The Megalithic Passage Tombs of Newgrange, Knowth, Dowth, Fourknocks, Loughcrew and Tara are located in the present day County Meath in Ireland's Ancient East. The Boyne Valley Mounds at Newgrange, Knowth and Dowth were built around 3200BC making them older than Stonehenge in England and the Pyramids of Giza in Egypt. Built by Neolithic farming communities about 5000 years ago, the passage tombs have clear astronomical alignments such as the Winter Solstice Sunrise at Newgrange and the Equinox Sunrise at Loughcrew. Judging from the splendour and magnificence of Newgrange and Knowth it is likely that these temples of the ancestors were places of astrological, spiritual, religious and ceremonial importance, much as present day cathedrals are places of worship where dignitaries may be laid to rest. There is a lively debate about whether these wonderful megalithic structures were built primarily as burial tombs, sacred temples or astronomical observatories. While passage tomb is the traditional description for Newgrange and similar structures, chambered cairn or passage mound are the descriptions favoured by those who consider the passage tomb description too narrow. The large stones surrounding and inside the Passage Tombs are decorated with Megalithic Art such as spirals, concentric circles, triangles, zigzags and images which have been interpreted as the sun, moon and the human face. Irish passage tombs tend to occur in clusters traditionally described as a Necropolis or cemetery. The Boyne cluster includes Newgrange, Knowth, Dowth and Townleyhall. The other great clusters in County Meath are on the hills around Loughcrew. The ancient Boyne Valley passage tomb mounds at Newgrange, Knowth and Dowth have been designated World Heritage Site status by UNESCO and attract 200,000 visitors per year. The sites and Visitor Centre are managed by the OPW (Office of Public Works). Newgrange is best known for the illumination of its passage and chamber by the winter solstice sun. The site is open to the public with controlled access to the passage and chamber. Tours of Newgrange start at the Brú na Bóinne Visitor Centre located near the village of Donore, Co. Meath. Knowth has two passages and is surrounded by seventeen satellite cairns. The site is open to the public; however there is no public access to the interior passages and chambers. Tours of Knowth also start at the Brú na Bóinne Visitor Centre. Dowth is the only one of the three large Brú na Bóinne Passage Tombs which is not accessible from the Visitor Centre situated on the south bank of the river. Visitors to Dowth must drive directly to the site on the north bank, a couple of miles from the Slane / Drogheda road. Fourknocks with its short passage leading into a wide pear shaped chamber is in similar style to Tombs in Portugal. Just inside the main chamber to the left of the entrance is one of the few representations of a human face from the Neolithic Period in ancient Ireland. Entrance to Fourknocks Megalithic Passage Tomb. Megalithic Art - Loughcrew, Co. Meath Loughcrew Cairns form the largest complex of Megalithic structures in Ireland. The Cairns contain symbolic engravings similar in style to Newgrange. Like other Passage Tombs in ancient Ireland, they have clear astrological alignments.Tara was the seat of the High Kings of Ireland in the first millennium A.D. however Tara is also the site of a Passage Tomb known as the Mound of the Hostages that was built about 2,500 B.C. knowth, newgrange, megalith, ireland, world heritage, neolithic

An extremely damaged, old and worn black covered booklet about ailments that people suffer with the title Doan's Dream Book. The front cover has an illustration of an ancient Egyptian woman sitting on a large stone chair with a child at her feet playing a type of harp. 'I wonder if Dreams Come True' is written at the bottom with the publisher details. It has many examples throughout of how these illnesses may be improved with advertising for products too. The back cover has lists of medication made by Doan's. p. 32. De Witt's 200 Year Calendar and Book of Horoscopes has a red, black, pink and cream front cover showing an oval with horoscopes drawn around the edges and a mountain with a yacht sailing on a river with 'The Quest for Health' written below. The title is written at the bottom of the cover. This booklet has the 200 year calendar at the front with dates from 1776 - 1976. Throughout the booklet are advertisements and information on various medications produced and sold by the company circa 1950's. p32.non-fictionA booklet on dream interpretation dispersed with advertisements and testimonials for Doan's medicines. Originally published in 1904, this likely is an early 1920's printing. Many booklets like this were produced as PR material to increase product sales between c. 1900 - 1915. They were given to the more affluent customers or clients by the local shopkeepers of the period and are interesting Australiana historical publications. They were anywhere between 8 to 32 pages. The De Witt's booklet is similar with advertisements and information on various medicinal products produced and sold by the company for ailments. p.32.dreams, medicines, ilnesses, horoscopes, calendars

