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Bendigo Historical Society Inc.
Map - HUSTLERS LINE OF REEFS - LONGITUDINAL SECTION THROUGH THE SADDLE REEFS
Drawing with Longitudinal Section through the Saddle Reefs along portion of Hustler's Line of Reefs, Bendigo. Map shows the depth of the mines, reef numbers and Datum 700 ft above sea level. North and South is also noted on the map. Map signed by H. S, Whitelaw, Underground Survey Office, Bendigo, September 1913. Bulletin No 33, Plate No XXXIV. Bendigo Creek, Ironbark Creek and Long Gully are also noted. Mines are: Fortuna Hustlers, Hustler's Royal Reserve No 2 Main Shaft, Hustler's Royal Reserve No 2 Park Shaft, Royal Hustler's, Imperial Hustler's, Extended Hustler's Freehold, Great Extended Hustler's Tribute (Pups), Old Shaft, Great Extended Hustler's Reef No 2, Great Extended Hustler's Main Shaft, Old Shaft, Hustler's Reef, Hustler's Reef No 1, Comet, K. K., United Hustler's & Redan, Old Shaft and Hustler's Consols. Has Geological Survey of Victoria Crest and underneath is: H. Herman, Director, W. Dickson, Secretary for Mines, The Hon. J Drysdale Brown M L C. Minister of Mines.Geological Survey of Victoria Crestmining, parish map, hustler's reef maps, hustlers line of reefs, bendigo creek, ironbark creek and long gully are also noted. mines are: fortuna hustlers, hustler's royal reserve no 2 main shaft, hustler's royal reserve no 2 park shaft, royal hustler's, imperial hustler's, extended hustler's freehold, great extended hustler's tribute (pups), old shaft, great extended hustler's reef no 2, great extended hustler's main shaft, old shaft, hustler's reef, hustler's reef no 1, comet, k. k., united hustler's & redan, old shaft and hustler's consols.h s whitelaw, underground survey office bendigo september 1913, bulletin no 33 plateno xxxiv, mi -
Bendigo Historical Society Inc.
Document - THE BENDIGO GOLDFIELDS - A FEW FACTS, c1970
Document. A Few Facts (7 copies). Two page typed, timelined document on the Goldfield area of Bendigo 1851 1954 by the Bendigo Branch of the Royal Historical Society of Victoria. Mentions Ravenswood sheep run, German Gully, Derwent Gully, Peg Leg Gully, 'The Dascombe' & 'The Victoria' gold nuggets. Watson's Kentish mine in Long Gully, Garden Gully United in Ironbark, The Great Extended Hustlers Tribute on Hustlers Hill, The New Chum United in Golden Square, The Victoria Quartz in Victoria Hill Ironbark, The United Devonshire Mine in Eaglehawk, The Famous Devonshire Valley, Portion of the New Chum Group in Golden Square, The New Moon, The South New Moon, The 'Flying Fox' which conveyed the quartz from the Central Red, White and Blue mine to New Chum Hill, Lansell's'222' Mine, The Mine in the Heart of the City, The Fortuna Hustlers Mine; Snob's Hill, Sailors Gully & Devonshire Gully at Eaglehawk, California Gully, Long Gully, Victoria Hill at Ironbark, New Chum Hill & New Chum Valley at Golden Square, Hustlers Hill & Comet & Redan Hills at North Bendigo.cottage, miners, the bendigo goldfields, a few facts -
Bendigo Historical Society Inc.
Document - NEW CHUM LINE OF REEF - NOTES ON SHAFT DETAILS ON THE NEW CHUM LINE OF REEF
Ten pages and one smaller page of notes showing depth of shaft, sill, size of shaft, relation to line of reef, depth bottom plat, depth to bottom of well, number of compartments, reference and remarks. Mines mentioned are: Young Chum, Old Chum (Old South), Shamrock, Shenandoah, New Chum Railway, Eureka Ext'd, South Belle Vue United, Lansell's 222, Denis Shaft, New Chum United, Ellesmere (North Shaft), New Chum Consolidated, Ellesmere No 1 or (South Shaft) also known as New Chum Coy, Garibaldi, Craven's, Lansell's Bit 180, North Old Chum, New Chum & Victoria, Old Chum, Lazarus New Chum Main, Lazarus New Chum (Old), Victoria Reef Gold (Ironbark), Victoria Consols, Adventure & Advance, Gt Central Victoria, Ballerstedt, Humbold, Victoria (Reef) Quartz, Pearl (later Hercules New Chum), Hercules Extended (Pearl (South) later, North Hercules, Hercules and Energetic, Hercules (Old),South Devonshire, Duchess Tribute, New St Mungo, Duke of Edinburgh, New Victoria Catherine (later Hercules Consols), Dixon's Tribute, Great Victoria Extended, Hopewell, Saxon & Celt Extended, St Mungo, Princess Alexander,West United Devonshire, United Devonshire, Duchess of Edinburgh, Sadowa, (Old) St Mungo, Lady Barkly, Princess Alice (South St Mungo) previously Gov. Barkly, Unicorn (Trib), Phoenix, Williams (New), Acadia Catherine, William United (Old Shaft), Snob's Hill Shaft, York & Durham, Belmont & Saxby, Ellenborough, Catherine Reef Extended, New Franklin, Murchison, Catherine Reef United Main Shaft, Catherine Reef United South Shaft. Small page has notes on the York and Durham: Reference - Matthew Mann - Mine Manager's Report 3/7/1893. This paragraph: Quote - 'Also measured main shaft from surface 1,430 and found it to be 1,416 feet and from Brace - 1,428 feet. Poppet legs 12 feet. Reference - Matthew Mann - Mine Manager's Report 15/7/1893 'Received cheque from La Belle Co. for 2 pound 13 shillings - which I payed into credit of Company'. Note: Report shows this to happen on several occasions. Note initialled AR.document, gold, new chum line of reef, new chum line of reef, notes on shaft details on the new chum line of reef, young chum, old chum (old south), shamrock, shenandoah, new chum railway, eureka ext'd, south belle vue united, lansell's 222, denis shaft, new chum united, ellesmere (north shaft), new chum consolidated, ellesmere no 1 or (south shaft) also known as new chum coy, garibaldi, craven's, lansell's bit 180, north old chum, new chum & victoria, old chum, lazarus new chum main, lazarus new chum (old), victoria reef gold (ironbark), victoria consols, adventure & advance, gt central victoria, ballerstedt, humbold, victoria (reef) quartz, pearl (later hercules new chum), hercules extended (pearl (south) later, north hercules, hercules and energetic, hercules (old), south devonshire, duchess tribute, new st mungo, duke of edinburgh, new victoria catherine (later hercules consols), dixon's tribute, great victoria extended, hopewell, saxon & celt extended, st mungo, princess alexander, west united devonshire, united devonshire, duchess of edinburgh, sadowa, (old) st mungo, lady barkly, princess alice (south st mungo) previously gov. barkly, unicorn (trib), phoenix, williams (new), acadia catherine, william united (old shaft), snob's hill shaft, york & durham, belmont & saxby, ellenborough, catherine reef extended, new franklin, murchison, catherine reef united main shaft, catherine reef united south shaft -
Bendigo Historical Society Inc.
Document - THE OLIVIERS, A BRIEF CHRONICLE, 1948
The Oliviers, A Brief Chronicle. As featured in the Saturday Book No. 6 here produced as A Tribute to The British Council and to assist The food for Britain Appeal. Price two shillings and sixpence. Huthinson & Co. (Publishers) Ltd. London, New York, Melbourne, Sydney, Cape Town. Australia, 1948. This booklet gives a history of Laurence Olivier and Vivien Leigh (Sir and Lady Olivier), pictures of Laurence from childhood through his career. Also pictures of Vivien Leigh working with Laurence Olivier. b/ 'Olivers To Make Nation Wide Broadcast.' Paper cutting, section from a paper 'The Listener In' July 24-30, 1948. c/ 'Food Appeal By Oliviers In Farewell Broadcast. ' The Olivier's will contribute their fee of about 5000 pounds to the Food Appeal. In Melbourne it will be relayed through 3DB, 3AW, 3XY & 3AR. The sponsors of the Lux Radio Theatre have donated 1000 pounds. Paper cutting 4 September, 1948. What the Oliviers Will Remember. d/ What the Oliviers Will Remember. Oliviers thank Australia and told of their memories of Australia and it's people in a Nation wide broadcast over the ABC and some B class stations. Australian banks will cooperate by receiving money for food parcels. Company leaves.Huthinson & Co. (Publishers) Ltd.program, theatre, sir laurance & lady olivier, the oliviers, saturday book no. 6 a tribute to the british council the food for britain appeal. huthinson & co. (publishers) ltd. london, new york, melbourne, sydney, cape town. australia, 1948. booklet a history of laurence olivier & vivien leigh (sir & lady olivier), pictures of laurence from childhood & career. pictures of vivien leigh working with laurence olivier. 'olivers to make nation wide broadcast.' 'the listener in' july 24-30, 1948. 'food appeal by oliviers in farewell broadcast. 'the olivier's will contribute their fee of about 5000 pounds to the food appeal. in melbourne it will be relayed through 3db, 3aw, 3xy & 3ar. the sponsors of the lux radio theatre have donated 1000 pounds. paper cutting 4 september, 1948. what the oliviers will remember. d/ what the oliviers will remember. oliviers thank australia and told of their memories of australia and it's people in a nation wide broadcast over the abc & some b class stations. australian banks will receiving money for food parcels -
Bendigo Historical Society Inc.
