Colour photograph. Ground floor facin north west in what was to be the cafe. Entrances into the tower connected to access corridors to former hospital towers. New structure for cafe roof seen with black tarp on top. Taken during restoration inspection.building construction, historic buildings

Brothers homes and Andrew Chirnside, who emigrated from Scotland, built the Italianate -style mansion on their Werribee property between 1874 and 1877. They were pioneering pastoralists who foundered the Chirnside Pastoral Empire. The Victorian Government purchased the property in 1973 and it opened as a tourist attraction in 1977 run by Parks Victoria. The photograph was taken when the students from Bulla Primary School visited the property.The visit to Werribee Park Mansion was included in the students' history studies.A coloured non-digital photograph of a large double storey Italianite style mansion with an imposing lookout tower with flagpole over the main entrance. A large sweeping gravel driveway leads to the main entrance.school excursions, bulla primary schooil, werribee park mansion, thomas chirnside, andrew chirnside, parks victoria

The stone bridge is one of the many bridges built along the Bendigo Rail Line. This one along with four others ar in Sunbury which were built in the late 1850s. his bridge spans the Ruoertswood Viaduct which is north of the Sunbury Station. The building in the LH corner was a pump house where water was pumped and taken to the water tower on Sunbury Station where the steam trains stopped to replenish the water tanks. The Bendigo Rail Line was the first Government owned and operated to be constructed in Victoria. Along the railway a number of famous bridges and tunnels were built and are of historical significance. The bridge spanning the Rupertswood Viaduct is one of them. A black and white photograph with a cream border of a high bridge spanning a deep valley. The roof of a small building is visible in the bottom LHS corner of the photograph.bridges, railways, rupertswood viaduct

Town Hall Clock Tower looking South West down Victoria Street 1965stawell streetscape

Raheen is a 120 year old Victorian house owned by Richard and Jeanne Pratt. Mrs Jeanne Pratt commissioned the book and this copy was presented to Sue Barnett on a visit by members of the Boroondara Historical Societies. The visit was organised by local member Mr Josh Frydenburg. 92p. ill. bibliog., Raheen was a grand two-storey red brick house in the Italianate Style, with a prominent tower and an arcaded loggia on two levels. This book explores its history, restoration and further development over many years. 92p. ill. bibliog., Raheen was a grand two-storey red brick house in the Italianate Style, with a prominent tower and an arcaded loggia on two levels. This book explores its history, restoration and further development over many years.Endpaper: Surrey Hills Historical Society / Jeanne Pratt / 27/7/2013(mr) ian allen oam, (mr) william lawrence bailieu, ehud barak, (dr) james broadbent, (mr) robert bruce, (mr) george h w bush, (mrs) barbara pierce bush, (mr) arthur calwell, (ms) jane dennithorne, (mr) eamon de valera, (sir) james augustine gobbo, (mr) lloyd hill, (mr) william morris hughes, (lord) (mr) immanuel jakobovits, (mr) philip johnson, (cardinal) (mr) walter kaspar, moshe katsav, (mr) james robert knox, (mr) terence lane, (mr) edward latham, (mr) michael lehany, (dr) (mr) miles lewis, (mr) sam lipski am, (sir) (mr) thomas francis little, (mr) peter lovell, (mr) egidio lunardon, (mr) (cardinal) jean-marie lustiger, (mr) daniel patrick mannix, (sir) (mr) robert gordon menzies, (mr) henry miller, (mr) glen murcutt ao, (mr) benjamin netanyahu, (mr) ngo dinh diem, (mr) phillip nikolitsis, i (eoh) m(eng) pei, (mr) shimon peres, (mr) joseph reed, (mr) yves st laurent, (mr) william salway, (mr) james henry scullin, jessie serle, (mr) justin david simonds, (mrs) heliose waislitz, (miss) heliose pratt, (mr) john wren, (sir) (mr) henry john wrixon, (mr) richard pratt, (mrs) jeanne pratt, raheen, historical buildings, kew, victoria, italianate style, house names

A biographical history by Dorothy Selby (nee Emerson) recollecting the people she came into contact with during her time in Surrey Hills from 1915-1937.A4, comb binding, 9 pageshouse names, kookaburra, albany crescent, surrey hills, (miss) dorothy emerson, (mrs) dorothy emerson, warrigal road, boundary road, st stephen's presbyterian church, (mrs) - gillies, (mr) tom ward, dentist, (mrs) - bowen, edwardian style, royal hotel, broughton road, (mrs) - brogan, (mr) - brogan, (mr) - tuckett, tacey's butcher, (mr) james tait, draper, (mr) alfred rose, state savings bank, surrey college, tower house college, balmoral crescent, (mr) - clewett, (mr) percy blood, stenning and holyoak, grocers, (mr) - pell, greengrocer, confectioner, fishmonger, (mr) tommy everon, (miss) beatrice bligh, (mr) - lyons, (mr) - ray, surrey hills station, transport, (ms) kitty mcewan, golfer, taxis, (mr) - collins, surrey hills primary school, (dr) (mr) - forsythe, (dr) (mr) - gandever, windsor crescent, valonia avenue, victoria avenue, (mr) john blogg, progress association, rechabite hall, (mr) claude wardle, (miss) beatrice oakley, empire day, (mr) robert gordon menzies, girl guides, (ms) nancy steele, (ms) hattie steele, (dr) (mr) - blaikie, (mr) - richards, stationmaster, crime, (mr) - cockerill, (mr) horrie breedon, first enlistment, (mr) (rev) brazier, (mr) (rev) - oakes, (mr) (rev) - gillies, (mr) (rev) - mudford, (mr) (rev) - millikan, (mr) (rev) - cockett, (mr) (rev) alfred gifford, (mr) (fr) david gleeson

