Report 42 - 1965 00027.3 Melbourne Legacy Annual Report 43 - 1966 00027.4 Melbourne Legacy Annual Report 44 - 1967 00027.5 Melbourne Legacy Annual Report 45 - 1968 00027.6 The 1969 Report from Melbourne Legacy 00027.7 The 1970 Report from Melbourne Legacy, 47th Annual Report Melbourne Legacy 1979 56th Annual Report 00027.6 Melbourne Legacy 1983 60th Annual Report (Diamond Jubilee Year) 00027.7 Melbourne Legacy 61st Annual Report 1984 00027.8 Melbourne Legacy 62nd Annual Report 1985 00027.10 Junior Legacy, Melbourne Annual Report 1992 (Financials) - includes 3 inserts 00027.11 Junior Legacy, Melbourne Annual Report 1993 (Financials) - includes 2 inserts 00027.12 Junior Legacy, Melbourne Annual Report 1993 (Financials) 00027.13 Junior Legacy, Melbourne Annual Report 1994.A record of the annual reports of Legacy Melbourne, including records of names of Legatees, beneficiaries, supporters, telling stories of Legacy's impact and summarising annual financial information.Various annual reports from 1964 to 1994 on paper with black type. Some with coloured coversfinancial summary, annual summary -
Ballarat Tramway Museum
Photograph - Colour Print/s - set of 3, Carolyn Dean, 19/09/1992 12:00:00 AM
Has a strong association with Neville Gower, one of the Museum founders, Richard Gilbert and a strong supporter, Bob Merchant.Colour print of Neville Gower speaking at the 21st anniversary celebrations of the BTM, 19 September 1992. Printed on Kodak paper. 4114.1 - Same event - Richard Gilbert 4114.2 - Bob Merchant21st anniversary, lake lodge -
Kew Historical Society Inc
Journal, Kewriosity : April 1986
School's in at Kew Council [Deepdene Primary School; Sacred Heart Primary School; MLC] / p1. Who reads Kewriosity? [survey] / p1&8. Dates for April / p2. [Community] Notices / p2&8. Update - Notes from Council - Commentary [Local Government; Australian Constitutional Convention] / p3. Some spare hours to fill?? [Kew Community Bus] / p3. Traffic management / p3. In Brief [Concern over outdoor advertising; Fenced in for safety - Denmark Street Infant Welfare Centre; The latest on Safeway] / p4. Profile - Cr Chester Keon-Cohen / p4. The Gladstone College saga: Part 3 / p5. They call her "Amazing Grace" [Grace Chambers] / p5. Kew Community House [Migrant English; Photocopier; Term II] / Rhonda McCaw p6. Kew families needed [Inner East Foster care] / p6. Ramblings of Kew's last cowboy - First of a new series of articles by Bill Stent [Dairy farms] / Bill Stent p7. Care-Force needs new financial supporters / p7. Footy news [Kew Football Club] / p8.Kewriosity was a local newsletter combining Kew Council and community news. It was published between November 1983 and June 1994, replacing an earlier Kewriosity [broad] Sheet (1979-84). In producing Kewriosity, Council aimed to provide a range of interesting and informative articles covering its deliberations and decision making, together with items of general interest and importance to the Kew community and information not generally available through daily media outlets.non-fictionSchool's in at Kew Council [Deepdene Primary School; Sacred Heart Primary School; MLC] / p1. Who reads Kewriosity? [survey] / p1&8. Dates for April / p2. [Community] Notices / p2&8. Update - Notes from Council - Commentary [Local Government; Australian Constitutional Convention] / p3. Some spare hours to fill?? [Kew Community Bus] / p3. Traffic management / p3. In Brief [Concern over outdoor advertising; Fenced in for safety - Denmark Street Infant Welfare Centre; The latest on Safeway] / p4. Profile - Cr Chester Keon-Cohen / p4. The Gladstone College saga: Part 3 / p5. They call her "Amazing Grace" [Grace Chambers] / p5. Kew Community House [Migrant English; Photocopier; Term II] / Rhonda McCaw p6. Kew families needed [Inner East Foster care] / p6. Ramblings of Kew's last cowboy - First of a new series of articles by Bill Stent [Dairy farms] / Bill Stent p7. Care-Force needs new financial supporters / p7. Footy news [Kew Football Club] / p8. publications -- city of kew (vic.), kewriosity, council newsletters, community newsletters -
Kew Historical Society Inc
Journal, Kewriosity : May 1985
The Armistice and our men come home - a personal memory of Kew by Bill Stent / Bill Stent p1. Community Notices [Auxiliaries; Clubs and societies; General; Politics; Religious notices; Support groups] / p2&16. Update: Notes from Council - Consultation and the decision making process / Cr Robin Saunders [Mayor of Kew] p3. Baby safety bassinet loan scheme / p4. Read this! [incinerators] / p4. Traffic management / p4. Did you know? [Kew Library - Local history, Genealogy] / p4. Kindergarten extended hours / p4. Kew jobs for women [Kew Councillors; Kew Council officers] / p5. The Churches of Kew invite you to celebrate Victoria's 150th anniversary at an Ecumenical Service / p6. Leaves and more leaves [incinerators] / p6. Join the Kew Citizens' Band Supporters Club / p6. Kew Citizens' Band in concert / p6. East Kew Shopping Centre: Good guide to easy shopping [Overview, Map, Advertisements] / p7-10. Youth Page [Youth Theatre Concept; New Youth Centre; The Parsonage - Holy Trinity Church] / p11. Football: Kew records two wins / p12. Library News / p12. Flight of fantasy [Kew/Deepdene Artists' Co-operative] / p12. What is the Kew Community Action Group? / p13. Would you like to help? [Kew Community House] / p13. Family Day Care in Kew / p13. Adult literacy in Kew / p13. Kew Community House [Open Day, Garden tools needed, City walks, Committee meetings, Kew kids 'n Kritters] / p14. Interchange needs you! [disability support] / p14. This Kewriosity is being delivered to you by - Kew Primary School / p15. May School Holiday Programs [Playcentre; Kew Traffic School; Mobile new games trailer] / p15.Kewriosity was a local newsletter combining Kew Council and community news. It was published between November 1983 and June 1994, replacing an earlier Kewriosity [broad] Sheet (1979-84). In producing Kewriosity, Council aimed to provide a range of interesting and informative articles covering its deliberations and decision making, together with items of general interest and importance to the Kew community and information not generally available through daily media outlets.non-fictionThe Armistice and our men come home - a personal memory of Kew by Bill Stent / Bill Stent p1. Community Notices [Auxiliaries; Clubs and societies; General; Politics; Religious notices; Support groups] / p2&16. Update: Notes from Council - Consultation and the decision making process / Cr Robin Saunders [Mayor of Kew] p3. Baby safety bassinet loan scheme / p4. Read this! [incinerators] / p4. Traffic management / p4. Did you know? [Kew Library - Local history, Genealogy] / p4. Kindergarten extended hours / p4. Kew jobs for women [Kew Councillors; Kew Council