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Tarnagulla History Archive
Box of Murray Comrie's Research Notes (Set 2), Murray Comrie's Research Notes (Set 2), circa 1960s-80s
Murray Comrie Collection. Murray Comrie, born in Tarnagulla in 1912 also became a policeman and later a Chief Superintendent, retiring in 1972 and passing away in 1983 after a long illness. Murray Comrie's son Murray Jnr., to avoid confusion became known by his middle name, Neil. Neil Comrie also joined Victoria Police and rose through the ranks to become Chief Commissioner of Victoria Police from 1993 to 2001. Blue-grey archive box containing research notes of Murray Comrie. Contains: A series of 17 notepads in which Comrie has annotated historical information from local newspapers. A very long rolled up piece of paper on which is printed the Comrie family tree A yellow envelope containing photogrpahs which are low-quality and/or duplicates of other images in the Murray Comrie Collection. A ledger in which Comrie has listed every Police Station in Victoria and its establishment date. Four vinyl non-archival document binders in which Comrie's research notes and photographs were housed when donated. Material was transferred out of these for preservation reasons. The contents of this box were compiled or used by Murray Comrie during his research for a book about Tarnagulla. tarnagulla, comrie, research, banks, lodge, gold & mining, war/military, local people, buildings, businesses, local government, post offices, policing, recreation reserve, railway, clubs & societies, band/music, hotels, churches, schools, fire brigade, laanecoorie, names -
Melbourne Tram Museum
Ephemera - Victorian Railways - Motor Coach tickets - set of 15, Victorian Railways (VR), 1966
Tickets used by the Victorian Railways from the time of introduction of decimal currency (1966). At the time, 3c was the lowest fare in use. 1 and 2c were printed, but not issued. A 2c ticket was printed but a copy has not survived. Understood to be used until the introduction of time based tickets in the early 80s. Demonstrates tickets printed by the Victorian Railways for their bus or coach services.Victorian Railways - Motor Coach (buses) tickets - set of 15 ticket blocks - two hundred in each block, stapled onto a heavy cardboard sheet with a white "keeper" piece. 1 – 1c – 001000 to 001199 2 – 3c – 031400 to 031599 3 – 4c – 051400 to 051599 4 – 5c – 011000 to 011199 5 – 6c – 081400 to 081599 6 – 7c – 021400 to 021599 7 – 8c – 051800 to 051999 8 – 9c – 040000 to 040199 9 – 11c – 011000 to 011199 10 – 12c – 021600 to 021799 11 – 13c – 031200 to 031399 12 – 14c – 011400 to 011599 13 – 16c – 011800 to 011999 14 – 17c – 041600 to 041799 15 – 21c - 001400 to 001599 Tickets were received in an Addressograph cardboard box with a lable for the Association of Railway Enthusiasts. victorian railways, tickets, buses, motor coaches -
Bendigo Historical Society Inc.
Clothing - GRAYDON COLLECTION: WOMEN'S BLACK EMBOSSED SILK SKIRT, 1870-1890
Clothing. Women's black embossed silk skirt. Part of two piece set(bodice 11410.1). A shaped skirt with 2.5 cm cotton fabric waistband with three hanging loops attached. Centre back opening (20cm) fastened at waist with two metal hooks and eyes. Two metal eyes on waistband for attaching to the bodice. The front of the skirt has two vertical sections of appliquéd decorative beading (38 cm X 5 cm). The hem of the skirt is edged with black satin binding. The skirt is fully lined with brown cotton fabric. At centre back below the opening is an internal pocket (40 cm X 8 cm) of lining fabric. Historical Notes: This bodice and skirt belonged to Elizabeth Graydon (nee Richardson). Photograph of Elizabeth wearing this outfit (11410.3). -
Eltham District Historical Society Inc
Audio Recording, Audio Recording; 2019-10-09 Andrew Lemon; Heritage Advocacy - the role of historical research and historical societies, 9 Oct 2019
October Meeting (Newsletter No. 248, Oct. 2019) It was intended that Dr. Andrew Lemon AM would be our guest speaker at our last meeting on Wednesday 14th August 2019, to talk about Heritage Advocacy - the role of historical research and historical societies. Unfortunately, due to a clash of commitments Andrew apologised for not being able to attend and we are delighted he will now be our speaker at our next meeting on Wednesday 9th October. As mentioned in our last newsletter, this presentation was very well received when Andrew was the keynote speaker at the recent Regional Conference of the Association of Eastern Historical Societies. Andrew is an independent professional historian who has published many commissioned local and institutional histories since his first book, Box Hill, forty years ago. He has now written sixteen books, four of which have won prizes, on subjects ranging from local history, sport, education and biography. Andrew received his doctorate of letters from the University of Melbourne in 2004 because of the excellence of a body of work, not one single piece, as in a thesis. He has been a consistent supporter of our Society and a long term member, who has spoken at a number of our meetings, over many years.1:20:57 duration Digital MP3 File 27.7 MB andrew lemon, audio recording, eltham, eltham district historical society, heritage advocacy, meeting, society meeting -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Bandage, cotton, mid 20thC
A bandage is a piece of material used either to support a medical device such as a dressing or splint, or on its own to provide support to the body; it can also be used to restrict a part of the body. G. J. Coles opened the 'Coles Variety Store' on 9 April 1914 on Smith Street in the Melbourne, Victoria suburb of Collingwood. Further expansion occurred and Coles' interest in food retailing was spurred in 1958 when it acquired 54 John Connell Dickins grocery stores. It then acquired the Beilby's chain in South Australia in 1959 and 265 Matthews Thompson grocery stores in New South Wales in 1960 .In 1960, the first supermarket was opened in the Melbourne suburb Balwyn North, at the corner of Burke and Doncaster Roads where a modernised version continues to operate. By 1973, Coles had established stores in all Australian capital cities. From 1962, its supermarkets were branded Coles New World with accompanying rocket imagery. In 1991, the stores were re-branded Coles Supermarkets and from 1998, simply as Coles. George James (G. J.) Coles learned the retail trade working for his father's 'Coles Store' business from 1910 to 1913. The store continued operating as "The Original Coles" at Wilmot, Tasmania until it was destroyed by a fire on 24 January 2014. An unused, 1 inch ( 2.5cm ) x 6 yards ( 2metres) cotton, ‘open wove’ bandage in a cellophane wrapper sold by G.J. Coles Pty Ltd Variety StoresCellophane wrapper top: WHITE OPEN WOVE / BANDAGE / 1 X 6 YDS. / SPECIAL QUALITY / G.J.COLES * pharmacy, medicines, bandages, wounds, early settlers, market gardeners, moorabbin, bentleigh, cheltenham, cotton, gauze, coles g j pty ltd., variety stores, supermarkets, smith street collingwood, retailers, shops -
Flagstaff Hill Maritime Museum and Village
Currency - Banknote set, Bank of Australasia, 1899-1903
