Situated on the Yarra River, 5.5 kms south of Christmas Hills on private property. This timber trestle bridge is said to have been built some time after 1907 by Melbourne master-builder, David Mitchell (the father of Dame Nellie Melba), to connect his two "Henley Farm" properties with Lilydale. In earlier days, when the McPhersons owned the property, their children used a punt to cross the river to attend Yering Primary School. This private bridge is best viewed from the end of Wendy Way. - Source: Christmas Hills Past and Present, Yarra Glen & District Historical Society, 2004.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.9 x 12.5 cm printshire of eltham pioneers photograph collection, warrandyte, henley bridge

Situated on the Yarra River, 5.5 kms south of Christmas Hills on private property. This timber trestle bridge is said to have been built some time after 1907 by Melbourne master-builder, David Mitchell (the father of Dame Nellie Melba), to connect his two "Henley Farm" properties with Lilydale. In earlier days, when the McPhersons owned the property, their children used a punt to cross the river to attend Yering Primary School. This private bridge is best viewed from the end of Wendy Way. - Source: Christmas Hills Past and Present, Yarra Glen & District Historical Society, 2004.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image 4 x 5 inch black and white negative 9 x 12.5 cm printshire of eltham pioneers photograph collection, warrandyte, henley bridge, reflection

In the early 1900’s Charles Ernest Barrie and his brother Ted were in partnership in a Chaff cutting and Ha y processing Mill on the corner of Station and Brooklyn road Melton South. By 1906 Charles Ernest and James Edwin were in partnership in the Station Road mill when a connecting rail line across Brooklyn Road for a siding was constructed to the Melton Railway Station. In 1911 the Mill’s letterhead shows C.E. BARRIE Hay Pressing and Chaff Cutting Mills. This Mill as sold to H S K Ward in 1916 and stood until 1977 when it burnt down in a spectacular fire.Owned by C.E Barrie. Buildings were on the west side of Station Road in Melton South, 100 metres north of Brooklyn Roadlocal identities, pioneer families, agriculture

Black and white photograph contained within Reg. Item 2488, page 55, of Si Barker, Woodman of Horse and Electric trams, standing in front of a horse tram. Handwritten caption by H.P. James. Note Item Not formally Numbered. Image btm2507i2 shows position on page relative to items 2507 to 2512.Handwritten in Pencil under the photograph is "This is a picture of Si Barker, woodman of Horse and Electric Trams 1894 - 1935, the Power station worker. Si was a great footballer and cricketer. The games we had together over the years (by jove). There is a good view here of a section of a horse tram. of course by this time the trams were connected to trailers (note connector) called the Goose Neck." Last four words in ink.tramways, trams, depot, horse trams, esco, employees

Black and white photograph (copy) of South New Moon Mine. Written on base of photograph : 'South New Moon Mine.Eaglehawk. Leading Mine in State, 1903. Gold Yield 257,498 ozs.' Image shows mining dam in forefront, large mine buildings and chimney LH side and trestleway connecting to poppet head on RH side. Smaller mine buildings in background. Photo on buff coloured backing board, enclosed in plastic, sealed at back. See: Victorian Heritage Database for history of site http://vhd.heritage.vic.gov.au/places/result_detail/12109?print=truegold mines, mining equipment, south new moon mine site

Ford and McFarlane shearing handpiece c.1890. This shearing handpiece is from ‘Wellington Lodge” in Tailem Bend, South Australia. Wellington Lodge today is an Angus beef farm; however, the property has a long history which includes wool farming. Wellington Lodge has been in the McFarlane family since the 1840’s and was originally around 19000 acres. The donor, Brian Licence, assembled this handpiece out of spare parts he found while classing wool on the property in the 1960s. Brian showed the finished handpiece to the owners once his classing work was completed and was told he could keep the handpiece as a souvenir. Brian also classed wool at “Jockwar” and “Pleasant Park” in Penola for members of the McFarlane family during the 1960s. The handpiece is named after Ford, the name of the engineer who designed the handpiece and McFarlane, the owners of Wellington Lodge Station and employers of Ford. This handpiece was developed as a prototype for use on the property. The handpiece which is made of solid brass is in a “used condition” and has been patched with solder. The handpiece is stamped with the number 10. Internally, the handpiece is powered from a drive mechanism of compressed air, this compressed air was typically produced by burning mutton fat. The handpiece comes from the pre-electrical– steam engine era of shearing. Brass metal shearing handpiece. A three-pronged fitting to hold both the comb and the blade protrudes from one end. A cylindrical stem extends vertically from the other. This is likely where a connecting rod to the shearing plant would be found. Below this vertical stem, the handpiece has an additional threaded hose fitting. This is likely where compressed air was delivered into the handpiece. The inscriptions can be found on the rear, near the previously mentioned vertical stem. Around this stem is also where the repairs of solder can be found. These repairs are unique to this handpiece and are not common practise.Etched. Base of handle. “FORD & McFARLANE . SHEEP SHEARER . Etched. Base of handle. “10”sheep shearing, shearing equipment, ford & mcfarlane, wellington lodge, tailem bend, south australia, shearing handpiece, shearing