officers] / p5. The Churches of Kew invite you to celebrate Victoria's 150th anniversary at an Ecumenical Service / p6. Leaves and more leaves [incinerators] / p6. Join the Kew Citizens' Band Supporters Club / p6. Kew Citizens' Band in concert / p6. East Kew Shopping Centre: Good guide to easy shopping [Overview, Map, Advertisements] / p7-10. Youth Page [Youth Theatre Concept; New Youth Centre; The Parsonage - Holy Trinity Church] / p11. Football: Kew records two wins / p12. Library News / p12. Flight of fantasy [Kew/Deepdene Artists' Co-operative] / p12. What is the Kew Community Action Group? / p13. Would you like to help? [Kew Community House] / p13. Family Day Care in Kew / p13. Adult literacy in Kew / p13. Kew Community House [Open Day, Garden tools needed, City walks, Committee meetings, Kew kids 'n Kritters] / p14. Interchange needs you! [disability support] / p14. This Kewriosity is being delivered to you by - Kew Primary School / p15. May School Holiday Programs [Playcentre; Kew Traffic School; Mobile new games trailer] / p15. publications -- city of kew (vic.), kewriosity, council newsletters, community newsletters -
Kew Historical Society Inc
Award - Kew High School trophy, 1880
F.G.Barnard, writing in 1910, recorded that Ernest Ingle opened a boys' school in a private house in Cotham Road, Kew, in 1872. The school was later moved to larger premises in Charles Street, where suitable school rooms were added. Ingle's career was cut short by a fatal attack of typhoid fever in 1875. The school then passed into the hands of Mr. J. Henning Thompson. Under Thompson's management the school speedily became a strong rival to the neighbouring Hawthorn Grammar School. Barnard also lists in his Jubilee History of Kew, that Dr N.C. Vance [winner of the trophy for the 440 yards running event] was a notable alumnus of Kew High School. It is assumed that N.C. Vance was the son of Rev G.O. Vance who was appointed vicar of Holy Trinity Church, Kew, in 1870. This is a tangible memento of the first Kew High School, awarded to a pupil eight years after the school's establishment. The trophy is historically interesting as it was presented to N.C. Vance by Ann Bon, a notable Kew resident and a supporter of Indigenous People in Victoria, particularly William Barak and his family.Silver plated trophy in the form of a cup on a pedestal with two arms, each surmounted with pine cones. The trophy has a range of design features including convex and concave decorated surfaces created by repoussé (i.e.hammering). Specific decorative aspects include scrolling at the top of the cup and floral sprays at front and the rear of the trophy. There is a single inscription identifying the school, the event, the winner and the identity of the person presenting the trophy. The metal used in the cup section of the trophy is heavier and thicker than that used in the rest of the trophy.There are no compositional or maker marks on the trophy.Inscribed: "Kew High School / Old Boys Cup / Presented by / Mrs John Bon / Won by / N Vance 1880"dr n vance, kew high school -- kew (vic.), private schools -- kew (vic.), sports trophies -- kew (vic.), n.c. vance -
Diamond Valley Vietnam Veterans Sub-Branch
Certificate - n/a, c2010
The Certificate attests to the Diamond Valley SB being a friend of the museum and providing support over an ongoing period of time.Significant in the history of the Diamond Valley SB as being a willing and cooperative supporter of the National Vietnam Veterans Museum.In portrait orientation, a Certificate presented to Diamond Valley Sub Branch by National Vietnam Veterans Museum.On Certificate: The Committee and members of the National Vietnam Veterans Museum sincerely thank Diamond Valley VVAA Sub Branch for their ongoing support. Signed off by John Methven OAM President and Joanne Parker Secretary. Above the text is a picture of the museum.diamond valley vietnam veterans sub branch, national vietnam veterans museum -
Carlton Football Club
Hard Cover Book, THE CARLTON STORY, C1958
Early History of Carlton 1897-1958 by Hugh Buggy & Harry Bell. At the time of writing Carlton FC had won 8 VFL premierships. The book is significant because of information on players to 1958 and the foreword is written by Robert Menzies the then Prime Minister of Australia and the introduction is written by L R Kerr whose family are great supporters of Carlton, family members also played Carlton.265 Page Navy Blue hard cover bookInside cover signature of Ken Hands (Carlton great). -
Carlton Football Club
Paper Book, THE BLUES, 1982
A pictorial & written history of Carlton FC 1897-1982Author and Carlton supporter compiled a history of Carlton from 1897 to a premiership year 1982 with many historic photos and descriptions of different eras of the club. John Malcolm Fraser the then Prime Minister of Australia wrote the foreword.146 Navy Blue Paperback Magazine compiled by Tim Hewat -
Carlton Football Club
88 Page Colour Magazine, The Official 2011 Season Guide To The Carlton Football Club, 2011
Carlton FC Official Guide for 2011 AFL SeasonA glossy guide for supporters providing all the information needed for the upcoming season,; President foreword, Coaches, Players and historical information such as Best & Fairest winners, Life Members & Games played. The cover story is titled "THE THREE AMIGOS" meaning Jeff Garlett, Chris Yarran & Eddie Betts. Each of these players are Indigenous and all left the Carlton FC in the following years. One page is devoted to Carlton's affiliate club The Northern Bullants. The magazine was free and forwarded to members.The slogan for the 2011 season was NO PASSENGERS.Colour Magazine -
Carlton Football Club
Hand Held Bell, Hand Held Bell with a small inscription on the inside
The bell was used for Trade Week to signify "time's up" at Optus Oval. Prior to this it was used to let Alan Espie's children on their Wandin property to come home.Why Al chimes in for Carlton Tony De Bolfo, Carlton Media Feb 20, 2014 11:05AM Alan Espie with the famous bell. (Photo: Carlton Football Club) Alan Espie with the famous bell. (Photo: Carlton Football Club) Related Etched into the rim of the bell Alan Espie has rung at every trade week gathering since 1994 is a touching quote attributed to his grandson. Dear Pa, May you always ring true blue, Love Harry Just thinking about that inscription often brings big Al to tears. The story of the Espie bell has its origins at the old family property at Wandin in the picturesque Yarra Valley, in the days when the Espies’ kids were at the neighboring creek fossicking for local platypus. “If they got too far away we’d ring an old cowbell,” Espie recalled, “and years later, my daughter Jo brought me this replacement bell from some second-hand naval place”. “Not long after Shane (O’Sullivan) asked me to