This set of banknotes was issued by the Bank of Australasia's Head Office in Sydney, New South Wales. Two banknotes are dated before the Federation of Australia on 1st January 1901 and two are dated just two years after Federation. Each of the banknotes in this set has a rectangular piece cut from it. This indicates that the banknote was cancelled when the note was exchanged for Australian dollars after Decimal Currency was introduced on 14th February 1966. The Bank of Australasia was established under the Royal Charter of England. It first came to Australia in 1835, opening in Sydney. The Bank of Australasia was the first bank in Warrnambool. It was established in 1854 and operated from leased buildings in Merri Street then Timor Street. The bank opened its own building on May 21, 1860, on the north-east corner of Timor and Kepler Streets. In that year, the Acting Superintendent of the Bank of Australasia in Sydney was David Charters McArthur. He went on to become the Superintendent 1867-1876. In 1951 the Bank of Australasia amalgamated with the Union Bank to form the Australia and New Zealand Bank, now known as the ANZ. Then in 1970 the ANZ merged with both the ES&A and the London Bank of Australia to form the ANZ Banking Group Limited. The ANZ Banking Group Ltd kindly donated a variety of historic items from the Bank of Australasia. This set of banknotes has historical significance as it was issued by the Bank of Australasia. The Bank of Australasia was the first bank in Warrnambool, established in 1854. The bank continued to operate until its merger in 1951 when it became the ANZ Bank, which is still in operation today. The Bank was an integral part of the establishment and growth of commerce in Colonial Warrnambool and throughout Australia. The banknotes also have a significant place in Australia’s history as two notes are just prior to the Federation of Australia and two notes just after.This banknote set of four notes comprises three (3) £1 one-pound notes and one (1) £5 five-pound note. The notes were published by The Bank of Australasia, Sydney, New South Wales between 1899 and 1903. The denominations of the notes and their round pound-coin symbols are printed in green ink, and the remainder of the printing is in black ink. All notes have a black ink stamp impressed twice on each side. The stamp states that the notes are cancelled. There are handwritten initials in red ink on each note's obverse and text in pencil on their reverse. The reverse of the one-pound notes is unprinted but the five-pound note has a printed decorative border and images with an inscription and shield. The notes have a rectangular cut-out on the lower edge.Serial Numbers, Denominations and Dates: 5054.1 "ONE POUND" "Q50,806" "NEW SOUTH WALES" "1st July 1903" 5054.2 "ONE POUND" "O50 551" "NEW SOUTH WALES" "1st July 1903" 5054.3 "ONE POUND" "O24,385" "NEW SOUTH WALES" "1st July 1899" 5054.4 "FIVE POUND" "A36,191" "NEW SOUTH WALES" "5th February 1900" Stamp "BANK OF AUSTRALASIA / CANCELLED" Handwritten in red [initials] Image on five pound note"(around border) "BANK OF AUSTRALASIA INCORPORATED BY ROYAL CHARTER" and (image on shield) [suspended sheep] in diagonal corners, and [sailing ships] in other diagonal corners, and four stars (or open flowers)" Text in pencil "L24"flagstaff hill, warrnambool, one pound note, bank of australasia, legal tender, £1, banknote, banknotes, flagstaff hill maritime museum & village, shipwreck coast, five poind note, australian currency, shipwrecked coast, flagstaff hill maritime museum, maritime museum, flagstaff hill maritime village, great ocean road, union bank, australia & new zealand bank, anz bank, david charters mcarthur, d c mcarthur, one-pound note, five-pound note, £5, sydney, new south wales, pre-federation, post-federation, currency, set of banknotes -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Jewellery, pearl necklace, 20thC
It is thought that natural pearls form under a set of accidental conditions when a microscopic intruder or parasite enters a bivalve mollusc and settles inside the shell. The mollusc, irritated by the intruder, forms a pearl sac of external mantle tissue cells and secretes the calcium carbonate and conchiolin to cover the irritant. This secretion process is repeated many times, thus producing a pearl. Natural pearls come in many shapes, with perfectly round ones being comparatively rare. In general, cultured pearls are less valuable than natural pearls, whereas imitation pearls have almost no value. Cultured freshwater pearls can often be confused for natural pearls Cultured pearls are the response of the shell to a tissue implant. A tiny piece of mantle tissue (called a graft) from a donor shell is transplanted into a recipient shell, causing a pearl sac to form into which the tissue precipitates calcium carbonate. Some imitation pearls (also called shell pearls) are simply made of mother-of-pearl, coral or conch shell A strand of pearls called a princess length, 43 to 48 cm in length, comes down to or just below the collarbone. A graduated strand of pearls most often has at least 3 mm of differentiation from the ends to the centre of the necklace. A lady's pearl necklace and 1 earring in a hinged, lined, cream Bakelite case .jewellery, necklace, earring, pearls, market gardners, early settlers, moorabbin, bentleigh, cheltenham, ormond -
Flagstaff Hill Maritime Museum and Village
Currency - Banknote, Bank of Australasia, One-pound, 1st July 1903
This one-pound banknote is one of a set of four banknotes issued by the Bank of Australasia's Head Office in Sydney, New South Wales. Two banknotes are dated before the Federation of Australia on 1st January 1901 and two are dated just two years after Federation. Each of the banknotes in this set has a rectangular piece cut from it. This indicates that the banknote was cancelled when the note was exchanged for Australian dollars after Decimal Currency was introduced on 14th February 1966. The Bank of Australasia was established under the Royal Charter of England. It first came to Australia in 1835, opening in Sydney. The Bank of Australasia was the first bank in Warrnambool. It was established in 1854 and operated from leased buildings on Merri Street and then Timor Street. The bank opened its own building on May 21, 1860, on the northeast corner of Timor and Kepler Streets. In that year, the Acting Superintendent of the Bank of Australasia in Sydney was David Charters McArthur. He went on to become the Superintendent from 1867-to 1876. In 1951 the Bank of Australasia amalgamated with the Union Bank to form the Australia and New Zealand Bank, now known as the ANZ. Then in 1970 the ANZ merged with both the ES&A and the London Bank of Australia to form the ANZ Banking Group Limited. The ANZ Banking Group Ltd kindly donated a variety of historic items from the Bank of Australasia. This set of banknotes has historical significance as it was used by the Bank of Australasia, the first bank in Warrnambool. The bank was established in 1854 and continued until its merger, when it became the ANZ Bank in 1951 and is still in operation today. The bank was an integral part of the establishment and growth of commerce in Colonial Warrnambool, Victoria, and Australia. The banknotes also have a significant place in Australia’s history as two notes are just prior to Federation and two notes just after Federation.One-pound note, one of a set of four (4) notes published by The Bank of Australasia, Sydney, New South Wales. The obverse of the note is printed in black ink with the denomination and its round pound-coin symbol printed in green ink. There is no printing on the reverse. A black ink stamp is impressed twice on each side of the note, stating that the note is cancelled. Handwritten red ink text is on the note's obverse and pencil text on the reverse. A unique Serial number is printed twice on the obverse. The banknote has a rectangular cut-out notch on the lower edge. Printed: (Serial Number) "Q50,806" "ONE POUND" "NEW SOUTH WALES" "1st July 1903" Stamped: "BANK OF AUSTRALASIA / CANCELLED" Handwritten in red pen: "undecipherable [initials]" Text in pencil "L24"flagstaff hill, warrnambool, one pound note, bank of australasia, legal tender, £1, banknote, banknotes, flagstaff hill maritime museum & village, shipwreck coast, five poind note, australian currency, shipwrecked coast, flagstaff hill maritime museum, maritime museum, flagstaff hill maritime village, great ocean road, union bank, australia & new zealand bank, anz bank, david charters mcarthur, d c mcarthur, one-pound note, five-pound note, £5, sydney, new south wales, pre-federation, post-federation, currency, banknote set -
