Band members: Anthony Bethell - bass guitar; Jamila Brogan - brass; Aicha Brogan - brass; Milisa Inglis - backing vocals; Steven Jones - guitar, brass, keyboard; Jeremy King - guitar; Finn Koren - keyboard; Timothy Miedecke - vocals, guitar, bass; Shaun Murray - brass; Samantha Simpson - vocals, drum; George Smpyrakis - brass; Deidre Waight - backing vocals. Also: Ian, Penny and Lex (horn arrangements) Aydin Abdullah (horn director) Colin Wiseman (photography.1 CD in jewel case. Includes playlist on the reverse and list of band members with black and white photograph inside the front cover. Produced by Milisa Inglis & Finn Koren. Engineered by Neil Gray at Trueform Studios. Made in Australia by Disctronics.See 2 images attached.music, williamstown high school, the wet reeds, committed to soul, mustang sally, destination anywhere, i feel good, take me to the river, chain of fools, shake your tailfeather, 1993

As a youth while working on his father's farm, Hugh Victor McKay became tired of the labour involved in winnowing wheat by hand. In 1884 he built the first machine in the world which did the winnowing in conjunction with the reaping. On Monday 21st August 1944, which coincided with the birthday of the late H. V. McKay, more than 2000 employees and friends of H. V. McKay Massey Harris Pty Ltd were entertained at the Melbourne Town Hall, in celebration of the Diamond Jubilee of the Sunshine Harvester Works.The event was planned to "turn it on for the boys' in a manner befitting the occasion." The compere was Eric Pearce (of later TV newsreader fame) and the entertainment was provided by leading performers of song (W.M.Laird and Mary Miller), of music (John Robertson, W.M.King, and the Sunshine Brass Band), and of humour (Charles Sherman). The accompanists for some of the performances were Betty Miller and Eric Fox. Two films depicting the activities of the Sunshine Works were shown, and the managing director Mr C. N. McKay, was presented with a book by Mr Fred Bult who had 50 years service with the company. The book contained more than 1000 signatures from invited employees who had completed more than 10 years of service, Supper was provided in the Lower Hall, and the MC for dancing to the Synco-Harvesters Dance Band in the Main Hall was James Patrick. The committee which organised the function were Messrs. L.W. King (Chairman), G. Baker, J. Downing, R. Stewart, F. J. Lee, V. Armstrong, F. Fields, J. Aird, G. Wilson, J. G. McKay, T. N. McArthur, and R. Webb, with secretaries Messrs. G. Shaw and D. J. McKay. The above information was compiled from the Souvenir Programme, and from The Argus of Tuesday 22 August 1944 which can be viewed at http://nla.gov.au/nla.news-article11357700, and from the Sunshine Advocate of Friday 30 June 1944.The Souvenir Programme provides a historical record of how the Diamond Jubilee was celebrated, as well as the type of entertainment and the names of the entertainers and other people involved. It also lists the types of dances such as the 'Fox Trot' and the 'Pride of Erin' that were normal entertainment in 1944. The Souvenir Programme is also significant in what it does not tell us. There is absolutely no indication of what would be considered to be a supper for an event like this in 1944, especially in the Melbourne Town Hall. From a historical point of view it would be interesting to know.Beige coloured cardboard document which is folded in two, and has brown coloured printing on three of the four sides. The document provides a detailed list of the entertainment and the presentations held in the Melbourne Town Hall, to celebrate the Diamond Jubilee of the Sunshine Harvester Works.1884 1944 / SOUVENIR PROGRAMME / DIAMOND JUBILEE of the SUNSHINE HARVESTER / MELBOURNE TOWN HALL / Monday 21st Aug.sunshine harvester, diamond jubilee, h. v. mckay, massey harris pty ltd, 21 august 1944, 1884, 1944, melbourne town hall, sunshine harvester works, sunshine harvester, diamond jubilee, h. v. mckay, massey harris pty ltd, 21 august 1944, 1884, 1944, melbourne town hall, sunshine harvester works

Vitalstatistix Theatre Company and Ford O' Connell Presents. Writer and performer Magaret Fischer Director Rose Clemente Designer Cath Cantalon LX design Maxine Le Guier Music Marianne Permezel & Justin PosaColoured Flyerathenaeum theatre, the gay divorcee