officiate at trade week and that’s when the bell came into vogue.” A permanent fixture at trade week, Espie would ring the bell to signal the opening of trading when club recruiters gathered – initially within the confines of the Carlton Heroes Stand at Visy Park, more recently at Etihad Stadium. In those early days at Carlton he caused a stir as bell ringer, drawing curious responses from officiating journalists, recruiters and coaches alike. “I even remember (Kevin) Sheedy asking me if I was selling muffins,” he recalled. Then, when trade day was relocated to Etihad, Espie’s daughter thought it appropriate to get the bell inscribed. “Because the bell was leaving Carlton, Jo got it inscribed on my grandson’s behalf, because he was only four or five then. When I saw what was inscribed I was tearful,” Espie said. “The bell is very important to me, particularly at this time, because Jo is battling health problems at the moment, my grandson is autistic and she’s fought like hell to get him through.” Espie joined Carlton’s Under 19 committee on the eve of the senior Premiership season of 1979 and managed the club’s junior squads, the Bert Deacon Squad included. “I worked very closely with Geoff Southby, ‘Swan’ McKay and Trevor Keogh when they were coaching the Under 19s and I was recruiting as well,” he said. “In 1981 and ’82 I forward scouted for ‘Parko’ (David Parkin) and later on I did the same for ‘Wallsy’ (Robert Walls). After that I coordinated recruiting in central Victoria and it was nothing for me to do 25,000ks a year in my own car – and I loved every minute of it.” Espie’s passion for Carlton and empathy for its wartime players Bert Deacon, Ollie Grieve and Jack “Chooka” Howell can be sourced to his childhood years. His grandparents lived not far from the old ground on Wilson Street “and that’s how I got in for the ’45 Grand Final”. “My uncle, who had just got back from the war, grabbed a ladder from Wilson Street and set it up against the barbed wire fence at the ground. I climbed the ladder and caught my arm on the barbed wire, but I got over the top and saw the game while I straddled the fence,” Espie said. “What I saw was what you would today call ‘spotfires’ and I reckon it took football 20 years to get rid of it.” Today, Espie continues to ring in the yearly trade talk days at AFL headquarters (with the notable exception of 2012 when he was hospitalized), but he’s in no doubt as to where the bell belongs. “This bell has had nothing to do with Wandin but everything to do with Carlton - and with the 150th year of the club I think the bell stays here (at Visy Park). I still hope to ring the bell for the AFL this year, but at least I’ll know where it is,” Espie said. “I’ve told Jo about this and she tells me Harry’s rapt, because he’s a big Carlton supporter and he’s so happy his name is on the bell.”Wooden handle attached to a brass bell."Dear Pa, may you always ring true blue, Love Harry" -
Carlton Football Club
Scrap Book, Carlton Football Club 1950-51, 195/51
Scrap Book of Carlton related newspaper clippings 1950/51A supporters collection of Newspaper Articles & Photos 1950/51 Seasons. Many articles on players and significantly the newspaper reports of the day of the Coleman (Ess) Caspar (Carl). John Coleman as a result of this clash missed the 1951 GFExercise Book Labelled Carlton FC Newspaper Letters pasted on -
Carlton Football Club
Scrap Book, Dedicated to Carlton Player John Goold
John Goold double Premiership PlayerA scrap Book dedicated to twice Premiership Player 1968 - 1970 John Goold Career : 1963 - 1970 Debut : Round 7, 1963 vs Footscray, aged 21 years, 338 days Carlton Player No. 754 Games : 108 Goals : 3 Last Game : Grand Final, 1970 vs Collingwood, aged 29 years, 90 days Guernsey No. 11 Height : 184 cm (6 ft ½ in.) Weight : 76 kg (12 stone, 0 lbs.) DOB : June 27, 1941 Premiership Player 1968, 1970 Carlton Hall of Fame All Australian 1966 A brilliant, flamboyant, two-time Premiership player for Carlton during the Barassi years in the ‘swingin’ sixties,’ John William Crosbie Goold became almost as famous for his dapper appearance off the field, as for his exploits on it. At the height of his football career, he was also a prominent ladies fashion designer – which led to him being dubbed ‘Mr Elegance’ by leading football commentator Lou Richards. Supporters and team-mates however, called him ‘Rags’ or ‘Ragsy,’ because of his involvement in the clothing, or ‘rag’ trade. Goold first came under notice as an outstanding junior athlete at Melbourne Grammar School. A true all-round sportsman, he shone at tennis, athletics, football and cricket. He was also a keen horseman who loved the game of polo and the rough and tumble of fox hunting. While at school he was a fervent Melbourne supporter, but strangely, never had much confidence in his football ability. “If I thought I was good enough, I would certainly have gone to Melbourne,” he said many years later. “But I honestly didn’t think I would ever amount to anything in this game. Cricket and tennis were the games that really interested me.’ However, after graduating from MGS, Goold went home to Healesville to star in the Bloods’ 1962 Yarra Valley Football Association Premiership team – an achievement that brought tempting offers from more than one VFL club. “Incentives were offered elsewhere,” he recalled, “but I gravitated to Carlton – partly because the deep blue of their guernsey attracted me, but mostly because of the good advice I got from people who even then were longsighted enough to predict that big things were ahead for this club.” The Blues were confident enough in Goold’s potential to offer him the guernsey number 11 previously worn with distinction by the likes of Jack Hale, Jim Knight, Ron Hines and Laurie Kerr, and his first senior game came in round 7, 1963 against Footscray at the Western Oval. He played on a half-forward flank alongside Brownlow Medallists Gordon Collis and John James on that Saturday afternoon, and kicked his first career goal in an 8-point win. Little did he know though, that it would be another six seasons before he would again experience the thrill of sending a football spinning between the big posts, because his future lay in defence. By his own admission, Goold struggled to find his feet in VFL football during his first two seasons, until the shock appointment of Ron Barassi as captain-coach of Carlton in 1965 began steering his career back on track. “I think you could say that 1965 was my first year of League football,” he said, “That’s the way I felt - that’s the way I reacted to Barassi.” Under Barassi, Goold rapidly developed into a superb running half-back flanker. Tenacious, and an often freakish high mark, he was unmistakable on the field thanks to his mane of dark hair, his loping running