Flagstaff Hill Maritime Museum and Village
Currency - Banknote, Bank of Australasia, One-pound, 1st July 1899
This set of banknotes was issued by the Bank of Australasia's Head Office in Sydney, New South Wales. Two banknotes are dated before the Federation of Australia on 1st January 1901 and two are dated just two years after Federation. Each of the banknotes in this set has a rectangular piece cut from it. This indicates that the banknote was cancelled when the note was exchanged for Australian dollars after Decimal Currency was introduced on 14th February 1966. The Bank of Australasia was established under the Royal Charter of England. It first came to Australia in 1835, opening in Sydney. The Bank of Australasia was the first bank in Warrnambool. It was established in 1854 and operated from leased buildings in Merri Street then Timor Street. The bank opened its own building on May 21, 1860, on the north-east corner of Timor and Kepler Streets. In that year, the Acting Superintendent of the Bank of Australasia in Sydney was David Charters McArthur. He went on to become the Superintendent 1867-1876. In 1951 the Bank of Australasia amalgamated with the Union Bank to form the Australia and New Zealand Bank, now known as the ANZ. Then in 1970 the ANZ merged with both the ES&A and the London Bank of Australia to form the ANZ Banking Group Limited. The ANZ Banking Group Ltd kindly donated a variety of historic items from the Bank of Australasia. This set of banknotes has historical significance as it was issued by the Bank of Australasia. The Bank of Australasia was the first bank in Warrnambool, established in 1854. The bank continued to operate until its merger in 1951 when it became the ANZ Bank, which is still in operation today. The Bank was an integral part of the establishment and growth of commerce in Colonial Warrnambool and throughout Australia. The banknotes also have a significant place in Australia’s history as two notes are just prior to the Federation of Australia and two notes just after.One-pound note, one of a set of four (4) notes published by The Bank of Australasia, Sydney, New South Wales. The obverse of the note is printed in black ink with the denomination and its round pound-coin symbol printed in green ink. There is no printing on the reverse. A black ink stamp is impressed twice on each side of the note, stating that the note is cancelled. Handwritten red ink text is on the note's obverse and pencil text on the reverse. A unique Serial number is printed twice on the obverse. The banknote has a rectangular cut-out notch on the lower edge.Printed: (Serial Number) "O24,385" "ONE POUND" "NEW SOUTH WALES" "1st July 1899" Stamp "BANK OF AUSTRALASIA / CANCELLED" Handwritten in red pen: "undecipherable [initials]" Text in pencil "L24"flagstaff hill, warrnambool, one pound note, bank of australasia, legal tender, £1, banknote, banknotes, flagstaff hill maritime museum & village, shipwreck coast, five poind note, australian currency, shipwrecked coast, flagstaff hill maritime museum, maritime museum, flagstaff hill maritime village, great ocean road, union bank, australia & new zealand bank, anz bank, david charters mcarthur, d c mcarthur, one-pound note, five-pound note, £5, sydney, new south wales, pre-federation, post-federation, currency, banknote set -
Flagstaff Hill Maritime Museum and Village
Currency - Banknote, Five-pound, 5th February 1900
This five-pound banknote is one of a set of four banknotes issued by the Bank of Australasia's Head Office in Sydney, New South Wales. Two banknotes are dated before the Federation of Australia on 1st January 1901 and two are dated just two years after Federation. Each of the banknotes in this set has a rectangular piece cut from it. This indicates that the banknote was cancelled when the note was exchanged for Australian dollars after Decimal Currency was introduced on 14th February 1966. The Bank of Australasia was established under the Royal Charter of England. It first came to Australia in 1835, opening in Sydney. The Bank of Australasia was the first bank in Warrnambool. It was established in 1854 and operated from leased buildings in Merri Street then Timor Street. The bank opened its own building on May 21, 1860, on the north-east corner of Timor and Kepler Streets. In that year, the Acting Superintendent of the Bank of Australasia in Sydney was David Charters McArthur. He went on to become the Superintendent 1867-1876. In 1951 the Bank of Australasia amalgamated with the Union Bank to form the Australia and New Zealand Bank, now known as the ANZ. Then in 1970 the ANZ merged with both the ES&A and the London Bank of Australia to form the ANZ Banking Group Limited. The ANZ Banking Group Ltd kindly donated a variety of historic items from the Bank of Australasia. This set of banknotes has historical significance as it was used by the Bank of Australasia, the first bank in Warrnambool. The bank was established in 1854 and continued until its merger, when it became the ANZ Bank in 1951 and is still in operation today. The bank was an integral part of the establishment and growth of commerce in Colonial Warrnambool, Victoria, and Australia. The banknotes also have a significant place in Australia’s history as two notes are just prior to Federation and two notes just after Federation.Five-pound banknote, one of a set of four banknotes published by The Bank of Australasia, Sydney, New South Wales. The obverse of the note is printed in black ink with the denomination and its round pound-coin symbols printed in green ink. The reverse has a decorative border and image with an inscription and shield. A black ink stamp was impressed twice on each side, stating that the note is cancelled. Handwritten red ink text is on the note's obverse and pencil text on the reverse. A unique Serial number is printed twice on the obverse. The banknote has a rectangular cut-out notch on the lower edge. Printed: (Serial Number) "A36,191" "FIVE POUND" "NEW SOUTH WALES" "5th February 1900" Stamp "BANK OF AUSTRALASIA / CANCELLED" Image: (around border) "BANK OF AUSTRALASIA INCORPORATED BY ROYAL CHARTER" and (image on shield) [suspended sheep] in diagonal corners, and [sailing ships] in other diagonal corners, and four stars (or open flowers)" Handwritten in red pen: "undecipherable [initials]" Text in pencil "L24"flagstaff hill, warrnambool, one pound note, bank of australasia, legal tender, £1, banknote, banknotes, flagstaff hill maritime museum & village, shipwreck coast, five poind note, australian currency, shipwrecked coast, flagstaff hill maritime museum, maritime museum, flagstaff hill maritime village, great ocean road, union bank, australia & new zealand bank, anz bank, david charters mcarthur, d c mcarthur, one-pound note, five-pound note, £5, sydney, new south wales, pre-federation, post-federation, currency, banknote set -