“This public art project honours the people and suburb of Sebastopol, as well as providing a strong visual identity for Albert Street. It will make the street a lot more attractive and welcoming. The project is the outcome of extensive consultation with groups and individuals in the Sebastopol community, who have made suggestions both as to the nature of the project but also the aspects of life in their community they wanted to represent through the artwork.”Crossing Rubicon by Ratartat is located in Albert Street, Sebastopol, Ballarat. A row of 16 lampposts in Sebastopol’s main street are topped with large enamelled steel sculptures of trees, representing different aspects of Sebastopol’s community life and history. Ratartat is an artistic collaboration of Ballarat-based artists Geoff Bonney and Pete Widmer. The name, Crossing Rubicon, refers to Rubicon Street, the boundary between Redan and Sebastopol. The street was named after the Rubicon River, an ancient boundary between Italy and Gaul. Julius Caesar’s decision to cross the river, thereby rebelling against the Roman Senate, gave rise to the expression “crossing the Rubicon”, meaning going past the point of no return.Sixteen powder-coated steel sculptures mounted on light polesrubicon, sebastopol, ratartat

This Trust Accounts ledger belonged to the law firm of Mackay and Taylor of Kepler Street, Warrnambool. The law firms of George Mackay and James Fletcher merged in 1893 to form Fletcher and Mackay and in the early 1920s J. Taylor became the new partner with Mackay to form the legal practice of Mackay and Taylor. This firm continued in Kepler Street until the 1990s. George Mackay was a prominent resident of Warrnambool from 1891 to his death in 1926. The Trust Accounts ledger lists the accounts of several organizations such as the Ancient Order of Foresters, the accounts of deceased estates and accounts of individual residents of Warrnambool and district. The dates covered are from 1919 to 1923. The accounts appear to refer to an investment and banking society operated by Mackay and Taylor.The ledger has some significance as it contains information on the financial dealings of many well-known Warrnambool people and organizations. It has social significance as it shows the type of investment opportunities available to Warrnambool people in the first two decades of the 20th century. This is a foolscap-size bound book of 526 pages. The covers are of blue hard cardboard with buff-coloured spine and corners. The inside thick paper covers are of a blue and red mottled design. There are pages with alphabetical tabs at the start of the book. The pages are printed with red ruled lines for accounting purposes. The entries are in black ink. Spine – ‘Ledger’, ‘1919 to Dec. 1923’ Front Cover- ‘Trust Account’ mackay taylor legal firm, warrnambool

Firedogs is the common name for andirons and Chenets and have been in use since ancient Greek times. Firedogs are the decorative metal supports or stands that hold logs in a fireplace, allowing air to circulate around the fire to keep it burning, and preventing logs from rolling out of the fireplace. They are usually made of metal, cast iron or steel, but are sometimes ceramic. They have two feet joined across the front and one at the back. Some firedogs, mainly for kitchen use, were plain with forked uprights so that a bar could rest between them on which a cooking pot or a roasting spit could hang. Some firedogs are made in the likeness of animals, shields, crosses, figures and keys. This pair of firedogs are representative of the firedogs that were common to domestic use in previous centuries when home heating and cooking were only possible with open fires. Firedogs or andirons, pair of two decorative cast iron log supports for use in a fireplace hearth. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, fire dogs, firedogs, fire grates, log stands, domestic furniture, open fireplace equipment, andirons, chenets, domestic heating

The Church of St Michael and All Angels dates from the 15th century and is the Parish Church for Ashton under Lyne. It is believed there was a church on this site before the Norman Conquest as the Domesday Book mentions a St Michael's Church in the east of the ancient parish of Manchester. Much of the structure was re-constructed in Victorian times. The church with large windows in Perpendicular style. Buttresses were required with this type of building as the large window area reduced the strength of the walls. The church boasts boasts some of the best examples of fifteenth century stained glass left in Britain. There are eighteen panels illustrating the life of St. Helena. The church tower is 145 feet high and has a peel of thirteen bells. (From ashton-under-lyne.com) .1) Sepia photograph mounted onto card showing St Michael's and all Angels church and graveyard in Ashton-Under-Lyne. The gravestones shown in the photograph are no longer evident today. The cemetery area is now covered with grass.cemetery, st michael s and all angels, ashton under lyne, j w mellor, church

This pessary was manufactured by Allen and Hanburys in three sizes - large, medium, and small. The pessary was originally regarded as an instrument and made from cork, ivory, hard rubber or gum-elastic. In later times, they were made from black vulcanite, flexible tin, soft copper wire covered with Indian rubber, and celluloid. The form of the pessary was and still is variable -either round, oval, or moulded in some cases combining three or four curves depending on the size of the pessary. In ancient times, medicated pessaries were made from emollient. astringent and aperient. Several of these are still used, but in more modem times are called vaginal suppositories. Anal suppositories are still used to suppress the pain of haemorrhoids.Thomas style supportive antiflexion pessary. Pessary is made of black vulcanite and is inscribed with number "60". Pessary is thickened at distal end and tapered at proximal end.intrauterine device, pessary

