These bottles came from the Warrnambool aerated waters factory of Ralph Reeves. This factory in Koroit Street, Warrnambool was established in the 1860s as the Union Cordial Factory by John Davis and then bought by John Fletcher in 1885. Fletcher’s business continued until 1930 when it was bought by Ralph Reeves. Coming to Warrnambool about 1900 Ralph Reeves managed a Banyan Street cordial factory which had been established by John Rowley. Ralph Reeves bought a business in 1916 at Hamilton and sold it in 1929 to concentrate on the Warrnambool business. Reeves was joined by his son Reg in Warrnambool and Reg operated the business from 1946 to 1972. The trade name of Reeves was still used after Reg Reeves died and continued on for some years.These bottles are of significance as they come from the Warrnambool aerated waters factory of Ralph Reeves. Reeves and his son Reg operated this business for 40 years. Cordial manufacturing was an important industry in Warrnambool for over 100 years. These are five glass bottles with a rounded body, a round base and a smaller rounded neck. The tops are made of moulded glass and the stoppers are made of cork with a brown top. The name of the maker of the aerated waters is impressed into the glass on the side of the bottles.‘This bottle always remains the property of R.V. Reeves Warrnambool’ reeves bottles, reeves cordials, ralph reeves, warrnambool history

This bottle comes from the Warrnambool aerated water factory of Reg Reeves. This factory, in Koroit Street, Warrnambool, was established in the 1860s as the Union Cordial Factory by John Davis and then bought by John Fletcher in 1885. Fletcher’s business continued until 1930 when it was bought by Ralph Reeves. Coming to Warrnambool about 1900, Ralph Reeves managed a Banyan Street, Warrnambool cordial factory which had been established by John Rowley. Ralph Reeves bought a business in 1916 at Hamilton and sold it in 1929 to concentrate on the Warrnambool business. Reeves was joined by his son Reg in Warrnambool and Reg operated the business from 1946 to 1972. The trade name of Reeves was still used after Reg Reeves died and continued on for some years. This bottle is of interest as an example of a lemonade bottle form Reeves Cordial Factory in Warrnambool. The Reeves family operated this business in Warrnambool for 40 years. Cordial manufacturing was an important industry in Warrnambool for over 100 years. This is a clear glass lemonade bottle with a round base, a rounded body and a smaller circular neck with a screw top stopper made of composite material. A metal handle is attached to the neck section and it has a coil of metal on the handle for easier handling. The stopper has the name of the manufacturer of the soft drink. ‘R.V.Reeves R.V.R.’ (twice)reeves cordial factory, warrnambool, cordial manufacturing in warrnambool, history of warrnambool

These bottles came from the Warrnambool aerated waters factory of Ralph Reeves. This factory in Koroit Street, Warrnambool was established in the 1860s as the Union Cordial Factory by John Davis and then bought by John Fletcher in 1885. Fletcher’s business continued until 1930 when it was bought by Ralph Reeves. Coming to Warrnambool about 1900 Ralph Reeves managed a Banyan Street cordial factory which had been established by John Rowley. Ralph Reeves bought a business in 1916 at Hamilton and sold it in 1929 to concentrate on the Warrnambool business. Reeves was joined by his son Reg in Warrnambool and Reg operated the business from 1946 to 1972. The trade name of Reeves was still used after Reg Reeves died and continued on for some years.These bottles are of significance as they come from the Warrnambool aerated waters factory of Ralph Reeves. Reeves and his son operated this business for 40 years. Cordial manufacturing was an important industry in Warrnambool for over 100 years. These are five glass bottles with a rounded body, a round base and a smaller rounded neck. The tops are made of moulded glass and the stoppers are made of cork with a brown top. The name of the maker of the aerated waters is impressed into the glass on the side of the bottles.‘This bottle always remains the property of R.V. Reeves Warrnambool’ralph reeves, warrnambool, cordial manufacturers in warrnambool, history of warrnambool