Australian Gliding Museum
Machine - Glider – Sailplane, Circa 1971
The Vogt LO150 is a sailplane first produced in 1954. Designed in Germany by Alfred Vogt, the LO150 is of wood construction. It has a two piece wing of 15 metre (49 feet) span and a fuselage of monocoque design. The first of the type to be imported into Australia arrived in late 1955. In January 1956 this aircraft type was used to create a world speed record of just under 75 km/h for speed around a 300 km triangle and went on to win the Australian National Gliding Championships. The Museum’s LO150 (VH-GUC) – serial number EB71 was imported from Germany in 1971 by the late Frank Erdmann and an ownership syndicate formed. Following Erdmann it has had a number of owners. Much of its usage was at Bacchus Marsh and Horsham with excusions elsewhere for competition. This Vogt LO150 was last flown on 3 January 1988. Overall, since arriving in Australia, it has flown 315 hours from 273 launches, which is a commendable average performance of over an hour per flight. VH-GUC was donated to the Museum by Warren Mayfield in 2002. Substantial glue deterioration was discovered in one wing and, as a result, a decision has been made not to restore the glider to an airworthy condition. In due course the glider will be repainted and further prepared for display. This exhibit is an example of the Vogt LO150 semi-aerobatic competition sailplane.Single seat competition sailplane of wood construction.Builder's serial number EB71australian gliding, glider, sailplane, vogt, lo-150, erdmann, mayfield, geelong gliding club -
Federation University Art Collection
artwork, Pwerle, Minnie, 'Untitled' by Minnie Pwerle
Minnie PWERLE (c1910-2006) Atnwengerrp/Utopia Minnie Pwerle's Dreamings consist of elements of 'Bush Melon' and 'Awelye'. Awelys-Atnwengerrp' is depicted by a series of lines painted in varying widths and colours. These patters represent the lines painted on the top had of women's bodies during ceremonies in Minnie's country of Atnwengerrp. 'Bush Melon' is depicted using linear design of curves and circles in different colours creating a very loose and bold design. This dreaming tells the story of this lovely sweet food that comes from a very small bush and is only found in Atnwengerrp. Once very abundant and fruiting in the summer season, the Bush Melon is now hard to find. Minnie and other women used to collect this fruit (that was green in colour and then ripened to a brown colour) and scrape out the small black seeds. They would then eat the fruit straight away or cut it in pieces and skewer them onto a piece of wood to dry then to be eaten in the coming months when bush tucker was scarce. These artistic symbols carry potent spiritual meanings.. The physical creation of these Dreamings in an important part of the continuation of an ancient and rich cultural heritage. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Awelye & Bush Melon Dreaming, 2004 Acrylic on canvas, over three panels art, artwork, minnie pwerle, aboriginal, anmatyerre language, atnwengerrp country -
Melbourne Legacy
Photograph, 50 years of service, 1989
Photos of Legatee Grat Grattan being presented with a 50 years of service certificate from President Chas Wilks in 1989. L/ Grattan was a long serving legatee, an article written when he turned 100 says that as a Legatee he was widely respected, he was 'something of a father figure - many of the girls were given away at their weddings by this kindly Legatee'. The article says Oriel John Grattan was born in WA and enlisted in the First AIF in 1916. He served in France and Belgium before he was wounded near Menin Gate. It continues with an interesting piece on the acquisition of Legacy house. It says: 'Perhaps his most lasting monument is Melbourne Legacy House. Through his friendship with one of the principals of the firm, Brown and Dureau, Legacy was given a donation of 30,000 pounds in 1944 (amount was 27,059 pounds according to Dureau Act).' A condition of the donation was that Legacy had only eight days in which to buy a building. A building in Swanston St was purchased for 18,000 pounds and the balance invested. But vacant possession was not possible and the building was sold in the early '50s and became part of the Royal Melbourne Institute of Technology. The proceeds plus the invested money enabled Legacy to buy its headquarters, Dureau House, in Swanston Street in 1955.A record of a Legatee Grattan's long service at Legacy being commemorated with a 50 years service certificate in 1989.Colour photo x 2 of Legatee Grat Grattan receiving a 50 year service certificate and a yellow paper label.legatee, recognition, grat grattan -
Melbourne Legacy
Photograph, Legatee Grattan, 1994
A Legatee Grat Grattan with the President of the Melbourne Legacy Widows Club, Mrs Irene Noll, on the occasion of his 100th birthday celebrations at Legacy House. This photo was used in a newspaper article in 'Vetaffairs' October 1994. The article says Oriel John Grattan was born in WA and enlisted in the First AIF in 1916. He served in France and Belgium before he was wounded near Menin Gate. As a Legatee he was widely respected, he was 'something of a father figure - many of the girls were given away at their weddings by this kindly Legatee'. It continues with an interesting piece on the acquisition of Legacy house. It says: 'Perhaps his most lasting monument is Melbourne Legacy House. Through his friendship with one of the principals of the firm, Brown and Dureau, Legacy was given a donation of 30,000 pounds in 1944. A condition of the donation was that Legacy had only eight days in which to buy a building. A building across the road from the Royal Melbourne Institute of Technology was bought for 18,000 pounds and the balance invested. The building was sold in the early '50s and the proceeds plus the invested money enabled Legacy to buy its headquarters, Dureau House, in Swanston Street in 1955." Vetaffairs is a newspaper for the veteran community published monthly. The entire 8 page issue is kept but only the Grattan article has been scanned here.A record of a Legatee Grattans' achievements, both in the army and in later life and the impact he had on Legacy.Colour photo x 3 of Legatee Grat Grattan for his 100th birthday and article from Vetaffairs.Printed on the back "128 0133 N N N 2 2" on Kodak paper. legatee, birthday, grat grattan, dureau house -
Flagstaff Hill Maritime Museum and Village
Container - Bottle, 1840s to 1910