This pessary was manufactured by Allen and Hanburys in three sizes - large, medium, and small. The pessary was originally regarded as an instrument and made from cork, ivory, hard rubber or gum-elastic. In later times, they were made from black vulcanite, flexible tin, soft copper wire covered with Indian rubber, and celluloid. The form of the pessary was and still is variable -either round, oval, or moulded in some cases combining three or four curves depending on the size of the pessary. In ancient times, medicated pessaries were made from emollient. astringent and aperient. Several of these are still used, but in more modem times are called vaginal suppositories. Anal suppositories are still used to suppress the pain of haemorrhoids.Thomas style supportive antiflexion pessary. Pessary is made of black vulcanite and is inscribed with number "65". Pessary is thickened at distal end and tapered at proximal end.intrauterine device, pessary

Purchased by Mr. & Mrs. H. N. Lord in 1970. Cloisonné, a French word meaning "enclosed", is a metal-working technique. It is an ancient technique for decorating metalwork objects. The resulting objects can also be called cloisonné. The decoration is formed by first adding compartments or cells to the metal object. This is done by soldering or sticking silver or gold wires or thin strips placed on edge. These are visible in the finished piece, separating the different compartments. Coloured enamel is the usual filling for the cells. Cloisonné enamel objects are worked on with enamel powder made into a paste, which then is fired in a kiln. In older times inlays of cut gemstones were often used. They were decorated with geometric or schematic designs, with thick cloison walls. IPair of miniature royal blue Chinese Cloisonne vases with pink floral design.vases

Purchased by Mr. & Mrs. H. N. Lord in Japan in 1960. The Japanese word for Cloisonne ware is SHIPPPO or seven treasured ware. It is an ancient technique for decorating metalwork objects. The resulting objects can also be called cloisonné. The decoration is formed by first adding compartments or cells to the metal object. This is done by soldering or sticking silver or gold wires or thin strips placed on edge. These are visible in the finished piece, separating the different compartments. Coloured enamel is the usual filling for the cells. Cloisonné enamel objects are worked on with enamel powder made into a paste, which then is fired in a kiln. In older times inlays of cut gemstones were often used. They were decorated with geometric or schematic designs, with thick cloison walls. Small Japanese Cloisonne iridescent red vase, with pale pink flowers on black wooded stand.vases

Purchased by Mr. & Mrs. H. N. Lord in Japan in 1960. The Japanese word for cloisonne ware is SHIPPO or seven treasured ware. It is an ancient technique for decorating metalwork objects. The resulting objects can also be called cloisonné. The decoration is formed by first adding compartments or cells to the metal object. This is done by soldering or sticking silver or gold wires or thin strips placed on edge. These are visible in the finished piece, separating the different compartments. Coloured enamel is the usual filling for the cells. Cloisonné enamel objects are worked on with enamel powder made into a paste, which then is fired in a kiln. In older times inlays of cut gemstones were often used. They were decorated with geometric or schematic designs, with thick cloison walls. Pale blue Japanese Cloisonne vase with peony flower design in pink and white with green leaves on black wooden stand. vases

Scarifiers were traditionally used for blood letting, and in folk medicine for the practice of cupping. Spring loaded knives cut the skin, then a warmed metal or glass cup is placed over the cuts. As the air inside the cup cools, it creates a vacuum drawing out the "bad" blood. The process is also related to the ancient medical theory of "humors". This theory dates back to the Hippocratic tradition and persisted through to the mid-19th Century. According to this theory, the body had four "humors", "airs" or "elements" which neeed to be kept in balance. Any imbalance could cause illness and this was often explained in terms of excess fluids. One prescribed treatment was to remove the excess blood which would restore the balance.Square, solid brass object with lever to release blades underneath.Etched on side: Mundy / Londonmetal, blades, bloodletting