style and somewhat awkward kicking action. Furthermore, he had boundless courage. There is no doubt that he would have played many more games had he not been regularly pole-axed under the high ball – a fact he later freely admitted. “I was always getting knocked out,” he said, “and spent half my bloody time in hospital.” In the second half of 1965, an injury to centre half-back Gordon Collis forced Barassi to use Goold in the key defensive post. While it curtailed his rebounding instincts somewhat, ‘Ragsy’ rose to the challenge and rarely lowered his colours. Testament to his improvement, he finished third behind John Nicholls and Sergio Silvagni in Carlton’s 1965 Best and Fairest award, and followed up by being selected in the Victorian team for the 1966 Hobart Carnival. There, he had a superb series in which he was runner-up to West Australian Barry Cable in voting for the Tassie Medal, and capped it off by being named on a half-back flank in the All Australian team. Barassi’s influence at Carlton bore fruit in his third year, when the Blues returned to finals football at last. Richmond, Carlton, Geelong and Collingwood fought out the 1967 Premiership, and Ragsy Goold won the hearts of the Carlton faithful with two lion-hearted performances. Although Carlton was knocked out of contention by successive losses to Richmond and Geelong, Goold was tireless throughout both games, and it was obvious that he thrived on the added pressure of finals football. Precisely twelve months later, the bitter taste of those defeats was washed away when Barassi’s Blues edged out Essendon by 3 points in the 1968 Grand Final, and ended 21 years of despair at Princes Park. To win Carlton’s ninth VFL flag, the Blues had had to defeat the minor premier Bombers twice during the finals – and did so, thanks to a watertight defence led by Goold, and a dominant ruck division headed by John Nicholls. In round 5, 1969, Carlton hosted South Melbourne at Princes Park in a match significant for a number of reasons. As he regularly did, Ron Barassi swung his team around prior to the opening bounce, and Goold found himself in the unaccustomed role of ruck-rover. While the Blues set about establishing a good break on the scoreboard, Ragsy relished the freedom to kick two first half goals - his first majors for 78 games. Just before half-time however, he was flattened in a pack, concussed again, and replaced during the long break by Barry Gill. Alex Jesaulenko was substituted at the same time – by a shy, ambitious youngster named Bruce Doull, making his senior debut for Carlton in guernsey number 4. In September, 1969 the Navy Blues began their third straight finals campaign with an impressive 6-goal Semi Final win over Collingwood in front of more than 108,000 fans at the MCG. A fortnight later, Richmond stunned the flag favourites with a withering last quarter in the Grand Final, and knocked Carlton out of the Premiership race again at the last hurdle. Half-way through the year, Carlton's club doctor discovered that Goold had been playing with shin splints in both of his lower legs. The pain they caused was considerable, but Ragsy soldiered on and held down centre half-back throughout the season. John Goold’s VFL career at Carlton culminated in the fabled 1970 Grand Final triumph over Collingwood. What is not so well known is that Ragsy was only cleared to play in that game on the morning of the match. After narrowly losing to Collingwood in the second Semi Final, the Navy Blues destroyed St Kilda by 62 points in the Preliminary Final, and earned another shot at the Magpies in the decider. But one of Carlton’s problems was that Goold had been kicked on a shin against St Kilda, causing a burst blood vessel and serious swelling. Despite the best efforts of the club medical staff, Ragsy had only a slim chance of playing in the Grand Final right up until game day, when his worried coach reluctantly allowed him to take his place in the side. Later, Barassi justified his decision by saying that in his opinion, a less than fully fit Goold was still worth his place in the team. By half time in the Grand Final however, he was probably questioning that judgement - because Carlton had been totally outplayed, and trailed an impressive, cohesive Collingwood by 44 points. Therefore, Carlton’s magnificent comeback – orchestrated by Barassi, and sparked by the fairytale exploits of 19th man Ted Hopkins – is one of the greatest of all football stories. Against enormous odds, the Navy Blues fought their way back into the contest, and eventually, rolled over the top of the frantic Magpies to snatch victory by 10 points in the last few minutes of the match. Hopkins ended up with four goals, Barassi was hailed a genius, and Ragsy Goold was carted off to hospital immediately after the game to have further urgent treatment. While there, he decided that there was no better time to end his VFL career – especially because his burgeoning business interests were demanding more and more of his time. In the years after his football career ended, John Goold created a remarkably successful business empire. In 1971 he sold his fashion label and took up farming at Mortlake in western Victoria, where he coached the local football team for three seasons. Later, he formed a diversified pastoral company, and purchased a magnificent complex called Ballangeich Run at nearby Ellerslie. While his passion for farming and livestock grew, he began breeding top quality polo ponies, and represented Australia in international competition. During the 1997 and 1998 seasons, John's son Ed Goold played reserve grade football for Carlton. MEMORIES.... Ragsy Goold; the name stirs memories form my long ago childhood. Ragsy, with his unique kicking style, where he'd hold the ball (always a drop punt - in a time when the drop kick and the torpedo punt still reigned supreme) at the point of the ball, elbows bent and he'd lavishly drop the ball, his right arm then flinging back and up dramatically. That was the thing about Ragsy (so named because he worked in the clothing, or 'rag' trade), he was always dramatic. He always ensured his ankle guards and wrist guard were glowing white to match the great white CFC monogram he wore proudly on his chest, and with his long flowing locks, cut a dynamic figure through a young boy's mind. Ragsy was my idol. I loved his dashes from half back, his long accurate drop punts, most of all I loved his flair for the game. Ragsy played the game as an entertainer as well as a sportsman - he leapt high to punch or mark, and always seemed to have a bit of the thoroughbred about him - which is probably why after he retired, he took up fox chasing, polo, and riding his beloved thoroughbreds across the paddocks and over the fences of his property, I think he may have