This handmade ‘gallon’ style of bottle was generally used for storing and transporting wine and ale. Many bottles similar to this one have their bases embossed with “6 TO THE GALLON”. However, this bottle is rare, in that the base has been embossed then over-embossed with the same text, letters overlapping. It is one of many artefacts recovered from unidentified shipwrecks along Victoria’s coast between the late 1960s and the early 1970s. It is now part of the John Chance Collection. The capacity of this is one-sixth of a gallon (imperial measure), which is equal to 758 ml. (American bottles were often inscribed “5 TO THE GALLON”, which is one-fifth of an American gallon, equal to 757 ml.) Contemporary home brewers can purchase new ‘6 to gallon’ bottles that hold 750 ml. and are sold in cases of 36 bottles, which is equal to 6 gallons of wine. Glass was made thousands of years ago by heating together quartz-sand (Silica), lime and potash. Potash was obtained from burnt wood, but these days potash is mined. The natural sand had imperfections such as different forms of iron, resulting in ‘black’ glass, which was really dark green or dark amber colour. The ‘black’ glass was enhanced by residual carbon in the potash. Black glass is rarely used nowadays but most beer, wine, and liquors are still sold in dark coloured glass. Glass vessels were core-formed from around 1500 BC. An inner core with the vessel’s shape was formed around a rod using a porous material such as clay or dung. Molten glass was then modelled around the core and decorated. When the glass had cooled the vessel was immersed in water and the inner core became liquid and was washed out. Much more recently, bottlers were crafted by a glassblower using molten glass and a blow pipe together with other hand tools. Another method was using simple moulds, called dip moulds, that allowed the glass to be blown into the mould to form the base, then the glassblower would continue blowing free-form to shape the shoulders and neck. The bottle was then finished by applying a lip. These moulded bottles were more uniform in shape compared to the free-form bottles originally produced. English glassblowers in the mid-1800s were making some bottles with 2-piece and 3-piece moulds, some with a push-up style base, sometimes with embossing in the base as well. Improvements allowed the moulds to also have embossed and patterned sides, and straight sided shapes such as hexagons. Bottles made in full moulds usually displayed seam seams or lines. These process took skill and time, making the bottles valuable, so they were often recycled. By the early 20th century bottles were increasingly machine made, which greatly reduced the production time and cost. This bottle is a rare find, in that the base has been over-embossed with the same lettering, letters overlapping one another. This bottle is historically significant as an example of a handmade, blown inscribed glass bottle manufactured in the mid-to-late 1800s for specific use as a liquor bottle with a set measurement of one-sixth of gallon. It is also historically significant as an example of liquor bottles imported into Colonial Victoria in the mid-to-late 1800s, giving a snapshot into history and social life that occurred during the early days of Victoria’s development, and the sea trade that visited the ports in those days. The bottle is also significant as one of a group of bottles recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection of shipwreck artefacts by his family, illustrating this item’s level of historical value. Bottle, over embossed, brown glass, handmade, rare. Tall slim Gallon style liquor bottle. Applied double collar lip; square upper and flared lower. Mouth has sealing tape remnants around top. Mould seam around shoulder. Body tapers inwards to push-up base. Top edge of lip has application faults. There is also a rectangular indent in the upper edge of lip. Base is embossed and over embossed, with the letters overlapping each other. Embossed on base "6 TO THE GALLON", then over-embossed with the same "6 TO THE GALLON"flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, glass bottle, antique bottle, gallon bottle, 6 to the gallon bottle, handmade, dip mould, mouth blown, pontil mark, blown bottle, liquor bottle, ale bottle, double collar, 19th century bottle, collectable, over embossed, rare -
Warrnambool and District Historical Society Inc.
Domestic object - Sloan's family liniment bottle with Sticker Paterson Chemist, Warrnambool, Manufactured in late 1800s and early 20th century
Sloan's liniment was used in the late19th and early to mid 20th century. Originally used for horses but later advertised as good for Man and Beast.While the bottle of Sloan's liniment has historical value, the link with Warrnambool lies in the chemist's label of J Paterson who operated a business at 186 Timor Street, Warrnambool around the 1930s.Brown glass bottle with black metal screw-top lid. Bottle has a short neck. The indented rear has the maker's name imprinted. The black and white printed paper label has a picture of a man's head and wraps across the front and sides and has a red sticker with the Warrnambool retailer's name..Front: SLOAN'S/FAMILY/LINIMENT/(text obscured)/NEW YORK (obscured) ST LOUIS/NETT CONTENTS 2½ FL. OZS Left side: INSTRUCTIONS-Massage (obscured) gently with/fingers. Then (obscured) liberally with a soft/ flannel cloth or a piece of absorbent cotton. If skin is tender,/do not use./ CAUTION:-COMBUSTIBLE MIXTURE./Do not Use near Fire or Flame./Regd Vic 1173 Right side: EXTERNALLY: Recommended by us in the treatment of Muscu-/lar Congestion and Muscular Pain due to the exposure and fatigue or/of rheumatic origin, Lumbago, S--- and sc--- and s--- of/Muscles and Tendons, Neuralgia, (obscured), Stiff Neck, Backache, Bruises, Chilblains, Mosquito Bites and/stings of major non-poisonous insects. An Excellent Counter (obscured) Back: THIS BOTTLE ALWAYS REMAINS/ THE PROPERTY OF/CHAMBERLAIN'S PTY LTD/SYDNEY warrnambool, chemists, timor st, sloan's liniment, paterson j -
Dutch Australian Heritage Centre Victoria
Puzzle Game, Mixed Up, Probably 1970s
Example of children's pastimes before the age of TV. Dutch families tended to play boardgames during the long winter nights.It was brought to Australia to continue old customsRectangular white box with black lid on which information is printed in orange. Inside box is a plastic moulded container holding the various puzzle pieces. Puzzle pieces are made from variety of materials including metal, wood and possibly plastic Some items are missing judging by the diagrams.Seven language on top of box all saying "play it anywhere". Images of the various puzzles. The manufacturer logo and name (Jumbo) all featured prominently on side of lid. "Made in Holland by Jumbo, Hausemann & Hoette nv Amsterdam" Has recommended play age of 8 and higher. On sides of lid feature multi-coloured title of the game. Price tag on side of lid shows value of 9.75 The box features on all sides puzzle piece diagrams and also the statement "that the solution can be found in the box" in Dutch, English, German & French. (No solution documentation found in box) On the bottom of the box is another manufacturer's logo (JUMBO) surrounding by the words Spellen-Jeux, Games-Spel, Giochi-Juegos", Spiele-Spil Also repeats Made in Holland family, games, children, pastimes -
Beechworth RSL Sub-Branch
Shell Dressing, March 1944
Shell dressings were carried by individual soldiers, intended to be used as a first dressing in event of wounding or injury. Each cloth pack contains dressings comprised of a gauze pad stitched to a bandage and a safety pin. The field dressing was often the first line of treatment and was intended to be applied by the wounded man himself or other soldiersThis dressing is significant as a representative object carried by every soldier in WWII.Bandage covered in light brown cotton casing. Front side has inscription and instructions for use.Printed on cotton package containing the Shell Dressing. Inside a lined box. Commonwealth of Australia/ SHELL DRESSING / To Open /Outer Cover. Tear cover open at top between stitches. / Inner Waterproof Cover. Tear apart at the corner indicated by arrow. / DIRECTION FOR USE -Take the folded ends of/bandage in each hand, and keeping bandage taut, apply the/gauze pad to wound and fix bandages with safety pin./ In the case of head wounds, when respirators have to be worn, care should be taken to adjust the pad so that it / does not interfere with the fit of the face-piece. / DO NOT HANDLE WOUND OR PAD. / under a black line / Johnson & Johnson Pty, Ltd, Sydney/ MARCH 1944 On the reverse an adhesive sticker with the words "Lent by Lance Flynn" dressing, shell dressing, commonwealth of australia, johnson & johnson -
