Else Oertel and her daughter Else-Lore were interned in Camp 3A from 1940. Her husband was not interned as he was on a business trip to Germany when war broke out. The doll, named Karl by Else-Lore, was hand-carved by internee Alfons Koenig. Friedel Dehnel "Tante Fiffi" made the authentic Bavarian clothes. Friedel, wife of Walter Dehnel, arrived as a young woman from Austria, working in the Victorian snowfields as a chef and was a champion skier. She then became a dressmaker for Melbourne society and insisted that she be interned to be with her husband. She made costumes for the internment camp plays and took over her husband's duties as a cook for Camp A when he was locked up for "insubordination". She was deported with her husband back to Germany after the war and cared for her orphaned nephews and nieces in Garmisch-Partenkirchen. Body, head, arms and legs carved from wood. Blue eyes, yellow hair, pink lips and skin all hand painted. Wearing a grey crochet hat with orange feather and grey crochet jacket with two metal buttons. Jacket and hat have green trim. Grey felt shorts with leather braces and green trim. White shirt and tan color tie. White socks and brown leather sandals.doll, alfons koenig, camp 3, internee, oertel family, else oertel, friedel dehnel, else-lore hukins, dressmaker, costumes, plays, chef

Coloured photograph. White top and bottom. Emu Creek Bush Band- Bendigo Julie Moneypenny, Don Moneypenny, Mary Hogan John Williams, Phyllis Swan, Stan Symes Peter Ellis Kevin? Des Skinner Olive Dobbyn Bradley Barker Mary Wiseman Les Giri. Banjo. Accordion. Recorder. Violin. Concertina. Guitar. Back of photo has sticker reading: Copyright of this photograph belongs to the Bendigo Advertiser.entertainment, music, emu creek bush band

The glass phial contained liquid ethyl chloride. By directing the nozzle downwards at the skin a stream of liquid squirts out, vaporising on contact.. Ether's unpleasant smell agitated patients. Ethyl chloride's pleasant odour reduced agitation. It was used for controlling pain associated with injections and in minor surgical procedures. This item was used at Orbost Hospital.This item reflects the changes and development in medicine over the last century.A blue cardboard box containing a glass phial with metal lid that forms a spray nozzle. The lid of the box has a white manufacturer's label with blue writing. The phial has a discoloured white label with red writing.Ethyl chloride (pure) 100cc Woolwich for local anaestheticethyl-chloride chemical woolwich-eliott anaesthesia medical health orbost-hospital

The glass phial contained liquid ethyl chloride. By directing the nozzle downwards at the skin a stream of liquid squirts out, vaporising on contact.. Ether's unpleasant smell agitated patients. Ethyl chloride's pleasant odour reduced agitation. It was used for controlling pain associated with injections and in minor surgical procedures. This item was used at Orbost Hospital. This item reflects the changes and development in medicine over the last century.A blue cardboard box containing a glass phial with metal lid that forms a spray nozzle. The phial has a discoloured white label with red writing.ethyl-chloride chemical woolwich-eliott anaesthesia medical health orbost-hospital

Camphor has been used traditionally for many years, solely or in combination with other treatments for the relief of pain, inflammation and irritation in body and skin. Persian physicians Rhazes (860–932CE) and Avicenna (980–1037CE) used camphor extensively in the treatment of particular types of headache. Symptoms of camphor poisoning include “psychomotor agitation” and hallucinationsPale blue cardboard box with blue manufacturer's label across the face of the box and down each side. The label has black printed text. Inside the box is allocation for ten (10) ampoules. There are three (3) clear glass ampoules each with a pale blue label with black printed text. A metal blade is wrapped in tissue paper and a thin, squared off piece of metal is also wrapped in tissue paper.pain medicine, inflammation, rhazes, avicenna, camphor, headache

Part of WW2 medical kit (see 359.1)BROWN COLOURED SQUARE SIDED GLASS BOTTLE WITH BLACK SCREW TOP AND PAPER LABEL. Contains liquid.Label Front: Sarax Kuraburn. For the treatment of BURNS,SCALDS AND sUNBURN Label Side: Allow to dry on the skin before putting on wearing apparel to avoid staining the clothes. Label Side: DIRECTIONS: Dab on lightly and repeat in two hours if necessary. Applied early, it prevnts blistering.

