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Bendigo Historical Society Inc.
Photograph - HILDA HILL COLLECTION: BLACK AND WHITE PHOTOS, Early 1920s
... HILDA HILL COLLECTION: BLACK AND WHITE PHOTOS...Hilda Hill Collection.Black & White Photos. 8 Family... Collection 1921-1922 Hilda Hill Collection.Black & White Photos. 8 ...Hilda Hill Collection.Black & White Photos. 8 Family members, one named Jonah and another Gay, on Holiday Point Lonsdale December 1921 & January 1922. Jonah and Maisie sad leave taking Jan 1922, Post in left background, Jonah(left) holding newspaper wearing light coloured bowler style hat White dress, has dark coloured coat on her left arm just visible, short sleeved coloured? Top, Maisie also wearing Bowler style hat jacket, lacy blouse. Long skirt, parasol, and dark coloured coat on her left arm. Exterior of 'The Ranch' 1922 Family Member Cyril is sitting on the steps, to the right is a verandah post and in the background a white chair covered by a white cloth. Photo of two men sitting in a car of the times, two other people standing on the near side, in front of house with medium height picket fence(white), hedge growing on the inside along the fence, tree in nature strip near rear of car.australia, history, hill family life, photographer hilda hill persoanl collection 1921-1922 -
Bendigo Historical Society Inc.
Document - SPECIMEN COTTAGE COLLECTION: VARIOUS DOCUMENTS
... . 12. White Hills Sandhurst copies of maps and two pages... Bendigo, wine food and music fest. 12. White Hills Sandhurst ...In 1853, Bendigo Miners protested against the 30 shilling miners licence the had to pay the government. They wore red ribbons to show their protest and shopkeepers hung red ribbons outside their premises in support. Thousands of miners signed a petition to Governor LaTrobe to no avail. A protest gathering in Pall Mall marched to the Government camp on Camp Hill but this was a peaceful event again to no real avail.Various documents. The topics are: 1. Public donations and organised charities in Bendigo (1850's to 1900's by Carol Holsworth. 2. The spirit of Bendigo R711 and the loco driver on the return trip from Bendigo by Rod Giri, also several photographs of the train. 3. Diary of a new chum - Johnny Greenfield Gill. 4. Family history by Pat Hocking. 5. The story of the Gaylards as told by Ella Gaylard. 6. Journalism- History first draft by Wayne Gregson. 7. List of residents of Thistle Street, Bendigo approx. 1950's compiled by Cynthia Stringer. 8. Sandhurst club history by David Cotton. 9. Sandhurst boys centre compiled by Brian Dillon. 10. Lily Street Walk 24/04/2018 notes by Jim Evans. 11. Document - All things Bendigo, wine food and music fest. 12. White Hills Sandhurst copies of maps and two pages of district directory1908. 13. Draft report of interview with Noel Smith of 5 Summit Drive, Kennington. 14. Three brothers from Scotland by Rae Alexander Anderson. Also, seven newspaper articles by James Lerk on William, Alexander Rae and John Rae. 15. St. John Presbyterian church, Bendigo. Historical record. 16. Journal of Thomas Llewellyn Raston. 17. Recollections of Sandhurst in the 1850's - Joseph Anderson Panton, 22 segments from Panton manuscript by Terry Davidson. Also, a photographs of a portrait of Joseph Panton. 18. Photocopy of letter of Chinese storekeepers, miners and residents to Joseph Anderson Panton esquire, resident warden of Bendigo dated August 28th, 1858, with transcription and the reply from Esquire Panton dated 29 August, 1858. 19. View street reborn, tours of inspection ''welcome to View Street'' view Street properties part of stage 1 of the project: National Trust Chambers, Temperance Hall, Art Gallery Annexe, Trades Hall, Bendigo Regional Arts Centre, Bendigo Regional Performing Arts Centre, Dudley House. 20. View Street early 1900's in between and now. From handwritten notes by Mr. Bob Carr written in 1989. The handwriting has been transcribed by Beverly Ellis. 21. Transcription of ''Diary of a voyage to the colony of Victoria and back'' June1856-September 1858 by Charles Groves. 22. Adelaide Vale historic homestead built by Cr. John Harney. Tour notes prepared by the Central Victorian Branch of the National Trust. 23. Four pages essay titled Spanish Tomato Growers. 24. Eight pages of notes compiled by Leonard Henderson title: Trade token issuers of Bendigo district. The issuers mentioned are: Grieve, Hodgson, Stead and Williams. 25. City of Bendigo tourist promotion Committee. Eight pages document describing the formation of committee for the promotion of tourism in the City of Bendigo. 26. Article ''The Birdman of Bendigo'' Bendigo Advertiser 17th January 1968 detailing the life of Mr. Redvers James Eddy. 27. Speech presented by Miss Margaret Brennan on the occasion of the Drechsler family reunion, Sunday 5th April 1987. 28. Robert Gray Ford - A man before his time! Talk by James Lerk to the Bendigo Historical Society 3 February 2006. 29. Copy of an article from The Bendigonian Annual from November 16, 1910. The demand for good music, how a Bendigo firm has met it. The article is about the life of Oscar Flight. 30. Five photocopies of the Bendigonian masthead showing the changes through the years, plus the notice of the final issue on April 8th, 1920. 31. The red ribbon rebellion & the Bendigo petition, a proposal to commemorate a significant event in Bendigo. Also three different sizes poster for the August 26, 2016 re-enactment and two invitations to join the red ribbon agitation memorial. 32. Two handwritten pages of notes on the red ribbon rebellion. 33. Three pages of typewritten notes on the Creeth and Howie families. 34. An Australian Edward Medallist - Joseph Davies honoured by Paul Street. 35. A. H. Chisholm obituary. 36. Catalogue auction sale of the entire collection of antique furniture, objects d'art etc of Mr. and Mrs S. Cragg. 37. two coloured photographs of Cherry Tree Hotel in Melbourne Road just north of Tuckerman's lane, Big Hill. Photos taken March 2000 by Joan Paynter. -
Ballarat Tramway Museum
Slide - 35mm slide/s - set of 11, Eldon Hogan, mid 1960's to early 1970's
... - No. 25 and two following trams on a special tour, note the white... on a special tour, note the white disc - Quarry Hill line? .4 - No. 29 ...Set of 11 Agfa Plastic mounted slides - from the Eldon Hogan collection - possibly on an ARE Bendigo tours - mid 1960's (black destination rolls) and late 1960's or early 1970's. Scanned on the Canon scanner at the depot 15/12/1971 at the time of the installation of the scanner. .1 - No 18 with Lake Weeroona in the background - possibly at the same time as the tour with No. 18, though showing destination of Charing Cross. .2 - ditto .3 - No. 25 and two following trams on a special tour, note the white disc - Quarry Hill line? .4 - No. 29 on the Eaglehawk line at the Mt. Korong Road and the Calder Highway, with the Ampol Service station in the background. .5 - No. 29 passing Lake Weeroona with Destination of Nth Bendigo - has a Briquettes Roof Advertisement., .6 - No. 26 ditto - with two SEC Roof Advertisements. .7 - No. 24 leaving Charing Cross for Golden Square with The Beehive building, Ezywalkin, Coca Cola and the Fountain Shopping Centre in the background. .8 - No. 29 and a bogie tram at the Golden Square terminus with Golden Square Hotel and Victoria Bitter fence in the background. No. 29 has a SEC Briquettes roof advertisement. .9 - No. 29, with the Cathedral in background. Tram has a SEC Briquettes roof advertisement and destination of Golden Square. .10 - side view of a bogie tram on the Eaglehawk line? Tram has a Electric cooking roof advertisement. Photo has been over exposed. .11 - Single trucker, Violet St with the Central Deborah mine head in the background. Tram has two SEC Electric Cooking roof advertisements. tramways, trams, bendigo, lake weeroona, eaglehawk, golden square, charing cross, central deborah, tram 18, tram 25, tram 29, tram 24 -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: CLASSMATES
... Webster, Kevin Maher, Peter Jeffrey, Brian White, Joe Grenfell...: John McNamara, Tom Tranter, john White, Unknown, Frank Hill ...Bendigo Advertiser ''The way we were'' from 2003. Classmates: St Mary's College pupils in 1946. The school is now known as Catholic College Bendigo. Back row from left: Stephen Webster, Kevin Maher, Peter Jeffrey, Brian White, Joe Grenfell. Seventh row: Joan Dwyer, Beverly Webster, Carlotta Bush, Judy Hill, Peggy Webster, Phyllis Webster. Sixth row: Clare Cooney, Betty McEncroe, Mary Leonie, Pat Wilson, Mary Cooney, Phillipa McEniry, Helen O'Brien. Fifth row: Patricia Wilson, Maureen McNamee, Margaret Duguid, Jeanette Tranter, Beverly Hill, Janice Gill, Barbara Leonie, Aileen Braden. Fourth row: Margaret Paull, Helen McEncroe, Genevieve Redmond, Margaret Henry, Sue McWilliams, Marie Girvan, Maree Hayes, Elaine Giudice. Third row: Michael McEniry, Jenifer Carter, Rhonda Smith, Jill McIntosh, Virginia Bush, Margaret Phillips, Patricia Cullen, Pat Elderfield, Nola Smith, Ron Salter. Second row: John Hulls, Leo Bonazza, John Hibberd, Peter Cooney, Kevin Wright, Vincent Duguid, Peter Pritchard, Bill Doherty. Front row: John McNamara, Tom Tranter, john White, Unknown, Frank Hill, John Hodge. Bendigo advertiser ''The way we were'' from 2003. Class Identified: there was an unknown in the photograph and he was either Royce Charlotte or Michael O'Brien. Also, between Frank Hill and John Hodge, Tony Hill's name was omitted. The clip is in a folder.newspaper, bendigo advertiser, the way we were -