The name Trireme comes from its distinct three rows of oars/oarsmen. The first tier of rowers were known as the Thranites, translating to Thrones. They were the most prestigious, and worked the hardest because their oars were furthest away from the water and therefore had to work harder. They were usually younger and they were paid one and a half drachma per day, half a drachma more than the other two tiers of rowers who were paid one drachma per day. After a few years working as Thranites, each was moved down into the second tier, the Zygites. Zygites derives from the word balance, as the second tier was balanced in the middle. After more years again, oarsmen were moved down into the third and final tier, known as the Thalamites. The Thalamites were consistently wet due to the proximity of their tier to the water. The water would leak through the gaps where the oars entered the ships despite the leather skins used to close the openings.This is a unique specimen made by D. Paraskevatos, in that it is the only one of its kind in the world that has been built to the exact specifications of the Athenian vessel. It was built in Melbourne and it also has historic and artistic valueWooden replica model ship that is an exact replica of the ancient Athenian trireme making it unique in the world since there's no other such replica made. Great care was exercised to ensure that it will include all functionality and detail of the ancient ship used to by the Athenians to fight in the Sea battle of Salamis and beyond. Mr Denis Paraskevatos constructed the Paralos Trireme over a period of eighteen months. Mr Paraskevatos relayed the history of his Trireme. The first Trireme was constructed in Greece by the shipbuilder Aminoklis in 704BC, originating from Corinth. The first four Triremes he constructed were ordered by a Poliykrates from Samos, thus the ships were known as Samines. Poliykrates realised he would be able to use the Triremes for his own benefit against invading pirates, as well as to engage in activities of piracy himself. The Athenians built 200 Triremes for the battle of Salamis, all constructed over a period of eighteen months. This was a huge feat, on average a new ship was build every second day. Triremes were primarily used in sea battles, however there were two unique Triremes, the Salaminia and the Paralos, which were considered Holy and only used for Ambassadors and Consulates on overseas trips. Mr Paraskevatos’ Trireme is the Paralos. The term Paralos derives from the Greek social class from the shores, or the merchant classes. Greece was divided into three basic social classes. The mountain region, the plateaus or fields bound to agriculture, and those from the shores. Paralia translates to from the shore. The Paralia were an important class in influencing the democracy. They were divergent group who would deliberately vote on the contrary to everyone else. This is how the Trireme was born. Every Trireme held between 20-50 soldiers, and either 170 or 174 oarsmen. Mr Paraskevatos’ Trireme is a 174 oarsmen ship. The role of the oarsmen was difficult and specialised. When engaged in sea battle and the wind was not enough, the navy would remove the masts and leave them on shore and solely use the oarsmen, leaving the deck clear. However when there were sufficient winds and both the sails and oars were in use the oarsmen had to show great skill in manoeuvrability. When the oarsmen were not needed to manoeuvre the ship they also engaged in battle. model, replica, paraskevatos, plutarch, ship, trireme, παρασκευάτος, πανομοιότυπο

Three pages of research by Rita Hull on Friendly Societies. Includes name of Society, when established, the number of Members, and the years 1865,1875, 1881,1891, 1895 and 1907 (an asterisk if they were still operating). Listed are the Society names and the different Court, Lodge, etc. under the name. They are: Manchester Unity Independent Order of Odd Fellows M.U.I.O.O.F. - Loyal Bendigo Loyal Gold Miners' Pride, Loyal James Roe, Loyal Strangers' Refuge, Loyal Heart of Friendship, Loyal Albert, Loyal Sir Henry Barkly, Loyal Catherine, Loyal Darling and Earl of Hopetoun. Ancient Order of Foresters A.O.F. - Court Royal Oak, Court Queen of the Forest, Court Pride of the Forest, Court Happy Valley, Court Bendigo, Court Banner of Hope, Court Sherwood, Court King of the Forest, Court Alexandra, Court Victoria and Court Star of Bendigo (Women). Independent Order of Oddfellows I.O.O. - Loyal Sandhurst Lodge, Court Weeroona and Golden Star Rebekah. Independent Order of Rechabites I.O.R. - Tent Star of Bendigo, Tent Refuge, Tent Cobden, Tent Olive Branch, Tent Laurel, Tent Sutton and Tent Herald of Peace. Sons and Daughters of Temperance - Royal Diadem Division, Ark of Safety, Royal Septre, Hope of Sandhurst (Ladies), Princess Beatrice (Ladies), Lady Loch (Ladies) and Laurel (Ladies). Grand United Order of Oddfellows G.U.O.O.F. - Lodge Star of Eaglehawk, Lodge Sandhurst, Lodge Pride of Bendigo, Lodge Olive Branch and Lodge Belvidere. United Ancient Order of Druids U.A.O.D. - Lodge Quartzopolis, Lodge Eldorado, Lodge Caractacus, Lodge Bendigo and Lodge Sandhurst. Order of St Andrew (Scottish Constitution) - Bendigo Lodge No 1. Order of St Andrew (All Nations) - Lodge Sandhurst and Lodge Unity. Royal Antediluvian Order of Buffaloes R.A.O.B. - Provincial Grand Lodge No 1, Prairie Lodge, Forest Lodge and Southern Cross Lodge. The Hibernian Australasian Catholic Benefit Society H.A.C.B.S. - St Kilian's No 4 and Eaglehawk Branch. Independent Order of Good Templars - Lodge Bendigo, Lodge Guiding Star, and Lodge Hope of Golden Square. Loyal Orange Institution of Victoria - Lodge William Lodge and Loyal Governor Bowen (Pride of Eaglehawksocieties, order of .., list, list of friendly societies, rita hull, manchester unity independent order of odd fellows m.u.i.o.o.f., ancient order of foresters a.o.f., independent order of oddfellows i.o.o., independent order of rechabites i.o.r., sons and daughters of temperance, grand united order of oddfellows g.u.o.o.f., united ancient order of druids u.a.o.d., order of st andrew (scottish constitution), order of st andrew (all nations), royal antediluvian order of buffaloes r.a.o.b., the hibernian australasian catholic benefit society h.a.c.b.s., independent order of good templars, loyal orange institution of victoria, australian natives association a.n.a.