Muriel Butler stole a black coat and a fox skin fur in Melbourne in January 1918. She was arrested when getting off the train in Ballarat. She was also wanted by the police for circulating valueless cheques. She had committed previous crimes of stealing and false pretences between 1914 and 1918, sometimes under the name of Agnes James.Prison record for Muriel Butler, prisoner registered number 7400, giving details of the prisoner, her crimes and the dates and places of her trials.english speaking prisoner, female prisoner, muriel butler, agnes james, false pretences, stealing, larceny

Photograph: b lack and white photograph mounted on dark brown board, no frame, of 10 men and women standing, 6 men seated playing cards. Appears to be a theatre group. Men are dressed in suits, peaked cloth caps, women dressed in almost identical costumes, dark short sleeved dresses with scarves around V necks. On floor - rug with fox skin. One man has card inserted in cuff of trousers.W. Vincent Kelly, Mitchell St., Bendigo.entertainment, theatre, group portrait card players, w. vincent kelly, theatre, group portrait

Nothing is known of the deceased, Jane Murray except that she died at the age of 49 and her husband was William Murray, a Stawell saddler. She left an estate to the value of £400. Tait collection: item 4 of 62This document is only of interest in that it came from the former legal offices of Mackay Taylor in Kepler Street, Warrnambool. It originally came from Thomas Goodall, a legal clerk in the office of Ernest Chambers who passed it on to George Mackay, the lawyer in a forerunner firm to Mackay Taylor where it remained until the firm of Mackay Taylor ceased to exist and the buildings were cleaned out.This is a piece of parchment folded and sealed at the bottom edge with a seal of the Supreme Court of the Colony of Victoria attached by a blue ribbon. The document has ruled black lines and handwritten material in black ink. There is a hole on the document at one of the folds and one edge is torn.‘In the Estate of Jane Murray late of Stawell in the Colony of Victoria, deceased intestate, Letters of Administration, I certify that the sum of £4-0-0 for Duty on the within estate has been paid, Registrar of Estates, Geo. L. Skinner, Proctor, 99 Collins St. W. Melbourne’. jane murray, stawell, warrnambool

Small round, metal tin with red lettering. Does not open.On lid: "For the skin and scalp Cuticura Ointment. A super creamy emollient, sanative, soothing, healing. Made in Australia as prepared by Potter Drug & Chemical Corp. Boston U.S.A. Reg'd U.S. pat. of and in all countries. Contents 3/4 oz. avoir. Directions are listed on the base of the tin.ointment tins, pharmaceuticals

Introduction /? John Henderson and David Nash Language and native title /? John Henderson Linguistic evidence and native title cases in Australia /? Peter Sutton Linguistic continuity in colonised country /? Jeanie Bell Country and the word: linguistic evidence in the Croker Sea claim /? Nicholas Evans Linguistics and the Yorta Yorta native title claim /? Heather Bowe The language of the Peak Hill Aboriginal people: a linguistic report in a native title claim /? Tamsin Donaldson Labels, language and native title groups: the Miriuwung-Gajerrong case /? Greg McIntyre and Kim Doohan Historical linguistic geography of south-east Western Australia /? David Nash Language ownership: a key issue for native title /? Michael Walsh Can lexicostatistics contribute an absolute time-scale to discussions of continuity of occupation in native title determinations? /? Barry Alpher Linguistic stratigraphy and native title: the case of ethnonyms /? Patrick McConvell Making your skin fit properly: displaced equivalence in 'skin' systems in the Barkly /? Gavan BreenMaps, tables, b&w diagramsyorta yorta, yoda yoda, yabala yabala, bangerang, shepparton, miriuwung, gajerrong, native title

