These cameras were made in Japan by the Canon Company which dates from the 1930s. Canon cameras were, and still are very popular as they are compact and have a simple ‘point and shot’ mechanism. The taking of family photographs has been a hobby for over 100 years.These cameras have no known local provenance but are retained for display purposes. .1 This is a Canon Elph Camera. It is rectangular in shape and mainly silver-coloured with a black lens. A black cord for holding the camera is attached. The camera is in a grey cloth bag. .2 This is a Canon Sprint camera. It is rectangular in shape and has a black body. A black cord for holding the camera is attached. The camera is in a buff-coloured cloth bag. This is slightly scuffed. .1 Canon Elph Canon Inc. Made in Japan 3104104 .2 Canon Sprint Approved JC11 canon cameras, history of warrnambool

The kerosene lamp was one of the most common oil lamps used and was manufactured until the 1980s. This lamp appears to be a modern reproduction of an earlier optional wall-mounted kerosene lamp. The lamp has been produced as an example of a 19th and early 20th-century marine kerosene navigation lamp. Marine lamp; portside metal kerosene lamp with two flat sides, and a curved front. The front has a red ridged glass lens insert and the name "port" is inscribed on a fixed brass plaque. A round chimney is on top of the lid and it has a catch. The fuel tank and wick can be removed through the base. The metal appears to be electroplated.Inscribed on the plaque; "PORT"warrnambool, shipwreck coast, flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, lamp, ship lamp, port lamp, marine lamp, navigation lamp, port, lantern, kerosene lamp, marine technology, ship light, portable lamp

Dr Mabel Maguire, widow of Dr Frederick Arthur Maguire (1888- 1953) donated it in 1962 along with a number of glass slides.Dr Maguire owned and used the item, giving Anatomy lessons to medocal students,. Used mostly in Sydney (University of Sydney) 1962Magic lantern or Baloptian [precursor to slide projector]. Model BC. Bausch & Lamb Optical Co, Rochester NY. Electrical, metal projector box with lens in bronze casing a timber frame for glass slides marked "(illeg.) PATENT ECLIPSE" an attached electrical lead with bakerlite plug. c1927.No slides, either missing or none received.instrument, optical

Yields information about the Sturt St landscape looking east.Digital Image of a tram turning from Sturt St into Drummond St North at 1.55pm - long telephoto lens shot from about Ripon St, looking east. Mt Warrenheip in the far background. Photo taken by Peter Bruce 1970's and 1971 prior to the closure of the Ballarat System. Peter's Title of image: 1.55pmtrams, tramways, ballarat, sturt st, town hall, drummond st nth

Yields information about the way the trams crossed Albert St Sebastopol.Digital image, black and white, of No. 41 crossing northbound in Albert St ex Sebastopol, the highway, from the west to the east side. Telephoto lens photos - shows both tracks and buildings. Photo taken by Peter Bruce 1970's and 1971, prior to the closure of the Ballarat tramway system. Peter's Title of image: "No. 41 crossing the highway"trams, tramways, albert st, sebastopol, tram 41

Colour photograph, image of part of township, showing Jemmys Point, Mount Barkly, North Arm and old North Arm bridge, football ground mid picture. View towards Rigby Island, Hopetoun Channel and dunes. Photo taken using telephoto lenses from near Telecom Tower on Merrangbaur Hill. Lakes Entrance Victoria bridges, waterways, township