The donor and family of this gown were long-term Brighton residents, and the gowns were held by them as family heirlooms prior to donation to Brighton Historical Society. Originally owned by Elizabeth Emma Adams and Cecilia Elizabeth Adams, it is believed that the dress was brought to Australia by either a half brother, James Smith Adams, or a younger sister, Sophia Charlotte Louisa Adams (later known as Mother Rose Columba Adams). Elizabeth and Cecilia were the daughters of James Smith Adams (a squire, 1780-1860) and Elizabeth Emma McTaggart (1793-1843) of Tower House, Woodchester in Gloucester, a property which Elizabeth later inherited. Originally a monastery, Tower House had been converted into a stately home after the Reformation. According to information originally provided by the donor, both this dress and the dress T0004.3 were made for Elizabeth and Cecilia, to be worn at the young Queen Victoria’s first 'drawing room ball' following the end of court mourning in 1838 for her uncle William IV who died in 1837. In 1838 Cecilia would have been twelve years old and Elizabeth would have been ten years old. It is possible that the dress T0004.3 was worn by one of the girls to this event as it is of appropriate dimensions for a child of that age, although its design is very formal and adult. However, it is unlikely that either of the girls wore this dress at the ball due to the size and styling of the dress. It is likely that the dress belonged to one of the girls, but was worn at a later date. Elizabeth was born on 30 June 1828 at Tower House and died on 1 May 1909. She created a scandal when she eloped with her first husband, Thomas Charles Gardiner at the age of 18. The validity of the marriage was later formally investigate and, while it was confirmed as valid, a second church wedding was subsequently held. Thomas died in 1878. Elizabeth subsequently remarried Reverend R. E. Blackwell, but was widowed again by 1889. Cecilia was born on 17 December 1826 and died in 1902 a spinster recluse in England. At the inquest into Cecelia's death in 1904 it was revealed that she had clearly come from a family of means as her home was filled to the brim with highly valuable goods, many in boxes. She was buried in the family vault at Woodchester. Elizabeth and Cecilia's sister Sophia converted to Roman Catholicism in 1851 and became a nun, taking the religious name 'Rose Columba'. In 1883 Mother Rose Columba led a group of eight to Australia, answering a call for Dominican sisters to nurse the sick in Adelaide. Upon arrival, she founded St. Dominic's Priory and the Church of Perpetual Adoration in North Adelaide, using her inheritance to build the chapel. Elizabeth's second son, George Henry Somerset, who inherited the Adams family estate dropped the 'i' in Gardiner and added the maiden name of his grandmother. Therefore, the family name has now become Gardner McTaggart. These Adams family entries have been updated with information provided by Dr Herbert Gardner McTaggart, great-grandson of George Henry Somerset in April 2016. Mr McTaggart contacted the society after finding our entries online.A hand sewn white purple, pink, green, blue and yellow floral silk chiffon dress from circa 1870. The dress consists of two pieces worn together as a dress. This dress has received a great deal of mending and alteration and so it is difficult to be sure of what constitutes its original state. The following description is of its current state. The bodice has a high neck with a simple shallow band collar, an olive braid and a press stud closure. The bodice fastens down the centre front with ten hook and eyes closures and two sets of ribbon ties . The bodice has three darts providing shaping into the waistline. The bodice finishes at the waist and gently tapers towards the front creating a 'V' line. Down the centre front from the neck to the waist concealing the bodice opening is a pressed pleated ruffle of the dress fabric and a line of olive braid. The dress features pagoda sleeves finished at the hem with pressed pleated ruffle of the dress fabric, a line of olive braid and a silk fringe of 4 cm pale pink and white. The skirt part of the bodice section attaches to the front of the dress with two hooks and eyes on the left hand side of the waist. The fabric drops down to approximately the knees at the front, curving up and splitting on either side over the hip. The edge of this piece is also trimmed with a pressed pleated ruffle of the dress fabric and a line of olive braid. Just below the hip on either side is a large bow of pink, cream, purple and green taffeta. The bodice at the back is shaped with four panels into the waistline. Where it joins the bodice skirt the skirt is pleated, creating fullness. The skirt of the dress ensemble secures at the waist on the left hand side. At the front it has two pleats (that may have been repositioned during repair), and is fully gathered at the back. At the front the dress falls to the floor whilst at the back it is longer to accommodate the bustle and possibly a small train.cecilia elizabeth adams, elizabeth emma adams, 1870s fashion, tower house, woodchester, james smith adams, elizabeth emma mctaggart, mary rose columba adams, sophia charlotte louisa adams