Compass, divider, and caliper are basically instruments that have two legs pivoted to each other at the top and are concerned with small-distance measurement or transfer. The compass and divider have straight legs; the caliper has curved legs. Dividers and Calipers were known to both the Greeks and Romans, though the caliper was uncommon. A divider with a circular sector, or wing, connecting the two legs was sketched in 1245, its modern counterpart is the wing divider with a thumbscrew clamp and screw for fine adjustment. Or the marine dividers used to measure the distance a vessel has travelled by transferring the vessels distance from a map with the divider and transferring that measurement to a marine ruler to mathematical calculate the distance.Item is believed to be a replica/ copy of a 19th century map calipers used in marine navigation to determine distance travelled. Item was probably purchased between 1972-1975 to add to the marine displays at Flagstaff Hill.Stainless steel dividers used in navigation charts. Top half is alloy plated. "W & HC" and "Made in England".flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, stainless steel dividers, steel dividers, dividers

'Kew, Kew East, Balwyn & Balwyn North are located approximately 7km north east of Melbourne. Four main stormwater drains service the area flowing from south to north. Three of the drains: Deepdene Drain; Balwyn Drain & Glass Creek converge in Kew East just west of Burke Road at Kew High School before discharging into the Yarra River. The fourth drain, Kew Main Drain connects directly with the Yarra River to the West of Glass Creek.' The Kew Main Drain is a barrel drain that was created in the 1930s, and follows the route of the former Connor's Creek from the vicinity of Genazzano FCJ College to the Yarra River in East KewImportant and verifiable evidence of the construction methods used by the Melbourne & Metropolitan Board of Works in building the Kew Main Drain, before its reconstruction in c.1985.Original print colour positive photograph of the Kew Main Drain, provided on 14/12.84 to the Chief Engineer of the City of Kew, Ian Poulter, by the Supervising Engineer (Works), Southern and Eastern Drainage, Melbourne & Metropolitan Board of Works. The record includes an image of the reverse as well as the donation document from the MMBW."A84/1855-9 / 750mm council drain looking D/S [down stream] and across Parkhill Road. To be replaced with 1200 mm R.C.P. [reinforced concrete pipe] as part of MMBW Kew Main Drain reconstruction works"kew main drain, stormwater drains -- kew (vic.), connor's creek -- kew (vic.)

'Kew, Kew East, Balwyn & Balwyn North are located approximately 7km north east of Melbourne. Four main stormwater drains service the area flowing from south to north. Three of the drains: Deepdene Drain; Balwyn Drain & Glass Creek converge in Kew East just west of Burke Road at Kew High School before discharging into the Yarra River. The fourth drain, Kew Main Drain connects directly with the Yarra River to the West of Glass Creek.' The Kew Main Drain is a barrel drain that was created in the 1930s, and follows the route of the former Connor's Creek from the vicinity of Genazzano FCJ College to the Yarra River in East KewImportant and verifiable evidence of the construction methods used by the Melbourne & Metropolitan Board of Works in building the Kew Main Drain, before its reconstruction in c.1985.Original print colour positive photograph of the Kew Main Drain, provided on 14/12.84 to the Chief Engineer of the City of Kew, Ian Poulter, by the Supervising Engineer (Works), Southern and Eastern Drainage, Melbourne & Metropolitan Board of Works. The record includes an image of the reverse as well as the donation document from the MMBW."A84/1855-10 / 750mm council drain looking U/S [up stream] from Parkhill Road, Kew."kew main drain, stormwater drains -- kew (vic.), connor's creek -- kew (vic.)