even represented Australia at the sport – really, that’s sort of how he played as a footballer. All sinewy muscle, long legs and famous leaps for the saving punch. Ragsy was part of the great backline that helped revive Carlton's fortunes. Legendary players Wes Lofts, Ian Collins, Kevin 'Racehorse' Hall, Vinnie Waite among them. All great teams have a great defence and the defence that Ragsy was an integral part of was no different. Where others provided the biffo, the muscle or the defensive pressure, Ragsy provided the dash, the flair, the sense of adventure that all great backlines must have. AND MORE.... I have had many favourite players while following the Blues, but there will always be a special spot for Ragsy Goold - running the lines, all long hair and flashing white guards. As a young man I moved to Carlton and began acting in a place called one-c-one. One night after a play, I was walking home. It was winter, and I was wearing my favouritte overcoat, a genuine ankle length tweed affair I had picked up in an Op Shop in Oakleigh for three dollars. As I strutted across Lygon Street, a deep male voice behind me called, 'hey laddie, how much for the overcoat?' I turned, and there was my childhood idol, Ragsy Goold, two beautiful women in tow, smiling and waiting for my answer. I loved that coat too much to part with it, even to Ragsy, so I shook my head - and he smiled, then walked off. I stood for a moment in the middle of the street shaking my head in disbelief. Ragsy bloody Goold had just offered to buy my overcoat! I knew at that point, as a young man of about twenty three, that life was going to be full of surprises and very entertaining - a bit like John ‘Ragsy’ Goold. ONE MORE.... A cold, wet day in the mid 1960's at the MCG and Victoria were playing South Australia (?) The ball that day was like a piece of soap, with players finding it impossible to mark. Just before half time a long kick sailed toward the mud heap that was the centre of the ground, and the pack rose to meet it. From this group of players an arm shot straight up, and the ball instantly came to a dead stop. The footy stuck in the player's palm as if the hand was coated in Tarzan's Grip. After all these years, it's the only recollection I have of that match, and that player was 'Mr. Elegance' John Goold. HUMOROUS HUNGRY.... Former opponent Richmond's Kevin Bartlett on Radio SEN in 2012 received a phone call from John. After the call Kevin told his listeners how "Mr Elegance" would always be dressed in a nice suit, shirt-tie and highly polished shoes. He then cracked a joke saying something like; "You know, John was so 'posh' that he used to play football wearing a cravat!" Milestones 50 Games: Round 15, 1967 vs Melbourne 100 Games: Round 13, 1970 vs Geelong Career Highlights 1965 - Percy Bentley Trophy - 3rd Best & Fairest 1966 - 5th Best & Fairest 1967 - Maurie Sankey Memorial Trophy - 4th Best & Fairest (on count back) 1968 - Premiership Player 1970 - 7th Best & Fairest 1970 - Premiership PlayerFoolscap Scrap Book -
Carlton Football Club
Black & White Photos x 2, John O'Connell
Two Pictures of 1972 Premiership Player John O'ConnellCareer : 1970 - 1976 Debut : Round 3, 1970 vs Richmond, aged 18 years, 361 days Carlton Player No. 818 Games : 111 Goals : 0 Guernsey Nos. 50 (1970-71) and No. 19 (1972-76) Last Game : Preliminary Final, 1976 vs North Melbourne, aged 25 years, 149 days Height : 183 cm (6 ft. 0 in.) Weight : 82 kg (12 stone, 13 lbs.) DOB : April 22, 1951 Premiership Player 1972 After starting his career at Carlton as a centreman or ruck-rover at Under-19 and Reserves level, John Michael “Jack” O’Connell found his niche in defence for the Blues and was a creative back pocket in Carlton’s record-breaking 1972 Grand Final victory over Richmond. A dasher who loved to take off on bouncing runs, Jack spent much of his career alongside champion full-back Geoff Southby, with either Vin Waite or David McKay in the opposite pocket. Together, they created a full-back line regarded as among the best in club history. O’Connell’s journey to Premiership glory began during his school days at St Mark’s in Melbourne’s outer north, then at Glenroy YCW and Fawkner. In 1967, aged 17, he joined Carlton’s Under-19s, and by midway through 1969 he was playing Reserves football in guernsey number 50. Early in the following year, a couple of strong showings saw him banging on the door of senior selection, and he was duly rewarded by being named on the bench for his senior debut against Richmond at the MCG in round 3, 1970. For the Blues and their supporters, the game was a forgettable one, because Carlton surrendered a big half-time lead to be beaten by 13 points, and O’Connell wasn’t called on until the dying minutes. Sent back to the Reserves after that one brief taste if the big time, Jack honed his skills and bided his time - for more than a year – while Carlton went on to win the 1970 Premiership. Eventually, he earned a recall midway through 1971, but with a bevy of stars standing in his way, he was a regular reserve until late in the year, when coach John Nicholls – aware that incumbent Ian Collins intended to retire – offered O’Connell a chance in the back pocket. Jack grasped his opportunity with both hands. At 183 cm and 82 kg he was bigger than the average specialist back-pocket of that era, but he gave nothing away in agility. An excellent mark and an accurate kick off either foot, he had settled in beside Southby by the end of that season, playing the last ten games straight. As season 1972 dawned and Collins retired, O'Connell inherited the Blues’ number 19 guernsey and began marking his mark in the Carlton defence. Inspired by Southby’s creativity and Waite’s aggression, Jack was soon a headache for every opposition club. An ankle injury sustained in round 5, 1972 against Collingwood cost him five matches, but he was back to top form by finals time, when Carlton finished the regular season on top of the ladder. In their first final together – the Second Semi Final - O’Connell, Southby and Waite were resolute in a thrilling draw. Richmond won the replay, then Carlton conquered St Kilda in the Preliminary Final to earn another crack at the Tigers in the Grand Final. Opting for a strategy of all-out attack in the flag decider, the Blues blasted off the blocks to kick 8 goals in the first quarter, 10 in the second and 7 in the third to put the game right out of Richmond’s grasp with a full quarter remaining. After coasting to the final siren, the Blues collected their eleventh VFL Premiership by 27 points. Waite was missing from the match, having been injured in the Preliminary Final, but David McKay was a more than adequate replacement, and all three defenders on the last line completed an excellent final series. On the way to