Eltham was a creative hub during the twentieth century, attracting innovative visual artists, architects, writers and film makers to collaborate, forging lifelong friendships and artistic legacies. Skipper produced this bronze sculpture of friend, Composer George Dreyfus for the then Shire of Eltham Art Award. Matcham Skipper (b.1921 NZ - d. 2011 Melb.) was a renowned local sculptor, jeweller and builder and an accomplished teacher, designer, ironworker, and photographer. His work is held by many museums and public collections in Australia and overseas. He was a long term resident of Montsalvat in Eltham with his family deeply involved in the building and evolution of this artists colony, which was the vision of architect and painter Justus Jorgensen. George Dreyfus (b.1928 Germany - arrived 1939 Aus) is an Australian contemporary classical, film and television composer. He has composed numerous film and television scores, including Tim Burstall's 'The Adventures of Sebastian the Fox' (1963), 'A Steam Train Passes' (1974), 'Rush' (1974), 'Dimboola' (1979) and 'The Fringe Dwellers' (1986). It was the score for 'Rush' which brought him wider recognition. He has written four operas, two symphonies, chamber music and film scores spanning five decades. Dreyfus is well known for having worked with the late director, writer and producer Tim Burstall, a key figure in Australian postwar cinema and local who lived in Eltham. Burstall was instrumental in rebuilding the Australian film industry in the 60s, creating groundbreaking Australian films including 'Stork' and 'Alvin Purple'. Figurative bronze bust of well known Australian composer George Dreyfus. He is wearing a shirt underneath a sweater. His left arm/hand is placed over his chest. His eyes are half closed as if immersed in the music. A green patina can be seen in areas on the sculpture. Signature and date cast (incised with tool) onto the back shoulder blade: 'MATCHAM SKIPPER 1987'ek prac 2015, montsalvat, eltham, george dreyfus, matcham skipper, bronze, bust, tim burstall, sculpture, rush

Black and white photograph of Bobbi Wolfenbuttel Director of the production of Blythe Spirit by Lakes Entrance Music and Drama Group taken at a rehearsal Lakes Entrance Victoriaeducation, performing arts

Peter Ellis funeral program. Peter Nicolaus Ellis. 27th March 1946 - 18th May 2015. Service for thanksgiving. Mulqueen Family Chapel Bendigo. Monday 25th May 2015. Celebrant: Mr Ian Hendry. Coffin Bearers Brian Edelbohle, John Cockfield, Doug Colt, Rick Bambridge, Ryan Hearps, Garry Lovejoy. Entrance Music: Live from The Emu Creek Bush Band. Welcome. Condolences. Celebrant's comments. Tributes: Brian Edelbohle, John Williams, Rob Willis, Rob Moors, Ryan Hearps. A time of reflection. Announcements. Celebrant's comments. Committal. Recessional Music: Live from The Emu Creek Band. You are invited to join Peter's family and friends for light refreshments at the One Tree Hill Hotel from about 12.30 this afternoon. Peter's family and extended family sincerely thank you for your attendance here today and for your love and support during this difficult time. Thank you. Leave memorial messages at www.heavenaddress.com @heaven address. Mulqueen family funeral directors Bridge street, Bendigo 03 5443 4455. Copyright Agency Limited Licensed Copy. Photo of Peter Ellis on front. Boy with dog fishing inside left. Photo of Peter Family and another of Mulqueen Funeral Home.person, individual, peter ellis oam

Black & White Document With Red & White Cove, Bendigo Operatic Society Theatre Programme Production 'Rose Marie' Venue: Capital Theatre Opening Night 15 th October 1959. For Seven Nights. Price 1/6. J.C. Williamson Theatres Ltd Norman Lee Production. ''Rose Marie'' Books & Lyrics Otto Harbach & Oscar Hammerstein II. Music Rudolph Friml & Herbert Strothart. Musical Director Mr Max O'Loghlen. Music Numbers Include: ''Vive la Canadienne'', ''Rose Marie,'' ''Indian Love Call,'' ''Over the Snow'','The Door of my Dreams.''Cambridge Press Bendigo.clubs and associations, theatre, bendigo operatic society, https://en.wikipedia.org/wiki/rose-marie