National Wool Museum
Painting, The White Farm, 2020/21
... the rolling grassy hills. It was intriguing – bright white and still... the rolling grassy hills. It was intriguing – bright white and still ...The farm buildings that Linda Gallus has studied and painted are on the farmland adjoining the Leura Park properties in Curlewis, on the Bellarine Peninsula. The current owner of the property told Linda that he bought the farm in 1994. He has used it for both sheep and cattle grazing since purchasing the property. When the farmer bought the land all the buildings on the property were painted white for sale, despite the fact they were very old. The shearing shed was in use up until the time of sale but was in a bad state of disrepair. The roof, stumps and floor required replacing. The building was no longer in use after the sale, so the shearing shed gradually fell into further disrepair. The previous owner had also used the property for growing potatoes, crops and livestock, mainly sheep. Linda’s fascination with the property came when she caught a glimpse of the white chimney over the hill driving towards Point Lonsdale, which still stands proud today on the roof of the old shearing shed. The owner kindly allowed her to visit the property over the past few years to capture the buildings using photography and painting. During this time many of the buildings have fallen. Linda calls it The White Farm as there are remnants of that original white paint on the outside of most of the buildings giving it a strange and rather beautiful patina. The structures are wonderful remnants of the history of the Bellarine. Linda first spotted the old shearing shed when she was driving home to Clifton Springs from Geelong. It was the white chimney on the shearing shed that stood out behind the rolling grassy hills. It was intriguing – bright white and still in good condition, unlike the rest of the building. After further investigation Linda got to know the owner of the property and visited it frequently to draw, take photos and paint. There is a variety of lovely old buildings on the property, but it was the shearing shed that held extra fascination for Linda. The most intriguing thing for Linda was that the buildings were all painted white at some stage and now the patina of peeling paint and bleached timber brought a wonderful mood and feeling to the farm. This is what she has tried to capture in this series of 11 paintings. Most of the buildings are falling, so Linda felt an urgency to capture them using acrylic paint on canvas in order to commemorate them forever.Acrylic Paint on Canvas. The images both feature a falling down shearing shed as the central focus. The wood of the shearing shed is a central theme of importance. The old buildings were painted white for sale despite being in a state of structural instability. After time this same painted wood has been left with an interesting complex patina like film on the surface which the artist has taken great care to capture. Image 1 is titled ‘Another gust of Wind’. It shows the exterior of the shearing shed which is in the process of collapsing from the forces of mother nature. In the background of this painting another of the buildings in the ‘White Farm’ complex is visible, in addition to blue skies and overgrown green grasses. Image 2 is titled ‘Green Trough’. It features the interior of the same collapsing shearing shed. The image is painted as though the viewer is peering through a crack of the external wall. Internally a green trough is seen hanging on an internal fence. Unlike everything else in the shearing shed, the trough appears new and in good condition. It provides a strong juxtaposition to the rest of the shearing shed, and the larger surrounding ‘White Farm’ complexbellarine peninsula, the white farm, shearing shed -
Bendigo Historical Society Inc.
Photograph - HILDA HILL COLLECTION: BLACK AND WHITE PHOTOS, 1917-1924
... HILDA HILL COLLECTION: BLACK AND WHITE PHOTOS...Series of Black & White Photos Total 6 Hill Family... Series of Black & White Photos Total 6 Hill Family & Friends ...Series of Black & White Photos Total 6 Hill Family & Friends During the First World War and after. Rita, wearing a dark dress with white collar and holding a dark coloured hat, background is large brick structure with windows to right and small section of veranda, pal tree, Railway Reserve Kyneton 1918. Man and two women wearing white dresses and dark hats, man wears dark suit white shirt and dark tie with his back against a large wheel, white sheet on ground between them and indistinguishable articles on sheet, Hibernian Picnic Axedale November 13th 1918. Group of young girls and boys all dressed in light coloured clothing gathering Botanical gardens January 1917, Miss N. Linnane reclining on cane lounge chair on verandah, weatherboard wall of house, verandah post, rock garden edging in foreground, May 1918. Monte Video Property Queensland Jeff, dressed in dark trousers and white shirt, holding a skinned rabbit, water tank in background, wire fence, July 1924. Father & Mother, Father wears a grey suit with white shirt and dark tie, Mother seated is wearing a dark dress with striped collar and white blouse, 'The Ranche' Mollison Street Eppalock.Hilda Hill Personal Collectionaustralia, history, post war life -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: FLASHBACK TO 1946
... McNamara, Tom Tranter, John White, Unknown O'Brien, Frank Hill... White, Unknown O'Brien, Frank Hill, John Hodge. The clip ...BHS CollectionBendigo Advertiser ''The way we were'' from 2003. Flashback to 1946: St Mary's college pupils, Bendigo 1946. The school is now known as the Catholic College Bendigo. Back row from left: Stephen Webster, Kevin Maher, Peter Jeffrey, Brian White, Joe Grenfell. Seventh row: Joan Dwyer, Beverly Webster, Carlotta Bush, Judy Hill, Peggy Webster, Phyllis Webster. Sixth row: Clare Cooney, Betty McEnroe, Mary Leonie, Pat Wilson,. Mary Cooney, Phillipa McEniry, Helen O'Brien. Fifth row: Patricia Wilson, Maureen McNamee, Margaret Duguid, Jeanette Tranter, Beverly Hill, Janice Gill, Barbara Leonie, Aileen Braden. Fourth row: Margaret Paull, Helen McEnroe, Genevieve Redmond, Margaret Henry, Sue McWilliams, Marie Girvan, Maree Hayes, Elaine Giudice. Third row: Michael McEniry, Jenifer Carter, Rhonda Smith, Jill McIntosh, Virginia Bush, Margaret Phillips, Patricia Cullen, Pat Elderfield, Nola Smith, Ron Salter. Second row: John Hulls, Leo Bonazza, John Hibberd, Peter Cooney, Kevin Wright, Vincent Duguid, Peter Pritchard, Bill Doherty. Front row: John McNamara, Tom Tranter, John White, Unknown O'Brien, Frank Hill, John Hodge. The clip is in a folder.newspaper, bendigo advertiser, the way we were -
Melbourne Tram Museum
Ephemera - Ticket/s, Public Transport Corporation (PTC), Set of 27 The Met Neighbourhood tickets, 1989
... 1989. Conditions of use printed on rear. Printed on white.... Conditions of use printed on rear. Printed on white paper. 1. Box ...Set of 27 The Met Neighbourhood tickets - May to August 1989. Conditions of use printed on rear. Printed on white paper. 1. Box Hill Neighbourhood - 249613 2. Ditto concession - 309912 3. Box Hill Plus one Neighbourhood - 064116 4. Ditto concession - 061316 5. Box Hill plus inner neighbourhood - 055562 6. Ditto concession - 025464 7. Moorabbin Neighbourhood - 197718 8. Ditto concession - 066968 9. Moorabbin Plus Inner Neighbourhood - 055961 10. Ditto concession - 024218 11. Moorabbin Plus one Neighbourhood - 028858 12. Moorabbin Plus inner Neighbourhood concession - 029817 13. Anywhere Neighbourhood concession - 219260 14. St Albans plus inner Neighbourhood concession - 017518 15. St Albans Neighbourhood - 098515 16. Ditto concession - 146761 17. Anywhere Neighbourhood - 259181 18. St Albans plus inner Neighbourhood - 027538 19. Frankston Neighbourhood - 098762 20. Ditto concession – 139069 21. Frankston plus one Neighbourhood - 020832 22. Frankston plus one neighbourhood concession - 016289 23. Greensborough Neighbourhood concession - 112260 24. Greensborough Neighbourhood - 099960 25. Greensborough Plus Inner Neighbourhood - 024040 26. Ditto concession - 010782 27. Greensborough Plus One Neighbourhood - 004563trams, tramways, tickets, the met, ptc, neighbourhood tickets -
Bendigo Historical Society Inc.