The donor and family of this gown were long-term Brighton residents, and the gowns were held by them as family heirlooms prior to donation to Brighton Historical Society. Originally owned by Elizabeth Emma Adams and Cecilia Elizabeth Adams, it is believed that the dress was brought to Australia by either a half brother, James Smith Adams, or a younger sister, Sophia Charlotte Louisa Adams (later known as Mother Rose Columba Adams). Elizabeth and Cecilia were the daughters of James Smith Adams (a squire, 1780-1860) and Elizabeth Emma McTaggart (1793-1843) of Tower House, Woodchester in Gloucester, a property which Elizabeth later inherited. Originally a monastery, Tower House had been converted into a stately home after the Reformation. According to information originally provided by the donor, both this dress and the dress T0004.1 were made for Elizabeth and Cecilia, to be worn at the young Queen Victoria’s first 'drawing room ball' following the end of court mourning in 1838 for her uncle William IV who died in 1837. In 1838 Cecilia would have been twelve years old and Elizabeth would have been ten years old. It is possible that this dress was worn by one of the girls to this event as it is of appropriate dimensions for a child of that age, although its design is very formal and adult. Elizabeth was born on 30 June 1828 at Tower House and died on 1 May 1909. She created a scandal when she eloped with her first husband, Thomas Charles Gardiner at the age of 18. The validity of the marriage was later formally investigate and, while it was confirmed as valid, a second church wedding was subsequently held. Thomas died in 1878. Elizabeth subsequently remarried Reverend R. E. Blackwell, but was widowed again by 1889. Cecilia was born on 17 December 1826 and died in 1902 a spinster recluse in England. At the inquest into Cecelia's death in 1904 it was revealed that she had clearly come from a family of means as her home was filled to the brim with highly valuable goods, many in boxes. She was buried in the family vault at Woodchester. Elizabeth and Cecilia's sister Sophia converted to Roman Catholicism in 1851 and became a nun, taking the religious name 'Rose Columba'. In 1883 Mother Rose Columba led a group of eight to Australia, answering a call for Dominican sisters to nurse the sick in Adelaide. Upon arrival, she founded St. Dominic's Priory and the Church of Perpetual Adoration in North Adelaide, using her inheritance to build the chapel. Elizabeth's second son, George Henry Somerset, who inherited the Adams family estate dropped the 'i' in Gardiner and added the maiden name of his grandmother. Therefore, the family name has now become Gardner McTaggart. These Adams family entries have been updated with information provided by Dr Herbert Gardner McTaggart, great-grandson of George Henry Somerset in April 2016. Mr McTaggart contacted the society after finding our entries online.A hand sewn cream, pale blue, orange and gold embroidered satin formal dress, the bodice dates from circa 1840. This dress shares a skirt with T0004.2, which dates from a different period (circa 1890). The bodice features a wide shallow neckline finished with a beige coloured cord in two decorative lines. The sleeve is set on the true shoulder and is a short fitted sleeve with decorative gathering and two lines of corded detail. The bodice is shaped to the body with 2 sets of six fine knife pleats diagonally positioned narrower over the waist and spreading out over the bust. These pleats are secured with six double lines of stitching. The bodice finishes high on the waistline at either side and points down to a point over the centre front. The base of the bodice is finished with a piped edge and beige decorative cording. The bodice encloses the body at the centre back where it has holes that presumably would have held lacing. The back features four diagonal knife pleats finishing at the centre back and splaying out over the shoulders. The waistline at the back features only a very gentle point.cecilia elizabeth adams, elizabeth emma adams, james smith adams, elizabeth emma mctaggart, sophia charlotte louisa adams, queen victoria, drawing room ball, 1840s fashion, tower house, woodchester

The Collins No. 2 Woollen Mill building dates from around the 1930s, however related buildings at that site were first constructed from around 1918, that was the Marnock Vale Wool Scouring Works. The Union Woollen Mill founded in the 1870s by William Henry Collins, a major Geelong industrial enterprise, was among the local firms which flourished during the First World War period. From 1914-1918 Collins Bros. concentrated on equipment for the A. I. F. However, afterwards Collins Bros. Pty. Ltd. specialised in the manufacture of flannels and blankets. From 1920 to 1938 the output was increased by fifty percent, and the number of employees rose to 200. The Collins Bros. No. 2 Mill was established in Bridge Street, Newtown. The proprietary brand 'Physician' became well and favourably known throughout Australia source: Heritage Victoria The Collins Bros Mills No. 1 and No. 2 hired over 250 people, and produced between 40,000 and 60,000 blankets for both the Australian market and for overseas export. Collins Bros closed both mills in 1974.Landscape photograph mounted on board showing a group portrait of staff seated and standing together in front of the Collins No. 2 Woollen Mill, Bridge Street, Newtown. Buildings, a chimney, towers, tanks, farmland, a car, powerlines and dirt roads are shown in the background.