The photograph shows a section of remnant track at the intersection of Bourke and Spencer Sts that remained until it was removed on 25/8/1987 when connecting curves were installed at Bourke and Spencer Streets, forming a double track triangular junction, in preparation for the conversion of the St Kilda and Port Melbourne railway lines to 'light rail'. This necessitated the removal of the last few metres of cable car track in Melbourne, which had been left in situ at the former Bourke Street terminus as a reminder of bygone days. Shows two inspection pits in the short section of the cable slot. Photo late 1960s after the construction of the Spencer St railway station building. Photographer unknown.Yields information of last section of visible cable tram track in the city area.Black and white photograph on Ilford papertramways, cable trams, track work, bourke st, spencer st, cable track

Melbourne Design Week: 14-24 March 2019 Sat 16 Mar 19, 2pm–10pm Norla Dome The Mission to Seafarers Victoria 717 Flinders St Docklands Indulge in a fleshy live experience. Reconnect with your primal being through a progression of sensorial confrontations. Recalibrate your connection to the world around you – the future depends on it. Sensory Experiments is a call for change – a Manifesto for Sensory Intelligence. Part social experiment, part philosophical inquiry and a fully immersive performance piece, this innovative project is forged from a collaboration between two of the city’s (and, indeed, the world’s) most progressive and inquiring minds. An eclectic cohort of creative contributors has been assembled to design a provocative experience intended to awaken the senses. Allow internationally renowned chef Justin James (Executive Chef of Vue de monde and Iki Jime and previously of Eleven Madison Park & Noma Copenhagen) to reignite your sense of taste. Avail yourself to floral artist Hattie Molloy’s interrogation of sensual perception with her reckoning of the Sublime. Absorb and participate in live-choreographed performances, and be aurally challenged by the masters behind the Sydney Opera House’s iconic acoustics. Come, bear witness, bring curiosity. Immerse yourself in this never-before seen collective. Guided by Sense Whisperers, you’ll wander through a series of live, uniquely designed corporeal experiences. Your emotional and physical responses will leave a digital imprint as the results of Sensory Experiments are transmitted in real time. Connect to self, connect to others, and connect to nature – and leave your mark on a living, breathing manifesto for living. Project Partners Matt Tambellini, More Studio and Mr. Kyle Mac, Design and Web Amara Speechley, Curated by, Marketing, PR & Partnerships Damien Boecasse and Erika Hirzinger, Event Production & Project Management Event Partners Justin James, Edibles Hattie Molloy and Emma Proudfoot, Flower Art Mihan Aromatics, Scent Design Chelsea Kate Evans, Performance Direction Samantha Iliov and Holly Simpson, Ensemble Studio, Costume Rachelle Austin, Olivia Reddan and Holly White, Set Stylists Isabel Johnson, Ed Supreme, Messaging and Copy Arup, Soundscape Design Hayden Sommerville, Videography Belle Nowak, Social Media Pord, Wine Tasting Noomi, Seating Website inscapesprojects.com Instagram: @inscapesprojectsA4 size flyer on creamy colour papercultural events, sensory experiments, ngv, national gallery of victoria, melbourne design week, 2019, community, norla dome, incas projects

Clothing. Cream silk woman's bed jacket with cap sleeves trimmed with 2cm cream coloured scalloped lace. Sleeves embroidered with five 7mm flowers of different colours. Low scooped neckline dips to a V at centre front. Front opening and neckline edged with 2cm scalloped cream coloured lace. 6cm peplum front and back with drawstring casing connecting it to the bodice. .5cm ribbon tie through casing. Press-stud at centre front at base of neckline. Floral embroidery of wreath and scattered flowers on both sides of front bodice and at centre back below neck line.costume, female, woman's bed jacket