Kiewa Valley Historical Society
Stretcher - canvas x2
Canvas stretchers were portable and easily carried by pack horses. They were more luxurious than a hard wooden bed or the ground. Canvas was the best material to use at the time. This canvas stretcher may have been used on camping trips or by the cattlemen when visiting their huts on the Bogong High Plains.Used as a stretcher or camp bed and is very heavy. It is made of wood and 4 pieces of canvas sewn together. It has sides of elongated cubed wood with 4 handle extensions which are also cubed wood partly carved out near their ends for a more comfortable grip. The top has canvas attached to the wooden sides. The bottom has wood attached including the handles and a piece in the middle. Also attached are 4 steel rollers. A nail sticks out and stops the handles from going any further than the rollers. 4 metal strips are also attached for guidance of the sliding handles. 2 metal flat rods are attached to the sides at each end and joined in the middle by hinged nail enabling movement creating a metal strip at right angles to the length of the stretcher. The metal handles are attached here too. stretcher. bogong high plains. camping. sleeping. -
Glen Eira Historical Society
Chisholm Institute of Technology
Chisholm Institute of Technology’s Faculty of Technology Magazine, Feedback, No.3 1989., 1988 Prospectus of Chisholm Institute of Technology, Official Invitation to opening of Continuity and Change, dated November 1985., Chisholm Institute of Technology Planning Brief (draft copy) dated 1985. Includes architectural drafts of campus. Fourteen pages including Building Plans., Official invitation to staff and students’ exhibition at Chisholm Institute of Technology 1983., Chisholm Institute of Technology Conferring of Awards booklet dated May 20, 1983. Includes list of graduates, staff and council. With handwritten notes on rear end pages., Undated brochure of advertising courses offered at Chisholm Institute of Technology. Loose card inside with description At Chisholm You’ll Get More Than Just A Piece Of Paper. Includes campus plans., Chisholm Institute of Technology Open Day brochure dated 1982. Includes map at back.vaughan, geoffrey n. dr., jakovidis, greg, mcleod, ian, mckenry, keith, chisholm, caroline, jones, b.o. hon., coogan, c. k. dr., green, k.d., aboriginal medicine, solar, engineering, applied physics, prospectus, chisholm history, school of art and design, david syme business school, school of education, school of nursing, school of social and behavioural studies, faculty of technology, centre for applied mathematical modelling, centre for business technology, centre for industrial tribology, centre for development of entrepreneurs, chisholm timber engineering technology centre, international business centre, polymer research centre, building plans, building construction, invitations, caulfield plaza, princes avenue, railway avenue, queens avenue, caulfield station, derby road, caulfield east, dandenong road, caulfield, chisholm institute of technology, caulfield campus, frankston campus, education, tertiary education -
Frankston RSL Sub Branch
Medallion, Peace 1919
Circular with a plain edge and integral suspension loop. The obverse features a symbolic female figure of Peace, holding a sword and standing on a plinth marked 'PEACE 1919'. Behind her flies a dove, and at her left and right feet are two figures freed from their shackles. The reverse features a central panel surrounded by laurel leaves, surmounted by the King's Crown with the word 'VICTORY' over the rays of the rising sun. A sailor and a digger stand at ease on either side of the panel on which is cast 'THE / TRIUMPH / OF / LIBERTY / AND / JUSTICE'. Below the leaves is a very small panel with the words 'THE PEACE OF 1919' and the manufacturer's name. 'The Peace of 1919' medallion was issued by the Defence Department to school children throughout Australia to commemorate the signing of the Versailles Peace Treaty in 1919. The medals were originally suspended from a narrow piece of red, white and blue striped cotton ribbon.refer to description -
Flagstaff Hill Maritime Museum and Village
Furniture - Chair, 1897-1921
These cane chairs are one of many 19th century items of furniture, linen and crockery donated to Flagstaff Hill Maritime Village by, Vera and Aurelin Giles. The items are associated with Warrnambool and the Giles Family history. Items donated by the family have come to be known as the “Giles Collection”. Many items in the Lighthouse Keeper’s Cottage were donated by Vera and Aurelin Giles and mostly came from the home of Vera’s parents-in-law, Henry Giles and his wife Mary Jane (nee Freckleton) who married in 1880 and whose photos are on display in the parlour. Henry was born at Tower Hill in 1858, and was a labourer on the construction of the Warrnambool Breakwater before leaving in 1895 for around seven years to build bridges in NSW. Mary Jane was born in 1860 at Cooramook and she attended Mailor’s Flat State School and where she eventually was to become a student teacher. After which she became a governess at “Injemiara” where her grandfather, Francis Freckleton, had once owned land. Henry and Mary’s family consisted of six, some of the children were born at Mailor’s Flat and later some children at Wangoom. They lived with their parents at Wangoom and Purnim west, and this is where Henry died in 1933 and Mary Jane in 1940. Heywood & Wakefield Furniture Co: The Heywood-Wakefield Company is an American furniture manufacturer established in 1897. It went on to become a major presence in the US. Its older products are considered collectibles and have been featured on television antique programs. The Heywood brothers established themselves in 1826, as furniture makers and the Wakefield Company began in 1855 as a separate company. Both firms produced wicker and rattan furniture, and as these products became increasingly popular towards the end of the century, they became serious rivals. In 1897 the companies merged as Heywood Brothers & Wakefield Company (this name was changed to Heywood-Wakefield Company in 1921), purchasing Washburn-Heywood Chair Company in 1916, Oregon Chair Company in 1920, and Lloyd Manufacturing Company in 1921. While its wooden furniture plant in Gardner, Massachusetts closed in 1979, a branch in Menominee, Michigan continued to manufacture metal outdoor seats, auditorium seats, and school furniture. The Heywood-Wakefield Company Complex in Gardner was added to the National Historic Register in 1983. The South Beach Furniture Company acquired the rights to the name in 1994 and reproduces its wooden furniture. Both founding companies produced wicker and rattan furniture in the late 19th century. The wicker styles drew on the Aesthetic Movement and Japanese influences simpler designs arose in the wake of the Arts and Crafts Movement. The merged entity stayed abreast of wicker furniture trends by hiring designers such as Paul Frankl