Document - PETER ELLIS COLLECTION: PETER ELLIS FUNERAL PROGRAM, 27th March, 1946
Peter Ellis funeral program. Peter Nicolaus Ellis. 27th March 1946 - 18th May 2015. Service for thanksgiving. Mulqueen Family Chapel Bendigo. Monday 25th May 2015. Celebrant: Mr Ian Hendry. Coffin Bearers Brian Edelbohle, John Cockfield, Doug Colt, Rick Bambridge, Ryan Hearps, Garry Lovejoy. Entrance Music: Live from The Emu Creek Bush Band. Welcome. Condolences. Celebrant's comments. Tributes: Brian Edelbohle, John Williams, Rob Willis, Rob Moors, Ryan Hearps. A time of reflection. Announcements. Celebrant's comments. Committal. Recessional Music: Live from The Emu Creek Band. You are invited to join Peter's family and friends for light refreshments at the One Tree Hill Hotel from about 12.30 this afternoon. Peter's family and extended family sincerely thank you for your attendance here today and for your love and support during this difficult time. Thank you. Leave memorial messages at www.heavenaddress.com @heaven address. Mulqueen family funeral directors Bridge street, Bendigo 03 5443 4455. Copyright Agency Limited Licensed Copy. Photo of Peter Ellis on front. Boy with dog fishing inside left. Photo of Peter Family and another of Mulqueen Funeral Home.person, individual, peter ellis oam -
Federation University Historical Collection
Photograph - Photograph - black and white, Rubie Lonie
Ruby Lonie was Senior Clerk of the Ballarat School of Mines (SMB) Administrative Staff. Always known as Miss Lonie, her sole position was at SMB where she worked between May 1914 and May 1960. When the SMB Registrar, John Robinson, died in 1935 the question of who would fill the position became a matter of urgency. The temporary answer was Miss Lonie, who was the senior clerk on the Registrar's staff. The permanent position was looked upon as an exclusively male preserve. At Miss Lonie's retirement function SMB President, M.B. John, noted that Miss Lonie had joined the staff in 1914 and had 'done a tremendous job since that time, and for many years had been the Registrar's "Right Hand Man". Twenty Four years after having acted as Registrar the current SMB Registrar, F.F.Ferguson recognised Miss Lonie's assistance and her extensive knowledge of the history and the administrative procedures of the School. He added 'I have noted on many occasions Miss Lonie's kindly interest in people in times of sickness or difficulty and her willingness to help.' Current and former staff members were keen to acknowledge Miss Lonie. Former Principal Dick Richards said 'That Miss Lonie had been in this one job all her life is a great tribute to the school, and the Council is conscious of her devoted service.' The Principal, Mr Arblaster, on behalf of himself and the staff presented Miss Lonie with a gold watch and wished her well in her retirement. The next day Miss Lonie, along with Hestor Darby, the SMB Typewriting teacher who was on long service leave, sailed from Melbourne for London, mainly to visit Scotland.A black and white photo of a woman, Ruby Lonieruby lonie, ballarat school of mines, women, university women -
Federation University Historical Collection
Photograph - Photograph - black and white, Rubie Lonie
Ruby Lonie was Senior Clerk of the Ballarat School of Mines (SMB) Administrative Staff. Always known as Miss Lonie, her sole position was at SMB where she worked between May 1914 and May 1960. When the SMB Registrar, John Robinson, died in 1935 the question of who would fill the position became a matter of urgency. The temporary answer was Miss Lonie, who was the senior clerk on the Registrar's staff. The permanent position was looked upon as an exclusively male preserve. At Miss Lonie's retirement function SMB President, M.B. John, noted that Miss Lonie had joined the staff in 1914 and had 'done a tremendous job since that time, and for many years had been the Registrar's "Right Hand Man". Twenty Four years after having acted as Registrar the current SMB Registrar, F.F.Ferguson recognised Miss Lonie's assistance and her extensive knowledge of the history and the administrative procedures of the School. He added 'I have noted on many occasions Miss Lonie's kindly interest in people in times of sickness or difficulty and her willingness to help.' Current and former staff members were keen to acknowledge Miss Lonie. Former Principal Dick Richards said 'That Miss Lonie had been in this one job all her life is a great tribute to the school, and the Council is conscious of her devoted service.' The Principal, Mr Arblaster, on behalf of himself and the staff presented Miss Lonie with a gold watch and wished her well in her retirement. The next day Miss Lonie, along with Hestor Darby, the SMB Typewriting teacher who was on long service leave, sailed from Melbourne for London, mainly to visit Scotland.A black and white photo of a woman, Ruby Lonieruby lonie, ballarat school of mines, women, university women -
Puffing Billy Railway
Station Sign - Fielder
Station Sign - Fielder Fielder Station is situated on the Puffing Billy Railway in Australia. It opened as a Stopping Place on Monday 10 September 1928, as part of the Gembrook railway line. It was originally an unnamed platform, with time tables noting a station at 38 miles (61 km). In 1929, local Harry Watson constructed a Mallee shed and unofficially named it Ancaster after his home town in Lincolnshire, England, but this was quickly changed by some children to Laura, who was a young local girl. The Victorian Railways officially named it Fielder from Tuesday 5 February 1929, after a nearby resident. It was planned to name the station after the two local residents Cullen and Fielder and combinations of the two names were suggested, however Fielder was the name finally chosen. It remained nothing more than a Mallee shed with small office and a name board for the rest of its operating life. It was closed with the line on 30 April 1954 and the Mallee shed was sold to US Buslines for unknown use. After closure, the site fell into disrepair, and by the 1990s, little trace of Fielder remained. However, by that time, efforts were being made to extend the railway from Lakeside through to Gembrook, which would complete the entire length of the original line. In 1996, a group of volunteers led by Richard Schurmann in collaboration with the descendants of the Fielder family rebuilt the platform and waiting shed, which was officially re-opened on Saturday 19 April 1997 in preparation for the extension of the line which re-opened in 1998. On 18 November 2012 a plaque was unveiled on the station shed in tribute to the Fielder Family Trains do not normally stop at Fielder ref: https://en.wikipedia.org/wiki/Fielder_railway_station photos at http://www.vicrailstations.com/Gembrook/Fielder/Fielder.htmlHistoric - Station sign used at Fielder StationStation Sign - Fielder wooden rectangle Station name sign pained black background with white lettersFielderpuffing billy, station sign, fielder station -
Falls Creek Historical Society
Equipment - Mim Sodergren's Skis
Mim (Mariam) Sodergren developed innovative, specialized ski programs for women and children in both Australia and the United States. She and her husband Mike originated from Tahoma, California, USA. They spent 17 years of their lives without a summer, working as ski instructors in Lake Tahoe during the northern winters, and then they’d head off to Falls Creek and Thredbo in Australia. Mim and Mike Sodergren were both inspiring instructors at Falls Creek Snowsports School, dedicated to education and had a deep-seated passion for fostering an inclusive Snowsports community. Tragically Mim and Mike were among the 18 people killed on 30 July 1977 in Thredbo, Australia, when a landslide tore through Thredbo’s ski resort village and demolished two staff lodges. In 1997 the Australian Professional Snowsport Instructors (APSI) established the Sodergren scholarships in memory of Mim and Mike. The Sodergren Scholarship recognises the rising potential of Snowsport instruction within Australian ski resorts and allows the recipients to further their professional development by providing all training free of charge for one season. The women’s program still operates at Falls Creek and is a "heartfelt tribute to the memory of Mim Sodergren. Designed by women, for women, and inspired by the enduring passion of Mim and her partner, Mike, who was also an instructor, this program is a wonderful opportunity to learn to ski in a friendly and supportive environment, just as Mim envisioned." (Falls Creek Website 2024). Mike’s Men’s Ski Program at Falls Creek is also named in honour of Mike Sodergren. Mim’s skis were kept for many years by Ski Lifts at Falls Creek and were recently donated to the Falls Creek Museum for safe keeping.These skis are significant because they belonged to an iconic ski instructor still commemorated at Falls Creek, Victoria.A pair of Atomic Arc Skis, primarily black with coloured logo.ATOMIC ARC MODULE 645SLmim sodergren, mike sodergren, atomic skis, thredbo landslide -
Dandenong/Cranbourne RSL Sub Branch
Framed photo, Unknown
WWII Historical significance with some information of the Dandenong area.Black and white framed photo of 408537 Sgt R.R.E. Swords 23 Sep 1912 - 21 Jan 1943. This photograph is a tribute to the late Robert Richard Falkiner Swords. 'Bob' as he was known to his friends and most townsfolk of Dandenong and it's people. His older brother James, served in the First World War and later was a founding member of the Dandenong RSL Sub-Branch, formed in 1919, was its second President and also served a term as Honorary Secretary and Treasurer. James was the Editor of Dandenong's first newspaper, the Dandenong Advertiser. 'Bob' Swords was also a member of the Dandenong Advertiser newspaper and was a driving force in Dandenong getting it's own Hospital. For many years his photo hung over the entrance to the old building, which was demolished some years back. Regrettably this photo was lost. Bob enlisted into the Royal Australian Air Force to train as a pilot on 26 April 1941 and after initial training embarked to Southern Rhodesia. After completion of initial flight training he then moved to England for advanced training, prior to postings onto an OTU. He was tragically killed during this phase of training on 21 January 1943. The gentleman with in this photo is believed to be his South African Flying Instructor 'Panda' Watkins. His grave in England has a lovely headstone and the inscription: 'Service Above Self'. (As advised by Robert Richard Kudyba OAM).Brass plaque stating 4085537 Sgt R.R.F. Swords 23 Sept 1912 - 21 Jan 1943. -
Bendigo Historical Society Inc.
Document - LUDERMAN COLLECTION: SPRING GULLY, MANDURANG DOCUMENTS
Document. Pastel Drawing Book, 'Bulldog' Series No. 589, containing series of invoices and documents relating to the Hargreaves family. Items stuck in book in order includes: invoices from J.R. Hoskin, Bendigo Timber and Iron Yards relating to construction of residence in Spring Gully (1896); Certificate of Registration of Residence Area for Thomas Snowdon, adjoining Hargreaves residence 200 yards from Reservoir; Elector's Right for John Billman Hargreaves of Mandurang, Tanner; handwritten note (Bairnsdale 24.1.34) on John Billman Hargreaves born 1861 on 14 June on Sheepwash Creek in Mandurang riding Shire of Strathfieldsaye near Bendigo possibly registered at Strathfieldsaye, Kangaroo Flat or Bendigo. Father's name John Hargreaves (English) mother's name Hosannah Hargreaves nee Billman'; 2 scrip certificates issued by 'Tanners Gold Mining Compagnie Pipers Hill, Sheepwash' overwritten on top of document ( underneath North Lord Warden Tribute Co., ) scrip certificate issued to John B. Hargreaves on 25 September 1882; invoice Jas. Knowlton, late J. Moody, watchmaker and jeweller, No. 1 Bath Corner, Bendigo 3.8.1895 for Diamond brooch; invoice H. Credginton watchmaker and jeweller and optician for 1 gem ring. Loose document inside contains written advice re taking wool off sheep skins and curing hides.person, individual, hargreaves, hoskins, hargreaves, snowdon, elector's right, tanner's gold mining compagnie, north lord warden tribute co., knowlton, credgington -
Bendigo Historical Society Inc.