A copy of "The Loddon Valley Courier and Farmers' Advocate" dated February 27, 1920. the paper has 4 pages and it was inside the book catalogue number 1572.127. on the back page there is an article that connect the paper to the book. The article is titled: Farewell to Mr. and Mrs. J. Waugh and family and it describe an evening at the Laanecoorie hall where the family was presented with gifts from the Laanercoorie for the standing in the community. Mr. John Waugh received a gold chain with an inscribed medal, Mrs. Waugh received a coffee service, miss Nora Waugh received a gold pendant and Tom Waugh a shaving outfit.newspaper

Christmas 2001 articles include: Governor of Victoria re-dedicates KG War Memorial Tower Election details (2002) Summer at the Diamond Creek Pool Community Safety Expo Nillumbik Festival of the Arts: ‘art, caught in the act’ 22 Feb to 3 Mar 2002 Neighbourhood Character Study out for comment Plans to revive St Andrews Market site Integrated Transport Strategy seeks less car usage Eltham Festival Album Rural connector roads strategy Rural Collector Roads to be Sealed Roundabout funding for Diamond Creek Community Fireguard helps prepare for fire Planning for bush fire this summer Capital Works projects on track for 2001-2002 Eltham Town Square opens council newsletters, nillumbik news, nillumbik shire council

This manual telephone exchange console is an important piece of equipment which provided the most efficient method of long distance communications in the 1950's to the 1980's. Communications were critical, not only for the regional Hospital, but also for large construction sites i.e. the Kiewa Hydro Scheme, especially if they are in dense rugged mountainous regions. The degree of Occupation Health and Welfare on industrial sites were at a bare minimum compared to the work scene after the 1980's.This telephone exchange console is highly significant to both the Kiewa Valley and Mount Beauty region because it was so important in the communications field relating to operational safety and work related controls. The success of any large undertaken relies heavily upon good communications. In the hospital this method of communications is still used i.e. patient to ward station. This flag system link a patient's room to the controlling nursing station. Identification of the patient needing help is crucial for swift action from the available medical staff. Similarly in large construction sites such as the Kiewa Hydro Scheme, successful instant communications was also essential. This switchboard required a 50 volt supply to successfully operate and was in use when both telecommunications and postal were under the one Federal Government carrier i.e. The Post Master General. A benefit with a line communication system (such as the one that fed this console was that interference from atmospheric conditions did not impede the connection.This console telephone switchboard (manual) unit has a shutter operation (precursor to the light indicator) to identify the caller to the telephone switchboard operator. This switchboard has a ten point indication shutter system allowing the operator to clearly identify where the caller is located. The console has a 44 connection point holes with their configurations in a triangular shape. The shutters are held closed by a small lever at the top which is opened by a small electrical charge from the incoming call. The operator uses a wind up handle to power a magneto connector(handle on the console's right side). The telephone hand set is located on the left side of the console. sec vic kiewa hydro scheme, alternate energy supplies, alpine population growth and communications

Object belonged to and was used by Dr Lennard Travers 1950-1970.Complete Macintosh laryngoscope piece with a curved medium sized attached blade with light bulb and a textured handle with serrated grip for easy of use and a screw in the blade connector. The handle is also a battery deposit to supply the led light bulb. The blade has general deep scratches on its surface and a slight metal deformation on top back of the blade. At the back of the blade is still attached the hinge that keeps in regular position the base and the blade, is also present a worn surface in this area. Green spots of dust and oxidation processes are present over the blade and the handle areas. A handle manufacturer stamp is located at the base of handle (see inscriptions for details).Stamped into base of handle: LONGWORTH INST. CO. / OXFORD / ENGLANDmacintosh, laryngoscope, blade, handle, longworth inst. co., england

A stemless wooden racquet, featuring an open, three-pronged throat connecting the head directly to the handle. Head is reinforced by fibreglass bands, decorated with red plastic strips. Inscription across the base of the head, on obverse: RED. Manufacturer's trademark decal features at central prong on obverse. At the top of the handle, on both sides, is the word: PATENT. Inscription on outside of right prong: FRAME MADE IN ENGLAND BY/HAZELLS LTD. LONDON. Decal inscription on outside of left prong: HAZELL'S STREAMLINE/REGD. & PATENTED. Company monogram on butt cover. Materials: Wood, Nylon, String, Leather, Metal, Ink, Glue, Lacquer, Plastic, Fibreglass, Adhesive tapetennis