Photograph - HILDA HILL COLLECTION: BLACK AND WHITE PHOTOS, 1918-1923
... HILDA HILL COLLECTION: BLACK AND WHITE PHOTOS...Series of Black & White Photos of Hill Family and Friends... Series of Black & White Photos of Hill Family and Friends during ...Series of Black & White Photos of Hill Family and Friends during the war and post war life. Total 8 Photos. Welcome Parade General Pa n Bendigo October 21, 1918, tram wiring post in street, large two storey building in the background named Stanley's Coffee palace at corner of Mitchell and Mollison streets, Large crowd on roadway, Covered wagon among crowd with Good Shepherd laundry written on the side, foreground shows General Pau being driven through the crowd, General Pan is wearing a Napoleon style hat. Doreen dressed in a light coloured dress with white collar standing before a hedge, at rear is part of a corrugated iron roof gable, S.H.L.C. 27 September 1918. Group of four ladies three dressed in white and other a darker colour all seated on the ground, distant background a row of trees along a fence line, tea time Hibernian picnic Axedale 13 November 1918. Three women and young boy all seated on the ground, the ladies are all in white and two wearing white hats, young boy is dressed in suit with white shirt and dark tie and his right hand is pointing to his open mouth, to their right is a wooden structure and distant background more people can be seen, dinner time Hibernian picnic Axedale 13 November 1918. Overdeveloped photo of two young men standing between two shrubs and in front of a full length external window blind, 'The Ranche' February 1918. Group of four males dressed in dark coats and grey trouser at the snow Mt. Buffalo July 1923. Baby Irene clothed in white with bonnet seated in an English style pram with large wheels, picket fence and shrubbery in background, may 1918. Gert dressed in white shirt dark cardigan and dark skirt standing in front of hedged garden and trees, a small part of a roof can be seen between the trees, Railway Reserve 1918.Hilda Hill Personal Collectionaustralia, history, post war life -
Bendigo Historical Society Inc.
Photograph - HILDA HILL COLLECTION: BLACK AND WHITE PHOTOS, 1918-1920
... HILDA HILL COLLECTION: BLACK AND WHITE PHOTOS...Hilda Hill Collection. Black & White Photos of Hill Family... Hill Collection. Black & White Photos of Hill Family Total 9 ...Hilda Hill Collection. Black & White Photos of Hill Family Total 9. Three girls at SHLC 1918 with white sashes and medallions, dark clothing with white collars, background is garden scene , photo has over exposure problem which gives a lighter print, 24 September 1918, could it be a ladies college of education? Al standing wearing white blouse and dark dress holding a white hat standing and Gert sitting and holding a white hat in front of a bush wearing a white blouse and a light coloured skirt, background is forested area, 'The Pines' January 9th 1919. Claire dressed in dark dress and wearing a white hat with her hands together, oval photo, 'The Ranche', October 23 1918. Jonah wearing a hat and white dress with colourful hemline standing before a large hedge holding a parasol, large tree background left, 'The Ranche'. Three boys and two dogs All boys dressed in dark coats and shorts long socks two of the boys are on their haunches, Background is a gabled roof and 2 chimneys, white fence, between two of the boys is a water tap on a medium height pipe, Durvol December 1919. Moll Noonan seated on a round backed chair wearing a white dress, right background shows the side of a building, at knee level sis a broad leafed plant, other shrubbery in the background, 'The Ranche' November 1918. Ettie seated on a staircase and holding a dog, lady is wearing a broad brimmed hat, One Tree Hill April 18 1920. Two ladies in lightly coloured dresses standing in a garden setting, lady on left has a black sash waistband, Durvol December 1919 . Group of seven girls and 4 boys, all of the girls are dressed in white, front girl has black neck accessory, 'The Pines' January 9 1919 No. 7 Reservoir.Hilda Hill Personal Collectionaustralia, history, post war life -
Bendigo Historical Society Inc.
Photograph - HILDA HILL COLLECTION: BLACK AND WHITE PHOTOS, 1921-1922
... HILDA HILL COLLECTION: BLACK AND WHITE PHOTOS...Series of Black & White Images of Hill Family in the years... Series of Black & White Images of Hill Family in the years 1921 ...Series of Black & White Images of Hill Family in the years 1921-1922. Total 7 Photos. Darkie the horse tethered to stable. Zita, Nora, Rita & Doreen one Zita is dressed in black with white scarf around her neck and wearing a dark coloured hat, other three are all dressed in white Nora has a dark hat and other two have broad brimmed hats, Rita and Doreen have black ribbons hanging from their necks, to the right are a man and lady seated on the ground and in dark clothing, a man with a pipe in his mouth and wearing a grey suit and hat in background, lady in black and lady in white looking in other directions, background has grandstand with gab le roof and fronted by a white picket fence and people sitting at tables and chairs, trees in right background, Queenscliff February 1921. Rita Nora Doreen lying face down on the beach, girl on left has dark hat on, background shows large shed and other housing with fences, 'Merry Mermaids' Queenscliff 1921.Four girls and one male, three girls dressed in white, one in dark colour, two have light coloured hats and two have dark colour hats, one girl dressed in dark colour, male is wearing white trousers and college coat with stripes, background shows skyline of the nearby city and beach buildings, two men occupy a seat right back ground and dressed in dark clothing, Queenscliff 1921. Cyril Fred Mollie Doreen in a conga line the boys in grey suits and the girls in white, one has circular bands on her skirt, hedge in near back ground, gable roofed building and trees further back,'Durvol' January 1922. Hal wearing dark coat and jodhpurs long boots sitting astride a bicycle, something balanced between the handlebars and on the top bar, paling fence with vine hanging overhead other plants in the corner of the yard, December 24 1921. Doreen riding in a billy cart and pulled by a large dog along a pathway, Doreen is wearing all white, background is bushes and hedge with large tree, Dog is dark colour, 'I'm coming' January 1921.Hilda Hill Personal Collectionaustralia, history, post war life -
Eltham District Historical Society Inc
Photograph, Entrance to Shire of Eltham Memorial Park, Garden Hill, Eltham-Yarra Glen Road, Kangaroo Ground, c.1923
... he sold off the former White ‘Garden Hill’ property. o... he sold off the former White ‘Garden Hill’ property. o ...View to south-east from Shire of Eltham Soldiers' Memorial Park showing the carriageway from the road to top of Memorial Park. Accompanying notes state that the entry gate was put in place in May 1921. Eltham and Whittlesea Shire Advertiser and Diamond Creek Valley Advocate Fri 21 May 1920 p 2 reported: Kangaroo Ground Memorial Park "It was decided to arrange for a working bee on Saturday, 29th inst., for the purpose of forming and gravelling the track leading to the Park, and of carrying out other necessary works." A history summary of the Shire of Eltham Soldiers’ Memorial Park • The summit at Garden Hill was a popular tourist lookout and picnic spot from the 1880s. Virtually the entire Shire of Eltham and beyond could be viewed from this location. • A local farmer, Mr Walter A. D. Wippell is credited as being the first to propose the idea of a war memorial park and offered £50 towards the purchase of the land. • The earliest public reference to this project is to be found in the local Advertiser newspaper edition of August 9th, 1918. A report of the August Council meeting records the Eltham Shire President, Cr. Robert White, saying: "some time back it was proposed that the Council obtain and place on an Honour Board in the Council Chamber [at Kangaroo Ground] containing names of the lads who had enlisted. Just recently however, it had been suggested that a more fitting memorial would be the obtaining of a piece of land on the summit of Garden Hill, Kangaroo Ground, and the formation of a memorial park in which a monument could be erected to represent the whole of Shire. If a couple of acres could be obtained a gentleman had promised to donate 50 pounds, and another one would fence it, and other contributions, he was sure, could be obtained." • Councillors were favourable of the proposal and the President, Shire Secretary and Shire Engineer were deputised to wait on Messrs Mess Bros. (the owners of the Garden Hill farm) and ascertain if they would gratuitously give the land. The Mess Bros. land adjoined the farm/stud of Mrs Fanny White (Cr Robert White’s mother), daughter of Andrew Harkness who established their property on Garden Hill around 1846. • Access to the land came in February 1919 when several Councillors and the Shire Engineer surveyed the actual two acres of '5 chains along the road and 4 chains deep'. The Engineer volunteered his services free to do this task. The Mess brothers however demanded £100 per acre but eventually agreed to take £50 per acre. • Entry from the Kangaroo Ground-Yarra Glen road was seen to be a problem and Mrs. White, who owned the land beside the park, was asked to donated a triangle of her property to allow this access. • By September 1919 returned soldiers were employed by the Shire and volunteers were called to clear the hilltop by ploughing up the rocks and clearing the area, the fencing was put into place and in May 1921 the Council erected three gates, within an archway, at the entrance to the drive and pathway to the summit. • Public subscriptions were sought through the Advertiser newspaper to beautify the site. The views of the Curator of the Melbourne Botanical Gardens were sought as