another consistent season in 1973, O’Connell strained a thigh in Carlton’s surprise loss to Fitzroy at the Junction Oval in round 16, and wasn’t recalled to the senior side until the Grand Final, when Carlton and Richmond met once more in the 48th match of Jack’s career. A few days beforehand, Barry Armstrong had been ruled out when he was hit by appendicitis, so O’Connell took over Armstrong’s assigned role of negating the Tigers’ star centreman Ian Stewart. Jack stuck to his task all match, but neither he nor his team could hold back a ferocious Richmond side that crashed and bashed its way to victory. O’Connell went on to play in two more finals campaigns in 1975 and ’76 but was denied the joy of another September victory. He brought up game number 100 at Princes Park in June 1976, when Carlton ended a five-game losing sequence to beat Essendon, before calling time on his VFL career after the Blues suffered a heart-breaking 1-point loss to North Melbourne in that season’s Preliminary Final. In 1977 O'Connell was cleared to WAFL club Subiaco. Later he came back to Victoria and coached Diamond Creek to a Premiership in the Diamond Valley League. Then in 1987, the football world was rocked by the news that Jack had been diagnosed with a virulent form of cancer. He fought hard for 18 months, but tragically passed away on the 5th November, 1989 aged just 38. Career Highlights 1971 - 3rd Reserves Best & Fairest 1971 - Reserves Most Improved Player 1972 - Premiership Player Milestones 50 Games : Round 2, 1974 vs Geelong 100 Games :Round 13, 1976 vs Essendon Footnotes Off the field, O’Connell was a quiet, reserved character who, by 1973 had struck a warm friendship with another man of few words in his champion team-mate Bruce Doull. The pair could often be seen together sharing a beer after Sunday morning recovery sessions, and club folklore has it that the only regular conversation to be heard between them was, “it’s your shout.” In 1997, John's son Luke O'Connell joined Carlton, playing eight Reserves games and kicking three goals.2 x Black & White PhotosThe Sun Articles pasted on back of each photo -
Carlton Football Club
Black & White Photos, Bruce Doull
Photographs of Bruce DoullGroup pf photos of Carlton Player Bruce Doull Career : 1969 - 1986 Debut : Round 5, 1969 vs South Melbourne, aged 18 years, 234 days Carlton Player No. 811 Games : 356 Goals : 22 Last Game : Grand Final, 1986 vs Hawthorn, aged 36 years, 16 days Guernsey Nos. 4 (1969-71) and 11 (1972-86) Height : 185 cm (6 ft. 1 in.) Weight : 87 kg (13 stone, 10 lbs.) DOB : 11 September, 1950 Premiership Player: 1972, 1979, 1981, 1982 Best and Fairest: 1974, 1977, 1980, 1984 Norm Smith Medal 1981 Carlton Hall of Fame (1987) Team of the Century Half Back Flank AFL Team of the Century Half Back Flank Carlton Legend By any measure, Bruce Doull was a champion. One the greatest defenders ever to have played the Australian code of football, he racked up a club record 352 matches for the Navy Blues (including six Grand Finals for four flags) in a 17-year career that stretched from 1969 to 1986. He was Carlton’s Best and Fairest four times, and a member of both the AFL and Carlton’s Team of the Century. It’s a curious fact, however, that we know comparatively little about him. An intensely private person, Bruce shunned publicity and rarely gave interviews. Instead, he let his football do the talking - by taking on and beating the best forwards in the game, week after week. Born Alexander Bruce Doull in Geelong in 1950, he was recruited by Carlton’s Under-19 squad in 1968 from the Jacana Football Club in Melbourne’s northern suburbs. In those early days he was a ruck-rover or half-forward, with a conservative haircut and a burning ambition to be a League footballer. The Blues were the reigning premiers, and the club’s roster was rich in talent across all three grades. Even so, Bruce played only a handful of games with the Under-19 squad (in guernsey number 53) before he was promoted to the Reserves and allocated the highly-prestigious number 4. Then, in only his second season at Princes Park, the shy youngster was selected to make his senior debut for Carlton in a home-ground match against South Melbourne in round 5, 1969. He sat on the reserves bench throughout the first half that afternoon, before being called on to replace the injured Alex Jesaulenko at half-time. Once on the field, Bruce made the occasion even more memorable by kicking his first career goal early in the third quarter, and Carlton held off the fast-finishing Swans to win by 25 points. Throughout 1969-70, Doull played another 14 matches as a winger, ruck-rover or half-forward. He was overlooked for a finals berth in both seasons, but mid-way through 1971, senior coach Ron Barassi told him that there was a regular spot available in defence if he wanted it bad enough, which Bruce certainly did. Given an opportunity to impress at half-back, his judgement, deceptive pace and strength in the air stood out, as did his remarkable poise and calmness under pressure. At 185 cm and 87 kg, Doull was no giant. Yet he soon demonstrated a remarkable ability to "play tall" in a key defensive role. And when the ball came to ground, he stayed in the contest because he never lost his concentration. His all-round agility was exceptional - making him equally as effective in a pocket or on a flank - and physical pressure rarely unsettled him.show_image.php?id=34774 In his 53rd senior appearance for Carlton - the 1972 VFL Grand Final - Doull stamped himself as a rising League star by subduing Richmond’s champion centre half-forward Royce Hart on the biggest stage of all. The Tigers kicked a huge 22.18 that afternoon, but Carlton booted 28.9 in the highest aggregate decider ever played, and collected an eleventh VFL Premiership. Hart was kept to just a handful of possessions and two goals for the match, so the media was soon clamouring for information about the Tiger star’s conqueror. Bruce complied, but he was uneasy in the spotlight and from then on was rarely available. At the same time, Doull had become the latest folk hero at Princes Park. Supporters loved his no-nonsense approach, his courage and his consistency. In keeping with his shy nature is the story of his playing numbers. More and more during his first three seasons in number 4, he was uncomfortable in the locker room because of the attention that was focused on him, in the presence of some of the club’s modern greats like Serge Silvagni (number 1), John Nicholls (2), Kevin Hall (3), Syd Jackson (5) and Garry Crane (6). Therefore, at the conclusion of the 1971 season he was granted a request to switch to guernsey number 11, which had become available due to the retirement of another idolised Carlton defender in John “Ragsy” Goold. With his new