A stemless wooden racquet, featuring an open, three-pronged throat connecting the head directly to the handle. Head, and outer prongs are reinforced by fibreglass bands, decorated with white plastic strips. Inscription across the base of the head, on obverse: WHITE. Manufacturer's trademark decal features at central prong on obverse. At the top of the handle, on both sides, is the word: PATENT. Inscription on inside of right prong: MADE IN ENGLAND BY/HAZELLS LTD. LONDON. Decal inscription on outside of left prong: HAZELL'S STREAMLINE/REGD. & PATENTED. Company monogram on butt cover. Materials: Wood, Nylon, Leather, Metal, Ink, Glue, Lacquer, Plastic, Fibreglass, Adhesive tapetennis

A stemless wooden racquet, featuring an open, three-pronged throat connecting the head directly to the handle. The underside of the head, continuing around and down the inside of the outside prongs, is reinforced by fibreglass strips. Inscription across the base of the head, on obverse: BLUE. Manufacturer's trademark decal features at central prong on obverse. Decal inscription on outside of right prong lists all the worldwide patents for the racquet design. Decal inscription on outside of left prong: HAZELL'S STREAMLINE/REGD. & PATENTED/MADE IN ENGLAND. Company monogram on butt cover. Materials: Wood, Nylon, Leather, Metal, Ink, Glue, Lacquer, Plastic, Fibreglass, Adhesive tape, Stringtennis

A stemless wooden racquet, featuring an open, three-pronged throat connecting the head directly to the handle. Head, and outer prongs are reinforced by fibreglass bands, decorated with white plastic strips. Inscription across the base of the head, on obverse: WHITE. Manufacturer's trademark decal 'HAZELLS' features at central prong on obverse. Decal inscription on the outside of right prong features worldwide patents. Inscription on inside of right prong: MADE IN ENGLAND BY/HAZELLS LTD. LONDON. Decal inscription on outside of left prong: HAZELL'S STREAMLINE/REGD. & PATENTED. Materials: Wood, Gut, Leather, Metal, Ink, Glue, Lacquer, Plastic, Fibreglass, String, Adhesive tapetennis

Lynne MAKINGs (1950- ) Artist Lynne Makings is an instigator and member of the Soldiers Hill Artist Collective, an eclectic group of artists from all various disciplines, residing within the region of Soldiers Hill, Ballarat. When this work was undertaken Lynne Makings was enrolled in a Bachelor of Visual Arts (Fine Arts) at the Federation University Arts Academy. The work was awarded a Deputy VIce Chancellor's Award, and was acquired from the 'End of Year Exhibition' (EYE).Double sided artwork comprising of numerous Indian Bean Tree seeds (Catalpa Bignoniodes). The seeds have been placed between to sheets of perspex. Artist's Statement: 'continuity by a thread' A loose line and a tight grid Continuity by a thread, [the makings of], represents a body of work exploring the overarching grid that links a fragile thread, the mortal coil, that binds and unites the disparate forces of continual change underpinning human existence. The thread symbolises the connecting life force that has been a constant companion working within the formal boundaries and structure of living my being. and so it goes... it will take me where it may.lynne makings, artwork, artists, indian bean tree seeds, catalpa bignoniodes, dvc award, end of year exhibition, eye

This photograph depicts six men and two horses with carts in the process of constructing a road. The men each stand in a relatively relaxed position, posing for the camera. However, the amount of upturned soil surrounding them suggests the hard work they have endured, armed only with pitchforks and shovels. The creation of new roads in the Beechworth area had become a priority for the Beechworth council in the second half of the nineteenth century. This included connecting roads which radiated out of Beechworth to surrounding towns. This led to the expansion of the local government authority over the surrounding countryside, greatly strengthening Beechworth's central position. The use of horse and cart to take away the removed soil, as well as the style of the men's attire, suggests that this photograph dates back to the late 1800s. It can also be assumed that this photograph was taken somewhere in the surrounding hills of Beechworth. This photograph is historically significant as it provides insight into the rapid expansion of roads in and around Beechworth during the second half of the nineteenth century. Sepia rectangular photograph on matte photographic paper mounted on card Reverse: BMM 2982 / road construction, beechworth roads, 1800s, 1800s beechworth, beechworth hills, horse and cart, beechworth road making, beechworth council roads, road expansion, beechworth surrounding hills