This photograph was found loose in the first of three albums compiled and owned by J W Allen, Secretary of New South Wales Grazier's, and is associated with the New South Wales Graziers Association world tour of sheep 1928-1929. The album contains photographs of travel, sheep, farms, stations, people and landscapes from around the world. Locations include Naples, Port Said, Suez, Birregurra (Vic), Alexandra (Vic), Ballangeich (Vic), Keith (SA), Mt Gambier (SA), Buckland Park (SA), Tasmania, Winton (QLD), Sydney Harbour, Canberra (ACT), Toowoomba (QLD), Rockhampton (QLD), Tocal (NSW), Deepwater (NSW), Glen Innes (NSW), Longreach (QLD), Moree (NSW), Barraba (NSW) and Mudgee (NSW). Properties depicted include Mooleric, Turkeith, Woolongoon, Minadale, Crower Station, Merrindie, Koomooloo Station, Cappeedee, Koonoona, Rathmore, Ellenthorpe, Camden Park Station, Glenlegh, Strathmore Station, Ilparran Station, Binneguy, Midkin, Terlings, Ashley, Bereen, Plumthorpe, Mayvale and Havilah. The album was found in a clean out at the Great Southern Agricultural Research Institute and donated to the National Wool Museum, along with other related material such as photographs, glass lantern slides and ephemera.Black and white photograph showing two cars parked with people standing around the cars. A fence, water tower and trees are shown in the background, with a road in the foreground. back: [handwritten] Entrance: Minadale Alexandra (R. S. S. Cameron) / [printed] KODAK PRINT / C 806agriculture, sheep, farming, stations, research, breeding, photography, travel

SE view from St Johns Tower 1973Black and white photograph of aerial view Caledonian & Victoria Hotels centre. Reardon theatre far leftst john's tower, tower, st johns, town, aerial, caledonian, victoria, hotel

non-fiction1857 tour of Western Victoria including Tower Hill, Belfast and Yambuk.colonial education, belfast, victoria 1857, book

Tower Hill at Koroit in Victoria was stripped of vegetation by generations of farming practices until replanting and regeneration programs were undertaken from the late 1960s onward. This historic image taken by keen amateur photographer and editor of the journal "Light", Monsignor J. Mc Inerney, shows the caldera before the replanting took place. Monsignor McInerney's photographic archive contains many images used in illustrating the journal.

The two wooden oars were formerly painted white. They were used on lightstation boats and are now displayed on the wall of Room 2 which is located next to the light tower. Numerous images of the lightstation show rowing boats either on stand‐by on land or in the sea performing duties in the surrounding sea and at the East Landing. The wooden boat rudder with brass and other metal fittings was also formerly painted white and is possibly from the same boat that used the oars. Meets second level threshold.Two long wooden oars, Residue of white paint. Possibly made of Australian hardwood. They were used on lightstation boats.

The interviews were recorded in 2000 by Bronwen Gray and Alan Young for the production of Unreserved, Stories from Truganina Explosives Reserve, animated stories from past residents, workers and interested people of the Reserve (subject to copyright 2004). Edgar James (Jim) Melmoth began work at the Truganina Explosives Reserve at age 19 (1952) as part of the maintenance crew – painting, tram line maintenance, storm damage clearance. He helped build the pier extension and the water tower. In this interview he describes some incidents and some amusing stories of the clysdale horses. A primary source of information on memories of the Truganina Explosives Reserve and Altona,VictoriaDigital copy of original cassette recorded in 2000 and digitised in 2018hobsons bay city council, explosives, air raid shelters, altona pier, brown coal, camouflaged fences, world war two, gelignite, horse drawn wagons, clysdale horses, lighters, williamstown, upton street altona, water tower, adze, john gates, public works department, explosives pier, cherry lake, altona, altona meadows, lennie finley

Portrait of King George V (Duke of Kent) 1935Presented to the 6th Battalion Royal Melbourne Regiment by an Allied Battalion the Royal Fusiliers as a toke of friendship and esteem. This Portrait would have hung pride of place in the officers mess from 1935-? The portarait is also signed by the artist, an M.C reciepient, as well as the the reigning monarch, and colonel in chief of the presenting unit. It is supported by a letter from the colonel of the Presenting unit, Maj Gen Hill CB.CMG.DSO, and as such is hghly provinanced Colour print of His Magesty King George V wearing the unaiform of the the Royal Fusilliers, Read coat with decorations and blue sash under a navy blue over coat. The print is signed in lead pencil by the artist and by King George V on the lower edge. A regimental badge is present in the top right of the image. The picture is framed in a pewter coloured frame with ornate leaf mouldings in the corners. On the lower edge of the frame is a plaque which states " From the Colonel and Officers of the Royal Fusilliers 1935" Also included with the portait is a letter on Royal Fusiliers letterhead dated October 23 1935 " From - Maj-Gen. W.P.H. Hill. CB. CMG. DSO., Colonel. The Royal Fusiliers Dear Armstrong I am forwarding to you under a separate cover an engraving of a portrait of His Majesty, King George V, Colonel - in - Chief, the Royal Fusiliers, in the uniform of the Regiment, This portrait was painted by Captain Oswald Birley, M.C., late Royal Fusiliers, and presented to the Regiment by Lord Wakefield to commemorate the 250th anniversary of the raising of the Regiment of Fusiliers at the Tower of London in 1685. His Majesty has graciously signed this copy for presentation to your Regiment from the Corps of the Royal Fusiliers, and we trust that you will accept it as a token of friendship / and esteem .... and esteem we feel for our Allied Battalion, the 6th Battalion, the Royal Melbourne Regiment Yours Sincerely W.F.H. Hill Lieutenant-Colonel C.E. Armstrong , Comdg. 6th Bn. The Royal Melbourne Regt., Carlton, Victoria, Australia" This letter is supported by framing card , which has some water damage on the lower right corner and right side signed by King George and the artist From the Colonel and Officers of the Royal Fusilliers 1935" 5/6 rvr, officer's / sergeant's mess, 6th battalion, royal melbourne regiment, king george v, royal fusiliers

