Gift of Mack Jost, 1989

Gift of Mack Jost, 1993

Gift of Mack Jost, 1995

Gift of Mack Jost, 1999

Gift of the artist, 2001

Gift of Allan Myers, 2004

Gift of the Davidson family in memory of Jean Davidson, 2022etching on paper

Gift of the Davidson family in memory of Jean Davidson, 2022etching on paper

Donated through the Australian Government's Cultural Gifts Program by Mack Jost, 1989watercolour on paper

Donated through the Australian Government's Cultural Gifts Program by Mack Jost, 1988watercolour on paper

Gift of Mack Jost, 1987watercolour on paper

Gift of the artist, 2003lithograph on Lana Gravure paper

Gift of the artist, 2003etching on Somerset paper

Gift of the artist, 2003etching on Somerset paper

This trophy was used to record the winners of the track seasons during the years 1970 to 1988.Provides a record of the winners of the track seasons between 1970 and 1988.Wooden trophy with gold coloured plaques added with names of trophy winners of the perpetual track trophy engraved on the plaques during the years 1970 - 1988. The wooden trophy is on a wooden base and is in the shape of the top half of a shield with a column of wood in the centre. There is a figure of a cyclist on the top of the trophy."Ian Bush 1970-71/Graeme Dougherty 1971-72/ Bob Bradford 1973-74/ Kevin Salmon 1974-75/Lewis Oliver 1975-76/Graeme Dougherty 1976-77/ Rod Bunting 1977-78/Don Wilson 1978-79/Don Wilson 1979-80/Robert Sawyer 1980-81/Darryl Carson 1981-82/Don Wilson 1982-83/John McDonough 1983-84/Graeme Smith 1984-85/Robert Baulch 1985-86/Bill Dempster 1986-87/G.W.C.C./Jack King/PERPETUAL TRACK TROPHY"ian bush; graeme dougherty; bob bradford; kevin salmon; lewis oliver; rod bunting; don wilson; robert sawyer; darryl carson; john mcdonough; graeme smith; robert baulch; bill dempster; g.w.c.c.; jack king; track trophy;

Olympic Games representatives for the 1968 games in Mexico City. Don Wilson and Peter McDermott were members of the Geelong West Cycling Club. The names printed under the photograph should be reversed as Don Wilson is the rider on the right of the photograph.Very significant. These two cyclists follow Russell Mockridge, Barry Coster and John Hines all of whom were very successful international cyclists.Black and white photograph in a white wooden frame. It shows two olympic cyclists with their cycles and in their Australian cycling uniforms."Don Wilson & Peter McDermott/Australian Representatives Olympic Games/Mexico City 1968/200km Road Race/100km Teams Race."don wilson; peter mcdermott; olympic games; mexico city; 1968; 200km road race; 100km teams race;

The 1977-1982 Newspaper articles and race results provide information on well known cycling identities in the Geelong area, some of whom achieved Australian and World championships in this sport. Also included are minutes of meetings and correspondence 1978-1985.Well known racing identities of the time and Geelong Cycling Club members - Don Wilson - who won the Australian national road race title in 1975 and 1977. He also competed in the individual road race and the team time trial events at the 1968 Summer Olympics in Mexico, and the Sun Tour during this period.Wilson won and set the fastest time in the amateur Goulburn to Sydney Classic in 1967 run in reverse direction from Milperra to Goulburn. and John Trevorrow - won the Australian national road race title in 1978, 1979 and 1980. He was also 3 time Sun Tour winner in 1975, 1977 and 1979.Newspaper articles and hard backed books with handwritten minutes and correspondence and race results for the period 1977-1982.