Hewitt’s airway was the first known oral airway and laid the foundations for the numerous other airways that were later developed. The development of the oropharyngeal airway is one of the lesser-acknowledged advances in anaesthesia. Oral airways made anaesthesia safer and significantly reduced the trauma associated with earlier attempts at managing the obstructed airway. The Hewitt Airway – the first known artificial oral ‘air-way’. In 1890, Frederic Hewitt noted the frequency and danger of upper airway obstruction. In 1908, dissatisfied with the use of tongue forceps and that Esmarch’s maneuver sometimes failed, he described the first oropharyngeal airway, the Hewitt Airway. The tube was less than 8 cm long, ideally connecting the oral opening to the hypopharynx. The Hewitt Airway was the foundation for many subsequent oropharyngeal airway designs.The oropharyngeal airway is significant because of its lesser acknowledged advances in anaesthesia.Round metal tube with a brown rubber tubing sleeve around the outside.medical health, anaesthesia

This bottle of liquid floor polish was manufactured before 1960(taken over by Wattyl) in a period when most of the floors in high traffic areas were covered in linoleum. Most of the floors using this product during this period would have been kitchens and laundries. During this period the cleanliness of the kitchen, hallways and eateries had to appear clean (cleanliness was a sign of a bacteria free area). This was a priority for kitchens, mess areas(SEC Hydro Scheme facilities) and connecting walkways. The cleanliness attitude was enhanced in the rural areas due to the "dirty" farm work not impinging upon the residential home.When Mount Beauty was first inhabited all the residential and worker's facilities were a prime area for linoleum floor surfaces. The liquid floor polish was in great demand, "a polished floor is a clean floor".This bottle of liquid floor polish is very significant to the Kiewa Valley, not only that it covers the floors of every home and residential barracks of the first major development of a "town" now known as Mount Beauty but also it demonstrates that the "cleanliness" approach of early Australians living areas in the rural regions was "on par" with its city cousins. It is the smaller types of mores that underlie the "mushrooming" cultural and psyche "wholeness" of an ever expanding Australian culture.This brown opaque glass bottle with an oblong shape has a blue coloured "screw on" cap. It has a "wrap around" label glued firmly on the bottle and covers the front and sides.On the front main label under a red line, "SPARTAN" underneath in smaller print "For use on" below this, "LINOLEUM, RUBBER, COMPOSITION AND HARDWOOD FLOORS" besides this is an encircled Trade Mark of a "Spartan Warrior holding a spear and shield" these word follow the curviture of the circle and are below it "TRADE MARK REGISTERED" Below this are "SUPER FLOOR GLOSS" to the left in very small print "Nett Contents 16 Fluid Ounces". Below this on a blue background and in white print"LIQUID FLOOR WAX WATER REPELLENT". On the bottom of the label "Made under licence by HARDIE TRADING LIMITED for SPARTAN PAINTS PTY, LIMITED" below this in small print "Melbourne, Sydney, Adelaide, Brisbane, Perth, Hobart, Launceston, Geelong. Embossed on the bootm of the glass is" G/Mfloor cleaners, liquid polish, "hygienic" clean floors.

