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Geoffrey Kaye Museum of Anaesthetic History
Equipment - Airway, Guedel
Oral airways, such as the Guedel, make it much easier for patients to be ventilated. They depress the tongue and prevent it from falling to the back of the throat where it would obstruct the airway.Curved, red rubber tubing with a metal connector in one end. 19M.M. DOairway, ventilation, obstruction, guedel, rubber -
Geoffrey Kaye Museum of Anaesthetic History
Equipment - Draeger Pulmotor, c.1920
The Dräeger Pulmotor was developed in 1907. It addressed previous concerns about lung injury, by limiting both the inspiratory and expiratory pressures. Although still controversial, the Pulmotor was widely distributed and commercially successful. Oxygen from cylinders provided both the inspiratory gas flow and the driving mechanism. Expiration was an active process and gases were sucked from the lungs by negative pressure created by a Venturi effect. This device came with a facemask and harness, with a caution that the operator should take care to prevent air entering the stomach.Draeger resuscitation kit, inside wooden case with handle. Case contains small heavy gas cylinder with large beige handwritten 'S. M E' inscription on one side. Due to water damage case missing pieces of plywood in corner and floor of case bubbled and swollen.|Rubber decomposed rigidinspiratory, expiratory, pulmotor, negative pressure -
Geoffrey Kaye Museum of Anaesthetic History
Document - Book, Practical Anaesthesia, 1932
Practical Anaesthesia was the first text book on anaesthesia produced in Australia. Geoffrey Kaye was one of the contributors to this book, which included a foreword by F.H. McMechan, Secretary General, International Anesthesia Research Society.Hard covered burgundy book with gold leaf letter on front and spine and gold leaf trim on all faces.geoffrey kaye, mcmechan, international anaesthesia research society, alfred hospital, baker institute -
Geoffrey Kaye Museum of Anaesthetic History
Unknown - Ampoule, Caffeine
Persian physicians Rhazes (860–932CE) and Avicenna (980–1037CE) mentioned coffee in specialised writings, describing its medicinal properties. Although caffeine took centuries to find its way to Europe, it was quickly found to have medicinal value. Coffee has been mentioned in medical journals since the beginning of the eighteenth century, emphasising its capacity for nervous and vasomotor stimulation. Caffeine is a central nervous system stimulant of the methylxanthine class of psychoactive drugs. It is the world's most widely consumed psychoactive drug. Pfizer acquired David G Bull in 1984.Small clear glass ampoule with black printed text on surface containing the amber coloured liquid of 2 grains in 1 cc Hermette Caffeine. -
Geoffrey Kaye Museum of Anaesthetic History
Equipment - Ampoule, Camphor
Camphor has been used traditionally for many years, solely or in combination with other treatments for the relief of pain, inflammation and irritation in body and skin. Persian physicians Rhazes (860–932CE) and Avicenna (980–1037CE) used camphor extensively in the treatment of particular types of headache. Symptoms of camphor poisoning include “psychomotor agitation” and hallucinationsPale blue cardboard box with blue manufacturer's label across the face of the box and down each side. The label has black printed text. Inside the box is allocation for ten (10) ampoules. There are three (3) clear glass ampoules each with a pale blue label with black printed text. A metal blade is wrapped in tissue paper and a thin, squared off piece of metal is also wrapped in tissue paper.pain medicine, inflammation, rhazes, avicenna, camphor, headache -
Geoffrey Kaye Museum of Anaesthetic History
Document - Poster: Restoring the Apparently Dead, 1888
Poster from the Royal Humane Society of Australia outlining instructions for "Restoring the Apparently Dead". The original poster is printed in black ink on silk .resuscitation, drowning -
Geoffrey Kaye Museum of Anaesthetic History
Photo album, Anaesthetic trays, 1950s - 1970s