This reproduced photograph is of Pennyweight Flat near Beechworth, a notable area of the 1850's gold rush in Victoria. Donald Fletcher, migrating to Beechworth from Scotland in 1855, had substantial claims at Pennyweight Flat and was amongst the first in the district to utilise hydraulic sluicing and water diverting methods.The flat is said to have seen a flurry of 200 miners to the area around 1857, and by 1861 when work commenced on extending Fletcher's tail race the census recorded 644 people residing there (European males, females and Chinese). Pennyweight Flat is also significant for the cemetery that resides on the hilltop and which noted approximately 200 burials from the gold rush period 1852-1857, known for a long period as a children's cemetery due to the number of children's graves present.The search for gold is ingrained into the history of Victoria and therefore, images like this one which portray an open cut sluicing site can reveal important information for society and technology for the date when the photograph was taken. This image is of important historical significance for its ability to convey information about sluicing and the methods used to find gold in 1910. It also shows a location where sluicing was undertaken which provides insight into the impact of sluicing on the environment at a time when it was done. This image is important for current research into the history of Beechworth and surrounding area including Victoria's North East. The Rocky Mountain Extended Gold Sluicing Company was a long running and very active mine that was one of the most successful and largest in the district. Therefore, this image has the capacity to be beneficial for research into society and the motivations of those living and working in this region during this period and therefore, has social significance. The Beechworth Burke Museum has additional images relating to gold sluicing which can be analysed and studied alongside images like this one. When the mine closed in 1921, in a liquidation sale, Zwar purchased the tunnel and clear water supply that ran under the town of Beechworth. He directed the water to his tannery and over time built a major industry in leather works that was a major employer in Beechworth. In growing his leather business, Zwar installed crude oil engines for electricity in his factory. He oversaw working with local council to introduce electricity to Beechworth via a sub-station on Albert Street. In 1927 Electric street lamps replaced gas lamps in the streets of Beechworth. Black and white rectangular reproduced photograph printed on glossy photographic paperObverse: Reverse: 84.222.5/ digital print/ rocky mountain extended gold sluicing company, gold, sluicing, gold sluicing, hydraulic sluicing, gold mine, open cut mining, mining, gold mining, north-east victoria, beechworth, burke museum

This ledger appears to have been a mortgage document held by the law firm of Mackay Taylor and Co. with the evidence for this the presence of two loose sheets of paper in the ledger with that firm’s letterhead. Mackay Taylor was established in 1893 with the merger of the firms of George Sutherland Mackay and James Fletcher, independent practising lawyers at the time. The new firm became Fletcher and Mackay and later changed to Mackay and Taylor when J. McD. Taylor became a partner in the 1920s and the business was at 131 Kepler Street, with a new building erected in the late 1920s. The legal business closed in the 1990s with the mortgage section of the firm becoming Mackay Taylor Securities in 1990 (later Southern Securities). The ledger was recovered when the building was being cleared out and Percy Eccles, a real estate agent, handed it to the Warrnambool and District Historical SocietyThis ledger has considerable significance as an example of a law firm’s business activities in the mid 20th century. It also contains personal details of loans made to Warrnambool and district people and could be useful for research, with limited and supervised access to researchers because of the sensitive nature of the material contained therein.Ledger with leather covers and straps and metal sides; black covers are very worn leather alphabet tabs; handwritten entries for mortgagees and mortgagors and vendors and purchasers, 1938-1962; 3 loose sheetsKalamazoo Loose Leaf Books, 10/1/1938warrnambool, george sutherland mackay

This bottle came from the Warrnambool aerated waters factory of Reg Reeves. This factory in Koroit Street, Warrnambool was established in the 1860s as the Union Cordial Factory by John Davis and then bought by John Fletcher in 1885. Fletcher’s business continued until 1930 when it was bought by Ralph Reeves. Coming to Warrnambool about 1900, Ralph Reeves managed a Banyan Street cordial factory which had been established by John Rowley. Ralph Reeves bought a cordial business at Hamilton in 1916 and sold it in 1929 to concentrate on his Warrnambool cordial factory. Reeves was joined by his son Reg in Warrnambool and Reg operated the business from 1946 to 1972. The trade name of Reeves was still used after Reg Reeves died and continued on for some years. This bottle is of interest as an example of the soft drinks made at the Warrnambool aerated waters factory of Reg Reeves. Reg and his father Ralph operated a cordial business in Warrnambool for 40 years. Cordial manufacturing was an important industry in Warrnambool for over 100 years.This is a glass bottle with a long rounded body, a round base and a short rounded neck. The top of the bottle has a moulded glass open top and there is a cork stopper with a brown top to enable the bottle to be opened by turning. The stopper has the name of the manufacturer of the soft drink on it and there is a multi-coloured label pasted on to the side of the bottle. The name of the soft drinks manufacturer is also impressed into the glass on the side of the bottle. There are two small chips near the base of the bottle. Stopper: R.V.Reeves R.V.R. Bottle: Reeves Imitation Cordial Pineapple Artificially coloured &flavoured This food contains not more than 2 grains of sulphur dioxide to the pint R.J. Reeves Warrnambool ralph reeves, warrnambool, reg reeves, warrnambool, cordial manufacturers in warrnambool, history of warrnambool