Hurley, Sir Thomas Ernest Victor (1888-1958) was gifted this Probyn Williams inhaler in 1914. After studying at Melbourne University, Victorian-born Hurley was a Medical Officer at the Royal Melbourne Hospital until he commenced private practice in Collins Street. He was appointed Captain Australian Army Medical Corps, AIF and served in Gallipoli with the 2nd Field Ambulance. He served in Enypt, London, and the Western Front during World War 1. He gained a Companion of the Order of St George and St Michael in 1917. Upon return to Melbourne he held positions such as surgeon to Victoria Police (1928-1956), elected to Council of the Victorian branch of the British Medical Association, member of the Charities Board of Victoria and foundation member of the Royal Australasian College of Surgeons and chaired the Flying Personnel Research Committee m a consulting surgeon at the Royal Melbourne Hospital. This apparatus is transitional between Clover's and Hewitt's having Clover's narrow "ways" and compact size, but using Hewitt's ether-control lever.Black round topped box with brass hooks [missing] at front and brass hinges at rear. The initials T.E.V.H. are printed in gold leaf on the front. There is a black fabric handle on the top. Inside the box is black padding with the manufacturer's logo printed in gold leaf. There is a square section in the base of the box for holding the square clear glass bottle for ether. The pear-shaped mask is made of metal. There is also a metal ether measure for pouring the ether. The metal inhaler is ovoid shaped. The rotating gauge has a series of numbers engraved onto the inhaler for measurement. There is an elbow joint attaching a re-breather bag, with a small amount of waxy paper remaining attached with a thin ribbon. There is a small glass bulb encased in a metal housing. Printed in gold leaf on front of box: T.E.V.H. •Printed in gold leaf on inside lid of box: MAYER & MELTZER / LONDON / MELBOURNE & CAPE TOWN •Engraved on side of inhaler: PRESENTED / TO / T.E.V. Hurley Esq.,M.D.M.S. / by / THE M.S.S. / 15.6.14. •Engraved on reverse side of inhaler: PROBYN WILLIAMS / ETHER INHALER •Moulded into connector on elbow joint: MAYER & MELTZER •Stamped into base of metal pourer: MAYER & MELTZER / LONDON •Blue sticker with white printed text on front of inhaler: O.2.21.hurley, thomas ernest victor, probyn williams, university of melbourne, world war 1, wwi, gallipoli, australian army medical corps, medical student society, mayer & meltzer, clover, joseph, hewitt, fredrick william

Four wheel flat top track trolley- deck wood frame and sides on four fabricated/pressed wheels, with bearings, axles- Used to transport materials- hand pushed or towed. Metal tie rods in front over axles and metal has connecting tow/couplers. Relocated to Bungaree c2015 when 22 moved. Photographed at Bungaree 6-4-2020 by Neville Britton, see image btm18i1.jpg. Record updated 6-4-2020. See detailed information on back of sheet in folder for sketches, timber damaged, notes re a number plate and a note regarding work done 7/97 in replacing underside diagonal bracing supports.On underside in paint, "To Cargeeg, 50 Pasadena East Bentleigh, Melbourne"trams, tramways, commonwealth railways, maintenance equipment, railway trolley

A stemless wooden racquet, featuring an open, three-pronged throat connecting the head directly to the handle. Head, and outer prongs are reinforced by fibreglass bands, decorated with blue and gold ribbon strips. Upper inside of outer prongs also reinforced with fibreglass strips. Inscription across the base of the head, on obverse: BLUE. Manufacturer's trademark decal features at central prong on obverse. Decal inscription on the outside of right prong features worldwide patents. Decal inscription on outside of left prong: HAZELL'S STREAMLINE/REGD. & PATENTED. Company monogram on butt cover. Materials: Wood, Nylon, Leather, Metal, Ink, Glue, Lacquer, Ribbon, Fibreglass, String, Cloth tapetennis

A stemless wooden racquet, featuring an open, three-pronged throat connecting the head directly to the handle. Head, and outer prongs are reinforced by fibreglass bands, decorated with green and gold ribbon strips. Upper inside of outer prongs also reinforced with fibreglass strips. Inscription across the base of the head, on obverse: GREEN. Manufacturer's trademark decal features at central prong on obverse. Decal inscription on the outside of right prong features worldwide patents. Decal inscription on outside of left prong: HAZELL'S STREAMLINE/REGD. & PATENTED. Company monogram on butt cover. Materials: Wood, Nylon, Leather, Metal, Ink, Glue, Lacquer, Ribbon, Fibreglass, Stringtennis

A stemless wooden racquet, featuring an open, three-pronged throat connecting the head directly to the handle. Upper inside of outer prongs reinforced with fibreglass strips. Lower half of head, and all the throat is painted white. Inscription across the base of the head, on obverse: BLUE. Manufacturer's trademark 'HAZELLS' decal features along central prong on obverse. Decal inscription on the outside of right prong features worldwide patents. Decal inscription on outside of left prong: HAZELL'S STREAMLINE/REGD. & PATENTED/MADE IN ENGLAND. Company monogram on butt cover. Materials: Wood, Nylon, Leather, Metal, Ink, Glue, Lacquer, Fibreglass, Paint, Adhesive tapetennis

