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Federation University Historical Collection
Photograph (black & White), Major-General Sir Henry Edward Colville - South Africa
Henry Colville was educated at Eton and then entered the Grenadier Guards in 1870. He was appointed Aide-de-Camp to General the Honorable Sir Leicester Smyth, commanding the forces in South Africa in 1880. Colville had expeditions and was mentioned in despatches on numerous occasions. In 1893 he succeeded Sir Gerald Portal as Commissioner for Uganda, received the Central Africa Medal, made Knight Commander of the Order of St Micael and St George and received the second class Order of the Brilliant Star of Zanzibar. He served in the Second Boer War and during the early part he commanded the Guards Brigade, including during the Battle of Modder River in 1899.Individual image from photographed poster of tobacco and cigarette cards.henry colville, eton, greadier guards, aide-de-camp, south africa, commissioner for uganda, central africa medal, knight commander of the order of st michael and st george, order of the brilliant star of zanzibar, battle of modder river, second boer war -
Port Melbourne Historical & Preservation Society
Document (Item) - Collection of documents relating to the life of Norma Madeline Watters, 1930's - 1974
A collection of documents relating to the life of Norma Madeline WATTERS. These include 1935 & 1937 School certificates from Middle Park Central School; a cookery certificate from Mac Robertson Girl's High School; a certificate from the Victorian Baby Health Centres Association; a war savings certificate from The State Savings Bank of Victoria; a number of letters confirming her appointment to various clerical positions in the firms of Rootes, Austral Silk and Cotton Mills Pty Ltd, The Myer Emporium, W.E. Bassett & Associates, The Metropolitan Gas Company, Hardware Co. of Australia, Gill Glass and The Phosphate C-operative Company of Australia Ltd.education - primary schools, education - secondary schools, norma madeline watters, rootes/chrysler -
National Vietnam Veterans Museum (NVVM)
Weapon, Montagnard Dagger
Montagnard Dagger, C 1964, souvenired by Major Ian McKeown, Australian Army Training Team Vietnam (AATTV). The Central Highlands emerged as a strategically important area during the Vietnam War, because it included the Ho Chi Minh trail, the North Vietnamese supply line for Viet Cong forces in the south. communists passing through the highlands had, however, to contend with the Montagnards who they called Thurong (highlanders). The Montagnards were a formidable opponent in their home terrain and were not adverse to using their traditional weapons when dispatching their enemies, particularly when maintaining silence was critical. On loan courtesy the collection of Ian McKeownWooden handle. Metal reinforcement both ends of handle. Metal curved blade with concaved tip.maj mckeown, aattv, australian army training team vietnam (aattv), montagnard dagger, montagnards -
Bialik College
Newspaper article, 'Bialik Appeal: Home Must Guide', The Jewish News, 1967, 1967
"Bialik Appeal: Home Must Guide", published in The Jewish News, 8 December 1967. Bialik College has a different conception of modern Judaism to that of other Jewish day schools in Melbourne. Mr. Joe Solvey, veteran Zionist leader and president of the College's 1967 Appeal, said that this difference has three parts. The college believes that religious observance should be dictated by the home rather than by the school. "We provide the knowledge but we do not believe in enforcement so as to provide a division between the home and the school". Israel is the central theme in the curriculum and Hebrew is taught as a living language to serve as the medium of communication between Israel and the Disapora..."fundraising, major donors, shakespeare grove, hebrew -
Kew Historical Society Inc
Album, Nicholas Caire, Views of Victoria: General Series, 1870s
Nicholas Caire was born on Guernsey in the Channel Islands in 1837. He arrived in Adelaide with his parents in about 1860. In 1867, following photographic journeys in Gippsland, he opened a studio in Adelaide. From 1870 to 1876 he lived and worked in Talbot in Central Victoria. In 1876 he purchased T. F. Chuck's studios in the Royal Arcade Melbourne. In 1885, following the introduction of dry plate photography, he began a series of landscape series, which were commercially successful. As a photographer, he travelled extensively through Victoria, photographing places few of his contemporaries had previously seen. He died in 1918.'Views of Victoria: General Series' by the photographer, Nicholas Caire (1837-1918). The series of 60 photographs that comprise the series was issued c. 1876 and reinforced a neo-Romantic view of the Australian landscape to which a growing nationalist movement would respond. Nicholas Caire was active as a photographer in Australia from 1858 until his death in 1918. His vision of the Australian bush and pioneer