Map - BELLE VUE NO 2 - PLAN OF LEASES
Plan of Mining Leases from Rowan Street to Long Gully. Reference J. N. Macartney 2nd Edition Bendigo Goldfields Registry for 1872. Names of Leases are: Moore ?, Ellesmere Co, Bonati & Co, Dennis, Abe Lincoln Co, Lansell & Hunt, Black & White Lead Co, Koch & Hildebrand, Ballerstedt, Lazarus Co No 1, Lazarus Co, Watson, Lazarus Freehold, Lazarus Co No 2, Lazarus Tribute, South Extended Burra, Endeavor Co, Old Chum Co, Burrows and Sterry, New Chum & Victoria Trib, Jackson, North Old Wybrants Chum Co, Myra Co, McLenn, Geary & Co, Western Victoria Hill G. M. Co, Victoria Reef G.M.Co, South Adventure Co, South Try Me Well, W. Rae, Wells Midway, Extended Co, Handy Andy, Moonta Co, Humboldt Co, Adventure Co, Try Me Well, Sterry & Co, Midway, Tudor, Friedman's Reef, Rising Sun, Try Me Luck,Pomponia, Confidence Co, Alfred Co, Advance Co, Prince Alfred Co, Canterbury Co, Platus Co, S. Platus Co, Golden Fleece United, Alfred Co, Iron Duke Co, Victoria Gold Mines Co, Hercules Co and Iron Bark.map, bendigo, mining plan, belle vue no 2, no 2 belle vue new chum & c, j n macartney bendigo goldfields registry 1872, moore ?, ellesmere co, bonati & co, dennis, abe lincoln co, lansell & hunt, black & white lead co, koch & hildebrand, ballerstedt, lazarus co no 1, lazarus co, watson, lazarus freehold, lazarus co no 2, lazarus tribute, south extended burra, endeavor co, old chum co, burrows and sterry, new chum & victoria trib, jackson, north old wybrants chum co, myra co, mclenn, geary & co, western victoria hill g. m. co, victoria reef g.m.co, south adventure co, south try me well, w. rae, wells midway, extended co, handy andy, moonta co, humboldt co, adventure co, try me well, sterry & co, midway, tudor, friedman's reef, rising sun, try me luck, pomponia, confidence co, alfred co, advance co, prince alfred co, canterbury co, platus co, s. platus co, golden fleece united, alfred co, iron duke co, victoria gold mines co, hercules co, iron bark -
Bendigo Historical Society Inc.
Document - LONG GULLY HISTORY GROUP COLLECTION: HUSTLERS LINE OF REEF
Page mentioning mines on the Hustlers Line of Reef. The are: Fortuna Hustlers, Royal Hustlers Reserve No 2 - City and Park Shafts, Great Hustlers, Latham, Watson, Great Extended Hustlers, Tribute or Pups Shaft, Bendigo's Worst Mining Disaster May 2 1914, Hustlers Reef (Old Hustlers) and Hustlers Reef No 1, Lansell's Comet Lightening Hill Line, The Old Comet (Cooper's Claim), United Hustlers and Redan, K K Shaft, North or New Hustlers (once known as Agnew Hustlers), Derby Line - Johnson's No 3, Paddy's Gully Line, Lansell's 'Sandhurst' (Needle), Needle Loops, Cleopatra Needle top, British American, Collman and Tacchi and South Virginia. Also mentioned is Total Gold Yield, Main Shafts on Field, Price of Gold (Old Currency) and Saddle Reefs and Spurs. Also mentioned are New Moon, Suffolk United, South New Moon and North New Moon. There is a diagram of a Saddle Reef, Centre Country, Spurs and Fault. Depth of shaft, machinery, location, dividends and yields are also mentioned. Price of Gold (Old Currency): 1851-1930, Price varied from Approx. £3/17/6 to £4 per ounce. 1938, from £6/19/10 to £7/8/10 per ounce. 1946/47/48 £10/15/3 per ounce, May 1, 1954 £15/12/6 per ounce.bendigo, history, long gully history group, the long gully history group - hustlers line of reef, fortuna hustlers, buckell & jeffrey's, railway goods sheds, rsl memorial hall, camp hill school, royal hustlers reserve no 2 - city and park shafts, jonathan harris, latham and watson, great hustlers, great extended hustlers, wattle gully mine, messrs j hustler latham and watson, tribute or pups shaft, bendigo's worst mining disaster, hustlers reef (old hustlers) and hustlers reef no 1, lansell's comet, the old comet (cooper's claim, united hustlers and redan, k k shaft, north or new hustlers (once known as agnew hustlers), derby line - johnson's no 3, pa ddy's gully line, lansell's 'sandhurst' (needle), needle loops, cleopatra needle top, british american, collman and tacchi, south virginia, saddle reefs and spurs, new moon, suffolk united, south new moon, north new moon -
Stawell Historical Society Inc
Photograph, Mr Thomas Wills' Centenary of AFL Monument -- 2 Photo
Two photographs of Australian Rules Football Memorial at Moyston2 Photos of the Memorial to commemorate a Centenary of Australian Rules Football This Monument commemorates the Memory to Thomas William Wills (1835 - 1880) Picture of a man kicking a football black top white Shorts in oval frame Thomas Wills was the Founding father of Australian Rules football co-founder and Captain of the Melbourne Football Club (1859) He Was Involved in forming the Geelong Football club (1859) And Was Captain (1860) Playing As Estimated 172 games. He was captain of an early team from Richmond. He Lived at Lexington Station Moyston While playing as a child with Aboriginal Children in this Area He developed a game which he later utIlised in the Formation of Austrian Football. This Monument was unvieled by the Australian Football League Historian Colin N. Hutchinson on September 17 1988, And this tribute to the memory of Thomas Wills was made Possible by The generosity of Wsetpac Banking Corporation and Staff This Monument Commemorates the Memory of Thomas Wentworth Wils (1835 -1880) a Picture of a Man kicking a football, black long sleeve thomas wiils, afl, vfl, sport -
Old Colonists' Association of Ballarat Inc.
F.J. Williams' Home, Charles Anderson Grove
The Old Colonists' Association Ballarat Inc. is a not for profit charitable organisation providing accommodation for elderly people. It manages a 27 Home retirement village at Charles Anderson Grove Ballarat. Accommodation is offered at significantly below market rates. It has been providing low cost accommodation to the elderly since the 1920s. The Association Council overseas the running of this facility on a voluntary basis. "GIFT COTTAGES.- Ballarat Old Colonists Benefit BALLARAT.— High tribute to the good citizenship of Mr. and Mrs. F. J. Williams, now of Melbourne, and Mr. S. Clark, of Ballarat. was paid by a representative gathering at Gillies-street on Thursday afternoon, when the two cottages respectively presented by them for the use of old and indigent colonists were handed over to the council of the Ballarat Old Colonists' Association. The cottages are handsome brick structures, modern in design and equipment, and cost about £650 each. Mr. A. H. Nevett, president of the Ballarat organisation, expressed the gratification of the association at the commencement of a scheme of cottages for old colonists, which had been the aim of the association for many years. Mr. Williams said that when in Ballarat he had been in many public movements as President of South-street and president of the amalgamtion (sic) movement, but in giving this cottage for the use of the old people he had established a tangible and definite link between himself and Ballarat. Similar sentiments were expressed by Mr. Clark, who said his benefaction had given him a great and genuine pleasure. Both donors were warmly thanked on be half of citizens generally by the mayor (Cr. A. E. Nicholson). At subsequent social gathering appropriate toasts were honored, and assurances were given that the association's scheme for 50 gift cottages on the lines of Melbourne would be furthered by several in the not far distant future. (The Age, 30 October 1925.)ballarat old colonists' club, old colonists' association, s. clark, f.j. williams, charles anderson grove, philanthropy -
Federation University Historical Collection
Article - Article - Women, Women of Note: Author and Activist; Doctor Beatrice Faust, (1939-2019)
Beatrice Faust was born Beatrice Eileen Fennessey in Glen Huntly, a suburb of Melbourne, on 19 February 1939. She was educated at Mac Robertson Girls' High. She attended Melbourne University in the 1950s, where she became acquainted with Germaine Greer and they extended their feminist inclinations. She earned her bachelor's degree in English and subsequently her master's degree. The first of her two marriages was to Clive Faust during her time at university. Having become known as a public figure with the Faust surname, when they later divorced she retained the name. She was one of the first women to argue for civil liberties, abortion law reform and well-informed sex education for all. In 1966 she co-founded the Victorian Union of Civil Liberties to advocate for civil rights and, in 1972, the Women's Electoral Lobby (WEL), to agitate for legislative reform along specifically feminist lines and to give Australian women a greater voice in politics. In the latter part of her career, Bea became a lecturer in English at RMIT in Melbourne, then from 1990-2003 she was at Monash University’s campus at Churchill, Gippsland, (now Federation University) where she was an educational designer in the Centre of Learning and Teaching Support. She retired at 67. In 2001 Faust was awarded the Centenary Medal. In the same year, she was inducted into the Victorian Honour Roll of Women. In 2004 she was appointed an Officer of the Order of Australia for such efforts and more. "Today we pay tribute to one of Victoria’s great feminist leaders, Dr Beatrice Faust AO, who sadly passed away yesterday. Beatrice tirelessly advocated for women’s rights and equality in government policy and for the right to abortion, amongst many other achievements. We recognise her contribution to making Victoria a more gender equal state." Statement from Gender Equity.women of note, beatrice faust, beatrice fennessey, melbourne, macrobertson girls' high, melbourne university, germaine greer, civil liberties, abortion law, informed sex education, victorian union of civil liberties, women's electoral lobby, centenary medal, order of australia, victorian honour roll of australia, gender equity, lecturer, rmit, royal melbourne intitute of technology, monash university, churchill, gippsland -
Falls Creek Historical Society
Photograph - Falls Creek Ski School - Ladies Group, 1980s