The combined Pipes and Drums of the 5/6th Battalion, the Royal Victoria Regiment and the Lornes Scots (Peek, Dufferin and Halton Regiment). Both units were invited to assist their allied regiment, The Royal Regiment of Fusiliers, to exercise its Freedom of the City of London with a street march from HM Tower of London to Guildhall to commemorate the regiment's 50th anniversary.

The ‘Resumatic’ brand, British made, lightweight device comprises a red pulley with attached length of white rope and harness. Information on the item indicates that it was the property of the Department of Transport, Australia. The Commonwealth Lighthouse Service was associated with the Department of Shipping and Transport in 1951 and the Navigational Aids Branch of the Department of Transport in 1972 so the harness may date to this period. The easily operated descent device was used for automatic, controlled descents from overhead structures, such as towers and other buildings and did not require a power source or tools. The user needed to make sure the unit is secured to an anchor point so that the cable could be dropped to the ground. As soon as it was secured the user could put on the support harness, step off the edge and travel down to safety. The device complements a number of other items of rescue equipment held in the wider Parks Victoria lightstation collection which attest to the dangers inherent in lightstation work and necessity for first aid kits, resuscitators, life buoys, life jackets and other devices such as harnesses and pulleys used for moving people. These include a bosun’s chair and harness with pulley, Royal Flying Doctor first aid cabinet, resuscitator kit and case, first aid kit, lifebuoy and cork fragments x 4 all in the Gabo Island collection; a rescue basket, resuscitation kit and case, and pulleys and ropes at Cape Otway; rescue stretcher made of bamboo at Wilsons Promontory; and a rescue anchor at Cape Schanck. The Cape Nelson rescue harness, although unique in the broader lightstation collection, is a relatively common device that is still manufactured more or less the same in England. It has second level contributory significance for offering insights into the various methods used in rescue operations by Victoria’s lightstations.Length of white rope attached to a harness and a red pully device.yes

Cupboard is original to Lighthouse. This nineteenth century cedar furnishing has two doors and one internal shelf. It remains in the lighthouse although its original location was probably the lantern room, where similar surviving cabinets are more typically found. It was purpose built for the lighthouse with a curved back to fit the proportions of the tower interior with the wood reputed to have originated from a partition in the assistant lightkeepers’ houses, and the cupboard doors possibly crafted at a different time. Curved cabinets similar to this example can be found at three other early lighthouses investigated by this study. It is possible that these specially designed cabinets were included in the standard complement of furnishings provided to the colony’s lightstations by the Victorian Public Works Department. Other similar cabinets with curved backs remain in the Point Hicks Lighthouse and at Cape Nelson (two examples )and Cape Schanck, which has a curved front as well as back .The Gabo Island cabinet has first level contributory significance for its historic value, uniqueness, provenance to the lightstation and clear association with the functions of the lighthouse lantern room.Two door wooden (cedar) cabinet. One internal shelf, panelled, curved back. Doors are attached. Frame has been stripped, doors are unpainted.

Ornamental drop finials x 4 from the lighthouse staircase.The four cast iron drop finials are decorative architectural features that were appended to the underside of the original lighthouse staircase, which was built between 1861 and 1862.The Conservation Management Plan prepared by Australian Construction Services in 1992 states that the original stair ‘was probably the first cast iron spiral stair to be built in an Australian lighthouse.’ From about 1978 to 1988 the tower’s original staircase was gradually removed and replaced by an iron replica and by 1992 the dismantled staircase had been shifted to the old jetty storage building and was ‘awaiting disposal’. Fortunately, it was not trashed but accessioned into the Eden Killer Whale Museum where it has since been incorporated into a recreated lighthouse.The staircase was removed from the tower prior to the lightstation’s inclusion in the Victorian Heritage Register in November 1999 (H1773). which may be the earliest cast iron spiral stair built in an Australian lighthouse.The four baluster drop finials are of first level contributory significance to the Gabo Island Lightstation for their historic value and clear provenance to the tower’s original staircase erected in 1862, which may be the earliest cast iron spiral stair built in an Australian lighthouse.4 x Cylindrical shaped finials. Threaded inside. Cast iron. tapers to a point. 1. & 2. have residue paint.