life had a counterpart in the works of Henry Lawson and other nationalist poets, authors and painters.Part collection (56/60) of Nicholas Caire's 'Views of Victoria General Series' (1870s), including landscape photographs mounted and inscribed by the photographer on card. The accession records of the Society record that they were transferred by Stewart West in 1984. This wording suggests that he may have been preserving the series for the Society in the absence of a (then) permanent home. It has been suggested that they may have once formed part of the Dorothy Rogers Collection, donated by her estate in 1974. The series includes one duplicate (No.14) and is missing Nos. 15, 36, 43, 45, and 48.nicholas caire (1837-1918), views of victoria general series, landscape photography - 19th century -
Federation University Art Collection
Painting, Searle, Ken, 'Ballarat' by Ken Searle, 1998
Ken SEARLE (1951- ) Born Sydney, New South Wales Ken Searle worked on this commission through 1997 and 1998. Further works and sketches relating to this commission are held by the Art Gallery of Ballarat. Searle is a self-taught artist who first exhibited his paintings and drawings in the mid-1970s and is known for large, and often whimsical, paintings, of suburban and industrial areas in several Australian cities. From 1998 to 2001 Searle worked as a consultant at the school in the Aboriginal community of Papunya, Central Australia. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed painting highlighting the artist's favoured aspects of Ballarat. Interested with scenes of suburbia for over twenty years, Ballarat is his first portrayal of a whole city. Searle’s view of Ballarat presents a deliberately untidy city seen from a number of viewpoints. Local scenes are portrayed no matter how pretty or garish, the subject matter providing a snap shot in time. Funded through the Commissions Program of the Visual Arts/Craft Fund, 1998 art, artwork, ken searle, ballarat -
Bacchus Marsh & District Historical Society
Plaque, Shire of Bacchus Marsh Coat of Arms
Coat of Arms used by the Shire of Bacchus Marsh in the 1980s and 1990s. A coat of arms has been in use in the Shire at least from the early 20th century. This earlier coat of arms described in 1910 featured two cows standing on two bales of lucerne hay, with lucerne fields and fruit trees and rolling hills all round a central valley with two rivers running through it. This early coat of arms was superseded by the slightly different design shown here. When this change took place is not known. When the Bacchus Marsh Shire amalgamated with other Shires to form Moorabool Shire in 1994 this design was superseded.The plaque showing the Bacchus Marsh Shire Coat of Arms is in near perfect condition and as such is an excellent example of the physical symbols used to demonstrate the presence of local government in the Bacchus Marsh region. The images on the coat of arms also depict key economic and agricultural activities in the region which provides historical information about the region in a visual and artistic way.Painted cast bronze plaque with inscription on outer white band in black capital lettering: SHIRE OF BACCHUS MARSH. Inner circle painted blue with shield and decorative branches bearing yellow leaves on either side. Shield quartered and surmounted by stylised sunrise. In four quarters, representations of significant local primary and secondary industries. SHIRE OF BACCHUS MARSH.coats of arms, shire of bacchus marsh -
Wodonga & District Historical Society Inc
Photograph - Codling Collection 01 - Wodonga Mall and construction
Miss Olive Codling was a Foundation Member and a Life Member of the Wodonga Historical Society. Many of her prize-winning photos are held in the Society Collection. She also held a range of roles and committee positions in a wide range of Wodonga community organisations. These included the Horticultural Society, the Wodonga Arts Council, the Wodonga Camera Club and the Wodonga Lapidary Club. As the population of Wodonga grew in the late 1960s and 1970s, development focussed on the central section of High Street. The Wodonga Mall was built in 1969 on the corner of Stanley and High Streets in Wodonga and was the location of a variety of small businesses including a chemist and Sarroff's Dry Cleaners.This photo collection is significant as it documents how the businesses and buildings in Wodonga have evolved and contributed to the community throughout the 20th century. A series of 3 black and white photos showing the development of the Wodonga Mallwodonga businesses, high st wodonga, melba theatre -
Melbourne Legacy
Photograph, Annual Demonstration, 195