These eight photographs were most likely taken in the 1960s in Lithographic Squadron at the Army Headquarters Survey Regiment, Fortuna, Bendigo. Although Photo .1P is not annotated the remainder have the name of the technicians written on the back. The equipment operated by the technicians is the KLIMCH Commodore camera. The main tasks undertaken by the technicians were most likely enlargements and reductions of map reproduction material. The KLIMSCH Commodore camera was introduced in 1953 and was the largest in the Southern Hemisphere. It was replaced with a new model of the same size in 1979. The new model with its computer-based interface provided productivity gains with improved speed and its consistent results led to less wastage in time and materials. Its variomat lens system provided improved retention of map feature linear weights during the camera reduction process. The typed description pasted on the back of photo .5P states “Cpl R. MacKenzie of Bentley, Perth (WA) of the AHQ Survey Regt, located at “Fortuna”, Bendigo, (Vic). Has been in the Army for 5 years. He removes the lens cap from the 70 inch F16 lens of the giant KLIMSCH camera used in map making for the Army. The camera which was specially made for the Army in Germany is fully automatic and power operated. It is claimed to be one of the biggest automatic cameras of its type in the world. It was made to the specifications of the Aust Army Survey Corps to assist in the production of the very high standard maps for the Army. The AHQ Survey Regt also assists Commonwealth and other Govt departments in the printing of maps required other than for Army needs. The KLIMSCH camera is used for cartographic mapping photography.” This is a set of photographs of technicians operating photographic reproduction equipment at the Army Headquarters Survey Regiment, Bendigo c1960s. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, black & white, c1960s, Les ‘Snow’ Taylor, Lithographic Squadron .2) - Photo, black & white, c1960s, Les ‘Snow’ Taylor, Lithographic Squadron .3) - Photo, black & white, c1960s, John Rolfe, Lithographic Squadron .4) - Photo, black & white, c1960s, John Rolfe, Lithographic Squadron .5) - Photo, black & white, c1960s, CPL R. MacKenzie, Lithographic Squadron .6) - Photo, black & white, c1960s, unidentified, Lithographic Squadron .7) - Photo, black & white, c1960s, George Graham, Lithographic Squadron .8) - Photo, black & white, c1960s, L to R: Bill Snelson, George Graham, Lithographic Squadron.1P – no annotation .2 to .4 – personnel names (less rank) annotated on back. .5 – name and rank annotated on back, with detailed typed description .6 to .8 – personnel names (less rank) annotated on back. royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr, litho

Associated sheet of paper inside box lists each of the test plates as having been tested and found defective.Cardboard box containing cotton wadding and straw padding layered above glass plates individually wrapped in tissue paper. Five plates in the top layer, followed by more padding, 2 more plates, padding, 8 glass plates, padding and straw. Plates are variously sized and circular in shape.Handwritten on box lid: 'REJECT TEST PLATES / MK1 DIAL SIGHT' unreadable handwritten inscription '18' '[E. E. N Wa...worth] / [...] / [Kob...]' '23/11/45' Munitions labelled with technical specifications of each lens. dial sight, optical munitions, glass, mk 1

Binoculars (or field glasses) issued to service personnel during the Boer War era. Typical non-prismatic binocular design with a central thumb screw for adjustment of focal length. The tubular optics have a swivel action to adjust for eye width. There are sliding sun hoods on the large lenses. Manufactured from brass with leather grips and loops for attaching a carrying strap.Marked with the British Department of Defence arrowhead and has the following inscription "Mk V Special 2D998"

This item and it’s associated gas mask (Cat.No. 0096.1) are of a style typical of German WW2 gas mask and connister, but the use of vinyl instead of rubber and the Spanish manufacture of the gas mask suggests post WW2 manufacture. German WW2-style tin gas mask container, with hinged lid with clip. Lid incorporate stowages for anti-fog lenses (2 in grease-proof envelope). Three loops for attaching webbing. Webbing carry straps missing. Olive green paint. Removeable cover from gas mask filter (ref: Cat.No. 0096.1) stowed loose in cannister.