Bendigo Operatic Society ''Viktoria and Her Hussar''Theatre Programme Capital Theatre Bendigo Opening Friday, 14th April 1961. For Five Nights. Price 1/6. A J.C. Williamson Theatres Ltd Production. Producer Norman Lee. Music Paul Abraham. Book and Lyrics Harry Graham. Musical Director Max O'Loghlen. Songs Include: 'Petals of the Plum', ''Pardon Madame,'' ''Yokohama'', ''Land of Song,'' ''Star of My Night'', ''Follow the Drum'', ''No Time for Anyone but You,'' ''Goodnight.'' Cast: Leonard Carr, Ferd. Lorenz, Reginald Boromeo, Peter Houston, Gerald Hayward, Carol McKenzie, Brian Thomas, Frederick Trewarne, Annette Wilson, Bryan Brewer, Greta Smyth, Patricia McCraken, Peter Haines, Patricia Lyon, Alfred Annison. 2 copies.Cambridge Pressclubs and associations, theatre, bendigo operatic society, 2 copies

Bendigo Operatic Society White Paper Cover Black & White Text Programme Booklet Production 'South Pacific' Opening 10th August 1962 for six nights. Does not state where performed. With the permission of Chappells Ltd Bendigo Operatic Society presents 'South Pacific.' A Beatrice Oakley Production. Music & Lyrics Rogers & Hammerstein II. Book Hammerstein II & Joshua Logan. Musical Director Mr Max O' Loghlen. South Pacific's plot is based on James A. Michener's Pulitzer Prize-winning 1947 book Tales of the South Pacific and combines elements of several of those stories. Rodgers and Hammerstein believed they could write a musical based on Michener's work that would be financially successful and, at the same time, would send a strong progressive message on racism. South Pacific focuses on an American nurse stationed on a South Pacific island during World War II, who falls in love with a middle-aged expatriate French plantation owner but struggles to accept his mixed-race children. A secondary romance, between a U.S. lieutenant and a young Tonkinese woman, explores his fears of the social consequences should he marry his Asian sweetheart. The issue of racial prejudice is candidly explored throughout the musical, most controversially in the lieutenant's song, "You've Got to Be Carefully Taught". Supporting characters, including a comic petty officer and the Tonkinese girl's mother, help to tie the stories together. Because he lacked military knowledge, Hammerstein had difficulty writing that part of the script; the director of the original production, Logan, assisted him and received credit as co-writer of the book. Cast: Ray Austin, John Boromeo, Ruth Lyon, Carol Crane, Roger Sprawson, Patricia McCracken, John Stephens, Patricia Lyon, Kenneth Nicholls, Victor White, Alfred Annison, Brain Whetstone, Fred Trewarne, Peter Houston, John Gow, Ian Beckwith, Gerry Gleeson, John Reed, Roy Cronin, Reginald Boromeo, Len Carr, Denis Cremen, Daryl Walker, George Steele, Barry Washington, Joan Crane, Dawn Beckwith, Annette Wilson, Emily Houston, Jill Angwin, Carole McKenzie, Greta Smyth, Rhonda Scott, Lorraine Brennan, Mary Speedy, Katherine Alexander, Bronwen Townsend, Ferd. Lorenz. Songs Include: ''Bali Hai'', ''I'm in Love with a Wonderful Guy,'' ''Younger Than Springtime,'' ''This Nearly Was Mine,'' '' Some Enchanted Evening,'' ''There is Nothing Like a Dame,'' ''I'm Gonna Wash That Man Right Out of My Hair,'' and many others.Arthur Hocking Press.clubs and associations, theatre, bendigo operatic society

Bendigo Operatic Society Programme Booklet Production 'Brigadoon.' Cover Cream, Black Text Dark Pink Scotch Thistle Emblems & Highland Piper. Performed at The Capital Theatre View Street Bendigo November 6th, 1964 for a five night season. Arranged by J.C. Williamson Theatres Ltd. Music Frederick Loewe. Book & Lyrics Alan Jay Lerner. Musical Director Max O'Loghlen. Producer Cid Ellwood. Songs Include: 'Brigadoon,' 'Down in MacConnachy Square', 'The Love of My Life,' ''I'll Go Home With Bonnie Jean,' ''From This Day On,'' Cast: Leonard Carr, Ferd. Lorenz, Victor White, Jack Werry, Douglas Sayle, Bronwyn Cornwall, Reginald Boromeo, Ian Beckwith, Graham Filcock, Joan Crane, James Watson, Heather Lindhe, Mary Speedy, Peter Ivarsen, George Steele, Fred Trewarne, Colin Cairns, Bert Donovan, Annette Beckwith.Arthur Hocking Printclubs and associations, theatre, bendigo operatic society