This is a book of 16 pages. The cover is green and has black printing and an image of ship on the front cover. The back cover has some pencilled scribble. The pages contain printed text.non-fictionInformation on the Mahogany Shipmahogany ship, warrnambool maritime history, warrnambool mahogany ship

Skincare cosmetics used for ageing skin have been a priority for over 3000 years, in ancient times masks were used to cleanse and maintain the moisture of the skin. The Egyptians used anti-wrinkle creams made with the essential oil of frankincense which claimed to possess anti-inflammatory properties. Thick creams use on the face were created to preserve moisture on mature skin. And were formulated from resin, wax, oil, grass, and plant juice, In the 1700s, face toners and scented water were popular. Cold cream made with scented oils, spermaceti, and wax mixed with rose water and ambergris was a common toilette preparation. But it was the 20th century when face cosmetics entered their golden era and mass production made cosmetics available to women of all classes. An item used to store face cream from the 1920s when face creams and other cosmetics started to become available to all classes of women and no longer were these types of preparations only available to women of financial means.Clear glass jar with "hobnail" pattern and brass lid used to hold face cream cosmetics.Lid decorated with a relief design of 5 cherub heads and cloudsflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, glass jar, cosmetics jar, toilet article

A Scythe was one of the most important of all agricultural hand tools, consisting of a curved blade fitted at an angle to a long, curved handle and used for cutting grain. In modern scythes the handle has a projecting peg that is grasped by one hand, facilitating control of the swinging motion by which grass and grain are cut. The exact origin of the scythe is unknown, but it was little used in the ancient world. It came into wide use only with agricultural developments of the Carolingian era (8th century AD) in Europe, when the harvesting and storing of hay became important to support livestock through winters. Scythes can still be found in use today by hobby farmers and permaculturists. ( producing food, by using ways that do not deplete the earth's natural resources) to cut grass in a more eco-friendly way as opposed to using a machine.A hand tool used for the cutting of crops and grain, modern versions are still being produced today in Europe. The subject item gives us a snapshot into agricultural practices in times past.Scythe with long wood Snath (curved handle) with 1 hand holding piece & curved blade. Noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

This pessary came from Professor Geoff Bishop's rooms, Mollison House, 386 Albert Street, East Melbourne. As well as the UK, Portex had divisions in the USA and Canada. The pessary was originally regarded as an instrument and made from cork, ivory, hard rubber or gum-elastic. In later times, they were made from black vulcanite, flexible tin, soft copper wire covered with Indian rubber, and celluloid. The form of the pessary was and still is variable -either round, oval, or moulded in some cases combining three or four curves depending on the size of the pessary. In ancient times, medicated pessaries were made from emollient. astringent and aperient. Several of these are still used, but in more modem times are called vaginal suppositories. Anal suppositories are still used to suppress the pain of haemorrhoids. Portex brand ring pessary in original packaging. Consists of circular ring of cream vinyl, in sterile sealed pouch with transparent plastic at back. Stamped on pouch "PORTEX ENGLAND", and the text "USE BY FEB 77" and "CONTROL No F/1 505". The ring is size 700/300/056 - 56mm. A sticker on the back of pouch gives instruction for cleaning the pessary.pessary, intrauterine device