The photo contains a series of photographs depicting the correct procedure for setting up an anaesthetic tray for theatre.Green, leather bound photo album with brown leather edge, held together by brown and gold yarn. There is gold gilt lettering on the front, surrounded by a gold gilt decorative oval, spelling out "Photographs". Inside the album are a series of heavy paper pages with photographs and labels stuck on to them. Not all pages have been used, and additional photographs were stored among the blank pages. These have now been relocated to BK3. The photos depict the various ways in which an anaesthetic tray should be prepared for particular types of operations.White sticker [discoloured] adhered to top right hand corner of photo album, with handwritten inscription: ANAESTHETIC TRAYSanaesthesia, anesthesia, surgery, boyle's machine, trilene, ether, laryngoscope, endotracheal tubing -
Geoffrey Kaye Museum of Anaesthetic History
Bird Anaesthesia Assistor/Controller Mark 4
The Bird Mark 4 is an anaesthesia assistor or controller with pressure and volume controller to be driven by a respirator. Combination of Mark 4 with respirator makes an automatic anaesthesia respirator eliminating manual bagging. The machine can work through Boyle anaesthetic system. It is designed for both paediatric and adult application. (Drugs and Equipment in Anaesthesia Practice, Aruna Parameswari, 2019)Green metal box atop a clear plastic unit with a black bellows inside, which forms one part of the overall unit. The unit is attached to a pole, enabling height adjustment. The pole is, in turn, attached to a set of four castors [not original].White text on black stick on strip on top of metal box: DO NOT PULL APART / FOR USE IN THEATRE ONLY A series of instructions are printed in white text over the unit.anaesthesia assistor, anaesthesia controller, pressure controller, volume controller, paediatric, adult -
Geoffrey Kaye Museum of Anaesthetic History
Album - Photograph album, Rupert Hornabrook
This photo album depicts a small period of time during 1919, and highlights some of the anaesthetic work conducted by Dr Rupert Hornabrook. There is no record as to the reason for the construction of the album, but it appears to offer insight into his work the Dental School, as well as experimentation with different types of anaesthetic agents, using himself as a test subject.Rupert Hornabrook was an early full-time anaesthetist in Australia. He helped to develop anaesthesia into a specialised field of medicine by conducting research into the way anaesthesia worked, and its effects on the body. This album is of historic significance as it not only documents a specific period in the professional life of a full-time anaesthetist in Australia, it also documents anaesthetic equipment, and the way it was used.Blue photograph album with vinyl wrapped heavy card cover. A three ringed binder is attached to the inside of the album and sixteen (16) photographs are inside, mounted on heavy card. Each photograph has a typed label on white paper in blue ink adhered to the front describing the events of the photograph. Photographs depict various administrations of ethyl chloride as anaesthesia and analgesia, with many photographs of Rupert Hornabrook. -
Geoffrey Kaye Museum of Anaesthetic History
Photograph - Portrait, Lennard Travers, 1959
At the conclusion of their term of office, former deans of the Faculty of Anaesthetists at the Royal Australasian College of Surgeons would have their portrait taken.lennard travers -
Geoffrey Kaye Museum of Anaesthetic History
Photograph - Photographic Portrait, Athol Shmith, Robert Orton, 1955
At the conclusion of a term in office, the Dean of the Faculty of Anaesthetists would have their portrait taken.This photograph is one in a series which documents the history of the development of the Faculty of Anaesthetists through portraits of past deans. The tradition has continued through to the development of the Australian and New Zealand College of Anaesthetists, although that also marked a transition to oil paintings rather than photography. This portrait was photographed by renowned photographic artist, Athol Shmith. As such it holds both historic and artistic significance.Black and white image of Dr Robert Orton, wearing the robes of office of the Dean of the Faculty of Anaesthetists of the Royal Australasian College of Surgeons (predecessor to the Australian and New Zealand College of Anaesthetists).robert orton, faculty dean, dean's robes, official portrait -
Geoffrey Kaye Museum of Anaesthetic History