Bendigo Operatic Society ''The Sound of Music'' At the Capital Theatre Bendigo For an Eight Night Season Commencing June 11th, 1975. Producer: mMax Collis - Assistant Producer, Wardrobe and Ballet Mistress: Madge Welch - Stage Manager and Director of Design: Malcom Cannon - Musical Director: Gwen Grose - Society Pianist: Dianna Cohn. Cast in Order of Appearance: Carol McKenzie as Maria Rainer 9A Postulant at Nonnberg Abbey) - Elaine Buckland as Sister Berthe (Mistress of Novice) - Suzanne Fraser as Sister Margaretta (Mistresss of Postulants) - Valerie McCracken as The Mother Abbess - Barbara Potter as Sister Sophia - Fred Trewarne as Captain Georg Von Trapp - Philip Johnston as Franz (The Butler) - Julie Hoebert as Frau Schmidt (The Housekeeper) - Julie Lyon as Liesl - Michael Frayne, Bruce Ashman as Friedrich - Leonie Perry, Carol Bourchier as Louisa - Russell Theodore, Tommy Potter as Kurt - Jacinta Hull, Ann Johnson as Brigitta - Cheryl Wottoon, Andrea Smith as Marta - Suzanne Favaloro, Kristin Bolding as Gretl - Ian Richardson as Rolf Gruber - Sandra Sessions as Elsa Schrader - Gwen Cox as Ursula - Glynn Sessions as Max Detweiler - John Higgs as Herr Zeller - Ray Harding as Baron Elberfeld - Bartina Daws as Baroness Elberfeld - David Castles as Admiral Von Schreiber.program, theatre, bendigo operatic society

Pale Green Cover & Buff Interior With Black Text Booklet Theatre Programme Cid Ellwood Operatic Productions Present 'No Rhyme or Reason' Spring Season 1959. Town Hall, Moonee Ponds October 8th, 9th, 13, 15th & 16th; M.L.C. Theatre Kew October 29th & 30th. Libretto Robert Clarke, Music & Lyrics Cid Ellwood, Musical Director Cid Ellwood Choreographer Eileen Hattam. Main cast: Joyce Hexter, Joy Chandler, Phyllis Fowler, Charles O'Neill, Tommy Worland, Cid Ellwood, Carl Heiner, Frank Dale, Lorraine Quinn, Terry Donovan, Kevin Ashman, Fay Smith, Fay Brennan, Eileen Hattam, Lindsay Bunting, Alan Wakling, Judy Thompson. Songs Include: 'No Rhyme or Reason,' 'Daughters of Egypt,' 'I'm in Love,' 'Cleo, The Minx of the Sphinx,' 'Three Ruddy Soldiers,' 'Why Was Man Born for Woman?' 'Hail, Thou Mighty Caesar!' 'Quintette (a la Gran Opera)' 'Á Soldier Never Knows,' and many others.clubs and associations, theatre, cid ellwood operatic productions

Bendigo Operatic Society Theatre Programme 'The Desert Song.' Capital Theatre Bendigo October 18th, 19th, 21st 22nd, 23rd and Special Performance 24th, 1957. Arranged by J.C. Williamson Theatres Ltd. Norman Lee Producer. Musical Director Max O' Loghlen. Bendigo Concert Orchestra. Music Sigmund Romberg. Book & Lyrics Otto Harbach, Oscar Hammerstein II, Frank Mandel. Main Cast: Mervyn Penno, Alfred Annison, Max Beckwith, Greta Smyth, Alfred Austin, Brian Thomas, Brian Brewer, Rosalie Spencely, Harry Brewer, Alan Ewart, Adrian Van Dyke, Margaret Rule, Bert Donovan, Barbara McGregor, Coral Shiell, Charles Phillips, Ruth Ennor, Ian Beckwith, Malcolm Cannon, Reg Boromeo. Songs Include: 'High on a Hill', 'The Riff Song', 'Ho, Bold Men of Morocco,' 'Margot', 'I'll Be a Bouyant Girl.' 'Why Did We Marry Soldiers,' 'Romance,' 'The Desert Song,' 'Then You Will Know,' 'Song of the Brass Key,' 'Let Love Go,' 'One Flower in Your Garden,' 'The Sabre Song,' 'Farewell,' 'All Hail the General' and 'Soldier, When the Battle is Over.'Cambridge Press, Bendigo.clubs and associations, theatre, bendigo operatic society, https://en.wikipedia.org/wiki/the_desert_song