and Donald Deskey during the 1920s. Its furniture was exhibited at the 1933 Century of Progress exhibition and the 1964 New York World's Fair. During the 1930s and 1940s, Heywood-Wakefield began producing furniture using sleek designs based on French Art Deco.The Giles family collection has social significance at a local level, because it illustrates the level of material support the Warrnambool community gave to Flagstaff Hill when the village and Museum was established. The wicker furniture is a fine example of late 19th and early 20th century light weight domestic furniture that are today very collectible items and quite rare and valuable.Pair of wicker armchairs, painted dark brown. The open wicker weave pattern extends from the seat up to the armrests and completely over the backrest, plus across the front of the chair below the seat. The seat is very firmly woven and fitted into a timber frame. A reinforcing pattern of wicker work covers the top edges of the armrests and backrest in one piece and folds around to the underside, referred to as ‘rolled serpentine arms and back’. The hollow ends of the armrests are filled with a circular knob of wicker work. The back legs are also completed with decorative wicker knobs. One chair base (3788.01) has been strengthened with metal bracing. The other chair (3788.02) has the remnants of an orange manufacture’s tag fixed to the base. The chairs were made 1897-1921 by Heywood Brothers & Wakefield Company, USA. These chairs are part of the Giles Collection.Printed in black on an orange tag “MANUFA - Heywood B – GARDNE”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, shipwreck coast, great ocean road, giles collection, giles family, henry and mary jane giles, tower hill, cooramook, warrnambool breakwater, mailor’s flat, wangoom, 19th century furniture, wicker armchairs, rolled serpentine wicker work, cane armchair, classic wicker furniture, victorian style furniture, domestic furniture late 19th century, heywood-wakefield company -
Mission to Seafarers Victoria
Artwork, other - Crucifix, 1950-1970
The Lay Reader David Conolly was associated with the Mission for many years in particular working with trainee cadets and RAN Officers. Painted wood crucifix on a very thin backing support of hardboard. Style of the painting is that of icon artist of Russian/Greek/Byzantine style. An inscription on the reverse. Small steel hanging hook at top edge on reverse. The edges of the icon are painted red and the whole depiction is decorated with much gilding. The whole support is in the form of a t-shaped cross. The top section depicts a risen Christ at the centre surrounded by ten disciples or saints and the hand of God appears to be at the upper central edge. The Christ figure is flanked on the main cross piece by five archangels and Saint Peter. Flanking the torso of the crucified figure appear to be Maria and St Joan and on the right side Mary Magdalen, Mark (Saint?) and a centurion figure. Three small figures also featured in this section. At the lower right corner are two haloed male figures (unidentified).Front; above haloed head of the crucified figure U.C.; IHSNAZARE in gold on a red ground/ REXIVDEORV. Beneath the central panel again gold on red SEASIOANNES AND MARIA. On the other side of the central figure; MARIAMARK CENTURIU/ MAGDALEN...IACO/ BI. Hand-written inscription on reverse; "For/ all who enter/ this sacred space./ The gift of/ David Conolly/ sometime stipendiary Lay Reader/ in the Mission/ 1956-1958.david conolly, crucifix, icons, othodox, artwork -
Kiewa Valley Historical Society
Typewriter with cover
Typewriters pre date computers and were used by office workers eg. Secretaries for documents and letter writing. An inked tape was hit by the keys as it moved along which resulted in their imprint being copied onto paper. Multiple copies were made by inserting carbon paper between sheets of paper. The original was easily identified.Used in the Kiewa Valley.Large, heavy, hard plastic two toned grey typewriter. The keys board includes symbols for inches, pounds, dollars, cents and fractions. The margins and size of paper measurements are in inches.The keyboard slopes up to a vertical plane. On top the area is flat where there is a small gap which exposes the metal keys. The cylinder that holds and enables the paper to be moved is long with controls at each end and a large lever that returns the cylinder to the left. Behind the cylinder there is a compartment. The keys hit an inked tape (black or red and black) which forms an impression onto the paper. Mechanisms, using the correct buttons, enable margins etc. to be pre set. This typewriter sits 3 cm high from a base. Vinyl deep red/black cover sits on top covering top and sides to protect the typewriter from dust. It is homemade with 2 sides attached to 1 long piece.Front top left: "Royal" Back top right "Made in England" Back silver paper sticker on top left "For Supplies and Service / Business Equipment Pty Ltd typewriter. royal. office. secretary. writing. business equipment. -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Equipment - Eyeshields, Anti-Gas, Mk.II, World War II, c 1943
Safety Eyeshields which were issued to protect the eyes from liquid irritant sprayed from enemy aircraft. during WWIIThese eyeshields were the property of one of the pioneer families in the city of Moorabbin. 2 One-piece transparent plastic eyeshield visor, mounted on green green fabric band that is secured by three metal staples. At each end of the fabric band is secured two lengths of black elastic, one end features a metal hook, the other a metal ring, and when joined secure the eyeshields to the wearer's head. The elastic straps are joined to the to fabric by metal pop studs, and these press down into two further pop studs located on the visor making the plastic bend to the shape of the wearer's face. Cardboard case is made of heavy duty card, open one end to form and envelope for storage. A felt material is attached as a cushioned nose strip. They are in a brown paper envelope and contained within a Cardboard case is made of heavy duty card, open one end to form and envelope for storage. There are printed with instruction on how to use them.Eyeshields, Anti-Gass, Mk. II. Air Spray Immediate action to be taken to prevent blisters - with instructions.world war ii, safety equipment, eye shields, anti-gas, eyeshields -
Bendigo Historical Society Inc.
Document - JAMES NORTHCOTE COLLECTION - MINERS RIGHT
Three Miner's Rights in the name of John Northcote, No 90952 dated 11th November 1885, No 7 dated 14th September 1888 and No94 dated 28th August 1893. The first two are for Sandhurst and the third one is for Bendigo. Across the top is a crest with a lion and a unicorn holding up an oval piece with a crown and a lion on top, In the oval is an illustration with two men and a woman and sailing ships in the background. On the left side is another illustration with a Coat of Arms at the top, further down crossed shovel and pick, In the centre two flags with a shield with VR in the centre and a sword behind it. Also in the centre is a set of balance scales. Below is decorative drawing. On the back of two are details of a Residence Area. Also pale green registration No 48198 for James Northcote Miner's Right No7 Date 14/9/88 for a residence area off Thistle and McKenzie Streets, Sandhurst.document, certificate, miner's right, miner's right, james northcote, john ferres, robt s brain -
Bendigo Historical Society Inc.