A photo of an Annual demonstration at the Melbourne Town Hall showing a large group on the stage. The item is 'Masque of the Seasons' with costumes including the skaters. These costumes were reused several times, including 1955, 1959, 1969. The central figure could be Father Time. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and Eurythmics. The Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to 1979, usually held at Melbourne Town Hall. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association.A record of the displays at the Annual Demonstrations. Also that Legacy provided classes for junior legatees and the skills learned were displayed in the Annual Demonstration.Black and white photo of large group on the Melbourne Town Hall stage. junior legatees, demonstration, annual demonstration, girls classes -
Wyndham Art Gallery (Wyndham City Council)
Photograph, Michael Cook, Nature Morte (Aliment), 2021
A central tableau is beautifully lit to expose choreographed arrangements of plants, animals, objects and food. Grounded in a photographic aesthetic that echoes Dutch Old Master paintings, they examine the industry and practices that have so effectively brought damage to traditional Aboriginal culture, the natural environment of the Australian continent – and the globe. Each image explores an aspect of the devastating impact of colonisation on Australia’s First Nations peoples, and the global repercussions of environmental degradation. The translation of the French in the title of this series, “Natures mortes” is dead nature. Yet in the simmering emotional register of each image lies an inherent belief in the individual over environment, and the redemptive nature of culture. australian first nations art, photography, colonialisation, environment -
Wyndham Art Gallery (Wyndham City Council)
Photograph, Nature Morte (Flora), 2021
A central tableau is beautifully lit to expose choreographed arrangements of plants, animals, objects and food. Grounded in a photographic aesthetic that echoes Dutch Old Master paintings, they examine the industry and practices that have so effectively brought damage to traditional Aboriginal culture, the natural environment of the Australian continent – and the globe. Each image explores an aspect of the devastating impact of colonisation on Australia’s First Nations peoples, and the global repercussions of environmental degradation. The translation of the French in the title of this series, “Natures mortes” is dead nature. Yet in the simmering emotional register of each image lies an inherent belief in the individual over environment, and the redemptive nature of culture. australian first nations art, photography, colonialisation, environment -
Wyndham Art Gallery (Wyndham City Council)
Photograph, Michael Cook, Nature Morte (Colonisation), 2021
A central tableau is beautifully lit to expose choreographed arrangements of plants, animals, objects and food. Grounded in a photographic aesthetic that echoes Dutch Old Master paintings, they examine the industry and practices that have so effectively brought damage to traditional Aboriginal culture, the natural environment of the Australian continent – and the globe. Each image explores an aspect of the devastating impact of colonisation on Australia’s First Nations peoples, and the global repercussions of environmental degradation. The translation of the French in the title of this series, “Natures mortes” is dead nature. Yet in the simmering emotional register of each image lies an inherent belief in the individual over environment, and the redemptive nature of culture. australian first nations art, photography, colonialisation, environment -
Wyndham Art Gallery (Wyndham City Council)
Photograph, Michael Cook, Nature Morte (Veiled Bird), 2021
A central tableau is beautifully lit to expose choreographed arrangements of plants, animals, objects and food. Grounded in a photographic aesthetic that echoes Dutch Old Master paintings, they examine the industry and practices that have so effectively brought damage to traditional Aboriginal culture, the natural environment of the Australian continent – and the globe. Each image explores an aspect of the devastating impact of colonisation on Australia’s First Nations peoples, and the global repercussions of environmental degradation. The translation of the French in the title of this series, “Natures mortes” is dead nature. Yet in the simmering emotional register of each image lies an inherent belief in the individual over environment, and the redemptive nature of culture. australian first nations art, photography, colonialisation, environment -
Wyndham Art Gallery (Wyndham City Council)
Photograph, Michael Cook, Nature Morte (Blackbird), 2021
A central tableau is beautifully lit to expose choreographed arrangements of plants, animals, objects and food. Grounded in a photographic aesthetic that echoes Dutch Old Master paintings, they examine the industry and practices that have so effectively brought damage to traditional Aboriginal culture, the natural environment of the Australian continent – and the globe. Each image explores an aspect of the devastating impact of colonisation on Australia’s First Nations peoples, and the global repercussions of environmental degradation. The translation of the French in the title of this series, “Natures mortes” is dead nature. Yet in the simmering emotional register of each image lies an inherent belief in the individual over environment, and the redemptive nature of culture. australian first nations art, photography, colonialisation, environment -