Cream Paper Maroon Cover & Black Text Booklet Theatre Programme 'The Lilac Domino' Presented by The Geelong Musical Comedy Company with permission of J.C Williamson Theatre Limited at the Plaza Theatre August 19th, 20th, 21st & 22nd, 1957. George Hargreaves Anniversary Production. Music Charles Cuviller, Lyrics Robert. B. Smith. Musical Director Mr James Casey.N.B. Johnson & Son, Printers Geelong West.clubs and associations, theatre, geelong musicial comedy company

Bendigo Operatic Society 'The Student Prince' Capital Theatre Bendigo Opening Friday, 19th September, 1958 For Six Nights. Price One Shilling. Allans Pty Ltd & J.C. Williams Ltd Arrangement. Producer Cid Ellwood, Musical Director Max O'Loghlen. Music Sigmund Romberg, Lyrics & Book Dorothy Donnelly. Production Songs include: 'Golden Days,' 'Garlands Bright With Glowing Flowers,' 'I'm Coming at Your Call,' 'Deep in My Heart' 'Hail, Youth and Love,' 'Farewell Dear,' 'Just We Two,' and 'Sing a Little Song.' Cast: Fred Trewarne, Reg Boromeo, Adrian Van Dyk, Andrew Nelson, Bram Schrever(autograph), Charles Phillips, Vincent D'Araugo, Max Beckwith, Barbara McGregor, Joseph Quigg(autograph), Robert Nicholls, Harry Brewer, Leonard Carr(autograph), Colin Irvine, Margaret Rule, Alfred Annison, Brian Brewer, Gertrude Perry, Aileen Simmonds, Rosalie Spencely (autograph).Cambridge Press Bendigo.clubs and associations, theatre, bendigo operatic society, https://en.wikipedia.org/wiki/the_student_prince

Collection of National Folk Festival programs and literature. Programs from the years 1995, 1996 and 1998. All have colourful covers and contains General Information, information on performers, programs, site maps, some photos of performers and some health information. Some pamphlets include a Ticket Order Form and a larger National Folk Festival 97 where the featured state is Tasmania. Letter to John Williams from Phil Wilson, Director National Folk Festival, dated 3 February 1996 confirming performance and ticket details for Emu Creek Bush Band CD Launch.entertainment, music, national folk festival, peter ellis collection, emu creek bush band, peter ellis

In 1977, artist Annette Meikle undertook a commission to illustrate a book recording stories of places and people in the Bayside area. It was published in 1978 as Sandringham Sketchbook, with text by Elizabeth Waters. The sketches were intended to record remaining examples of Bayside’s early architecture and environment, as well as reflect newer architectural changes. Meikle went on to donate 22 of these sketches to Bayside City Council in 2003. Semco Park was a model of exemplary modern business in the 1920s. Located on Cheltenham Road, Black Rock, then considered to be an outer suburb, the property was home to Semco, a manufacturing and importing business of paper goods and cotton fabric items. The business’s governing director, Charles Mylius, wanted a firm that treated staff with fairness, created healthy and spacious working sites and offered recreational facilities. The site contained a factory as well as three houses for staff, a park with lawns, trees and flowerbeds, a cricket oval and a canteen serving hot food. Staff enjoyed soft background music played in the factory, and benefited from a superannuation scheme. Semco Park was sold to developers in 1977 but the business continued until the early 1990s with the office moving to Mulgrave, while factory work shifted to New Zealand.Annette Meikle, Semco Park 1977, ink and watercolour, 25.8 x 35.7 cm. Bayside City Council Art and Heritage Collection. Donated by the artist, 2003annette meikle, sandringham sketchbook, elizabeth waters, semco park, semco, cheltenham road, black rock