Document - BENDIGO PHILARMONIC SOCIETY PROGRESSIVE EUCHRE PARTY AND CINDERELLA DANCE, 24/08/1900
Small white programme with scalloped edge on three sides for Progressive Euchre Party and Cinderella Dance, held at the Masonic Hall, Friday 24th Aug., 1900. Bendigo Philharmonic Society. Front card has embossed daisies and an embossed square on the front. Also the names of the Conductor, Mr. A. G. Finster; the President, His Worship the Mayor Cr. S. H. McGowan and Hon. Secretary, J. Williamson. The second card has the dance programme with the names of the dances and engagements and the names of ladies and gentlemen who contributed items during the evening. They were Miss E. Collins, Mr. R. W. Norton, Miss L. Jenkins and Mr. Howell. Gold printing on the cards. On the back is an area for Progressive Eucra Score with three red embossed stick on circles. The two cards are tied together with a piece of string.event, entertainment, philharmonic society, programme, progressive euchre party and cinderella dance, bendigo philharmonic society, mr a g finster, cr s h mcgowna, j williamson, miss e collins, mr r w norton, miss l jenkins, mr howell -
Bendigo Historical Society Inc.
Photograph - GOLDEN SQUARE LAUREL STREET P.S. COLLECTION: G. SQUARE PRIMARY SCHOOL GRADE 5/6 R 1996
Coloured photograph of the Golden Square Primary School No. 1189 Grade 5/6 R 1996. Children are standing in front of and on a piece of timber playground equipment. Their names are:- Back Row, L to R:- Joseph Doolan, Ross Cutting, Nataly Holahan, Rebekah Peters, Ben Kolaitis, Denae Trickey, Keith Simmonds, Megan Burchell, Adam Walsh, Kieran Dwyer, Ben Kenyon, Steven Theobold, Hayley Burnett. Middle Row, L to R:- Dean Worthington, Matthew Seeley, Ellen Sproule, Sarah Batters, Stuart McCorkelle, Mr. Shane Roadda (Teacher), Kim Martin, Teagan Holt, Carrie Oakes, Ella Hudson, Bianca Braddy. Front Row, L to R:- Kent Cheng, Douglas Lobley, William Watson, Daniel Vella, Brett Neiwand. On the right of the names is an oval sketch of the school.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - golden square primary school no. 1189 - grade 5/6 r 1996, joseph doolan, ross cutting, nataly holahan, rebekah peters, ben kolaitis, denae trickey, keith simmonds, megan burchell, adam walsh, kieran dwyer, ben kenyon, steven theobold, hayley burnett, dean worthington, matthew seeley, ellen sproule, sarah batters, stuart mccorkelle, mr shane rodda (teacher), kim martin, teagan holt, carrie oakes, ella hudson, bianca braddy, kent cheng, douglas lobley, william watson, daniel vella, brett neiwand -
Bendigo Historical Society Inc.
Photograph - GOLDEN SQUARE LAUREL STREET P.S. COLLECTION: GOLDEN SQUARE PRIMARY SCHOOL GRADE 1/2 1996
Coloured photograph of the Golden Square Primary School No. 1189 Grade 1/2 1996. Children are standing in front of and on a piece of timber playground equipment. Their names are:- Back Row, L to R: Alexander Fettling, Sam Woodman, Michael Lewis, Christopher Holliday, Tayla Flint, Samantha Wynne, Caitlin Skinner, Zachary Aldous. Middle Row, L to R:- Joseph Scoble, Jack Wallis, Mrs Dzintra Martin (Teacher), Susan Seybold, Meredith O'Neil, Ashlee Batters, Nikki Steele, Catrina Preece, Daniel Stirling, Logan Buck, Joel Clark, Matthew McKenzie. Front Row, L to R:- Kellyanne Moschetti, Jessica Theobold, Nicholas Smith, Joshua Boyd, Toni Kenyon, Sarah Harper, Jess James, Toby Apps, Melanie Donaldson, Ben Reidy. On the right of the names is an oval sketch of the school.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - golden square primary school no. 1189 - grade 1/2 1996, alexander fettling, sam woodman, michael lewis, christopher holliday, tayla flint, samantha wynne, caitlin skinner, zachary aldous, joseph scoble, jack wallis, mrs dzintra martin (teacher), susan seybold, meredith o'neil, ashlee batters, nikki steele, catrina preece, daniel stirling, logan buck, joel clark, matthew mckenzie, kellyanne moschetti, jessica theobold, nicholas smith, joshua boyd, toni kenyon, sarah harper, jess james, toby apps, melanie donaldson, ben reidy -
Bendigo Historical Society Inc.
Photograph - GOLDEN SQUARE LAUREL STREET P.S. COLLECTION: G SQUARE PRIMARY SCHOOL GRADE 3/4 G 1996
Coloured photograph of the Golden Square Primary School No. 1189 Grade 3/4 G 1996. Children are standing in front of and on a piece of timber playground equipment. Their names are:- Back Row, L to R: Joshua Skinner, Thomas Catterall, Louise Kudell, Stacy Fiske, Mathew Wynne, Christopher Ohlson, Rose Worthington, Tara Walsh, Dearne Rice, Ryan Trickey. Middle Row, L to R: Danielle Blake, Anna Markis, Kristy Allen, Skye Pascoe, Rodney Weeks, Hayley Buvk, Luke Anderson, Jessica Gloster, Jessica Burton, Emma Hazelton, Mrs. Julie Gibson (Teacher), Stevie Blake. Front Row, L to R:- Sara Oakes, Thomas Townsend, Lachlan Carter, Seb Robins, Anna Oakes, Jeffrey Lewis, Jedd Fettling. On the right of the names is an oval sketch of the school.education, primary, golden square laurel st p.s., golden square laurel street p.s. collection - golden square primary school no. 1189 - grade 3/4 g 1996, joshua skinner, thomas catterall, louise kudell, stacy fiske, mathew wynne, christopher ohlson, rose worthington, tara walsh, dearne rice, ryan trickey, danielle blake, anna markis, kristy allen, skye pascoe, rodney weeks, hayley buck, luke anderson, jessica gloster, jessica burton, emma hazelton, mrs julie gibson (teacher), stevie blake, sara oakes, thomas townsend, lachlan carter, seb robins, anna oakes, jeffrey lewis, jedd fettling