The mid 1900's provided the start of "the body beautiful" revolution. The cosmetic industry, with the help of quasi scientific selling advertising slant targeted those "customers" that needed the "extra care" factor that only their product could offer. At this period in time their advertising power was based on in store, radio and newspaper media channels with saturation levels relatively low. In the later years of the 1900's saturation levels and a wider range of products and increased competition further increased the product saturation levels available to the buying residents. With the introduction of television the advertisements become more elaborate and "catchy" words, phrases and comedy type situations helped boost the advertising "pitch" and subliminal undertones to effective levels required for a highly competitive health related market place. 'sellingThis subliminally,"medically" endorsed product was one of many during the great "spin" revolution of product marketing and selling. This item is significant in that it demonstrates that greater infusion of product awareness throughout rural areas was highly successful through a greater variety of advertising media. It also demonstrates that in a highly competitive marketplace there are no physical boundaries that impinge upon the distribution of products and services. The rural sector is a highly lucrative region for any product that helps protect the body from all the "nasty's" that become more noticeable in a rural environment. This rectangular box which had contained cuticle soap is constructed from cardboard and reinforced by a black nylon impregnated sheeting. This impregnation was required to keep the box from soaking up any water from the user's hands. The top section of the box(lid) has and in large print "KELSEY'S" top line followed by "CUTICLE" off to the right and underneath and to the right "SOAP". Below this and in smaller print is "MEDICINALLY..." below this and in smaller print "EMOLLIENT AND REFRESHING, REDOLENT, CLEANSES, CURES, PRESERVES, PURIFIES." and last line underneath "SPECIALLY ADAPTED FOR TENDER SKIN" On each of the sides of the top lid are, side 1 "INVALUABLE FOR THE NURSERY." underneath in smaller print "JOHN M. KELSEY CO." to the left of this and on a green backed highlighter "No. 1744 - Guaranteed under Pure Food Act, 1908, N.S.W. by John M. Kelsey Co. - No. 1744. Melbourne, Victoria." On the right side and in large print "KELSEY'S CUTICLE SOAP" on the next side and also a similar sign on the opposite side "SPECIALLY ADAPTED FOR TENDER SKIN." below this "JOHN M. KELSEY CO." "Registered" and on the other long side in large print "SPECIALLY ADAPTED FOR TENDER SKIN" underneath in smaller print JOHN M. KELSEY CO. Registered"specialised soap, toilet requisites, nursery health., bathroom, domestic

Narrow fox fur collar. Pointed 1 cm wide 'skin' nose, which forms the upper part of the enclosed metal clip fasten the collar (squeeze lever on inside). Two glass eyes. A corded ''chain'' finished with a woven toggle, and a cord covered hook fasten the fur around the neckline or shoulders. Ruched ribbon trims both ends of the crepe type cotton(?) lining '' tail'' has fur threaded onto a linen thread.costume accessories, female, red fox fur collar

Used to either irrigate the eye, instill medicated drops or tasks such as wound irrigation or the evacuation of fluid under the skin. Cannulas (or eye droppers as they are commonly called) were used both in homes and hospitals during the late 1880s and the early 1900s and were commonly available at chemists. The long tapered end gave the operator control over the rate of flow of the fluid in the bulb.Mary Howlett (1840-1922) began practising as a country midwife in 1866 in the western district of Victoria. She qualified as a 'ladies monthly nurse' in 1887 and continued to practise as a nurse and midwife until 1920.She began her six months training at the Melbourne Lying-In Hospital. She was known by many as 'Auntie', and her career spanned more than 50 years. Mrs Howlett's midwifery box and contents were given to Dr Frank Forster, and he donated them to the museum collection in 1993.Canula (or eye dropper) made of glass. Finely tapered at one end, with an open ended bulb at the other end.