MIM SODERGREN and the WOMEN'S SKI PROGRAM The Women's Ski Program at Falls Creek and Thredbo was initiated in the mid 1980s. One of the most popular instructors involved in this program was Mim (Mariam) Sodergren. Mim developed innovative, specialized ski programs for women and children in both Australia and the United States. She and her husband Mike originated from Tahoma, California, USA. They spent 17 years of their lives without a summer, working as ski instructors in Lake Tahoe during the northern winters, and then they’d head off to Falls Creek and Thredbo in Australia. Mim and Mike Sodergren were both inspiring instructors at Falls Creek Snowsports School, dedicated to education and had a deep-seated passion for fostering an inclusive Snowsports community. Tragically Mim and Mike were among the 18 people killed 30 July 1977 in Thredbo, Australia, when a landslide tore through Thredbo’s ski resort village and demolished two staff lodges. In 1997 the Australian Professional Snowsport Instructors (APSI) established the Sodergren scholarships in memory of Mim and Mike. The Sodergren Scholarship recognises the rising potential of Snowsport instruction within Australian ski resorts and allows the recipients to further their professional development by providing all training free of charge for one season. The women’s program still operates at Falls Creek and is a "heartfelt tribute to the memory of Mim Sodergren, a beloved 1980s instructor and mentor who tragically lost her life in the Thredbo landslide in 1997. Designed by women, for women, and inspired by the enduring passion of Mim and her partner, Mike, who was also an instructor, this program is a wonderful opportunity to learn to ski in a friendly and supportive environment, just as Mim envisioned." (Falls Creek Website 2024). Mike’s Men’s Ski Program at Falls Creek is also named in honour of Mike Sodergren.These photos are significant because they commemorate an innovative ski instructor lost through the tragedy at Thredbo in 1997.Two colour photos showing groups of women participating in the Ladies' Group at Falls Creek in the 1980s, as well as a photo of Mim and Mike Sodergren. Image 1 Left to right: Leonie Docking, Carol Bartholomew, Mim Sodergren, Blanche Spargo, Jane Zagorski, Rosanne Osborn and Di Mashford Image 2 Left to right : Pat Smart, Blanche Spargo, Margaret Smith, Pam Mero, Iris Jones, Jennifer Reuter, Lee Lowther, Jane Zagorski, Mim Sodergren Image 3: Mim and Mike Sodergrenwomen's ski program, falls creek ski school, mim sodergren -
Federation University Historical Collection
Newspaper, ANZAC Centenary newspaper features, 2015, 25/04/2015
The Centenary of the ANZAC landing of Gallipoli was marked in 2015. .1) Herald Sun Gallipoli 100-year Anniversary - The Legend Begins. Includes information on Gallipoli, Gallipoli landing, Lemnos, VC Winners, William Dunstan, Bigali, The Nek, Indigenous soldiers, Lone Pine, Gallipoli Retreat Images include: Gallipoli, William Birdwood, Harold Walker, Winston Churchill, Ian Hamilton, John Fisher, William Throsby Bridges Otto Linden von Sanders, Herbert Asquith, Sinclair MacLagan, Mehit Sefik, Mastafa Kermal, nurses on Lemnos, Alexander Burton, Bigali, Turkey, Keith Murdoch, Charles Bean, Joe Stratford, Frank Loud, Thomas Ford, Leslie Boyce, Raymond Brownell, Alfred Lovett, Leonard Lovett, Frederick Amos Lovett, Herbert Stahle Lovett, Cyril Brudenell White, Minyip .2) ANZAC Day 2015 Supplement from The Age. The supplement includes information on Australia's compulsory cadet training, Wireless telegraphists, horses .3) The Age ANZAC centernary Galipoli Tribute, 2015. Eight page broad sheet with amazing stories from the front line. Includes a listing of all those who lost their lives on the Gallipoli Peninsula, timeline of the Gallipoli landing, information on Douglas Barrett-Lennard, William Throsby Bridges, Alan Dudley Henderson, James Charles Martin, Arthur Harold Jopp, John Simpson Kirkpatrick, Cecil Anthony McAnulty, Laurence W. Street, Alfred Shout, Joseph Stratford, Alexander Stewart Burton, Alfred Hearpsgallipoli, anzac centenary, gallipoli landing, walker's ridge, pope's hill, quinn's post, lone pine, pine ridge, shrapnel gully, the sphinx, maclaurin's hill, monash valley, plugge's plateau, dardenells, keith murdoch, charles bean, cadets, compulsory cadet training -
Bendigo Historical Society Inc.
Document - MCCOLL, RANKIN AND STANISTREET COLLECTION: PRINCE OF WALES TRIBUTE CO SHARE REGISTER
Hard cover book, blue cover, buff spine and corners, 'Share Register' written on spine. Affixed to front page Act No. 228, blue document, certifying that the mining company called 'The Prince of Wales Tribute Company' was incorporated at the Court of Mines Sandhurst. Dated 30th May 1870. Book contains an alphabetical listing of share holders, dates 1869 - 1870, providing details such as who the shares were transferred from and to, calls on shares. Names include: Francis Babett; William Blackham, Joseph Bell, Joseph Brandon, Joseph Bullen, Josephy William Carrs, Charles Henry Colliers (Collins?), W.J. Cocking, J Davies, John Gregory Edwards, P. Fletcher, George Freeman, Peter Gilbert, John Henry Giles Harry Giles, Thos Gilbert, J.P Gray, J. Greenslade, Alfred Horbury, Michael Hayes, J(?) Holman, Geo Hull, Hugh McColl Henry Marshal, Matthew Moran, Alfred Miller, John Miller, Henry Oates, Phllip O'Neill, John Powell, Morris Phillips, William Piggott, Charles Quinn, John Roberts, Aime Ruedin, Nm Rae, John Scott, John Sinclair, P Simonsens, R Southby, William Thomas, Edward Tinsdale, William Henry Templeton, Sam Trant, John Taylor, David Veale, Walter Watkins J & S Williams, S. Williams, N (?) Winter, Geo Watson N (?) Webb, ITEMS IN THIS BOX HAVE NOT BEEN SCANNED.business, mining, prince of wales tribute co. -
Bendigo Historical Society Inc.
Document - Correspondence, 1962
South African (Boer) War Memorial Bendigo The monument commemorates those who died in service or were killed in action while serving in the South African (Boer) War. It is a bronze statue of a soldier on a granite base. There was a large assemblage on the afternoon of 11th November, when the ceremony of unveiling the soldiers' memorial statue was performed by Brigadier-General Gordon in the presence of a muster of branches of the defence forces. The statue, which is in bronze, is mounted on a massive granite base, on the foot of which is the following inscription: — "Bendigo's tribute to the memory of the Australian soldiers who, in the South African war of 1899 - 1902 gave their lives for Queen and Empire. The statue was modelled by Mr.J. Walker, a young Bendigonian, who has been studying for two or three years under Mr. A. T. Woodward art instructor at the local school of mines. Leader (Melbourne), 19 November 1904. Ola Cohn recalled in her autobiography meeting John Walker as a sculpture student at the Bendigo School of Mines and that he had later received the commission for the Boer War Memorial although she neglects to mention its location. John Walker worked as a sculptor in both Bendigo and West Brunswick before turning to chicken farming in the Bendigo suburb of White Hills. John Walker born in Bendigo and first studied sculpture at the Bendigo School of Art. Walker then went to England to study at the Royal College of Art London, and in Paris at the Collarossi and Julian Academies. The photo of A. T. Pattinson was taken by George Leake Massingham, a professional photographer, who had seven children, one of whom died at birth. After arriving in Australia from England, he established himself as a travelling photographer, an occupation he continued after his marriage. He travelled throughout country Queensland, Victoria and New South Wales, setting up studios along the way. The family ended up moving with him, travelling to Sydney, Narrandera, Bendigo, Newtown, Geelong and Deniliquin.Correspondence re Boer War Memorial Bendigo Boer War Memorial Bendigo Letters and photo from and to Mrs Wilson, eldest daughter of Mr Arthur T. Pattinson who was a model for the Boer War sculpture. 10570.1a A restored black and white photo of Trooper Arthur T. Pattinson by BHS Volunteers 10570.1b The original photo as sent by Mrs Wilson to Harold Curnow (Bendigo Historical Society) in 1962. The photo is mount on heavy brown cardboard and has an old catalogue number of "P680" inscribed on it. The cardboard is torn and held together with sticky tape. On the front in italics is printed G.L. Massingham, Bendigo. 10570.1c Notes on the rear of the photo from Mrs Wilson state "that the photo is of Arthur T. Pattinson (Rusty), an Australian Light Horse trooper who served in the Boer War. The Boer War Memeorial in Pall Mall Bendigo represents a trooper on guard. The sculpture was Jack Walker who used Pattinson as a model; and it is regarded as an excellent likeness." 10570.1d A letter from Harold Curnow back to Mrs Wilson on Jan 4th 1963 acknowledging receipt of the photo and a letter received, noting the significance of the historical information. 10570.1e Handwritten letter 29/11/1962 from Mrs Wilson to Mr Curnow introducing herself as Mr Pattinson's eldest daughter and answering the letter he wrote to her father. She mentions the bad health of her parents. Arthur modelled for the statue at least two to three times per week in a studio on the top floor of a building in Bull St. He was the original model to the best of her knowledge. Another model possibly Mr P. Handmear may have sat as a model for renovations (*). The rifle was a light horse rifle issued to Pattinson as he was still serving in 1904. Arthur and Handmear were boys together and very close. * Note - the plaster model was repaired prior to casting in metal. 10570.1f An obituary notice : 18/11/64 "On Nov 17 at Frankston, Emma, wife of the late A. T. Pattinson (Rusty), late of Bendigo. 10570.1g Letter Nov 20th 1962 from Harold Curnow to Mr Arthur T. Pattinson, Kent St., Mornington, Vic. The Letter Below: "Dear Mr Pattinson, Last week your brother, Brit., whom I have known for many yers, supplied the Bendigo Advertiser with some interesting information regarding your role as the model for the late Jack Walker when he was making the statue for the Boer War Memorial here. Yesterday however, another claimant to the distinction of being the model was advanced in the Bendigo Advertiser by Mr Richard Marshall, of Moran Street, Bendigo who said that the soldier's model was Phillip Handmear. I understand that your brother has sent the newspaper cuttings on to you. When he called to see me yesterday, he suggested that I write to you for further particulars. Can you recall the discussion you had with Jack Walker when he approached you about acting as the model and do you remember how many times you posed for him, and whether the work was done in the house, in the yard, or in one of the outbuildings at Moran Street? In short, any details at all. At this point in time we are considering an interesting facet in Bendigo's history, so any seemingly unimportant incidents could really be useful if we knew about them. Have you any old newspaper cuttings mentioning your name in connection with the memorial? Do you remember and remarks that passed between you and Jack walker during the long sessions you must have put in on this work? This could be very important. And do tyou recall where the rifle cam from? Did you or Jack Walker borrow it from the military authorities? Back in 1934 Jack Walker recalled having had to pull the plaster model down and remake it when he discovered it was slightly off-balance and was slowly toppling forward. He told me he had to get his model to pose again. Do you know anything about this? Could it have been that he got Mr. Handmear in for the final stage of the work? That, of course, would apply only if you were not available. Incidentally, I never heard of Mr Hardmear until I saw his name in yesterday's "Advertiser". In any case I intended contacting your brother or you to enquire whether any member of your fmily has an old photograph of you in your Boer War uniform, that is, one taken about the time of or just after the Boer War. I am sure that members of the Bendigo Branch of the Royal Historical Society would be most interested to see it. I hope you will have the time and inclination to consider the many points I have raised in this letter because the subject has aroused a lot of interest in Bendigo. Hoping you are well and quite as active as you wish, I remain, with all good wishes, Yours sincerely, Harold Curnow". history, soldiers' memorial bendigo, boer war memorial bendigo, arthur pattinson, john (jack walker) -