This booklet was prepared for the East Gippsland Shire Council in August 2001.A Thematic Environmental History identifies how key patterns of development have influenced the culture of the area and the natural and built environment. The document is not a social history but usually provides the context for future heritage studies and assessments and would provide input to the preparation of a Heritage Action Plan. This booklet prepared for the East Gippsland Shire councilA spiral bound book of 75 pp, titled Thematic Environmental History, prepared by Meredith Fletcher and Linda Kennett for the Centre for Gippsland Studies, Monash University, Gippsland Campus. On the front cover is a black and white drawing of a paddle steamer towing a barge along a river. It contains information on the discovery, settlement and land usage of East Gippsland as well as the development of transport, communication and cultural institutions. Copywright held by East Gippsland Shire Council and Department of Infrastructureenvironmental-study-east-gippsland

Bendigo Advertiser ''The way we were'' from 2002. Service with a smile: staff of Croft's Store, taken at least 50 years ago. David Davidson, Bert Gray, Lindsay Braddy, Len Bennetts, Perc Daws, Elsie Shipp, Violet Parker, Eunice Nicholas and Mary Fletcher. The shop was situated on the corner of Hargreaves and Williamson streets, which is now Gillies. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Set of two 35mm Agfa colour blue and white plastic mount slide - photo of Ballarat No. 17 with the destination of Grey St, Sebastopol, at the intersection of Doveton St. Taken Sept 1971. Has the Town Hall, Myers, Fletcher Jones, Coles, Ashley Chemist and Jeweller buildings in the photograph. No. 17 has a "Twin Lakes" advertisement on the front dash panel. Photos Eldon Hogan. tramways, trams, sturt st, grey st, town hall, myer, doveton st, tram 17

Uniforms for the 1992 Barcelona Olympic Games were designed by Wendy Powitt in conjunction with the AWC. Doug Pleasance, donor of these items, worked for the AWC and closely with Wendy Powitt, obtaining these uniform examples. About the Olympic Uniforms Doug wrote- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by T D Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Women's left brown peep toed, cut out, heeled shoe, manufactured by Hush Puppies. Only the left shoe.1992 barcelona olympics, sport, athletes, fashion, design, uniform

Uniforms for the 1992 Barcelona Olympic Games were designed by Wendy Powitt in conjunction with the AWC. Doug Pleasance, donor of these items, worked for the AWC and closely with Wendy Powitt, obtaining these uniform examples. About the Olympic Uniforms Doug wrote- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by T D Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Women's left black leather heeled shoe, manufactured by Hush Puppies. Simple and unadorned in style with a rounded toe. Only the left shoe.1992 barcelona olympics, sport, athletes, fashion, design, uniform

Uniforms for the 1992 Barcelona Olympic Games were designed by Wendy Powitt in conjunction with the AWC. Doug Pleasance, donor of these items, worked for the AWC and closely with Wendy Powitt, obtaining these uniform examples. About the Olympic Uniforms Doug wrote- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by T D Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Men's tan coloured shoes with appliqued leather design attached to the laces creating a wave-like point on the sides of the shoes.1992 barcelona olympics, sport, athletes, fashion, design, uniform

Uniforms for the 1992 Barcelona Olympic Games were designed by Wendy Powitt in conjunction with the AWC. Doug Pleasance, donor of these items, worked for the AWC and closely with Wendy Powitt, obtaining these uniform examples. About the Olympic Uniforms Doug wrote- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by T D Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Men's black leather brogue shoe. Leather detail stretches around the bottom of the shoe and the toe as well as around the opening of the shoe and the laces.1992 barcelona olympics, sport, athletes, fashion, design, uniform

Uniforms for the 1992 Barcelona Olympic Games were designed by Wendy Powitt in conjunction with the AWC. Doug Pleasance, donor of these items, worked for the AWC and closely with Wendy Powitt, obtaining these uniform examples. About the Olympic Uniforms Doug wrote- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by T D Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.The bag is small, tanned leather with a panel on the front of the bag made from delicate, tanned barramundi skin. The handle is attached to the bag using a gold loop in the centre, top of the bag and one long adjustable strap, The main clasp of the bag features an image of the Australian emblem above the Olympic rings, the reverse of the bag is unadorned.Clasp on the front of the bag has the image of the Australian emblem over the Olympic rings. On the inside of the bag is a label- "Witney Green" "Made in Australia"1992 barcelona olympics, sport, athletes, fashion, design, uniform