This item represents a period in time when there was the start by manufacturing industry for targeting the medium to lower socio and economic strata of the purchasing public. It was the beginning of cheaper mass produced items for the non professional (photographer in this instance) recreational minded public. The availability of low cost items was required by an ever increasing population hungering for the "do it yourself" amateur.This camera was owned by Margaret (Peg) Shefford nee Turner, who retired to Mount Beauty in the mid 1980s. The camera was purchased in 1920 and used up to the 1940's when her her daughter, Midge Clooney used it. When the Shefford family emigrated from England to Australia (1953), it was used to take photos of the ship voyage.This item is a Campfire Box Brownie. Model "F". It is a black vinyl covered tin box shell. It has a short leather hand strap (110mm) (stamped "BROWNIE") on the top side of the box, fastened by a metal stud at each end. There are two clasps holding the front and rear sides. Viewer (photo frame number) and lens (apertures) are on opposite sides.Stamped within a circular section on the back section is "No 2 BROWNIE" underneath,"MODEL F" in smaller letters "MADE IN CANADA BY CANADIAN KODAK Co., Limited, TORONTO, ONT". a smaller circle within has "USE KODAK FILM No_ 120"portable camera, photography, hobby, low cost camera

Originally used in metallurgy. It was probably acquired c1900. Initially it was equipped with carbon arc light source. Later, in the mid-sixties electric filament light was installed by Lindsay Pattenden, lecturer in Metallurgy.A microscope designed for examining prepared surfaces of opaque objects, e.g. polished metal alloy specimens placed on top of the viewing stage. Equipped with a light source and with two viewing posts, one which is designed for a camera. The accessory box (.2) is a polished timber box with drawers which hold lenses and other accessories. Instructions are filed with the catalogue worksheet.reichert, microscope, lindsay pattenden, carbon arc, metallurgy

A portable signalling lantern AP1038. The bulb is an Edison mazda 1w2v. Patt 1039A. the battery was rechargable. On inside of lid on top reads "Admirality Pattern 1038 Lantern, signalling, Portable, for V/S. S/No: 2759, Year 1944. lantern used for night time convoy. It has five coloured lenses - blue, red, green, white and clear.lantern, signals, lamp

This collection of glasses and cases was donated by Miss Connie Cruickshank. She was part of the family of Orbost's first doctor, Dr James Kerr. As the 19th Century came to a close, more and more people wore their eyeglasses everyday. A popular style of inexpensive, everyday spectacles was the pince-nez. French for "pinch nose," the pince-nez was first developed in France circa 1840 and began to be imported after the 1850s. Pince-nez have no temples, but are fit snugly on the bridge of the nose. Pince- nez could be uncomfortable to wear and broke often from falling off the nose. These items demonstrate how glasses' styles have changed over time. One pair of pince-nez glasses and its brown leather case shaped to fit. One solid black wooden case with a small hinged door at one end. One blue/black case with the words A A Abotomey 14 Carpenter Street Middle Brighton in gold lettering. Five pairs of spectacles, one with blue coloured glass with crack in one lens.A A Abotomey 14 Carpenter Street, Middle Brightonspectacles spectacles-cases pinz-nez

This camera was manufactured for a period of around 20 years, firstly in the USA and later in Great Britain. It is a simple to use basic model which used 127 film.This camera has significance as a very popular and cheaply made model which made photography accessible and relatively inexpensive to many..1 This camera is a rectangular hexagon shape with metal top and bottom and bakelite body. It has two circular winders on the bottom and a flip up section on the top which reveals the viewfinder.. There is a narrow neck strap attached with metal screws. There are two circular sections on the front , one being the lens. .2 The rectangular box is solid black cardboard on the base and is fitted with a yellow .1 Brownie Reflex Made in England by Kodak Ltd London. .2 Made in Great Britain by Kodak Limited London Brownie Reflex with Flash contacts.brownie reflex camera, warrnambool history