number, Bruce shifted only a few metres down the line of lockers, but for him, anywhere further from the limelight was appreciated. By his mid-twenties, Doull was sporting lavish sideboards and hair to his shoulders, which contrasted somewhat with his shy nature, and made him hard to mistake on the field. He won Carlton's Best and Fairest award in 1974, and followed up again in 1977, 1980 and 1984. In 1979 he collected his second Premiership medal when the Navy Blues knocked over Collingwood in a hard-fought, controversial Grand Final remembered for Wayne Harmes’ brilliant solo effort to seal the match. Two years later, Bruce’s finest hour arrived when the Blueboys broke myriads of Magpie hearts again to win the 1981 Grand Final by 20 points. Impassable all day at centre half-back, Doull beat four opponents, and was a worthy winner of the Norm Smith medal as Best on Ground. Twelve months on from that triumph, Bruce collected his fourth Premiership medal when the wounded Blues upset their other traditional rival, Richmond, for the '82 flag. By then nicknamed the “Flying Doormat” by TV commentator Lou Richards - in deference to his balding pate, shaggy beard and hair, kept under control by a navy blue or white headband - Doull led a Carlton defence that was rock-solid in the Blues' 18 point win. Although he would not have been overly concerned, plenty of good judges were gobsmacked afterwards when Bruce missed out on his second Norm Smith medal, which went instead to Richmond's Maurice Rioli. From 1976 to 1981, Bruce was a fixture in the Victorian State team, and earned a recall in 1984 at the age of 33. He was a remarkably durable and suffered a debilitating injury only once in his career, in 1985 – shortly after he had set a new games record at Carlton of 329 matches to succeed John Nicholls. He wrenched a knee at training a few days later, and ended up playing only three senior games for the season. Eventually, Doull made 356 appearances for Carlton, including 162 in succession to set another club record. He was never reported by the umpires for foul play, and widely respected for his fairness in playing the ball rather than the man. A former team-mate, Brent Crosswell once wrote: "Doull's game has a moral purity about it, and that is why opponents have always found it extremely difficult to be unfair to him. It would have shamed them." Carlton Coach of the Century David Parkin was equally as complimentary when he described Bruce as “the best team player I ever coached.” Doull’s final game for Carlton came in the sixth Grand Final of his career, when Hawthorn demolished the Blues in a one-sided 1986 decider. Star Hawks full-forward Jason Dunstall kicked six goals on the 36 year-old veteran in that match, but in the context of Bruce’s career as a whole, it was barely a blemish. He may have been a shy and reserved individual in public, but when Bruce Doull pulled on the famous Old Dark Navy Blue, he became one of the true legends of VFL/AFL football. Just one year after his retirement, Bruce was elected to the Carlton Hall of Fame. In September 1996 he was named on a half-back flank in the AFL Team of the 20th Century, and in 2000 filled the same spot in Carlton's Team of the Century. Then, in June 2014, during celebrations marking Carlton's 150th year of VFL/AFL competition, Bruce was named as one of the five greatest Blues of all time, alongside John Nicholls, Stephen Kernahan, Alex Jesaulenko and Stephen Silvagni. Footnotes On the way to victory in the 1982 Grand Final against Richmond, Doull was involved in a celebrated incident that stopped the game and both amused and infuriated the 107,536 fans at the ground. During a tense third quarter, Carlton was in front by one point when a naked female dashed out into the middle of the MCG. Wearing nothing but a Blues scarf, 18 year-old Helen D’Amico made a bee-line for Doull, and tried to embrace him before she was intercepted by his team-mate Wayne Johnston and disturbed match officials. With the crowd in uproar, she was bundled into an over-sized cardigan and marched off the ground, as Carlton went on to upset the Tigers by 18 points. It later emerged that Ms D’Amico had been working as a strip-tease artist at an Adelaide nightclub, and her streak was a publicity stunt. Milestones 50 Games: Semi Final, 1972 vs Richmond 100 Games: Round 22, 1974 vs St Kilda 150 Games: Round 3, 1977 vs St Kilda 200 Games: Round 14, 1979 vs Fitzroy 250 Games: Round 18, 1981 vs Geelong 300 Games: Round 19, 1983 vs St Kilda 350 Games: Round 19, 1986 vs Collingwood Career Highlights 1972 - 5th Best & Fairest 1972 - Premiership Player 1973 - 8th Best & Fairest 1974 - Robert Reynolds Memorial Trophy - Best & Fairest Award 1975 - Arthur Reyment Memorial Trophy - 2nd Best & Fairest 1976 - Arthur Reyment Memorial Trophy - 2nd Best & Fairest 1977 - Robert Reynolds Memorial Trophy - Best & Fairest Award 1979 - 7th Best & Fairest 1979 - Premiership Player 1980 - Robert Reynolds Memorial Trophy - Best & Fairest Award 1981 - 4th Best & Fairest 1981 - Norm Smith Medal 1981 - Premiership Player 1982 - 5th Best & Fairest 1982 - Premiership Player 1983 - 2nd Best & Fairest 1984 - Robert Reynolds Memorial Trophy - Best & Fairest Award 1984 - Best Clubman Award Links Articles: Bruce Doull Speaks | Yesowooloonko - You Beauty! | Moving Guernsey Numbers - UP! | Carlton's Magnificent Seven Footage Interview after the 1981 Grand Final: https://www.youtube.com/watch?v=uzAqqk2u6y0 Toyota Bruce Doull Advertisement: https://www.youtube.com/watch?v=Zk_yu4t8vYQ Driving with Sam Pang: https://www.youtube.com/watch?v=WNwUaqVYBDo Bruce Doull vs Glenn Archer: https://www.youtube.com/watch?v=yVmHGMLFVqg Blueseum: Playing Career of Bruce Doull | Carlton Legends | Career Breakdown | Doull's Blueseum Image Gallery Video 1972 1973 1976 1977-79 1980 1981 1982 1983 1984 1985 InterviewBlack & White photos -
Melbourne Legacy
Document - Report, Annual Report 1964-1993, 1964 to 1993