to the ‘class of ornamental trees most suitable for planting in the Park area”. • The Memorial Park or Shire of Eltham Soldiers’ Memorial Park was officially opened by Mr. W.H. Everard, M.L.A., 3 September 1921. • In 1922 plans were made to place a War Memorial in the Park. Funds were donated by the Council of £250 and a challenge to the community, to match this money with contributions was met. • On Anzac Day 1923, 1,000 people gathered on the summit in the park for a memorial service. A much smaller group of about 50 people gathered around a newly constructed cairn and flagstaff in the afternoon of Anzac Day 1924 amidst rain and a squally southerly wind, the morning service being cancelled. • A meeting for those interested in establishing a War Memorial monument within the park was held in January 1924 and the Eltham Shire War Memorial League was formed and a design competition decided upon. • The Shire of Eltham War Memorial tower was built in 1926 at a cost of £1,023 and 5 shillings with locally quarried stone donated by Dr Ethel and Professor William Osborne. It was formally known as the ‘Shire of Eltham War Memorial’ and was unveiled on 11 November 1926. The large bronze inscription above the entrance to the tower states: SHIRE OF ELTHAM WAR MEMORIAL THESE MEN DIED FOR THEIR COUNTRY 1914 IN REMEMBRANCE THIS TOWER WAS BUILT 1918 • The Caretaker’s hut was built in 1927 with left over from the tower construction. • A returned soldier was appointed to act as caretaker for the memorials. Tiny Carrol, a huge man, was the first caretaker and lived in the stone hut. There was a push to have alterations made at one stage to provide additional rooms for a married caretaker but was rejected. • A new Caretaker Cottage was built in 1951 at a cost £2,500. The cottage had been subjected to raids by thieves three times during construction until a guard from the Returned Servicemen’s League was posted until its opening. • The War Memorial tower was re-dedicated by Sir Dallas Brooks on 8 November 1951, unveiling new bronze plaques containing the names of those who fell during the Second World War. Sir Dallas also officiated the opening of the new Caretaker’s Cottage. • A toilet block was built in 1965. • A further dedication of the Shire of Eltham War Memorial tower took place 11 November 2001 to recognise the men who fell in subsequent campaigns up to and including Vietnam. • Four land titles are involved: o The purchase of the two acres from owners Ruth Gosling, Alexander Mess, James Johnson Mess and Joseph Mess is recorded in two actions, the first being the payment of £100 for the two acres, the second showing that the Shire of Eltham did not get a transfer of title until 14th January 1952. o The access land donated by Mrs. Fanny White is dated 26 February 1924. A further need to widen the entry came after the deepening of the road cutting and another land donation was given by Sir Herbert Gepp, title dated 15th May 1952. This would have been about the time he sold off the former White ‘Garden Hill’ property. o The land reserve to increase the area and possibly allow a circuit road to be put in place on the western side of the park was purchased by the Shire of Eltham, title dated 16th February 1973. Rare photograph of the entrance to the Shire's Memorial Park during early stages of development prior to the erection of the Shire of Eltham War MemorialSepia photograph printed with white border with slight crack lower left hand corner and three significant vertical cracks fanning from lower centre edge to upper edge Digitally enhanced version to minimise impact of crackseltham-yarra glen road, entrance gate, garden hill, kangaroo ground, shire of eltham memorial park, shire of eltham war memorial, kangaroo ground war memorial park -
Bendigo Historical Society Inc.
Photograph - HILDA HILL COLLECTION: BLACK AND WHITE PHOTOS, 1917-1922
... HILDA HILL COLLECTION: BLACK AND WHITE PHOTOS...Series of Black & White Photos Total 8 Hill Family... Collection Series of Black & White Photos Total 8 Hill Family ...Series of Black & White Photos Total 8 Hill Family & Friends during the final years of World War I and into the touring boom of the 1920s. Lady dressed in all white, with dark coloured scarf over her shoulder, parasol in her right hand, in conversation with The Dean January 28th 1918.Oval photo of young girl dressed in dark skirt and white blouse in bush setting with trees in background, photo not very clear, 'Durvol' Kyneton 1918. Mollie & Babe Railway Reserve Kyneton, girl in light coloured dress reclining on the ground, other girl in kneeling position wears dark skirt and white blouse, palm tree to the left background, further back is paling fence, shrubbery to the right background, 1918. Horse & 4 wheeled Gig, man seated wears a dark suit with white shirt and dark tie, horse appears to be a grey colour, background shows bull nose veranda roof and part of a house gable, tree in framework on nature strip. Nell wearing a dark skirt and white top, right hand touching a shrub, white structure in the background, 'The Ranch' Eppalock November 1918. Botanical Gardens group photo, six young ladies, one wearing a vertical striped dress, three wear dark dresses with white blouses, two wear white blouses and dark skirts, one black hat and three light coloured, light hat in right foreground, January 1919. Jack & Mick in dark suits, white shirts, striped ties, shrubbery in the background, long trousers 'The Ranch' Eppalock January 14th 1917. two young ladies in all white, one holding a hat, young boy in dark clothing white shirt and dark tie, holding long stick, large shrub in the background, 'The Pines' Kyneton January 1919.Hilda Hill Personal Collectionaustralia, history, post war life -
Bendigo Historical Society Inc.
Document - MERLE HALL COLLECTION: ROSALIND PARK CREATIVE VILLAGE BENDIGO PROJECT AND FINAL REPORTS, 1995
... (White Hills Secondary College), Marion Wright, G. Maddams... (White Hills Secondary College), Marion Wright, G. Maddams ...MERLE HALL COLLECTION: ROSALIND PARK CREATIVE VILLAGE BENDIGO Project and Final Reports 3858.13 PDF File 11th August 1997 - three pages From: Merle Hall, Secretary Arts Bendigo To: Mike (final Media Release probably the Bendigo Advertiser) Content: Media Release two pages and a poem read out by Mosaic Artist Maery Gabriel (Hall) 'Reflections from Rosalind Park' Date Unknown: First invitation mail-out for C.V.T. Presentation and notes. Invitations to Felicity Kingerlee, Rod, Orr, Jane Cleary, Ian Stewart (Flora Hill Secondary College), Marion Stewart (White Hills Secondary College), Marion Wright, G. Maddams (& staff), Frank Ham, Tony Morris (Astronomy chap), Trevor Tonking (Cont. Ed.), Bernard smith and others at City of Bendigo, All A.B. Committee. Included are handwritten notes. Date Unknown: Two page document entitled: Enhancing the livable environment. Document contains details of the project, aims etc. 14th March 1995 To: The Greater City of Bendigo From Arts Bendigo Content: Two pages, a formal proposal for the involvement of the City of Greater Bendigo in the Creative Village project of the V.A.C. It contains information on Background, Concept,Implementation,Expected outcomes, Summary, Appendix 1 and 2 (Examples of the work of the artist). Date Unknown From John L. Content: one page of notes on similar projects and involvement by Arts Bendigo. The title of the document is Creative Village - Enhancing the Livable Environment. 5th Septemberh 1995 To: Members of the community who contributed ideas and suggestions From Arts Bendigo Ann Buzza and Merle Hall. Content: Invitation to attend a meeting with the Creative Village Team to view the Team's full report and explanation of designs etc. 9-10 June To: Participants in the Maery Hall Workshop From Arts Bendigo Ann Buzza and Merle Hall. Content: Location - ceramic department, Fine Arts building, Latrobe University Bendigo; acces information and what to bring to the workshop. Date Unknown To: City of Greater Bendigo Content: Arts Bendigo committment to the guidelines discussed with the relevent Council officers. Date Unknown To: City of Greater Bendigo From Arts Bendigo Content: Title - Historic Mining Mosaic Pavement at rosalind Park Poppet Head. A report on the project so far. Typed and ewritten notes. 28 July To: Public From Arts Bendigo Merle Hall. Content: Public invite to mark the completion of the project. June 1997 To: Public Content: A copy of Bendigo Heritage Mosaic City of Greater Bendigo plaque. 2nd September To: Attention Leanne McDonnell, Bendigo Advertiser From Arts Bendigo Merle Hall. Content: Media Release on 'The Laying Begins' Date Unknown To: Potential Donors From Arts Bendigo Merle Hall, sponsorship committee. Content: Description of the project titled 'Exciting Addition to Bendigo's Central Area. Date Unknown To: Potential Donors From Arts Bendigo Merle Hall, sponsorship committee. Content: Description of the project titled 'Exciting Addition to Bendigo's Central Area. Date Unknown List of LEAP team members for the project. Date Unknown To: Emma Power From Arts Bendigo Secretary Merle Hall. Content: three pages of information on the project (1. Intoduction 2. Small leaflet, prepared for visitors to the team 3. General outline of the project and the background on the Creative Village Team. 19-21 July To: All schools of the Bendigo area From: Merle Hall Secretary Arts Bendigo Content: An invitation for staff and students to visit the Creative Village Team during their time in Bendigo, at the Central Library on 19-21 July 19-21 July To: The Public From: Merle Hall Secretary Arts Bendigo Content: An invitation for staff and students to visit the Creative Village Team during their time in Bendigo, at the Central Library on 19-21 July 5th October 1995 To: Mr Peter Seamer, Chief Executive Officer, City of Greater Bendigo. From Merle Hall Secretary Arts Bendigo Content: RE 'Creative village team report and ongoing plans' 14 March 1996 To: Committee of Arts Bendigo From: Ann Buzza Content: Two pages hand-written report on visit of Maery Hall ot Bendigo 14/3/96 Date Unknown To: Bernard Smith, City ogf Greater Bendigo From: Merle Hall, Secretary Arts Bendigo Content: A list of urgent requirements needed by May 24th, material list from council stock. 