A small number of heavy cast iron weights and two rods remain at the Point Hicks Lightstation. These weights comprise one rod with a forked top and four circular weights attached to the bottom of the shaft. The weights and rods were part of the original clockwork mechanism that was fitted beneath the lens to keep the kerosene‐fuelled light turning. They were attached to a cable or chains and moved vertically in similar fashion to the way weights move on grandfather clocks. As the weight fell, the optic clock was driven and the lens was turned. To keep the clock turning, the weight needed to be wound back up to the top of its travel. The cables and weights in this lighthouse were visible as they moved through the length of the tower up to the lantern room. It was usual for systems to move inside a tube extending up to the top, but in this case the tower’s cast iron spiral staircase, which is supported on cantilever cast iron brackets set into the concrete wall, spiralled around the space in which they moved. Lighthouse keepers had the arduous job of having to constantly wind the clock to keep the light active, and at least two keepers needed to observe a strict roster of hours. When electric motors were invented, all of this became redundant and the motors were able to turn the optic for as long as there was power to drive them. In December 1964, the original 1890 Chance Bros kerosene‐fuelled light and clockwork mechanism were replaced by small electric motor, and the number of keepers reduced to two. The six circular weights and rods originate from the obsolete system and may have been part of a larger set. Wilsons Promontory retains seven of its original set of ten weights, all of which are detached from the tower’s weight tube. Cape Schanck has a set of fourteen weights remaining in situ as well as another four detached weights, which have inscriptions. One weight is displayed in the lantern room at Cape Otway. The image shows four of the clockwork weights attached to a rod with a forked top. They were part of the original clockwork mechanism that was fitted beneath the lens to keep the kerosene‐fuelled light turning. The Aldis lamp in its case sits on the floor next to the weights. Source: Parks Victoria.The Point Hicks weights have first level contributory significance for the insights they provide into the superseded technology and operations of a late nineteenth century lighthouse. They are well provenanced and are significant for their historic value as part of the lightstation’s Chance Brothers optical system installed in 1890. Four circular metal weights are stored on a metal rod with a forked section at the top. The weights have a cut out section which allows the weights to be removed easily.

In architecture a corbel serves a decorative as well as structural function as a solid piece of stone, wood or metal that is built into a wall and juts out like a bracket to carry a weight. The smoothly shaped corbel was formerly built into the external wall of the lighthouse facing the sea. It consists of two cupped, rounded forms, one bigger than the other, which are attached to a damaged flat base. Made of cast concrete, it is the same fabric as the lighthouse and shows evidence of white paint on its surface. An early architectural drawing of the tower shows the corbel as a projecting, decorative moulding underpinning the balcony floor associated with the auxiliary light. It indicates the original corbel was a much larger architectural feature which started as a solid rectangular block and terminated with a smaller block and then two tapering, rounded forms. Prepared in mid-1888, the architectural drawings for the lighthouse by Victorian Public Works Department architect, Frederick Hynes, were amended in 1888-89 to provide for an auxiliary light, which comprised an arched opening and door in the tower wall below the lantern room and small balcony. In the late nineteenth century all of Victoria’s lightstations installed a red auxiliary light to serve as a danger warning to mariners sailing too close to shoare. Existing lightstations, like Cape Otway, built a pavilion below their lighthouse facing out to sea, but newly constructed towers like Point Hicks and Split Point incorporated them into their designs. The efficacy of auxiliary lights became a controversial issue and all were discontinued on 1 January 1913. The Point Hicks balcony was removed from the face of the tower in 1971 after it was found to be badly rusted. This resulted in the complete removal of the corbel, from which the rounded moulding and part of the base survives. The auxiliary light and door were subsequently removed in 1975 and glass blocks now fill the opening. Cape Schanck Lightstation retains four cast iron brackets from its auxiliary light balcony which are currently stored in the lighthouse on the ground floor. No other architectural fabric associated with the auxiliary light has been identified at Point Hicks Lightstation. The fragment of corbel has first level contributory significance for its historic and architectural values as a relic of the auxiliary light and as an original moulding from the fabric of Victoria’s first concrete lighthouse.A masonary corbel.

Print of photograph looking south down Burke Road with St Johns Anglican church tower in the background. Inscription 'Camberwell, Victoria, view of Burke Road and stores c. 1950' Camberwell, Victoria, view of Burke Road and stores c. 1950camberwell

This photograph, enlarged from a post card from the Rose Series, is representative of many images representing High Street, Wodonga as it developed over time. The Rose Series of postcards is a series of postcards of scenes from around Australia and some international ones as well. They were produced by the Rose Stereograph Company, which was the business of Victorian photographer George Rose (1861-1942). In 1880, George, aged 19, founded his business in Victoria, and soon became famous for producing stereographs, or stereo views. His early images included the landing at Anzac Cove, Ned and Dan Kelly’s Armour (taken at trial in 1880), The Duke & Duchess of York and their daughter Princess Elizabeth and Phar Lap winning the Melbourne Cup. When stereographs lost popularity during the 1920s, Rose switched to the production of postcards and decorative cards. He and his team of photographers took thousands of photos of scenery around Victoria and beyond, and the postcards became iconic images of Australian life. The Rose Stereograph Company Collection comprising more than 100,000 items was auctioned by Lloyds in June 2021.This is an image from an important collection of postcards which were representative of towns in Victoria taken c1920 - 1940sThis is an enlarged black and white photo of a postcard of High Street Wodonga from the Rose Series Across bottom of photo "THE ROSE SERIES P.1760 HIGH STREET, WATER TOWER, WODONGA, VIC."rose series p.1760, wodonga post cards, high street wodonga