The diamond firetail bird is native to inland southeastern Australia, inhabiting woodland regions. It is often described as one of the most stunningly coloured birds of the finch family. The nest is built by both partners but only the female does the weaving. Both partners incubate the eggs and care for the young. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. The diamond firetail finch it characterised by the top of its body being ash brown, with crown, forehead and neck grey. The under feathers are white with a crimson rump. There is a black band across its neck which continues down the flank to be dotted with white. The bill and eye ring are coral, and the legs and feet are dark grey. The female is similar to the male although sometimes smaller. 10057 comprises of one male and one female. This specimen stands upon a wooden platform and has an identification tag tied around its legLabel: 41a./ Firetialed Finch / See Catalogue, Page 15. /taxidermy mount, cancel, taxidermy, burke museum, beechworth, australian museum, finch, diamond firetail

Wright’s Coal Tar Soap was a popular brand of household soap, manufactured by William Valentine Wright from 1860. The soap was antiseptic and orange colour designed to thoroughly cleanse the skin. It was originally named Sapo Carbonis Detergens, which remains a registered trademark. The product was developed from ‘liquor carbonis detergens’, the liquid by-product of the distillation of coal to make coke; the liquid was made into an antiseptic soap for the treatment of skin diseases William Valentine Wright, born in 1826 in Aldeburgh, Suffolk, was a wholesale druggist and chemist who had a small business, W.V. Wright & Co. at 11 Old Fish Street Hill, City of London, where he first sold the soap. In 1867, n 1867, Wright moved his firm, Wright, Sellers & Layman, to small premises at 50 Southwark Street, Southwark, London. The company's name changed to Wright, Layman & Umney, when Charles Umney (1843–1909) was taken into the partnership in 1876. The advertisement of Wright’s Coal Tar Soap is representative of the many consumer goods sold at pharmacy/chemist shops across the world, such as Sambell and Son, who operated a pharmacy in Fairy Street, Warrnambool in the 19th-century.Paper with printed text for the promotion of Wright's Coal Tar Soap1176soap, wright's, coal tar soap, bathing, london, southwark, chemist, flagstaff hill, maritime museum

Original photograph in Gilded Frame - 2.5cm floral edged, 2cm internal gold rim, molding floral plaster edging. Gold internal matte approximately 5cm. Internal mounted photo 6cm black/white - sepia? Timber covered Back - 2 central screws and hanging wire.'Photograph is of Mr. J.Corby Davis. Identified as such by Mrs Eva Boswell (nee Breustedt), Mrs Annie Crawford ( nee Skinner). Presented by Mrs Goodyer 30/11/1973. Beechworth 24th April 1937. John Corby Davies. O&M Paper.' Davis was an auditor for the Athenaeum in the 1900's.

Used for polio patient for sleeping. Polio disability aid. Callipers were fitted to lock up the knee joints of weakened leg to enable a person to walk without their legs collapsing and to pick the foot up from the ground when foot drop had occurred due to paralysed skin muscles. The polio patient found these devices restrictive and uncomfortable. See KVHS 1796, KVHS 1798Used by Wilma Davies, a Kiewa Valley resident, who suffered from polio from the early 1950s.Metal frame for each leg to fit in a 'V' shape from the waist to the feet. Supported by canvas straps - 3 on the left side, and 2 on the right (1 has been torn off and replaced with leather straps). 2 flat foot shaped steel plates are at the foot end and are adjustable for the feet to be at several angles. The frame has a supporting frame attached giving depth to the calliper.polio, calliper, pandemic

In the early days of beekeeping, protective veils were not worn. It was considered a sign of weakness if you could not put up with bee stings. This veil was made by Amy Robinson- her husband and his brother had no interest in putting up with being stung. The solid cloth at the back stops bee stings completely; the veil, while good, does not stop stings if it is pushed up against skin.Original handmade beekeepers veil belonging to Bill Robinson. Mended many times over by his wife Amy Robinson.Handmade beekeepers veil; metal mesh over front facing, cloth veil. Repaired with brown cotton. Very fragile.beekeeper, veil, antique, equiptment, beekeepers veil, beechworth honey