Copy of original photograph of first commissioners of Rodney Irrigation Trust. Approx 1889Black and white photograph of first Rodney Trust Irrigation Commissioners. Names on backBack left to right - J.A, Sec. Walter Scott(Engineer), Coms. S. Lancaster, W. Bray, John Morrissy, M. Kavanaugh, C.W. Wilson, Gerald Byrne. Front Row - Coms. John McKenzie, Thomas Hogan, M. Cussen(First Chairman), M. Winter, John Stewart, R. Teese. 1st Commissioners of Rodney Irrigation Trust, 1889.rodney irrigation trust, tatura, irrigation

Mr Eddie Mitchell (right) President of Tatura Mechanics Institute, with Mr Arch Wilson (centre) and Mr Bill Ponting (left), at the unveiling of the memorial plaque honouring John Dixon Love and the Love family. Plaque is situated between Mechanics Institute and Victory Hall.tatura, costume, male, buildings, historic

Premiership Presentation Night at St. Linus Church Hall, Merlynston. 'Dawn' Premiers for Season 1952-53. Cricket Club. Names on photo: Back row: Bill Revallion, Ray Miller, Harold Rutledge, …. , Keith Joyce; Front row: John Downey, Jim Hamilton, Dick Wilson, Fred Hanley, Gordon Anderson, C. Lapham. merlynston, cricket, dawn manufacturer, st linus church

rodney shire council 1906, hogan, thomas, martin, wilson, jw, lancaster, s, mclennan, dm, allen, r, lilford, john, mccarten, jd, crooks, wa, hectorw, harperj, shire of rodney, tatura, photograph, people

Twenty newspaper and other extracts. Photograph 1 & 2. Newspaper articles on interview Archie Wilson with Tom Nevett. Various newspaper articles on John West, rate book information. Photograph 14. Log hut on J. D. Love's property. Photograph 15. Log and other early fencing.

Boy with a Thorn Though the classical bronze that the figure was modeled has become known as Lo Spinario, both Stuart Rattle and Kevin O’Neill referred to it as The Boy with a Thorn. Information from the late Stuart Rattle and John Graham, the late Kevin O’Neill’s partner. The statue was bought by Kevin O’Neill from a South Yarra antique dealer in the 1980s. She had bought it in Europe. Stuart believed that it was cast in Berlin by Moritz Geiss who had pioneered the popular process of zinc casting of classical statues. Schinkel, the architect of early 19th Century Prussian public buildings used the process extensively. I assume that the decorations that can be seen in Berlin currently are copies of those copies, given the comprehensive destruction of the city in 1945. Unless there is a date stamped on the statue, and there might well be, there is no firm indication of its age, although Stuart and Kevin believed it was “turn of the century”. It was given to Stuart by John Graham after the death of Kevin O’Neill. Prior to its installation at Musk Farm, it was “by the dam” at Marnarnie, O’Neill’s property at Mt Macedon. It became a much photographed focal point in the sunken garden at Musk Farm. The statue is a gift from the Rattle family to The Friends of Wombat Hill Botanic Gardens who intend to give it, in turn, to Hepburn Shire to be placed in the Botanic Gardens. Both the family and the Friends see it as a memorial to Stuart’s tireless work to raise funds for the Gardens and to raise the profile of the Gardens so that their considerable significance could be more broadly acknowledged. The CMP notes that statuary has been a feature of most botanic gardens (and a notable feature of the Ballarat Botanical Gardens) and James Lowe, the head of Parks for the Shire has also commented that it is an area that could well be developed in the Gardens. This comes from his attendance at meetings of the BGANZ, the “peak professional body” for the development and maintenance of registered botanic gardens in Aus and NZ. Given the lack of funds that the Shire has been able to allocate to the Gardens, a donation of this calibre is a welcome addition to the cultural asset that the Gardens represent. A very large number of residents of the Shire are members of the Friends, have visited Musk Farm and are appreciative of the Gardens. There is a current feeling that the Gardens are undergoing a dynamic revival as a result of the success of the Café and also because of the extraordinary improvement and enhancement of the amenity that has been undertaken over the past two years by the Friends. The installation of the Boy with the Thorn is another move forward for the Gardens. The statue is cast zinc. It is sometimes referred to a white bronze. As can be seen in the photographs, it is in very good condition with no damage or apparent degeneration of the metal. The Smithsonian Institution has a lengthy document relating to the deterioration and repair of similar casts in the US where urban pollution has taken its toll but for the most part it deals with inappropriate repair rather than maintenance protocols. One of the properties of zinc that is appreciated in Australia is its ability to withstand the elements and given that the artwork has been either on Mt Macedon or at Musk for the last 30 years or more, its relocation to Wombat Hill seems to be an appropriate one. The Friends are prepared to organise and pay for the relocation of the statue. The issue of security from the point of view of theft, malicious damage and environmental impact will need to be addressed. The Ballarat Botanical Gardens have recently reinstalled statuary which has been damaged and which had been removed from the Gardens on account of this. They have used Rockworks Ballarat and Wilson’s Memorials to make plinths, secure artworks with steel pins and to provide especially robust fixings to ensure the safety of the various sculptures. The CMP (2007) makes a number of recommendations regarding security in the Gardens ranging from the installation of lighting to the locking of the gates overnight and the repair/reinstatement of appropriate fencing – not done as yet to my knowledge. Paul Bangay has also agreed to act as a consultant in the process of installing the Boy. John Graham estimates its value at $20,000 The preferred location for the work would be at the entrance to the Fernery from the lawn. The paths form an intersection at that point that could be modified to fit the statue. But this is currently a suggested location only. The statue is a gift from the Rattle family to The Friends of Wombat Hill Botanic Gardens who have gifted it to the Hepburn Shire to be placed in the Botanic Gardens. Both the family and the Friends of the Wombat Hill Botanical Gardens Daylesford see it as a memorial to Stuart’s tireless work to raise funds for the Gardens and to raise the profile of the Gardens so that their considerable significance could be more broadly acknowledged. Lo Spinario (Boy with a thorn) c. 1900 copy after the Greco-Roman Hellenistic antique bronze in Rome. c. 1900 copy after the Greco-Roman Hellenistic antique bronze in Rome (Palazzo dei Conservatori, Musei Capitolini, Rome) Manufacturer M. Geiss, Berlin Nonedaylesford, wombat hill botanical gardens, stuart rattle, kevin o'neill, john graham, boy with a thorn, lo spinario, classical sculpture, zinc, classical nude, hepburn shire, public art, sculpture, art