This image shows High Street, Wodonga in the late 1950s to early 1960s. The view is taken looking southwards towards the Water Tower at the end of the street. Businesses visible in the image include Currans Shoe Store, Greens Shoe Repair, a barber store, Pat's Ladies Hairdresser and Beauty Parlour, Albury Drycleaners, Jim Costello's, Bye's Butchery, Cafe, Astor Electrical goods and Victorian Producers. It is an enlargement of a Rose Series postcard. This photograph is representative of many images representing High Street, Wodonga as it developed over time. The Rose Series of postcards is a series of postcards of scenes from around Australia and some international ones as well. They were produced by the Rose Stereograph Company, which was the business of Victorian photographer George Rose (1861-1942). In 1880, George, aged 19, founded his business in Victoria, and soon became famous for producing stereographs, or stereo views. His early images included the landing at Anzac Cove, Ned and Dan Kelly’s Armour (taken at trial in 1880), The Duke & Duchess of York and their daughter Princess Elizabeth and Phar Lap winning the Melbourne Cup. When stereographs lost popularity during the 1920s, Rose switched to the production of postcards and decorative cards. He and his team of photographers took thousands of photos of scenery around Victoria and beyond, and the postcards became iconic images of Australian life. The Rose Stereograph Company Collection comprising more than 100,000 items was auctioned by Lloyds in June 2021. This image shows the main street of Wodonga and allows us to trace its development over time.A large photo printed on canvas. It shows High Street Wodonga in the late 1950s, looking southwards towards the water tower.high street wodonga, wodonga businesses, wodonga 1950s

These town photos are part of a collection donated by Elaine Mann. Elaine was married to David Mann, a successful Wodonga businessman and community leader who passed away in Wodonga in June 2012. David was a member of the Mann family who began their business in Wodonga in 1920. Elaine was a teacher in Wodonga for many years and an active member of the community. Arthur Dunstan Hardware Arthur Dunstan established mills at Red Bluff on the Mitta and a timber yard at Wodonga. He also built a sawmill at Glen Wills in 1931 which operated for about 16 years. A larger and more modern sawmill with drying kilns was erected at Eskdale in 1947. He was contracted to build Wodonga’s Municipal sale yards in 1935, followed by the Wangaratta sale yards. This created so many forward orders that he bought a large block of land on the corner of Beechworth and Tallangatta Roads and opened a timber mill and hardware store. The business stood on this corner for about 40 years. A large proportion of the company's timber output was processed at the Wodonga yards into flooring, weatherboards, mouldings etc. and practically the whole output was distributed locally and throughout the Riverina and eastern areas of New South Wales, and Canberra. At its peak Dunstan’s was one of the biggest sawmilling businesses in Victoria and in Wodonga employed 150 people and milled l6,000,000 super feet of timber annually. A super foot is a measurement for timber, equal to one foot square by one inch thick. Arthur Dunstan also built Tower Place in High Street. He died in Wodonga in 1963 and the business was continued on by his sons. Dunstan’s timber yards in Wodonga were sold to Ezerd Industries in 1987 with the retail section being bought by BBC Hardware.This photo collection is of significance as it documents how the businesses and buildings in Wodonga have evolved and contributed to community throughout the late 20th century. A. Dunstan & Sons Hardware was located at the roundabout on the corner of High Street and Thomas Mitchell Drive (Formerly Tallangatta Road). "Southside Terrace" now occupies this site.wodonga businesses, high st wodonga, dunstan's hardware wodonga

These Wodonga photos are part of a collection donated by Miss Olive Codling. Arthur Dunstan Arthur Dunstan established mills at Red Bluff on the Mitta and a timber yard at Wodonga. He also built a sawmill at Glen Wills in 1931 which operated for about 16 years. A larger and more modern sawmill with drying kilns was erected at Eskdale in 1947. He was contracted to build Wodonga’s Municipal sale yards in 1935, followed by the Wangaratta sale yards. This created so many forward orders that he bought a large block of land on the corner of Beechworth and Tallangatta Roads and opened a timber mill and hardware store. The business stood on this corner for about 40 years. A large proportion of the company's timber output was processed at the Wodonga yards into flooring, weatherboards, mouldings etc. and practically the whole output was distributed locally and throughout the Riverina and eastern areas of New South Wales, and Canberra. At its peak Dunstan’s was one of the biggest sawmilling businesses in Victoria and in Wodonga employed 150 people and milled l6,000,000 super feet of timber annually. A super foot is a measurement for timber, equal to one foot square by one inch thick. Arthur Dunstan also built Tower Place in High Street. He died in Wodonga in 1963 and the business was continued on by his sons. Dunstan’s timber yards in Wodonga were sold to Ezerd Industries in 1987 with the retail section being bought by BBC Hardware.This photo collection is significant as it documents how the businesses and buildings in Wodonga have evolved and contributed to community throughout the 20th century.The first business at this location was a timber will and hardware store established by Arthur Dunstan in 1935. It operated there for about 40 years. Businesses from left to right: Dry Cleaner, Delicatessen, Twin Cities Fruit & Vege Market, Ollies Family Restaurant, Victoria Star Hot Bread Kitchen, Trophies and Gifts, and Horseland. This area is not referred to as Southside and the former Horseland premises are not occupied by an Italian restaurant.wodonga businesses, dunstan's corner wodonga, thomas mitchell drive