A ring called the hoop is used to attach the head to the shell, and the tuning bolts are tightened to tighten the head. The hoop is supported by the lug, and the hoop and lug are attached using a tuning bolt. Long ago, animal skins were used as drum heads, but now drum heads are primarily made of plastic. Basically, when the tension on the head is higher, the tone is higher, and when the tension is lower, the tone is lower.A Cylinder made of metal and wood 37 centimetres diameter and 21 centimetres high. It has a red, black and white wooden trim on the top and bottom and is held together with six metal clamps. There is a drum head on the top and bottom of the cylinder. Ever Play Extra brand is on the top drum head.Lowe musical instruments, drum, sandhurst drummers

A ring called the hoop is used to attach the head to the shell, and the tuning bolts are tightened to tighten the head. The hoop is supported by the lug, and the hoop and lug are attached using a tuning bolt. Long ago, animal skins were used as drum heads, but now drum heads are primarily made of plastic. Basically, when the tension on the head is higher, the tone is higher, and when the tension is lower, the tone is lower. A Cylinder made of chrome plated metal 37 centimetres diameter and 32 centimetres high. There is a drum head on the top and bottom of the cylinder. ARLTON DALLAS-LONDON brand is on the side of the cylinder. It's in a canvas carry bag. On canvas bag - S.N. QUIN B. H. P. D. musical instruments, drum, sandhurst drummers