This pessary came from Professor Geoff Bishop's rooms, Mollison House, 386 Albert Street, East Melbourne. As well as the UK, Portex had divisions in the USA and Canada. The pessary was originally regarded as an instrument and made from cork, ivory, hard rubber or gum-elastic. In later times, they were made from black vulcanite, flexible tin, soft copper wire covered with Indian rubber, and celluloid. The form of the pessary was and still is variable -either round, oval, or moulded in some cases combining three or four curves depending on the size of the pessary. In ancient time, medicated pessaries were made from emollient. astringent and aperient. Several of these are still used, but in more modem times are called vaginal suppositories. Anal suppositories are still used to suppress the pain of haemorrhoids.Portex brand ring pessary in original packaging. Consists of circular ring of cream vinyl, in sterile sealed pouch with transparent plastic at back. Stamped on pouch "PORTEX/MADE IN ENGLAND", and the text "USE BY JAN 77" and "CONTROL No 06 88". The ring is size 700/300/065 - 65mm. A sticker on the back of pouch gives instruction for cleaning the pessary. A red dot is also stuck to the back of the pouch.pessary, intrauterine device

Purchased by Mr. & Mrs. H. N. Lord in 1970.Purchased by Mr. & Mrs. H. N. Lord in 1970. Cloisonné, a French word meaning "enclosed", is a metal-working technique. It is an ancient technique for decorating metalwork objects. The resulting objects can also be called cloisonné. The decoration is formed by first adding compartments or cells to the metal object. This is done by soldering or sticking silver or gold wires or thin strips placed on edge. These are visible in the finished piece, separating the different compartments. Coloured enamel is the usual filling for the cells. Cloisonné enamel objects are worked on with enamel powder made into a paste, which then is fired in a kiln. In older times inlays of cut gemstones were often used. They were decorated with geometric or schematic designs, with thick cloison walls. ICloisonne Chinese bowl. Large brown with blue and yellow floral design on a carved wooden base.bowls

Purchased by Mr. & Mrs. H.N. Lord in 1970. Purchased by Mr. & Mrs. H. N. Lord in 1970. Cloisonné, a French word meaning "enclosed", is a metal-working technique. It is an ancient technique for decorating metalwork objects. The resulting objects can also be called cloisonné. The decoration is formed by first adding compartments or cells to the metal object. This is done by soldering or sticking silver or gold wires or thin strips placed on edge. These are visible in the finished piece, separating the different compartments. Coloured enamel is the usual filling for the cells. Cloisonné enamel objects are worked on with enamel powder made into a paste, which then is fired in a kiln. In older times inlays of cut gemstones were often used. They were decorated with geometric or schematic designs, with thick cloison walls. IOrnamental miniature Chinese cloisonne vase. Has floral patterned design.vases

Purchased by Mr. & Mrs. H. N. Lord in 1970. Purchased by Mr. & Mrs. H. N. Lord in 1970. Cloisonné, a French word meaning "enclosed", is a metal-working technique. It is an ancient technique for decorating metalwork objects. The resulting objects can also be called cloisonné. The decoration is formed by first adding compartments or cells to the metal object. This is done by soldering or sticking silver or gold wires or thin strips placed on edge. These are visible in the finished piece, separating the different compartments. Coloured enamel is the usual filling for the cells. Cloisonné enamel objects are worked on with enamel powder made into a paste, which then is fired in a kiln. In older times inlays of cut gemstones were often used. They were decorated with geometric or schematic designs, with thick cloison walls. IBlue and gold patterned Chinese Cloisonne bowl with lid, with gold lion on top.bowls

Made in Nottingham, England by K. Evans. K. Evans Potteries in Nottingham has an intriguing history. During the construction of the Manchester, Sheffield & Lincolnshire Railway Company’s new London line (now known as the Great Central) through Nottingham, several objects of antiquarian interest were discovered. Among these treasures was an ancient pottery kiln, buried for centuries beneath the soft yellow Bunter sandstone rock that forms a significant part of the city’s foundation. The excavation took place near the point where Parliament Street intersects the railway, at a depth of ten to twelve feet below the original surface. The credit for rescuing many of these pottery fragments from destruction goes to Mr. C. B. Wright, of the late firm I. & I. C. Wright & Co., Bankers. His dedication and ingenuity allowed him to piece together broken parts, sometimes assembling as many as thirty or forty fragments to form a single complete specimen. These pottery pieces provide a fascinating glimpse into the past. Here are some details about the pottery found at K. Evans Potteries: Material: The pottery is made of coarse, reddish-brown clay. Construction: Evidence suggests that the potter’s wheel was used in their creation. Ornamentation: The vessels lack decorative patterns, except for indented or grooved handles. These handles exhibit a crude attempt at foliation, with the potter’s thumb leaving its mark. Function: The pottery likely served practical purposes, such as carrying water, ale, mead, or wine. Stew jars and drinking vessels were also part of this collection. This discovery remains almost unique, and its age continues to intrigue local antiquaries. While theories about its origin are scarce, the K. Evans Potteries offer a fascinating glimpse into Nottingham’s ancient craftsmanship. Cylindrical brown pottery jar (Bottle) with broken neck section. Uneven and work appearance of glazed surface.'... Stone bottles. K. Evans. ...Potteries of Nottingham'ceramics, pottery, bottles