Painting, Trevor McNamara, Return to Forever, 2002
The Australian and New Zealand College of Anaesthetists (ANZCA) began as a faculty at the Royal Australasian College of Surgeons (RACS). Separation was achieved in 1992, when the faculty became a college in its own right. The relationship between ANZCA and RACS has been strong ever since, and on opening the new building at the rear of the property in 2002, RACS gifted this painting to ANZCA.Mixed media abstract on square canvas. The painting is an orange, grey, green and white background, with an abstracted landscape in black to the centre.Handwritten in blue permanent marker on reverse: -RETURN TO FOREVER- / T MCNAMARAHandwritten on white sticker adhered to frame: TREVOR MCNAMARA / "RETURN TO FOREVER" / 160 X 160 / MIXED MEDIA / W: 3862 BTY ZAW -
Geoffrey Kaye Museum of Anaesthetic History
Equipment - Electroconvulsive therapy machine
In 1940 doctors started experimenting with curare for use with electric shock therapy. Electric shock therapy regularly caused broken bones, including vertebrae, and all sorts of dislocations. The intensity of convulsions was high and couldn’t be controlled. During the 19th Century curare was unsuccessfully used to treat rabies, tetanus and epilepsy. By 1935, Harold King had isolated tubocurarine, curare’s active ingredient. In 1942, Harold Griffith successfully used standardised curare (Intocostrin) with cyclopropane. Within five years synthesised muscle relaxants were available. Intocostrin, combined with an anaesthetic agent, was a break-through for this treatment.Solid wooden box with three separate sections inside box. First section contains electrical lead for attaching unit to mains power. Second section contains ECT unit and controls. Third sections contains electrical lead ending in plugs for holding in hands. Sections cannot be separated out, they form one unit.Etched on to the face of the internal unit: PROPERTY OF / THE ROYAL WOMEN'S HOSPITAL Label tape affixed to top of the lid: E.C.T. UNIT OP. THEATRES R.W.H.anaesthesia, muscle relaxants, electroconvulsive shock therapy, women -
Geoffrey Kaye Museum of Anaesthetic History
Equipment - Ether dropper
"Y" shaped hollow metal tubing with a red rubber stopper at the intersection of the "Y". -
Geoffrey Kaye Museum of Anaesthetic History
Equipment - Bellamy Gardner mask, 1908
H. Bellamy Gardner, an anaesthetist at the Charing Cross Hospital, was the first to use open ether in England and was responsible for popularizing the technique. Bellamy Gardner's mask consists of a wire frame which was covered with layers of gauze. He recommended constructing a face-pad consisting of several layers of gauze which were rolled together and tied to make an oval. This was applied to the face and the mask rested on the top. Ether was then administered directly on to the mask.Oval chrome-plated steel wire frame designed to fit around a face. The wire-framed dome has both vertical and horizontal wire components to sit over a patient's nose and mouth. Ether was applied to a gauze pad which was held securely in place by a hinged wire lid. This is a modified version of Bellamy Gardner's original mask.Etched on clasp: BELLAMY / GARDNER'S / ETHER MASKether, gauze -
Geoffrey Kaye Museum of Anaesthetic History
Equipment - Syringe kit (empty), Chas F Thackray Ltd
Steel box holding syringe parts. There are four hollow metal rods resting in metal clasps attached to a baseboard inside the tin. Some of the rods appear to have metal wire threaded through (purpose unknown). There are a number of clasps attached to the baseboard and top-plate which indicate syringes would have been housed there.Maker's mark stamped into tin: THACKRAY / LEEDS -
Geoffrey Kaye Museum of Anaesthetic History
Equipment - Syringe
Pale blue cardboard box with white (discoloured) and blue manufacturer's label adhered to front. Inside the box is a cardboard rest holding a glass syringe with metal point and hand grip. The plunger has a metal end, with a rubber or plastic plunge. The manufacturer's label records it as a Record type hypodermic syringe, an Everett Product, and distributed by the Amalgamated Dental Co Ltd of Melbourne and Sydney. Additional information on the label suggests it have been marketed as The Laminex. -
Geoffrey Kaye Museum of Anaesthetic History