Copies of various Annual Reports for Melbourne Legacy complete from 1964 to 1993, most published with colour images. Other annual reports in 00027, 01095, 01096, 01098 and 01099. Included: Melbourne Legacy Annual Report 41 - 1964 Melbourne Legacy Annual Report 42 - 1965 Melbourne Legacy Annual Report 43 - 1966 Melbourne Legacy Annual Report 44 - 1967 Melbourne Legacy Annual Report 45 - 1968 The 1969 Report from Melbourne Legacy The 1970 Report from Melbourne Legacy - 47th Annual Report The 1971 Report from Melbourne Legacy - 48th Annual Report The 1972 Report from Melbourne Legacy - 49th Annual Report 50th Annual Report Melbourne Legacy 1973 Melbourne Legacy 1974 - 51st Annual Report Melbourne Legacy 1975 - 52nd Annual Report Melbourne Legacy 1976 - 53rd Annual Report Melbourne Legacy 1977 - 54th Annual Report Melbourne Legacy 1978 - 55th Annual Report Melbourne Legacy 1979 - 56th Annual Report Melbourne Legacy 1980 - 57th Annual Report Melbourne Legacy 1981 - 58th Annual Report Melbourne Legacy 1982 - 59th Annual Report (Celebrating 60 Years of Service) Melbourne Legacy 1983 - 60th Annual Report (Diamond Jubilee Year) Melbourne Legacy 61st Annual Report 1984 Melbourne Legacy 62nd Annual Report 1985 Melbourne Legacy 63rd Annual Report 1986 Melbourne Legacy 64th Annual Report 1987 Melbourne Legacy 65th Annual Report 1988 Melbourne Legacy Highlights from 65th Annual Report 1988 Melbourne Legacy 66th Annual Report 1989 Melbourne Legacy 67th Annual Report 1990 Melbourne Legacy 68th Annual Report 1991 Junior Legacy, Melbourne Annual Report 1992 (Financials) - includes 3 inserts Junior Legacy, Melbourne Annual Report 1993 (Financials) - includes 2 inserts Junior Legacy, Melbourne Annual Report 1993 (Financials)A record of the annual reports of Legacy Melbourne, including records of names of Legatees, beneficiaries, supporters, telling stories of Legacy's impact and summarising annual financial information.Various annual reports from 1964 to 1993 published on paper with black type. Some with coloured coversfinancial summary, annual summary -
Melbourne Legacy
Document, Annual Report 1931-1944, 1931 to 1944
Copies of various Annual Reports for Melbourne Legacy. Other annual reports in 00027, 01096, 01097, 01098 and 01099. Included: 01095.1 Legacy Club Melbourne for year ended 30th June 1931 Moved to 00457 : The Bully Tin, Melbourne Legacy AGM 25th June 1932 01095.2 The Legacy Club of Melbourne Annual Report 1931-1932 01095.3 The Legacy Club of Melbourne Annual Report 1932-1933 01095.4 The Legacy Club Melbourne Annual Report 1933-1934 Legacy Club Melbourne Annual Report 1935 Legacy Club Melbourne Annual Report 1936 01095.7 Legacy Club Melbourne Annual Report 1937 Legacy Club Melbourne Annual Report 1938 Legacy Club Melbourne Annual Report 1939 01095.10 Legacy Club Melbourne Annual Report 1940 Legacy Club Melbourne Eighteenth Annual Report 1941 Legacy Club Melbourne Nineteenth Annual Report 1942 01095.13 Legacy, Melbourne Twentieth Annual Report 1943 01095.14 Melbourne Legacy Twenty-First Annual Report 1944A record of the annual reports of Legacy Melbourne, including records of names of Legatees, beneficiaries, supporters, telling stories of Legacy's impact and summarising annual financial information.Various annual reports from 1931 to 1944 on foolscap paper with black type.financial summary, annual summary -
Melbourne Legacy
Document, Annual Report 1945-1963, 1945 to 1963
Various consecutive Annual Reports for Melbourne Legacy complete between the years 1945 and 1963. Other annual reports in 00027, 01095, 01097, 01098 and 01099. Included: 01096.1 Melbourne Legacy Twenty Second Annual Report 1945 01096.2 Melbourne Legacy Twenty Third Annual Report 1946 Melbourne Legacy Twenty Fourth Annual Report 1947 Melbourne Legacy Twenty Fifth Annual Report 1948 01096.5 Melbourne Legacy Twenty Sixth Annual Report 1949 Melbourne Legacy Twenty Seventh Annual Report 1950 01096.7 Melbourne Legacy Twenty Eighth Annual Report 1951 Melbourne Legacy Twenty Ninth Annual Report 1952 Melbourne Legacy Thirtieth Annual Report (Coronation Year) 1953 01096.10 Melbourne Legacy Thirty First Annual Report 1954 .11 Melbourne Legacy Thirty Second Annual Report 1955 .12 Melbourne Legacy Thirty Third Annual Report for the year 1956 .13 Melbourne Legacy Thirty Fourth Annual Report for the year 1957 .14 Melbourne Legacy Thirty Fifth Annual Report for the year 1958 .15 Melbourne Legacy Thirty Sixth Annual Report for the year ending 31/12/1959 .16 Melbourne Legacy Thirty Seventh Annual Report for the year ending 31/12/1960 .17 Melbourne Legacy Thirty Eighth Annual Report for the year ending 31/12/1961 Melbourne Legacy Thirty Ninth Annual Report for the year ending 31/12/1962 Melbourne Legacy 40th Annual Report (for the year ending 31/12/1963)A record of the annual reports of Legacy Melbourne, including records of names of Legatees, beneficiaries, supporters, telling stories of Legacy's impact and summarising annual financial information.Various annual reports from 1945 to 1963 in small booklets with black type. financial summary, annual summary -
Melbourne Legacy
Document - Report, Annual Report 1995-2002, 1995 to 2002
Various Annual Reports for Melbourne Legacy incomplete between the years 1995 and 2013. Other annual reports in 00027, 01095, 01096, 01097 and 01099. Included: 01098.1 Junior Legacy, Melbourne Annual Report 1995 01098.2 Junior Legacy, Melbourne Annual Report 1996 01098.3 Junior Legacy, Melbourne Annual Report 1997 01098.4 Junior Legacy, Melbourne Annual Report 1999 1998 missing 01098.5 Legacy, Melbourne Annual Report 2000 2001 missing 01098.6 Legacy, Melbourne Annual Report 2002A record of the annual reports of Legacy Melbourne, including records of names of Legatees, beneficiaries, supporters, telling stories of Legacy's impact and summarising annual financial information.Various annual reports from 1995 to 2002 printed A4 size with photos and black type. financial summary, annual summary -
Melbourne Legacy
Document - Document, report, Annual Report 2003-2010
Various Annual Reports for Melbourne Legacy incomplete between the years 2003 and 2010. Other annual reports in 00027, 01095, 01096 and 01097 and 01098 and 01310. Included: 01099.1 Legacy, Melbourne Annual Report 2003 01099.2 Legacy, Melbourne Annual Report 2004 01099.3 Legacy, Melbourne Annual Report 2007 01099.4 Melbourne Legacy Annual Report 2008 01099.5 Melbourne Legacy Annual Report 2009 01099.6 Melbourne Legacy Annual Report 2010A record of the annual reports of Legacy Melbourne, including records of names of Legatees, beneficiaries, supporters, telling stories of Legacy's impact and summarising annual financial information.Various annual reports from 2003 to 2010 published A4 size books in colour with photos and black type. financial summary, annual summary -
Melbourne Legacy
Document - Document, report, Annual Report 2011-2014, 2011 to 2014
Annual Reports for Melbourne Legacy between the years 2011 and 2014. Other annual reports in 00027, 01095, 01096 and 01097 and 01098 and 01311. Included: Legacy Melbourne Annual Report 2011 Legacy Melbourne Annual Report 2012 Legacy Melbourne Annual Report 2013 Legacy Melbourne Annual Report 2014A record of the annual reports of Legacy Melbourne, including records of names of Legatees, beneficiaries, supporters, telling stories of Legacy's impact and summarising annual financial information.Annual reports from 2011 to 2014 published A4 size books in colour with photos and black type. 01310.1 Annual Report 2011, 44 pages 01310.2 Annual Report 2012, 44 pages 01310.3 Annual Report 2013, 48 pages 01310.4 Annual Report 2014, 48 pagesfinancial summary, annual summary, activities