Ringwood and District Historical Society
Mixed media - Video, RDHS Guest Speaker Presentation - "Fluctuating Fortunes on the Upper Goulburn Goldfields 1870s-1880s" - Dr. Louise Blake
Digitised video (2.66GB) Duration: 51 minutes. Recorded August, 2022 (Video is available for viewing at Ringwood & District Historical Society Archives by appointment)Presenter: Louise Blake is a writer and historian with an interest in the stories of women, families, and communities on the nineteenth-century goldfields in Australia and New Zealand. Inspired by her family connection to the gold mining settlement of Woods Point, Louise completed a PhD on Women and Community on the Upper Goulburn Goldfields in north-east Victoria in 2019. In this talk Louise will share her research on Lawrence and Esther Chubb, who lived and worked at Gaffneys Creek on the Upper Goulburn Goldfields in the 1870s and 80s. In a series of letters Lawrence wrote to his family in England, and now held by the State Library of Victoria, Lawrence shared his early struggles as an independent miner on the central Victorian goldfields, his protracted courtship with Esther, the ordinary intimacies of their life at Gaffneys Creek, the work that Esther did to support the family in this remote mining region, as well as the material and emotional support provided by and to family, friends and neighbours. A rare and revealing source, these letters help to expand our understanding of the lived experience of mining families, particularly the work that women did to sustain families and communities, in this period of waged labour and tribute mining in Victoria. -
Melbourne Legacy
Album - Photo album, A record of comradeship activities, 1970s-1980s
This album of Comradeship activities was compiled by Legatee Fred Holdsworth. It contains photographs, newspaper cuttings and ephemera relating to various “Comradeship” activities (social gatherings) held throughout the 1970s and early 1980s. Items included various events legatees participated in. First few pages had photos from a gathering at Cruden Farm on 15 May 1977. Cruden Farm was owned by Elisabeth Murdoch, the mother-in-law of Legatee Geoff Handbury. It appears there was a kite flying contest. Names are not listed. Three photos were from Queensland where Legatee Wal Escott had retired at Mundoona apartments, Noosa Heads, one photo shows him with Lorna Grimwade on 6/10/1979. There is a black and white photo of Max Armstrong, Rex Hall, Harry Burton, Warren Hardy riding horses in the Anzac Day march. The year is not known but an accompanying newspaper article mentions that they had been riding every year for 13 years on horses loaned by the police mounted branch. The newspaper clipping shows another photo of the four. A photo of seven legatees including David Carter were at the Numurkah Annual meeting in 1978. There are 8 photos of a gathering of Legatees and their wives at Stanhope in 1979. A photo of a Christmas party at Chaucers in 1979 was missing from the page, it has shown Choirmaster Reg Thomson and Choristers; Rob Allison, Bruce Hall, Les Patch, Bill Seager, David Syme and Ron Austin; with the M.C. being Fred Holdsworth. There was a trip to a trout farm in Alexandra Yea area in February 1978. At a comradeship evening there a photos showed the Comradeship committee of Harold Berg, John Cooper and Fred Holdsworth. Also photos from Anzac Night in 1980 and 1981. Plus other gathering at people's homes. A black and white photo of men in formal black tie, is from a night at the Windsor Hotel to farewell Sit Thomas White to become Australia's High Commissioner in London. Left to right are Sir Archie Michaelis, Sir John Latham, Sir Thomas White, Lt Col Donovan Joynt and Sir Stanley Savige. At the 1981 comradeship Christmas party, the held a 'this is your life' tribute to President Ken Green.The Comradeship photo album was put together by the Comradeship committee and records events that Legatees did and places they lived or visited. Some appear to be trips to visit other Legatees living overseas and social occasions held in different places. It shows the bond that Legatees have with each other.Brown vinyl photo album. The front cover is embellished with a double gold border. The album contains thirty pages bearing both colour and black and white photographs as well as newspaper clippings from various “Comradeship” events during the 1970s and 1980s.Inside cover - “A record of Comradeship activities / Fred Holdsworth” ? First page - “AT CRUDEN PARK / 15 May 1977” Third page - “CHAMP THE KITE MAN” Fourth page - “THE SHRINE 1977” / “THE CHAMP” / “REX” Fifth page - “Lorna Grimwade/ + Wal Escott/ at Noosa Heads, Q. / 6/10/79” Sixth page - “Max Armstrong, Rex Hall, Harry Burton, Warren Hardy” Seventh page - “Numurkah Annual 1978” / “ANZAC Night 1973” Eighth page - “STANHOPE 1979” Ninth page - “THE CHRISTMAS CHORISTERS at CHAUCERS CANTERBURY 1979.” / “FEARLESS FREDS FAMOUS FOLLIES. CHOIRMASTER. Reg Thomson. CHORISTERS. Rob Allison. Bruce Hall. Les Patch. Bill Seager. David Syme. Ron Austin. / M.C. Fred Holdsworth.” Tenth page - “ALEXANDRA YEA / ~ / FEBRUARY 1978” Eleventh page - “COMRADESHIP HIERARCHY 1979 / HAROLD BERG / DEP CHAIRMAN / JOHN COOPER / CHAIRMAN / FRED HOLDSWORTH / TREASURER” Twelfth page - “ANZAC NIGHT / ~ / 1980” Eighteenth page - “ANZAC NIGHT - 1981” Nineteenth page - “ANZAC NIGHT -1981” Twenty Second - “THIS IS YOUR LIFE / 1981 comradeship/ christmas party” comradeship, events, legatee event -
Wangaratta RSL Sub Branch
Newspaper - Newspaper Articles, 1940
Article One - Charge! - image of members of the aboriginal group carrying out a baton charge Article Two - Officer's Tribute - image of aborigines at Wangaratta carry out ceremony of changing of the guard Article Three - Two Australians - image of Shirley Anderson, 8, of Wangaratta frequently entertains Diggers, singing and dancing. She visits camp nearly every day to chat with guard on duty. Aboriginal soldiers formed a special all volunteer platoon at No 9 Camp Wangaratta in Victoria from late 1940 until February 1941. No 9 Camp was set up at the Wangaratta Showgrounds to allow the formation of the 2/24th Australian Infantry Battalion prior to leaving for Egypt. Major Joseph Albert Wright a WW1 Light Horse veteran was in charge of this platoon the only Aboriginal squad in the Australian Military Forces at that time. The soldiers from Lake Tyers enlisted at Caulfield between June and July 1940 include Harold Cornelius HAYES VX 48217 DOB 2/4/1916 Enlisted 25/7/40 Discharged 22/3/1941 Edward FOSTER VX48218 DOB 25/5/1921 Enlisted 25/7/1940 Discharged 22/3/1941 Noel Ernest HOOD VX48194 DOB 3/1/1919 Enlisted 25/7/1940 Discharged 22/3/1941 Edward Leslie MULLETT VX48199 DOB 30/6/1910 Enlisted 25/7/1940 Discharged 22/3/1941 Samuel Richard RANKIN VX48201 DOB 23/7/1910 Enlisted 25/7/1940 Discharged 22/3/1941 Stewart HOOD VX47351 DOB 23/1/1903 Enlisted 18/7/1940 Discharged 22/3/1941 William GORRIE VX48208 DOB 22/11/1921 Enlisted 25/7/1940 Discharged 22/3/1941 David John MULLETT VX48195 DOB 10/6/1919 Enlisted 25/7/1940 Discharged 22/3/1941 Arthur Alexander (Tom?) MULLETT VX48198 DOB 25/11/1914 Enlisted 25/7/1940 Discharged 22/3/1941 Images relates to the "special platoon" based at No 9 Camp Wangaratta as being the Australian Army's first all Aboriginal Unit formed in 1940. The soldiers were all volunteers mainly from Lake Tyers in Victoria. In addition to normal army training they performed guard duty at the Army Hospital and Camp. They formed the Gum Leaf Band and led the troops at community singing and assisted in Methodist Church services. Three black and white newspaper articles adhered to cream paperWarrior Tradition Written in blue ink 28/12/1940no 9 camp wangaratta, aboriginal platoon -
Eltham District Historical Society Inc
Photograph, Mary Owen, granddaughter of Walter Withers, unveiling the commemorative plaque on Walter Withers Rock at the corner of Bible and Arthur Streets, Eltham, 13 Oct 1990, 13/10/1990