This fishing rod kit was donated to Flagstaff Hill Maritime Village by the family of Doctor William Roy Angus, Surgeon and Oculist. It is part of the “W.R. Angus Collection” that includes historical medical equipment, surgical instruments and material once belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) as well as Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. ABOUT THE “W.R.ANGUS COLLECTION” Doctor William Roy Angus M.B., B.S., Adel., 1923, F.R.C.S. Edin.,1928 (also known as Dr Roy Angus) was born in Murrumbeena, Victoria in 1901 and lived until 1970. He qualified as a doctor in 1923 at University of Adelaide, was Resident Medical Officer at the Royal Adelaide Hospital in 1924 and for a period was house surgeon to Sir (then Mr.) Henry Simpson Newland. Dr Angus was briefly an Assistant to Dr Riddell of Kapunda, then commenced private practice at Curramulka, Yorke Peninsula, SA, where he was physician, surgeon and chemist. In 1926, he was appointed as new Medical Assistant to Dr Thomas Francis Ryan (T.F. Ryan, or Tom), in Nhill, Victoria, where his experiences included radiology and pharmacy. In 1927 he was Acting House Surgeon in Dr Tom Ryan’s absence. Dr Angus had become engaged to Gladys Forsyth and they decided he further his studies overseas in the UK in 1927. He studied at London University College Hospital and at Edinburgh Royal Infirmary and in 1928, was awarded FRCS (Fellow from the Royal College of Surgeons), Edinburgh. He worked his passage back to Australia as a Ship’s Surgeon on the Australian Commonwealth Line’s T.S.S. Largs Bay. Dr Angus married Gladys in 1929, in Ballarat. (They went on to have one son (Graham 1932, born in SA) and two daughters (Helen (died 12/07/1996) and Berenice (Berry), both born at Mira, Nhill ) According to Berry, her mother Gladys made a lot of their clothes. She was very talented and did some lovely embroidery including lingerie for her trousseau and beautifully handmade baby clothes. Dr Angus was a ‘flying doctor’ for the A.I.M. (Australian Inland Ministry) Aerial Medical Service in 1928 . Its first station was in the remote town of Oodnadatta, where Dr Angus was stationed. He was locum tenens there on North-South Railway at 21 Mile Camp. He took up this ‘flying doctor’ position in response to a call from Dr John Flynn; the organisation was later known as the Flying Doctor Service, then the Royal Flying Doctor Service. A lot of his work during this time involved dental surgery also. Between 1928-1932 he was surgeon at the Curramulka Hospital, Yorke Peninsula, South Australia. In 1933 Dr Angus returned to Nhill and purchased a share of the Nelson Street practice and Mira hospital (a 2 bed ward at the Nelson Street Practice) from Dr Les Middleton one of the Middleton Brothers, the current owners of what previously once Dr Tom Ryan’s practice. Dr Tom and his brother had worked as surgeons included eye surgery. Dr Tom Ryan performed many of his operations in the Mira private hospital on his premises. He had been House Surgeon at the Nhill Hospital 1902-1926. Dr Tom Ryan had one of the only two pieces of radiology equipment in Victoria during his practicing years – The Royal Melbourne Hospital had the other one. Over the years Dr Tom Ryan had gradually set up what was effectively a training school for country general-practitioner-surgeons. Each patient was carefully examined, including using the X-ray machine, and any surgery was discussed and planned with Dr Ryan’s assistants several days in advance. Dr Angus gained experience in using the X-ray machine there during his time as assistant to Dr Ryan. When Dr Angus bought into the Nelson Street premises in Nhill he was also appointed as the Nhill Hospital’s Honorary House Surgeon 1933-1938. His practitioner’s plate from his Nhill surgery is now mounted on the doorway to the Port Medical Office at Flagstaff Hill Maritime Village, Warrnambool. When Dr Angus took up practice in the Dr Edward and Dr Tom Ryan’s old premises he obtained their extensive collection of historical medical equipment and materials spanning 1884-1926. A large part of this collection is now on display at the Port Medical Office at Flagstaff Hill Maritime Village in Warrnambool. In 1939 Dr Angus and his family moved to Warrnambool where he purchased “Birchwood,” the 1852 home and medical practice of Dr John Hunter Henderson, at 214 Koroit Street. (This property was sold in1965 to the State Government and is now the site of the Warrnambool Police Station. and an ALDI store is on the land that was once their tennis court). The Angus family was able to afford gardeners, cooks and maids; their home