An epistle from the Greek (epistolē, meaning "letter") is a writing directed or sent to a person or group of people, usually an elegant and formal didactic letter. The epistle genre of letter-writing was common in ancient Egypt as part of the scribal schools writing curriculum. The letters in the New Testament from Apostles to Christians are usually referred to as epistles. Those traditionally attributed to Paul are known as Pauline epistles and the others as catholic or "general" epistles. The subject volume is titled "Annotations on the Apocalypse" and was intended as a sequel to those originally written by Mr. Elsley on the Gospels and of Mr. Prebendary Slade on the Epistles, and thus aimed to complete a series of comments on the whole of the New Testament, for the use of students in prophetical scrip this book, "Annotations on the Apocalypse was intended as a sequel to those of Mr. Elsley on the Gospels and of Mr. Prebendary Slade on the Epistles", by John Chappel Woodhouse, is a second edition of the book originally published before 1824. These pair of books were part of Tom Wicking's collection and represent the type of literature published and read in the early 1800s and up to the present day for the religious instruction of priests. Spine has “Slades Annotations on the Epistles, Vol I”. Covers have green and cream diagonal tartan with brown binding decorated with gold. Annotations on the Epistles, being a continuation of Mr. Elsley’s Annotations and Principally Designed for the use of Candidates for the Holy Orders, by the Rev. James Slade, M.A., vicar of Bolton, and Prebendary of Chester; late Fellow and Tutor of Emmanuel College, Cambridge; and Examining Chaplain to the Lord Bishop of Chester. In two volumes, Vol. I, second edition. Printed in 1824 for C. & J. Rivington, St Paul’s church-yard, and Waterloo-place, Pall Mall, London . The pair of books is part of the Tom Wicking Collection.Marked inside cover "J. Lewis Glenview to Mrs MacLean S. Broadwater" Marked (illegible) "Maclean "Roger" Poet Diary (misspelt dairy)"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, flagstaff hill maritime village, great ocean road, book, annotations on the epistles vol 2, rev. james slade, c. & j. revington, religious book, mrs maclean, j lewis of glenview, tom wicking collection

An epistle from the Greek (epistolē, meaning "letter") is a writing directed or sent to a person or group of people, usually an elegant and formal didactic letter. The epistle genre of letter-writing was common in ancient Egypt as part of the scribal schools writing curriculum. The letters in the New Testament from Apostles to Christians are usually referred to as epistles. Those traditionally attributed to Paul are known as Pauline epistles and the others as catholic or "general" epistles. The subject volume is titled "Annotations on the Apocalypse" and was intended as a sequel to those originally written by Mr. Elsley on the Gospels and of Mr. Prebendary Slade on the Epistles, and thus aimed to complete a series of comments on the whole of the New Testament, for the use of students in prophetical scrip this book, "Annotations on the Apocalypse was intended as a sequel to those of Mr. Elsley on the Gospels and of Mr. Prebendary Slade on the Epistles", by John Chappel Woodhouse, is a second edition of the book originally published before 1824. These pair of books were part of Tom Wicking's collection and represent the type of literature published and read in the early 1800s and up to the present day for the religious instruction of priests. Spine has “Slades Annotations on the Epistles, Vol II”. Covers have green and cream diagonal tartan with brown binding decorated with gold. Annotations on the Epistles, being a continuation of Mr. Elsley’s Annotations and Principally Designed for the use of Candidates for the Holy Orders, by the Rev. James Slade, M.A., vicar of Bolton, and Prebendary of Chester; late Fellow and Tutor of Emmanuel College, Cambridge; and Examining Chaplain to the Lord Bishop of Chester. In two volumes, Vol. II, second edition. Printed in 1824 for C. & J. Rivington, St Paul’s church-yard, and Waterloo-place, Pall Mall, London . The pair of books is part of the Tom Wicking Collection.Marked inside cover "J. Lewis Glenview to Mrs MacLean S. Broadwater" Marked (illegible) "Maclean "Roger" Poet Diary (misspelt dairy)"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, book, annotations on the epistles vol 2, rev. james slade, c. & j. revington, religious book, mrs maclean, j lewis of glenview, tom wicking collection