27 June 1996 To: The Professionals, 54 Mitchell Street Bendigo, Attention Stephen Carter From: Merle Hall, Secretary Arts Bendigo Content: Account for use of shop in Allan's walk and cheque. 2nd July 1996 To: Cr Megan Weston Mayor, city of Greater Bendigo, copy to Bernard Smith. From: Merle Hall, Secretary Arts Bendigo Content: Thank you for $3500 to match the Arts Bendigo sponsorship. 2 June 1996 To: James C donnelly and associates, 5 School Lane, Wangi Wangi. From: Merle Hall, Secretary Arts Bendigo Content: Draft cover letter including a one page draft letter and a two page submission. James Donnelly was a parent of one of the LEAP workers who were helping on the project. James donnelly had suggestions for approaching mining companys for potential sponsorship. 1st October 1996 To: Mr D. Goldsworthy, City of Greater Bendigo From: Merle Hall, Secretary Arts Bendigo Content: Historic mining Mosaic Project, Rosalind Park Poppet Head. A formal submission for the council for some essential provisions for the extension of work on this project. 1st October 1996 To: Cr M. Weston, Mayor, City of Greater Bendigo. From: Merle Hall, secretary arts Bendigo Content: Three pages including a listing of income and costs to the project. 28th October 1996 To: Arts Bendigo From: Maery Hall Artist Content: two page report on the status of the project and problems that have been faced. 19th To: Leanne (maybe the Bendigo Advertiser) From: Merle Hall, secretary arts Bendigo Content: two pages on the finished project (Bendigo's Newest attraction) 19th March 1997 To: Steve From: Merle Hall, secretary arts Bendigo Content: Asking for rough quotes for printing of brochures. Date Unknown To: The Bendigo Bank From: Merle Hall, secretary arts Bendigo Content: two pages seeking a sum of $1000 to complete the project. 28th April 1997 To: Suzi Birthisel, Sponsorship Coordinator, Bendigo bank, Fountain Court, Bendigo From: Merle Hall, secretary arts Bendigo Content: Asking for a small sum for production of coloured brochures Date Unknown To: Committee From: Merle Hall, secretary arts Bendigo Content: Suggested invitation list from 'Arts Victoria' to the Committee re the opening on 28th July of the Bendigo Heritage Mosaic. 28 July 1997 From: City of Greater Bendigo and Arts Bendigo to public Content: Invitation to a brief ceremony to mark the occasion of the completion of The Bendigo Heritage Mosaic at the Poppet Head Lookout, Rosalind Park on Monday 28 July 1997. 5th August 1999 From: Merle Hall, Secretary Arts Bendigo To: Cr. B. Ackerman, Mayor, City of Greater Bendigo. Content: A brief note from the committee of Arts Bendigo, in appreciation of your attendance and speech at the 'completion ceremony, last week. 30th October 1997 From Merle Hall, Secretary Arts Bendigo To: the National Community links Awards, Category 1 - Arts and Culture Content: Included were Nomination Form, Written Statement as required under (5), a written reference from the mayor of the City of Greater Bendigo, two pages of photographs of the project, and five copies of a brochure printed to publicise the project. 2nd Feb 1998 From Merle Hall, Secretary Arts Bendigo To: Mrs. S. Parain, President, Regional Arts Fund Content: Regional Arts Fund Application, Sections 1 to 4 requesting a grant of $5197.00 -
Bendigo Historical Society Inc.
Photograph - HILDA HILL COLLECTION: BLACK AND WHITE PHOTOS, 1918
... HILDA HILL COLLECTION: BLACK AND WHITE PHOTOS...Series of black and white photos depicting The Hill family... Series of black and white photos depicting The Hill family ...Series of black and white photos depicting The Hill family and friends during the post war years. Total number 9 photos. Two young ladies one seated in a deck chair and the other to the right standing with her right arm on the back of the chair, both girls wearing pinafores and white blouses at Brighton January 1918. Mog and two small girls all wearing white standing in front of a wooden structure and garden in background, Bendigo 1918. group of four girls and four boys, three of the girls are dressed in white and the fourth in a darker colour, one of the boys is wearing a white shirt and waistcoat two of them are in white shirts, two in middle background are indistinct, 17 Clive road January 1918. Double exposure gives the outline of a car in front of a white picket fence, right foreground at rear of car there is a group of adults and children that is indistinct for details, St Patrick's procession 1918 and family car. Rosa in light coloured dress with white collar, garden setting 'Moorilim' October 1918.Unnamed girl 'a Vision' wearing a white dress sitting on a wooden stump that is part of a building support, to left is a man in dark waistcoat and trousers with a white shirt sitting on the ground with his back to an axle with two large wheels, and a building support, Hibernian Picnic Axedale November 13 1918. Two ladies in foreground both wearing white, one also wears black hat and scarf, to left on stump is a light coloured hat and white coat, background has girl dressed in white blouse and dark skirt and further back can be seen more people, Hibernian Picnic 13 November 1918. 'three Merry maids' sitting on blanket on the ground two dressed in full white and third white top and dark dress, more people in the far background, Hibernian picnic Axedale 13 November 1918. Mrs Cavagna and Carmy, young girl dressed white dress with black belt and long white socks and black shoes, seated lady in white dress and dark hat with black veil, number of people in the far background, Hibernian picnic 13 November 1918.Hilda Hill Personal Collectionaustralia, history, post war life -
Bendigo Military Museum
Photograph - Army Survey Regiment –Defence Force Service Medal Presentations, Fortuna Villa, Bendigo, 1982
... personnel in background unidentified. .4) - Photo, black & white... in background. .16) - Photo, black & white, c1982. SGT Garran Hill ...This is a set of 18 photographs of the presentation of the Defence Force Service Medal to personnel in recognition of 15 years of efficient remunerated service, or the Clasp for 5 years of additional service, at the Army Survey Regiment, Bendigo circa 1982. All medal recipients were from Lithographic trades.This is a set of 18 photographs of the presentation of the Defence Force Service Medal, at the Army Survey Regiment, Bendigo circa 1982. The black & white photographs are on 35mm negative film and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 96 dpi. .1) - Photo, black & white, c1982. L to R: SGT Greg Anderson, CO LTCOL Jorge Gruszka AO, WO1 Noel ‘Nesty’ Coulthard, unidentified officer. .2) - Photo, black & white, c1982. L to R: LT Terry Lord, SGT Greg Anderson, CO LTCOL Jorge Gruszka AO, WO1 Noel ‘Nesty’ Coulthard, WO2 George Austen, unidentified officer, MAJ Jim Mitchell. Unidentified personnel in background. .3) - Photo, black & white, c1982. L to R: SGT Greg Anderson, CO LTCOL Jorge Gruszka AO, WO1 Noel ‘Nesty’ Coulthard, WO2 George Austen, WO2 George Graham, MAJ Jim Mitchell, CPL Eddie Jacobs, CPL Doug Home, remaining personnel in background unidentified. .4) - Photo, black & white, c1982. L to R: SGT Greg Anderson, CO LTCOL Jorge Gruszka AO, WO1 Noel ‘Nesty’ Coulthard, WO2 George Austen, WO2 George Graham, MAJ Jim Mitchell, WO2 John McCracken, CPL Doug Home, remaining personnel in background unidentified. .5) - Photo, black & white, c1982. L to R: WO1 Noel ‘Nesty’ Coulthard, WO2 George Austen, WO2 George Graham, MAJ Jim Mitchell, WO2 John McCracken, CPL Doug Home, CPL Graham Johnston, unidentified, SGT Garran Hill, LT Dave Sankey, remaining personnel in background unidentified. .6) & .7) - Photo, black & white, c1982. L to R: CO LTCOL Jorge Gruszka AO, WO1 Noel ‘Nesty’ Coulthard, WO2 George Austen. Unidentified personnel in background. .8) & .9) - Photo, black & white, c1982. L to R: CO LTCOL Jorge Gruszka AO, WO2 George Austen. Unidentified personnel in background. .10) to .12) - Photo, black & white, c1982. L to R: CO LTCOL Jorge Gruszka AO, WO2 George Graham. Unidentified personnel in background. .13) - Photo, black & white, c1982. WO2 John McCracken. Unidentified personnel in background. .14) to .15) - Photo, black & white, c1982. L to R: CO LTCOL Jorge Gruszka AO, WO2 John McCracken. Unidentified personnel in background. .16) - Photo, black & white, c1982. SGT Garran Hill. Unidentified personnel in background. .17) to .18) - Photo, black & white, c1982. L to R: CO LTCOL Jorge Gruszka AO, SGT Garran Hill. MAJ Jim Mitchell, CPL Eddie Jacobs, CPL Doug Home in background.There are no personnel identified. royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho sqn -
The Beechworth Burke Museum
Photograph, W. D. Gibbon, 1905
Taken 1905 by photograph W.D Gibbons the photograph depicts a pathway leading to the administration building of the Beechworth Mental Asylum. There are three well-dressed young men lounging on the grass as another is jumping behind them. This is significant as it demonstrates that the asylum was not a prison and that the mentally ill patients were allowed their freedom. The Beechworth 'Lunatic' Asylum was constructed between 1864 and 1867 to the designs by the Public Works Department (PWD) and was later renamed the Mayday Hills Mental Asylum. The decommissioned asylum was one of the largest psychiatric hospitals in Victoria and consisted of sixty-seven buildings, one thousand two hundred patients and five hundred staff members. At the asylum, active work was considered imperative and workshops were located near the male accommodations and laundries and drying yards near the female accommodation. The administration building itself highlights the architectural and aesthetic significance of the asylum to the State of Victoria. This photograph is historically significant as it demonstrates the architectural and aesthetic significance of the asylum but also the changing approaches to treating mental health. Black and white rectangular photograph printed on matte photographic paper mounted on grey cork Obverse: W.D Gibbon/ Beechworth Reverse: 79.1701beechworth, beechworth lunatic asylum, beechworth mental hospital, mayday hills, mayday hills mental hospital, asylum, administration building, wd gibbon, photograph -