[from EDHS Newsletter No. 75, November 1990:] WALTER WITHERS PLAQUE At long last we have unveiled our plaque in the Walter Withers Reserve. The function was attended by a number of members and friends of the Society and descendants of the Withers family. Following the unveiling, the group proceeded to the Eltham Shire Office for afternoon tea and a small exhibition of Withers' paintings arranged by Andrew Mackenzie. The unveiling was performed by Mary Owen, a grand-daughter of Walter Withers. Her speech provided an interesting personal perspective on Withers and is repeated in full here: I feel somewhat overwhelmed by the responsibility of paying tribute to the man you have all come to honour today. I have the feeling that most of you probably know more about him and his work than I do. Walter Withers died nearly seven years before I was born and so I never knew him. Sadly, although other members of his family inherited some of his talent, I was not among them and I know very little about art. This is doubly hard to bear because my husband had some ability to draw and my second daughter also has some talent in this direction. My children are all artistic - mostly in the field of music inherited partly from their father - a Welshman who sang like a Welshman - and partly from my grandmother, Fanny Withers who, I believe was no mean pianist. However all this talent gave me a miss and for many years I felt a complete ignoramus in the fields of the arts. It was not until I was nearly fifty years old that I walked into a gallery in Brisbane and, as I wandered around the room, suddenly one picture leapt at me and I knew instantly that it had been painted by my grandfather. I had never seen the picture before and it gave me quite a shock to find that I had recognized the style of painting. I realized then that I had absorbed more than I realized simply by living with pictures and with people who painted them and talked about their painting and the painting of others. When I was a child I sometimes spent school holidays with my Aunt Margery Withers and her husband, Richard McCann. Aunt Marge painted me several times but I'm afraid I was a restless subject and used to sit reading a book and look up grudgingly when she wanted to paint my eyes. During the September holidays my aunt and uncle were busy preparing paintings far the annual exhibition of the Melbourne Twenty Painters, to which they both belonged. I remember how important I used to feel when they took me along to the Athenaeum Gallery on the Friday night before the opening to help hang their pictures. There were many artists there but the two I remember are perhaps surprisingly both women: Miss Bale and Miss Tweddle. I remember how cold it used to be up in that gallery at night. They used to heat water on a gas ring to make tea and Aunt Marge used to bring sandwiches and fruit for our evening meal. Everyone seemed to be poor in those days and no-one dreamed of going out for a meal. It was a case of make-do - even to cutting down frames to fit pictures or cutting pictures to fit the frames. They had to use the same frames from year to year if the pictures didn't sell. The opening was an exciting event for me. I felt I was privileged to meet important people - people who knew a lot more than I - and Uncle Dick would get quite merry after a couple of the tiny sweet sherries which were always distributed. I realise now that quite a lot of "art talk" rubbed off on me during my visits to the Athenaeum and during my stays with my aunt and uncle. I suspect that much of our most useful learning comes this way and those of us who have had the privilege of associating with artists, writers, philosophers and other thinkers have a richness in our lives of which we may be unaware. Walter Withers was a prolific painter and, although he painted for love of it, I suspect that the need to provide for his family drove him, like Mozart, to greater efforts than he might otherwise have achieved. Reading old letters and articles about the Heidelberg artists, I have come to realize something of the constant strain placed on many of them - particularly Withers and McCubbin - by poverty and the need to make ends meet. Withers was ever conscious of the need to provide for his wife and his five children and there are touching letters to his wife, regretting that he was not able to earn more for them. In addition to his painting, he worked hard at teaching and illustrating and, as he grew older, the strain began to tell and his health deteriorated. He seems never to have had a very strong constitution and suffered from rheumatism, which must have made painting quite painful at times. His eldest daughter, Gladys, was eventually confined to a wheelchair with rheumatoid arthritis and I have a tendency to arthritis myself, so I am particularly aware of what this could have meant to him. Recently I found a short letter written by my mother to her mother, Fanny Withers on the anniversary of her father's birthday in 1919, in which she said: "Poor old Dad, I often think now what a lot he must have suffered. His life was too hard and too strenuous for him. He had too many chick-a-biddies, I think. He wasn't equal to so much town life and train journeys with so many delicacies as he had. Since I have been ill, I have realised what he must have felt like.” He certainly drove himself to produce. He travelled all over Victoria by train, buggy, bicycle and on foot and for a time he travelled from Eltham to Melbourne every day by train, although later he lived in Melbourne during the week and only returned to Eltham for the weekends. My mother died seven years after her father's death, when my twin sisters were 10 days old and I was 16 months. So I never knew my mother or my grandfather. But my two aunts, Gladys and Margery, sometimes took me to stay with Gan Withers at Southernwood in Bolton Street . No cars in those days and it seemed a very long hot and dusty walk from the Station. Three memories remain with me of Southernwood. One is the well at the back which I found quite terrifying; the second is Gan killing a snake - even more terrifying. She was a formidable woman, my grandmother and a great ally and support to her husband. I think she was the business end of the partnership. The third memory of Southernwood is my grandfather's studio – down what seemed like a toy staircase inside the room. This and the big walk-in fireplace stayed in my mind from the age of about six until I saw them again about forty years later when the house was being used as a Sunday School. I just wish that money could be found to purchase this old house for the City of Eltham so that a permanent museum could be established in memory of a man who did so much to put Eltham on the map of art history. Recently I have become interested in family history and spent some time in England, Ireland and Wales looking for traces of my ancestors. I realized then how important it is to have records of people who have contributed to our society. We forget so soon and it is amazing how often, within two generations, names, dates and many details are forgotten. We are fortunate that so many of Walter Withers' works have been bought by galleries and that people like Andrew Mackenzie have taken the trouble to search out people who knew him and to write about him and his work. And I am very grateful to the Historical Society of Eltham for recognizing the importance of having a permanent tribute in Eltham to the contribution made by Walter Withers, who loved Eltham so much and who has assured this lovely district a place in the annals of history. I am indebted to Kathleen Mangan; the daughter of another famous Australian painter , Fred McCubbin, - featured in The Age this morning (thanks again to Andrew Mackenzie) for the most apt tribute to Walter Withers. Kathleen is not well and she rang me a couple of days ago, regretting that she could not be present today “to pay tribute” as she said, “to Walter Withers for I always think Walter Withers is the spirit of Eltham.” Thank you, Kathleen. And now I have much pleasure in unveiling the plaque commissioned by the Eltham Historical Society from Bob McLellan of Charmac Industries to commemorate the life and work of Walter Withers, the spirit of Eltham. Mary Owen, 13 October 1990.Three colour photographswalter withers rock, walter withers reserve, mary owen -
Eltham District Historical Society Inc
Photograph, Mary Owen, granddaughter of Walter Withers, unveiling the commemorative plaque on Walter Withers Rock at the corner of Bible and Arthur Streets, Eltham, 13 Oct 1990, 13/10/1990
[from EDHS Newsletter No. 75, November 1990:] WALTER WITHERS PLAQUE At long last we have unveiled our plaque in the Walter Withers Reserve. The function was attended by a number of members and friends of the Society and descendants of the Withers family. Following the unveiling, the group proceeded to the Eltham Shire Office for afternoon tea and a small exhibition of Withers' paintings arranged by Andrew Mackenzie. The unveiling was performed by Mary Owen, a grand-daughter of Walter Withers. Her speech provided an interesting personal perspective on Withers and is repeated in full here: I feel somewhat overwhelmed by the responsibility of paying tribute to the man you have all come to honour today. I have the feeling that most of you probably know more about him and his work than I do. Walter Withers died nearly seven years before I was born and so I never knew him. Sadly, although other members of his family inherited some of his talent, I was not among them and I know very little about art. This is doubly hard to bear because my husband had some ability to draw and my second daughter also has some talent in this direction. My children are all artistic - mostly in the field of music inherited partly from their father - a Welshman who sang like a Welshman - and partly from my grandmother, Fanny Withers who, I believe was no mean pianist. However all this talent gave me a miss and for many years I felt a complete ignoramus in the fields of the arts. It was not until I was nearly fifty years old that I walked into a gallery in Brisbane and, as I wandered around the room, suddenly one picture leapt at me and I knew instantly that it had been painted by my grandfather. I had never seen the picture before and it gave me quite a shock to find that I had recognized the style of painting. I realized then that I had absorbed more than I realized simply by living with pictures and with people who painted them and talked about their painting and the painting of others. When I was a child I sometimes spent school holidays with my Aunt Margery Withers and her husband, Richard McCann. Aunt Marge painted me several times but I'm afraid I was a restless subject and used to sit reading a book and look up grudgingly when she wanted to paint my eyes. During the September holidays my aunt and uncle were busy preparing paintings far the annual exhibition of the Melbourne Twenty Painters, to which they both belonged. I remember how important I used to feel when they took me along to the Athenaeum Gallery on the Friday night before the opening to help hang their pictures. There were many artists there but the two I remember are perhaps surprisingly both women: Miss Bale and Miss Tweddle. I remember how cold it used to be up in that gallery at night. They used to heat water on a gas ring to make tea and Aunt Marge used to bring sandwiches and fruit for our evening meal. Everyone seemed to be poor in those days and no-one dreamed of going out for a meal. It was a case of make-do - even to cutting down frames to fit pictures or cutting pictures to fit the frames. They had to use the same frames from year to year if the pictures didn't sell. The opening was an exciting event for me. I felt I was privileged to meet important people - people who knew a lot more than I - and Uncle Dick would get quite merry after a couple of the tiny sweet sherries which were always distributed. I realise now that quite a lot of "art talk" rubbed off on me during my visits to the Athenaeum and during my stays with my aunt and uncle. I suspect that much of our most useful