was a popular place for visiting dignitaries to stay whilst visiting Warrnambool. Dr Angus had his own silk worm farm at home in a Mulberry tree. His young daughter used his centrifuge for spinning the silk. Dr Angus was appointed on a part-time basis as Port Medical Officer (Health Officer) in Warrnambool and held this position until the 1940’s when the government no longer required the service of a Port Medical Officer in Warrnambool; he was thus Warrnambool’s last serving Port Medical Officer. (Masters of immigrant ships arriving in port reported incidents of diseases, illness and death and the Port Medical Officer made a decision on whether the ship required Quarantine and for how long, in this way preventing contagious illness from spreading from new immigrants to the residents already in the colony.) Dr Angus was a member of the Australian Medical Association, for 35 years and surgeon at the Warrnambool Base Hospital 1939-1942, He served with the Australian Department of Defence as a Surgeon Captain during WWII 1942-45, in Ballarat, Victoria, and in Bonegilla, N.S.W., completing his service just before the end of the war due to suffering from a heart attack. During his convalescence he carved an intricate and ‘most artistic’ chess set from the material that dentures were made from. He then studied ophthalmology at the Royal Melbourne Eye and Ear Hospital and created cosmetically superior artificial eyes by pioneering using the intrascleral cartilage. Angus received accolades from the Ophthalmological Society of Australasia for this work. He returned to Warrnambool to commence practice as an ophthalmologist, pioneering in artificial eye improvements. He was Honorary Consultant Ophthalmologist to Warrnambool Base Hospital for 31 years. He made monthly visits to Portland as a visiting surgeon, to perform eye surgery. He represented the Victorian South-West subdivision of the Australian Medical Association as its secretary between 1949 and 1956 and as chairman from 1956 to 1958. In 1968 Dr Angus was elected member of Spain’s Barraquer Institute of Barcelona after his research work in Intrasclearal cartilage grafting, becoming one of the few Australian ophthalmologists to receive this honour, and in the following year presented his final paper on Living Intrasclearal Cartilage Implants at the Inaugural Meeting of the Australian College of Ophthalmologists in Melbourne In his personal life Dr Angus was a Presbyterian and treated Sunday as a Sabbath, a day of rest. He would visit 3 or 4 country patients on a Sunday, taking his children along ‘for the ride’ and to visit with him. Sunday evenings he would play the pianola and sing Scottish songs to his family. One of Dr Angus’ patients was Margaret MacKenzie, author of a book on local shipwrecks that she’d seen as an eye witness from the late 1880’s in Peterborough, Victoria. In the early 1950’s Dr Angus, painted a picture of a shipwreck for the cover jacket of Margaret’s book, Shipwrecks and More Shipwrecks. She was blind in later life and her daughter wrote the actual book for her. Dr Angus and his wife Gladys were very involved in Warrnambool’s society with a strong interest in civic affairs. He had an interest in people and the community They were both involved in the creation of Flagstaff Hill, including the layout of the gardens. After his death (28th March 1970) his family requested his practitioner’s plate, medical instruments and some personal belongings be displayed in the Port Medical Office surgery at Flagstaff Hill Maritime Village, and be called the “W. R. Angus Collection”. The W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The collection of medical instruments and other equipment is culturally significant, being an historical example of medicine from late 19th to mid-20th century. Dr Angus assisted Dr Tom Ryan, a pioneer in the use of X-rays and in ocular surgery. Fishing rod kit with three rod handles and two ends, stored in brown fabric bag (2 compartments and tape fastening). Part of the W.R. Angus Collection. (1) Cork rod handle with wooden rod, plus wooden rod end. (2) wooden rod handle with 'crocodile skin' pattern carved into handle. (3) wooden handle with yellow plastic rod and reel, and yellow plastic rod end. Reel is Junior Capstan 14, Made in Australia. Reel is imprinted “JUNIOR / CAPSTAN / 14 / MADE IN AUSTRALIA”. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, dr w r angus, dr ryan, surgical instrument, t.s.s. largs bay, warrnambool base hospital, nhill base hospital, mira hospital, flying doctor, fishing rod kit, fishing equipment, recreational fishing, fishing rod and reel