Uniforms for the 1992 Barcelona Olympic Games were designed by Wendy Powitt in conjunction with the AWC. Doug Pleasance, donor of these items, worked for the AWC and closely with Wendy Powitt, obtaining these uniform examples. About the Olympic Uniforms Doug wrote- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by T D Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.8142.1 - Olive green long wool/nylon blend socks without packaging. 8142.2 - Olive green long wool/nylon blend socks in packaging.8142.2 - On packaging- "Shoe size Kingsize11-14." "Wool Rich Blend." "HOLEPROOF HEROES" "Help put Australia back on its feet." On reverse of packaging- "If every Australian bought just two pairs of Holeproof Heroes we could help save our wool industry and put this country back on its feet." "Made in Australia." "CARE INSTRUCTIONS. warm machine wash. Wash and dry inside out. Wash dark colours separately. Do not bleach. Warm tumble dry. Dry without delay. 60% Wool 40% Nylon." Separate sticker label- "HOLEPROOF HEROES. Summer Winter Wool."1992 barcelona olympics, sport, athletes, fashion, design, uniform

Uniforms for the 1992 Barcelona Olympic Games were designed by Wendy Powitt in conjunction with the AWC. Doug Pleasance, donor of these items, worked for the AWC and closely with Wendy Powitt, obtaining these uniform examples. About the Olympic Uniforms Doug wrote- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by T D Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.Men's brown leather shoe with a different coloured leather around the upper part of the shoe and laces. Only the right shoe.1992 barcelona olympics, sport, athletes, fashion, design, uniform

Uniforms for the 1992 Barcelona Olympic Games were designed by Wendy Powitt in conjunction with the AWC. Doug Pleasance, donor of these items, worked for the AWC and closely with Wendy Powitt, obtaining these uniform examples. About the Olympic Uniforms Doug wrote- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by T D Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.A pair of cream coloured crew length socks in their packaging.On label - " Holeproof COTTON RICH 80% Cotton 20% Nylon covered Lycra" Care instructions on reverse.1992 barcelona olympics, sport, athletes, fashion, design, uniform

Document. KELLY & ALLSOP COLLECTION. A one page handwritten letter, dated 16th November 1901, from D.Fraser, Accountant and Legal Manager of Lyttleton St., Castlemaine to M.P.Kelly, Bendigo. Relates to a receipt for first call on shares in Butler's United 2 Mining Co. Also mentions names of Messrs. Fletcher, Farmer, Sheridan, Butler and White in relation to reports of 'good payable stone' in Butler's mine.D.Fraserbusiness, stockbroker, kelly & allsop, kelly & allsop collection, d.fraser, m.p.kelly, letter, butler's united mining co., fletcher, farmer, sheridan, butler, white.

GHJ is a journal, produced about every nine - twelve months, for those interested in regional, local and family history in Gippsland, Victoria, Australia. It is compiled by Meredith Fletcher, Debbie Squires and Linda Barraclough and includes a diverse range of articles, both academic and non-academic. Since No.24 it has been a partially refereed journal.(ref kapana)This is a useful research article.A 4 pp article copied from Gippsland Heritage Journal No 30, William Morris on the Threshold of Gipps' Land. The author is Annette Peisley.morris-william genoa-history

Alexander Black was a painter and decorator who operated a business in Timor St below Swintons. This ledger has entries which relate to work completed at the time including the Kirkstall school, Miss Murray of Waikato, W Fletcher, tender to Fritz Landman and work on St John’s Presbyterian Church, the Warrnambool Race Club and works for J.J Forrester.This ledger provides a snapshot of daily life in the early 1900’s and documents the type of work completed by tradesman and their associated costs. It lists a number of people and organisations which are of historical interest to Warrnambool and district.Long thin rectangular ledger book. Blue and yellow mottled cardboard cover with black binding. Pink and blue multi-coloured edge of pages. Handwritten entries in front and back pages. Loose envelope addressed to Mr. Alex Black inside front cover. warrnambool,alex black, alexander black , timor st warrnambool, alex black painter and decorator,

The photograph shows Elizabeth St looking south from Collins St. The northbound cable tram set has the destination of Royal Park. The photo has the Royal Bank, Flinders St station, and many other buildings. In the view are Griffith Teas, Federal Cafe, Fletcher Chester & Co Grocers and a large sign for Good Sunlight Soap.Yields information about Elizabeth St c1910.Black and White photograph - printed on plain paper.On the rear has pencil number "KM-M-057".cable trams, tramways, collins st, elizabeth st