Small booklet. Strathfieldsaye Brass presents: ''Concert 'n' Cabaret''. Strathdale Community Centre. Friday, December 1st, 1989. Musical Director: Mark W. Ford, Compere: Mal Meikle. Programme $1.00. Grey cover with red ribbon tiyng the pages. Logo of the Strathfieldsaye Brass at top centre.entertainment, music, strathfieldsaye brass

Small booklet. Strathfieldsaye Brass presents: ''An evening with Denis Walter'' in Concert 'n' Cabaret. Strathdale Community Centre. Friday, November 16th, 1990. musical Director: Mark Ford, Compere: Mal Meikle. Grey cover with red ribbon tying the pages. Logo of the Strathfieldsaye Brass at top centre.entertainment, music, strathfieldsaye brass

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of members of the cast of the "Q" Theatre Guild in their 1959 production of Michael Balfe's The Bohemian Girl. Beatrice Oakley was the producer and John Trotter the musical director. The costumes were designed and made by Marion Tilley while the scenery was designed by Claude Ward and Lachlan Stebbins. An annotation, in the corresponding programme, records that Joan Carden (later a star of the Australian Opera) performed in the Ladies of the Chorus.Marion Tilley, the creator of the scrapbook, wrote the following names underneath the photograph: "Fred C., Esme M., Val Breen, Jeanette R., Alan Wilson, B. Meagher, Irene T., Gwen Bolden".performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, theatre programmes, musical comedy -- melbourne -- victoria

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of Val Breen and members of the cast of the "Q" Theatre Guild production of Michael Balfe's The Bohemian Girl in 1959. Beatrice Oakley was the producer and John Trotter the musical director. The costumes were designed and made by Marion Tilley while the scenery was designed by Claude Ward and Lachlan Stebbins. An annotation, in the corresponding programme, records that Joan Carden (later a star of the Australian Opera) performed in the Ladies of the Chorus.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Val Breen in my wedding dress".performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of Val Breen and Alan Wilson in the "Q" Theatre Guild production of Michael Balfe's The Bohemian Girl in 1959. Beatrice Oakley was the producer and John Trotter the musical director. The costumes were designed and made by Marion Tilley while the scenery was designed by Claude Ward and Lachlan Stebbins. An annotation, in the corresponding programme, records that Joan Carden (later a star of the Australian Opera) performed in the Ladies of the Chorus.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Val Breen in my wedding dress".performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, musical comedy -- melbourne -- victoria

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of Alan Wilson and Iaan Young in the "Q" Theatre Guild production of Michael Balfe's The Bohemian Girl in 1959. Beatrice Oakley was the producer and John Trotter the musical director. The costumes were designed and made by Marion Tilley while the scenery was designed by Claude Ward and Lachlan Stebbins. The photograph shows two cast members: Alan Wilson seated, and Iaan Young who played Thaddeus (an exiled Rebel).Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Alan Wilson, Iaan Young".performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew light opera company, kew recreation hall, musical comedy -- melbourne -- victoria

The Kew Philharmonic Society was founded by Dr. Ehrenfeld, c.1946, who was also the Orchestra's first conductor. He was succeeded by Harold Badger in 1954 following the death of the former. During the 1940s and 1950s, the Orchestra played its concerts in the Kew Recreation Hall in Wellington Street. In 1960, the Orchestra relocated to the new Kew City Hall in Cotham Road (the site of the current Kew Library).Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Music programme for a Chamber Music Concert by the Kew Philharmonic Society, presented in the Kew Recreation Hall. kew philharmonic society, arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street

The Kew Philharmonic Society was founded by Dr. Ehrenfeld, c.1946, who was also the Orchestra's first conductor. He was succeeded by Harold Badger in 1954 following the death of the former. During the 1940s and 1950s, the Orchestra played its concerts in the Kew Recreation Hall in Wellington Street. In 1960, the Orchestra relocated to the new Kew City Hall in Cotham Road (the site of the current Kew Library).Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1960s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. A form outlining how subscriptions can be made for the Kew Philharmonic Society. The undated note states that the Society has three concerts per year. It is noted that rehearsals are held in the Kew Music Centre, Beresford Street, Kew. The form includes details of entitlements for ticket holders and annual fees.kew philharmonic society, arthur dear collection, performing arts -- kew -- victoria, kew recreation hall -- wellington street, theatre memorabilia