These Wodonga photos are part of a collection donated by Miss Olive Codling. Arthur Dunstan Arthur Dunstan established mills at Red Bluff on the Mitta and a timber yard at Wodonga. He also built a sawmill at Glen Wills in 1931 which operated for about 16 years. A larger and more modern sawmill with drying kilns was erected at Eskdale in 1947. He was contracted to build Wodonga’s Municipal sale yards in 1935, followed by the Wangaratta sale yards. This created so many forward orders that he bought a large block of land on the corner of Beechworth and Tallangatta Roads and opened a timber mill and hardware store. The business stood on this corner for about 40 years. A large proportion of the company's timber output was processed at the Wodonga yards into flooring, weatherboards, mouldings etc. and practically the whole output was distributed locally and throughout the Riverina and eastern areas of New South Wales, and Canberra. At its peak Dunstan’s was one of the biggest sawmilling businesses in Victoria and in Wodonga employed 150 people and milled l6,000,000 super feet of timber annually. A super foot is a measurement for timber, equal to one foot square by one inch thick. Arthur Dunstan also built Tower Place in High Street. He died in Wodonga in 1963 and the business was continued on by his sons. Dunstan’s timber yards in Wodonga were sold to Ezerd Industries in 1987 with the retail section being bought by BBC Hardware.This photo collection is significant as it documents how the businesses and buildings in Wodonga have evolved and contributed to community throughout the 20th century.The first business at this location was a timber will and hardware store established by Arthur Dunstan in 1935. It operated there for about 40 years. In this photo Horseland occupies the corner premises including a video outlet. On the left is the Victoria Star Hot Bread Kitchen. This area is now know as Southside.wodonga businesses, dunstan's corner wodonga, thomas mitchell drive

This set of photos is from a leather bound album bearing the inscription "HUME RESERVOIR AUSTRALIA" plus 'The Rt. Hon. L. C. M. S. Amery, P. C., M .P.' all inscribed in gold. It was presented to The Rt. Hon. L. C. M. S. Amery, P. C., M. P, Secretary of State for Dominion Affairs on the occasion of his visit to the Hume Reservoir on 2nd November 1927. This album is of local and national significance as it documents the planning and development of the Hume Reservoir up to 1927. It was the largest water reservoir in the British Empire. The album records the pioneering engineering work that went into its construction.DEPARTMENT OF PUBLIC WORKS, N.S.W. RIVER MURRAY WATERS SCHEME. HUME RESERVOIR. 31. View from Top of Tail Tower Pillar - Earth Embankment, Victoria. This is a general view of the embankment which is being constructed by the Victorian Constructing Authority. The bank at its base is about 650 feet wide and it is about half its ultimate height. In the middle is the reinforced concrete core wall. At about the natural surface a tunnel for drainage and inspection purposes is built along the downstream side of the core wall but this cannot be seen. The Victorian workshops and township are located on the high ground beyond the embankment. The embankment curves round to the left at the side of the valley and will eventually block the gulley where the bushy tree stands. Access to one of the cuttings from which material is being got for the embankment is gained by means of this gulley at present. Part of another cutting may be seen on the right hand side at the back. August 1927.hume reservoir australia, river murray waters scheme, hume reservoir construction

This set of photos is from a leather bound album bearing the inscription "HUME RESERVOIR AUSTRALIA" plus 'The Rt. Hon. L. C. M. S. Amery, P. C., M .P.' all inscribed in gold. It was presented to The Rt. Hon. L. C. M. S. Amery, P. C., M. P, Secretary of State for Dominion Affairs on the occasion of his visit to the Hume Reservoir on 2nd November 1927. This album is of local and national significance as it documents the planning and development of the Hume Reservoir up to 1927. It was the largest water reservoir in the British Empire. The album records the pioneering engineering work that went into its construction.DEPARTMENT OF PUBLIC WORKS, N.S.W. RIVER MURRAY WATERS SCHEME. HUME RESERVOIR. 32. Earth Embankment, Victoria. Looking down on the earth embankment and core wall. The earth is conveyed to the bank by rail, tipped out and then put in place by wheeled scoops, the horses and wheels treading and rolling the material into a very compact form while hoses play water on the mass to keep it moist. The concrete pillar with Tail Tower, and North Wing Wall, look very small in the distance. August 1927.hume reservoir australia, river murray waters scheme, hume reservoir construction