"Grace Blake’s conversations with older members of the Club have elicited the following information during July 2014: • Don Christie recalls the machine being acquired by (or donated to) SMRC in the 1960s. SMRC later donated it to APRC. • Bob Duncan remembers it being at APRC. • Max Shaw joined the club in 1946 but doesn’t recall it at all. • Peter Watson recalls collecting the rowing machine from the old APRC club house before its demolition (c. 1995). The AP-SMRC machine carries a ‘maker’s plate’ with the name Moore... Moore Crane and Engineering Company Pty Ltd was a subsidiary of Malcolm Moore Industries Ltd whose manufacturing engineering works were located on Williamstown Road, Port Melbourne from 1927. The founder established the main business in 1921 and retired in 1953.21 The business was delisted from the Australian Stock Exchange in 1976. Grace Blake advises that some of the earlier SMRC members were plumbers and therefore worked in trades connected with engineering. She reports that Peter Watson recalls some of his contemporaries completing their engineering apprenticeships at Malcolm Moore Industries Ltd in the 1970s. There are still many unanswered questions concerning the history and provenance of the rowing machine at the time of writing this report, but the connection with a local engineering works is certainly fascinating. Questions to explore in the future include: Did Moore manufacture the machine, or import it (and perhaps assemble it) under licence? Was this machine a ‘one-off’ or did Moore make / distribute others within Australia? When, why and how did SMRC acquire the machine? Why did SMRC decide not to retain it, but to pass it over to APRC? And how did APRC use it?" 2014 Significance Assessment, pp38-40. "The ‘Moore’ Rowing Machine at the Albert Park – South Melbourne Rowing Club (AP- SMRC) is a rare example in Australia of the Kerns patent design from 1900. This machine may not, however, be that old in construction or use. The AP-SMRC machine is almost intact, appearing to lack only the leather straps for fastening the rower’s feet to the foot-rests. Spalding manufactured the design in the USA in the early decades of the 20th century, but the metal elements in its models are traditionally black. The bright red paint on the AP-SMRC machine suggests something different. The AP-SMRC machine carries a maker’s plate that associates it directly with a local engineering business, Malcolm Moore Industries Ltd of Williamstown Road, Port Melbourne. Club members recall the machine being at the South Melbourne Rowing Club in the 1960s, and being transferred at a later date to the Albert Park Rowing Club. The machine has not been used since the founding of the amalgamated AP-SMRC and requires careful conservation. The ‘Moore’ rowing machine is of national research significance as a rare survivor, in Australia, of the well-regarded Kerns patent design that was popularised by Spalding in the northern hemisphere. The English River and Rowing Museum website quotes a testimonial from an AG Spalding & Bros’ Mail Order Catalogue: ‘This machine was described by ‘an experienced oarsman’ ... “to be the most perfect rowing machine ever produced”. A feature was the adjustment of the resistance so “the weaker sex can use the machine”’. Its historic significance lies in its rarity (and perhaps uniqueness) as an aid to the training of rowers at two successful clubs on Albert Park Lake. Additional historic significance lies in the connection that the rowing machine represents between local rowing clubs and a major local manufacturing engineer. The ‘Moore’ rowing machine bridges the realms of innovation and application, of industry and recreation, of land-based and aquatic sports, and of two neighbouring rowing clubs on the Albert Park Lake." 2014 Significance Assessment, p43"A rowing machine that appears to be built to the Kerns patent design from 1900 but may not be that old in construction or use. The machine is heavy and includes parts made from cast iron. The cast iron components are painted in a distinctive bright red. The wooden seat moves on timber slides. Resistance is created by spring mechanisms at the ends of two frame elements that connect with two wooden ‘oars’, and by the central chain-driven system that co-ordinates with the rower’s movements. The machine carries a maker’s plate with the single word ‘Moore’ in an oval design, using white letters against a navy background, fastened to the base board and close to the foot-rests." 2014 Significance Assessment, p38Moorerowing, apsm rowing club, significance assessment, malcolm moore industries ltd, kerns, 1900, sculling machine, albert park rowing club, south melbourne rowing club, albert park lake, rowing machine, ergo