The Beechworth Burke Museum
Photograph, 27/01/2010
Taken on the 1st of April 1928 and copied from a private collection on the 27th of January 2010 the photograph depicts three well-dressed men and a small child standing around a fountain at the back of the administration building of Beechworth's 'lunatic' Asylum The asylum was constructed between 1864 and 1867 to the designs by the Public Works Department (PWD) and was later renamed Mayday Hills Mental Asylum. The decommissioned asylum was one of the largest psychiatric hospitals in Victoria and consisted of sixty-seven buildings, one thousand two hundred patients and five hundred staff members. The asylum was one of the first asylums to focus on treatment and rehabilitation instead of institutional confinement. At the asylum, active work was considered imperative and workshops were located near the male accommodations and laundries and drying yards near the female accommodation. The asylum closed in 1995 and was sold to La Trobe University before being closed and sold again in 2011 to a private owner.This photograph is historically significant as it demonstrates the freedom and safety of those who visited the asylum while also highlighting this instutions mission to treat and rehabiliate patients instead on institutionalising them.Black and white rectangular photograph printed on photographic paperReverse: 7606-1/ Copied 27 Jan 2010/ Copied from private collection/ Inscribed on the back of original/ J.Pinfold 1-4-1929/ May Mental Hospital for the Insane. beechworth, beechworth mental asylum, beechworth lunatic asylum, beechworth mental hosptial, mayday, mayday hills, mayday hills mental asylum, administration building, fountain -
The Beechworth Burke Museum
Photograph, c. 1910
Taken approximately 1910, this black and white photograph shows the interior of the surgery and consulting rooms at the Mayday Hills mental hospital known at that time as a lunatic asylum in Beechworth. Mayday Hills Hospital, then known as the Beechworth Lunatic Asylum was constructed between 1864-67 designed by The Public Works Department. The hospital is made up of a number of buildings, landscaping, ha-ha, workshops, laundry, administrative facilities and farmland, it was constructed in 'Italianate' style by a team of up to two hundred and fifty workers (Woods p. 122). The asylum was established in response to the need for the regional shire to locally care for those particularly affected by their time working the Ovens goldfield during the Indigo Shire gold rush era where poor living conditions and isolation were significantly affecting the welfare of a great many people through poverty and lack of resources. The gaol and orphan labour systems were not able to effectively support to give housing, rehabilitation and ongoing care for the mentally ill, and transporting to Melbourne by waggon was a time consuming and counter-productive solution when the metro facilities were already overcrowded. According to Woods (A Titan's Field p. 122), between 1901 and 1911 a large percentage (thirty five percent in 1901 and twenty four in 1911) of the Beechworth population were either patients or inmates of Beechworth institutions, Mayday Hills accounted for some six hundred and seventy four patients in 1901, Beechworth's Mayday Hills was chosen as the site of Victoria's newest asylum, at the time, due to the landscape and altitude. The hilltop atmosphere and the native fauna, it was argued, would assist in the cure of the patients kept at the hospital (Wood 1985, 122). The positioning of the hospital had a beneficial effect on the rural town and the large volume of people living at the hospital and contributing to this population growth is counted as reason for the survival of Beechworth as a regional township. Mayday Hills continued to function as a mental hospital up until 1995 when it was sold to LaTrobe university. The building and grounds are listed on the Victorian Heritage Register under criterion A, B, D, E and F. Although grainy, the image gives a good indication of a functioning interior space of a surgery and consulting room at Mayday Hills in the early 1900's, from which we might interpret (from the types of tools and furniture present), the medical practices being performed at the time.Black and white rectangular photographmedical, asylum, surgery, hospital, beechworth, mayday hills, mayday hills asylum, mayday hills hospital, mental hospital, beechworth lunatic asylum, beechworth institutions, social welfare, public works department, consulting room -
The Beechworth Burke Museum
Photograph - Photographs, E. Yellard, c. 1950's
Two rectangular black and white photographs of the Beechworth Mental Hospital (Mayday Hills) administrative building showing the left and right hand sides of the exterior building with three cars parked in driveway turning circle in the foreground taken in the 1950's by E. Yellard. Mayday Hills Hospital, originally known as the Beechworth Lunatic Asylum was constructed between 1864-67 designed by The Public Works Department. The hospital is made up of a number of buildings, landscaping, ha-ha, workshops, laundry, administrative facilities and farmland, it was constructed in 'Italianate' style by a team of up to two hundred and fifty workers (Woods p. 122). The asylum was established in response to the need for the regional shire to locally care for those particularly affected by their time working the Ovens goldfield during the Indigo Shire gold rush era where poor living conditions and isolation were significantly affecting the welfare of a great many people through poverty and lack of resources. The gaol and orphan labour systems were not able to effectively support to give housing, rehabilitation and ongoing care for the mentally ill, and transporting to Melbourne by waggon was a time consuming and counter-productive solution when the metro facilities were already overcrowded. According to Woods (A Titan's Field p. 122), between 1901 and 1911 a large percentage (thirty five percent in 1901 and twenty four in 1911) of the Beechworth population were either patients or inmates of Beechworth institutions, Mayday Hills accounted for some six hundred and seventy four patients in 1901, Beechworth's Mayday Hills was chosen as the site of Victoria's newest asylum, at the time, due to the landscape and altitude. The hilltop atmosphere and the native fauna, it was argued, would assist in the cure of the patients kept at the hospital (Wood 1985, 122). The positioning of the hospital had a beneficial effect on the rural town and the large volume of people living at the hospital and contributing to this population growth is counted as reason for the survival of Beechworth as a regional township. According to the Victorian Heritage database, during the period 1921-1950 Mayday Hills underwent some modernisation by Public Works Department architect Percy Everett which included a nurses' hostel and new ward which were further developed and continued to function as a mental hospital up until 1995 when it was sold to LaTrobe university. The building and grounds are listed on the Victorian Heritage Register under criterion A, B, D, E and F.These photographs give a good indication of the ongoing use of Mayday Hills from its original establishment in the 1860's through to almost one hundred years later when these photographs were taken. The clarity of the images combined with the style and make of the cars in the foreground give a good indication of the time period and show the continued use and need for the facility over the years. Through images of building facades such as these, we might gain fuller understanding of the structural and aesthetic characteristics to be used in any future development or restorative work.2 x black and white rectangular photographs [copies] printed on Ilford photographic paper8688.1 reverse: Beechworth / Mental / Hospital / 80% 19cm / 12 cm / 80% / 728 / New / Print / BMM / 8688.1 / E. / Yellard / [Stamped : ILFORD] 8688.2 reverse: Beechworth / Mental / Hospital / E. / Yellard / BMM / 8688.1 / [Stamped : ILFORD]administrative building, black and white photographs, beechworth, mental hospital, beechworth mental hospital, mayday hills, cars, 1950, e. yellard, the public works department, public works department, hospital, mayday hills hospital, beechworth lunatic asylum, lunatic asylum, asylum, ovens goldfield, indigo shire, indigo shire gold rush -
The Beechworth Burke Museum
Animal specimen - Eastern Rosella, Trustees of the Australian Museum, 1860-1880
Eastern Rosellas are multi-coloured medium-sized Australian parrots with distinctive white cheek patches. The Eastern Rosella is found throughout south-eastern Australia, from Queensland to Victoria, south-eastern South Australia, and eastern Tasmania. Despite their vibrant colours, Rosellas camouflage well into their surroundings when perching or when on the ground. The Eastern Rosella is found in open woodlands, grasslands, farmlands and remnant bushland. These birds are often found in urban habitats such as parks, gardens and golf courses. Early European settlers encountered the Eastern Rosella at Rose Hill, New South Wales, now Parramatta, and so they called it the Rosehill parakeet which became "Rosehiller", and eventually shortened to "rosella". This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. This mature Eastern Rosella has a red head and breast, with a light green belly and distinctive white cheeks. The back is yellow-green with black mottling, the yellow-green turning green then to blue across the wings. The tail feathers are blue/black, with a red base on the underside. This specimen stands upon a wooden platform and has an identification tag tied around its leg.Label: 79/ Rose-hill Parakeet / See catalogue, page 22 taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, australian birds, rosella, eastern rosella, rosehill parakeet, rose-hill parakeet -