Equipment - Syringe kit
Stainless steel box containing a baseboard with clips to hold objects in place, a glass syringe with metal tip and glass plunger, along with two stainless steel syringe points. -
Geoffrey Kaye Museum of Anaesthetic History
Equipment - Syringe
Glass and metal 10cc syringe with nozzle for connecting needle offset from the centre. -
Geoffrey Kaye Museum of Anaesthetic History
Equipment - Syringe
Glass syringe with metal plunger and a three finger grip. There is red printed text on the barrel, including measurement lines for drawing up to 10cc of liquid. The nozzle is offset, not in the centre. -
Geoffrey Kaye Museum of Anaesthetic History
Book - Case book: Joseph Clover, Medical Observations J.T. Clover, 1846
Dr Joseph Clover was an early pioneer of anaesthesia, particularly chloroform. Like most physicians, he recorded his work in a casebook. This casebook records Clover's first administration of ether as anaesthesia. The book was given to Professor Robert Mackintosh by Mary Clover, Joseph Clover's daughter. along with other casebooks. Mackintosh then proceeded to re-gift the casebooks and they are now dispersed. Clover wrote this casebook when he was a medical student, before he trained as a surgeon and around the time that anaesthesia was discovered. He eventually became the most important authority on anaesthesia in Britain and is featured on the crest of the Royal College of Anaesthetists. This artefact associated with one of the world's foremost pioneers of anaesthesia is historically and scientifically significant on an international level, and is significant for its rarity, condition and research potential. It is one of the most significant items in the Collection.Bound book with heavy marbled card cover with red leather binding strip along the spine. Insides leaves have handwritten text by Joseph Clover recording his work.joseph clover, robert mackintosh, mary clover, anaesthesia -
Geoffrey Kaye Museum of Anaesthetic History
Equipment - SS White nitrous oxide/oxygen apparatus
With the introduction of nitrous oxide for patients undergoing dental treatment, 100% nitrous oxide was usually administered as an anaesthetic. This caused the patient to lose consciousness quickly and could also cause severe hypoxia. In the late 1890s, dentist Samuel Stockton White introduced this two cylinder apparatus, which could administer oxygen with N2O.Early model apparatus with cast iron stand, and two gas bottles. Comes with two canvas gas bags and a detached metal mask and fabric connecting tube.samuel stockton white, nitrous oxide, oxygen, hypoxia -
Geoffrey Kaye Museum of Anaesthetic History
Equipment - Magneto Electric Machine
Experimentation with electricity for medical purposes has its origins in the late 18th Century. Throughout the 19th Century it became more common, including as a proposed treatment for 'nervous' disorders. This device is a small, portable, 'at-home' device.Device for administering electric stimulation to patients. Consists of a wooden box containing a hand driven generator, with terminals for the attachment of electrodes that may be held by the patient or placed against the patient's skin. The directions for use include information about wetting the sponges and the patient's hands before cranking the machine to produce a small electric shock. -
Chinese Museum
photographic print (framed), 'The Young Chinese League Annual Ball in the St Kilda Town Hall, September 21st 1947', 21 September 1947
This photograph was taken of the debutantes and their partners presented at the annual debutante ball held at St Kilda Town Hall. This photograph is significant for its links to the Chinese Young League. The League was formally established on 4 October 1932 to to promote free social intercourse and goodwill among its members and their mutual improvement. Membership was open to all persons, with one or both parents or grandparents born in China. Wives of Chinese members were permitted as members with the same privileges. It was a significant social organisation for Chinese-Australians in Melbourne in the mid to late twentieth century.Black and white photograph (vintage) with cream frame under glass. Has a cream card mount which provides details of the ball and names the people in the photograph.Front of card title top centre: 'The Young Chinese League Annual Ball at St Kilda Town Hall, 1947'. Bottom centre: DEBUTANTES Back Row: Alex Chun Tie, Vernon Ah Mouy, Maurice Lee, Robert Kwong. Third Row: Harold Chin, Alan Lim Joon, Lennie Quon, Eric Moy, Edward Chin. Second Row: June Lee Gow, Evelyn Law, Annamae Young, Mrs L.M.Wang, June O'Hoy, Rose lee, Audrey Lau. Front Row: Jean Wing Dann, Marjorie Kwong, Connie Ham.'young chinese league, debutante balls, st kilda, melbourne -