Ringwood and District Historical Society
Document, Ringwood Ladies Benevolent Society 1929-1939
The constitution states that the object of the Society is to relieve the wants of the poor -especially women and children- by suppyling them with clothing ,boots, food, fuel and other necessaries. The members of the Society to be councillors wives and representatives of Religious organisations.The President shall be the Mayoress. the positions of Treasurer and Secretary shall be Honorary. Mrs. McCaskill , whose husband was a Councillor at that time was the first President, a position she held for many years. There were 32 Ladies Benevolent Societies in the metropolitan area at this time. By the early 2000s there only a few left and Ringwood was one of the last to close about 2008 when it was absorbed into the Citizen's Advice Bureau. Various typed and hand written documents relating to the Ringwood Ladies Benevolent Society formed in 1929. 1- Constitution and Rules. 2- First Annual Report dated 1930. 3- Financial report submitted to The Charities Board of Victoria. 4- Receipts and expenditure for year ending 30th June 1930. 5- List of Societies affiliated with the Central Council of Victorian Ladies' Benevolent Societies. 6- Notification of first Annual Meeting of the Society in 1930. 7- Miscellaneous documents and newspaper clipping relating to the Ringwood Ladies Benevolent Society. -
Bendigo Military Museum
Painting - PAINTING, AUSTRALIAN ARMY 100 YEARS, Post 2001
As the plaque states it is a depiction of the Australian Army over a 100 year period from 1901 - 2001. This item is on display in the Bendigo District RSL Havilah Road..Framed images of the Australian Army over 100 years, frame is brown timber with a gold edge, background is green with a Rising Sun center top, in top LH corner is the Australian flag, central is a intermixed depiction taken from photos of the history of the Australian Army with a larger colour depiction of a modern soldier to go with the time 2001.Under this is a oval shape with a map of the World centre on each side of the map is 3 rows of campaign ribbons from 1901 -2001. At the bottom on the frame is a small plaque with text in Black.On the plaque,, “The Australian Army 1901 - 2001 - The Spirit - Ordinary people, extraordinary service”brsl, smirsl, bdrslinc -
Bendigo Military Museum
Accessory - SURVIVAL KIT
The item was possibly issued Air Force personal in the event of being shot down ..1) Rectangular webbed canvas bag with attached flap lid secured with metal press studs and belt hook. .2) Emergency signalling mirror, black background, orange coloured printed directions on the non reflective side and mirror central. .3) & .4) Plastic rigid containers with a metal spring clasp contains medical/survival supplies and directions for use. .3) contains the medical supplies and .4) unclear what some are but has razor blades, sewing kit fishing line and hook kit.survival kit, emergency -
Bendigo Military Museum
Uniform - BADGES, C.1939 - 45
Badges belonged to Thomas Henry ISER V24933 and VX102660 2nd AIF. Refer Cat No 383.2 for his service history..1,.2) Badge, "AUSTRALIA" shoulder, blackend brass with brass split pin. .3,.4) Crown shaped metal badge signifying rank of major with brass back plate holding maroon velvet, plush fabric, dark bronze with split pins. .5,.6 & 7) Badge, rank "pip" officer with brass split pins. central circle with three acorns surrounded by circle bearing motto, a third circle has a chain and this whole section is squared off with stylised leaves or feathers making a pointed edge"TRIA JUNGTA IN UNO" motto surrounding acorns in reliefnumismatics-badges-military, army uniform -
Glenelg Shire Council Cultural Collection
Drawing, Low Tide/Cape Grant Area, 1990
Depiction of a beach with large boulders. The boulders are covered in lichen and algae, and beach sweeps up towards centre right of image. The central third of painting shows the sea (continuing behind the boulders), depicted in blue with white highlights and dark blue shadows. It is edged in the background by a cliff face (painted in brown and grey). Sky is darker blue at top and lighter blue where it meets the horizon. Mounted in double matt (pale tan on faun) with decorative cut-out border, framed under glass in wooden frame.Front: Rankin '90 (lower right) (white paint) Back: 333 (upper left) (sticker) 1990- (upper left) (pencil). Low tide Cape Grant area September 1990 $350 Pastel Ian Rankin. 46 Hurd St Portland Vic 3305 Phone Portland 231465. Phone 055/231465. -
Glenelg Shire Council Cultural Collection
Drawing - Drawing, Botanical, Pultenaea Scabra (Rough Bush-Pea), n.d
Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Drawings of a flowering plant stem with flower details. On left is a flowering stem, with a woody central stem, small heart-shaped leaves and yellow and orange pea flowers. To right are studies of leaves and flowers: (t-b) top view of flower (yellow); flower detail; side view of flower; top and underside views of leaves; side view of bud. Each view is labelled in pencil and in typed letters affixed to paper. Mounted in double matt (white on faun) in glazed wooden frame with gold detail.Front: Pultenaea scabra (lower left) (pencil) Back: 30 (upper left) (pen)collin woolcock, botanical, woolcock collection, cema -
Kiewa Valley Historical Society
Can McKenzie's Coffee, mid to late 1900's
This tin which once contained coffee with chicory was purchased in a period when the importation of coffee beans into Australia was quite expensive and to counter that local distributors of coffee mixed it with Chicory, a blended coffee, flavoured slightly milder depending on the amount of coffee(percentage) per serve. This provided a cheaper cup of "coffee" drink. This mixture was a spin off from the 1930's Great Depression and the naval blockages of World War II (imports from India and other regional coffee growers) and the scarcity of secure ship supplies. As supplies became more secure "pure" coffee as a drink became available at reasonable costs. This "insignificant" coffee/chicory tin is very significant as it demonstrates that the Kiewa Valley was becoming more accessible to reliable coffee supplies and general food items.This was brought about through reliable roads and an ever increasing population The need for travelling supply caravans to the area, and with the establishment of grocery stores in Tawonga and Mount Beauty the supply of previously "hard to get" groceries vanished. This transition was precipitated by the SEC Vic Hydro Scheme of the 1940's to 1960's which increased the valley population two fold.This container of McKenzie's Coffee and Chicory is made from pressed steel and has a tight fitting lid (steel with a protruding lip to allow finger pressured removal). The tin has one pressed seem (holding the cylinder together). The backdrop of the outside of the tin is "grained" brown painted with dark brown (worn) lettering and central between McKenzie's/Coffee is a figure of an eagle with its wings outstretched. All the letters and figure have been embossed into the tin surface. The weighted contents are listed at a capacity of 1Ib Net.On one side (front) "McKenzie's Coffee and Chicory 1lb Net". On the other side "COFFEE & CHICORY" underneath "Guaranteed under the Victorian Pure Food Act 1905" "No. 1000 guaranteed under the Pure Food Act 1908, N.S.W. by Jas F. McKenzie & Co. Pty Ltd., No. 1000." "No 22 Guaranteed under the Food and Drugs Act 1910 by Jas F. McKenzie Pty. Ltd No. 22 (Tasmania)." Further "No. 1000 Guaranteed under the Health Acts by Jas. F McKenzie & Co. Pty Ltd No. 1000 (Queensland) "Containing not less than 50 percent of coffee." And at the bottom Jas.F. McKENZIE & Co. Pty Ltd Melbourne and Sydney"tin food/drink mild steel containers, food/drink storage containers -
Bendigo Historical Society Inc.
Book - ALEC H CHISHOLM COLLECTION: BOOK ''WIDE HORIZONS'' BY ROBERT HENDERSON CROLL
Book. ALEC H CHISHOLM COLLECTION. 158 page hardcover book of an account of the author's wanderings in Central Australia. Illustrated with 37 B & W photographs. Published in 1937 by Angus & Robertson, Ltd, Sydney and printed by Halstead Press P/L, Sydney. Catalogue sticker ''2200 CRO'' on spine. Handwritten in ink on flyleaf ''To my good friend Alick Chisholm in appreciation R. H. Croll Camberwell E6 25/9/37''. Handwritten in pencil on title page ''Robert Henderson Croll''Robert Henderson Crollbooks, collections, travel, alec h chisholm collection, robert henderson croll, australiana, central australia -
Bendigo Historical Society Inc.
Photograph - CHARLIE BUTTON'S STORE
black and white photo: large weatherboard building with central doorway, 4 arched windows and panelled doorway to right of photo. Two males standing in doorway. Trunks, prams, rocking chairs in front of photo, also cast iron cookware. MP 99 top right hand corner. On paper enclosed with photo : ' this large weatherboard building was Charlie Button's Secondhand Furniture Store at 204 Williamson Street next to Jones Miller's Store formerly Pickles' large rolling stock works' ( BHS Inc. )organization, business, charlie button's store -
Bendigo Historical Society Inc.
Photograph - VICTORIAN HOUSE: BRICK
Sepia photograph mounted on cream board. Brick house with cream brick quoins at corners and windows. Central door, 1 window on each side. Corrugated iron roof, verandah with iron lace, 2 chimneys, cast iron fence with decorative wooden posts and brick base. Corrugated iron in bottom half of gate, tree at left. Woman standing on verandah. Woman wearing floor length dark dress and hat. On back rubber stamp, oval shaped, 'Clark Bros, photographers, 25 Thomas St., Windsor.Clark Bros. Windsor.buildings, residential, victorian -
Bendigo Historical Society Inc.