This letter book (1910-1922) was found in the old Mackay Taylor building in Kepler Street. The Secretary of the Presbytery of Mortlake in the early 1900s was George Mackay who established his legal business in 1891 and merged with the business of James Fletcher in 1893 to form Fletcher and Mackay. In the 1920s J. Taylor joined the business which was known from then on as Mackay and Taylor and this firm existed until the 1990s. George Mackay was prominent in Warrnambool civic and community affairs and was Secretary of St. John’s Presbyterian Church for many years. The Presbytery of Mortlake was an administrative district committee established in 1862 and included the Presbyterian churches of Port Fairy, Tower Hill, Wangoom, Allansford, Warrnambool, Woodford, Hexham, Caramut, Mortlake and Terang. The committee consisted of the local ministers, some elders and other church representatives and met monthly or quarterly to discuss church business that affected the region.This letter book is of some significance as it indicates the type of business carried out by a district church council – properties, missions, individual church problems etc. It also shows the community work of George Mackay, a prominent Warrnambool resident at the time, and the book contains his signature many times over. The book will be of interest to researchers. This is a ledger with dark blue binding and binding reinforcements on the spine and corners. The inside covers are lined with thick paper in a mottled blue, black and white coloured pattern. There are 249 pages of copies of letters written, some typed, some handwritten. Front cover: Label with typed title ‘Presbytery of Mortlake’ Spine:’ Letter Book’, ‘Mortlake Presby’. presbytery of mortlake, george mackay, warrnambool

This letter book (1922-6) was found in the old Mackay Taylor building in Kepler Street. The Secretary of the Presbytery of Mortlake in the early 1900s was George Mackay who established his legal business in 1891 and merged with the business of James Fletcher in 1893 to form Fletcher and Mackay. In the 1920s J. Taylor joined the business which was known from then on as Mackay and Taylor and this firm existed until the 1990s. George Mackay was prominent in Warrnambool civic and community affairs and was Secretary of St. John’s Presbyterian Church for many years. The Presbytery of Mortlake was an administrative district committee established in 1862 and included the Presbyterian churches of Port Fairy, Tower Hill, Wangoom, Allansford, Warrnambool, Woodford, Hexham, Caramut, Mortlake and Terang. The committee consisted of the local ministers, some elders and other church representatives and met monthly or quarterly to discuss church business that affected the region. This letter book is of some significance as it indicates the type of business carried out by a district church council – properties, missions, individual church problems etc. It also shows the community work of George Mackay, a prominent Warrnambool resident at the time, and the book contains his signature, many times over. The book will be of interest to researchers. This is a ledger with dark blue binding and binding reinforcements on the spine and corners. The inside covers are lined with thick paper in a mottled blue and black coloured pattern. There are 250 pages with entries up to page 54. The letter copies are typed with an alphabetical listing at the front.Front Cover: Label with typed title ‘Presbytery of Mortlake’ Spine: ‘Letter Book’ presbytery of mortlake, george mackay

Policy provided by the Australian Temperance and General Mutual Life Assurance Society Limited (T & G) for $4,000.00. Life assured: Norman Thomas Colvin, Grantee Norman Fletcher Colvin, 01/05/1967. Annexure informs of the death of N. F. Colvin on 05/02/1972, Probate being granted to Marie Dulcie Colvin on 05/12/1972.3 double-sided pages, with annexure, folded twice. Black print on white papercolvin family

Posted folded wedding invitation card. Mr & Mrs Fletcher request the pleasure of Mr & Mrs H Kofoed at the marriage of their daughter Bessie to Mr H Thomas on Jan 22nd at 3pm at St Paul's church Bendigo. Reception held at Laurel Café afterwards. RSVP 10th Jan 1938. Post Office Date stamp Bendigo 28th Dec1937 6pm. Addressed to Mr & Mrs H Kofoed Mandurang.document, invitations, wedding

Two red covered catalogues for an auction of Mining and Sluicing Equipment, Electrical Machinery, Buildings, Etc. held on the 17th December 1942 at the Mallakoff Alluvials Sluicing Plant at Landsborough, Vic. Sale by Order of Mr. D. P. Fletcher and Mines Department. Sale conducted by permission of the Director of Machine Tools and Gauges under the Regulation 59 of the National Security (General) Regulations. J. H. Curnow & Son were the auctioneers.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - auction catalogue - mallakoff alluvials sluicing plant, mr d p fletcher, mines department, j h curnow & son, j l jamieson, regulation 59 of the national security (general) regulations, the cambridge press

Compact Diskette - CD - plastic contained with in part clear, part black plastic case, titled "Generations Why Trams?" showing the preparation of two television commercials August 2007 and the final production. Has the Love Your Trams logo. Features a number of school children and Football and media celebrates. Film by Fletcher Films, Flash Advertising the Producers. Mini CD/DVD copied onto the AV file database.On rear in ink "East front / west is back"trams, tramways, yarra trams, compact disc cd, television celebrity, advertising