The donor received the projector from a relative. He used it in the City of Whitehorse and surrounding areasWaterworth Slide Film Strip Projector, Model A - 300 watt, without a fan but with ventilating slots on top and an open bottom for air to flow. It has a carrying handle and a power lead with 3 pin plug which is wired in permanently. The projector lamp is at rear under the carrying handle. Image is projected through three stage lens via via the image on the 35mm strip or slide. The front lens is adjustable for focus. A knurled nut enables a height adjustment at front. Slides are inserted through the holder - whilst one slide is shown the other can be loaded ready to be slid in front of the light. The film strip holder is missing. The unit is finished in a grey hammer finish paint used in 1960 t0 1980s. The operating instructions are filed in the supplementary envelope. The projector is stored in a hand made three ply hinged box.Waterworth Hobart 5553Aphotography, projectors

Item in the collection re R T PHILLIPS VX113093, refer Reg No 3239P for his service details..1) Pilot's flying goggles. Pear shaped lens, pivoted in centre made probably of multi layer glass. Painted black metal frame. The surrounds are of a stretch fabric material. The air seal is an open weave material with lambswool stitched into it. An elastic strap with two buckles hold it on the user's head. .2) Small black leather case to hold goggles. Press stud closure.military equipment - air force, flying

History prior to 1946 unknown. Camera etc was purchased by the donor in 1946 from Herbert Small Camera Supply then in Elizabeth Street Melbourne. Donor used camera regularly until recent years.'Etue' folding camera with accessories (camera, case, 3 negative containers in a imitation leather & cardboard container) and an additional slide tray. Camera can be used with glass plates, cut negative film and film packs. When camera is opened the lens, bellows etc slide into position. The whole lot slides on a rail system and can be locked in the position required. Item to be photographed can be viewed in a viewfinder which can be turned to a horizontal or vertical plane. In the viewfinder has a small bubble level. It includes an oblong chrome wire which is used to set the minimum distance from lens to object.|Camera is of steel covered and is covered with leather with a carrying handle. provision is made in the back to carry a film slide in a small envelope style pocket|Camera is made by Kamera Werkstatten of Dresden c1920.|It has a 'Zeiss Tessar' 1:4.5 lens of 10.5 cm focal length. Shutter is a 'Compur' with speeds of 1 to 1/250th of a second with Bulb and Time. It also has a delayed action feature. It also has a double extension for close up studies.|When folder it is a mere 4.5 cm from front to back, which cause it to be advertised as the slimmest camera made.|Camera case is made of brown tooled leather with a chrome clip and adjustable carrying handle - lid open upwards for the camera .Case is lined with a purple type of velvet material. 10 Items in total.photography, cameras, camera accessories

Heavy loose-leaf binder, brown hardcover. The book contains optical prescriptions dating from the late 1950's to the late 1960's. The pages are indexed alphabetically. After the name of the patient a description of the lens prescribed. The binder can be locked and there is a key in the lock attached to the key a label: "J.S.R. Barker, Chemist and Kodak dealer, 65 Mestyn Street, Castlemaine. Optical Px book. Medicine urgent".On front cover in pen: No.269 April 1954 a list of names, in the middle printed in red "Conquest series, loose leaf binder and a picture of a knight on horseback. Norman Bros Pty ltd, 60 Elizabeth Street, Melbourne". On the first page a label with the words Optical Px book J.S.R Barker, M.P.S. Pharmaceutical Chemist, Phone 34, Castlemaine.medical, optician, prescriptions

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.Donated by the Rennie Ellis Photographic Archive

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.Donated by the Rennie Ellis Photographic Archive

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.Donated by the Rennie Ellis Photographic Archive

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.Donated by the Rennie Ellis Photographic Archive

Rennie Ellis (1940–2003) was as a pivotal figure in Australian visual culture. He was both a documentary photographer and a prominent presence in advertising, television and photography. Ellis was known for his candid documentary images of contemporary Australian life. His photographs of social events, such as music festivals, fashion parades or nightclubs are iconic, but his practice also encompassed the grittier side of life. In his AFL series, Ellis skilfully portrays the nation’s passion for the game, extending his lens beyond the boundary line to showcase the spirited fans alongside the on-field action.Donated by the Rennie Ellis Photographic Archive