This type of pessary was often used for uterine malpositions and displacements and usually made from vulcanite. This particular object is known as Hodges moulded pessary. [Source: George Tiemann & Co Surgical Instruments catalogue.1989. page 486.] The pessary was originally regarded as an instrument and made from cork, ivory, hard rubber or gum-elastic. In later times, they were made from black vulcanite, flexible tin, soft copper wire covered with Indian rubber, and celluloid. The form of the pessary was and still is variable -either round, oval, or moulded in some cases combining three or four curves depending on the size of the pessary. In ancient times, medicated pessaries were made from emollient. astringent and aperient. Several of these are still used, but in more modem times are called vaginal suppositories. Anal suppositories are still used to suppress the pain of haemorrhoids. Moulded black vulcanite pessary. Pessary is irregular in shape, and medium size. "I.T.A.Y." inscribed on upper curve.pessary, intrauterine device

This type of pessary was often used for uterine malpositions and displacements and usually made from vulcanite. This particular object is known as Hodges moulded pessary. [Source: George Tiemann & Co Surgical Instruments catalogue.1989. page 486.] The pessary was originally regarded as an instrument and made from cork, ivory, hard rubber or gum-elastic. In later times, they were made from black vulcanite, flexible tin, soft copper wire covered with Indian rubber, and celluloid. The form of the pessary was and still is variable -either round, oval, or moulded in some cases combining three or four curves depending on the size of the pessary. In ancient times, medicated pessaries were made from emollient. astringent and aperient. Several of these are still used, but in more modem times are called vaginal suppositories. Anal suppositories are still used to suppress the pain of haemorrhoids.Moulded black vulcanite pessary. Pessary is irregular in shape, and large size.pessary, intrauterine device

This type of pessary was often used for uterine malpositions and displacements and usually made from vulcanite. This particular object is known as Hodges moulded pessary. [Source: George Tiemann & Co Surgical Instruments catalogue.1989. page 486.] The pessary was originally regarded as an instrument and made from cork, ivory, hard rubber or gum-elastic. In later times, they were made from black vulcanite, flexible tin, soft copper wire covered with Indian rubber, and celluloid. The form of the pessary was and still is variable -either round, oval, or moulded in some cases combining three or four curves depending on the size of the pessary. In ancient times, medicated pessaries were made from emollient. astringent and aperient. Several of these are still used, but in more modem times are called vaginal suppositories. Anal suppositories are still used to suppress the pain of haemorrhoids.Moulded black vulcanite pessary. Pessary is irregular in shape.intrauterine device

The cuneiform envelope and accompanying letter were acquired by Aquila Dodgson in 1890. He acquired the items from the collection of a Mr Cutter with the assistance of Theodore Pinches, Keeper of Oriental Antiquities at the British Museum, who went to view Mr Cutter's material at Aquila's request. The envelope was addressed by Nadin-ahi to his brothers Bil-bullit-su and Marduk-balat-su-ikbi and the letter inside concerned land contracts. This item is part of the Dodgson Collection, which was bequeathed to Queen's College in 1892 by the Rev. James Dodgson. The collection was created by Aquila Dodgson, brother of James. Aquila Dodgson was a friend of the English Egyptologist Flinders Petrie, and it was through this friendship the Aquila was able to acquire ancient Egyptian artefacts. A detailed study of the collection was made by Christine Elias "Discovering Egypt: Egyptian Antiquities at the University of Melbourne", M.A. thesis 2010.Clay envelope with cuneiform inscription.cuneiform, envelope, james dodgson, aquila dodgson, flinders petrie, theodore pinches, mr cutter

The cuneiform letter and accompanying envelope were acquired by Aquila Dodgson in 1890. He acquired the items from the collection of a Mr Cutter with the assistance of Theodore Pinches, Keeper of Oriental Antiquities at the British Museum, who went to view Mr Cutter's material at Aquila's request. The envelope was addressed by Nadin-ahi to his brothers Bil-bullit-su and Marduk-balat-su-ikbi and the letter inside concerned land contracts. This item is part of the Dodgson Collection, which was bequeathed to Queen's College in 1892 by the Rev. James Dodgson. The collection was created by Aquila Dodgson, brother of James. Aquila Dodgson was a friend of the English Egyptologist Flinders Petrie, and it was through this friendship the Aquila was able to acquire ancient Egyptian artefacts. A detailed study of the collection was made by Christine Elias "Discovering Egypt: Egyptian Antiquities at the University of Melbourne", M.A. thesis 2010.Clay letter with cuneiform inscription.cuneiform, envelope, letter, james dodgson, aquila dodgson, flinders petrie, theodore pinches, mr cutter