learning comes this way and those of us who have had the privilege of associating with artists, writers, philosophers and other thinkers have a richness in our lives of which we may be unaware. Walter Withers was a prolific painter and, although he painted for love of it, I suspect that the need to provide for his family drove him, like Mozart, to greater efforts than he might otherwise have achieved. Reading old letters and articles about the Heidelberg artists, I have come to realize something of the constant strain placed on many of them - particularly Withers and McCubbin - by poverty and the need to make ends meet. Withers was ever conscious of the need to provide for his wife and his five children and there are touching letters to his wife, regretting that he was not able to earn more for them. In addition to his painting, he worked hard at teaching and illustrating and, as he grew older, the strain began to tell and his health deteriorated. He seems never to have had a very strong constitution and suffered from rheumatism, which must have made painting quite painful at times. His eldest daughter, Gladys, was eventually confined to a wheelchair with rheumatoid arthritis and I have a tendency to arthritis myself, so I am particularly aware of what this could have meant to him. Recently I found a short letter written by my mother to her mother, Fanny Withers on the anniversary of her father's birthday in 1919, in which she said: "Poor old Dad, I often think now what a lot he must have suffered. His life was too hard and too strenuous for him. He had too many chick-a-biddies, I think. He wasn't equal to so much town life and train journeys with so many delicacies as he had. Since I have been ill, I have realised what he must have felt like.” He certainly drove himself to produce. He travelled all over Victoria by train, buggy, bicycle and on foot and for a time he travelled from Eltham to Melbourne every day by train, although later he lived in Melbourne during the week and only returned to Eltham for the weekends. My mother died seven years after her father's death, when my twin sisters were 10 days old and I was 16 months. So I never knew my mother or my grandfather. But my two aunts, Gladys and Margery, sometimes took me to stay with Gan Withers at Southernwood in Bolton Street . No cars in those days and it seemed a very long hot and dusty walk from the Station. Three memories remain with me of Southernwood. One is the well at the back which I found quite terrifying; the second is Gan killing a snake - even more terrifying. She was a formidable woman, my grandmother and a great ally and support to her husband. I think she was the business end of the partnership. The third memory of Southernwood is my grandfather's studio – down what seemed like a toy staircase inside the room. This and the big walk-in fireplace stayed in my mind from the age of about six until I saw them again about forty years later when the house was being used as a Sunday School. I just wish that money could be found to purchase this old house for the City of Eltham so that a permanent museum could be established in memory of a man who did so much to put Eltham on the map of art history. Recently I have become interested in family history and spent some time in England, Ireland and Wales looking for traces of my ancestors. I realized then how important it is to have records of people who have contributed to our society. We forget so soon and it is amazing how often, within two generations, names, dates and many details are forgotten. We are fortunate that so many of Walter Withers' works have been bought by galleries and that people like Andrew Mackenzie have taken the trouble to search out people who knew him and to write about him and his work. And I am very grateful to the Historical Society of Eltham for recognizing the importance of having a permanent tribute in Eltham to the contribution made by Walter Withers, who loved Eltham so much and who has assured this lovely district a place in the annals of history. I am indebted to Kathleen Mangan; the daughter of another famous Australian painter , Fred McCubbin, - featured in The Age this morning (thanks again to Andrew Mackenzie) for the most apt tribute to Walter Withers. Kathleen is not well and she rang me a couple of days ago, regretting that she could not be present today “to pay tribute” as she said, “to Walter Withers for I always think Walter Withers is the spirit of Eltham.” Thank you, Kathleen. And now I have much pleasure in unveiling the plaque commissioned by the Eltham Historical Society from Bob McLellan of Charmac Industries to commemorate the life and work of Walter Withers, the spirit of Eltham. Mary Owen, 13 October 1990.Two colour photographswalter withers rock, walter withers reserve, mary owen -
Bendigo Historical Society Inc.
Document - LONG GULLY HISTORY GROUP COLLECTION: GUIDE TO SOME FAMOUS MINES
Three pages titled Guide to Some Famous Mines. Compiled by A Richardson. Each mine is listed as on the reef it is situated on. Reefs are The New Chum Line of Reef and the Garden Gully Line of Reefs, and the Devonshire Group. Mentioned is the mine's location, depth of shaft, poppet legs, machinery, location of engine house, gold yield, dividends and owners of mine. The mines are: The New Chum Line of Reef. The New Chum Railway, Kochs Pioneer, Windmill Hill, Confidence Extended, Johnson's No 1, Johnson's No2, Johnson's No 3, North Johnson's, Princess Dagmar, Golden Age, Johnson's Reef Extended, Golden Pyke, Constellation, Great Northern, Virginia, Specimen Hill United, New Argus, Clarence United, North Argus, South New Moon, New Chum Hill, The New Chum and Victoria, Catherine Reef United. Garden Gully Line of Reefs. The Great Southern, Ulster United, Londonderry, South Garden, The Sea Amalgamated, Garden Gully United, Victory and Pandora, Unity Mine, Carlisle United, Cornish United, Eureka Extended, South Belle Vue United, Shenandoah, Shamrock, New Chum Consolidated, New Chum United, Lansell's 222, Rae's Open Cut, Great Central Victoria, Victoria Consols, The Ironbark, Hercules and Energetic, Pearl, The Devonshire Group. North of Staley,The Duke of Edinburgh, New St Mungo, Duchess Tribute, South Devonshire, Duchess of Edinburgh, Princess Alexandra, West United Devonshire, Hopewell, Phoenix. Yhe Mungo Mines. Unicorn, South St Mungo, Lady Barkly, The St Mungo, Sadowa, Eastwood. Snobs Hill Group. The Ellenborough, The Belmont and Saxby, York and Durham, The Acadia, William's United, The Victoria Hill - Ironbark, The North Old Chum, Lansell's Big 180, Ballerstadt's Open-Cut and The Victoria Quartz.bendigo, history, long gully history group, the long gully history group - guide to some famous mines, a richardson, the new chum railway, kochs pioneer, windmill hill, confidence extended, johnson's no 1, johnson's no2, johnson's no 3, north johnson's, princess dagmar, golden age, johnson's reef extended, golden pyke, constellation, great northern, virginia, specimen hill united, new argus, clarence united, north argus, south new moon, new chum hill, the new chum and victoria, catherine reef united, the great southern, ulster united, londonderry, south garden, the sea amalgamated, garden gully united, victory and pandora, unity mine, carlisle united, cornish united, eureka extended, south belle vue united, shenandoah, shamrock, new chum consolidated, new chum united, lansell's 222, rae's open cut, great central victoria, victoria consols, the ironbark, hercules and energetic, pearl, the duke of edinburgh, new st mungo, duchess tribute, south devonshire, duchess of edinburgh, princess alexandra, west united devonshire, hopewell, phoenix, unicorn, south st mungo, lady barkly, the st mungo, sadowa, eastwood, the ellenborough, the belmont and saxby, york and durham, the acadia, william's united, the victoria hill - ironbark, the north old chum, lansell's big 180, ballerstadt's open-cut, the victoria quartz -
Old Colonists' Association of Ballarat Inc.
Sydney W. J. Clark House, Charles Anderson Grove, Ballarat
The Old Colonists' Association Ballarat Inc. is a not for profit charitable organisation providing accommodation for elderly people. It manages a 27 Home retirement village at Charles Anderson Grove Ballarat. Accommodation is offered at significantly below market rates. It has been providing low cost accommodation to the elderly since the 1920s. The Association Council overseas the running of this facility on a voluntary basis. "GIFT COTTAGES.- Ballarat Old Colonists Benefit BALLARAT.— High tribute to the good citizenship of Mr. and Mrs. F. J. Williams, now of Melbourne, and Mr. S. Clark, of Ballarat. was paid by a representative gathering at Gillies-street on Thursday afternoon, when the two cottages respectively presented by them for the use of old and indigent colonists were handed over to the council of the Ballarat Old Colonists' Association. The cottages are handsome brick structures, modern in design and equipment, and cost about £650 each. Mr. A. H. Nevett, president of the Ballarat organisation, expressed the gratification of the association at the commencement of a scheme of cottages for old colonists, which had been the aim of the association for many years. Mr. Williams said that when in Ballarat he had been in many public movements as President of South-street and president of the amalgamtion (sic) movement, but in giving this cottage for the use of the old people he had established a tangible and definite link between himself and Ballarat. Similar sentiments were expressed by Mr. Clark, who said his benefaction had given him a great and genuine pleasure. Both donors were warmly thanked on be half of citizens generally by the mayor (Cr. A. E. Nicholson). At subsequent social gathering appropriate toasts were honored, and assurances were given that the association's scheme for 50 gift cottages on the lines of Melbourne would be furthered by several in the not far distant future. (The Age, 30 October 1925.) OBITUARY MR. SIDNEY W. J. CLARK BALLARAT, Friday. - After a long illness Mr. Sidney W. J. Clark, 76, a member of the Courier Pty. Ltd., died at Ballarat today. He was a son of the late Mr. Robert Clark, one of the founders of the journal. Mr. Clark was president of the Ballarat Bowling Club for 10 years, and was a member of the Australian bowling team that visited Britain some years ago. He was a benefactor to Ballarat charities, and gave a cottage to the Ballarat Old Colonists' Association Cottage Scheme. (The Argus, 27 December 1941.)s. clark, sidney clark, sidney w.j. clark, old colonists' association, ballarat old colonists' club, charles anderson grove, philanthropy -
Bendigo Historical Society Inc.