Ephemera - WARNE COLLECTION: GILLIES PAPER BAG
Paper bag advertising Gillies famous pies. Under the Gillies logo of a boy eating a pie a list of places where to buy including: Bendigo, Kangaroo Flat, Geelong, Ballarat, Wendouree and Thomastown. Under in red ''If it's Gillies it's Good''. Donuts, cakes, pastries, yeast goods. On the back: Central Deborah Gold Mine, go 200 feet underground, Enjoy the challenge, see the gold in the quartz, learn how the miners worked, explore the surface displays. Proudly sponsored by Gillies Brosbusiness, retail, gillies -
Bendigo Historical Society Inc.
Photograph - FORTUNA COLLECTION: AERIAL VIEW OF BENDIGO 1963
Black and white photograph, aerial view of Bendigo 1963, Fortuna Villa in foreground. On bottom of photograph ' Fortuna, an aerial view of Bendigo Circa 1963' Fortuna Villa in foregound of image, showing very clear detail of grounds. Image has labels of following sites: Lansell's 222 mine Lazarus mine site Central Red, White and Bluye mine site, Old Chum mine site New Chum and Victoria mine site West End Hall Mount Alvernia BCV8 QEO -
Bendigo Historical Society Inc.
Document - NEW CHUM LINE OF REEF - GOLD PRODUCTION ON THE NEW CHUM LINE OF REEF
Hand written page containing the names of mines and the number of ounces of gold they produced. Mines mentioned are: Lansell's 222, Lazarus New Chum, Old Chum, New Chum & Victoria, North Old Chum, Lansell's Big 180, Victoria Quartz, Gt Central Victoria, Victoria Consols, South Adventure Group, Adventure, Advance, Try - Me - Well, Prince Alfred, Alfred Co, Lansell's 83 and Ironbark (no production figures). Note beside Alfred & Co - Land pegged by J R Evans in 1857.document, gold, new chum line of reef, new chum line of reef, gold production on the new chum line of reef, lansell's 222, lazarus new chum, old chum, new chum & victoria, north old chum, lansell's big 180, victoria quartz, gt central victoria, victoria consols, south adventure group, adventure, advance, try - me - well, prince alfred, alfred co, lansell's 83, ironbark, j r evans -
Bendigo Historical Society Inc.
Document - BENDIGO - A LIVING MONUMENT TO A GOLDEN AGE, 16 March 1985
Document, Bendigo , A Living Monument To A Golden Age. Local History Seminar Saturday March 16,1985, Campbell Theatrette, North Central Goldfields Library, Hargreaves St, Bendigo. Supported by: Ministry for Planning and Environment, History and Heritage Committee, Victoria's 150th. Anniversary Celebrations. Bendigo City Council. Royal Historical Society, Bendigo. 2 Copies. Pictured H.M. Leggo & Co, Merchants & Importers, High Street, Bendigo.c 1896, shops and offices.Excelsior House name on building. Horses Carts Bicycles and People out the front of the premises.document, names of bendigo pioneers, h.m.leggo & co -
Bendigo Historical Society Inc.
Photograph - HORWOOD'S FOUNDRY - SANDHURST BENDIGO
HORWOOD'S FOUNDRY - SANDHURST BENDIGO.- c.1874 -Black and white image ( copy ) Original glass negative held by BHS ?? ( not located at this point ) restored by G. Sheckleton, October, November 2000. Print donated by James Lerk, 17 November, 2000. Image shows brick building, central door, two windows either side. Square chimney. On LH side of image, industrial type buildings, two squat brick chimneys. Housing behind into distance, small hills in background.- See Research itemorganisation, industry, horwood's foundry -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Meredith nipple shields associated with Dr Ronald McKenzie Rome, Eschmann, England
These were intended for use during pregancy, worn as an aid for the correction of inverted or depressed nipples. Nipple shields will help some babies attach to the breasts, that are otherwise unable to. Shields are made of a fine, silicone material that sits over the areola and nipple. (Source: Mater Mother's Hospital, 'Engorgement and Breast milk Oversupply')Two nipple shields with original cardboard box and leaflet. Each nipple shield is plastic and consists of two parts which are separated by turning the top part anti-clockwise. The bottom part of each shield has a central opening 3cm in diameter. Box is cube shaped with olive green writing. Instruction leaflet is printed in red. Text imprinted on shields reads "OPEN [two way arrow] CLOSE"/"ESCHMANN ENGLAND". Text on lid reads "Two/MEREDITH/BREAST/SHIELDS" with some specifications.breast feeding