1. Companies Act Golden Transverse. 2. Agreement Walter Perry Ham/Golden Traverse. 3. Agreement John Taylor/Golden traverse. 4. Power of Attorney Kohn Taylor/Rupert Graeme Bruce Skinner. 5. Certificate of incorporation Golden Traverse (Nov. 1940). 6. Letter re listing on stock exchange 6.2.1941. 7. Applications for shares - Ham & Reid. 8. Receipt for shares (pounds)14985 (Commonwealth of Australia). Golden Traverse No Liability.MCCOLL RANKIN & STANISTREETorganization, business, industrial - mining, mccoll rankin & stanistreet

This piece may originally have been Indian in origin. It was purchased by the donor at the Oxford Street Market in Paddington, Sydney.Small ceramic figurine of a woman giving birth, attended by a doctor. Scene depicts a woman in a white gown lying on her back an obstetric table, with her knees up and feet flat on the table. A doctor dressed in white is sitting on a chair at the end of the table, between the patients legs, with arms raised ready to receive a baby. Both figures in the scene have brown skin and black hair. A word is engraved on the underside of the base of the figurine, which may be the name of the artist, but it is illegible.obstetric delivery

Each page of the volume is divided into rows and headed columns. Information appearing in each row includes the name, occupation, rate of pay, days worked and total fortnightly pay. There is provision for each row to contain details for two fortnightly pays. Occupations listed in these entries include driver, conductors and points boys, of various pay rates. See item 9541 for a 1929 to 1934 version. Images of object as follows: .1 - Book - front cover .2 - Book - edge .3 - inside cover and printer's label .4 - inside cover .5 - box .6 - box with cover off .7 - sheet 1 .8 - sheet 1 and 2 .9 - page with supplementary sheets .10 - page showing duty stamps .11 - rear cover .12 - sheet 1 names - 12/8/1919 .13 - sheet 16 - 30/12/1919 .14 - sheet 42 - 27/2/1920 .15 - sheet 62 - 11/1/1921 .16 - sheet 77 - 19/4/1921 .17 - sheet 78 part - 19/4/1921 .18 - sheet 102 - 1/11/1921 .19 - sheet 103 part - 1/11/1921 .20 - sheet 124 - 2/5/1922 .21 - sheet 143 - 3/10/1922 .22 - sheet 144 part - 3/10/1922 .23 - sheet 171 - 1/5/1923 .24 - sheet 172 - 1/5/1923 .25 - sheet 206 - 22/1/1924 .26 - sheet 248 - 23/12/1924 Demonstrates aspects of the Ballarat Tramways in the 1920’s and in an employee’s daily working life – eg their hours, wages, deductions etc. Has a strong association with individuals who worked for ESCo and the organisation itself.Leather bound journal titled ""Tramway Traffic Wages Book" Each sheet numbered 1 - 248 (see note below), wages requisition number, headed "Tramway Traffic Department". Printed by Berry Anderson &co, printers reorder number 16422. Book has sewn sections to cover with lining - crocodile skin style, about 6mm thick heavy cardboard covers, with leather corners and leather central binding, titled "Tramway Traffic Wages Book".trams, tramways, esco, electric supply co of victoria, wages, accounting

NoneSeveral plate print. Background images are embossed, showing clouds and abstract water patterns. At centre left is an embossed women's head in profile. Central image is a man in what appears to be a monkey skin. He has a cap on his head and is spinning a barrel-shaped object with the fingers of his right hand. Below him is a light brown etching of grass. Below the grass is a blue etching of water ripples. Mounted in cream matt with blue edging. Wooden frame with glass.Front: "Clouds" 26/65 (centre left) D. Higgins '75 (centre right) (pencil) Back: (no inscriptions)

When the Fort Cameron Presbyterian Church closed the Committee donated the Honour Board. Believed to be the only such Honour Board - the original Fort Cameron WW commemoration artefact. Large rectangular wooden Roll of Honour hanging on north wall of Wycheproof Historical Society with 24 WW1 names of local Wycheproof District - Fort Cameron men who enlisted.J.FIELDING; C. FIELDING; A. JOLLY; A.McDONALD; N.McDONALD; J.MCFARLANE; F.ELDER; R.T. HASSE; T .YOUNG; T .HARDING; M.HARDING; W. LOOSE; E.LOWE; V.LOWES; J.LOWES; T. ANDERSON ; J.MILLER; J. MILLER; J. STELLE; M. Mc IVOR; T. CULL; E.CAMERON; C. SKINNER; S. KING; ww1, world war one, great war, first world war, 1914-1918, servicemen, wycheproof district, fort cameron presbyterian church

The spotted quail thrust is a heavily patterned bird native to Australia. It expresses many calls, including a long, very high-pitched "seeeeeep” and a long sequence of doubled whistles, but the main call in inaudible to humans. Due to their heavy camoflague pattern, they are often very difficult to observe. They are often found on the forest floor. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. The spotted quail thrush is characterised by yellow and brown tones with black spots on the flanks. The females (10056) have a yellow ochre-coloured throat patch. This particular quail has lost its tail feathers. This specimen stands upon a wooden platform and has an identification tag tied around its leg.Label: 43a. / Spotted Ground Thrush / See Catalogue, page 15. /taxidermy mount, taxidermy, burke museum, beechworth, australian museum, spotted quail thrust, quail