Document - Amy Huxtable Memorial Committee - Correspondence, 1981-90
Amy Huxtable was born at Cheltenham in 1918, to Robert Henry Huxtable and Violet A Dagg. Her father was an installer for an oil company and travelled the State. taking his family with him. She completed her education at the Bendigo High School and later attended the Bendigo Business College, becoming an expert shorthand writer. Her first position was as a copy writer with Radio 3BO, in the mid 1930s. She worked with an advertising agency in Melbourne and then with the Age,newspaper. In 1953, Miss Huxtable was appointed temporarily to succeed Miss E B Millane as social editress of the Bendigo Advertiser, during the latter's absence abroad. In 1956, Amy travelled abroad and on her return in 1957 was appointed permanently as Women's editor, a position she held for twenty-three ears. During her early years with The Advertiser she wrote under the name Toora, but in later years her own name became widely known. Miss Huxtable was well known both in her professional capacity and through a interest and involvement in community activites. She was life governor of the Bendigo Hospital, the Bendigo Home for the Aged, and Mirridong Home for the Blind, she was a member of Soroptimist International and the Business and Professional Women's Club. Amy was also a tireless worker for the spastic society and a strong supporter of the YWCA. When Amy Huxtable died at Mt AJvernia Hospital on 16 January 1980 Mayor Campbell ordered the city flag to be flown at half-mast. "Lowering the flag is the least we can do for such a lady" Cr Campbell said. Douglas Lockwood, editor of the Bendigo Advertiser said, "She was a devot d colleague who gave her craft and her newspaper the kind of service which identified a rare and generous spirit." She was a true professional who decided to make Bendigo her home. More than 300 people packed St Paul's Church for her funeral ervice the bell tolled as the casket was carried from the church. At a ceremony in the Conservatory Gardens on No ember 22 1981 The Amy Huxtable Memorial Committee presented to the City of Bendigo, a garden seat in memory of the late Miss Huxtable. This Bendigo manufactured seat was a fitting tribute to one ofBendigo's most loved and esteemed citizens. All Miss Huxtable's Advertiser articles were microfilmed and presented to the Library by the above committee. Amy Huxtable Memorial Committee - Correspondence - 18 Pages Page 1 Letter to Andrew Taylor, Superintendent, Bendigo City Parks and Gardens 2/6/1981 re siting of the Memorial Seat. Page 2 Reply to the above letter 2/7/1981 Page 3-4 Letter to the Council suggesting the seat be placed in the Conservatory gardens 7/7/1981 Page 5 Letter from the committee to Denis O'Hoy thanking them for supplying clay and plaster for the prep work 7/7/1981 Page 6 Letter from Andrew Taylor, Bendigo City Council 22/7/1981 advising the committee that the council has approved two seats and a vandal proof sign be placed up against the Conservatory facing the Bendigo Advertiser offices. Page 7 Letter 14/8/1981 from the committee to the council re the plaque design Page 8 To the Bendigo council 8/9/1981 suggesting a date and time for the handover of the seat. Page 9 From the council 12/10/1981 thankyou letter from the Mayor agreeing to the time of the memorial seat handover. Page 10 Letter back to the Mayor on 10/7/1981 from the committee with a suggested program for the afternoon. Page 11-13 Letter from the committee to BCV TV Channel 8 10/11/1981, asking them to advertise the event on their community noticeboard, the wording enclosed; and also an article for the news. Page 14-15 The wording on the plaque Page 16 Letter to the Bendigo Council 16/8/1984 asking for some repairs to be done to the seat due to weathering. Page 16 Letter back from the council 23/8/1984 advising the committee that it is on the list of maintenance for later in the year. Page 17 Letter from the Bendigo Regional Arts Centre to the committee 28/6/1990 adising receipt of $1000 for seats ion the re-vamperd Capital Theatre; seat inscription to be "Donated by:- Amy Huxtable Memorial Committee In Memory of :- Amy Huxtablehistory, amy huxtable, bendigo, amy huxtable memorial committee, bendigo conservatory gardens, capital theatre, bendigo regional arts centre -
Bendigo Historical Society Inc.
Document - Amy Huxtable Memorial Committee - Correspondence, 1991-1993
Amy Huxtable was born at Cheltenham in 1918, to Robert Henry Huxtable and Violet A Dagg. Her father was an installer for an oil company and travelled the State. taking his family with him. She completed her education at the Bendigo High School and later attended the Bendigo Business College, becoming an expert shorthand writer. Her first position was as a copy writer with Radio 3BO, in the mid 1930s. She worked with an advertising agency in Melbourne and then with the Age,newspaper. In 1953, Miss Huxtable was appointed temporarily to succeed Miss E B Millane as social editress of the Bendigo Advertiser, during the latter's absence abroad. In 1956, Amy travelled abroad and on her return in 1957 was appointed permanently as Women's editor, a position she held for twenty-three ears. During her early years with The Advertiser she wrote under the name Toora, but in later years her own name became widely known. Miss Huxtable was well known both in her professional capacity and through a interest and involvement in community activites. She was life governor of the Bendigo Hospital, the Bendigo Home for the Aged, and Mirridong Home for the Blind, she was a member of Soroptimist International and the Business and Professional Women's Club. Amy was also a tireless worker for the spastic society and a strong supporter of the YWCA. When Amy Huxtable died at Mt AJvernia Hospital on 16 January 1980 Mayor Campbell ordered the city flag to be flown at half-mast. "Lowering the flag is the least we can do for such a lady" Cr Campbell said. Douglas Lockwood, editor of the Bendigo Advertiser said, "She was a devot d colleague who gave her craft and her newspaper the kind of service which identified a rare and generous spirit." She was a true professional who decided to make Bendigo her home. More than 300 people packed St Paul's Church for her funeral ervice the bell tolled as the casket was carried from the church. At a ceremony in the Conservatory Gardens on No ember 22 1981 The Amy Huxtable Memorial Committee presented to the City of Bendigo, a garden seat in memory of the late Miss Huxtable. This Bendigo manufactured seat was a fitting tribute to one ofBendigo's most loved and esteemed citizens. All Miss Huxtable's Advertiser articles were microfilmed and presented to the Library by the above committee. Amy Huxtable Memorial Committee - Correspondence - 10 Pages Page 1 Letter to Mr David Thomas, Director, Bendigo Art Gallery 5/7/1991 asking for information on the repair of the Ola Cohn on the Curnow Fountain in Rosalind Park, and offering money left over before the Amy Huxtable Committe is wound up. Page 2 Another Letter to Mr David Thomas, Bendigo Art Gallery 5/7/1992 - expressing a desire to finalise a possible donation of remaining committee funds Page 3 Letter to the committeee from the Bendigo Art Gallery, 9/7/1991, advising process on Ola Cohn's Curnow Fountain. Page 4 Letter to the Art Gallery 22/1/1993, expressing a desire to place a memorial artwork in the Art Gallery using the leftover funds. Page 5 Letter from the art gallery to the committee 27/1/1993 expressing delight that an artwork honouring Amy Huxtable will be presented to them. Page 6 Receipt to the committee for $4457.29 from the art gallery 21/7/1993 - donation for the Ola Cohn Acquisitions. Page 7-8 Letter to the committee from the art gallery 20/7/1993, thankyou for the aquisition of three works by Ola Cohn in memory of Amy Huxtable. The works are: Behold the Man, Woman with Two Children and Women with Owl (Bookends). Page 9 Bendigo Art Gallery signage on the "Amy Huxtable Memorial Fund Ola Cohn (1892-1964) works: Master Pigeon,1923, Behold the Man, c.1940 Women and two children, c.1940 Women with Owl, c.1933history, amy huxtable, bendigo, amy huxtable memorial committee, bendigo art gallery ola cohn works -
Bendigo Historical Society Inc.
Document - Amy Huxtable Memorial Committee - Correspondence and Newspaper Vale Article, 1993
Amy Huxtable was born at Cheltenham in 1918, to Robert Henry Huxtable and Violet A Dagg. Her father was an installer for an oil company and travelled the State. taking his family with him. She completed her education at the Bendigo High School and later attended the Bendigo Business College, becoming an expert shorthand writer. Her first position was as a copy writer with Radio 3BO, in the mid 1930s. She worked with an advertising agency in Melbourne and then with the Age,newspaper. In 1953, Miss Huxtable was appointed temporarily to succeed Miss E B Millane as social editress of the Bendigo Advertiser, during the latter's absence abroad. In 1956, Amy travelled abroad and on her return in 1957 was appointed permanently as Women's editor, a position she held for twenty-three ears. During her early years with The Advertiser she wrote under the name Toora, but in later years her own name became widely known. Miss Huxtable was well known both in her professional capacity and through a interest and involvement in community activites. She was life governor of the Bendigo Hospital, the Bendigo Home for the Aged, and Mirridong Home for the Blind, she was a member of Soroptimist International and the Business and Professional Women's Club. Amy was also a tireless worker for the spastic society and a strong supporter of the YWCA. When Amy Huxtable died at Mt AJvernia Hospital on 16 January 1980 Mayor Campbell ordered the city flag to be flown at half-mast. "Lowering the flag is the least we can do for such a lady" Cr Campbell said. Douglas Lockwood, editor of the Bendigo Advertiser said, "She was a devot d colleague who gave her craft and her newspaper the kind of service which identified a rare and generous spirit." She was a true professional who decided to make Bendigo her home. More than 300 people packed St Paul's Church for her funeral ervice the bell tolled as the casket was carried from the church. At a ceremony in the Conservatory Gardens on No ember 22 1981 The Amy Huxtable Memorial Committee presented to the City of Bendigo, a garden seat in memory of the late Miss Huxtable. This Bendigo manufactured seat was a fitting tribute to one ofBendigo's most loved and esteemed citizens. All Miss Huxtable's Advertiser articles were microfilmed and presented to the Library by the above committee. Amy Huxtable Memorial Committee - Correspondence and Newspaper Vale Article Bendigo Advertiser Article 23/10/1993 entitled: "Vale Amy: a rare individual" 2808.13e Photo of Amy from the article 2808.13a, 2808.13b, 2808.13c: The Article describe her life and contributions to Bendigo. 2808.13d - 12 pages of Correspondence and committee records. Page 1 Letter from the the committee to the art gallery 14/9/1993 re event happening (Presentation of the Ola Cohn works as funded by excess money before the committee "winds up" the letter encloses a list of whom the committee consider should be invited to the event). Page 2 List of people as above with adresses Page 3 Invitation to the above event from the art gallery 7/9/1993 Page 4 From the art gallery 29/9/1993 enclosing some factual notes on Amy Huxtable to be confirmed and added to by the committee if need be. Page 5 From the art gallery 20/10/1993 to the committee, a copy of an article written for the Bendigo Advertiser - for comments. Page 6 From the art gallery 29/1/1993 - thanking the Chairperson of the committee Miss Norma Young for her speech at the reception for the Amy Huxtable Memorial - Ola Cohn Works. Page 7 From Norma Young back to the art gallery 3/11/1993, thank you for the combined work of the gallery and the memorial committee Page 8 Another thank you letter to the art gallery committee of management 3/11/1993. Page 9 -12 Speech as given by Norma Young, chairperson of the committee to the reception at the art gallery.history, amy huxtable, bendigo, amy huxtable memorial committee, bendigo art gallery ola cohn works