Jewish Museum of Australia
Schwarz, Mr Paul, Four scenes of daily life in Theresienstadt by Paul Schwarz, 1943, 1943
Mounted watercolour, ink and pencil on paper.Signed and dated on right image (LR): "Pali Schwarz 1943" UL image: Reinigungdienst [Cleaning Squad] CL image: Auskunftei des Orientierungsdienstes B.V. [Information and Orientation Booth- Magdeburger Barracks] Other Inscriptions: LL image: Eigene Aufwarmekuche in L124 [Private kitchen for warming up food in L124] Image on right: CIII. Frauen-Kaserne/Hamburger/Haupteingang: Allabendlicher Abscheid: Wenn's 20 Uhr Wird [CIII. Women's Barracks/Hamburger/ Main entrance: Nightly farewells at 8 pm] holocaust, second world war, 1939-1945, czech republic, jewish history & people -
Jewish Museum of Australia
Schwarz, Mr Paul, Theresienstadt: Im Schatten des Kastanien by Paul Schwarz, 1944, 1944
Mounted watercolour and pencil on paper.Handwritten (LL): "Pali Schwarz 1944 Terezin" On reverse, handwritten in pencil: "Theresienstadt: Im Schatten des Kastanien" [Under the Shade of the Chestnut Tree]second world war, 1939-1945, jewish history & people, holocaust, czech republic -
Jewish Museum of Australia
Lowit, Mr. Leo, Problem-solving by Leo Lowit, c. 1942, c. 1942
Mounted ink and wash on paper.Handwritten (LR): Löwit Other Inscriptions: Center, inscribed on a wall: "Ich habe mehere Nächte darüber nachgedacht - und bin nun endlich auf eine hervorragende Idee gekommen - das Problem der imme anwachsenden Insassenanzahl im Ghetto zu lösen es wird notwending sein: (1) die Insassen schichtenweise quer uber einander zu legen, was bei einer durchschnittlichen Hohe der Raume von etwa 3m ganz besonders günstig sein durfte --- und (2) schlage ich vor, während der Winter monate alle Boden in heizbare Raume zu verlegen" [I have pondered for many nights and have finally come up with a great idea for the problem of the ever-increasing population of the ghetto. It will be necessary: (1) to stack the inmates at right angles on top of each other which should prove particularly useful in rooms approximately three meters high, and (2) I suggest that during the winter months all attics be made into rooms that can be heated] Center, inscribed on a selection of files: "GHETTO AUFBAU ROBERT MUNORY" [Ghetto Construction, Robert Munory] second world war, 1939-1945, jewish history & people, holocaust, czech republic -
Jewish Museum of Australia
Lowit, Mr. Leo, Emigration to the whole world by Leo Lowit, c. 1944-45, 1944-45
Mounted watercolour and ink on card.Handwritten in Czech on a globe of the world: "Emigration to the whole world from Theresienstadt"second world war, 1939-1945, jewish history & people, holocaust, czech republic -
Jewish Museum of Australia
Lowit, Mr. Leo, Women and luggage in endless arched corridor by Leo Lowit, 1943, 1943
Mounted watercolour and pencil on paper.Signed and dated (LR): "Lowit15/VI 43"second world war, 1939-1945, jewish history & people, holocaust, czech republic -
Jewish Museum of Australia
Chess set
This chess set was carved from local wood with bases made from halved cotton reels. The chess pieces take the shape of Australian animals, and Aboriginal men and women. The set was presented to Mr. Benzion Patkin, Honorary Secretary of the Zionist Federation of Australia, by Tatura internees in recognition of his assistance, in particular, his assistance in facilitating the emigration to Palestine. According to Mr. Patkin, he received the chess set in a wooden box inscribed, "With our sincerest thanks from your Zionist friends - Tatura, on the way to Eretz Israel, per Leonhard Levin, 20.11.1942.".Written in pencil UR corner, upside down: (22) Printed in black ink: "B. & H. PATKIN Flat (printed 2 corrected in pen and ink 4) 313a Dandenong Road Windsor 3181 Victoria Australia Tel: Home 51 - 5671 Bus 63 - 8959"dunera, wwii, internees, jewish history & people