The Beechworth Burke Museum
Photograph, Circa 1858
Taken around 1858, depicting a row of five business buildings on a rocky, sloping hillside at New Town, with a view across to residences and open land. Businesses included, Joseph E. Bishop, Coach Builders; Straughair Duncan, Engineers, Blacksmiths & Farriers; Straughair Duncan, Beechworth Foundry; Wholesale & Retail Est. 1855, Mackenzie Family Store ; and T. Pratten, Grocer. Eleven men may be seen outside the Foundry building. The Mental Hospital can be seen in the background. Mark Straughair and John Duncan, established the Beechworth Foundry, Newtown in 1858 and went on to build an important industry, employing around sixteen men, after acquiring Alexander Roger's New Ford Street Foundry in the late 1860s. Making and repairing mostly mining and agricultural machinery for the Ovens District and a Beechworth brewery, the business continued to function after Straughair's death in 1882, up until the death of Duncan in 1896, when the business folded. This photograph is historically significant because it shows the development of the businesses in Beechworth from the early establishment of the town.Black and white rectangular photograph printed on photographic paperReverse: [Agfa wordmarks: diamond-shaped watermarks for Agfa photographic paper] 1997.2642/ refer to/ 1997 2650/ 3056joseph e. bishop, mark straughair, john duncan, mackenzie family store, beechworth foundry, coach, coach builder, engineer, blacksmith, farrier, t. pratten, beechworth grocers, grocer, new town, newtown beechworth, newtown, foundry, 1858, local business, new ford street foundry, alexander rogers, victorian agricultural history, mining machinery, beechworth brewery, ovens district, mayday hills mental asylum, beechworth mental hospital, beechworth mental asylum, mental hospital, mental -
The Beechworth Burke Museum
Geological specimen - Yellow Sandstone
This specimen is from Barefoot Hills, Victoria. Sandstones are economically important as major reservoirs for both petroleum and water, as building materials, and as valuable sources of metallic ores. Most significantly, they are the single most useful sedimentary rock type for deciphering Earth history. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.A sedimentary rock composed mostly of quartz sand. Sandstone is the second most common sedimentary rock after shale. Sandstones consist of sand-sized grains principally quartz, feldspar and rock fragments. The two major classes of sandstone are arenite and wacke. the colour of sandstone varies from grey, yellow, red and white reflecting the variation in mineral content and cement and is gritty to touch (like sandpaper).Geological survey / R.... S 61 / Loc Bareboot Hills / Sheet / 24SE / 94 /burke museum, beechworth, indigo shire, beechworth museum, geological, geological specimen, mineralogy, sandstone, yellow sandstone, victoria, barefoot hills -
The Beechworth Burke Museum
Audio - Oral History, Mr Doug Craig
Doug Craig was born in Beechworth but had lived in Stanley. His parents had been in Stanley since the 1850's. He went to secondary school in Beechworth. His family roots are from France and Scotland. Doug gave an account of his younger years as a student at Beechworth in the post war periods of 1959 to 1953, his employment and the culture within companies he worked for, the changes brought by the new drug era, working in the hospital, This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke.This oral history account is socially and historically significant as it is a part of a broader collection of interviews conducted by Jennifer Williams which were published in the book 'Listen to what they say: voices of twentieth-century Beechworth.' While the township of Beechworth is known for its history as a gold rush town, these accounts provide a unique insight into the day-to-day life of the town's residents during the 20th century, many of which will have now been lost if they had not been preserved.This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side.beechworth, mental hospital, drugs, burke museum, stanley state, hospitals, hospital patients, cocky's loft, may day hills, may day -
The Beechworth Burke Museum
Audio - Oral History, Jennifer Williams, Mrs Pam Croswaite, 2000
Mrs Pam Croswaite was born 1928 in Beechworth. Her father was one of the Zwar brothers who co-owned the Beechworth Tannery until it was sold in the 1950s. Her grandfather was the founder of the Zwar Bros. Tannery and one of the first car owners in Beechworth. Pam went to university to become a pharmacist, studying in Beechworth and Melbourne. She returned to Beechworth to raise her family after quitting her work and travelling with her navy husband to England twice. In 1984 she returned to work as a pharmacist at Mayday Hills psychiatric facility, the former 'Beechworth Lunatic Asylum'. Her grandfather, on her mother's side, was the former superintendent of the psychiatric facility. She retired in 1993, but remained active in the community in the choir and book clubs. This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke.Pam's story is significant because of her familial links to the Zwar Bros, who owned the tannery and employed a large percentage of the township and her work as a pharmacist in the Mayday Hills facility. She was the granddaughter of the tannery's founder and daughter of one of the three brothers who owned it until the 1950s. She become a pharmacist after studying in Melbourne and via correspondence from home, which demonstrates how university study was conducted in the 1940s. She worked in the psychiatric facility Mayday Hills, the former 'lunatic asylum', as a pharmacist after her separation form her husband from 1984 to 1993. Pam's story also demonstrated the expectation of women to leave their work to raise their families and the general expectations of women during the 1930s,40s and 50s. The project is significant because it records locally important stories and memories of the township in the 1900s. By recording the memories of some of the older members of the community, information on Beechworth's evolution as a township can be preserved. This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side.beechworth, burke museum, beechworth lunatic asylum, mayday hills, zwar bros. tannery, beechworth tannery, pharmacist -
The Beechworth Burke Museum
Audio - Oral History, Jennifer Williams, Mrs Sheila Parkinson, 3 January 2000
Mrs Sheila Parkinson was born in Wagga in 1916 and came to Beechworth as a young woman around 1938. Sheila trained as a psychiatric nurse at Mayday Hills hospital prior to the second World War. At that time, unmarried women were accommodated and received nursing training on-site. Shiela was obliged to cease professional training and employment when she married in 1941, which disrupted completion of her final nursing examinations. Following post-war changes to the law that allowed married women to work, Sheila returned to Mayday Hills. Sheila's husband, Don, returned to Beechworth after four years abroad as a serviceman in the Australian Air Force. Beechworth's institutions were a major source of local employment throughout the twentieth century. As well as providing limited employment opportunities to young women like Shiela, post-war European migrants from Bonegilla Migrant camp found at Mayday Hills, encouraging European migrant settlement in the district. Mayday Hills was renamed several times since its establishment in 1867. At the peak of operations, it comprised sixty-seven buildings housing over twelve hundred patients patients and five hundred staff. The hospital officially closed in 1998. Today, the decommissioned two-storey Italianate style main building stands on eleven hectares of botanical gardens under National Trust protection. The site remains a popular cultural heritage destination for visitors. This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth century Beechworth. The cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke.Employed as a psychiatric nurse at one of Beechworth's large welfare institutions, Mayday Hills, Mrs Sheila Parkinson recalls the conditions faced by staff and patients at the hospital, which cared for chronically ill people from the Ovens region and patients from the Yarra Bend Asylum, Melbourne, which closed in 1925. When Sheila first began her nurse training, Mayday Hills suffered from a lack of resources and rudimentary facilities and patients frequently suffered from the cold due to poor heating and inadequate clothing and bedding. However, as the twentieth century progressed, Sheila recalls how conditions and treatments improved as a result of increased government funding of services and advances in psychiatry and pharmaceutical medicine. Mrs Sheila Parkinson's oral history recording is historically and socially significant for its witness to life in Beechworth in the pre- and post-WWII period. Sheila's story enriches our understanding of processes of modernisation with regard to psychiatric and welfare services, while the course of Sheila's professional training and employment brings attention to systemic and socio-economic barriers faced by women, as well as the valuable contribution women and migrants make in the delivery of care and ancillary services. This oral history account is socially and historically significant as it is a part of a broader collection of interviews conducted by Jennifer Williams which were published in the book 'Listen to what they say: voices of twentieth-century Beechworth.' While the township of Beechworth is known for its history as a gold rush town, these accounts provide a unique insight into the day-to-day life of the town's residents during the twentieth century, many of which would have been lost if they had not been preserved.This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side.Mrs Sheila Parkinson /twentieth century beechworth, mayday hills, psychiatric care, benevolent asylums, nursing, wwii, psychiatric treatment, country women, psychiatric hostpital, beechworth's institutions, local employment, government institutions, listen to what they say, oral history, burke museum, sheila parkinson, beechworth lunatic asylum, beechworth mental hospital, beechworth hospital for the insane, the kerferd clinic, bonegilla migrant camp, working women, white australia policy -