This book bring together voices of children who were separated from their families, people who cared for them, families who took them into their homes and Government officers who carried out official directions. Contents of CD: Track 1. Jim Hart, b.1927, Queensland, separated from family as a child. See ch. 5. Interviewer: David Woodgate (3m 02s) track 2. Clara Coulthard, b.1929, South Australia, separated from family as a child. See ch. 3. Interviewer: Sue Anderson (4m 06s) track 3. John Moriarty, AM, b.1938, New South Wales, South Australia, Northern Territory, separated from family as a child. See ch. 4. Interviewer: Frank Heimans (4m 12s) track 4. Sandra Hill, b.1951, Western Australia, separated from family as a child. See ch. 11. Interviewer: John Bannister (4m 11s) track 5. Trevor Deshong, b.1965, Queensland, separated from family as a child. See ch .6. Interviewer: Colleen Hattersley (4m 45s) track 6. Julie Wilson, b.1958, New South Wales, adopted as an infant. See ch. 6. Interviewer: Frank Heimans (4m 04s) track 7. Dorothy Pyatt, b.1918, South Australia, police officer in remote South Australia, 1950s and 1960s. See ch. 8. Interviewer: Karen George (4m 18s) track 8. Margaret Somerville, MBE, b.1912, New South Wales, Northern Territory, missionary and cottage mother. See ch. 7. Interviewer: Frank Heimans (3m 15s) track 9. Reg Worthy, OAM, b.1920, Queensland, Northern Territory, Victoria, welfare officer, senior administrator, Departmental Head. See ch. 8. Interviewer: Barbara Erskine (4m 55s)D?.b&w photographs, b&w illustrations, CDstolen generations, child welfare, bringing them home, oral histories