The Beechworth Burke Museum
Audio - Oral History, Jennifer Williams, Mavis Jensen, 11 May 2000
Mavis Jensen (nee Knight) was born in Broadford in 1920 and came to Beechworth with her family a year later, so her father could assist his father at Knight's Blacksmith at 1A Camp Street, where the Hotel Nicholas is now located. Mavis Jensen left school at the age of 13 and worked as a kitchen maid at Ovens Benevolent Asylum. She was employed as a ward assistant at Mayday Hills Hospital from 1939 to 1980, except for 1958-59 when she gave birth to her son, Noel. This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke.Mavis Jensen's account of her life in Beechworth and the local area during the 20th century is historically and socially significant to the cultural heritage of the region. She details important historical events and hardships in the region's history that had a lasting local, regional and national impact, including Australia during war time, economic struggles, and women's societal roles in a rural area. Her oral history is particularly significant for its insights into developments in psychiatric patient treatment and care in regional Victoria, as well as women's work conditions in the mid-twentieth century. This oral history account is socially and historically significant as it is a part of a broader collection of interviews conducted by Jennifer Williams which were published in the book 'Listen to what they say: voices of twentieth-century Beechworth.' While the township of Beechworth is known for its history as a gold rush town, these accounts provide a unique insight into the day-to-day life of the town's residents during the 20th century, many of which will have now been lost if they had not been preserved.This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side.Mavis Jensen /listen to what they say, beechworth, oral history, burke museum, jensen, mavis jensen, psychiatric hospitals, mid-twentieth century psychiatry, regional hospitals, regional mental health care, mid-twentieth century women's working conditions, mayday hills hospital., ovens benevolent asylum, beechworth hospital history -
The Beechworth Burke Museum
Audio - Oral History, Jennifer Williams, Mrs Beth Miller, 8 June 2000
Mrs Beth Miller was born in February, 1924 in Latvia. Her family left for Germany after Russian occupation was implemented in Latvia, and eventually sailed for Australia from Naples, Italy in 1949. A working contract and position at the Mayday Hills Mental Hospital brought her to Beechworth, where she settled with her husband and parents. Mrs Miller recounts the daily work in the Mental Hospital during the 1950s, life in Black Spring and the isolation of the immigrant experience. This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke.Mrs Beth Millers account of her life in Beechworth and the local area during the 20th century is historically and socially significant to the cultural heritage of the region. She gives important insights into the life of post-war European immigrants in the area. This oral history account is socially and historically significant as it is a part of a broader collection of interviews conducted by Jennifer Williams which were published in the book 'Listen to what they say: voices of twentieth-century Beechworth.' While the township of Beechworth is known for its history as a gold rush town, these accounts provide a unique insight into the day-to-day life of the town's residents during the 20th century, many of which will have now been lost if they had not been preserved.This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side.Mrs Beth Miller /beechworth, beth miller, miller, listen to what they say, jennifer williams, oral history, latvia, bonegilla, immigration, mayday, mayday hills, mental hospital, asylum, black spring, bakery, lutheran, immigrant -
The Beechworth Burke Museum
Audio - Oral History, Jennifer Williams, Mrs Elva Hill & Mrs Mary Martina, 22nd August 2000
This oral history interview was conducted with two sisters, Mrs Elva Hill and Mrs Mary Martina. They describe growing up in Beechworth, living a fairly well-off life compared to others around them. Mrs Martina in particular talks about going to school, becoming a teacher, and helping to set up Beechworth Secondary School. She talks briefly about gender roles for girls in the classroom and how teaching has changed over time. Mrs Hill and Mrs Martina describe the Beechworth community as friendly, including towards migrants, and suggest they were not particularly involved in political movements except for protesting after the dismissal of the Whitlam Government. They discuss visiting the Albury Show. The sisters briefly discuss 'them pushing the wheelbarrow to Mt Buffalo'. This refers to a publicised wager between garage proprietor Tom Parkinson and Post Office Hotel licensee Tony Evans in 1935. Evans challenged Parkinson to push him in a wheelbarrow for over 80km (with an elevation of 1000m) from the Beechworth Post Office to Mt Buffalo in just eight days, with the winner awarded twenty pounds. A brochure was published with official rules, and the incident made international news in the New York Times. They briefly discussed that their parents worked at the 'Mental Hospital', the full name of which was the Mayday Hills Mental Hospital, known at other points as the Beechworth Asylum and the Beechworth Hospital for the Insane. This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke.The statement captures a personal perspective on the teaching profession and education at rural schools during the mid-twentieth century, with a focus on the experience of young girls and women going to school. It specifically discusses the establishment of Beechworth Secondary School. Mrs Hill and Mrs Martina also provide insights into the social dynamics of the town, as two girls from a well-off family discuss how they believed people from different backgrounds interacted with one another. The interview also puts Beechworth into a wider social context, as the women discuss how they were perceived when they went to College and how they interacted with wider politics. This oral history account is socially and historically significant as it is a part of a broader collection of interviews conducted by Jennifer Williams which were published in the book 'Listen to what they say: voices of twentieth-century Beechworth.' While the township of Beechworth is known for its history as a gold rush town, these accounts provide a unique insight into the day-to-day life of the town's residents during the 20th century, many of which will have now been lost if they had not been preserved.This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side.Mrs Elva & Mrs Mary Martina /listen to what they say, beechworth, oral history, burke museum, hill, martina, sisters, boarding school, rural school, primary school, beechworth secondary school, mayday hills mental hospital, gender, gender at school, entertainment, albury show, dress codes, wealth gap, whitlam dismissal -
The Beechworth Burke Museum
Audio - Oral History, Jennifer Williams, Mrs Helen Jackson, 9th March 2000
Mrs. Helen Jackson, originally from Melbourne, moved to Beechworth in the 1950s for the purpose of her husband's employment with the Mayday Hills asylum as a vegetable gardener. Living in Beechworth for over 40 years, Mrs. Jackson spent her time as a devoted full-time mother raising her family of biological and foster children where she has fond memories of Beechworth being a safe and fun place to live - "Oh it was, life was fun!". This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke.The oral history record of Mrs. Helen Jackson is a representative insight into life in Beechworth from the 1950s onwards, specifically in the descriptions of commerce, business, family, and leisure activities for residents of the town during the post-war period until the present day. Mrs. Jackson's recollections have a social value to the town of Beechworth as a local perspective on its development and contributes to its cultural and social history. This oral history account is socially and historically significant as it is a part of a broader collection of interviews conducted by Jennifer Williams which were published in the book 'Listen to what they say: voices of twentieth-century Beechworth.' While the township of Beechworth is known for its history as a gold rush town, these accounts provide a unique insight into the day-to-day life of the town's residents during the 20th century, many of which will have now been lost if they had not been preserved.This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side.Mrs Helen Jackson /listen to what they say, beechworth, oral history, burke museum, jackson, helen jackson, linda peacock, mayday hills